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TRANSCRIPT
Seattle, WA
Pullman, WA
Dallas, TX
Jackson, MS
Jacksonville, FL
Virginia Beach, VA
Washington D.C.
Dayton, OH
Chicago, IL
Lincoln, NE
St. Louis, MO
EXPERIENCE
Interior Design InternFacilities Services - CapitalWashington State UniversityMay 2014-May 2016
Exhibit DesignerMuseum of AnthropologyWashington State UniversityDecember 2013-February 2015
INTERIOR DESIGNKy [email protected]
EDUCATION
Washington State UniversityBA in Interior Design May 2015
Yakima Valley Community CollegeAA in Arts & Science May 2010
Abu Dhabi, United Arab Emirates
Pattaya, Thailand
Singapore, Malaysia
Hong Kong, China
Perth, Australia
Yokosuka, Japan
Piti, Guam
Seoul, South Korea
PROJECTS
Legacy of the Columbia River FisheriesLead Exhibit DesignerMay 2014-September 2014
Memories of Celilo FallsLead Exhibit DesignerSeptember 2014-November 2014
AWARDS
Norma C. Fuentes and Gary M. Kirk Award for Excellence in Undergraduate ResearchApril 2015
Dr. William R. Wiley Research Exposition Award for Undergraduate ExcellenceFebruary 2015
Showcase for Undergraduate Research and Creative Activities (SURCA) - Gray AwardMarch 2014
Athens, Greece
WSU Facilities Services - CapitalMaterials LibraryInterior DesignerNovember 2015-May 2016
Top Five in the category - Scholarship of Design Research Interior Design Educator’s Council (IDEC) Annual ConferenceMarch 2016
PLACE AND EXPERIENCE INFORM DESIGN
TABLEOF
CONT
DESIGN for... Strength.Usefulness.
People.
Endurance.Consequence. Significance.
Assurance. Compassion.
Substance.
Beauty. Composition. Distinction.
ENTS
2 LEGACY EXHIBIT
3 CELILO EXHIBIT
1 MERRY FORKS
5 MATERIALS LIBRARY
4 FREITAG FLAGSHIP STORE
CommercialStudent
Pullman, WA
Project Profile
Patrick Merry, Owner of Merry Cellars Winery
Considering the taste and business sensibility of both owners, design a wine bar and restaurant with shared office space in an existing commercial building.
Jim Harbour, Owner of South Fork Restaurant
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Black Lacquer Farmhouse Furniture Copper Finish Ambient Lighting
Design Concept:The floor plan of Merry Forks Wine Bar & Grille is inspired by the swirling of wine before tasting. The floor plan unfolds in a circular pattern from the center focus of the restaurant; the bar, serving spirits and a wide variety of Merry cellars wines, and the performance stage, which hosts local and regional entertainment.
The client’s consumers are conservatively enlightened and come from educated, rural backgrounds. Pullman, WA is surrounded by farmland on rolling hills lending to the romantic notions of the working man. The restaurant needs to cater to a consumer who is functional yet attuned to the finer things in life.
Casework & Flooring in Marbled Maple Colored glass in light tubes mimicks varieties of wine
Paint & Accent
3Form Partitioning Walls
Flooring - Wood Finish Porcelain Tile
Objective:Design a wine bar and grille on the first floor that incorporate both owners’ design and business sensibility. The proposal included a VIP area for special parties and clients and an office space on the second floor with general office amenities.
Project Requirements:Renovate a two-story building that currently operates as a bookstore into a restaurant and office space. Current architectural conditions such as, foundation, structure, and facade are to remain unchanged. Examine code requirements to ensure design fits within International Building Code (IBC) parameters. The restaurant requires additional restrooms and a focal staircase. The office space must be furnished with Steelcase furniture. Develop a complete set of construction documents.
