israeli lens #9- cultural photography

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Fine Art Photography Magazine June 2015 #9 CULTURE

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We are pleased and excited to present the excellent showcase of the most known Cultural Photographers in Israel and abroad. Some of the finest photographers are exhibiting in this Issue of Israeli Lens Magazine. Interesting Articles and amazing showcase of fine art photography. As the Founder&Editor of the magazine I'm full of satisfaction and most pleased to say that the magazine is excellent and fulfilled itself in this subject. I wish you all readers great enjoyment, from the articles, the photography tips and from the great shooting of humanity.

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Page 1: Israeli Lens #9- Cultural Photography

Fine Art Photography Magazine

June 2015#9

CULTURE

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Israeli Art Market

The company has three business lines which include: http://israeliartmarket.com which showcases the top Israeli artists and photographers, Exhibit contemporary art and Judaica Art for sale;

Israeli Art Market digital magazine and Israeli Lens Digital magazine which are available for download, subscriptions and single issues on Apple Store Newsstand, Google Play app, Magzter.com, issuu.com, joomag.com, and available in a Kindle version at amazon.com;

http://israeliartmarket.com Facebook Page: https://www.facebook.com/IsraeliArtMarket Instagram: https://instagram.com/israeli_lens_magazine/

Sell My ArtThe company specializes in the sale of Israeli art to interior designers, architectural firms and private individuals in Israel.

http://sellmyart.co.ilFacebook Page: https://www.facebook.com/sellmyart.co.il

Show My WorkA website showcasing over 250 artists, photographers and designers from various disciplines. The site also promotes exhibitions of art and design.

http://showmywork.co.il Facebook Page: https://www.facebook.com/ShowMyWork

Editor & Founder : Dafna Navarro

Dafna was born in Jerusalem in 1975 and lives in Tel Aviv, Israel. She is a known figure in the Israeli art world as a lecturer, curator and appraiser of art and collectibles.Also a Wordpress Expert for blog sites, Corporate Sites & Woo Commerce Sites (Active online stores). With many years of experience in Google Analytic, Google Adwords and PPC. Dafna has lectured at academies of visual art and design with years of experience working in advertising and media. Her education started at Technion University studying interior design followed by general design studies with the artist Ilana Goor. She later obtained a diploma in curatorial studies and art appraisals. In the beginning of her career she worked as a graphic designer in various multimedia companies such as Ness Technologies, Casdim International Systems, along with several major advertising agencies in Israel. In 1998 she began teaching at the Avni Institute of Art and as a lecturer in visual communication at Bezalel Academy of Art and at Magen the Religious College of Art and Design. Dafna has authored a number of books for Israeli academic institutes including John Bryce College. She also

developed course curriculum and content in a number of fields including photography, internet, media and graphic design. She was later involved in the marketing of these courses to various technology companies.

Dafna is the CEO, Founder&Editor of Israeli Art Market, Israeli Art Market's Magazine, Israeli Lens Magazine, Sell My Art and Show My Work.

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BE A CONTRIBUTOR [email protected]

http://israeliartmarket.com mail: [email protected]

Facebook Page: https://www.facebook.com/

IsraeliArtMarket Tel: +972502343318

Cover Photo:Jimmy Nelson © All rights reserved.

Before they.com. . Menaja KokePonowi Village, Jalibu Mountains, Western

Highlands. Papua New Guinea, 2010

Editor & Founder : Dafna Navarro Content Editor : Emma Gotenberg

Graphic Design : Ziv Kay

Follow Us On Instagram

Jimmy Nelson © All rights reserved. Before they.com. . Goroka, Eastern

HighlandsPapua New Guinea, 2010

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8/ About Cultural Photography

20/ Oded Wagenstein- Nomadic Project

38/ Magdalena Bagrianow - The Heart Of India

52/ Michal Fattal- Humanity

68/ Jimmy Nelson - Before They Pass Away

84/ Gili Yaari- Purim Celebrations In Jerusalem

94/ Gili Yaari- Tel-Aviv Gay Pride Parade

102/ Roie Galitz- The Children Of Uganda

122/ Amy Kanka- Japan

138/ An Interview With Mark Edward Harris

162/ Michal Solarski- Hungarian Sea

178/ Pande Heryana- Love Around The World

190/ Asher Gibel- Black And White Tour Of Old Tel Aviv, 1970

TABLE OF CONTENTS

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The New Magazine for Contemporary Fine Art Photography

Available for subscriptions and single Issues on Apple Store Newsstand, Magzter.com, joomag.com, issuu.com, and available in

a Kindle version at amazon.com

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Follow Us On Instagram

FINE ART PHOTOGRAPHY MAGAZINE

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FINE ART PHOTOGRAPHY MAGAZINE

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Cultural Photography

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Cultural Photography

Jimmy Nelson © All rights reserved. Altantsogts. Bayan Olgii, Mongolia, 2011

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READ FULL ARTICLE ABOUT JIMMY NELSON

PAGE 86

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Jimmy Nelson © All rights reserved. Altantsogts. Bayan Olgii, Mongolia, 2011

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"Cultural Photography" is the art of taking photos for the purpose of telling about a people or a culture. The photographs may be as simple as portraits of faces, or as common as street scenes, or as complex as the capturing of scenes that illustrate social relationships.

