international sale old master paintings, drawings and prints

TheInternationalSaleOld Master Paintings,Drawings & Prints

Lyon & Turnbull Edinburgh28th September 2011Freeman’s Philadelphia7th October 20 11

TheInternationalSaleOld Master Paintings,Drawings & Prints Friday, October 7th, 2011

11am

Sale Number 1411

1808 Chestnut Street

Philadelphia PA 19103

Tel. +1 215.563.9275

Fax. +1 215.563.8236

www.freemansauction.com

Catalogue: £15 / $35

See page 2 for viewing and

enquiriy details

Inside Front Cover: Lot 107Inside Back Cover: Lot 9

Printing by Brilliant Studio

Exton, Pennsylvania

Wednesday, September 28th 2011

11am

Sale Number LT329

33 Broughton Place

Edinburgh EH1 3RR

Tel. +44(0) 131 557 8844

Fax. +44(0) 131 557 8668

www.lyonandturnbull.com

G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:24 PM Page 1

Viewing and Enquiries

Auction

Friday, October 7th, at 11am

Exhibition

Friday September 30th

10am - 4.:30pm

Saturday October 1st

12 noon - 4pm

Monday October 3rd

10am - 4:30pm

Tuesday October 4th

10am - 4:30pm

Wednesday 5th October 5th

10am - 4:30pm

Thursday October 6th

10am - 4:30pm

Limited viewing on morning of the sale

Specialists

David Weiss

direct tel: 267.414.1214

[email protected]

Maya O’Donnell-Shah

direct tel: 267.414.1210

[email protected]

Commission Bids

Bridgette Bonner

tel: 267.414.1208

fax: 215.599.2240

[email protected]



Tel. +1 215.563.9275

Fax. +1 215.563.8236


Auction

Wednesday, September 28th, at 12 noon

Exhibition

Sunday September 25th

12 noon - 4pm

Monday September 26th

10am - 5pm

Tuesday September 27th

10am - 5pm

Morning of sale strrictly by

appointment only

Specialists

Nick Curnow

[email protected]

Charlotte Riordan

[email protected]

Enquiries and Commission Bids

Lyon and Turnbull Ltd.

33 Broughton Place

Edinburgh EH1 3RR

Tel. +44 (0)131 557 8844

Fax. +44 (0)131 557 8668

email: [email protected]

www.lyonandturnbull.com

Please note that the the Conditions of Sale and Buyers’ Information vary

between Lyon & Turnbull and Freeman’s - information for both can be

found in this catalogue.

Bidding will be in GB£ for Lyon & Turnbull and US$ for Freeman’s - the

equivalent rate is given for each lot at £1 = $1.60 but should be treated as a

guide only.

G11-10622_OldMastersTXT1-32:Layout 1 9/12/11 1:18 PM Page 2

TheInternationalSaleOld MasterPaintings,Drawings & Prints

Session One

Wednesday, September 28th 2011

at 11am

Lyon and Turnbull

33 Broughton Place Edinburgh

EH1 3RR

G11-10622_OldMastersTXT1-32_Layout 1 9/9/11 11:49 AM Page 3

Electrical Goods

Lots that were once operated by

mains electricity are bought

entirely at the buyer’s risk. They

are offered for sale for display or

historical purposes and may not

comply with current regulations.

Bidding

At the Sale

To bid at the sale all potential

buyers must be registered with us

on or before the day of sale. We

will need proof of identification

and residence, and may require a

bank reference. Potential buyers

must collect a bidding number

before the sale begins, and show

that number if successful in

purchasing a lot. Please ensure

that the auctioneer repeats the

number correctly when

confirming the sale. If there is any

doubt at this stage as to the

hammer price or buyer it must be

brought to the auctioneer’s

attention immediately. All lots

will be invoiced to the name and

address given on your registration

form, which is non-transferable. If

you have purchased a lot you

may take your bidding number to

the accounts department and

receive an invoice immediately. If

you have not been successful

please leave the number at the

Registration or Reception desks.

In writing

Bid forms are available at the sale

and at the back of the catalogue.

These should be submitted in

person, by post, or by fax as soon

as possible prior to the sale and

we will bid on your behalf up to

the limit indicated. In the event of

receiving two identical bids the

first one received will take

precedence. They must be

received at the very latest at least

an hour before the sale. We will

do our utmost to execute these

bids but we offer this service

entirely at the bidder’s risk.

required to collect a royalty

payment for all qualifying works

of art, where the artist is still

living. This royalty will be charged

to the buyer on the hammer price

and in addition to the buyers

premium. It will not apply to

works where the hammer price is

less than €1,000 (euros). The

charge for works of art sold at

and above €1,000 (euros) and

below €50,000 (euros) is 4%.

For items selling above €50,000

(euros), charges are calculated on

a sliding scale.

All royalty charges are paid to the

Design and Artists Copyright

Society (‘DACS’) and no handling

costs or additional fees are

retained by the auctioneer. Resale

royalties are not subject to VAT.

Please note that the royalty

payment is calculated on the rate

of exchange at the European

Central Bank on the date of the

sale.

More information on Droit de

Suite is available at

www.dacs.org.uk

Damage and Restoration

Occasionally when a lot has

suffered extensive damage and/or

restoration it is indicated in the

catalogue. This is mentioned

entirely at our discretion for the

benefit of buyers. Where there is

no mention of damage and/or

restoration this should not be

taken to mean that there is none.

It is the buyer’s responsibility to

ensure that the condition of lots

is to their satisfaction (see our

Terms and Conditions of Sale).

Condition Reports

If potential buyers are unable to

inspect lots in person our

specialists will be happy to

prepare detailed Condition

Reports on individual lots as

quickly as possible. These are for

guidance only and all lots are sold

‘as found’ (see our standard

Terms and Conditions of Sale).

Buying at Auction

This sale is subject to our

standard Terms and Conditions of

Sale. If you have not bought at

auction before we will be

delighted to advise you.

Estimates

Estimates are printed below each

lot and do not include the buyer’s

premium. The sale will be

conducted in pounds sterling.

Dimensions

Dimensions are for guidance only;

it is the buyer’s responsibility to

ensure that they are correct.

Buyer’s Premium

The buyer shall pay the hammer

price together with a premium

thereon.

Antiques, Jewellery & Silver and

Pictures (Not Fine Sales)

17.5%

All other sales

(Fine/Special/Collections)

25% up to £25,000 / 20%

thereafter.

VAT will be charged on the

premium at the rate imposed by

law. (see our Terms and

Conditions of Sale).

VAT

The symbol * by a lot number

indicates that VAT is payable by

the purchaser at the standard rate

on the hammer price.

The symbol † by a lot number

indicates that the lot has been

temporarily imported from

outside the EU and that VAT is

payable by the purchaser at the

rate of 5% on the hammer price

and the buyer’s premium.

No VAT is payable on the

hammer price or premium for

books bought at auction.

Droit de Suite

This symbol § indicates works

which may be subject to the Droit

de Suite or Artist’s Resale Right,

which took effect in the United

Kingdom on 14th February 2006.

Under this legislation, we are

Important Information for Buyers at Lyon & Turnbull

By telephone

Bids submitted by telephone

must be confirmed in writing.

Telephone bidding

If you are unable to attend the

sale we can normally arrange for

you to bid on the telephone. This

service is available entirely at our

discretion and at the bidder’s risk.

All telephone bids must be

confirmed in writing, listing the

relevant lots and appropriate

number to be called. We

recommend that a covering bid is

also left in the event that we are

unable to make the call. We

cannot guarantee that lines will

be available, or that we will be

able to call you on the day, but

will endeavour to undertake such

bids to the best of our abilities.

Methods of Payment

Goods purchased will not be

released until we have received

full payment.

Cash

Cash payments can be made at

the accounts desk during or after

a sale.

Cheque

Cheques should be made payable

to Lyon and Turnbull Ltd. We

reserve the right to wait until

cheques have been cleared by our

bankers before releasing bought

goods. Cheques can be cleared

prior to sale on request. Cheques

drawn by third parties cannot be

accepted. If paying by post please

include the slip from your invoice.

Switch or Credit Cards

Payment can be made by Switch,

Mastercard or Visa cards. There

is a surcharge on credit card

payments.

Collection

It is the buyer’s responsibility to

ascertain collection procedures,

particularly if the sale is not being

held at our main saleroom.


LYON & TURNBULLold master paintings, drawings & prints

wednesday, september 28th, 2011

5

1 FB367/2FOLLOWER OF SIR ANTHONYVAN DYCKHALF LENGTH PORTRAIT OFKING JAMES II IN ARMOUROil on canvas

76cm x 63.5cm (30in x 25in)

£1,500-2,000 $2,400-3,200

2 FB367/4MANNER OF ANTONIO DAVIDHALF LENGTH PORTRAIT OFJAMES EDWARD FRANCISSTUART THE OLD PRETENDERIN ARMOUROil on canvas, feigned oval

76cm x 63cm (30in x 25in)

£1,500-2,000 $2,400-3,200


LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

6

3 FB367/1AFTER SIR PETER LELY HALF LENGTH PORTRAIT OFKING WILLIAM III IN ARMOUROil on canvas, feigned oval


and a companion his wife Queen

Mary mounted within the same

frame (2)

Note:The portrait of King William is based onan original in Syon House, that of QueenMary on an original in the Queen’sCollection

£3,000-5,000 $4,800-8,000




7

4 FB367/3FOLLOWER OF SIR GODFREYKNELLERHALF LENGTH PORTRAIT OFKING CHARLES IIOil on canvas, in shaped

cartouche


£1,500-2,000 $2,400-3,200

5 FB367/5AFTER LOUIS TOCQUEHALF LENGTH PORTRAIT OFCHARLES EDWARD STUARTTHE YOUNG PRETENDER INARMOUROil on canvas


£1,000-1,500 $1,600-2,400



8

6 FA230/2MANNER OF JAN VAN DEMEERTENDING THE FLOCKIndistinctly signed and dated,

oil on canvas laid down

13cm x 17cm (5in x 17.5in)

and a companion a pair (2)

£800-1,200 $1,280-1,920




9

7 FB347/2FOLLOWER OF FRANCIA BIGIOMADONNA AND CHILD WITHST.JOHNOil on canvas, with the seal of the

House of Savoy, Seal of

Emmanuel verso, unframed

117cm x 89cm (46in x 35in)

Note:This is a period variant without thefigures around the well of the original inthe Kunsthistoriches Museum in Viennano.208

Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

Note:The Veitch Bequest was a substantialacquisition of an Edinburgh collection ofmostly non-British paintings generallydescribed as Old Masters.