Steelcase Systems Finishes
Brick Facade WallsCasework - Marbled Maple Suspended Lighting Steelcase Siento
Commercial
Professional / StudentDesign an immersive, anthropological exhibit using previously researched and designed panels in conjunction with owner artifacts.
Pullman, WA
Project Profile
Shannon Tushingham, Director of Museum of Anthropology at Washington State University
1,200
Irene Martin, Owner and Creator of The Legacy of the Columbia Fisheries
8-10 volunteers
Kathleen Ryan, Professor/Mentor
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College Hall - Museum of Anthropology
Artifacts for exhibition
Process sketch
Objective:Create an environment that facilitates an informative, experiential understanding of fishing culture and lifestyle from the individual fisherman to the Columbia River fisheries. Combine panels, researched and developed by Irene Martin of Skomakawa, WA, and artifacts from the gillnetter collection to allow visitors to associate panels with relevant material and guide them through wayfinding techniques in the undefined space.
Example of exhibit panels
Project Requirements:Project budget covered:Repair fixtures and update liners of built-in display units. Refurbish found cabinets and portable display walls. Reproduce artifacts related to canneries. Architectural conditions were to remain the same.
Project demands:Design and present exhibit floor plan to stakeholders. Coordinate various design aspects with interior design volunteers. Implementation and installation of exhibit. Supervise volunteers and department interns.
1-Exhibit Sign2-Panel author introduction & Panel 1: Legacy of the Columbia River Fisheries3-Floats, fisherman’s toolkit and lead sinkers4-Panel 2: Legacy of Salmon & Panel 3: Legacy of the Columbia River5-Panel 4: Legacy of Innovation in Salmon Processing & Panel 5: Legacy of Fish Processing and Marketing6-Panel 7: Legacy in the Ethnicities of the Fishing Fleet & Chinese cultural artifacts7-Panel 6: Legacy in a Tradition of Boat-building & gillnet boat images8-Salmon to scale & salmon facts display9-Panel 8: Legacy of Organization & organizational artifacts10-Nylon & linen net display11-Panel 9: Legacy of Traditional Tools and Skills & fish net needles12-Portable stove & net float varieties13-Panel 12: Legacy of the People14-Native American fishing artifacts & whale blanket display15-Panel 13: Community Legacy16-Cannery display17-Panel 10: Legacy of Nutritional Benefits, Panel 11: Legacy of Conservation and Management & Panel 14: Legacy of Recovery and Restoration18-Lifestyle of the Gillnet Fishermen video19-Related & suggested reading material20-Permanent ancient anthropology exhibits
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Commercial
Professional / StudentCreate and collaborate on an anthropological exhibit based on glass slides found in the WSU library archives.
Pullman, WA
Project Profile
Shannon Tushingham, Director of Museum of Anthropology at Washington State University
2,000
Kathleen Ryan, Professor/Mentor
8-10 volunteers
Josiah Pinkham, Nez Perce member and ethnographer
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Initial quick sketches and notes
Sketches presented to client
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Chet Ullin Photograph collection, Image 28Courtesy of Manuscripts, Archives, and Special Collections (MASC)Washington State University Libraries
EVACSign
Tommy Yallup, an attorney, was part of the Yakama tribal delegation in 1951 that testified “before a Con-gressional committee about the importance of Celilo Falls on the Columbia River and the impact which the proposed The Dalles Dam would have on their people” - http://nativeamericannetroots.net/diary/1359
Tommy Yallup - Celilo Indian attorney
Chet Ullin Photograph collection, Image 21Courtesy of Manuscripts, Archives, and Special Collections (MASC)Washington State University Libraries
A young boy proudly displaying the salmon he caught. When a boy catches his first fish and kills his first animal, it is seen as a rite of passage. To celebrate, the tools and clothing which he wore at the time of fishing or hunting were given away as a symbol of gratitude.