Nothing about these kinds of images is new, of course. The cave paintings in Spain show us that this was done at the dawn of humanity. What is new and different today is the proliferation of inexpensive cameras that allow everyone easily to engage in "cultural photography" ...and, indeed, everyone who uses their mobile phone to take pictures is a cultural photographer.

Making worth while cultural photographs is often not as simple as simply clicking the shutter, however. It requires a curiosity to see what is significant in the world around us, and the discipline to photographically document it. It requires thoughtful selection of what is to be photographed.

Photography offers both limitations and opportunities when we attempt to use it as a tool for documentation. While photography would seem to be the most "realistic" way of capturing the world around us, this is not necessarily true. As the noted photographer Richard Avedon once observed, "All photographs are accurate. None of them is the truth." Making cultural photographs is not as simple as simply clicking the shutter of the camera, however. It requires a curiosity to see what is significant in

the world around us, and the discipline to photographically document it. It requires thoughtful selection.Photography offers both limitations and opportunities when we attempt to use it as a tool for documentation. While photography would seem to be the most "realistic" way of capturing of the world around us, this is not necessarily true.

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Our "interpretation" of what we are seeing, based on the context in which we are seeing it, becomes a major part of what we see. A photograph is just a selection from that overall scene. Once this selection has become a photograph it is completely isolated from the overall context in which it originally existed.

Isolating this selection in our photograph, we transform this part of the scene that was photographed. What was simply part of a larger scene now becomes a whole scene in itself. And it now exists altogether separately from any clues of interpretation except for clues that the photographer provides in the photo.

Jimmy Nelson © All rights reserved. Sarbore. Serengeti. Tanzania, 2010

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This process of selection is the true art of photography. The photograph itself becomes something new and distinct from what it was in its original context. Now, instead of interpretation coming from the eyes of the live viewer, clues to interpretation are now provided by the photographer through the use of framing, lighting, focus, and other camera techniques. The photograph, although only a selected part of a total scene, may nevertheless convey an story or message that is bigger than than the photograph itself. Dorothea Lange, whose photos told the story of the Great Depression in ways that no book of statistics could have done, once made this observations: "While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see."

Cultural photography may happen consciously or unconsciously. For the intentional cultural photographer, the photos will have documentary and educational value ...but having educational value need not make the photos less enjoyable. Indeed, the National Geographic has been simultaneously entertaining and educating its readers for more than a hundred years with quality cultural photography.

Jimmy Nelson © All rights reserved. Dele, Lale, Korcho Village,Omo Valley, Ethiopia, 2011

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Jimmy Nelson © All rights reserved. Gogine BoyGoroka, Eastern Highland. papua New Guinea, 2010

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Jimmy Nelson © All rights reserved. Bartholomeuw, Rubin, Gibson & Samson, Kalam TribesmenSimbai, Nukunt Village, Bismark Range, Central HighlandsPapua New Guinea, 2010

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Jimmy Nelson © All rights reserved. Tumbu, Hangu, Peter, Hapiya, Kati, Hengene & StevenHuli Wigmen, Ambua Falls, Tari ValleyPapua New Guinea, 2010

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ODED WAGENSTEINNomadic project

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21http://israeliartmarket.comOded Wagenstein © All rights reserved.

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ABOUT ODED WAGENSTEIN

Oded Wagenstein is a Cultures photographer. He his regular contributor to the National Geographic Magazine, Getty images and the National Geographic Traveler Magazine. He is the Author of bestselling Photography Ebooks and an inspirational lecturer. When not on assignment around the world, he is the Coo of Phototeva, which is Israel's largest photography trips brand.

ABOUT THE NOMADIC PROJECT

In recent years, I dealt much a question of displacement and documented migratory communities around the world.In this work, you will find the Sea Gypsies living in Karbi, in Southern Thailand and the Kyrgyz nomads of central Kyrgyzstan

Sea GypsiesKarbi, Southern Thailand

Oded Wagenstein © All rights reserved.

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In my work, I am on the search for the most basic human experiences. I do not wish to show the "different", the "bizarre" or the "exotic". I try to find the most remote places, places in which finding the exotic is very easy, and I try to show my viewers that we are all the same. That, for example, being a mom in NYC is very similar to being a mom in India. Life circumstances are different of course. But, on the most basic level of the human experience we have, we are all the same.In my work, I wish to show the person's soul and not only his Cloths. Therefore do not shoot from a long distance. Being able to speak with the person and to hear his or her story is much more important to me than making the image.

"

"

Oded Wagenstein © All rights reserved.

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http://israeliartmarket.comOded Wagenstein © All rights reserved.

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Oded Wagenstein © All rights reserved.

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Oded Wagenstein © All rights reserved.

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Kyrgyz Nomads Of Central Kyrgyzstan

Oded Wagenstein © All rights reserved.

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Copyright to Dafna Navarro. Israeli Art Market © 2014, All rights reserved. No part of this magazine may be re-used without the written permission of the publisher. The content of this magazine is for informational purposes only and is, to the best of knowledge, correct at the time of publication.

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