Important American Furniture, Paintings, Folk Art and Decorative Arts January 22, 2013

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Important American Furniture, Paintings, Folk Art and Decorative Arts January 22, 2013 Important American Furniture, Paintings, Folk Art and Decorative Arts January 22, 2013


Important American Furniture, Paintings, Folk Art and Decorative ArtsTuesday, 22 January 2013 10:00 AM127 East 69th Street New York, NY 10021 +1 212 734 2381 Kenoauctions.com1009Important American Furniture, Paintings, Folk Art and Decorative Arts22 January 2013 IMPORTANT AMERICAN FURNITURE, PAINTINGS, FOLK ART AND DECORATIVE ARTS Sale:Tuesday, January 22, 2013 10:00 AMViewing:Saturday, January 19, 2013 10:00 a.m. to 8:00 p.m.Sunday, January 20, 2013 10:00 a.m. to 5:00 p.m.Monday, January 21, 2013 9:00 a.m. to 8:00 p.m.Tuesday, January 22, 2013 9:00 a.m. to End of sale. (viewing available during sale)Preview and Sale Location:Church of St. Ignatius Loyola, Wallace Hall980 Park Avenue South at 84th StreetNew York, NY 10028Auction Code: 1009For absentee bids or inquiries, this sale should be referred to as SALE 1009.President and Owner: Leigh Keno, Leigh@kenoauctions.comStaff: Catherine Skibitcky, SpecialistCatherine@kenoauctions.comJack OBrien, Specialist Jack@kenoauctions.comAmy Sheldon, Marketing Amy@kenoauctions.comAlizzandra Baldenebro, InternEmily Rigamer, InternConsultant: Betty Krulik, Fine Arts, Finearts@kenoauctions.comMarybeth KeeneAuction Inquiries & Bid Department:phone: 212 734 2381Info@kenoauctions.comAuction Online:This auction features online viewing and live online bidding at and of Sale:This auction is subject to Important Notices, Conditions of Sale and Reserves. Front cover: Lot 49Back cover: Lot 123, 52, 39, 80Inside front cover Lot 40Page 3 Lot 121, 122Properties from:James and Kathryn AbbeThe Estate of Violetta J.P. DuPontA California GentlemanA New York LadyA New York GentlemanThe Dr. and Mrs. Robert Isbell CollectionThe Late Valdemar F. JacobsenA Rhode Island LadyA Massachusetts FamilyAn Ohio CollectionA Phoenix GentlemanA New England EstateA Private American CollectionDirect Descendant of Thomas Kittredge, North Andover, MassachusettsThe Bulkeley Family of Hartford, ConnecticutA Virginia ladyA Direct Descendant of John Ritto PennimanThe Collection of Joanne and Jeffrey KleinThe Descendant of a Prominent Massachusetts FamilyThe Estate of a Florida Lady A New York FamilyDirect Descendant of the Brown and Smith Families of Providence, Rhode IslandA New Mexico GentlemanDirect Descendants of John Breckinridge2 Additional Information and Condition Reports at Kenoauctions.comHandling and CollectionLots will not be released until all outstanding charges due to Keno Auctions are paid in full. Please contact Keno Auctions Client Accounts department at +1 212 734 2381 or and Handling ChargesProperty not paid for and retrieved the day of the sale or by 3:00 p.m. January 23, 2013 will result in handling and administration charges plus any applicable sales taxes. Charges All Property Administration and Handling fees (per lot, per day beginning 3:00 pm, January 30, 2013) $15.00Keno Auctions Sale Site Church of St. Ignatius LoyolaWallace Hall980 Park AvenueNew York, NY 10028Hours: 9:00 a.m. End of saleJanuary 22, 2013Hours: 10:00 a.m. 3:00 p.m.January 23, 2013Welpak Corporation 58-60 Grand AvenueMaspeth, NY 11378718 391 0155Info@welpakcorp.comHours: 9:00 a.m. 5:00 p.m.Monday Friday, except public holidaysDirections to the SaleBy Subway:Take 4, 5, or 6 train to 86th Street.Driving DirectionsFrom Westchester New York State Thruway (I-87) South Exit 3, towards East 138 Street Stay straight to go onto Exterior Street. Turn right onto Madison Avenue Bridge Madison Avenue Bridge becomes Madison Avenue. Turn Left onto 135 Street. Turn Right onto Park Avenue. Turn Left onto East 132 Street, take the FDR Drive South to 96 Street (exit 14) Either go right onto 96 Street, drive across town to Park Avenue and turn left OR Go straight onto York Avenue, turn right at 85 Street, turn left at Park Avenue.From Long Island Long Island Expressway (I-495) to exit 30W, towards Midtown Tunnel Take Grand Central Parkway (Exit 22A) towards 108 Street Keep right at the fork in the ramp. Grand Central Parkway goes into Triborough Bridge. Keep to the Right, take the exit for Manhattan. Keep to the center through the tolls, follow signs for FDR Drive South. Exit at 96 Street (exit 14). Either go right onto 96 Street, drive across town to Park Avenue and turn left OR Go straight onto York Avenue, turn right at 85 Street, turn left at Park Avenue. From Connecticut I-95 South Continue onto 1-278 W Take exit for FDR Drive Merge onto Robert F. Kennedy Bridge Keep right and follow signs for 125 St./2nd Avenue Turn right onto E. 125th Street Turn left on Lexington Avenue Turn right on E. 85th Street Take fi rst left on to Park AvenueFrom the Lincoln Tunnel On exiting the tunnel, exit on the left towards 40 Street 7 North/West Side Highway Take West Side Highway to 79th Street Turn left onto Broadway Take Broadway to 86 Street, turn right onto 86 Street Take 86 Street through Central Park. You will exit the park on 84 Street. The church is on the corner of 84 Street and Park Avenue.Parking:There are many parking garages in the neighborhood. The closest is Belmont, on 84th Street between Park and Lexington Avenues Additional parking garages include: Albert Parking 30 East 85th Street 212 249 5290 East 82nd Street Garage 111 East 82nd Street 212 288 9645 Gold East Garage 55 East 87th Street 212 831 48184 Additional Information and Condition Reports at Kenoauctions.comProperty of James and Kathryn Abbe1Black Painted Queen Anne Heart and Crown Arm ChairStratford area, Connecticut, 1765-1775 H. 47 in.Literature: A nearly identical example is in the Silas Deane House, Wethersfi eld, Connecticut. Please see Robert F. Trent, Heart and Crown Chairs, New Haven: New Haven Historical Society, 1977, pl. 17, p. 48. $1,500-2,5001James (1912-1999) and Kathryn Abbe shared a love for art, antiques and photography. Each had well-established careers, James, as a pho-tographer and later as a well known dealer in Folk Art and Americana. He was known for his excellent taste and was a pioneering advocate for Folk Art, The emphasis should be on the Art and not the Folk he would say. Kathryn, a photographer and an identical twin, is the author of several books; her work has been widely exhibited in museums and galleries. Each had a great eye, and when they worked together, the result was often splendid. They liked the juxtaposition of one object with another and the effects of light and shadow. Our January 22 sale features some of the best works from the folk art collection that they built together. Starting the sale off will be a Black Painted Queen Anne Heart and Crown Arm Chair with a classic shaped and pierced crest-rail and graceful arms that shows more than 250 years of usage; it was made in Connecticut in the fi rst-half of the 18th century (lot 1).Prominent among the pieces is a rare 18th century Polychrome Painted White Pine Countertop Figure of a standing gentleman (lot 18). A pair of early folk art paintings of twins, circa 1815, is powerful for the sitters stern expressions and edginess (lot 3) that brings to mind photographer Diane Arbuss haunting work Identical Twins, Roselle, New Jersey, 1967.The Abbes loved carved and painted wooden and metal fi gures. A painted wood, tin and iron fi gure of a rooster (lot 4), probably used as a roof ornament, is a whimsical accessory to any home. A portrait of a Girl in a Rocking Chair by Asahel Powers (lot 15) is an excellent example of Powers work. As an untrained artist Powers had a diffi cult time making items appear to be anchored to the fl oor; the young girl appears to be fl oating.PROPERTY FROM THE COLLECTION OF JAMES AND KATHRYN ABBE Additional Information and Condition Reports at 52344Painted Wood Tin and Iron Figure of a Rooster American, 1830-1890 H. 22 in.; W. 25 in.Probably once used as a roof ornament.$1,500-2,5002Gilt Copper Weathervane Depicting a SteerProbably L. W. Cushing & SonsWaltham, Massachusetts, second half 19th century H. 12 in.; L. 23 in. $300-6003American School, First Quarter 19th CenturyA Pair of Portraits Depicting Twin Girls in White Dresses Oil on canvas18 x 16 inches (each) $2,000-4,0006 Additional Information and Condition Reports at Kenoauctions.com5Green and Yellow Painted Half Hull ModelAmerican, circa 1843 With painted inscription: Plymouth, 1843H. 11 in.; L. 56 in. $800-1,2006A Group of Four Carved and Painted Wooden FiguresComprising: Pair of white painted mermaids: American, late 19th / early 20th century, H. 2 in.; L. 6 in. Figure of a lion and lamb, probably Pennsylvania, late 19th century, H. 5 in.; L. 9 in.Green, yellow and white painted fi gure of a standing woman, American, late 19th century, H. 13 in. White painted wooden rooster with repair done with tin and nails, fi rst half 19th century, H. 5 in.; L. 7 in.(4)$1,200-1,8007Naive Carved Bone Figure in the Form of a Female NudeAmerican, second half 19th century With movable section.H. 4 in.$200-4005 6 6788Pair of American School PortraitsSarah Bennett, age 11 and Mary Bennett, age 10Possibly Isaac A. Wetherby (American, 1819-1904)Oil on canvas29 x 24 inches (each) Portrait of Mary Bennett inscribed on verso: Mary Bennett born 1845 daughter of Hon. A.H. Bennett, Davenport, Iowa, 10 years old when this was taken. Possibly by Isaac Augustus Wetherby (1819-1904) and attributed to Isaac Wetherby 6/1/1988, James Abbe Junior Oyster Bay, NYPortrait of Sarah Bennett inscribed on verso of canvas: attributed to Isaac A. Wetherby (American, 1819-1904) and Sarah Bennett, born 1844, daughter of Hon. A.H. Bennett, Davenport, Iowa, 11 years old when this was taken.(2)$2,000-4,0009Four Cast Iron Mechanical Banks and Tin Mechanical BankComprising: Speaking Dog, Red Dress, H. 7 in.; W. 8 in. Uncle Sam, Shepard Hardware Company, Buffalo New York, circa 1886, H. 11 in.African American Man, H. 6 in. African American Woman, H. 6 in.Pool Player, painted tin, H. 7 in. (5)$200-40010Painted Sheet Iron Figure of Indian with Bow and ArrowAmerican, second half 19th century H. 26 in.; W. 14 in.$300-60011Painted and Decorated Circular Covered Wooden BoxAmerican, fi rst half 19th centuryInscribed on bottom: James Abbe, Jr. Jericho, N.Y. H. 10 in.; Diam. 14 in. $200-400 Additional Information and Condition Reports at 71213149101112Chauncey Wheeler (American, 1888-1945)Brant First half, 20th centuryBranded on base: WFB Label inscribed on base: William F. Beale Long Island N.Y. by Chauncey WheelerCarved and painted wood.L. 18 in.; W. 7 in.