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PORTFOLIO / KYLIE LI

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Page 1: KYLIE LI / PORTFOLIO

PORTFOLIO / KYLIE LI

Page 2: KYLIE LI / PORTFOLIO

“Architecture should have little to do with problem solving - rather it should create desirable conditions and opportunities hitherto thought impossible.”

― Cedric Price, The Square Book

Page 3: KYLIE LI / PORTFOLIO

1 - POWER OF EMPIRE2 - BE BOLD / CONFESS3 - DODGE4 - PANOPTICON5 - SPATIAL EXPLORATIONS6 - HONG KONG WUSHU UNIION

Page 4: KYLIE LI / PORTFOLIO

POWER OF EMPIRE_RESIDENTIAL

A sophisticated, high-ended, empire themed space is constructed in this project. To covey this thematic, personality collage of the client is made for explorations and understanding clients’ character. Above that, spatial collage is created to express the overall look and feel of the space. With the studying of background, surrealistic and symbolic elements are added into the scheme to enhance the whole spatial experiences.

Page 5: KYLIE LI / PORTFOLIO

Site Address/ 18 Yarra Street, South Yarra, VIC 3141, Melbourne, AustraliaDate/ Year 2, Semester 2

Spatial Collage

Surrealistic, Symbolic, Conquering, Exclusive, Luxury, Sophisticated, Cold.Given by the clients with a collection of empire style furnitures, the spatial atmosphere should convey the idea of conquering and having everything in control.

Personality Collage

Arrogant yet Good-looking, Self-protected and Self-centered, with a pair of Unforgiving eyes, hiding her sentimental and fragile heart with Cold and Tough appearance.

Page 6: KYLIE LI / PORTFOLIO

Impossible rules the world.

Napoleon Bonaparte

A famous quote from Napoleon Bonaparte perfectly described the atmosphere in the space experienced by the occupants and the visitors. Guests are brought into such condensed (bold use of colours) and unpredictable space with the unclear spatial arrangement of space intentionally.

Drawing Area& Reception

Long CorridorShowcase of Collections

Hidden Bedroom

Office/ Meeting Area

Lounge Accessible to balcony

Private Changing RoomBathroom

Page 7: KYLIE LI / PORTFOLIO

Material Rendered Sectional Elevation A

Material Rendered Sectional Elevation B

FACING THE EMPIREKnowing that the clients are obsessed with the glam and pioneer feeling from the 'empire style'. One way mirror is used surround the bedroom in the heart of the space. Client can facing their 'empire' anytime (even bedtime) to have their intimate moments with their 'POWER', without people noticing.

Page 8: KYLIE LI / PORTFOLIO

EMBRACING THE EMPIRE

Guests are brought by my client through the space. Walking through a long corridor with one way glass applied on both side, people is trapped in a '3 way' corridor with such disturbing feelings of the unknown ahead. with the trick of the use of lighting and characteristic of the mirror, by dimming the light along the pathway, their antique collections placed behind the mirror is being revealed, occupants can embrace the empire throughout the journey to 'The Empire' (Office/Meeting Area).

Page 9: KYLIE LI / PORTFOLIO

PEA - COCKTAIL TABLE

Furniture designed for Project

Being shocked by the luxurious of the reception and the endless corridor, the guests are flattened by the chic and contemporary style of the lounge area. The chromic peacock cocktail table could definitely contrast yet compromise with the empire style.

Peacock: is designed with symbolic meaning.Based on the characteristic of the client. (Refer to Personality Collage)

Page 10: KYLIE LI / PORTFOLIO

BE BOLD/ CONFESS_ PORT MELBOURNE STATION PIER

Imagining the earth is coming to an end, Tasmania is the last resort you can escape from the diseasters.

Only people who have chosen could get onto the last ferry to Tasmania.You have been chosen, fortune or unfortunately.

You are leaving the city, your home, your friends and family to a place full of uncertainty, you are encouraged to be bold and confess about everything you have been through, leaving it behind, and have a brand new start.

04

0606

08

07

0202

0101

01. Dark Path02. Entrance03. Reception and office04. Public Confession Tree

05. Semi-Private Confession Area06. Balcony07.Departure Entrance08. Toilet

09. Pay Phone10. Smoking Area11. Restricted Area

0303

09

10

11

PROPOSED LONGISTITUAL SECTION

PROPOSED FLOOR PLAN

CONCEPTUAL ATMOSPHERE/ THEMATICPHOTOGRAPHY SELF-TAKEN

PROPOSED CROSS SECTION

Page 11: KYLIE LI / PORTFOLIO

BE BOLD/ CONFESS_ PORT MELBOURNE STATION PIER

PROPOSED LONGISTITUAL SECTION

PROPOSED CROSS SECTION

Acrylic Plastic

Black Acrylic PlasticGlazing

Plaster Board

Steel Beam

Steel Column

Concrete Frame

SECTION OF THE PILLAR

Polycarbonate Pillar

LED-System power supply unit with built-in DMX router

LED strips high output RGB-LEDs

DARK PATH Every people who have been chosen have to walk through this path in order to get to the main concourse. If the The path of darkness encourages them to be brave and have courage to face the uncertainty, to get ready for the unknown challenges in Tasmania.

