‘’HARAPAN SEJATI’’

KANTATA UNTUK PADUAN SUARA DAN ORKES KAMAR

SKRIPSI

Diajukan sebagai salah satu persyaratan

untuk memperoleh gelar

Sarjana Musik

Disusun oleh :

Velia Berlian Krismanda

NIM : 852012026

PROGRAM STUDI SENI MUSIK

FAKULTAS BAHASA DAN SENI

UNIVERSITAS KRISTEN SATYA WACANA

SALATIGA

2016

v

ABSTRAKSI

“Harapan Sejati” merupakan sebuah komposisi musik kantata

untuk paduan suara dan orkes kamar. “Harapan Sejati” mengarah

kepada Tuhan yang merupakan sumber utama harapan manusia.

Kantata “Harapan Sejati” disusun untuk paduan suara (sopran,

alto, tenor, bass), solis dan diiringi oleh orkes kamar yang terdiri dari

piano, biola, biola alto, cello, kontrabass, flute, oboe, trumpet,

trombone, timpani, dan harpsichord. Kantata ini terdiri dari lima

movement yaitu “Prelude”, “Haleluya, Puji Dia!”, “Janganlah Takut”,

“Ajarku Percaya”, dan “Selalu Ada Harapan”. Lirik komposisi pada

movement kedua hingga movement kelima disusun berdasarkan ayat

Alkitab dari kitab 1 Petrus 1:3, Yohanes 3:16, Mazmur 42:6, Keluaran

14:14, Ibrani 10:23, Yeremia 29:11, dan Amsal 23:18.

.

Kata Kunci : Kantata, harapan, paduan suara, dan orkes kamar.

ABSTRACT

Composisition of “Harapan Sejati” is a cantata for choir and

chamber orchestra. “Harapan Sejati” refer to God is a hope for

people.

This cantata consist of five movements : “Prelude”, “Haleluya,

Puji Dia!”, “Janganlah Takut”, “Ajarku Percaya”, and “Selalu Ada

Harapan”. Lyrics in second movement until five movement is based

on the word of God in the Bible from the book of 1 Peter 1:3,

Yohannes 3:16, Psalm 42:6, Exodus 14:14, Hebrew 10:23, Jeremiah

29:11, and Proverbs 23:18 . Cantata “Harapan Sejati” is composed

for choir (soprano,alto,tenor,bass) and chamber orchestra that

consists of violins ,violas , cellos , contrabass , flutes ,oboe, trumpet,

trombone,horn, timpani, and harpsichord.

Keywords : Cantata, hope, choir, and chamber orchestra

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KATA PENGANTAR

Puji dan syukur penulis panjatkan kepada Tuhan Yesus Kristus

karena kasih anugerahNya sehingga dapat memperkenankan dan

memampukan penulis untuk menyelesaikan skripsi ini.

Dalam penyusunan skripsi ini, penulis memperoleh bantuan dan

dukungan dari beberapa pihak, baik moral maupun material secara langsung

maupun tidak langsung. Oleh karena itu, penulis menyampaikan rasa terima

kasih atas bantuan, bimbingan, serta arahan yang sangat berharga dalam

penyusunan skripsi ini kepada :

1. Kedua orang tua, kakak, saudara-saudara dan keluarga besar

penulis yang telah mendukung dan memberikan doa, semangat dan

dukungan dalam bentuk apapun kepada penulis.

2. Yulius Istarto, S.Sn,M.Pd., selaku dosen wali dan pembimbing I

penulis yang telah mengarahkan, membimbing, dan mendukung

penulis dalam menyusun skripsi penulis hingga selesai.

3. Rachel Mediana Untung,S.Sos.,M.A., selaku kaprogdi Seni Musik

dan dosen pembimbing II yang telah membimbing, membantu,

mengarahkan dan mendukung penulis dalam menyelesaikan skripsi

ini.

4. Poedji Soesila, S.Sn., M.A., selaku dosen mata kuliah harmoni dan

komposisi musik,terima kasih atas saran dan ilmu yang diberikan

selama perkuliahan.

5. Julius Catra Henakin, S.Sn., M.Mus., selaku teman diskusi dan

konduktor skripsi penulis, terima kasih atas saran-saran, masukan

dan kesediaan meluangkan waktu untuk melatih teman-teman

paduan suara dan orkes kamar dalam mempersiapkan penyajian

karya.

