katsura imperial villa (kyoto) 1620-1663
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Katsura Imperial Villa (Kyoto) 1620-1663. Edo period/ shogun/Tokugawa Ieyasu (1543-1616)/ Prince Toshihito (1579-1629)/ daimyo/ importance of the tea ceremony (chanoyu). - PowerPoint PPT PresentationTRANSCRIPT
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Katsura Imperial Villa (Kyoto) 1620-1663
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Edo period/ shogun/Tokugawa Ieyasu (1543-1616)/
Prince Toshihito
(1579-1629)/ daimyo/
importance of the tea ceremony (chanoyu)
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lack of ornament but
variety of textures/
integration of building and
garden/ division of
society into four distinct
classes/ chonin (or shoin)
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Interior of the Katsura Palace
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Miyamoto Musashi. Shrike, early seventeenth century, hanging
scroll, ink on paper
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a ronin devoted to the practice of kendo/
enlightened at age 50
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Hikone Screen, c. 1620-40, ink, color, and gold on paper
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anticipation of developments in genre painting
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Four Accomplishments or Four Leisurely Pursuits
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geisha
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Ogata Korin. White Plum Blossoms in the Spring, Tokugawa period, late seventeenth
to early eighteenth centuries,
screen, color on
gold paper
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Rinpa School/ tarashikomi/ emphasis on pattern, dramatic contrast, and simplified motifs/ the
Kariganeya (Wild Goose)
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Kano Tsunenob
u. Ascending
and Descendin
g Dragons, two of a set of three
hanging scrolls
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Kano school/ inner artists (oku eshi) and official artists (omote
eshi)/ tokonoma/ emphasis on diligent
practice and tradition
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Yosa Buson. Traveler and Horse Passing through a Spring Landscape, seventeenth century,
hanging scroll, ink and color on ink
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Yosa Buson/ Literati Style/ dense foliage patterns with pale colors/ sencha
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Yosa Buson. Selections from The Narrow Road to
the Deep North, 1779
Basho’s text
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Uragami Gyokudo. Frozen Clouds, Sifted Snow, c. 1811-
12, hanging scroll, ink on paper
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ideal of the pure Nanga artist/ influence of the
Chinese song dynasty/“unfinished”
oscillation between pure gesture and pure form
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Uragami Gyokudo. Reading the “Book of
Changes” in the Cloudy Mountains, hanging scroll,
ink on paper
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Okamoto Toyohiko. Moored Boats in Autumn, early nineteenth century, detail from a pair of six-panel screens; ink and light color on paper
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aesthetic principle of partial disclosure
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