john warton’s digital photography tips and guides

8/14/2019 John Warton’s Digital Photography Tips and Guides

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John Warton’s Digital Photography Tips and Guides

Today, I will share another set of guidelines intended to help photo artists understand why some photos

are able to win photo contests and others fail. Winning photo contests includes optimized lighting,attractive color, balanced composition, sharpness, correct exposure and other essential elements.

The criteria of judging varies on the type of photo competition. But whatever category you may join,the same objectives and rules are observed. Also note that some photo competitions may have

additional contest rules. These rules reveal much to the discerning contestant. Always remember to readthe guidelines first before submitting your entries. You may not want to start all over again just because

you missed to the terms and conditions of a particular photography contest.

Digital cameras are great for photography contest, since you can take a lot of pictures and instantly see

how they will look. They also save on development costs.

The following tips are courtesy of John Warton, senior photo editor at Photo Laureates. Phot Laureates provides picture contests for professional and aspiring photographers to gain exposure and recognition.

John Warton’s Digital Photography Tips and Guides

Digital images are composed of blocks called pixels. Pixels and resolution are fundamental concepts

relevant to every part of the digital imaging chain. When you scan an image, you talk about scan

resolution and scanner dpi. If you use a digital camera, you refer to CCDs with 2 or 3 million pixels.Displaying an image on a monitor involves screen resolution, and when printing we use Epson inkjet

printers with 1440 or 2880 dpi. The whole digital imaging chain captures, stores, views and prints the

image in terms of pixels. Let’s look at how pixel resolution affects image quality, image size, print sizeand virtually everything else we do in digital imaging. These various pieces of advice will insure that

you post a strong entry on our photography contest.

Scanner resolution

Since this article deals with pixels and resolution, let’s define the terminology. Units for resolution aredots-per-inch (dpi), although some prefer pixels-per-inch (ppi). (In this context, I use dpi and ppiinterchangeably.) Printers use another type of resolution lines-per-inch (lpi). High resolution, such as

300 dpi, refers to a high pixel density of 300 dots or pixels-per-inch. Low resolution, such as 100 dpi,

refers to 100 dots-per-inch.

In digital photography, images usually are captured by scanning a transparency or using a digitalcamera. With a scanner, the transparency is put into the scanner and samples are taken at small regular

intervals. Depending on what the scanner sees,?it generates a pixel. When the entire transparency is

completely scanned, the pixels are assembled to make a digital image. The scanner can scan thetransparency very finely, recording every little detail, or it can cover the entire transparency much

quicker by taking averages over much larger areas. Smaller stops take longer, but the fine detail in the

original is retained. If the scanner averages over a larger area, it creates a pixel with the averageintensity and color from the area, but the individual hair detail, windowpane or single leaf structure is

lost. The dpi setting of the scanner dictates how samples are made.

With 100 dpi only 100 dots will be taken every inch of the transparency, i.e. larger sample dots; while

with 300 dpi, 300 sample dots are made over the same area, and thus are smaller dots. The important part is the number of pixels generated. If we scan a 4 x 5 transparency at 100 dpi, we get 400 x 500, or

200,000 pixels. A 300 dpi scan creates 1,800,000 pixels. The number of pixels is directly related to the

quality of the digital image.

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Generally speaking, the more pixels the better. If a higher dpi scan creates more pixels and retains more

detail in the transparency, why not always use 300 dpi (or even, 600 dpi)? There are many reasons to be

wary of higher dpi settings.

First, it takes longer to scan, and higher dpi settings make the file size very big, very quickly. If youdouble the dpi, the file size quadruples; if you triple it, the file size increases by 9 times! Higher dpi

settings can make large files that are difficult to save or e-mail.

But, perhaps the most important reason to limit the dpi scan setting is that there may not be any visual

benefit. Consider how the image will be used. Is the higher dpi necessary if it will be viewed on amonitor or printed on an inkjet printer? In many cases, there’s a limited benefit. Increasing the number

of pixels beyond a certain limit brings no tangible benefits, as you’ll see when you print the image.

Digital images are composed of blocks called pixels. Pixels and resolution are fundamental concepts

relevant to every part of the digital imaging chain. When you scan an image, you talk about scanresolution and scanner dpi. If you use a digital camera, you refer to CCDs with 2 or 3 million pixels.

