lantern process

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STUDENT NO: 576438 SEMESTER 2/2012 GROUP 3 ULA MOHAMED RASHEED IBRAHIM

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making a lantern

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Page 1: Lantern process

STUDENT NO: 576438 SEMESTER 2/2012 GROUP 3

ULA MOHAMED RASHEED IBRAHIM

Page 2: Lantern process

Aim

Objective

‘Gain an understanding of design, resoning and application of analogue & digital representation’

‘Understand how different types of prepresentation can sup-port initiation of design ideas, promotion of design propos-als and technical descriptions enabling their construction or realisationTo develop an ability for critical analysis and interpretation of design representation’

Page 3: Lantern process

Patterns & Forms

Nature & OriginalityCopied or Restructured

Chemical reactions

Abstract forms

Discover, Analyze, Rearrange

Visual appeal

Functions & Priority

Detail & Preciseness

Tension & Force

Ultimate PurposeSurrounding

Adabtability

Mind Map

Inspiration

Page 4: Lantern process

INSPIRATION

Inspiration begins from nature. The intricate details that lie hidden in minute forms hold the key to successful execution of many useful properties. The processes that take place to form these nano structures is the most intriguing factor; neither can it be deduced nor can it be predicted.

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Exploration

The process of ideation involves both cognitive and expressive interpretations. This helps to identify the underlying design principles, caliberate a prototype and illustrate . Vast amount of digging and exploring is the key to a successful outcome. These tech-niques ensure that multiple pathways would lead to a better understanding of what forms I can work with and why. The question why is as important as the end result.

Design work flow

Explore different ideas in order to find specific/ tar-get keys that is inspirational

Understanding to how these processes work and why they are of value

Choosing an idea to refine even more, start to build pro-totypes in order to under-stand perceptions and forms

Grasping the favourite con-cepts and their effect on na-ture, identify key steps that makes the object why it is

Refine the ideas and find suitable and sufficient answers to why the patterns are the way they are

State of mind should be filled with different concepts of patterns and ready to choose

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Processes & Nature

Nature is filled with awe and inspiration. THe self organizing skill of the remark-able system inspires me to fully indulge in the information provided by na-ture. These traits can be seen as adaptability skills in order to ensure that the species survival is carried on. There are two types of natural processes.

Biomimicry Natural forms

The context of Biomimicry is to extract information from natural designs and implementing them to solve human challenges. Biomimicry is a leading field that demonstrates nature at its finest work.

Nature provides us with various complex de-signs that hides constructive meanings. These ideas are sometimes taken by architects or designers to design bjects and structures.

Page 7: Lantern process

IDEATION Based on Natural Forms

Ideation is unique to the person who seeks it. Nature is filled with complex and extraordinary systems. The following ideas are chosen samples of won-

dorous patterns that appear continuosly.

The Spider-web concept is one of nature’s wonder. The spe-cial silk that spiders produce and weave them in the direc-tion facing South only adds to the mystery of this spectecular phenomenon. Simple yet com-plex, Simple yet complex, the silk woven by the spider is stronger than steel and lighter than fibre. Humans’ are yet to recreate this

special strand of amino acids.

The Human brain is a miraculous or-gan. The organ stores the information percieved by the person along with all the actions and systematic information to function in daily life. All these actions and remembrance are made by tiny neurons firing up when needed. Under a MRI machine, the magic is unvieled. Emotions, feelings and other activities are seen patterning in different forms depending on the strongness or prob-

lematic areas.

Fungis, Bacterias & Viruses are nano micro-organisms that have aston-ishing forms. Usually, Bacteria and Fungi are found in colonies rather than the Virus who tend to maneu-ver on their own. When colonies are zoomed in, it’s like stepping into another reality. These organ-isms work in various ways, repro-duces asexually and sexually and when met with a neighbouring col-ony they tend to be non hostile or hostile depending on the type they run into. The shapes, patterns and colors of these colonies is simply

breath taking.

Fungi, Bacteria, Viruses Human Brain Spider Web

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IDEATION Based on Biomimicry

The Lotus leaf is a very good example of a self cleaning system. It is free of con-taminants by possessing small bumps on the surface as a coating that ena-bles water to slide past it while carry-ing any dirt that lies on top of the leaf. This idea has been applied by the Wil-helm Barthlott in an exterior paint that has the same effect as the lotus leaf.

The Box- fish Also known as ostracion cu-bicus has the ability to swim very fast despite its box shape and size. By tak-ing its low co-efficient of drag and rigid exo skeleton, Mercedes Benz engineers came up with a concept for their new car with the same shape like structure as the box fish that proved to have one of the lowest co-efficient of drag ever tested.