$1,200-1,80013A Group of Four Portrait MiniaturesComprising: A Silhouette of a young lady with woven hair and original gilt metal frame, inscribed on verso: 1828, H. 4 x 3 in. Ink silhouette of Thomas Goddard (English, 1762-1834), ink and watercolor on paper, inscribed on verso: Thomas Goddard 1762, signed: ... Hiddleton, H. 5 x 2 in. Nave full length silhouette of a woman glued to a page from an accounting book, 19th century, collage and ink, 6 x 4 in. Portrait of Mrs. Robert Sackett, 1846, watercolor on paper, 5 x 4 in. (4)$300-60014Soda Sarsaparilla & Ginger Ale 5New York, late 19th century Inscribed: TALLMAN 15 RUBLE HOUSE N.Y. Oil on canvas 13 x 21 inches $200-4008 Additional Information and Condition Reports at Kenoauctions.com15Asahel Lynde Powers (American, 1813-1843) Girl in Painted Rocking ChairCirca 1835 Oil on canvas 33 x 26 inches Provenance: Washburn Gallery, New York$4,000-8,00016American School, 19th CenturyDouble Portrait of Boy with Whip and Girl with RoseOil on canvas27 x 24 inches Provenance: Washburn Gallery, New York$3,000-6,0001516 Additional Information and Condition Reports at 917American SchoolPeri at the Gates of Paradise Circa 1845 Oil on canvas 30 x 25 inches$1,200-1,80018Polychrome Painted White Pine Countertop Figure of a Standing GentlemanAmerican, late 18th / early 19th century Wood analysis by Alden Identifi cation Service, November 2012.H. 38 in.$4,000-8,000171810 Additional Information and Condition Reports at Kenoauctions.com22202119From the Estate of Violetta J.P. DuPont19Group of Miniature Portraits Daguerreotypes and Tintypes American, English and Continental, late 18th / 19th century Comprising: Six daguerreotypes (four in gutta-percha hinge frames), one tintype, one photograph, nine painted portrait miniatures, one bronze portrait medallion inscribed: LOUIS XVIII / ROI DE FRANCEProvenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey(18)$1,500-2,500 Property of a Lady20Auguste Edouart (American, 1789-1861) An Interior Including Young Girl on Candle Stand and One Holding Doll, 1839 Signed and dated lower center : Aug. Edouart, fecit 1839Watercolor and black paper 13 x 18 inches $2,000-4,00021Attributed to Rufus Porter (American, 1792-1884)Double Portrait of Husband and Wife (b. June 1799 - d. Jan 30, 1877) Circa 1820-18306 Watercolor and ink on paper with gold leaf and black eglomise glass panel. The portrait of the lady inscribed in graphite on verso: Died January 30 1877 / Aged 77 yrs. 7 months. 6 x 9 inches (including frame) $2,000-4,000Property of a California Gentleman22Painted Sea Chest with Carved ShipNew England, 19th century, the carving and painting probably fi rst half 20th centuryThe painting on the ship is signed indistinctly and dated: 32, possibly 1932 With inlaid diamond-shaped whalebone escutcheon and fi tted with beckets. H. 15 in.; W. 43 in.; D. 16 in.$2,000-4,000 Additional Information and Condition Reports at 11Property of a New York Lady23American School, 1849Portrait of Boy With Dog, 1849 Dated lower right: 1849 Oil on canvas 48 x 38 inches Provenance: Arthur Rupley, Alexandria, Virginia;Sloans & Kenyon, Chevy Chase, Maryland, 7-9 December 1990; Hirschl & Adler Galleries, Inc., New York, 1991 $12,000-18,00024Pictorial Hooked American Rug: Ms. HenLaura H. Loeffl er, 1920-1930 On verso: Ms. Hen hand hooked by Laura H. Loeffl er35 x 26 in.Note: A closely related rug, based on the same design as the present lot sold at Sothebys, New York, Important Americana, Lot 167, 22-24 January 2009 for $25,000.$2,000-4,000232412 Additional Information and Condition Reports at Kenoauctions.com29Painted Wood and Decorated Grocery Store Bag SorterAmerican, second half, 19th century With original stenciled decoration and inscription from Troy, New York Grocers.With original stenciled decoration and inscription from Troy, New York Grocers.H. 15 in.; W. 16 in.; D. 8 in.$200-40030A Monumental Black Painted Cast Iron Windmill Weight American, second half 19th century H. 15 in.; W. 22 in.; D. 4 in. Provenance: Descended from the consignors great grandfather Haldo O. Slinden, a Norwegian immigrant who set up homestead in Altwater, New York. The farm has been in the family for four generations.$1,000-2,00031Grain Painted Three-Drawer Blanket ChestPennsylvania, 1780-1800H. 29 in.; W. 50 in.; D. 24 $8,000-12,00032Two Yellow Spatterware PitchersEnglish, circa 1835 The fi rst with tulip and leaf decoration, the second with thistle and leaf decorationH. 12 in. (each) Condition note: extensive restoration.(2) Not illustrated$500-800Property of Various Owners25Painted Bellamy Style Eagle and Painted Bluebill DrakeEagle with banner and painted inscription: ~DONT GIVE UP THE SHIPAmerican, 20th century H. 10 in.; L. 28 in.; D. 4 in. Bluebill Drake, Henry Kilpatrick (1868-1945), circa 1920 (2)$300-50026Model Butcher Shop in Old CaseEnglish, 1850-1890 H. 18 in.; W. 20 in.; D. 6 in. $2,000-4,00027Needlework Sampler Initialed B.K., dated 1730American or English, 1730Work in silk stitched on linen ground12 in. x 12 in.The central motif is that of large fl owers and a two-handled urn, on a linen background. The same design can be found on fi ve, possibly, six known samplers each attributed by design to the Elizabeth and Ann Marsh School of Philadelphia (1683 to 1784). This elite school was originally under the direction of Elizabeth Marsh and then, by her daughter, Ann. Each sampler attributed to the schools students is of similar central design created by a different student girl, all, apparently, utilizing the Marsh Schools same art source material.$4,000-8,00028Group of Five Painted Plywood Life Saver SignsAmerican, circa 1930ASSORT O MINTS, GRAPE, PEP O MINT, STICK O PEP and WINT O GREEN.Incorporating tin foil decoupage elements.The exterior of the Life Saver building was famous for having large images of Life Savers projecting from its lower faade.Provenance: Made for and used in the offi ces at the headquarters of the Life Saver Company of Port Chester, New York, constructed in 1920. L. 46 in.; H. 15 in. (each) (5)$1,200-1,800252627282930 Additional Information and Condition Reports at 133434 detail35 363133From the Estate of Violetta J.P. DuPont33Group of Thirteen FlasksComprising: Dyotteville Glass Works, Philadelphia, Pennsylvania Aqua glass The Father of Our Country GEN. TAYLOR NEVER SURRENDERS / DYOTTE-VILLE GLASS WORKS, George Washington / General Taylor Portrait Flask, Two Green Eagle / Cornucopia Flasks, Amber Eagle/ Cornucopia Flask, Olive Cornuco-pia / Fruit Basket Flask, Amber Cornucopia / Fruit Bas-ket Flask, Two Amber Eagle / Eagle Flasks, Olive Eagle / Eagle Flask, Aqua Cornucopia / Cornucopia Flask, Amber Sheath of Wheat / TRAVELER / COMPAN-ION, Olive Green Sheath of Wheat / WESTFORD GLASS Co / WESTFORD CONNH. (tallest) 9 in. (13)Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$500-1,00034Classical Painted and Decorated Dressing Table with Painted Splashboard Depicting Departing Sailor and Ship with American Flag New England, 19th centuryH. 39 in.; W. 34 in.; D. 23 in.$5,000-10,000Property of a Lady35An Assorted Group of 18th and Early / 19th Century CeramicsComprising: A Staffordshire fi gure of a young man with arms crossed and with black hat, late-18th century; a Staffordshire fi gure of a boy with fl owered toga and holding parrot, circa 1800; a Staffordshire fi gure of a standing woman with yellow barrel and wearing yellow bonnet; an agateware cat, circa 1765; a covered shell form teapot, circa 1765; and a Dutch delftware fi gure of a man with a basket on each hip. Together with a late-19th century covered fi gurine depicting a man, woman and child. Condition note: Various repairs and restoration.H. (tallest) 8 inches(7)$200-40036Pair of Blown and Molded Glass Whale Oil Lamps and a Chinese Export Jappaned Tea CaddyEnclosing Lead Tea Canisters Lamps: New England, Possibly New England Vase Company, circa 1830Lamps: H. 11 in., Box: H. 5 in.(3)$200-40014 Additional Information and Condition Reports at Kenoauctions.comThe rococo-carved walnut dressing table (lot 48) has acanthus leafcarved front legs and central drawer with naturalistic shell and fl anking leafage attributed to the well-known carver Martin Jugiez (d. 1819). A pie-crust tea table (lot 61) is another wonderful example of Philadelphia rococo furniture. The table displays a crisply cut scalloped top and well-shaped acanthus leafcarved cabriole legs.The winsome Portrait of a Young Child in a White Dress and Red Shoes with Peach and Dog by Deacon Robert Peckham (American, 1785-1877) (lot 39) is a colorful pastel portrait probably executed in Massachusetts circa 1830. It survives with its original glass and frame intact.We also have a family reunion of sorts with a double portrait (c. 1828) by the renowned deaf-mute artist John Brewster Jr. Portrait of Marcia Bowman Winter (b. 1824) and William Drew Winter (b. 1820) of Bath, Maine (lot 52). It is serendipitous that two of their siblings, Sarah and Wealthy Winter, also painted by Brewster at about the same time, were recently discovered at the family homestead in Maine. They are depicted in another double portrait in this sale consigned by direct descendants of the sitters (lot 49, front cover).It is an honor and pleasure for Keno Auctions to offer for sale the Collection of Dr. and Mrs. Robert Isbell. People collect for a variety of reasons; the Isbells assem-bled a fabulous Americana collection because of their passion for each piece. Over three decades they sought out the best examples of high quality Colonial American furniture and folk art using the criteria of quality, rarity, condition and provenance as their guide. Two examples of Queen Anne furniture, each from mid-18th century Massachusetts, rank high on the scale in terms of the Isbells standards. The Queen Anne diminutive mahogany table with rectangular drop leaves (lot 53), is constructed of the very best quality highly fi gured mahogany, with powerful, yet graceful cabriole legs. One of just a few Queen Anne tables in the world of this small size, it also retains much of its original fi nish. The Cox-Pickering Bonnet-Top mahogany high chest (lot 40) displays vertical proportions, a crisply scalloped skirt and shell-carved drawers and an impeccable pedigree; the piece descended directly from Timothy Pickering (1702-1778) the prominent merchant of Salem, Massachusetts.Philadelphia Chippendale furniture from the 1760s is well represented in the collection by two pieces, each purchased by the Isbells more than 20 years ago. 37The Dr. and Mrs. Robert Isbell Collection37Anne Pratt Armstrong (American)Winter in Shushan, New York Circa 1900 Oil and mica on canvas 18 x 25 inches Provenance: Private Ohio Collection; Olde Hope Antiques, Inc., New Hope, Pennsylvania, 2009$3,000-6,000THE COLLECTION OF DR. AND MRS . ROBERT ISBELL Additional Information and Condition Reports at 1538Grain Painted and Smoke Decorated CupboardLancaster County, Pennsylvania, 1840-1860 H. 84 in.; W. 52 in.; D. 17 in. Provenance: H. William Koch Collection, Milton, Pennsylvania; Dr. James Bohn Collection; David Wheatcroft Antiques, Westborough, Massachusetts; Helen Hunt Collection $60,000-90,0003816 Additional Information and Condition Reports at Kenoauctions.com39Deacon Robert Peckham (American, 1785-1877)Portrait of a Young Child in a White Dress and Red Shoes with Peach and Dog Circa 1830 Pastel on paper Retains what appears to be its original giltwood frame and glass. 