£6,000-8,000 $9,600-12,800



10

9 FB674/116TH CENTURY ENGLISHSCHOOLHEAD OF CHRISTInscribed extensively: “THIS

PRESENT FIGURE IS THE SIMILITUDE

OF OUR LORDE IHV OUR SAVIOUR

IMPRINTED IN AMIRALD BY THE

PREDECESSORS OF THE GRETE TURKE

AND SENT TO POPE INNOSENT THE

VIII AT THE COST OF THE GREAT

TURKE FOR A TOKEN FOR THIS CAUSE

TO REDEME HIS BROTHER THAT WAS

TAKEN PRISONER”, oil on panel

27.5cm x 20cm (10.75in x 8in)

8 FA161/9AFTER HANS HOLBEINHALF LENGTH PORTRAIT OFHENRY VIIIOil on panel, feigned oval

19cm x 15cm (7.5in x 6in)

£500-800 $800-1,280

Note:This depiction of Jesus in profile isderived from an image engraved on theEmerald Vernicle in the collection of theVatican. Like St.Veronica’s Veil and theMandylion Edessa, the Emerald Vernicle,though not claimed as miraculous, wasaccepted as a portrait of Christ.Around 1429, Sultan Bajazet 11 ofConstantinople, The Great Turk, gave theemerald, carved with the profile of Jesus,to Pope Innocent VIII. Bajazet profferedthe emerald to ensure that his brotherwould remain in Papal custody, thussecuring his own unhindered accessionto the throne. The inscription below theportrait relates to this story, although thepainter has changed the intention behindthe gift.

£800-1,200 $1,280-1,920




11

10 FB678/1FOLLOWER OF SIR GODFREY KNELLERFULL LENGTH PORTRAIT OFKING WILLIAM III INCEREMONIAL ROBESOil on canvas

218.5cm x 142cm (86in x 56in)

Note:A German-born pupil of Bol andRembrandt, Godfrey Kneller became theleading portrait painter in the court ofEngland in the late 17th and early 18thcenturies.The present work is related to severalother examples of Kneller’s portrait ofWilliam III (or “King Billy” as he wascolloquially known amongst his Scotsand Irish subjects), including that held inthe Royal Collection. The work differsfrom the Royal Collection version inWilliam’s choice of footwear, depictinghim in red-heeled shoes. A traditionalsymbol of status which survives in theLouboutins of today, this sartorial choiceechoes the Parisian fashions of hiselegant foe, Louis XIV, whom Kneller alsopainted. For many years it has hung in anhistoric Irish household, where itselaborate crown-topped frame wouldhave attested to the household’s loyaltyto the throne.

£12,000-18,000$19,200-28,800



12

12 FB54/1FOLLOWER OF MATHYSSCHOEVAERDTSA BUSY COASTAL SCENE WITHFIGURES AND BOATS IN AHARBOUROil on panel

20cm x 24cm (8in x 9.5in)

£1,000-1,500 $1,600-2,400

11 FB207/117TH CENTURY GERMANSCHOOLVIEW OF A FARMYARD WITH ACASTLE IN THE DISTANCEOil on oak panel

18cm x 24.5cm (7in x 9.5in)

£1,500-2,000 $2,400-3,200




13

13 FB347/13CIRCLE OF CARLO MARATTATHE ASSUMPTION OF THEVIRGINOil on canvas, unframed

133.5cm x 97.5cm (52.5in x 38.5in)


£3,000-4,000 $4,800-6,400



14

14 FB211/1FOLLOWER OF ADAM FRANSVAN DER MEULENTHE SIEGE OF VIENNAOil on canvas


£1,000-1,500 $1,600-2,400

16 FB54/2MANNER OF VAN KESSELMONKEY CARD PLAYERSOil on card


£400-600 $640-960

15 FB594/2CIRCLE OF ORAZIOGREVENBROECKA BUSY PORT AT SUNSETOil on canvas, unframed


£600-800 $960-1,280




15

17 FB347/917TH CENTURY ROMANSCHOOLAN ITALIANATE LANDSCAPEWITH FIGURES AND ANIMALSBY RUINSOil on canvas

50.5cm x 65cm (20in x 25.5in)


£4,000-6,000 $6,400-9,600



16

18 FB589/1REMBRANDT VAN RIJN(DUTCH 1606-1669)PEASANT CALLING OUTEtching, only state, Bartsch 177,

stamped with a collector’s mark

11.2cm x 4.3cm (4.4in x 1.7cm)

and a pair ‘Peasant Replying’ (2)

Provenance:‘Peasant Calling Out’ bears thecollector’s mark of Richard Houlditchdied 1736, ‘Peasant Replying’ was in thecollection of Rev. J.Burleigh James 1850

£8,000-12,000 $12,800-19,200




17

19 FA267/5REMBRANDT VAN RIJN(DUTCH 1606-1669)SECOND ORIENTAL HEADEtching 11/11,Bartsch 287

15.2cm x 12.7cm (6in x 5in)

Note:A label attached to the print states thatthe etching was inspected by A.M.Hindof the British Museum

£5,000-7,000 $8,000-11,200

20 FB464/3REMBRANDT VAN RIJN(DUTCH 1606-1669)CHRIST DISPUTING WITH THEDOCTORSEtching, 65, Bartsch

13cm x 21.5cm (5in x 8.5in)

£2,000-3,000 $3,200-4,800



18

22 FB672/2AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)THE DEATH OF THE VIRGINEngraving, by P. Galle, second state,

with partially identifiable watermark

31cm x 41.6cm (12.2in x 16.4in) (plate size)

38cm x 49.4cm (15in x 19.25in) (sheet size)

Note:Inscription reads 'Thus Philipp Galle copiedthe archetype by Pieter Bruegel', and'Abraham Ortelius and his friend attended toits making', accompanied by three Latinquatrains.

£800-1,200 $1,280-1,920

21 FB672/3AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)INVIDIA, FROM THE SEVENDEADLY SINSEngraving, by P. van der Hayden,

only state, with engraver's

monogram and flower watermark


24cm x 33cm (9.5in x 13in) (sheet size)

£800-1,200 $1,280-1,920




19

23 FB672/1AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)SAINT JAMES VISITING THEMAGICIAN HERMOGENESEngraving, 1565, by P. van der

Hayden, first state, with flower

watermark


22.5cm x 30cm (8.75in x 12in) (sheet size)

Note:Published by Hieronymous Cock 1565,inscription translated 'St James by devilisharts is placed before the magician'.

£800-1,200 $1,280-1,920



20

25 FB347/14ATTRIBUTED TO JAN FRANSVAN BLOEMENFIGURES AND DOG BY RUINSOil on canvas

43cm x 33.5cm (17in x 13.25in)


£2,000-3,000 $3,200-4,800

24 FB347/15ATTRIBUTED TO JAN FRANSVAN BLOEMENFIGURES BY RUINSOil on canvas

48cm x 37.5cm (19in x 14.75in)


£2,000-3,000 $3,200-4,800




21

26 FB270/1AFTER LOUIS GABRIELBLANCHET HALF LENGTH PORTRAIT OFBONNIE PRINCE CHARLIEOil on canvas

71cm x 58cm (28in x 22.75in)

£6,000-8,000 $9,600-12,800



22

28 FA415/1JOHAN YKENS (17TH CENTURY FLEMISH)ALLEGORICAL FIGUREALONGSIDE A BUST OF HOMERSigned, oil on panel, unframed (a

fragment)


£600-800 $960-1,280

27 FA415/217TH CENTURY ANTWERPSCHOOLFOUR ELDERS OF THE CHURCHOil on panel

55cm x 46cm (21.75in x 18in)

£1,000-1,500 $1,600-2,400




23

29 FB596/1SIR HENRY RAEBURN R.A.,R.S.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTHPORTRAIT OF GOVERNORHENRY HAMILTONOil on canvas

127cm x 101.5cm (50in x 40in)

Note:This portrait dates circa 1785. It has beensuggested that the sitter could beColonel Henry Hamilton, whose portraitby James Tassie, dating from 1786, is inthe Scottish National Portrait Gallery.

Provenance:McCormick Sale, American ArtAssociation, New York, 15th April 1920With Knoedler, 1922Mr and Mrs van Horn Ely, by whomgiven to the Phoenix Art MuseumAnon. sale, Sotheby’s, 8th November1995, lot 53

Exhibited:Chicago, The Art Institute, 1895 and 1919Pittsburgh, Carnegie Institute, 1898Boston, Copley Hall, 1900Boston Art Students Association, no. 33

£15,000-20,000$24,000-32,000



24

31 FB347/10CIRCLE OF JAN BOTHA WOODED LANDSCAPE WITHSHEPHERD BOY AND ANIMALSOil on panel

58..5cm x 80cm (23in x 31.5in)


£1,500-2,000 $2,400-3,200

30 FB54/3MANNER OF THOMAS PATCHAN ITALIANATE COASTALVIEW WITH FISHERMENUNLOADING THEIR CATCHOil on canvas

61cm x 74cm (24in x 29.25in)

£1,500-2,000 $2,400-3,200




25

32 FB347/118TH CENTURY FOLLOWER OFVERONESETHE TRIUMPH OF VENICEOil on canvas, feigned oval

114.5cm 73.5cm (45.25in x 29cm)

Note:The original of this painting hangs in thePalazzo Ducale, Venice. The ‘Ricci’colouration suggests a late 17th/early18th century date. In 1715 Charles de laFosse advised Ricci to paint only“Veroneses and no more Riccis”


£6,000-8,000 $9,600-12,800



26

33 EAA391/62ATTRIBUTED TO JOHN HAYLSHALF LENGTH PORTRAIT OF AYOUNG MAN IN ARMOUR ANDWHITE CRAVATOil on canvas

76cm x 63.5cm (30in x 25in)

£2,000-3,000




27

34 EAA567/3STUDIO OF SIR GODFREYKNELLER (BRITISH 1646-1723)THREE-QUARTER LENGTHPORTRAIT OF THE DUKE OFSCHOMBERGOil on canvas

127cm x 101cm (50in x 40in)

Note:The Duke of Schomberg (1616-1690) isspectacular subject matter for a formalportrait, depicting one of the greatprofessional soldiers and military leadersof 17th century Europe, the ‘AblestSoldier of his Age’, as Matthew Glozierhas sub-titled his recent biography of theHeidelberg-born Mashal Schomberg. Anorphan from an early age, he began hiscareer in the service of Frederick Henry,Prince of Orange, eventually servingSweden, France, the Dutch Republic,Brandenburg and Britain in their militaryendeavours. He was a Marshal of Franceand a General in the English andPortuguese armies, was awarded the titleof Count of Mértola by the King ofPortugal, the Order of the Garter andcreated Duke of Schomberg in theEnglish Peerage. As historians have noted, Schombergwas one of the last international soldiersand military leaders, prospering at a timewhen borders in Europe were morepermeable and there was a constantneed for experienced military leaders.That became less the case towards theend of the seventeenth century whendifferent governments took more controlof their armies. An inflexible Protestant,Schomberg married a French Huguenotwoman and eventually led William II’sarmies against the Jacobite supporters ofJames II in Ireland, second-in-commandto the Prince of Orange. He died at theBattle of the Boyne on 1st July 1690whilst crossing the Boyne river andrallying his men and is buried in StPatrick’s Cathedral.