Surprisingly, the Peacock feather has only one pigment (brown) but man-ages to bring out exotic colors. This ef-fect is brought on by capturing light within its layering of keratin proteins combined with melanin background that causes the light to bounce off and ‘producing’ the color. A Japanese company got inspired by this trait and created a reusable display sign that alters through contact with UV light.

Lotus Leaf Box Fish Peacock Feather

Page 9: Lantern process

Aspergillus

Aspergillus is a mold speces found in various places around the world. It was named after holy water sprinkler due to the similar shapy by Biologist Pier Antonio Micheli. Some species of Aspergillus is imported for medical and commercial purposes. Some of the asperlligus species are pathogens causing infection to people and ani-mals. Microbial fermentations use a species of aspergil-lus to make alcoholic beverages like Japanese sake. A type of the species, Aspergillus niger is used for the production of native and foreign en-zymes, including glucose oxidase and lysozome.

A very excellent visual representation of Aspergillus.http://www.youtube.com/watch?v=sbaWbiFt_Go

Page 10: Lantern process

Culture Growth

The growth traits of Aspergillus was observed to have Thermotolerence which means they are able to thrive at less than or equal to 37 degrees celsius. Their germination & growth efficiency seems to peak at this temperature. They also have the ability to sense and utilize nutrients from various sources. This is known as Nutritional versatility. The form of growth adopted by these organisms is known as Radi-al Growth. This form of growth be-gins from the centre and expands radially while forming colonies.

The following graph shows the correlation of three different spe-cies A. Fumigatus, A. Flavus and A. Niger. They all seem to have a higher gernination rate from the beginning. Below the graphs show the growth rate of the three different species in two dif-ferent temperature conditions.

Page 11: Lantern process

The following graph shows the correlation of the three species and their germination rates at varying temperatue ranges. The surviv-al of these organisms depend on the effec-tive germination at their body temperatures.

Spores (Conidia)

These spores (conidia) floats in air and colonize or-ganic matter. They also infects hosts when they land.

Page 12: Lantern process

THe Hyphae is the key feature in development of the 3 dimensional structure of fungal bio films. The Hyphae display an array of matrix bound like structure. These structures carry the Conidia and helps in dispersing them. The growth of these hyphae are spectacular. The following video shows the growth of the hyphae.

h t t p : / / v i m e o . c o m / 7 4 7 4 3 2 7

Hyphae

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Growth Sectors found in Aspergillus

Polarity Establishment Apical Branching

Lateral BranchingHyphal Morphogenesis

Polarity establish-ment deals with functional speci-ficity. It depends on precise con-trol of asymmet-ric distribution of

molecules.

The emminent beginning of a branch from the hyphal tip is known as apical branching. This form of branch-ing is assumed to prevail in condi-tions that com-promise organi-zation of hyphal tips.

Hyphal Morphogenesis involve establishment and maintenance of polarity axis as well as cell division via the deposition of septa. In simple terms, this event determines the way the growth of the hyphae moves.

The dominant type of branch-ing depicted by aspergillus is known as lateral branching. This type of branch-ing begins from the root.

Page 14: Lantern process

Architectural Design Inspirations

Hyphae Lamp is a design based on vein for-mation of leaves by designer Nervous Sys-tem. This densely interconnected structure is based on the simulation of the fluid move-ment structure used by the plant for food pro-

‘Field of Light’ in the gardens of Holburne Museum by Bruce Munro is a good ex-ample of inspiration of the mycellium structural form of Aspergillus. This beauti-ful structure illuminates the gardens and has a magical quality associated with it.

‘Enoki Eco City’ is a sustainable model designed for Rome by OFL architectures. This design explores furutre urban possibilities and is re-garded as a self sufficient structure.

Field of Light

Hyphae Lamp

Enoki Eco City

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Patterning Style A

A focus on the growth pattern of the colony leads to understanding more about this fungi. From a single spore, the growth is found to expand radially in lateral and apical form. This trype of branching growth is also found

in trees.

When the growth reaches a steady increase

When the growth begins and increases in speed rate

When the growth reaches begins to decline/ target colony size

Page 16: Lantern process

My Visualization of the colony Growth

The following figure illustrates a time-lapse drawing of the colony growth. The ‘Outburst’ movement indicates the colony extending its reach to maximize their colony by reaching nutrients in the surrounding.

Page 17: Lantern process

Patterning Style B

The focus on energy released during the growth of the Hyphae shows the genetic expansion of the elements within the organ-ism. The mitotic divisions explains the pathway the cell growth take and how frequent this form continues.