25 x 20 inches Provenance: A typewritten label on verso reads: Given to Dorothy by her grand-mother, Sarah Dobson Norris 4/1/55Leigh Keno American Antiques, New York, 1995; Jon and Rebecca Zoler, Sothebys, American Folk Art Collection of Jon & Rebecca Zoler, New York, January 22, 2005, lot 63, cover illustration, sold for $102,000$60,000-100,000 Additional Information and Condition Reports at 173918 Additional Information and Condition Reports at Kenoauctions.com40The Cox-Pickering Family Queen Anne Bonnet-Top Walnut High Chest Salem, Massachusetts, circa 1750 H. 88 in.; W. 39 in.; D. 21 in. The High Chest, of a desirable small size, great proportions, retaining its original brasses and fi nials, is a superlative example of its form. The fact that it has descended directly in the prominent Pickering family of Salem adds to its importance.Fire Bucket and silver bag inscribed: FRANCIS COX / 1806 accompany this lot. Provenance: Timothy Pickering (1702-1778) married Mary Wingate (1708-1784); To their son, Timothy Pickering (1745-1829) married Rebecca White (1754-1828) [Timothy held several cabinet positions under Presidents George Washington and John Adams, including Postmaster General, Secretary of State, and Secretary of War]; To their son, John Pickering (1777-1846) married Sarah White (1777-1846); To their son, John Pickering (1808-1882) married Mehitable Cox (1815-1879); Thence by descent in the Cox branch of the Cox-Pickering Family until 1994; Northeast Auctions, August 20 and 21, 1994; Eastside Winter Antiques Show, Wayne Pratt, January 20, 1995 Literature: Illustrated in-situ at the Pickering home in Samuel Chamberlain, Salem Interiors: Two Centuries of New England Taste and Decoration, New York: Hastings House, 1950, p. 6.; A similar walnut high chest from Salem is described as a Masterpiece in Albert Sack, et. al., The New Fine Points of Furniture: Early American, New York: Crown Publishers, 1993, p. 198.$80,000-120,000 40 A view of the present High Chest inside the Pickering House Additional Information and Condition Reports at 194020 Additional Information and Condition Reports at Kenoauctions.com41Oblong Burl Bowl with Open HandlesProbably, Woodland, late 18th / early 19th century H. 8 in.; L. 19 in.; W. 16 in. $4,000-8,00042Ovoid Ash Burl BowlProbably Woodlands, American, fi rst half 19th centuryH. 9 in.; W. 21 in.; D. 16 in.Provenance: Collection of Mr. and Mrs. Gale Carter, Old Greenwich, Connecticut, June 19, 1987; David A. Schorsch, Inc., Woodbury, Connecticut $1,500-3,00043Oval Ash Burl Bowl with Lug Handles and a Burl LadleWoodlands Indians, early 19th century Bowl: L. 22 in.; W. 16 in.; H. 7 in., Ladle: L. 13 in.(2)$1,500-3,00044Attributed to John Brewster Jr. (American, 1766-1854) Portrait of Ruth Avery Brewster, Artists Stepmother Oil on canvas 28 by 22 inches Provenance: Previously in the collection of the Lyman Allyn Museum, New London, Connecticut, 1970 Literature: Harlan Lane, A Deaf Artist in Early America: The Worlds of John Brewster Jr., listed in A Brewster Inventory, Boston: Beacon Press, 2004, p. 142. $5,000-10,00041, 42, 4344 Additional Information and Condition Reports at 2145 46474745Federal Grain Painted Lift-Top Blanket ChestProbably Vermont, 1820-1840 H. 43 in.; W. 41 in.; D. 17 in. The grain-painted decoration is similar to that found on pieces from the Shaftsbury, Vermont region.Provenance: Private New England collection; Eastside Winter Antiques Show, Olde Hope Antiques, Janu-ary 2009 $12,000-18,00046Yellow and Red Paint Decorated Small Chest on Turned FeetManheim, Pennsylvania, circa 1830 H. 15 in.; W. 25 in.; D. 13 in. Provenance: Garthoeffner Gallery, Lititz, Pennsylvania$2,000-4,00047Chippendale Walnut Valuables ChestLancaster County, Pennsylvania, circa 1780 H. 20 in.; W. (at base) 11 in.Provenance: Christopher Rebollo Antiques, Mechanicsville, Pennsylvania $4,000-8,00022 Additional Information and Condition Reports at Kenoauctions.com48Chippendale Walnut Dressing Table with Shell and Foliate Carved DrawerCarving attributed to the workshop of Martin Jugiez (d. 1819)Philadelphia, Pennsylvania, circa 1760 H. 30 in.; W. 36 in.; D. 21 in. Literature: A similar example, with an apron of different profi le, once belonging to Polly Riche of Philadelphia was advertised by Israel Sack, Inc. in Antiques, June 1965, p. 622.; Detailed information about the carvers, Nicholas Bernard and Martin Jugiez in Luke Beckerdite and Alan Miller, American Furniture, ed. Luke Beckerdite, A Tables Tale: Craft, Art, and Opportunity in Eighteenth-Century Philadelphia, Milwaukee: Chipstone Foundation, 2004, pp. 2-45. July 28, 1984. A report on this table by Alan Miller, dated August 26, 1994 accompanies this lot. Please visit $50,000-80,0004846 detail Additional Information and Condition Reports at 23Property of Direct Descendants of the Sitters49Attributed to John Brewster, Jr. (American, 1766-1854) Double Portrait of Wealthy Jones Winter (b. 1819) and Sarah Marie Winter (b. 1817) Bath, Maine, circa 1827Oil on canvas 22 x 17 inches The Winter family traces its roots in Bath, Maine to the mid-eighteenth century, when the grandfather of the sitters, Francis Winter, a Boston native and Harvard graduate settled in Bath, Maine. At that time, Maine was still a part of Massachusetts and he served as a representative to the Massachusetts legislature the First Congregational Pastor in Bath. He married Abigal Alden (1750-1826) in 1768. Francis and Abigal The following lot comprises a portrait of Wealthy and Sarah Winter, sisters of Marcia and William Winter (whose portrait will be offered as lot 52). The present owners of lot 49 are direct descendants of the Winter family. Keno auctions is honored to offer these sibling portraits in the same auction. 49Winter had four children, including Samuel (1789-1835). He married Sarah Bowman (1793-1828) in 1814. They had seven children, including the four depicted here in lots 49 and 52. Thier mother, Sarah Bowman (whose portrait, also by john Brewster, Jr., is still in the family collection) died just six days after giving birth to her seventh child.Thier father, Samuel Winter, a seaman, distiller and leader of the local Whig Party, was regarded as a notable citizen. He died in 1835; his orphaned children were adopted by family members.The Winter Family homestead remains with the direct descendants to this day. Until now, this portrait hung on the wall across from a portrait of their mother, Sarah Bowman, since it was painted circa 1827. The portrait of William Drew and Marcia Bowman Winter (offered as lot 52) was sold by the family some years ago and thus the portraits were separated. It is serendipitous that these two portraits are reunited for the fi rst time in more than thirty-fi ve years.Provenance: Descended directly in the family of the sitters to the present owner. $40,000-80,00024 Additional Information and Condition Reports at Kenoauctions.com505151Panelled Maple and Pine Valuables ChestNew England, 1690-1720 H. 21 in.; W. 19 in.; D. 12 in. Provenance: Rhode Island School of Design, Providence, Rhode Island; Whimsy Antiques, Arlington, Vermont, June, 1965; The Deyerle Collection, Sothebys Charlottesville, Virginia, 1995, Lot 567 Literature: Illustrated in Wallace Nutting, Furniture Treasury, New York: Macmillan, 1928, pl. 917; Also, illustrated in Wallace Nutting, Furniture of the Pilgrim Century, New York: Bonanza Books, 1921, p. 399; Advertised by Whimsy Antiques, Arlington, Vermont, in Antiques, June 1965, p. 635.; Illustrated in Shop Talk, 1960, p. 98.$3,000-6,000The Dr. and Mrs. Robert Isbell Collection50Set of Five Matched Painted Sack-Back Windsor Armchairs and a Tall Painted Sack-Back Windsor Armchair Rhode Island, circa 1795 H. 37 in. (average) Tall Sack-Back Windsor Armchair Connecticut, circa 1770 H. 42 in.Provenance: Bennington, Vermont family collection for over 50 years; Patty Gagarin Antiques, Southport, Connecticut, 1984 Literature: A similar example in Charles Santore, The Windsor Style in America, Philadelphia: Running Press, 1987, plate 106, p. 103.; Wallace Nutting, The Windsor Handbook, Rutland, Vermont: C.E. Tuttle, 1973, p. 11. $3,000-6,000 Additional Information and Condition Reports at 2552Attributed to John Brewster, Jr., (American, 1766-1854) Double Portrait of Marcia Bowman Winter (b. 1824) and William Drew Winter (b. 1822) Bath, Maine, circa Oil on canvas Probably 20th century inscription incised on the original white pine stretcher: Marcia Bowman Winter born Bath June 25 1824 William Drew Winter born oct 1822...14 x 20 inches Provenance: Richard L. Mills, Exeter, New Hampshire;Marna Anderson Gallery, New York; Collection of Brian and Janice Oberman, New York; David A. Schorsch, Woodbury, Connecticut Literature: Harlan Lane, A Deaf Artist in Early America: The Worlds of John Brewster Jr., listed in A Brewster Inventory, Boston: Beacon Press, 2004, p. 168. $30,000-60,000Please see lot 49 for a portrait of Marcia and Williams older siblings.5226 Additional Information and Condition Reports at Kenoauctions.com53Diminutive Queen Anne Mahogany Table with Rectangular Drop LeavesMassachusetts, 1740-1760 Tables of this small size rarely come into the market-place. This example exhibits a graceful arched apron and cabriole legs with delicate ankles ending in bold pad feet. The surface, with its worn mellow patina is exemplary.Provenance: A private New England family; Northeast Auctions, March 1, 1997, Lot 548; Robert Fileti, consultant for G.K.S. Bush, Inc., New York, 1997. Please see for more information about this lot.