£2,500-4,000 $4,000-6,400



28

35 FB673/1ANDRIES DE CONINCK(FLEMISH fl. 1643-1659)A STILL LIFE OF LOBSTER, FRUITAND OBJETS ON A TABLE-TOPWITH A VIEW THROUGH AWINDOW BEYONDOil on canvas

113.5cm x 159cm (44.75in x 62.5in )

Note:In a letter of 2007 Dr. Fred Meier of RKDconfirmed the attribution to Andries deConinck on the basis of a transparencyand it is recorded on their databaseno.71824

£18,000-25,000$28,800-40,000




29

36 EAA560/2AFTER RAPHAELTHE CONESTABILE MADONNAOil on panel, circular

20cm (8in) diameter

Note:The original is in the Hermitage.

£800-1,200 $1,280-1,920

37 FB594/1AFTER RAPHAELTHE TRANSFIGURATIONOil on canvas

131cm x 88cm (51.5in x 34.5in)

Note:The original painting was Raphael’s lastand is in the Pinoteca Vaticana

£1,500-2,000 $2,400-3,200

38-50

No lots

END OF DAY ONE


Lyon & Turnbull carries on business withbidders, buyers and all those present in theauction room prior to, or in connection, witha sale on the following General Conditionsand on such other terms, conditions andnotices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) “deliberate forgery” means an imitationmade with the intention of deceiving as toauthorship, origin, date, age, period, cultureor source but which is unequivocallydescribed in the catalogue as being thework of a particular creator and which, atthe date of the sale, had a value materiallyless than it would have had if it had been inaccordance with the description;

(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) “total amount due” means the hammerprice in respect of the lot sold together withany premium, Value Added Tax chargeableand any additional charges payable by adefaulting buyer under these Conditions;

(f) “sale proceeds” means the net amountdue to the seller, being the hammer price ofthe lot sold less commission at the statedrate, Value Added Tax chargeable and anyother amounts due to us by the seller inwhatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural and viceversa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfy anysecurity arrangements before entering theauction room to view or bid;

(b) the maker of the highest bid accepted bythe auctioneer conducting the sale shall bethe buyer at the hammer price and anydispute about a bid, which must be raisedbefore the next lot is offered, shall be settledat the auctioneer’s absolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the seller isexpressly reserved up to the amount of anyreserve and the right to refuse any bid isalso reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon. Antiques,Jewellery & Silver and Pictures (Not FineSales)17.5%.

All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed with anasterisk (*) or dagger (†). Value Added Tax

is charged at the appropriate rate prevailingby law at the date of sale and is payable bybuyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us. Weaccept cash, bank transfer (details onrequest), Switch or Debit Cards and Visa orMasterCard (please note there is asurcharge of 1.5% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) any payments by you to us may beapplied by us towards any sums owing fromyou to us on any account whatever withoutregard to any directions of you or youragent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you have purchasedand paid for not later than four working daysfollowing the day of the auction or upon theclearance of any cheque used for paymentafter which you shall be responsible for anyremoval, storage and other associatedcharges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures, particularlyif the sale is not being held at our mainsaleroom and the potential storage chargesfor lots not collected by the appropriatetime.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the following rightsand remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/or anyother lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

(f) to retain that or any other lot sold to youuntil you pay the total amount due;

(g) to reject or ignore bids from you or youragent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your property

in our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller and ontheir behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on our premisesare there at their own risk and must notethe lay-out of the accommodation andsecurity arrangements. Accordingly neitherthe auctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for the safetyof the property of persons visiting prior to orat a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumed tohave carefully inspected and satisfiedthemselves as to its condition we shall if soinstructed clearly and in writing executebids on their behalf. Neither the auctioneeror our employees or agents shall beresponsible for any failure to do so. Wheretwo or more commission bids at the samelevel are recorded we reserve the right in ourabsolute discretion to prefer the first bid somade.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer and toyou that the seller is the true owner of theproperty consigned or is properly authorisedby the true owner to consign it for sale andis able to transfer good and marketable titleto the property free from any third partyclaims.

12. AGENCY

The auctioneer normally acts as agent onlyand disclaims any responsibility for defaultby sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of the lot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damage warranty:1.5% on value of lots sold. Photography:max £40 mono per lot, max £250 colour.Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lotconsigned for sale, a withdrawal fee willapply; this will be charged at 15% of the midestimate with any photography chargesincurred and all subject to VAT at thecurrent rate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect before anysale and they (and any independent expertson their behalf) must satisfy themselves asto the accuracy of any description applied toa lot. Prospective buyers also bid on theunderstanding that, inevitably,representations or statements by us as toauthorship, genuineness, origin, date, age,provenance, condition or estimated selling

price involve matters of opinion. Weundertake that any such opinion shall behonestly and reasonably held and acceptliability for opinions given negligently orfraudulently. Subject to the foregoing neitherwe the auctioneer or our employees oragents or the seller accept liability for the correctness of such opinionsand all conditions and warranties, whetherrelating to description, condition or qualityof lots, express, implied or statutory, arehereby excluded. This Condition is subjectto the next following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition as whenbought, and is accompanied by particularsidentifying it from the relevant cataloguedescription and a written statement ofdefects. If we are satisfied from theevidence presented that the lot is adeliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected the acceptedview of scholars and experts as at the dateof sale or (2) you personally are not able totransfer a good and marketable title to us,you shall have no rights under thiscondition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at our discretion,to refuse admission to our premises orattendance at our auctions by any person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the seller and/orthe auctioneer as appropriate.

(2). Such rights and exclusions shall extendto and be deemed to be for the benefit ofemployees and agents of the seller and/orthe auctioneer who may themselves enforcethem.

19. Any notice to any buyer, seller, bidder orviewer may be given by first class mail inwhich case it shall be deemed to have beenreceived by the addressee 48 hours afterposting.

20. Special terms may be used in cataloguedescriptions of particular classes of items(Books, Jewellery, paintings, guns, firearmsetc) in which case the descriptions must beinterpreted in accordance with any glossaryor guidance notes appearing in thecatalogue. These notices and terms will alsoform part of our terms and conditions ofsales.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstanding thestrict terms of these Conditions or of theTerms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditions shallbe construed as having full force and effect.

22. Scottish law applies to theinterpretation of these Conditions.

Lyon & Turnbull Standard Terms & Conditions of Sale


Fine PaintingsThursday 1st December, 201133 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTH PORTRAIT OF ELIZABETH DOUGLASOil on canvas

125cm x 100cm (49in x 39.5in)

£15,000-20,000 (£24,00-32,000)

Viewing timesSunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pmMorning of Sale by appointment only

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)

THREE-QUARTER LENGTH PORTRAIT OF JAMES DOUGLAS

Oil on canvas

125cm x 100cm (49in x 39.5in)

£15,000-20,000 (£24,00-32,000)

Further entries invited until October 20th


Upcoming atFreeman’s

www. f r e eman s au c t i o n . com

Inquiries:alasdair nicholdirect tel: [email protected]

david weissdirect tel: [email protected]

maya o’donnell-shahdirect tel: [email protected]

Catalogue $35

AuctionSunday December 4th at 2pm

ExhibitionsWednesday November 30thThursday December 1stFriday December 2ndSaturday December 3rd

Please contact the department or www.freemansauction.com for further details

Fine American & European Paintings &Sculpture 12/04/11

EDWARD WILLIS REDFIELD(american 1869-1965)"CANAL AT LAMBERTVILLE" (detail)Signed 'E.W. REDFIELD' lower left, oil on canvas32 1/4 x 39 1/2 in. (81.9 x 100.3cm) $150,000-250,000 (£93,750-156,250)


TheInternationalSaleOld MasterPaintings,Drawings & Prints

Session Two

Friday, October 7th 2011

at 11am

Freeman’s




Important Information for Buyers at Freeman’s

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our receptiondesk, by fax or through our website at www.freemansauction.com. Wewill require proof of identification and residence and may require acredit card and/or a bank reference. By registering for the sale, thebuyer acknowledges that he or she has read, understood and acceptedFreeman’s Terms and Conditions of Sale.

A Buyer’s Premium will be added to the successful bid price and ispayable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $20,000 of the hammer price ofeach lot, 20% on the portion from $20,001 through $500,000, and12% on the portion of the hammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register theirtax numbers on current PA forms. Forms should be submitted to ourClient Services office on the second floor.

All item descriptions, dimensions and estimates are provided forguidance only. It is the buyer’s responsibility to inspect all lots prior tobidding to ensure that the condition is to their satisfaction. If potentialbuyers are unable to inspect lots in person, our specialists will behappy to prepare detailed Condition Reports on individual lots asquickly as possible. These are for guidance only, and all lots will besold “as is” as per our Terms and Conditions of Sale.

At the sale Registered bidders will be assigned a bidder number andgiven a paddle for use at the sale. Once the first bid has been placed,the auctioneer asks for higher bids in increments determined by theauctioneer. To place your bid, simply raise your paddle until theauctioneer acknowledges you. The auctioneer will not mistake arandom gesture for a bid.By phone A limited number of telephone lines are available for biddingby phone through a Freeman’s representative. Phone lines must bereserved in advance. Requests must be submitted no later than 24hours prior to the scheduled start of the sale.In writing Bid forms are available in the sale room and at the back ofthe catalogue. These should be submitted in person, by mail or by faxno later than one hour prior to the scheduled start of the sale. Theauctioneer will bid on your behalf up to the limit indicated, but is notresponsible for errors or failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absenteebids through the web site and will receive email confirmation of theirbid. Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received fullpayment. Payment may be made in cash, by check, money order, ordebit card. Payments by check must clear the bank before goods willbe released.

Deliveries will not be made during the time of the sale unlessotherwise indicated by the auctioneer. All items must be paid for andremoved by October 14th at 3pm. Purchases not so removed may beturned over to a licensed warehouse at the expense and risk of thepurchaser.

Responsibility for packing, shipping and insurance shall be exclusivelythat of the purchaser. Upon request, Freeman’s will provide thepurchaser with names of professional packers and shippers known tous.


35

FREEMAN’Sold master paintings, drawings & prints

friday, october 7th, 2011

52 11-1857/3

TWO ETCHINGS

ANTHONY VAN DYCK(FLEMISH 1599-1641)

“FRANS SNYDERS” Circa 1622-1625. Etching

9 11/16 x 6 1/8 in. (24.6 x 15.6cm)

[Hollstein, 11]

and

“ADAM VAN NORT”Circa 1645. Etching

9 5/8 x 6 3/16 in. (24.5 x 15.7cm)

[Hollstein, 8] (2)

$1,000-1,500 £625-940

51 11-1537/39

ANTHONY VAN DYCK(FLEMISH 1599-1641)

“CHRIST CROWNED WITHTHORNS”Circa 1631. Etching

10 5/16 x 8 5/16 in. (26.2 x 21.1cm)

[Hollstein, 20]Provenance:Colnaghi, London (according to a hand-written note on verso of framing).