6. Avianto Hendrasmoro, selaku teman diskusi penulis, terima kasih

atas saran-saran yang diberikan kepada penulis.

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7. Priscila Yeni Pratiwi,S.Psi., Alfanda Abyor Ardana, S.Mus.,

Raditya Setya Jati,S.Pd., selaku sahabat penulis, terima kasih atas

dukungan,semangat, dan doa yang telah diberikan.

8. Sabdo Winedar Hadi Nugroho, selaku teman, sahabat, partner

penulis, terima kasih atas doa, dukungan, perhatian, masukan, serta

semangat yang telah diberikan kepada penulis.

9. Seluruh keluarga besar Fakultas Bahasa dan Seni Program Studi

Seni Musik UKSW, terima kasih telah menjadi kerabat dan

keluarga bagi penulis selama menempuh studi.

10. Teman-teman paduan suara (Agustina, Meita, Tata, Arsi, Ayu,

Lintang, Chytara, Debby, Dyta, Sandy, Yoas, Yesa, Joshua, Melki,

Marsel, Firdaus, Avi) dan orkes kamar (Pandu, Elsa, Vino, Theo,

Ririn, Rasta, Rita, Fanny, Tifa, Bella, Thomas, Odiek, Iqbal,

Iwang, Dhana, Philip, Michelle). Terima kasih telah membantu

menyajikan karya komposisi penulis dengan sangat indah.

11. Teman-teman FSP angkatan 2012 (Mas Yosi, Stefani, Hika, Vivi,

Joan, Otniel, Ruth, Putri Gerald, Fera, Okky, Epa, Ichang, Deni,

Theo, Gabriel, Christoffer, Robert), terima kasih atas kebersamaan

dan saling mendukung saat suka maupun duka selama menjalani

studi. Selamat berjuang, see you all on top!

12. Teman-teman PPSM GKJ Salatiga, terima kasih atas kebersamaan

dalam berpelayanan dan kekeluargaan, dukungan dan doa untuk

penulis.

13. Semua pihak yang telah mendukung dan membantu penulis,

namun tidak dapat disebutkan satu persatu. Tuhan memberkati kita

semua.

Salatiga, 19 Agustus 2016

Penulis

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HALAMAN PERSEMBAHAN

Dedicated for,

..my bestfriend, my Saviour, my All in All, Jesus Christ..

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DAFTAR ISI

HALAMAN JUDUL ............................................................................................ i

HALAMAN PERSETUJUAN PEMBIMBING ...................................................... ii

PERNYATAAN KEASLIAN KARYA ................................................................ iv

ABSTRAKSI ........................................................................................................ v

ABSTRACT ........................................................................................................... v

KATA PENGANTAR .......................................................................................... vi

HALAMAN PERSEMBAHAN ............................................................................. viii

DAFTAR ISI ........................................................................................................ ix

DAFTAR TABEL ................................................................................................ xii

DAFTAR GAMBAR ........................................................................................... xiii

DAFTAR NOTASI ................................................................................................ xiv