As the other senses will get stronger when one is shut, the darkness allowed them to strengthed their sense of touch.

TREE OF LIFE

Some people might find it hard to confess to others when facing each other directly. This installation can help them to express themselves freely by seperating them in layers of metal mesh in different densities. The more layers they have, the more seperate they could be they can still feeling close to each other with the silhouette shown through the plates.

Hidden Meaning:Tree of life is a motif and mystical concept alluding to the interconnectedness of all life on our planet; and a metaphor for common descent in the evolutionary sense.

Page 12: KYLIE LI / PORTFOLIO

DODGE_FLINDERS STREET STATION

1. Reveal dead space - impliment new functions2. Spatial awareness / social awareness

Linkage to Melbourne Town HallWaiting space turning into Active space

Linkage to State LibraryHidden AgendaFocusing on movement / cleaning up their mind.

SITE ANALYSIS

DIAGRAMMATIC ANALYSISin response to the CITY

Dodge is an urban intervention to encourage occupants to start of a day with a little stretches and cleaning up their mind by distracting them from mobile devices. Passive exercise is brought out by moving around space with little groove from dodging people. Such intervention is carried out by applying slightly lumpy flooring, a wireframe casting of ceiling with occupancy detections and people engagement in behaviour sense. FLINDERS STREET STATION

8.30 - 9.00AM

POPULARWAITING SPOT

WAITING FOR HER FRIEND FOR OVER

15 MINS

WAITING (WANDERING)

HIGH SCHOOLSTUDENTS

WALK & STOP

TAKING PHTOS IN DIFFERENT SPOTS

CHECKING TRAINS INFO

THINKING WHERE TO GO

SWANSTON STREET

FLINDERSSTREET

STATION

MELBOURNETOWN HALL

TREE OF LIFE

Some people might find it hard to confess to others when facing each other directly. This installation can help them to express themselves freely by seperating them in layers of metal mesh in different densities. The more layers they have, the more seperate they could be they can still feeling close to each other with the silhouette shown through the plates.

Page 13: KYLIE LI / PORTFOLIO

Linkage to State LibraryHidden AgendaFocusing on movement / cleaning up their mind.

To carry out long-term intervention with tiny changes that influencing occupants gradually, unwittingly from small scale to large scale as time goes by.

Creating situations which embarking new sorts of behaviour that improves our future social life based upon human encounters.

TACTIC & STRATEGYPASSIVE MOVEMENTOCCUPANTS’ BEHAVIOURS

PHYSICAL INTERRUPTIONDISRUPTING HUMAN BEHAVIOURDAY AND NIGHTSPATIAL AND SOCIAL AWARENESS

ACTIVE

PASSIVE

BOTTOM UP

TOP DOWN

2 PHYSICAL INTERRUPTION

ADAPT AGAINST

1 SMALL-SCALE INTERRUPTION Top down stragegy - Waiting occupants

Sensors are installed on floor, when occupant stayed over 3 minutes, the wire mesh ceiling will lower down to enforce movements. The ‘dead space’ becomes active space.

Peak Hour - Researcher9am / 5pm

Off-Peak Hour - Students1pm - 3pm

Midnight - Security/ Social Worker10pm-12am

CHATTING/SMOKING

TOP-UP MYKI

STOPPED ANDLOOKING INTO BAG

LOOKING INTO BAG

WAITING

ARRIVING CITY

LEAVING CITY

STAFF ( SECURITY/JANITOR)

PEOPLE IN CROWD

PEOPLE STAYING IN STATION DURATION (SHORT - LONG)

STATE LIBRARY

Page 14: KYLIE LI / PORTFOLIO

PROPOSED SECTIONAL ELEVATION ASCALE 1:100

PROPOSED FLOOR PLANSCALE 1:100

DIAGRAMSregarding to theproposed intervention

BODY

Personal Territories

Occupant in wait

Trace of movement

Page 15: KYLIE LI / PORTFOLIO

PROPOSED SECTIONAL ELEVATION BSCALE 1:100

INTERIORITY

Physical Interruption (Situations)

ActorOccupant

Interaction Changes in space

Occupants ----- PerformersDead space ----- Active spaceSituations ----- PerformancePublic space ----- Stage

PERFORMATIVITY ENGAGEMENT WITH CITYTEMPORAL CHANGE

Rhythm of occupants’ path

Occupants’ movement (Static)Proposed occupants’ movement (Dynamic)

Leaving CityArriving City

Page 16: KYLIE LI / PORTFOLIO

PANOPTICON_NEW MEDIA THEATER

My approach to the new media theatre is to create a technologically controlled and monitored space with flexible program and circulations. I am interested in surveillance space, which is the idea of the city becoming a panopticon- the idea that we are in a prison and we can be observed at all times from all perspectives by exces-sive surveillance camera.