$15,000-25,00053 5354This lot and lot 62 are both examples of diminutive Queen Anne drop leaf tables. Their desirability is best stated in American Antiques from the Israel Sack Col-lection Authentic Queen Anne dropleaf tables thirty inches or under are considered collectors prizes.H. 28 in.; W. (closed) 12 in.; W. (open) 29 in. Literature: For a pair of tables of this rare small size please see Albert M. and Robert M. Sack, American Antiques from the Israel Sack Collection, Vol. IV, New York: Highland House, 1974, p. 981, pl. P3678.54Gilt Confederate Cavalryman Copper WeathervaneProbably Harris & Co. Boston, Massachusetts, circa 1870 H. (including base) 21 in.; L. 27 in.Copper and cast zinc with traces of original gilding and mustard sizing. One of two known examples. The other sold by Peter Tillou, Litchfi eld, Connecticut, 1992.Provenance: Edmund Fuller, Woodstock, New York (c. 1940-1985); J.J. Frank, Washington, D.C.; Steve Miller, New York, 1992$10,000-20,000 Additional Information and Condition Reports at 2755565755William and Mary Painted Maple Butterfl y TableNew England, 1745-1760 H. 27 in.; W. 34 in.; D. (closed) 12 in.; D. (open) 38 in. The table, with block and turned splayed legs, retains full height and has sup-porting turned stretchers. The oval top is supported by well-shaped butterfl y wings and a square apron. The whole retains a 19th century varnish over a red stain with a washed top.Provenance: Jonathan Trace, Hospital of the University of Pennsylvania Antiques Show, April 8, 1988 A letter of authentication and condition report, dated May 3, 1989, written by Alan Miller for Dr. and Mrs. Isbell accompanies this lot and is illustrated in full at$5,000-8,00056Miniature Carved Classical Chest of DrawersMcIntire School, Salem, Massachusetts, circa 1810 Samuel McIntire (1757-1811)H. 19 in.; W. 16 in.; D. 9 in. Carving and punch work decoration of fruit and basket motif characteristic of the Samuel McIntire (1757-1811) school.Provenance: Private New Hampshire home; Stephen-Douglas Antiques, Rockingham, Vermont Literature: Advertised in Maine Antiques Digest, October 1991. $3,000-6,00057Pair of Chippendale Brass Engraved AndironsProbably English for the Charleston Market, 1780-1800 H. 28 in.; W. 15 in.; D. 19 in. Bradford L. Rauschenbergs two publications on Charleston andirons provides insight on the location of manufacture. In a 1979 article, he attributes andirons of this style to Charleston, South Carolina, but a more recent article indicates they were likely made in England for Charleston market. References: Bradford L. Rauschenberg, A School of Chaleston, South Carolina Brass Andirons, Journal of Early Southern Decorative Arts, Winston-Salem, North Carolina: MESDA, May 1979, pp. 26-77.; Bradford L. Rauschenberg, Reconsidering Brass Andirons, Journal of Early Southern Decorative Arts, Winston-Salem, North Carolina: MESDA, November 1992, pp. 37-53.$5,000-10,00028 Additional Information and Condition Reports at Kenoauctions.com58Joseph Goodhue Chandler (American, 1813-1884)Young Girl Holding a Cluster of Grapes with Her Dog at Her Feet Probably Massachusetts, circa 1837-1845Oil on canvas 38 x 26 inches Provenance: Leila and Merton Banks, Treasure House Antiques, Searsport, Maine, 1978;James D. Julia Auctions, Rockport, Maine, August 31, 1990; Olde Hope Antiques, New Hope, Pennsylvania, 1990 A description of the paintings history prior to being sold at James D. Julia Auctions appeared in the October 1990 issue of the Maine Antiques Digest. After the death of Mrs. Leila Banks, the painting was to be sold by F.O. Bailey Co. in June 1976. The night before the auction it was stolen, only to be discovered two years later in a Parke-Bernet sale catalogue by the editor of Maine Antiques Digest, Sam Pennington. Minor paint loss below the dog helped to identify the painting and return it to its rightful owners. Please note: Accompanied by a conservation report from Fred Koszewnik, Marlton, New Jersey, December 17, 1990.Please see for more information about this lot.$12,000-18,00058 Additional Information and Condition Reports at 2959The Blake Family Chippendale Mahogany Block Front Chest Boston, Massachusetts, 1760-1780 H. 30 in.; W. 36 in.; D. 22 in. Provenance: Descended in the Blake family of Brookline and Lenox, Massachusetts;Sotheby Parke Bernet, Inc, New York, November 1978, lot 1072; Julia Overing Beals; Kenneth Van Blarcom, Natick, Massachusetts Literature: For an example of similar quality with rounded blocking, but lacking a drop pendant, please see Albert M. and Robert M. Sack, American Antiques from the Israel Sack Collection, New York: Highland House, Vol. VIII, P5982, p. 2360. $40,000-80,0005930 Additional Information and Condition Reports at Kenoauctions.com60Queen Anne Cherry and Maple Tray-Top Tea Table with Scalloped Skirt Probably Hartford County, Connecticut,1750-1780 W. 29 in.; L. 27 in. Provenance: Eastside Winter Antiques Show, Wayne Pratt, January 2006Literature: Another example, the shaped skirt of similar profi le, illustrated in Connecticut Furniture: Seventeenth and Eighteenth Centuries, Wadsworth Athenaeum: Hartford, Connecticut, 1967, p. 91, pl. 158.$20,000-40,00060 Additional Information and Condition Reports at 3161Chippendale Mahogany Birdcage Piecrust Tea TablePhiladelphia, circa 1765 H. 28 in.; Diam. 30 in. David L. Barquist, in Treasures of the State, attributes this table, another at the Rhode Island School of Design, and the example illustrated from the collection of the U.S. State department to the same workshop.1Provenance: From an old Germantown, Pennsylvania collector in whose family it has descended for several generations; David Stockwell, Inc., New York Literature: Referenced in Clement E. Conger and Alexandra Rollins, Treasures of State, New York: Harry N. Abrams, Inc., 1991, pl. 68, p. 152. Advertised by David Stockwell, Inc. in Antiques, June 1970, p.771. An authentication note from Alan Miller dated August 26, 1994 accompanies this lot, and can be read at $30,000-60,0001Clement E. Conger, Treasures of State, New York: Harry N. Abrams, Inc., 1991, p. 152.6161 detail32 Additional Information and Condition Reports at Kenoauctions.com62Queen Anne Tiger Maple Tri-Drop Leaf Table with Pivoting Top on Triangular BaseNew England, probably Connecticut, 1735-1770 H. 25 in.; Diam. 27 in. This rare table is ingeniously designed to pivot so the three leaves are supported by the triangle base. It is also distinguished by its curly maple top and shaped apron, all supported by turned legs, ending in pad feet.Provenance: E. Guy Sawyer, Glastonbury, Connecticut; Paul Koda, Windsor, Connecticut, 2001;Eastside Winter Antiques Show, Wayne Pratt, January 2001$20,000-30,00062 Additional Information and Condition Reports at 3363Diminutive Queen Anne Mahogany Drop-Leaf Table with Rounded LeavesBoston, Massachusetts, 1740-1780 H. 27 in.; W. 28 in.; D. (closed) 11 in.; D. (open) 27 in. Provenance: Descended in a family from South Weymouth, Massachusetts;Hospital of the University of Pennsylvania Antiques Show, Herrup & Wolfner, 1989Literature: Please see Albert M. and Robert M. Sack, American Antiques from the Israel Sack Collection, Vol. IV, New York: Highland House, 1974, p. 981, pl. P3678.$15,000-30,00063 open6334 Additional Information and Condition Reports at Kenoauctions.com64Queen Anne Maple Porringer Top Tea TableProbaby Wethersfi eld area, Connecticut, circa 1750 H. 29 in.; W. 33 in.; D. 24 in.For a similar example please see David S. Smith, Con-necticut Spring Antiques Show in Antiques and the Arts Weekly, April 3, 2007.$5,000-8,00065Carved White Oak and White Pine Bible Box Probably New Haven Colony, Hammonasset River Valley, Connecticut, 1670-1700 H. 9 in.; W. 24 in.; D. 15 in. Literature: A related, more elaborate example is illustrated in Patricia E. Kane from the Museum of Fine Arts, Boston (32.275), Furniture of the New Haven Colony, New Haven: New Haven Historical Society, 1973, pp. 44-45. The box bears a partial label of the Connecticut Tercentenary Exhibition on the bottom.Recent wood analysis by Harry Alden Identifi cation indicates the bottom board is white pine native to northeastern U.S. and Canada and the backboard is white oak. The backboard sample is white oak with narrow rings indicating extremely slow growth which would not be expected in English furniture of 1600-1750. Harry Alden, September 2012$3,000-6,000646566Painted and Decorated Dower ChestProbably Berks County, Bern Township, Pennsylvania, 1785-1799 H. 22 in.; W. 50 in.; D. 23 in. The base molding and feet are replaced on this chest. This restoration work was not disguised. Provenance: H. William Koch Collection;David Wheatcroft Antiques, Westborough, Massachu-setts Literature: For an article about Berks County chests: please see Patricia J. Keller, Black Unicorn Chests of Berks County in Antiques, October 1991, pp. 594-605. $4,000-8,00066 Additional Information and Condition Reports at 3567Federal Inlaid Mahogany Tall-Case Clock with Rocking Ship MechanismDavid Wood (1766-1855) Newburyport, Massachusetts, circa 1800 The dial inscribed: DAVID WOOD / NEWBURYPORTDial has a rocking ship in the arch with painted geometric spandrels in the corners and an eight-day brass striking movement.H. 94 in.; W. 18 in.; D. 9 in. Provenance: Patrick Tracy Jackson, born Newburyport, August 14, 1780, died Septem-ber 12, 1849. Married Lydia Cabot, born June 20, 1820, died May 31, 1869; To their fi fth child, Hannah Lowell Jackson, born June 20, 1820, died June 30, 1879. Married Dr. Samuel Cabot, born September 20, 1815, died April 13, 1885; To their daughter, Helen Jackson Cabot, born January 13, 1856. She married Charles Almy; To their fi fth child, Elizabeth Mason Almy, born August 28, 1892. Married Dr. Stanley Cobb. Their children Sidney, Helen and John;Written on reverse of paper listing provenance: On the decease of Elizabeth Belt and Elinor Meserve, this clock is to be given to: John Delaney, West Townsend, Massachu-setts$15,000-30,0006767 detail36 Additional Information and Condition Reports at Kenoauctions.com6869Property of Descendants of the Brown Family of Providence68The Brown Family Queen Anne Mahogany Slipper Foot Tea TableGoddard-Townsend School Newport, Rhode Island, circa 1750H. 26 in.; W. 33 in.;, D. 22 in. Provenance: Descended in the Brown Family of Providence to present ownerRectangular top with applied convex molding strips, applied convex apron fl anked by shaped brackets, above cabriole legs, with peaked knees and terminating in pointed slipper feet. A heavy convex molding is applied to the perimeter. With a broad convex inner edge and beaded top edge with a rounded exterior. The skirts on most known examples have a convex applied skirt molding. On most tables, including this example, the knee brackets are separate pieces of wood affi xed to the bottom of the molding and the adjoining leg. Six of the eight returns on this table are original. This tea table is notable for its exemplary proportions, condition and provenance. These proportions are accentuated by the bold convex moldings that encircle the top. Also contribut-ing to the successful proportions are sinuous cabriole legs with their notable peaked knees, graceful ankles, and elongated slipper feet. A Chippendale drop-leaf table, attributed to John Goddard (1723/4-1785), also descended in the same family as the present table, sold in Keno Auctions inaugural sale in May 2010 (lot 253). $10,000-20,000Property from a Florida Estate69Chipppendale Mahogany Reverse-Serpentine Chest of Drawers with Claw and Ball FeetMassachusetts, circa 1770-1790H. 33 in.; L. 36 in.; D. 20 in.