BAB I PENDAHULUAN

A. Latar Belakang Masalah ....................................................................... 1

B. Rumusan Masalah ................................................................................ 3

C. Tujuan Penelitian ................................................................................. 3

D. Manfaat Penelitian ............................................................................... 4

E. Batasan Masalah .................................................................................. 4

F. Metode Penelitian ................................................................................ 4

BAB II LANDASAN TEORI

A. Harapan ............................................................................................... 7

B. Kantata ................................................................................................ 10

x

1. Sejarah Singkat Kantata ................................................................. 10

2. Bagian Kantata ................................................................................ 11

3. Tinjauan Karya Kantata ................................................................... 12

C. Paduan Suara ............................................................................................ 14

1. Sejarah dan Perkembangan Paduan Suara ........................................ 14

2. Jenis Paduan Suara ......................................................................... 15

D. Orkes Kamar ........................................................................................ 16

1. Pengertian Orkes Kamar ................................................................. 16

2. Sejarah Singkat Orkestra ................................................................ 17

E. Instrumen Yang Akan Digunakan ........................................................ 18

1. Instrumen Gesek ............................................................................ 18

2. Instrumen Tiup Kayu ...................................................................... 19

3. Instrumen Tiup Logam ................................................................... 20

4. Instrumen Tiup Perkusi .................................................................. 20

F. Rencana Komposisi ............................................................................ 21

BAB III ANALISIS DATA

A. Prelude ................................................................................................. 24

1. Analisis Struktural ............................................................................. 24

2. Analisis Lirik ...................................................................................... 33

B. Haleluya, Puji Dia! ................................................................................ 33

1. Analisis Struktural ............................................................................. 33

2. Analisis Lirik ..................................................................................... 43

C. Janganlah Takut .................................................................................... 44

1. Resitatif ............................................................................................. 44

a. Analisis Struktural ........................................................................ 44

b. Analisis Lirik ................................................................................ 47

2. Aria ................................................................................................... 48

a. Analisis Struktural ........................................................................ 48

b. Analisis Lirik ............................................................................... 60

3. Choral ............................................................................................... 61

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a. Analisis Struktural ........................................................................ 61

b. Analisis Lirik ................................................................................ 69

D. Ajarku Percaya ...................................................................................... 70

1. Resitatif ............................................................................................. 70

a. Analisis Struktural ........................................................................ 70

b. Analisis Lirik ................................................................................ 73

2. Aria ................................................................................................... 74

a. Analisis Struktural ........................................................................ 74

b. Analisis Lirik ................................................................................ 85

E. Selalu Ada Harapan .............................................................................. 86

1. Analisis Struktural ............................................................................ 86

2. Analisis Lirik .................................................................................... 103

BAB IV PENUTUP

A. Kesimpulan ........................................................................................... 105

B. Saran ..................................................................................................... 106

DAFTAR PUSTAKA ............................................................................................ 107

LAMPIRAN ......................................................................................................... 109

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DAFTAR TABEL

Tabel 3.1 Struktur Komposisi “Prelude” ....................................................... 24

Tabel 3.2 Struktur Komposisi Choral “Haleluya,Puji Dia!” .......................... 33

Tabel 3.3 Struktur Komposisi Resitatif “Janganlah Takut” ........................... 44

Tabel 3.4 Struktur Komposisi Aria “Janganlah Takut!” ................................. 48

Tabel 3.5 Struktur Komposisi Choral “Janganlah Takut!” ............................. 61

Tabel 3.6 Struktur Komposisi Resitatif “Ajarku Percaya” ............................. 70

Tabel 3.7 Struktur Komposisi Aria “Ajarku Percaya”.................................... 74

Tabel 3.8 Struktur Komposisi Choral “Selalu Ada Harapan” ........................ 86

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DAFTAR GAMBAR

Gambar 2.1. Christ lag in Todesbanden ................................................................ 13

Gambar 2.2 Christ lag in Todesbanden .................................................................. 13

Gambar 2.3 “Herr, gehe nicht ins Gerich mit deinem Knecht” ............................... 14

Gambar 2.3 “Herr, gehe nicht ins Gerich mit deinem Knecht” ............................... 14

Gambar 2.5 Biola .................................................................................................. 18

Gambar 2.6 Biola Alto .......................................................................................... 18

Gambar 2.7 Cello .................................................................................................. 18

Gambar 2.8 Contrabass ......................................................................................... 18

Gambar 2.9 Flute .......................................................................................... ........ 18

Gambar 2.10 Clarinet in Bb .................................................................................. 19

Gambar 2.11 Oboe ................................................................................................ 19

Gambar 2.12 Bassoon ........................................................................................... 19

Gambar 2.13 Trumpet ........................................................................................... 20

Gambar 2.14 Tuba ................................................................................................ 20

Gambar 2.15 Horn ................................................................................................ 20

Gambar 2.16 Trombone ........................................................................................ 20

Gambar 2.17 Timpani ........................................................................................... 20

Gambar 2.18 Cymbal ............................................................................................ 20

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DAFTAR NOTASI

Notasi 3.1 Introduksi birama 1-5 .......................................................................... 25

Notasi 3.2 Bagian A birama 6-11 .......................................................................... 27

Notasi 3.3 Transisi birama 29-32 .......................................................................... 28