CAPITOL THEATRE_ WALTER B. GRIFFIN

THE FUN PALACE_ CEDRIC PRICE

PRECEDENT PATTERNING

Mapping of the Rotating Escalators Testing Combination of patterns

Testing Combination of patterns in spatial volumes

Detachable platforms

Allowing formationof larger platforms

ENTRANCE

ENTR

AN

CE

STAGE

AUDIENCE PLATFORM

CIRCULATION PLATFORM (LIFT)

By analysing the fun palace, The shape of circle is extruded from the mapping of the circular escalator. The thematic of the scheme is testing out by trying the possible combinations with different size and patterns.

Page 17: KYLIE LI / PORTFOLIO

This propertyis protected byelectronicsurveillance,You are not.

SECURITY NOTICE

PROPOSED FLOOR PLAN

Realising the surveillance issue being brought up by the society, we are starting to questioning ourselves, who owns the footage of the surveillance camera? What are they going to do with this other than 'protecting us'? Are we really 'protected' by filming our behaviours? It's getting cheesy that the whole idea is more like protecting the prem-ises than the occupants (us).

CONCEPT DRIVEN BY SOCIAL ISSUE

45

STREETSCAPE (SITE ANALYSIS)

FOYER STAGE

MODULARAUDIENCE

PLATFORMS

ENTRNACE

ELEVATORFOR SPECIALACCESSIBLITY

SURVEILLANCECAMERAS

MODULARSTAIRCASES

STAGE

Page 18: KYLIE LI / PORTFOLIO

PROPOSED SECTIONAL ELEVATION A

The concept is addressed by installing surveillance camera within the space, audiences are captured and projected onto the handrails in real time as pixelized graphics. The pathway extruded to the outside is the only way to avoid the cameras. moreover, Inspired by the fun palace by cedric price with his cybernetic design, mechanical systems are installed throughout the space, the platforms and stairs are flexible, which could be self regulated and adapt its form to programmatic change, and alter its physical configuration.

Page 19: KYLIE LI / PORTFOLIO

MODULAR STAIR

MODULAR PLATFORM

Platforms and staircases are fixed by the columns extruded from the ground of basement level. Users can have total control of the space by forming the circulations and arrangment of the overalllayout in their own configurations with the aid of the computer program.

THE WOOSTER GROUP_ BRACE UP!

THE CIRCUS OZ

Page 20: KYLIE LI / PORTFOLIO

THEMATIC LIGHTING RENDERED SECTIONAL ELEVATION A

For the lighting, taken the capitol theatre as precedent, im using the pattern of the platform to form the ceiling. the panels are adjustable and by using the luminaire textile technique, the panels are serve for both acoustic and lighting purpose.

DETAIL OF INTEGRATED FIXTURELIGHTING ARRANGEMENT

STAIR SECTIONAL ELEVATION

Page 21: KYLIE LI / PORTFOLIO

THEMATIC LIGHTING RENDERED SECTIONAL ELEVATION B

SCALE 1:20 DETAIL OF LIGHT FITTING SCALE 1:5

MATERIAL

Luminous Textile by Philips. This luminous textile system comprised of multi colored LED modules and acoustic textile panels enables different creative and sensory experiences to be readily installed in any type of space.

Page 22: KYLIE LI / PORTFOLIO

TRANSPARENCY‘Architecture can't fully represent the chaos and turmoil that are part of the human personality, but you need to put some of thatturmoil into the architecture, or it isn't real.’

- Frank Stella

FILIGREE AND FRAME‘Architecture is a art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well being.’

- Luis Barragan

SPATIAL EXPLORATIONS_MODEL MAKING

Page 23: KYLIE LI / PORTFOLIO

SOFT SHELLS‘Architecture is a art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well being.’

- Luis Barragan

Page 24: KYLIE LI / PORTFOLIO

HONG KONG WUSHU UNION Venue/ Hong Kong Convention and Exhibition CentreDate/ June 2008

/RENDERING

Page 25: KYLIE LI / PORTFOLIO

Stage design for Gala Dinner in Celebration of the 20th Anniversary of Hong Kong Wushu Unionand Beijing Olympics cum Inauguration Ceremony of the 10th Executive Committee

/STILL IMAGE

Page 26: KYLIE LI / PORTFOLIO

THANK [email protected]