$500-700 £310-440


36

FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011

55 11-1537/36

ANTONIO CANAL, CALLEDCANALETTO(ITALIAN 1697-1768)

“PRÀ DELLA VALLE”Circa 1740. Etching

11 7/8 x 17 1/8 in. (30.2 x 43.5cm)

[Bromberg, 8 I/III]Provenance:Lucien Goldschmidt Inc., New York.

$1,500-2,000 £940-1,250

54 11-1537/3

ATTRIBUTED TO ANTONIOVISENTI(ITALIAN 1688-1782)

PALAZZO DELL’BORI, VENEZIALocated and inscribed at lower

right and lower center, ink and

gray wash on paper

14 1/4 x 20 3/4 in. (36.2 x 52.7cm)

Provenance:Lucien Goldschmidt, Inc., New York.

$1,000-1,500 £625-940

53 11-1537/37

ANTONIO CANAL, CALLEDCANALETTO(ITALIAN 1697-1768)

“PAESAGGIO CON TORRE E DUEPILASTRI IN ROVINA”Circa 1740. Etching

5 11/16 x 8 3/16 in. (14.4 x 20.8cm)

[Bromberg, 28 II/II]

$500-700 £310-440


57 11-1857/4

SEVEN PRINTS

AEGIDUS SADELER II(FLEMISH CIRCA 1570-1629)

“VIRGIN AND CHILD ON A GRASSY BANK”(AFTER ALBRECHT DURER)Circa 1660. Engraving

[Hollstein, 72]

together with six portrait etchings

AFTER SIR ANTHONY VAN DYCK"CAESAR ALEXANDER SCAGLIA", "CLARISSIMUS

DIODORUS TULDENUS", "GASPAR DE CRAYER",

"JOHANNES SNELLINEX", "JOHANNES VAN

MILDER" and "PETRUS DE IODE JUNIOR"

each unframed (7)

various sizes

$800-1,200 £500-750

37



56 11-1537/186

FOUR PRINTS

GIOVANNI BATTISTAVINCENTINO PITTONI, THEELDER(ITALIAN 1520-1583)

FOUR ETCHINGS

FROM “PRAECIPUA ALIQUOTROMANAE ANTIQUITATISRUINARUM MONIMENTA”1561 (4)

(plate 2) 9 1/16 x 12 1/4 in. (23 x 31.1cm)

(plate 10) 9 1/8 x 13 in. (23.2 x 33cm)

(plate 12) 8 1/2 x 12 11/16 in.

(21.6 x 32.2cm)

(plate 27) 8 3/16 x 12 5/16 in.

(20.8 x 31.3cm)

$1,200-1,800 £750-1,125


58 11-1857/1

ALBRECHT DURER(GERMAN 1471-1528)

“VIRGIN SURROUNDED BYMANY ANGELS”1518. Woodcut, unframed

11 7/8 x 8 1/2 in (30.2 x 21.6cm)

[Bartsch, 101; Hollstein, 101]

$600-800 £375-500

59 11-1857/2

REMBRANDT VAN RIJN(DUTCH 1606-1669)

“JAN CORNELIS SYLVIUS,PREACHER”1633. Etching, drypoint and

engraving, unframed

6 1/2 x 5 9/16 in. (16.5 x 14.1cm)

[Bartsch, 266; Hollstein 266;

Usticke’s second state (of three)]

$2,000-3,000 £1,250-1,875

60 11-1852/1

GEORG PENCZ(GERMAN 1500-1550)

“JOSEPH ERZÄHLT SEINETRAUME”PLATE 1 FROM “DIE GESCHICHTE

JOSEPHS”

1544. Engraving

4 3/8 x 2 15/16 in. (11.1 x 7.5cm)

[Bartsch, 91] (2)

$500-700 £310-440


38


61 11-1775/4REMBRANDT VAN RIJN(DUTCH 1606-1669)

“THE FLIGHT INTO EGYPT: ANIGHT PIECE”1651. Etching

5 1/16 x 4 5/16 in. (12.9 x 11cm)

[Bartsch, 53; Hollstein, 53;

Usticke’s sixth state (of nine)

(Basan impression)]

$1,200-1,800 £750-1,125


“THE PANCAKE WOMAN”1635. Etching, in an antique

saltwood, elm and mohogany

frame with decorated bone inlay

4 3/8 x 3 1/8 in. (11.1 x 7.9cm)


Usticke’s second state (of six)]

$3,000-5,000 £1,875-3,1255


“THE FIRST ORIENTAL HEAD”Etching

5 3/16 x 4 15/16 in. (13.2 x 12.5cm)


Usticke’s only state (l) (from the

Swedish plate)]

$1,500-2,500 £938-1,563



39


64 11-1775/8


“THE GOLDSMITH”1655. Etching

3 x 2 3/16 in. (7.6 x 5.6cm)


Usticke’s second state (e) (of 3)

(Basan impression)]

$1,200-1,800 £750-1,125

65 11-1775/16


“THE LITTLE JEWISH BRIDE(SASKIA AS SAINTCATHERINE)”1638. Etching

4 3/8 x 3 1/16 in. (11.1 x 7.8cm)


Usticke’s only state]

$1,000-2,000 £625-1,250

66 11-1775/9


“CHRIST CRUCIFIED BETWEENTWO THIEVES: AN OVALPLATE”Circa 1641. Etching

5 5/16 x 3 15/16 in. (13.5 x 10cm)


Usticke’s second state (of three)]

$2,000-3,000 £1,250-1,875


40


68 11-1775/10


“THE ARTIST DRAWING FROM A MODEL”Circa 1646. Etching

9 1/8 x 7 1/4 in. (23.2 x 18.4cm)

[Bartsch, 192; Hollstein, 192; Usticke’s second state (of two) (Basan

impression)]

$2,000-3,000 £1,250-1,875

69 11-1775/11


“THE CIRCUMSICION IN THE STABLE”1654. Etching

3 3/4 x 5 11/16 in. (9.5 x 14.4cm)

[Bartsch, 47; Hollstein, 47; Usticke’s second

state (of two) (Basan impression)]

$1,000-1,500 £625-940

67 11-1775/3


“NUDE MAN SEATED, ANOTHER STANDING WITH A WOMANAND A BABY”Circa 1646. Etching

7 5/8 x 5 in. (19.4 x 12.7cm)

[Bartsch, 194; Hollstein, 194; Usticke’s seventh state (of seven)

(Bernard impression)]

$1,000-1,500 £625-940



41


70 11-1775/13


“BEGGARS RECEIVING ALMS ATTHE DOOR”1648. Etching

6 3/8 x 5 1/16 in. (16.2 x 12.6cm)


Usticke’s fifth state (of six)

(Basan impression)]

$1,500-2,000 £940-1,250

71 11-1775/7


“THE STONING OF ST.STEPHEN”1635. Etching

3 3/4 x 3 3/8in. (9.5 x 8.6cm)


Usticke’s second state (of four)

(Basan impression)]

$1,000-1,500 £625-940


42


73 11-1775/15


“OLD MAN WITH BEARD, FURCAP & VELVET CLOAK”1632. Etching

4 1/4 x 3 3/16 in. (10.8 x 8.1cm)


Usticke’s third state (of three)

(from the ‘Collection of 200

Etchings’ 1816)]

$1,000-1,500 £625-940



43

72 11-1775/14


“THE BAPTISM OF THEEUNUCH”1641. Etching

7 1/8 x 8 3/8 in. (18.1 x 21.3cm)


Usticke’s fourth state (of four)

(Basan impression)]

$2,000-3,000 £1,250-1,875


75 11-1775/17


“WOMAN AT A DOOR HATCHTALKING TO A MAN ANDCHILDREN”1641. Etching

3 11/16 x 2 7/16 in. (9.4 x 6.2cm)


Usticke’s second state (of three)

(Basan impression)]

$1,500-2,500 £938-1,563


44

74 11-1506/12


“CHRIST AND THE WOMAN OFSAMARIA AMONG RUINS”1634. Etching

4 7/8 x 4 5/16 in. (12.4 x 11cm)


Usticke’s second state (i) (of

four) (Basan impression)]

$3,000-5,000 £1,875-3,125




45


“THE CARD PLAYER”1641. Etching

3 7/16 x 3 1/8 in. (8.7 x 7.9cm)


Usticke’s fourth state (of four)

(Basan impression)]

$1,200-1,800 £750-1,125


“THE CRUCIFIXION: SMALLPLATE”Circa 1635. Etching

3 3/4 x 2 5/8 in. (3.8 x 2.6cm)


Usticke’s first state (l) (of four)

(Basan impression)]

$700-1,000 £438-625


46


78 11-1779/1


“NAKED WOMAN SEATED ONA MOUND”Circa 1631. Etching with

Powderhorn watermark and

inscribed ‘Pm 1681’ in ink verso,

unframed

7 x 6 5/16 in. (17.8 x 16cm)


Usticke’s fourth state (of five)]Provenance:(ex-collection) Pierre Mariette.

$6,000-10,000 £3,750-6,250


47



79 10-2295/1

CLAUDE-FÉLIX-THÉODOREALIGNY, KNOWN ASTHÉODORE CAROUELLED’ALIGNY(FRENCH 1798-1871)

GORGES D’APREMONTInscribed lower left, ink on paper

11 1/4 X 17 1/2 in. (28.6 x 44.5cm)

Note:We wish to thank Alexandra Murphy forher assistance in cataloguing this lot.This lot will be accompanied by a letterof authenticity signed by Ms. AlexandraMurphy and dated March 7, 2001.

$1,000-1,500 £625-940

80 10-2295/3

JEAN-FRANCOIS MILLET(FRENCH 1814-1875)

STUDY OF A NUDE FOR ‘LESCONFIDENCES’Executed circa 1846-8, crayon

noir on paper, with ‘J.F.M.’ studio

stamp lower left

3 1/8 X 6 1/2 in. (7.9 x 16.5cm)

Note:The present drawing is thought to be apreparatory study for the larger, morefinished Millet drawing in the Cabinetdes Dessins, Museé du Louvre.We wish to thank Alexandra Murphy forher assistance in cataloguing this lot.This lot will be accompanied by a letterof authenticity signed by Ms. AlexandraMurphy and dated March 7, 2001.

$2,000-3,000 £1,250-1,875


48


82 11-1793/1

ITALIAN SCHOOL17TH-18TH CENTURY

FEEDING THE LIVESTOCKSigned with indecipherable

monogrammed signature lower

right, sepia ink and wash on

paper

12 1/2 x 18 in. (31.8 x 45.7cm)

$600-800 £375-500

81 11-1694/2

TWO WORKS ON PAPER

ITALIAN SCHOOL17TH-18TH CENTURY

THE CRUCIFIXION, WITHSKETCHES VERSORed chalk on paper

11 5/16 x 8 7/16 in. (28.7 x 21.4cm)

and

CIRCLE OF ROTTENHAMMER(GERMAN 1564-1625)

THE BEHEADING OF SAINTJOHN THE BAPTISTInscribed in part ‘Rottenhammer’

in pencil verso, and with ‘A.V.