Indian boy proudly displaying salmon which he caught
Chet Ullin Photograph collection, Image 11Courtesy of Manuscripts, Archives, and Special Collections (MASC)Washington State University Libraries
Netting needles, like the one used in the hand of the man on the right, were used to mend and maintain nets which was an ongoing chore. Traditional nets were made with a plant called dog-bane; modern nets are made with linen, fishing line, or wire.
Indians making own nets
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Digital Mockup
Digital MockupSketches presented to client
Process and presentation of South Corridor Wall
Process and presentation of North Corridor WallObjective:Create an informative, immersive exhibit through design and research collaboration. The design component of the exhibit was the development of life-size reproductions of glass slides accompanied by contextual and culturally derived graphics. The content portion of the exhibit came from collaboration with Nez Perce representatives and a researcher of the Cowlitz tribe. The story was to convey Native American day-to-day interactions, familial and cultural structures, and finally the struggle to save their way of life which is otherwise submerged and lost under the Celilo Bridge present day. This exhibit is to be a product of sharing the cultural context.
Available exhibition space was in a small portion of the museum and a corridor. Use of these spaces meant that the exhibit needed to be omni-directional allowing visitors to come and go from any direction and still understand the full meaning of the material.
Project Requirements:Project budget covered:Update liners of built-in display units. Architectural conditions were to remain the same. Enlargement and printing of images from archival glass slides. Design and printing of complementary graphic elements.
Project lead demands:Design and present exhibit wall layouts to stakeholders. Coordinate various design aspects with interior design volunteers. Implementation and installation of exhibit. Supervise volunteers and interns.
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1-Prints of: -Tommy Yallup, Celilo indian attorney -Indian boy proudly displaying his catch -Close-up view of dip bag net -Indian man and boy making their own nets -Jimmy George pulling dip bag net out of water with salmon2-Aerial prints of Celilo Falls before flooding3-Print of Chief Tommy Thompson4-Prints of platforms and fishing operations5-Prints of: -Fish buyer weighs salmon and pays indian -Indian women picking bones from dried, shredded salmon -Cable car transportation from shore to fishing islands -Indian women drying salmon skin & backbone6-Related & suggested reading material7-Indian pulling in salmon with dip net8-Jimmy George, Chief Tommy Thompson’s son-in-law, holding two chinook salmon9-Celilo Falls footage circa 1940s10-Small-scale platform reproduction
FREITAG FLAGSHIP STOREProduct Displays
Los Angeles, CA
Commercial
Student
Los Angeles, CA
Project Profile
Freitag, ambiguousrepresentation
Design a flagship store reconciling the Swedish sense of design and purpose with the demand and lifestyle of the American tourist.
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DESIGN CONCEPT
F-abric Clothing Line Colors
Freitag L.A. is a dynamic store for a shopping EXPERIENCE. During the day, clothing and bags are sold and PERSONALIZED with the custom F-word. After purchase, customers are treated to a Freitag photography session to increase brand AFFINITY and LOYALTY. At night, retail space is RECONTEXTUALIZED into a place that hosts artistic events, local concerts and private parties. Freitag is rebranded to be the next up-and-coming DESTINATION spot in downtown L.A.
Style contrast between the clothing line (F-abric) and the bags (Fundamentals and Reference)
DESIGN CHALLENGE 1:
DESIGN CHALLENGE 2:
The Fundamentals and Reference product lines are graphic, bold, and experimental. F-abric is a textured, more natural product line. The lines are stylistically different, but both share a similar color palette.
Swedish design is conscientious and well edited. The Los Angeles local community is unique, overt, and eccentric which tourism takes advantage of. To blend the styles, Freitag will need to be re-branded to adjust its commercial culture to the L.A. and American tourist lifestyle.
A lifestyle and design disconnect between the Swedish sensibility and Los Angeles overtness
Fundamentals & Reference Line Colors
Break Room,Kitchen & Storage
Office &Conference
Cash Wrap
ElevatorRestroom
Display Unit &Product Storage
Fitting Rooms
F-abric Area
Reference Area
Fundamentals Area
Stair to2nd Floor
Digital Advert Unit
ProductStorage
Front Entrance
Level 1Cash wrap and Reference product line area.