$3,000-6,000Property of a Rhode Island Lady70Chippendale Fan-Inlaid Cherry-Wood Reverse Serpentine Chest of Four DrawersConnecticut, circa 1785-1810 H. 33 in.; W. 36 in.; D. 18 in. Thumbnail molded two board top inlaid on both top and front edge with stringing.Provenance: By family tradition, this chest was purchased by the consignors great grandparents who lived in Union, Connecticut before moving to Uxbridge, Massachusetts;To their youngest daughter who lived in the family home in Uxbridge, Massachusetts until her death;To her niece, the consignors mother;Thence by descent$3,000-6,00070 Additional Information and Condition Reports at 377171 detail71AProperty of a Gentleman71Chippendale Walnut Tall Case Eight-Day ClockEllis & Isaac Chandlee, Nottingham, Maryland, 1792-1804Dial inscribed in black paint: Ellis & Isaac Chandlee / NottinghamFor an in-depth discussion and illustrations of related tall case clocks by Ellis and Isaac Chandlee, please see Edward A. Chandlee Six Quaker Clockmakers, Stratford, Connecticut: The New England Publishing Company, 1973 (originally published 1943), pp. 181-206. Provenance: Descended directly in the Breckinridge family to Mrs. Elizabeth (Breckinridge) Field and her husband, Eben J.D. Cross II (classmate and lawyer of F. Scott Fitzgerald); To the present owner, her son in law The founder of the Chandlee dynasty of clock and scientifi c instrument makers was Benjamin Chandlee, Sr., who migrated in 1702 from Ireland to Philadel-phia, where he was apprenticed to Abel Cottey, clockmaker, and eventually married Cotteys daughter. His son Benjamin Chandlee, Jr. (1723-1791), worked as a clockmaker in Nottingham, Chester County Pennsylvania, where he produced instruments as well as clocks. He had four sons, Goldsmith, Ellis, John and Isaac. Ellis Chandlee (1755-1816) was apprenticed to his father, and he worked with his brothers in the shop. He established the fi rm of Ellis Chandlee & Brothers in 1790, shortly before his fathers death. The fi rm was dissolved in 1797 when the youngest brother, John Chandlee, left the fi rm. Ellis continued in partnership with his other brother, Isaac Chandlee (1760-1813), until about 1804, producing clocks, surveying instru-ments, and other metal articles. Their products were signed Ellis and Isaac Chandlee, Nottingham, or, in the case of a surveying compass in the collection of the Chester County Historical Society, E. & I. Chandlee, Nottingham. Isaac Chandlee also produced clocks and instruments on his own, for there are a number of surviving clocks and surveying compasses signed in such manner The above information quoted from Silvio Bedini, Early American Scientifi c Instruments and their makers, Washington D.C., Smithsonian, U. S. National Museum, 1964, p. 56. $6,000-12,000Property of a New England Gentleman71AA Salt-Glazed Stoneware Crock with Incised Cobalt Blue Ship and American FlagInitialed AGPAttributed to Abial Price, the Congress PotterySouth Amboy, New Jersey, 1838-1840The reverse with an incised cobalt blue fl owerH. 11 in.Provenance: Purchased in the Berkshire Mountains, Massachusetts, circa 1985$10,000-15,00038 Additional Information and Condition Reports at Kenoauctions.com72 73 7475From the Bulkeley Family Collection72Queen Anne Sycamore Childs Slant-Front Desk on Stand New England, 1740-1760 H. 39 in.; W. 29 in.; D. 19 in. Provenance: E.F. Simons, 1896;Mrs. Morgan J. Bulkeley, Hartford, Connecticut; $4,000-8,00073Federal Mahogany Pembroke Table with Inlaid Marquetry StarNew York or New Jersey, circa 1790 H. 29 in.; W. (closed) 30 in.; D. 32 in. Provenance: Simons and Stevens, Hartford, Connecticut, 1900;M.G. and F.B.H. Bulkeley; Mr. and Mrs. Ingersoll; Thence by descent to present owner$3,000-6,00074Chippendale Cherry-Wood Pembroke Table with Open Fretwork Stretchers New England, circa 1785 H. 27 in.; W. 21 in.; D. 30 in. $1,500-2,500Property of a Massachusetts Family75Chippendale Mahogany Bonnet-Top Chest-on-Chest with Fluted Pilasters North Shore, Massachusetts, circa 1760 H: 88 in.; W: 44 in.; D: 22 in.This example is distinguished by fi gured mahogany, claw and ball feet and shaped drop pendant.$12,000-18,000 Additional Information and Condition Reports at 3976777879From the Bulkeley Family Collection76Chippendale Inlaid Mahogany Bow-Front ChestNew England, 1780-1790 H. 33 in.; W. 39 in.; D. 21 in. Provenance: Walter Hosmer (1794-1852) collection, New York; Elinor H.B. Ingersoll, 1896Then by descent to the present owner $4,000-8,00077Chippendale Cherry-Wood Tilt-Top Candle Stand with Scalloped TopConnecticut, circa 1780 H. 27 in.; W. 18 in.; D. 18 in. Provenance: Mr. Granger, Bloomfi eld; Simons & Stevens, Hartford; Governor Morgan G. Bulkeley, Hartford, 1894; Thence by descent in the Bulkeley family$1,500-2,50078Federal Eagle Inlaid Two-Part Demi-Lune Mahogany Dining TableBaltimore, Maryland, circa 1790 Each D-Shaped section with a hinged drop-leaf, sup-ported by a swing leg.Condition note: Once had a rectangular middle section with drop leaves.H. 28 in.; W. 48 in.; L. (assembled) 6 ft. 7 in.$4,000-8,00079Pair of Chippendale Brass AndironsAmerican, late 18th centuryH. 25 in.; D. 19 in.; W. 11 in.$1,000-1,50040 Additional Information and Condition Reports at Kenoauctions.commeasuring 2 on the upper right of the central drawer has been re-glued. A small piece of veneer measuring 1 x at the lower left corner adjacent to the stringing has been re-glued.This previously unrecorded dressing table is among the best veneered examples known. The scale and proportion as well as the choice of crotch walnut veneers, light and dark fan inlay and fully veneered sides are rare. It exhibits classic mid-18th century Boston characteristics such as a veneered rectangular top, molded on all four sides, the concave fan-decorated central drawer above the stepped fl at valences with typical acorn pendants. Provenance: A label attached to the inner front skirt reads: Old family piece which has always/ been in the house so far as we know/ Feet called camel feet/ AWS/ 1897. Family descent from the inventory of the personal estate of Thomas Robinson (17301817), Newport, RI. Probate dated December 6, 1817, vol. 5, page 418;to his daughter Mary Robinson, who married John Morton; to their daughter Esther Morton, who married Daniel B.Smith; to their son Benjamin R. Smith, who married Esther Fisher Wharton (the daughter of William Wharton and Deborah Fisher from Philadelphia); to their son Edward Wanton Smith (the Wantons were shipbuilders from Scituate, MA), who married Dorothea Atwater, and also the brother of Anna Wharton Smith; to their daughter Deborah Lutman Paul; to her children Richard, Edward and Mary Smith; by the family to Gustav White Auction, Newport, RI, May 21, 2003, lot 155;Leigh Keno, American Antiques, New York, 2003 $120,000-180,000Property of a Mid-west Gentleman80The Thomas Robinson Queen Anne Inlaid Walnut Veneered Dressing TableBoston, Massachusetts, 1735-1755 H. 31 in.; W. 33 in.; D. 21 in.The rectangular overhanging two board white pine top veneered with four book-matched rectangular highly-fi gured veneered panels enclosed by light and dark wood stringing edging a double band of herringbone veneer, a border of cross-banded walnut veneer with a convex-molded walnut edge. The case below fi tted with an arrangement of two short drawers above a pair of deep short drawers centered by a deep drawer with concave inlaid lightwood fan motif. All drawers with a book-matched crotch walnut veneered panels enclosed by light and dark wood stringing and a double band of herringbone inlay and all fi tted with original Queen Anne brasses. The veneered skirt with a pair of fl at arches fl anking a wider central fl at arch that conforms to the concave drawer above. With turned acorn drop pendants, the sides of the case, each with book-matched walnut veneer, on cabriole legs ending in pad feet.The piece has survived in an extraordinary state of preservation. The surface retains a warm mellow patina. The Queen Anne brasses and turned drop pendants appear to be original. The right drop pendant was missing the bead terminal. It was replaced by Robert Fileti Restoration in June 2003. The left side front knee return appears to be an old replacement. A veneered patch measuring approximately 1 x 1 has been replaced on the veneered skirt of the central arch. A single strip of veneered banding 80 top Additional Information and Condition Reports at 418042 Additional Information and Condition Reports at Kenoauctions.com81838482From the Collection of the Late Valdemar F. Jacobsen81Edward Lange (American, 1846-1912)John C. Tottan, Cold Spring, Long IslandSigned lower right: Edw. Lange/ Artist./ Elwood Suffolk Co NY/ 1881Watercolor and gouache on paper6 x 23 inchesQuality examples of Langes work rarely come to the market. When this painting came up at South Bay auc-tions in 1998, it set a record for William Edward Lange at $26,400. The Livery Store and barn depicted were the property of John C. Tottan, a merchant who lived across the street behind the main stores. Livery Stores were places where the mail coach would stop, The fi gures depicted in the foreground are probably gathered in anticipation of the arrival bell. Provenance: South Bay Auctions, East Moriches, 1998Literature: Illustrated and discussed, Fall Sales at South Bay, Antiques and the Arts Weekly, January 2, 1998, p. 77.