Wurzbach’ stamp and exhibition

sticker verso, brown ink with gray

washes on laid paper (2)

4 15/16 x 3 1/4 in. (12.5 x 10.8cm)

Provenance:(ex-collection) A.V. Wurzbach.

$1,000-1,500 £625-940


49



83 11-1504/1

FRANCESCO ZUCCARELLI(ITALIAN 1702-1788)

STANDING MALE NUDE WITHHIS ARM ON A LEDGEInscribed ‘P.H.’ lower left, and

with unidentified stamp lower

right, sepia ink and wash

heightened with white on brown

paper

8 3/4 x 6 1/16 in. (22.2 x 15.4cm)

Provenance:Sotheby’s New York, sale of January 25,2002, lot 110.(according to label verso) Colnaghi & Co.Ltd. London.

$2,500-3,500 £1,560-2,200

84 10-8108/37

JEAN-MICHEL MOREAU,CALLED MOREAU LE JEUNE(FRENCH 1741-1814)

THE FOUR CONTINENTS WITHBENJAMIN FRANKLIN AS THEPERSONIFICATION OFAMERICA BEFORE ANALLEGORY OF RELIGION,ERMENONVILLE AND THETOMB OF ROUSSEAU SEENBEYONDBlack and sepia ink, wash and

pencil on paper

7 1/8 x 10 7/8 in. (18.1 x 27.6cm)

Provenance:Christie’s, New York, sale of January 25,2007, lot 85.

Note:Engraved by André Macret (1775-1789)in 1785, with numerous differences.

$3,000-4,000 £1,875-2,500


50


86 10-2035/1

FOLLOWER OF VINCENZOMANNOZZI(ITALIAN D. 1657)

OLYMPIA ABANDONED BYBIRENOOil on canvas

66 7/8 x 89 in. (169.9 x 226.1cm)

Provenance:Sotheby’s, New York, sale of January 29,2010, lot 725.

$2,000-4,000 £1,250-2,500

85 10-8107/1

CIRCLE OF CARLO MARATTA(ITALIAN 1625-1713)

ANTIOPE AND CUPIDOil on canvas

25 1/2 x 19 1/4 in. (64.8 x 48.9cm)

$4,000-6,000 £2,500-3,750


51



87 11-1566/2

ATTRIBUTED TO GIOVANNIBATTISTA BEINASCHI(ITALIAN 1636–1688)

DIOGENES SEATED IN HISBARREL DISCUSSINGPHILOSOPHY WITH TWODISCIPLESOil on canvas

72 x 48 in. (182.9 x 121.9cm)

Provenance:Sotheby’s, New York, sale of October 17,1997, lot 126.

$8,000-12,000 £5,000-7,500


52


89 11-1792/8

GIOVANNI DOMENICOVALENTINO(ITALIAN ACT. 1661-1681)

FIGURES READING IN AKITCHEN INTERIORSigned with initials ‘G.D.V.R.’ on

pot at lower right, oil on canvas

19 x 25 in. (48.3 x 63.5cm)

$2,500-3,500 £1,560-2,200

88 11-1952/3

FOLLOWER OF FRANCESCOSOLIMENA(ITALIAN 1657-1747)

HOLY FAMILYOil on canvas

14 3/8 x 11 1/2 in. (36.5 x 29.2cm)

$1,500-2,500 £938-1,563


53



90 11-1850/1

NORTHERN ITALIAN SCHOOL17TH CENTURY

PUTTIOil on canvas, in an architectural

frame

28 x 25 in. (71.1 x 63.5cm)

Provenance:(according to typed and printed labelverso)Olive P. Eggleston, Philadelphia, 1936,purchased as Alonzo Miquel de Lahar(Torar), ‘Infants at Play’.

$4,000-6,000 £2,500-3,750

91 09-1958/1

FOLLOWER OF CARLOSARACENI(ITALIAN CIRCA 1579-1620)

THE MADONNA AND CHILDWITH SAINT ANNE AND ANANGELOil on canvas laid on panel

30 3/4 x 42 7/8 in. (78.1 x 108.9cm)

Literature:For an autograph version of thiscomposition, please see Anna OttaniCavina, ‘Saraceni: tre dipinti, qualche dato’in Scritti in Onore di Giuliano Briganti,’Milan, 1990, pp. 160-7, fig. 2.

$2,000-3,000 £1,250-1,875


54


94 11-1692/3

FOLLOWER OF MATTIA PRETI(ITALIAN 1613-1699)

HEAD OF A MALE SAINTInscribed ‘Anibale Caracci

Bologniese’, (sic) verso, oil on

canvas, unframed

14 x 10 5/8 in. (35.6 x 27cm)

$500-700 £310-440

93 11-5035/9

CIRCLE OF CARLO CERESA(ITALIAN 1609-1679)

CHILD WITH DOG IN INTERIOROil on canvas

26 1/4 x 19 1/2 in. (66.7 x 49.5cm)

$1,200-1,800 £750-1,125

92 07-8003/8

MANNER OF MARCOD’OGGIONO(ITALIAN 1470-1549)

MADONNA AND CHILDOil on cradled panel, painted in

the oval

14 1/2 x 13 1/4 in. (36.8 x 33.7cm)

$800-1,200 £500-750


55



95 11-8051/13

AFTER TITIAN(ITALIAN CIRCA 1485-1576)

PORTRAIT OF A KNIGHT OFMALTAOil on canvas, unframed

35 x 59 in. (88.9 x 73.7cm)

Note:After the original by Titian in the UffiziGallery, Florence.

$800-1,200 £500-750

97 09-1380/23

ITALIAN SCHOOL19TH CENTURY

PORTRAIT OF A SEATED BOY INTHREE-QUARTER PROFILEOil on canvas, framed in the oval

11 1/2 x 9 3/8 in. (29.2 x 23.8cm)

$1,000-1,500 £625-940

96 11-8051/9

FOLLOWER OF POMPEOBATONI(ITALIAN 1708-1787)

PORTRAIT OF A GENTLEMANIN A GREY COATOil on canvas, unframed

30 x 25 in. (76.2 x 63.5cm)

$1,000-1,500 £625-940


98 11-1792/2

FOLLOWER OF GIUSEPPE LAVAGNA(ITALIAN CIRCA 1684-CIRCA 1723)

OUTDOOR STILL LIFE WITH MIXED FLOWERS, FIGURESAND BIRDSPair of shaped oils on canvas, in gilded, polychrome

Venetian style architectural frames (2)

17 1/4 x 42 3/4 in. (43.8 x 108.6cm) (each)

$5,000-7,000 £3,125-4,375


56


100 11-1792/4

MANNER OF GENNARO GRECO,CALLED ‘IL MASCACOTTA’(ITALIAN 1663-1714)

CAPRICCIO WITH TRAVELERSOil on canvas, unframed

11 1/8 x 31 7/8 in. (28.6 x 81cm)

$1,000-1,500 £625-940

99 11-1792/1

NEAPOLITAN SCHOOL18TH CENTURY

MIXED FLOWERS IN AN URNOil on canvas, unframed

29 5/8 x 23 5/8 in. (75.2 x 60cm)

$1,200-1,800 £750-1,125



57


101 11-1798/8

VENETIAN SCHOOL18TH CENTURY

A MUSICAL TRIOand MAIDEN WITH TAMBOURINEPair oils on canvas laid on panel,

ovals (2)

13 3/4 x 18 5/8 in. (34.9 x 47.3cm) (each)

Provenance:M. Fiorillo, Philadelphia, Pennsylvania.

$6,000-8,000 £3,750-5,000


58




59

102 11-1792/3

NEAPOLITAN SCHOOL18TH CENTURY

STILL LIFE WITH MIXEDFLOWERSand a companion, pair oils on

canvas (2)

17 3/8 x 29 1/2 in. (44.1 x 74.9cm) (each)

$3,000-5,000 £1,875-3,125


60


103 11-8050/1

CIRCLE OF PIETER COECK VAN AELST THE ELDER(FLEMISH 1502-1550)

VIRGIN AND CHILDOil on panel, in a period polychrome and parcel gilt frame, inscribed

with 'OH GLORIOSA DOMINA / EXCELSA SUPER SYDERA /

LACTASTI SACRO UBERE / QUI TE CREAVIT, PROVIDE'

23 1/2 x 17 1/4 in. (56.7 x 43.8cm)

$12,000-18,000 £7,500-11,250


61




62


106 11-1000/8

FOLLOWER OF GERRIT VONHONTHORST(DUTCH 1590-1656)

PORTRAIT OF A GENTLEMAN,POSSIBLY PRINCE RUPERT OFTHE RHINE, IN AN ERMINEROBEOil on canvas

27 3/4 x 22 3/4 in. (70.5 x 57.8cm)

$1,000-1,500 £625-940

105 11-1697/2

FOLLOWER OF ARTUSWOLFAERTS(FLEMISH 1581-1641)

MALE SAINTOil on cradled panel

25 1/4 x 19 3/8 in. (64.1 x 49.2cm)

$1,000-1,500 £625-940

104 11-1803/103

CIRCLE OF JAN ANTHONISZVAN RAVESTEYN(DUTCH CIRCA 1570-1657)

PORTRAIT OF A WOMANWEARING A WHITE RUFF ANDLACE COLLAROil on panel, unframed

21 1/2 x 19 7/8 in. (54.6 x 35.2cm)

Note:Panel in two unjoined sections.

$2,000-3,000 £1,250-1,875


63



107 11-1855/2

SCHOOL OF ANTHONY VANDYCK(FLEMISH 1599-1641)

THOMAS WENTWORTH, FIRST EARL OF STRAFFORD, IN ARMOROil on canvas

49 1/4 x 39 in. (125.1 x 99cm)

Provenance:David Cooke, United Kingdom.

Note:The present composition directly relatesto Van Dyck’s portrait of Wentworth inthe Collection of the National Trust,Petworth House, Sussex.

$5,000-7,000 £3,125-4,375


108 11-1798/5CIRCLE OF JUSTUSSUSTERMANS(FLEMISH 1597-1681)

DUCHESS OF TUSCANYOil on canvas

25 3/4 x 19 1/4 in. (65.4 x 48.9cm)

Provenance:(according to label Inscribed in Italian onverso, and typed label verso)Grand Duchess of Tuscany.Presented to the above on July 15, 1661by the Marquis Colui.The family of the Count of C***oi.

$2,500-3,500 £1,563-2,200

109 11-1858/1ATTRIBUTED TO CLAUDELEFEBVRE(FRENCH 1632-1675)

LADY WITH PEARLS AND PINKSATIN DRESSOil on canvas

25 1/2 x 19 3/4 in. (64.8 x 50.2cm)

Provenance:Anonymous sale, Christie’s, New York,circa 1978.