Displaying an image on a monitor involves screen resolution, and when printing we use Epson inkjet

printers with 1440 or 2880 dpi. The whole digital imaging chain captures, stores, views and prints the

image in terms of pixels. Let’s look at how pixel resolution affects image quality, image size, print size

and virtually everything else we do in digital imaging. These various pieces of advice will insure thatyou post a strong entry on our photography contest.

Digital cameras

In digital photography, cameras sample the scene using discrete pixels or cells. In a digital camera, thelens focuses the image onto an electronic sensor called a Charge Coupled Device (CCD). The camera’s

quality is determined by the number of pixels on the CCD chip. A large number of pixels is analogous

to scanning at high resolution; we can expect to retain more fine detail.

An image made from a CCD with 1.3 million (1280 x 960) pixels will be similar to an image from asmall photo laureates negative, such as 110 or APS film. Images with this resolution are suitable only

for low-resolution work, like multimedia or web pages. One way to improve the appearance of a low-

resolution image is reducing image size or magnification; in photography, this would be like making asmaller enlargement. Several entry-level compact digital cameras have CCDs with a resolution of 1.3million pixels (Fuji FinePix A-101, HP Photosmart C215 and Kodak Lock’ DX-3215). However, to

achieve 35mm quality in a digital image, the CCD needs to have 3 to 4 million pixels (Fuji FinePix

2600, and Canon Powershot G1 or G2). To obtain a digital image comparable to 120 roll film, thecamera requires 5 to 10 million pixels (Fuji FinePix S1 Pro, Nikon D1, Kodak DCS 760). These

cameras generate huge digital files that can be printed at 8×10 or larger. If pixel numbers are related to

the comparable photo laureates meg size,?it helps you understand what quality to expect from a digitalcamera.

One last point just like a scanner’s dpi setting can be changed, the resolution setting in digital cameras

can often be changed, allowing you to use half or only a quarter of the available pixels to capture the

image.



Figure 1: If we use a digital camera with a lot of pixels or scan at high resolution, fine detail in the

image is retained (top). Low resolution cameras or low dpi scanning creates pixelated results (bottom).

File size

In digital photography, if we know the number of pixels we have we can then calculate the file size.

The file size is often used as a yardstick to compare the quality of digital cameras and digital images.The total number of pixels in an image is calculated by multiplying the horizontal and vertical number

of pixels. The file size is just a small additional calculation, which depends on the bit-depth resolution.

Bit-depth resolution relates to color information and describes how many different colors a pixel can

have. File size is calculated by multiplying the number of pixels by the bit-depth. Most digital RGBimages use 3 bytes of computer space per pixel (one byte for each of the red, green and blue channels),

so the bit-depth is 3 bytes. The file size is the number of pixels x 3. Earlier, a 4 x 5 transparency was

scanned at 100 dpi to get 200,000 pixels. The file size of this image is 200,000 x 3 or 600,000 bytes(~600 KB).

Sometimes the image has more pixels than expected by the above calulation. In these cases, a software

process known as interpolation has occurred, which artificially increases the number of pixels. ( Fuji

received a lot of criticism when they quoted these inflated numbers for their new SuperCCD.) It ismore meaningful to consider the true optical resolution of the CCD instead of the acquired image

resolution.

photo laureates advises you to explore interpolation processes as they can produce surprising results.

Monitor resolution

We’ve learned how to alter the number of pixels in an image by changing the resolution setting in a

scanner or digital camera. We know the number of pixels that make up the image, but we don’t knowhow big the picture is. A digital image is just a collection of pixels. It only attains a physical size when

it’s displayed on a monitor or printed.

Monitors display a certain number of horizontal and vertical pixels. The number of pixels is governed

by the video card, which typically offers choices such as 800 x 600 or 1024 x 768 in the monitor control panel. If the digital image has fewer pixels than the monitor, the image will not occupy the full

screen. If it has the same number of pixels, the image will fully cover the screen. If the image has more

pixels than the monitor, it overfills the screen, and you have to scroll to view the full image or use the



magnifying tool to temporarily reduce the pixel number. If you only want to view images on a monitor

for example, web pages and e-mail don’t need an image with more pixels than that part of the monitor

screen.