$8,000-12,00082Edward Lange (American, 1846-1912)The Shipman Family Menagerie or 300 at Stony Brook, Long IslandSigned lower right: Edw. Lange 1882 Grisaille watercolor on paper12 x 20 inchesLange depicted the Shipman house twice the other entitled The Shipman House, of the same year, 1882. This watercolor and its mate are pictured in Dean F. Faileys book Edward Langes Long Island. William Shipman kept a menagerie of exotic animals behind his residence facing Cedar Street, including peacocks, cattle and camelopards (giraffes), as seen in the image. Game Cock a boat house still on Long Island at the time of Faileys publication (1979), and probably still standing, is all that remains of the prominent Shipman Estate. Literature: Illustrated, Dean F. Failey and Zachary N. Studenroth, Edward Langes Long Island, Setauket: Society for the Preservation of Long Island Antiquities, 1979, p. 47, pl. 46.Provenance: South Bay Auctions, East Moriches, 2000;Valdemar F. Jacobsen$4,000-8,00083Edward Lange (American, 1846-1912)Residence of Selah Bunce, Northport, Long Island, 1872Signed lower left corner: E. Lange 1872 Watercolor and ink on paper11 x 17 inchesCaptain Selah Bunce returned to California after the Gold Rush and found his friend Captain John Lidell had died of cholera leaving a wife Susan and a little girl Alice. In 1852, Bunce married Susan and the family moved to this home, which is still standing. Lange was especially interested in the early-19th century architectural features and geometric order, which he accented by placing the house in the background of a geometrically ordered natural environment. Provenance: On the verso of the painting is an attached letter from Mrs. Jonathan Hendrie the great-granddaughter of Susan Bunce, and granddaughter of Alice Bunce describing the descent of this work from her great-grandmother to her;Susan Bunce;Alice Bunce;Mrs. Jonathan Hendrie;South Bay Antiques;V.F. Jacobsen, 2000Literature: Illustrated, Dean F. Failey and Zachary N. Studenroth, p. 37, pl. 32.$5,000-10,00084Edward Lange (American, 1846-1912)Unidentifi ed Ship, 1881Signed lower left corner: Edw. Lange, Artist/ Elwood, Suffolk Co. N. Y. 1881Grisaille watercolor on paper18 x 12 inchesThis painting which includes a sail and steam-powered warship along with an ironclad Monitor-type gunboat in the distance depicts a specifi c event, possibly Van-dalias visit to Huntington Harbor in 1881.Literature: Illustrated, Dean F. Failey and Zachary N. Studenroth, Edward Langes Long Island, Setauket: Society for the Preservation of Long Island Antiquities, 1979, p. 62, pl. 71.$1,500-2,500 Additional Information and Condition Reports at 43From the Bulkeley Family Collection85Queen Anne Cherry-Wood Chest-on-Chest on FrameConnecticut, 1750-1780 H. 27 in.; W. 41 in.; D. (molding) 20 in., (legs) 22 in. 85Reference: a similarly carved chest on frame sole, Schoedinger Collection, January 2008, Christies, New York, Lot 477Provenance: Patrick Stevens, Hartford, Connecticut; W.H. and F.B.H. Ingersoll; Thence by descent to the present owners$40,000-80,000*Please visit for an early photo of this chest-on-chest in the family home and more information.44 Additional Information and Condition Reports at Kenoauctions.com86 8787Federal Veneered and Inlaid Mahogany and Maple Secretary-BookcaseNorth Shore, Massachusetts, circa 1790-1810 H. 41 in.; W. 39 in.; D. 19 in.$3,000-6,000Property of a New York Lady86Chippendale Birch Wood Reverse Serpentine Secretary Desk and Bookcase New England, probably New Hampshire, circa 1800 H. (overall) 96 in.; W. 42 in.; D. 20 in. $3,000-6,0008989Chippendale Mahogany Claw and Ball Foot Upholstered Easy ChairMassachusetts, probably Boston, circa 1765 H. 49 in.; W. 41 in.; D. 29 in. Provenance: Leigh Keno American Antiques, New York$8,000-12,0008888Queen-Anne Curly Tiger Maple Bonnet-Top High Chest of DrawersNew England, probably New Hampshire, circa 1750 H. (with fi nial) 81 in.; W. (at base) 39 in.; D. (at base) 20 in. $6,000-12,000 Additional Information and Condition Reports at 45Property of a Phoenix Gentleman90Chippendale Shell-Carved Mahogany Slant-Front Desk Attributed to Samuel Loomis (American, 1748-1814) Colchester, Connecticut, 1774-1800 H. 43 in.; W. 37 in.; D. 21 in. Note: Appears to retain its original brassesProvenance: By family tradition, this desk belonged to John Pierpont Morgan (1837- 1913) of Hartford, Connecticut; Emily Stansbury (Rich) Brown (1869-1949) and Dr. Charles H. Brown, Mt. Vernon, New York, as a wedding present, 1894; To their daughter, Eleanor (Brown) Pack Hibben (1898-1992) and Arthur N. Pack, Waterbury, Connecticut, as a wedding present, 1919; Thence by descent to their grandson, the present owner $30,000-60,0009090 detail46 Additional Information and Condition Reports at Kenoauctions.com94 96939591Federal Upholstered Mahogany Lolling ChairMassachusetts or New Hampshire, 1780-1800 H. 45 in.; W. (at seat) 27 in.; D. (at seat) 24 in. Provenance: Leigh Keno American Antiques, New York, 1990 Unusual craved and fl uted molding on hand holds and Greek key banding on the front legs. $3,000-6,00092Gilt and Painted Iron and Wood Eighteen-Light Chandelier North American, 19th century H. 33 in.; W. 45 in. Now electrifi ed.$5,000-10,000Property of a New England Estate93Double Spiral Shaft Tilt-Top Mahogany Tea TableNorth Shore, Massachusetts, or English, 1760-1770 H. 27 in.; W. 32 in.; D. 32 in.$2,000-4,00094Red-Painted Pine and Maple Shoe-Foot Hutch TableConnecticut, fi rst half 19th century H. 28 in.; Diam. 53 in. The underside of the sliding seat lid is covered with The Connecticut Herald Weekly Journal newspaper from New Haven, dated January 11, 1873. $3,000-6,00091 9295A Group of Six Carved and Painted Wood Alice in Wonderland FiguresAmerican, circa 1900Comprising: The Mad Hatter, Frog Footman, The Duch-ess, The March Hare, Alice, and White RabbitThese fi gures, with their heavy bases, were likely meant to be used as doorstops. The imagery is based on illus-trations by John Tenniel (1820-1914) for Lewis Carrolls (1832-1898) Alices Adventures in Wonderland (1865).H. (tallest) 17 in.$5,000-8,00096Chippendale Mahogany Oval PolescreenThe screen painted with red primed cotton.Salem, Massachusetts, 1770-1790 H. 54 in.Provenance: Bernard & S. Dean Levy, Inc., Long Island City, New York$2,000-4,000 Additional Information and Condition Reports at 47Property from a Private American Collection97Federal Ivory Serpentine-Front Inlaid Cherry Wood SideboardProbably Connecticut, circa 1800H. 42 in.; W. 72 in.; D. 26 in.Provenance: Descended in a New England family The oblong serpentine front top with alternating light and dark inlaid edge above a case with two concave banded short drawers with line inlaid quarter round inlaid corners and oval inlaid center, centering a long convex drawer with similar inlay and an ivory escutcheon plate above a pair of concave hinged cupboard doors with banded and line inlaid quarter round inlaid corners and circular inlaid center and ivory key escutcheon, centering a pair of recessed convex hinged cupboard doors with similar inlay and ivory key escutcheons fl anked by concave panels with line inlaid quarter round inlaid corners and vertical oval inlaid center, joined by oval, bellfl ower and line-inlaid square tapering legs ending in cross banded cuffs. $15,000-25,0009748 Additional Information and Condition Reports at Kenoauctions.com9898Federal Blue and Red Paint-Decorated Two Drawer Poplar Blanket ChestYork County, Pennsylvania, circa 1820Initialed and dated: C S 1820H. 30 in.; W. 51 in.; D. 23 in. Provenance: Herrup & Wolfner, New York, 1991 Underside of the lid with stamped wallpaper depicting an offi cer on horseback, fl ow-ers and hearts. $12,000-18,000Property of Descendants of Thomas Kittredge, North Andover, Massachusetts99Schoolgirl Needlework Sampler, Tought Not to Spend My Time for Nought Hannah Phippen (American, 1768-1837) Salem, Massachusetts, 1781 20 x 16 inchesProvenance: Hannah Phippen (1768-1837) married George Hodges (1765-1827) to their daughter ;Hannah Hodges (1793-1877) married Dr. Joseph Kittredge (1783-1874), son of Thomas Kittredge (1746-1818), to their son;Joseph Kittredge (1822-1878) to his daughter Anna Kittredge (1848-1926) to her son;Joseph Kittredge Elliot (1883-1939) to his son;Joseph Kittredge Elliot, Jr. (1925-2006) to his daughter, the present owner.$1,200-1,800Property of a New York Lady100Pair of Classical Birds-Eyed Maple Upholstered BenchesAmerican, probably New York, circa 1835H. 20 in.; W. 25 in.; D. 15 in.The seats are now covered in quilt fragments.Provenance: Leigh Keno American Antiques, New York, 1990$1,200-1,800101Painted and Decorated Blanket Chest Initialed ER Schoharie County, New York, 1820-1830 H. 19 in.; W. 46 in.; D. 19 1/4 in. Literature: A nearly identical example with feet illustrated in Christies, New York, Janu-ary 2012, lot 217. The present example was designed without feet.$1,500-2,50099101100 Additional Information and Condition Reports at 49Property from a Private American Collection102Serpentine Chest of DrawersMassachusetts, 1760-1780H. 32 in.; W. 34 in.; D. 20 in.Literature: Two related chests are illustrated as Best in Albert Sack, Fine Points of Furniture (N.Y., 1950), p. 100; and as Masterpiece in Albert Sack, The New Fine Points of Furniture (N.Y., 1993), p. 103 The chest with a richly fi gured crotch mahogany overhanging rectangular molded- front serpentine top above a conforming cock-beaded case fi tted with four graduated long drawers over a molded base with boldly carved claw-and-ball feet and spur returns.Chests with serpentine blocked-end facades were among the most expensive forms of case furniture produced in eighteenth century New England. This chest is an extremely successful example of the form in the beauty and execution of its design, and the selection of richly swirled dense mahogany. The proportions are superb; the narrow case is balanced by the generous overhanging top. In addition, the carved claw-and-ball feet are boldly carved expression of the design element, with well-articulated talons gripping the carved ball.Please note: Typical of Boston practice, the top is attached to the case sides with a slid-ing dovetail, the drawers have fi ne dovetails and the drawer bottoms are chamfered and received into the drawer front and sides. The claw-and-ball feet are tenoned up through the case (rather than just being glued on the underside and secured with additional glue blocks in the standard manner. This through-tenon method was a more laborious means of construction, yet yielded a stronger bond with the case.). $50,000-80,00010250 Additional Information and Condition Reports at Kenoauctions.comProperty of a New York Lady103Yellow Painted Semi-Hollow Copper Fish Weathervane on Iron Rod with Yellow Painted Copper DirectionalsAmerican, late 19th / early 20th century On iron rod with yellow painted copper directionalsH. 