Notasi 3.4 Bagian B birama 33-37 ........................................................................ 29

Notasi 3.5 Development birama 60-65 .................................................................. 31

Notasi 3.6 Retransisi birama 78-79 ....................................................................... 32

Notasi 3.7 Postlude birama 80-85 ......................................................................... 32

Notasi 3.8 Introduksi birama 1-11 ........................................................................ 34

Notasi 3.9 Penyelesaian introduksi dan persiapan memasuki bagian A .................. 35

Notasi 3.10 Bagian A birama 24-28 ...................................................................... 36

Notasi 3.11 Transisi birama 34-38 .......................................................................... 37

Notasi 3.12 Bagian B birama 39-44 ....................................................................... 38

Notasi. 3.13 Transisi birama 62-64 ........................................................................ 39

Notasi 3.14 Bagian C birama 65-68 ...................................................................... 40

Notasi 3.15 Akhir Bagian C birama 71-75 ............................................................. 42

Notasi 3.16 Frase pertama resitatif birama 1-5 ...................................................... 45

Notasi 3.17 Frase kedua resitatif birama 7-9 .......................................................... 45

Notasi 3.18 Frase ketiga resitatif birama 10-13 ...................................................... 46

Notasi 3.19 Frase keempat resitatif birama 16-19 .................................................. 46

Notasi 3.20 Frase kelima resitatif birama 20-22 ..................................................... 47

Notasi 3.21 Introduksi birama 1-5 ......................................................................... 49

Notasi 3.22 Bagian A birama 6-10 ........................................................................ 51

Notasi 3.23 Bagian melismatis pada tenor ............................................................. 52

Notasi 3.24 Transisi birama 19-21/3 ...................................................................... 53

Notasi 3.25 Bagian B birama 21/4-25..................................................................... 55

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Notasi 3.26 Transisi birama 34-35 ......................................................................... 56

Notasi 3.27 Section birama 36-40 .......................................................................... 58

Notasi 3.28 Codetta birama 53-56 ......................................................................... 59

Notasi 3.29 Introduksi Birama 1-11/1 ................................................................... 62

Notasi 3.30 Bagian A birama 11-20 ...................................................................... 64

Notasi 3.31 Transisi birama 21-26/3 ...................................................................... 65

Notasi 3.32 Bagian B birama 26/3-33 .................................................................... 67

Notasi 3.33 Akhir Bagian B birama 36-43 ............................................................. 68

Notasi 3.34 Frase pertama birama 1-6 .................................................................... 71

Notasi 3.35 Frase kedua birama 8-12 .................................................................... 71

Notasi 3.36 Transisi birama 13-15 ......................................................................... 72

Notasi 3.37 Frase ketiga birama 16-19 .................................................................. 72

Notasi 3.38 Frase keempat birama 21-24 ............................................................... 73

Notasi 3.39 Introduksi birama 1-5 ......................................................................... 75

Notasi 3.40 Bagian A birama 7/4-12 ..................................................................... 77

Notasi 3.41 Transisi birama 24/2-26 ...................................................................... 78

Notasi 3.42 Bagian B birama 26/4-31 .................................................................... 80

Notasi 3.43 Transisi birama 44-45 ......................................................................... 81

Notasi 3.44 Section birama 46-50 ........................................................................... 82

Notasi 3.45 Transisi birama 58-62 ......................................................................... 83

Notasi 3.46 Codetta birama 63-65 .......................................................................... 84

Notasi 3.47 Introduksi birama 1-7 .......................................................................... 87

Notasi 3.48 Bagian A birama 14/3-17 ................................................................... 89

Notasi 3.49 Transisi birama 23-26 .......................................................................... 90

Notasi 3.50 Bagian B birama 27-29 ....................................................................... 92

Notasi 3.51 Bagian A birama 44-46 ....................................................................... 94

xvi

Notasi 3.52 Transisi birama 53-56/1 ...................................................................... 95

Notasi 3.53 Bagian C birama 53-58 ....................................................................... 96

Notasi 3.54 Bagian B’ birama 65/3-67 .................................................................. 98

Notasi 3.55 Codetta birama 81/3-83 ...................................................................... 100

Notasi 3.56 Codetta birama 85-89 ......................................................................... 102