The energy itself is intense and the continuos growth of this organism by mitotic division indicates the fast-paced growth.

Page 18: Lantern process

My visualization of Energy Dissipation during Hyphal growth

The following diagram shows the energy dissipation during hyphal growth formation. The extension of the hyphae is given by the mitotic division of cells and the shape is given by the genetic make-up

of the organism. The final design depicts the energy wave form of the whole process.

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Patterning Style C

The focus is on the Conidio sphores. Under a microsope, the spores display amazing contours on its surface. Its like looking at an overlapped atom with rough edges. These minute component has the ability to infect a person or to spread their genetics to other places. In such compact form, it does achieve its primary purpose. One can only look at it with awe and inspiration.

The Conidiospores are linked to each other when in a cluster. They are held together by ge-latinizing coating which makes

up a sticky surface.

Page 20: Lantern process

My Visualization of Conidio Spore contours

The following diagram shows the spores and their structural make-up. The Spores are sperated into micro elements to show the contours. The final design shows the contours being recon-nected together to form one spore. By doing this, my achievement is to illustrate the various

different contours in a spore.

Page 21: Lantern process

Analyzing the Final Form

Taking the three different ideas into account, i came up with an incorporated version. The making of the final form begins with the representation of the round colony that leads to the energy dissipating form (shown by the extend-ing arm like structures) and finally resulting in a contoured structure. While i was making this sketch, simplicity was a

factor i was constantly considering.

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Model Process& Digitization

This chapter focuses on the processes involved to reach the finalised model. With multiple challenges and drawbacks, the process formation of the model is recorded and displayed in a consecutive manner.

Page 23: Lantern process

Readings and Lectures

According to Scheurer and Stehling, the definition of abstraction is a model of reality that is somewhat distorted. This enables people to comprehend a complex structure in simpler terms and to manage it easily. Because these abstractions illustrate various shapes, different types are materials become appropriate to make it. Then comes the method of Reduction, which makes the model into a more optimal transportable form. Normalisation is the way in which all the anomalies are eliminated within a model. This means, the inconsistencies of the model are dealt with to find a solution. The list goes on and on with different types of enhancing systems to make the final productive. What’s important here is the quality of the end result.

A design can be computerize and enhanced to form various patterns. Three synchro-nized motions of elements form designs. They are the architectural formation, material formation and structural performance. When models are computerized, the behavior of the shapes is seen rather than the material. Because the shapes are so volatile, the architectural process is challenged when it comes to making the design model on the computer. The computerized version shows the spatial articulation and structural sys-tem of the mode. It is easier to bring changes to the model when they are computer-ized. The complex structures then can be unfolded to see the complex system in pla-nar view.

Page 24: Lantern process

Summary of Natural Process

The focus on the growth, contours and energy dissipation of Aspergillus led me to come up with a very condensed form. This form exhibits a strong sense of struc-tural balances between the proportions of its body. The form itself looks promising in the sense that i can easily manipulate the structure to bring forth more features into it. THis would ultimately enhance the whole model and thereby adding a greater factor to it. The stronger the re-semblance, the better the idea comes

out.

Page 25: Lantern process

Finished Clay Model

The model from sketches were made with plasticine to give it a fluid and smooth finish. The contours on the model represents the contours of the pollen surface. With a bulgy head and a short stem, the structure relates to the hyphae growth. The type of growth portrayed by this model is api-

cal branching. The scale of the model is 1:5 cm.

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DIgitization

The process of digitizing took place in two different methods; modelling geometry by tracing sectional slices & modelling geometry by tracing profile curves and generating contours. Both methods were tested because the sectional slice method failed to give me a desired outcome of my original clay model. Tracing profile curves gave me a

more exact and refined structure to manipulate further.

Modelling by tracing sectional slices Modelling by tracing profile curves and generating contours

Page 27: Lantern process

Digitizing: Modelling geometry by tracing sectional slices

The model is then cut into 5mm thick pieces to make ready for digitization process.The model seems to be in an odd shape that vaguely resemblance my original clay model. Also, there were many measurement challenges i faced when i digitized using this method. That probably is the reason behind the odd

shape.

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Digitizing: Modelling by tracing profile curves and generating contours

By using the tracing profile curves, i got a very promising result. The ge-ometry curves of the end result il-luminated my clay model contours. Also, the curves gave an organic touch to the model thereby relating to my original summary of the natu-

ral process.

Page 29: Lantern process

Pattern Development(2D & 3D styles)

Page 30: Lantern process

Pyramid pattern using 15 UV points Pyramid pattern using 10 UV points, 3D pattern

Box Pattern using 10 UV points Box Pattern using 30 UV points

Pattern Development

There were a few number of patterning styles I could work out from RHino software. It also has a custom made pattern function. From what I have noticed, the patterns change form with the num-ber of UV points associated with the model. I experi-mented with almost all the patterns to see which one

suites the model best.