33 in.; W. 12 in.; L. (fi sh) 10 in.; L. (directional) 16 1/4 in. $1,500-2,500104Painted Tilt-Top Candlestand with Checkerboard TopAmerican, 1835-1870 H. 27 in.; W. 16 in.$1,000-1,500105Carved and Painted Ships Chest with EagleAmerican, 19th / 20th centuryInscribed: E PLURIBUS UNUMH. 20 in.; W. 50 in.; D. 21 in. $1,500-2,500Property from the Bulkeley Family of Hartford, Connecticut106Queen Anne Mahogany Tea Table with Crenulated SkirtNew EnglandComprised of 18th century parts. The legs with splices at upper leg stocks.H. 27 in.; W. 30 in.; D. 20 in.$1,500-2,500103104105106107108Property of a New York Lady107Federal Inlaid Birdseye Maple Veneered Card Table with Flame Birch Inset Panel in Skirt New Hampshire, circa 1810H. 29 in.; W. 35 in.; D. 15 in. $2,000-4,000Property from the Bulkeley Family of Hartford, Connecticut108Matched Pair of William and Mary Upholstered Walnut BenchesEnglish, early 18th centuryOriginal receipt for one bench dated 1927 to accom-pany lot.H. 14 in.; W. 29 in.; D. 16 in. Provenance: Sam Wineck, Hartford, Connecticut;Mrs. J. Ingersoll, 1927 and 1931 $800-1,200 Additional Information and Condition Reports at 51111110 109Property of a Gentleman109A Pair of Polychrome Painted Bass-Wood BlackamoorsProbably English, 18th centuryEarly Blackamours are very rare. The design of this pair, with tubaned fi gures on tripod bases comprised of acanthus leaf carved cabriole legs ending in bold claw and ball feet, is very dramatic and appropriate for what one would expect to be produced for a home in 18th century England, or its American colonies.Wood analysis by Henry Alden confi rms that the wood of the tables is bass-wood, also known in Eng-land as lime-wood. This hardwood was popular with carvers in England because of its close grain. Grinling Gibbons (1648-1721) did most of his fl ower and fi gure carvings for St. Pauls Cathedral and Windsor Castle in lime-wood. Bass-wood was also often used as a secondary wood for craftsmen such as Japanners.An additional report by Jennifer Mass, Senior Scientist at Winterthur, confi rms the presence of seven paint layers executed in period techniques including smalt, verdigris and bronze powder paint.H. 28 in.; W. (of base) 20 in.; W. (of top) 12 in.; D. (of top) 17 in. (average measurements for pair) $6,000-10,000112113Property of a New York Lady110Diminutive Red and Grey Painted Lift-Top Blanket Chest with Scalloped Skirt American, fi rst half 19th century H. 15 in.; W. 31 in.; D. 12 in. $300-600Property of a Virginia lady111Cut Out of Soldier Riding a Horse and Holding a PistolAmerican School, 1825-1850Watercolor and ink on paper 6 x 7 inches $200-400112J. & E. Stevens Company, Boy Scout Painted Cast-Iron Mechanical BankCromwell, Connecticut, circa 1912 H. 6 in.$2,000-4,000Property of a New York Lady113Polychrome Painted Noahs Ark with AnimalsAmerican, 19th centuryWith assembled group of eighty carved and painted wooden fi gures.H. 10 in.; W. 20 in.; D. 6 in. $2,000-4,00052 Additional Information and Condition Reports at Kenoauctions.com114115116Property of a Virginia Lady114American School, 19th CenturyView of Marblehead, Massachusetts, Looking Out to Sea Circa 1830-1840 Boston Art Supply stencil on verso: FROM / J. WHIPPLES / Artists Supply Store / 35 CORNHILL / BostonOil on canvas 16 x 24 inchesProvenance: Descended directly in the Wardwell Green family of Marblehead Essex / Massachusetts. Dr. Arthur Wardwell Green b.1874;MaryAn Wardwell Green who was born in Marblehead in 1909$4,000-8,000115Percy Sanborn (American, 1849-1929)Clipper Ship P.R. Hazeltine, 1876 Signed lower right, Percy SanbornInscribed lower center Ship P.R. Hazeltine, E.H. Harriman, Master, Built at Belfast, ME, 1876 Oil on canvas26 x 40 inches$8,000-12,000Property of a Gentleman116Attributed to Erastus Salisbury Field (American, 1805-1900)A Pair of Paintings:The Arcadian or Pastoral State and Desolation From the Course of EmpireEach retaining its original stretcher and frameOil on canvas 25 x 30 inches (each)Provenance: Purchased by the present owner from a Connecticut Estate (2)$2,000-4,000The Course of Empire is a fi ve-part series of paintings created by Thomas Cole in the years 1833-36. The series refl ected popular American sentiments of the times, when many saw pastoralism as the ideal phase of human civilization, fearing that imperialism would lead to decadence and inevitable decay. The series was acquired by The New-York Historical Society in 1858 as a gift of the New-York Gallery of Fine Arts, and comprises the following works: The Course of Empire - The Savage State; The Course of Empire - The Arcadian or Pastoral State; The Course of Empire - The Consummation of Empire; The Course of Empire - Destruc-tion; and The Course of Empire - Desolation.The series of paintings depicts the growth and fall of an imaginary city, situated on the lower end of a river valley, near its meeting with a bay of the sea. The valley is distinctly identifi able in each of the paintings, in part be-cause of an unusual landmark: a large boulder is precari-ously situated atop a crag overlooking the valley. Some critics believe this is meant to contrast the immutability of the earth with the transience of man. Additional Information and Condition Reports at 53Property of a New England Gentleman117American School, late 18th centuryNaive still-life with Birds, Butterfl y, and Beetle Oil on canvas 22 by 28 inchesThis still-life by an untrained artist with assorted fruit, bird, wormk, butterfl y and beetle is charming for its naivety.$3,000-6,000117118119119AFrom the Collection of the Late Valdemar F. Jacobsen118Edward Lange (American, 1846-1912)Sumner Sturtevants House in Nyack, New York, 1875Signed and dated lower right corner: Edward Lange 1875. M. 25Watercolor on paper12 x 19 inchesSumner, a Sturtevant Nyack piano maker, married Ellen Burd, the daughter of Thomas Burd, carpenter builder of Nyack who built the house sometime between 1859-1875. The house was reportedly the last house built using mortise-and-tenon joints and wood dowels. $2,500-3,500119Edward Lange (American, 1846-1912)Residence in Elwood, Long IslandSigned lower left: Edw. Lange / Elwood Watercolor on paper9 x 15 inches $2,000-4,000119AJohn Bradley (English, d. after 1847)A Portrait of a Young Lady in Blue Dress with Cat and Book, 1830Signed lower left corner: I. Bradley Delin 18309 x 8 inchesOil on canvasAs is typical of Bradley, this painting employs the use of bright, clear colors to depict a sitter at half length. Few details are known of John Bradleys biography, though he is known to have been active in New York in the mid-1830s. This portrait may have been painted in the United Kingdom or in the United States.$1,000-2,00054 Additional Information and Condition Reports at Kenoauctions.comProperty of a Descendant of John Ritto Penniman (1782-1841)120John Ritto Penniman (American, 1782-1841)Bostons Exchange Coffee House Burning of 1818 Boston, 1824 Signed and dated lower right, J R Penniman Pinxt 1824 Oil on canvas27 x 41 inchesThe Exchange Coffee House (1809-1818) functioned as a hotel, coffeehouse and commercial establishment in early 19th century Boston. It was designed by Asher Benjamin (1773-1845), and was one of the largest buildings in Boston, and one of the tallest in the United States. Provenance: By descent through the artists family to the present ownerLiterature: Illustrated and discussed in Carol Damon Andrews, John Ritto Penniman (1782-1841), an Ingenious New England Artist, Antiques, July 1981, pl. VIII, pp. 147-170.; D. Breton Simons, Boston Beheld, Hanover, New Hampshire: UPNE, 2008, p. 34-35.; Jane Kamensky, The Exchange Artist, New York: Viking, 2008, cover and p. 291.Exhibited: Worcester Art Museum exhibition of Pennimans works, 1982$50,000-100,000120 Additional Information and Condition Reports at 55THE COLLECTION OF JOANNE AND JEFFREY KLEINCollectors Joanne and Jeffrey Klein enjoy the eclectic mix of American folk art, painted furniture and modern sculpture and paintings. They love the juxtaposition of modern with traditional ranging from symbolism to widely varying textured painted and weathered surfaces. Their appreciation of form, color and texture is exhibited in their collection of exceptional painted furniture, weathervanes, redware pottery, hooked rugs and wood carvings. Over a period of about 30 years, dealer and consultant Mary Beth Keene, then working at Wayne Pratt Inc., expertly guided and advised them on the very best of their acquisitions. Typical of the quality of several weathervanes in the collection is the wonderful gilt cop-per peacock, circa 1865, (lot 121) and the leaping stag, attributed to Harris & co. Boston (lot 123). The Queen Anne Salmon-Painted Chest of Five Drawers, made circa 1795, (lot 122) and attributed to Samuel Dunlap of New Hampshire, is the collections mas-terpiece. This bold form, a case of drawers raised on graceful cabriole legs, most remarkably retains its original salmon red paint, and the oval pressed brasses are also original. Not only is it a sublimely beautiful object in remarkable condition; it is a rare Rosetta stone for Samuel Dunlap furniture. The equivalent in vintage car world would be a beautiful 1959 Ferrari Testarossa racing car which has survived with its original paint. The Kleins assembled a spectacular group of Windsor armchairs with an emphasis on great form and excellent surface. It is rare to see such a fi ne group of exam-ples in one collection (lot 50).Joanne and Jeffrey Klein are the perfect example of a couple who simply bought what pleased them and as a result formed a truly wonderful collection. It is an honor and a pleasure to offer these pieces at Keno Auctions. Leigh Keno56 Additional Information and Condition Reports at Kenoauctions.comThe Collection of Joanne and Jeffrey Klein121Gilt Copper Peacock WeathervaneProbably A.L. Jewell and Company Waltham, Massachusetts, 1850-1877 L. 33 in.; W. 19 in.Provenance: Alex Acevedo, New York Eastside Winter Antiques Show, Wayne Pratt, 1994Literature: A similar example with a less ornate tail is in the collection