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Affiches « Love » Défilement manuel

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Affiches « Love »

Défilement manuel

The scenes are peaceful, often depicting ripe harvests,

lovely gardens, manicured lawns with broad vistas,

and fattened livestock. The Picturesque refers to

the charm of discovering the landscape in its natural

state. The Subline refers to the thrill and danger of

confronting untamed Nature and its overwhelming

forces, such as thunderstorms and deep chasms.

Whereas the Pastoral and Picturesque reference

mankind’s ability to control the natural world, the

Sublime is a humbling reminder that humanity is not

all-powerful. Sublime images show Nature at its

most fearsome. Humans are small and impotent in

front of its rage. The Sublime emphasizes God’s

dominion over humanity .

Over the course of the 18th century there was a

remarkable change in attitudes toward nature,

discoverable in all the arts, especially literature,

painting and landscape architecture. It culminated

in the Romantic landscape tradition in Europe and

America in the 19th century, the golden age of

landscape painting. It marked a major change in

the relationship of man to nature. Three aesthetic

concepts established during the Romantic era

divided the natural world into categories: the

Pastoral, the Picturesque, and the Sublime. The

first two represent Nature as a comforting source

of physical and spiritual sustenance. Pastoral

landscapes celebrate the dominion of mankind

over nature. natural state.

Brick Leo - Moonlit Night on the River

Bri

ckL

eo

A p

ond

in M

osco

win

Aut

umn

Nik

ola

y-D

ub

ovsk

oy-

1859 –

1918

Cas

par

Dav

id F

ried

rich

Mou

ntai

nous

Riv

er L

ands

cape

(N

ight

Ver

sion

)

Cas

par

Dav

id F

ried

rich

Moo

nlit

land

scap

e

Ivan Aivazovsky

(1817-1900)

The Ninth Wave is

Aivazovsky’s

"most celebrated

work“. He is

considered one of

the most

prominent

Russian artists

(especially in

marine art) and

one of the

greatest marine

artists of the 19th

century.

Geo

rg A

nto

n R

asm

uss

en (

1842-1

914).

Pie

rA

t T

he F

jord

Geo

rg A

nto

n R

asm

uss

en

Adel

stee

nN

orm

ann

An

der

s M

on

sen

Ask

evo

ld(1

834-1

900)

Har

bor

in t

heSog

nefjo

rd

Joh

n A

tkin

son

Gri

msh

aw, N

ight

fall

on t

he T

ham

es, 1880

Rain in an oak forest, Ivan Shishkin, 1891

Sim

eon

Mar

cus

Lar

son

( 1

825 -

1864)

Sw

edis

h lan

dsc

apis

t

Sim

eon

Mar

cus

Lar

son

Arc

hip

Kuin

dsh

i, (1

842

, 1910)

Nig

ht o

n th

e D

niep

er R

iver

Arkhip Kuindzhi - Cypress in the Crimea, 1887

Arkhip Kuindzhi

Ukrainian Night, 1876

Isaa

c L

evit

an, A

bove

Ete

rnal

Pea

ce, 1894.

Isaak Levitan - Fresh wind. Volga

Julius von Klever - Village on the island Nargen

• The Danish landscape painter Peder Mork Monsted

Hans Gude: Norskt landskap (1858)Hans Gude: Norskt landskap (1858)Hans Gude: Norskt landskap (1858)

Peder Mork Monsted (1859-1941)- leading Danish landscapist of his time

Ped

erM

ork

Mo

nst

ed

The

Eve

ning

in U

kra

ine

Ko

nst

anti

nK

ryzh

itsk

y

Joseph Mallord William Turner, The Park at Petworth House, c. 1830

Fed

or

Vas

iliev

1850 –

1873

Wet

Mea

dow

s

1850 – 18731850 – 1873

• Willard Leroy Metcalf

Nik

ola

y N

ikan

oro

vic

hD

ub

ovsk

oy

(1859 –

1918

)Sile

nce

has

sett

led

(1890

)

Alb

ert

Bie

rsta

dt

A

mon

g th

e Sie

rra

Nev

ada

Mou

ntai

ns

Alb

ert

Bie

rsta

dt

–(

1839-1

902)

Alb

ert

Bie

rsta

dt

–T

he lan

ding

ofC

olum

bus

Joh

n C

on

stab

le

Wiv

enho

ePar

k,

1816

John Constable

Mura

vio

vV

ladim

ir L

eodin

ovic

h(1

861-1

940)

Images and texts : Internet