$8,000-12,000 £5,000-7,500


64

G11-10622_OldMastersTXT33-64:Layout 1 9/12/11 11:29 AM Page 64

110 10-1993/5

CONTINENTAL SCHOOLCIRCA 1840

YOUNG MAN WITH VIOLINBEFORE A CASEMENTOil on canvas

25 1/2 x 21 3/8 in. (64.8 x 54.3cm)

Provenance:(according to inventory label verso) LeGarde Meuble Public, Bedel & Cie., Parisunder inventory number 7778.

Note:The present painting is likely based on, orinfluenced by, Dutch 17th Centurypainters, notably the ‘LeidseFijnechilders’ (Leiden Fine Painters).

$10,000-15,000 £6,250-9,375



65


111 11-1787/1

ATTRIBUTED TO SIR PETERLELY(BRITISH 1618-1680)

AN ELEGANT LADY, BELIEVEDTO BE COUNTESS ANNE,SEATED IN A LANDSCAPEOil on canvas

50 3/8 x 39 15/16 in. (128 x 101.4cm)

$7,000-10,000 £4,375-6,250


66


112 11-1797/1

CIRCLE OF ADRIAENHANNEMAN(DUTCH CIRCA 1601-1671)

YOUNG MAN IN INTERIOR, THEVIRGIN, CHRIST CHILD ANDSAINT PETER IN THE DISTANCEOil on canvas

42 x 44 in. (106.7 x 111.8cm)

$12,000-18,000 £7,500-11,250



67


113 05-1071/1FOLLOWER OF DAVID TENIERS,THE YOUNGER(DUTCH 1610-1690)

INTERIOR OF AN INN WITHPEASANTS MERRYMAKINGOil on canvas.

16 x 23 in. (40.6 x 58.4cm)

$1,000-1,500 £625-940

114 11-8051/20FOLLOWER OF ADRIAEN JANSZVAN OSTADE(DUTCH 1610-1685)

PEASANTS IN AN INTERIOROil on panel, unframed

8 3/4 x 12 3/8 in. (22.2 x 31.4cm)

$800-1,200 £500-750

115 11-1163/58FOLLOWER OF CORNELIS VAN ESSEN(DUTCH CIRCA 1690-CIRCA 1710)

VILLAGE SCENE WITHPRISONERS IN STOCKADE ANDONLOOKERSOil on cradled panel

24 1/8 x 28 5/8 in. (61.3 x 72.7cm)

$800-1,200 £500-750


68


117 11-1799/1

MANNER OF QUENTIN METSYS(MASSYS) THE ELDER(FLEMISH 1466-1530)

LAMENTATION OF CHRISTOil on cradled panel

35 3/8 x 31 1/8 in. (89.9 x 79.1cm)

$3,000-5,000 £1,875-3,125

116 11-1396/1

FOLLOWER OF GERARD TERBORCH THE YOUNGER(DUTCH 1617-1681)

WOMAN DRINKINGOil on panel

13 1/8 x 10 in. (33.3 X 25.4cm)

Note:The present painting derives from TerBorch’s ‘Woman Drinking’ in theFrankfurt Museum.

$1,500-2,000 £940-1,250



69


118 11-1950/1

FOLLOWER OF SIR PETER PAULRUBENS(FLEMISH 1577-1640)

THE FALL OF MAN WITH ASURROUND OF SEVEN GREEKGODSOil on canvas

32 x 25 in. (81.3 x 63.5cm)

$6,000-8,000 £3,750-5,000


70


120 11-1697/1

CIRCLE OF HENDRICK FRANSVAN LINT(FLEMISH 1684-1763)

COLOSSEUM, ROMEOil on canvas

11 1/8 x 15 1/2 in. (28.3 x 39.4cm)

$5,000-7,000 £3,125-4,375

119 11-1952/2

MANNER OF GERRIT DOU(DUTCH 1613-1675)

SAINT JEROMEOil on canvas

16 7/8 x 13 1/2 (42.9 x 34.3cm)

$2,500-3,500 £1,560-2,200



71


121 11-1792/5

MANNER OF ADRIEN DE GRYEF(FLEMISH 1657-1715)

STILL LIFE WITH HARE AND GAME BIRDSand

STILL LIFE WITH PHEASANT AND WOODCOCKPair oils on panel (2)

7 7/8 x 9 7/8 in. (20 x 25.1cm) (each)

$1,000-1,500 £625-940

122 11-1566/1

FOLLOWER OF JAN FYT(FLEMISH 1611-1661)

STILL LIFE WITH HAREOil on canvas laid on panel

31 1/8 x 24 1/4 in. (79.1 x 61.6cm)

$1,000-1,500 £625-940


72

123 11-1854/1

FOLLOWER OF PAUL DE VOS(FLEMISH 1595-1678)

DOGS AND CATS FIGHTING INA LANDSCAPEOil on canvas

26 x 33 1/4 in. (66 x 84.5cm)

$2,000-3,000 £1,250-1,875


125 11-1792/6

FOLLOWER OF THOMAS WYCK(DUTCH CIRCA 1616-1677)

LANDSCAPES WITH TRAVELERSSix oils on canvas, framed

together

2 3/4 x 4 1/2 in. (7 x 11.4cm) (each)

9 1/4 x 9 1/2 in. (23.5 x 24.1cm)

(overall, sight)

$2,500-3,500 £1,560-2,200

124 11-1495/1

FOLLOWER OF JAN-BAPTISTEBOSSCHAERT(BELGIAN 1677- CIRCA 1746)

STILL LIFE WITH TULIPS,PEONIES, AND CONVOLVULUSIN A CLASSICALLY DECORATEDBOWL UPON A LEDGEOil on canvas

18 3/4 x 14 1/2 in. (47.6 x 36.8cm)

$2,500-3,500 £1,560-2,200



73


126 11-1699/1

ATTRIBUTED TO GASPARPIETER VERBRUGGEN THEYOUNGER(FLEMISH 1664-1730)

FLORAL GARLANDS ADORNINGAN URN UPON A LEDGEOil on canvas

52 1/2 x 39 1/2 in. (133.4 x 102cm)

$20,000-30,000£12,500-18,750


74


128 11-1782/2

FOLLOWER OF SIMONPIETERSZ VERELST(DUTCH 1644-1721)

ROSES, CHRYSANTHEMUMS,BLUEBELLS AND OTHERFLOWERS IN A GLASS VASEUPON A STONE LEDGE WITHHOVERING BUTTERFLY,HOUSEFLIES AND LADYBUGOil on canvas

17 5/8 x 13 5/8 in. (44.8 x 34.6cm)

$3,000-5,000 £1,875-3,125

127 11-8051/4

MANNER OF JAN VANHUYSUM(DUTCH 1682-1749)

MIXED FLOWERS IN AN URNWITH BIRD’S NEST, ALL UPONA STONE LEDGEOil on panel, unframed

23 9/16 X 18 3/4 in. (59.8 x 47.6cm)

$800-1,200 £500-750



75


129 11-1338/1

CIRCLE OF ABRAHAM JANSZSTORCK(DUTCH 1644-1708)

SHIPS IN A MEDITERRANEANPORTOil on canvas

24 3/4 x 33 1/4 in. (62.9 x 84.5cm)

$3,000-5,000 £1,875-3,125

130 11-1856/1

JOHANNES CHRISTIAANSCHOTEL(DUTCH 1787-1838)

SHIP IN DISTRESSSigned ‘J.C. Schotel’ lower right,

oil on canvas

21 3/4 x 27 3/4 in. (55.2 x 70.5cm)

Provenance:Sotheby’s New York, sale of January 29,2005, lot 119.

$7,000-10,000 £4,375-6,250


76


131 11-8031/1

FOLLOWER OF JAN PORCELLIS(DUTCH 1584- CIRCA 1632)

SHIPS IN A STORMY ESTUARYOil on panel

17 3/4 x 29 3/4 in. (45.1 x 75.6cm)

$4,000-6,000 £2,500-3,750



77


132 11-8041/5

MANNER OF ROSE ADELAÏDE-DUCREUX(FRENCH 1761-1802)

A YOUNG WOMAN HOLDINGA BOOKOil on canvas, inscribed ‘Mlle

Duthe by Vigée Le Brun’ in a fine,

period carved and gessoed

giltwood frame

23 x 18 1/8 (58.4 x 46cm)

$3,000-5,000 £1,875-3,125


78




79

133 11-1797/2

CIRCLE OF CHARLESBEAUBRUN(FRENCH 1604-1692)

PORTRAIT OF A NOBLEWOMANInscribed indistinctly upper left,

oil on cradled panel

12 x 9 1/2 in. (30.5 x 24.1cm)

$2,500-3,500 £1,560-2,200

134 11-1141/1

AFTER ALEXIS-SIMON BELLE(FRENCH 1674-1734)

PORTRAIT OF A LADY, SAID TOBE PRINCESS LOUISA MARIATHERESA STUARTInscribed ‘Maria di Este / Queen

Consort of James 2d (sic) /

Godmother of Charles

Bodenham’ lower left, oil on

canvas

30 x 25 in. (76.2 x 63.5cm)

$1,000-1,500 £625-940


135 11-1777/1

HUBERT ROBERT(FRENCH 1733-1808)

LAVANDIÈRES AT A STREAM, IN A CLASSICAL LANDSCAPEWITH RUINSOil on canvas

29 7/8 x 32 3/4 in. (75.6 x 83.2cm)

Note:This painting is to be included in the catalogue critique of the oil paintings of HubertRobert being prepared at The Wildenstein Institute, Paris. An Avis d’Inclusion(Statement of Inclusion) from The Wildenstein Institute will accompany this lot.

$60,000-80,000 £37,500-50,000


80




81


136 10-9011/1

ATTRIBUTED TO GASPARDDUGHET, CALLED ‘GASPARDPOUSSIN’(FRENCH 1615-1675)

FIGURES IN AN EXTENSIVECLASSICAL LANDSCAPEPainted circa 1660, oil on canvas

9 x 12 1/2 in. (22.9 x 31.8cm)

Provenance:Collection of the Marquis of Bath(according to label verso).Phillips, London, sale of December 10,1996, lot 104 as ‘Gaspard Dughet’.Didier Aaron, Inc.

