TOM JENKINS

In this photo Tom has positioned the photo in a landscape way. This is done to capture everything in the shot. If it was portrait then the audience would not be able to see the leading lines within the photo, which are the arms of the supporters reaching towards the man, this allows the photo to have attention drawn to the focal point in this image, which is the man. The colours in this photo is mainly green and white which signifies the grass and the kit the man is wearing. Also, the white could signify the hope of the team and even a little bit of light within the man. The lighting in this image is both natural and unnatural, from the floodlights in the stadium (which we can see in the higher stands of the photo, natural light would not have covered this) and the natural light by the shadows at the bottom of the mans right arm. The contrast in this photo is not very deep, with not a lot of dark places in the photo. Which makes the photo be extremely bright with the brightness coming from the light sources. In this photo it has deep focus as the full photo is on focus.

In this photo Tom has used shallow focus as only segments in the photo is in focus. Major focal points are in focus in this image, for example the two United players and the crowd. The crowd in this image stands out to the audience as it takes up the majority of the photo, the crowd also gives the main colours to the audience which is red, but then the Liverpool goalkeeper gives the green away with the grass. The leading lines within this image is the net. It draws the audience's attention to the crowd and the ball. The lighting in this image is natural lighting, we know this because of the shadows we can see from the stadium.

In this photo Tom has taken it landscape to allow the blue bright sky to stand out to the audience and also to allow the audience to know the models setting. Obviously this is taken to spread the word of Paralympics and the audience knows this because of the angle of the shot which is a close up. The shot has a shallow depth of field with only the man being fully in focus. The triangles on the stadium are the leading lines to the focal point, which is the model, all of them are pointing to the model, and you could also say the lines in the stands in the background of the shot are. The brightness in this image is bright with the contrast not changing anything within the shot. Now this photo follows the rule of thirds as the model would be in the middle column being the centre of the photo which almost gives the model the centre of attention in this photo.

In this image Tom has taken the photo with shallow focus on. This is to draw the attention to the focal point of the image and for them to feel the mood of the image. He has taken this image with enough focus on the focal point but not too much for the audience to not be able to see the crow, which you can feel the mood off too. This image is taken landscape to allow the audience of the photo to see the full photo and the crowd in the background. The leading lines in this image is the arms of both the ref and the player. These aim towards the two men who are the focal points of this image. This image follows the rule of thirds in this image, as both of the men are in the centre of the three boxes. This allows the audience to see them from their first glance.

In this image Tom has used shallow focus with only 3 players in focus. This he has done this to allow the audience to understand the focal point within in the photo. The focal point in this image is the three players and the ball because the sport, which is football, requires all attention to the ball, which is what Tom has done here. The lighting in this image is pretty low-key, with the only lighting being the floodlights and the stands, higher in the image, being dark proves this. The main colours in this image are black and dark blue, with green being on the lower side of it mixes them up. The leading lines in this image are the legs of the players, with all the legs leading to the players themselves and aiming at the ball. Also the contrast of this image is not very high, with the whites in this image being white and not grey. Tom has taken this landscape as he needed to fit in all 3 players and the crowd to show the audience what the photos full effect is.