Customers receive complimentary photo shoot with Freitag products for memory and promotion.
Waiting Room
Vending
Elevator
Digital Services Center
Level 2
Popular Photo Ops with Customers and their Frietag merchandise
PhotographyStudio
Fitting Room
Triangular Piece
Wall Display System
Repositionable mannequin fastened to wall
Metal sheet layerattached to wall
Repositionable hexagon pods attach to wall magnetically
Mounted architectural
frame
The wall unit allows retail staff the freedom to redesign and reposition mannequins to display merchandise based on themes of movement. The mannequin is dressed, repositioned, and fastened to the wall in action poses. Six triangular pieces form the hexagon pod which have a magnetic backing that adhere to the metal wall. The hexagon pods fill in the space between the architectural frame and the mannequin. The completed product conveys the design concept of the f-abric product line submerged in the abstracted earth.
Hexagon Pod Hexagon Pods Assembled
Magnetic Base
High-DensityFoam
Product Displays
Assembled Display Unit
Glowing Boxes Lit with LEDs
Hidden, Lockable Wheels
Magnetic, Electrical Component
The modular units display the Fundamentals and Reference product lines on the central retail floor. Each unit has a varying number of boxes with glowing walls lit by LED lights. The ambient glow of the boxes emphasizes the feature of Freitag - the bags. The units are powered and fastened together by conduit running through a magnetic plate. They can also be moved freely or fixed in place by hidden, lockable wheels.
Separated display unit into components
LIBRARY
Pullman, WA
MATERIALS
Storage Solution
Nancy Stephenson, Interior Design Manager
Professional
Pullman, WA
Project Profile
Design and relocate the materials library for the interior design staff of Washington State University Facilities Services Capital division.
Commercial
Jennifer Reynolds, Interior SpecialistStacy Gravel, Interior DesignerRoxy Holden, Interior Designer
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McCluskey Services Building - Old Paint Booth
Storage Furniture for Reconfigure
Adjacency Sketch & Matrix
Entry
Drop-off
Break-out Space
New Product
Demo Product
Project Prep / Meeting Space
Materials
Adjacency Matrix
Legend:Primary AdjacencySecondary AdjacencyAdjacency Not Required
Additional Requirements:-Intern work station-Networked printer-Archive project storage-Architectural finish storage
Objective:Design new layout for the interior design materials library for the Washington State University Facilities Services - Capital division. Coordinate with the interior design manager, staff, and construction managers and individual trades in the renovation of the new materials library. Downsize and reorganize current materials library. Pack and prepare for move of materials library to new location.
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1-Plan Storage2-Project Prep / Meeting3-Entrance4-Brochure / Literature5-Textiles6-Paint / Wall Protection7-Material Archive8-Furniture Component9-Demo Furniture10-Laminates11-Carpet12-Hard Flooring13-Break-out Space14-Drop-off Zone15-New Product16-Architectural Finishes
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UNDER CONSTRUCTION | MOVE IN MAY 2016
Project Scope:Remove old HVAC and install passive system. Remove old conduit and install power and data. Current fire system and hot water pipes to remain. Remove current lighting and install updated system. Patch damaged concrete subfloor and install rubber flooring. Fabricate new carpet tile rack. Install and reuse current furniture both freestanding and mounted.
North Elevation
East Elevation
West Elevation
Current Conditions
Initial Sketch & Drafted Elevations
Carpet Tile Rack
9” x 36”
18” x 36”
24” x 24”
The rack allows the user to view and find carpet samples with ease. Each slot can store approximately 30 carpet squares (24” x 24”) or planks (18” x 36”) and up to 60 thin planks (9” x 36”). At any given time, the rack can store more than 180 carpet samples reducing the footprint of carpet storage in the materials library.
Storage Solution