$7,000-9,000 £4,375-5,625


82


137 11-1073/145

MANNER OF NICOLASLANCRET(FRENCH 1690-1743)

THE SKATERSOil on tin

19 13/16 x 25.5 in. (50.3 x 64.8cm)

Provenance:Sotheby’s New York, sale of February 6,1997, lot 78 as ‘After Nicolas Lancret’

$800-1,000 £500-625

138 11-1163/56

CLAUDE MICHEL DUPLESSIS(FRENCH CIRCA 1770-AFTER 1799)

A MILITARY ENCAMPMENTSigned and dated ‘M.h. Duplessis

1791’ lower right; also inscribed

‘57’ lower left, oil on canvas

22 3/4 x 35 1/2 in. (57.8 x 90.2cm)

Provenance:Sotheby’s New York, sale of June 13,2007, lot 162

$4,000-6,000 £2,500-3,750



83


139 11-1798/10CIRCLE OF NICOLAS-RENÉJOLLAIN(FRENCH 1732-1804)

BACCHUS AND ARIADNEOil on canvas

45 1/4 x 63 3/4 in. (114.9 x 161.9cm)

$8,000-12,000 £5,000-7,500


84


140 11-8051/16

FOLLOWER OF JEAN-BAPTISTEMONNOYER(FRENCH 1634-1699)

STILL LIFE OF PARROT TULIP,ROSES, CHRYSANTHEMUMSAND OTHER FLOWERS IN AGILT BRONZE URN, UPON ALEDGE WITH DRAPED CLOTHOil on canvas, unframed

34 1/4 x 38 5/8 in. (87 x 98.1cm)

$3,000-5,000 £1,875-3,125

141 11-1792/7

FOLLOWER OF ANDREASSCACCIATI(ITALIAN 1642-1704)

STILL LIFE OF FLOWERSINCLUDING PARROT TULIPS,CARNATIONS AND WITHPOMEGRANATES IN A GLASSVASE UPON A STONE LEDGE;And a companion, pair oils on

canvas, unframed (2)

25 1/2 x 18 3/4 in. (64.8 x 47.6cm)

25 1/2 x 19 in. (64.8 x 48.3cm)

$4,000-6,000 £2,500-3,750



85


142 10-1993/8

JEAN-BAPTISTE GARNIER(FRENCH FL. CIRCA 1748-1759)

“ABRICOTS ET PRUNES”Signed with initials ‘JB. (cojoined) G.f’

bottom center, oil on panel

9 7/8 x 13 1/8 in. (25.2 x 33.3cm)

Provenance:Kunsthandel P. De Boer, Amsterdam.Private Collection, Paris.Acquired from the above, 1955.Thence by descent in the family.

Literature:Michel Fare, Le Grand Siècle de la Nature Morte enFrance, Fribourg, 1974, p. 252 illus.

$30,000-50,000 £18,750-31,250


86


144 11-8041/3

ATTRIBUTED TO FRANCIS COTES(BRITISH 1726-1770)

AND

DOUGLAS HAMILTON(BRITISH 1740-1808)

PORTRAIT OF A LADYOil on canvas, oval

11 3/4 x 9 3/4 in. (29.8 x 24.8cm)

$800-1,200 £500-750

145 11-8041/2

FOLLOWER OF ALLAN RAMSAY(SCOTTISH 1713-1784)

PORTRAIT OF A LADY, SAID TO BE LADY SARAH BUNBURYOil on canvas

36 x 28 in. (91.4 x 71.1cm)

$2,000-3,000 £1,250-1,875

143 11-1798/12

NORTHERN EUROPEAN SCHOOL18TH CENTURY

CAPPRICCIO WITH FIGURES ON ATRACKOil on canvas

33 x 52 1/8 in. (83.8 x 132.4cm)

$2,000-3,000 £1,250-1,875



87


146 11-8041/1

FOLLOWER OF SIR WILLIAMBEECHEY(BRITISH 1753-1839)

PORTRAIT OF A GIRL WITHBONNET, SAID TO BE MISSALICE DOWNMANOil on canvas

22 1/2 x 18 in. (56.2 x 45.7cm)

$1,000-1,500 £625-940

147 10-2026/2

FOLLOWER OF SIR GODFREYKNELLER(BRITISH 1646-1723)

PORTRAIT OF A NOBLEMAN INERMINE ROBE, SAID TO BELOUIS XIVOil on canvas

33 x 27 in. (83.8 x 68.6cm)

Provenance:Freeman’s, sale of November 24, 1952,lot 159.

$1,000-1,500 £625-940


88


148 11-1855/1

CIRCLE OF SIR PETER LELY(BRITISH 1618-1680)

PORTRAIT OF A NOBLE LADY,BELIEVED TO BE MARY OFMODENAOil on canvas

50 3/8 x 40 1/4 in. (128 x 102.2cm)

$5,000-7,000 £3,125-4,375



89


149 11-1691/1

SIR HENRY RAEBURN(BRITISH 1756-1823)

PORTRAIT OF A YOUNGINDIAN WOMANOil on canvas

30 x 25 in. (76.2 x 63.5cm)

Provenance:(according to notations on verso)Parke-Bernet Galleries Inc., anonymoussale, February 1, 1940.Sir John Marjoribanks, purchased fromthe above sale.R.L. Cawood.

Note:We are grateful to Duncan Thomson forconfirming the attribution to Raeburn onthe basis of a photograph.

$6,000-10,000 £3,750-6,250


90


151 11-1363/13

AFTER DIEGO RODRÍGUEZ DESILVA Y VELÁZQUEZ(SPANISH 1599-1660)

THE INFANTA MARGARITATERESA IN A BLUE DRESSSigned with indecipherable

monogrammed signature verso,

oil on canvas

50 1/8 x 42 3/8 in. (127.3 x 107.6cm)

Note:After the original painting by Velásquezpainted circa 1659, KunsthistorichesMuseum, Vienna.

$2,000-3,000 £1,250-1,875

150 11-1782/1

FOLLOWER OF ALONSO CANO(SPANISH 1601-1667)

CRUCIFIXIONOil on canvas

35 1/8 x 27 7/8 in. (89.2 x 70.8cm)

$2,000-3,000 £1,250-1,875



91


152 09-1380/43

FRANCO-GERMAN SCHOOL18TH-19TH CENTURY

THESEUS AND THE MINOTAUROil on canvas

50 1/4 x 39 5/8 in. (127.6 x 151.4cm)

$4,000-6,000 £2,500-3,750


92


154 11-1952/1

FOLLOWER OF JOHANN KARLLOTH(GERMAN 1632-1698)

BACCHUSOil on canvas

25 3/4 x 21 1/4 in. (65.4 x 54cm)

$2,000-3,000 £1,250-1,875



93

153 11-1556/1

JOHANN BERNARD BAPTISTESCHEFFER(GERMAN 1765-1809)

GENTLEMAN WITH A DRINKAT A CASEMENTSigned and dated ‘J.B. Scheffer

1794’ lower left, oil on canvas

18 3/4 x 15 3/8 in. (47.6 x 39.1cm)

$3,000-4,000 £1,875-2,500


155 11-8063/1FRANZ XAVER PETTER(AUSTRIAN 1791-1866)

STILL LIFE WITH ROSES AND TULIPS WITH PARROT IN A BRASSVASESigned and dated ‘Franz Xav. Petter 1834’ lower right, oil on canvas

27 x 22 in. (71.1 x 58.4cm)

Provenance:Frost & Reed Ltd., London.

$30,000-50,000 £18,750-31,250

END OF SALE


94




95


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unlessotherwise stated, does not own theProperty offered for sale and hasmade no independent investigationof the Property. Freeman’s makesno warranty of title, merchantabilityor fitness for a particular purpose,or any other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind ornature with respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or theconstitution of lots.

6The highest bidder acknowledgedby the auctioneer shall be thebuyer. The auctioneer has the rightto reject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same and withdraw the Property fromsale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to complianceby the buyer with these Conditionsof Sale. Buyer thereupon assumesfull risk and responsibility of theproperty sold, agrees to sign anyrequested confirmation ofpurchase, and agrees to pay the fullprice, plus Buyer’s Premium,therefore or such part, upon suchterms as Freeman’s may require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a publicwarehouse, at the sole risk andcharge of the buyer(s), andFreeman’s may prohibit the buyerfrom participating, directly orindirectly, as a bidder or buyer inany future sale or sales. In additionto other remedies available toFreeman’s by law, Freeman’sreserves the right to impose a latecharge of 1.5% per month of thetotal purchase price on any balanceremaining ten (10) days after theday of sale. If Property is notremoved by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. Ifthe foregoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’sand the Consignor (includingwithout limitation the right to holdthe buyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, thebuyer(s) shall remain liable for anydeficiency in the original purchase

price and will also be responsiblefor all costs, including warehousing,the expense of the ultimate sale,and Freeman’s commission at itsregular rates together with allrelated and incidental charges,including legal fees. Payment is aprecondition to removal. Paymentshall be by cash, certified check orsimilar bank draft, or any othermethod approved by Freeman’s.Checks will not be deemed toconstitute payment until cleared.Any exceptions must be madeupon Freeman’s written approval ofcredit prior to sale. In addition, adefaulting buyer will be deemed tohave granted and assigned toFreeman’s, a continuing securityinterest of first priority in anyproperty or money of, or owing tosuch buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due toFreeman’s. Freeman’s shall have allof the rights accorded a securedparty under the PennsylvaniaUniform Commercial Code.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves bybidding through its representativeson behalf of the Consignors. Incertain instances, the Consignormay pay less than the standardcommission rate where Freeman’sor its representative is a successfulbidder on behalf of the Consignor.Where the Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids forthe convenience of bidders notpresent at the auction, Freeman’sshall not be responsible for thefailure to execute, or, to executeproperly, any pre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/orlocal sales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service tobuyer arrange to have purchasedproperty posted and shipped at thebuyer’s expense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreementshall operate as a waiver of suchright or any other right and waiveron any one or more occasions shallnot be construed as a bar to orwaiver of any right or remedy ofFreeman’s on any future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall begoverned by, construed andenforced in accordance with thelaws of the Commonwealth ofPennsylvania and Consignor andBuyer agree to the exclusivejurisdiction of the Philadelphia,Pennsylvania Court of CommonPleas and the United States DistrictCourt for the Eastern District ofPennsylvania.

Freeman’s Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall beoffered and sold on the terms and conditions set forth below which constitutes the completestatement of the terms and conditions on which all property is offered for sale. by bidding at theauction, whether present in person or by agent, by written bid, telephone, internet or other means, thebuyer agrees to be bound by these terms and conditions.


Auctions

EDINBURGHWednesday September 28th

Inquiries:Lee [email protected]

Douglas [email protected]

PHILADELPHIAFriday October 7th

Inquiries:David Walkerdirect tel: [email protected]

Benjamin Fisherdirect tel: [email protected]

Viewing

Please contact the department at www.freemansauction.com or www.lyonandturnbull.comfor exhibition/viewing details

The International SaleEdinburgh 28th September, 2011 Philadelphia 7th October, 2011

Fine Louis XV gilt bronze mounted bureau plat and cartonnierstamped migeonThe cartonnier dial signed ‘Masson’$15,000-20,000 (£9,375-12,500)

www.lyonandturnbull .comwww.freemansauction.com


names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. lyon & turnbull andfreeman’s reserve the right, in forming their opinion, to consult andrely upon any expert or authority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether precededby an initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by thatartist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that webelieve the artist’s name and/or date and/or inscription have been addedby another hand.

All references to signature, inscriptions and dates refer to the presentstate of the work.

Dimensions are given height before width.