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Patterning continued

Triangle pattern using 15 UV points Wave patterns using 30 UV points

Wedge pattern using 15 UV points Triangle pattern using 2D & 3D mode

Page 32: Lantern process

Failed Model

This is a model prototype i was working on which did not go well. This model could not be unrolled, neither is it fea-sible to be made from cardboard. Here, i have modeled by manually lofting the curves in a different position to give a whirl wind structure. The structure came out pretty well. After that, I added a 2D pattern so that it filled the gaps between the curves to give a complex look to the structure. By doing all this, I actually lost my original con-

text of the model.

Page 33: Lantern process

Final Model

The final model is the deliberation of numerous patterns that i experimented. I decided to make a 3D model because the strong structure resembled my original context of the model. The model is divided into three seperate pieces. The inner layer, Rib structure and the outer layer. The outer layer is the replicate design of the inner layer but scaled to a larger size. The ribs con-nect the inner layer to the outer layer thereby making the whole model firmer and stronger. Also, I did an off-set using curve attracters to create the holes in a non-uniformed way on the box pattern. This is is make sure

that light travels out during the lighting process.

Inner layer Rib structure Outer layer

Perpective view of the complete model

Page 34: Lantern process

Angle views of the final model

Front VIewBottom view

Left View Right View

Page 35: Lantern process

Unrolling Process

Page 36: Lantern process

Process

The unrolling process enables me to take the model out piece by piece to make it ready for the laser cutting pro-cess. As I have three different layers, I slected each layer seperately for the unrolling process. The overall process took me about 15 minutes because the model unrolled quite easily without any major dysfunctions. There were bits and pieces I had to remove to make it adjustable. Taking strip by strip was the easiest method to unroll for my model. By taking vertical strips, there were multiple overlays of teh pieces which proved to be diffuclt to adjust.

Page 37: Lantern process

The following are the unrolled pieces set into sheets of 60x90cm. These are the final cut pieces ready for the fablab cutting process. Some pieces had to removed from the origi-nal strip due to the natural curvature of the piece not being able to connect with the

relative piece. These pieces are meant to be glued later during the pasting process.

Allignment process

Page 38: Lantern process

Fabrication

Page 39: Lantern process

Pasting

I first strated to make the inner layer. I chose white color for inner layer because light would travel much easier with a white base. This proved to be very efficient. I used clips to hold the glued pieces together until it dries. Piecing togeth-er was much more difficult than i anticipated due to the curves of the on the model. THese curves got in my way a

number of times when i pieced them together.

Page 40: Lantern process

Inner layer

Page 41: Lantern process

Inner Layer with RIb structure

Page 42: Lantern process

Outer Layer

The outer layer was quite difficult to glue on be-cause of the tight struc-ture. The ribs had to be held together tightly to close the structure. The masking tape used is to make sure the glued pieces would stick to-gether until it dries. The clips at the top is for the

same function.

Page 43: Lantern process

Final Model

Page 44: Lantern process

Readings & Lectures

Gershenfeld describes the process of fabrication by using various manual tools and comparing them to the mechineries used for cutting like laser. According to him the widely used material is vinyl. The cheaper the cutting process the more manual work is included. He then goes onto to explain how a laser cutter works with the precision burning method and mediums used by different lasers. THe higher the power of the laser tool, it used for fabrication process rather than designing. It would be hard to see the light produced by laser of this kind and can only be detected when it hits a surface and creates a light and then burns through the object. Laser can be dangerous if the person does not know the amount of power to be used for certain materials.It can also lead to fire accidents. ANother type fo machine used for cutting is known as NC mills which uses metal heads in a rotatory style. This method is classified under subtractive fabrication. An example of ad-ditve fabrication would be the use of clay and sculptures. One of the simplest and easi-est method used around world is called equality fabrication which is niether additive or subtractive. An example is the vaccum forming which heats up the sheet and then uses vaccum to form the desired shape. Then there is the 3D printing which is also called rapid

prototype machines which creates 3D objects as a result. According to Macfarlane, the digital form of an idea has a connection to the original idea and helps in the fabrication process. The fabrication process enhances the forms. The iea is tested and then and developed in a sequential manner. Also, in terms of the digitizing something, a specific language arises. This language helps to identify the ‘soft’ or ‘hard’ forms. He also goes on to describe that architecture is something between making a house and its final form. A final form is achieved through an event and may or

may not be permanant given the sustainability of material and time.