Figure 2: Screen images will look good with comparatively few pixels. In fact too many pixels just

overfills the monitor.

Changing the image dpi

To reiterate, a digital image has no physical size, and only attains one when displayed on a monitor or printed. We’ve seen how size changes on a monitor, but what governs the printed size? The answer is

the digital file’s dpi setting. Here, dpi is a virtual concept?that applies to the image’s pixels. (Note:

don’t confuse image dpi with scanner dpi.) The image dpi setting does not change the size of the imageon the screen, nor does it change the size of the underlying image file. You see the effect of changing

image dpi only when you print the image. When you click on the bottom left frame of an image in

Photoshop, a box pops up representing how big the image will be when printed. This feature allowsyou to see that as dpi setting increases, the predicted print size decreases. photo laureates advises you to

have at least 300dpi for best printing results. This will insure that you post a strong entry on our

photography contest.

Image dpi also comes into play when you import an image from one program to another, and the dpisetting of the programs is not the same. The size of the image will change when you cut and paste

between the programs. The dpi setting of the image can be changed in Photoshop’s Image>Image Size

dialog box. This dialog box also calculates print size in response to the change in the dpi setting.



Figure 3: The dpi setting for an image does not change the digital file size but does change the

predicted print size.

Printing the image

You now have a digital image that consists of a number of pixels, and the image dpi setting can be

changed to alter print size. How do we determine the image’s dpi setting to get the best possible print?

What dpi should be set? Unlike a monitor where the number of pixels in the digital image correspondsdirectly with the number of pixels on the screen, printed images deal with the halftone process.

Inkjet and laser printers are halftone printers. What does this mean? Consider a typical inkjet printer.

The printer may have four cartridges containing cyan, magenta, yellow and black ink. If the printer has

only four color cartridges, how does it generate prints that appear to have a full range of colors?

Continuous tone color images are printed using clusters of ink dots. There are more dots in the dark

areas of the image and less in the highlights, with different amounts in between creating an impressionof grays. In the yellow part of an image, there will be many yellow dots; other colors are made by

placing differing combinations of the four-color ink drops in a small area. From normal viewingdistances, the ink droplets fuse visually, tricking the eye into seeing a continuous range of printed

colors. This process is called halftoning and allows printers to use just four inks but simulate a full

range of colors. The printer dots are grouped in cells, and each halftone cell can be considered a printer pixel.?A halftone cell represents a single pixel in the printed image. The halftone screen setting is

measured in lines per inch (lpi) and determines the size of the halftone cell. A 53 lpi screen forms a

large halftone cell, which makes the image look coarse or pixelated, while a 133 lpi screen formssmaller halftone cells with a sharper result.

There are three parameters involved in digital printing the dpi setting of the digital image, the printer

halftone screen setting and the size of the printed image.



Figure 4: Inkjet printers create an illusion of grays and color using a halftone process. The halftone cell

size is measured in lpi.

The image’s dpi setting should be no more than double the halftone screen frequency. If the halftone

screen frequency of the printer is 100 lpi, the image resolution should be about 200 dpi. Fix the dpi

setting of the image based on the halftone screen of the printer, then use Photoshop to predict the print

size. For a given halftone screen frequency, there is a correct image dpi and an optimum print size. Theimage can be printed smaller with no harm, but if it is printed larger, it appears pixelated. If you require

a larger print, you need more pixels, and you’ll need to start at the beginning and scan or capture the

image with more pixels.

It’s often difficult to determine the printer’s halftone screen setting. Also, printers may use newer stochastic screening or proprietary error diffusion?techniques to print an image. If you know your

printer uses stochastic screening, the image dpi should be one-third the printer dpi. In all cases 300 dpi

is the pixel resolution of an image recommended for getting the best results with any Epson inkjet printer using 1440 x 720 dpi mode or higher.

Conclusion

You need to ensure that you’re using enough pixels to retain all possible image detail, but at the sametime, you don’t want to use too many (which also has its problems). Resolution is tricky, but a bit of experimentation will help clarify the concepts. Understanding the resolution issue will be useful in the

long term, as it crops up again and again in all aspects of digital imaging. Explore and enjoy!

To see how John Warton, senior photo editor at Photo Laureates reviews photographs and meet, go to

www.thephotochallenge.com





john warton’s digital photography tips and guides

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