Glossary


98




99

Schoevaerdts, M., 12

Schotel, J.C., 130

Solimena, F., 88

Storck, A.J., 129

Sustermans, J., 108

Teniers, D., the Younger, 113

ter Borch, G., the Younger, 116

Titian, 95

Tocque, L., 5

Valentino, G.D., 89

van Aelst, P.C., the Elder, 103

van Bloemen, J.F., 24, 25

van de Meer, J., 6

van der Meulen, A.F., 14

van Dyck, Sir A., 1, 51, 52, 107

van Essen, C., 115

van Huysum, J., 127

van Kessel, 16

van Lint, H.F., 120

van Ostade, A.J., 114

van Ravesteyn, J.A., 104

van Rijn, R., 18, 19, 20, 59, 61-78

Venetian School, 101

Verbruggen, P., the Younger, 126

Verelst, S.P., 128

Veronese, 32

Visenti, A., 54

von Honthorst, G., 106

Wolfaerts, A., 105

Wyck, T., 125

y Veláquez, D.R. de S., 153

Ykens, J., 28

Zuccarelli, F., 83

Hayls, J., 33

Holbein, H., 8

Italian School, 81, 82, 97, 99

Joullain, N-R., 139

Kneller, Sir G., 4, 10, 34, 147

Lancret, N., 137

Lavagna, G., 98

Lefebvre, C., 109

Lely, Sir P., 3, 111, 148

Loth, J.K., 154

Mannozzi, V., 83

Maratta, C., 13, 85

Metsys, Q. (Massys), the Elder,

117

Millet, J-F., 80

Monnoyer, J.B., 140

Moreau, J-M. (called Moreau le

Jeune), 84

Neapolitan School, 99, 102

Northern European School, 143

Northern Italian School, 90

Patch, T., 30

Pencz, G., 60

Petter, F.X., 155

Pittoni, G.B.V., the Elder, 56

Porcellis, J., 131

Preti, M., 94

Raeburn, Sir H., 29, 149

Ramsay, A., 145

Raphael, 36, 37

Robert, H., 135

Roman School, 17

Rottenhammer, 81

Rubens, Sir P.P., 118

Sadeler II, A., 57

Saraceni, C., 91

Scacciati, A., 141

Scheffer, J.B.B., 153

Adelaïde-Ducreux, R., 132

Aligny, C-F-T. (known as

Théodore Carouelle D'Aligny),

79

Antwerp School, 27

Batoni, P., 96

Beaubrun, C., 134

Beechey, Sir W., 146

Beinaschi, G.B., 87

Belle, A-S., 133

Bigio, F., 7

Blanchet, L., 26

Bosschaert, J-B., 124

Both, J., 31

Brueghel, P., the Elder, 21, 22, 23

Canal, A. (called Canaletto), 53,

55

Cano, A., 150

Ceresa, C., 93

Continental School, 110

Cotes, F., 144

D'Oggiono, M., 92

David, A., 2

de Coninck, A., 35

de Gryef, A., 121

de Vos, P., 123

Dou G., 119

Dughet, G. (called Gaspard

Poussin), 136

Duplessis, C.M., 138

Durer, A., 58

English School, 9

French-German School, 152

Fyt, J., 122

Garnier, J-B., 142

German School, 11

Greco, G. (called Il Masacotta),

100

Grevenbroeck, O., 15

Hanneman, A., 112

Index to Artists

Artists are listed by surname and initials; for actual attribution and authorship please refer to the individual

lots and the glossary of terms opposite.


Auctions:Saturday November 19thandSunday November 20th

Upcoming atFreeman’s

www. f r e eman s au c t i o n . com

Inquiries:lynda caindirect tel: [email protected]

amy parentidirect tel: [email protected]

Catalogue $30

ExhibitionsWednesday November 16thThursday November 17thFriday November 18th

Please contact the department or www.freemansauction.com for further details

American Furniture, Folk & Decorative Arts 11/19/11

The 6th Annual Pennsylvania Sale 11/20/11

FREEMAN’S


Philadelphia, PA 19103

Telephone: 215.563.9275

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

45 School Street

Boston MA 02108

Telephone: 617.367.3400


Attributed to Reuben Rowely(active 1820-1836)a young couple seated inpainted windsor chairsOil on canvasprovenance:A Philadelphia Collection$15,000-$25,000 (£9,375-15,625)


The Forbes Collection at Old Battersea HouseTo be sold on Tuesday 1st November, 2011at 33 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

Viewing timesFreeman’s, Philadelphia (highlights only)From September 24th - please contact Freeman’s for details

Old Battersea House, LondonTuesday 15th October and Wednesday 16th October10am to 5pm

Lyon & Turnbull, EdinburghMonday 28th October to Wednesday 30th October10am - 5pm

EnquiriesNick CurnowTel: +44 (0)131 557 8844 E-mail: [email protected]

Lee YoungTel: +44 (0)131 557 8844Email: [email protected]

Douglas GirtonTel: +44 (0)131 557 8844Email: [email protected]

John MackieTel: +44 (0)131 557 8844Email: [email protected]


International Auction Calendar

JANUARY 2012

19 Rare Books, Manuscripts & EphemeraFreeman’s, Philadelphia

20 Coins, Currency & MedalsFreeman’s, Philadelphia

25 Fine English & Continental Furniture,Decorative Arts & SilverFreeman’s, Philadelphia

SEPTEMBER

07 Rare Books, Maps & ManuscriptsLyon & Turnbull, Edinburgh

10 Fine Asian ArtsFreeman’s, Philadelphia

22 Rare Books, Manuscripts & PostersCoins, Currency & MedalsFreeman’s, Philadelphia

28 Old Master & British Paintings & PrintsLyon & Turnbull, Edinburgh

28 The International SaleLyon & Turnbull, Edinburgh

28 Fine AntiquesLyon & Turnbull, Edinburgh

To be offered in the Fine Jewellery & Watchessale on December 05 at Freeman’s.

To be offered in the English & Continental Furniture & Decorative Arts sale on October 06at Freeman’s.

To be offered in The International Sale sale on October 07 at Freeman’s.

OCTOBER

05 Fine English Furniture, Silver & Deco-rative ArtsFreeman’s, Philadelphia

06 Fine Continental Furniture & Decora-tive Arts to includeThe Loren Gardner CollectionFreeman’s, Philadelphia

07 The International SaleFreeman’s, Philadelphia

07 Old Master & British Paintings & PrintsFreeman’s, Philadelphia

12 Jewellery & SilverLyon & Turnbull, Edinburgh

15 Saturdays @ L&TLyon & Turnbull, Edinburgh

21 Photographs & PhotobooksFreeman’s, Philadelphia

NOVEMBER

01 The Forbes Collection at Old Battersea HouseLyon & Turnbull, Edinburgh

06 Modern & Contemporary ArtFreeman’s, Philadelphia

16 Decorative Arts & DesignLyon & Turnbull, Edinburgh

19 American Furniture, Folk &Decorative ArtsFreeman’s, Philadelphia

20 The Pennsylvania SaleFreeman’s, Philadelphia

30 Fine Jewellery & SilverLyon & Turnbull, Edinburgh

DECEMBER

01 Fine PaintingsLyon & Turnbull, Edinburgh

04 Fine American & European Paintings & SculptureFreeman’s, Philadelphia

05 Fine Jewelry & WatchesFreeman’s, Philadelphia

06 Holiday SaleFreeman’s, Philadelphia

07 Fine AntiquesLyon & Turnbull, Edinburgh


International Staff Directory

PICTURES, WATERCOLOURS

& PRINTSNick [email protected]

Charlotte [email protected]

OLD MASTERSNick [email protected]

FURNITURE, CLOCKS &

WORKS OF ARTLee [email protected]


RUGS & CARPETSGavin [email protected]

AMERICAN, FURNITURE,

DECORATIVE & FOLK ARTLynda A Cain (+1 267.414.1237)[email protected]

Amy Parenti(+1 267.414.1223)[email protected]

ENGLISH & CONTINENTAL FURNITURE,

SILVER & DECORATIVE ARTSDavid Walker (+1 267.414.1216)[email protected]

Benjamin Fisher (+1 267.414.1215)[email protected]

ASIAN ARTSRobert Waterhouse (+1 267.414.1226)[email protected]

Richard Cervantes (+1 267.414.1219)[email protected]

OLD MASTERSDavid Weiss (+1 267.414.1214)[email protected]

Maya O’Donnell-Shah (+1 267.414.1210)[email protected]

FINE JEWELRY & WATCHESKate Waterhouse (+1 267.414.1230)[email protected]

Madeline McCauley (+1 [email protected])

FINE PAINTINGS & SCULPTUREAlasdair Nichol (+1 267.414.1211)[email protected]

David Weiss (+1 [email protected])

MODERN & CONTEMPORARY ARTAnne Henry (+1 267.414.1220)[email protected]

Aimee Pflieger (+1 267.414.1221)[email protected]

PHOTOGRAPHSAimee Pflieger (+1 267.414.1221)[email protected]

Kate Molets (+1 267.414.1228)[email protected]

JEWELLERY, SILVER, COINS

& MEDALSTrevor [email protected]

Colin [email protected]

DECORATIVE ARTS & DESIGNJohn [email protected]

EUROPEAN & ASIAN CERAMICSCampbell [email protected]

ARMS & ARMOURJohn Batty (consultant)[email protected]

RARE BOOKS, MAPS, MANUSCRIPTS & PHOTO-

GRAPHSSimon [email protected]

Alex [email protected]

ANTIQUE SALESLee [email protected]


ENQUIRIES &

COMMISSION BIDSTel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 [email protected]

POP CULTURE (consultant)Simeon Lipman (+1 267.414.1213)[email protected]

ORIENTAL RUGS & TAPESTRIESDavid Weiss (+1 267.414.1214)[email protected]

Richard Cervantes (+1 267.414.1219)[email protected]

RARE BOOKS, MANUSCRIPTS

& EPHEMERADavid J Bloom (+1 267.414.1246)[email protected]

Joe Huenke (+1 267.414.1247)[email protected]

BIDS DEPARTMENTBridgette Bonner(+1 267.414.1208)fax: (+1 215.599.2240)[email protected]

Telephone: +44 (0)131 557 8844 – www.lyonandturnbull.com

Main Switchboard +1 215.563.9275 – www.freemansauction.com

G11-10622_OldMastersTXT65-104:Layout 1 9/12/11 1:16 PM Page 103

“One of thetop 100 hotelsin the world”

Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proudto announce our new partnership with Freeman’s. We are pleased to offer Free-man’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.215-790-2541, [email protected]


1808 Chestnut StreetPHILADELPHIA PA 19103Tel: +1 215.563.9275

126 Garrett StreetCHARLOTTESVILLE VA 22902Tel: +1 434.296.4096

45 School StreetBOSTONMA 02108Tel: +1 616.367.3400

[email protected]

33 Broughton PlaceEDINBURGH EH1 3RRTel: +44 (0)131 557 8844

182 Bath StreetGLASGOW G2 4HGTel: +44 (0)141 333 1992

78 Pall MallLONDON SW1Y 5ESTel :+44 (0)20 7930 9115

[email protected]

international sale old master paintings, drawings and prints

Documents

conditions of sale

pmmorning of sale

day of sale

pm page

freemans information

freemans philadelphia7th

showthat number

chestnut streetphiladelphia