of the Museum Fine Arts, Boston, Massachusetts (accession no. 54.1089).A similar example illustrated in Charles Klamkin, Weathervanes, New York: Hawthorn Books, 1973, p. 136. $5,000-8,000122Queen Anne Salmon-Painted Maple Chest of Five Drawers Attributed to Samuel Dunlap (1752-1830) Henniker or Salisbury, New Hampshire, circa 1785-1820 H. 48 in.; W. 37 in.; D. 18 in. Provenance: Roy B. Gookin, Warner, New Hampshire;Richard Withington Inc. Auctions, Gookin Sale, Warner, New Hampshire, 1975;John Krapp, Henniker, New Hampshire, d. 1978;Henry A. Berman & Sons Auction, Henniker, New Hampshire, October 29, 1997; Eastside Winter Antiques Show, Wayne Pratt Inc., 1997Literature: A nearly identical, signed Samuel Dunlap chest illustrated in Gerald W. R. Ward, American Case Furniture, New Haven: Yale University Press, 1988, pp. 145-46, no. 65. Related examples illustrated in Currier Gallery of Art, The Dunlaps and Their Furniture, Manchester, New Hampshire: Currier Gallery of Art, 1970, fi gs. 57, 59-61.Maine Antiques Digest, Oct 1997. Gerald W.R. Ward in American Case Furniture states that eight fi ve-drawer chests were entered into Samuel Dunlaps account book between 1785 and 1820. Characteristic of Dunlap school fi ve-drawer chests, this example exhibits pad feet, cornice molding and lipped drawers. The nearly identical chest in the Yale Gallery of Art collection has been furnished with replacement brasses and stripped of its original red paint, though according to Wards entry, traces of red paint remain. On the present example, the brasses (with the exception of the bottom right brass, which is an early replacement) and paint in this example are entirely original.$200,000-300,000 Additional Information and Condition Reports at 57121, 12258 Additional Information and Condition Reports at Kenoauctions.com123126125124126128129127123-129 insitu Additional Information and Condition Reports at 59128123125124126Pair of Brown Painted and Yellow Decorated Sack-Back Windsor Arm Chairs Connecticut, circa 1785-1790 H. 38 in.Provenance: Purchased from a local convent in the early 1970s by Terry Tomlinson, Connecticut(2)Illustrated on facing page$8,000-12,000127Hooked Rug in The Tree of Life PatternAmerican, Possibly Massachusetts, 1881Signed lower right Kane 817ft. by 8ft. (approximately) Provenance: James and Judith Milne, Inc., New York, 1995Illustrated on facing page$3,000-6,000123Gilt Copper Leaping Stag WeathervaneAttributed to Harris & Company Boston, Massachusetts, 1875-1900 H. 30 in.; L. 25 in.Provenance: Eastside Winter Antiques Show, Wayne Pratt Inc., 1997$5,000-8,000124Redware Copper Oxide and Manganese Decorated Ovoid JarNew England, late 18th / early 19th centuryProvenance: Sam Herrup, New York$2,000-3,000125Queen Anne Maple Red-Stained Oval Top Tavern TableNew England, probably Rhode Island, 1740-1765 H. 26 in.; W. 30 in.; D. 39 in. Provenance: Skinner Auctions, Bolton, Massachusetts, 1997; H. Schiller Collection, New Jersey, 2001$4,000-8,000128Painted Cast Iron Mechanical Bank J. & E. Stevens CompanyCromwell, Connecticut, circa 1886 Inscribed: PROFESSOR PUG FROGS / GREAT BICYCLE FEATThis bank, designed by Charles A. Bailey (1848-1926) for J. & E. Stevens Company, operates by placing a coin on the rear of the bicycle. The frog then circles the base and drops the coin into the basket. This rare bank retains much of its original paint and is in working condition.Literature: F. H. Griffi th, Professor Pug Frogs Great Bicycle Feat, HOBBIES Magazine, January 1953.$10,000-15,000129Blue-Painted and Stenciled Star Decorated Blanket ChestMaine, fi rst half 20th centuryH. 20 in.; L. 38 in.; W. 19 in.Provenance: Judith and James Milne, Inc. New YorkIllustrated on facing page$1,500-2,50060 Additional Information and Condition Reports at Kenoauctions.com133Graduated Set of Three Slip-Decorated Redware Moon Jugs Galena, Illinois, mid-19th centuryThe largest jug inscribed on handle: 2 (gallons) Provenance: Walters Benisek Art and Antiques, Northampton, Massachusetts, 1996(3)$2,000-4,000134A Group of Five Glazed Redware VesselsAmerican, fi rst half 19th century Comprising: Three ovoid jugs, a fl ask and a pitcher.(5)Please see these pieces illustrated insitu above$400-800130Federal Tilt-Top Candlestand with Game Board TopNew England, circa 1815Provenance: Leigh Keno American Antiques, New York. 1995$2,000-4,000131Miniature Wire-BoneshakerAmerican, early 20th centuryH. 6 in.Provenance: Thos. K. Woodard, American Antiques, New York, 1995$200-400132Slip Decorated Redware Charger with a Double Wavy Line Motif American, fi rst half 19th century Diam. 13 in. $300-600131 132 133134130135136137138139141142135Gilt Copper Rooster WeathervaneNorth American, late 19th centuryProvenance: James and Judy Milne Inc. New York, 1991$4,000-8,000136Painted Cast Iron Full Length Figure of Uncle SamColumbia Iron Foundry, Columbia, Pennsylvania, circa 1920 Designed as a mailbox holder.H. 61 in. Provenance: Robert and Mary Lou Sutter Antiques, East Chatham, New York, 1987 $4,000-6,000130-142 insitu Additional Information and Condition Reports at 61135130131133132 13662 Additional Information and Condition Reports at Kenoauctions.com137Queen Anne Red-Stained Maple Porringer-Top Tea Table New Hampshire, 1730-1765 H. 27 in.; W. 31 in.; D. 23 in. Provenance: Private collection, Simsbury, Connecticut, 1981;Private collection, Roxbury, ConnecticutLiterature: A similar example is illustrated in Albert Sack, Fine Points of Furniture, New York: Crown, 1993, p. 263. $8,000-12,000137138138Red Painted Comb-Back Windsor Arm Chair with Knuckle ArmsIsaac Kitchell (working 1789-1812) New York, 1790-1795 Branded on bottom: Ic. KITCHEL and an owners brand: G.M. TIBBITS in two places. H. 36 in. Literature: Nancy Goyne Evans, American Windsor Chairs, New York: Hudson Hills Press, 1996, p. 199, fi g. 5-10. Continuing the Philadelphia fashion, Kitchell uses a similar crest rail with scroll motif and knuckle arms as illustrated on p. 91 of American Windsor Chairs. A trend for high-back Windsor chairs was established in Connecticut in the 1780s, and Kitchell continued the style in New York soon after. This example, however, more closely relates to the fi ner details of Philadelphia models. A simpler example (with a replaced medial stretcher) is illustrated in American Windsor Chairs, fi g. 5-10. Both models feature the Ic. KITCHEL brand mark and an owners brand, G.M. TIBBITS.Provenance: Christies, 1992;Private Collection, New York$5,000-10,000 Additional Information and Condition Reports at 63139140141 142139Red Painted Comb-Back Writing Arm Windsor ChairNew England, circa 1790-1810 H. 44 inches Provenance: The Collection of the Late Jeanette R. Marks, Christies, June 1987, Lexington, Kentucky, lot 49.$20,000-30,000140Glazed Earthenware Pottery Recumbent LionAmerican, 19th century$800-1,200141William and Mary Black-Green Painted Maple One-Drawer Tavern Table on Stretcher Base New England, 1720-1760 H. 25 in.; L. 43 in.; D. 26 in.Provenance: H. Schiller, New Jersey, 1997$7,000-10,000142Sewing Basket on Stand with Cabriole LegsNantucket, Massachusetts, circa 1890 H. 25 in.; W. 35 in.Provenance: Courcier & Wilkins Antiques, Massachu-setts; Eastside Winter Antiques Show, Wayne Pratt, 1997Literature: A similar example is illustrated in Connois-seur Quarterly, p. 19Illustrated in David Wood, Lightship Baskets of Nantuck-et, A continuing craft, 1994 (Former Curator of Nantucket Historical Association) $3,000-6,00064 Additional Information and Condition Reports at Kenoauctions.com143Painted Windsor Writing Arm ChairEbenezer Tracy (1744-1803)Lisbon Township, New London County, Connecticut, 1780-1803 Branded: EB: TRACY H. 48 in. Provenance: Private collection, Middlebury, Connecticut, 1996Literature: For a discussion of a nearly identical example, please see Charles Santore, The Windsor Style in America, Vol. II, Philadelphia: Running Press, 1987, p. 169, pl. 181.;Ebenezer Tracy, Nancy Goyne Evans, American Windsor Chairs, New York: Hudson Hills Press, 1996, pp. 285-308. $20,000-30,000143 Additional Information and Condition Reports at 65144Three Glazed and Decorated Redware VesselsShenandoah Valley, Pennsylvania, 19th century Comprising: A mug and two pitchers, each with copper oxide and slip-decoration (3)$500-1,000145Two Similar Slip Decorated Redware Rectangular Trays Huntington, New York, early 19th century Each with geometric and wavy line decoration (2)$1,200-1,800146Four Redware Vessels and Two Slipware PlatesAmerican, fi rst half 19th century Comprising: Cylindrical jar with manganese decoration, two slipware plates each with wavy line decoration (possibly Pennsylvania), and three vessels with strap handles and manganese decoration.(6) $800-1,200147Three Redware Vessels and Two Slipware Plates Together with a Pair of Yellow Ware Dice and Earthenware Match StrikeAmerican, 19th century The manganese decorated jar with applied handles, the cake mold with manganese and copper oxide decoration, the covered jar with manganese decoration, and the slipware plates from Huntington, New York, with geometric and wavy line decoration. Provenance: Redware Ovoid Jug, Geranium Antiques, Dorset, Vermont (8)$800-1,200144 144145146146146146147147147 14714714714714614614514466 Additional Information and Condition Reports at Kenoauctions.com148, 149, 150150 151148Painted Tin Eight-Light ChandelierProbably Northern Michigan, early 19th century H. 26 in.; Diam. 38 in. This lot is accompanied by a tin chandelier snuffer and wick lighter. This chandelier is one of a pair originally purchased from a church in Northern Michigan. Provenance: Dr. George L. Compton, Tipton, Indiana; Carleton and Hazel Brown, Dearborn, Michigan;Leigh Keno American Antiques, New York, 1993Eastside Winter Antiques Show, Wayne Pratt, 1993$5,000-8,000149Yellow and Red Painted Cant-Back CupboardNew England, 1800-1830 H. 78 in.; W. 33in.Provenance: Northeast Auctions, Portsmouth, New Hampshire, 1997$8,000-12,500 Additional Information and Condition Reports at 67152, 153154, 155156, 157 (only two shown)150Painted Tall Sack-Back Windsor Arm ChairNew England, probably Connecticut, 1790-1810H. 44 in.This armchair exhibits rare vertical properties. The section above the back-rail is exceptionally tall.Provenance: J. Stodell Stokes Collection, Milwaukee, WisconsinA very similar example sold Sothebys, New York, September 2012, lot 49.$5,000-8,000151Green Painted Comb-Back Windsor Arm ChairNew England, 1780-1810 H. 46 in.Provenance: Private Collection, ConnecticutWayne Pratt, Woodbury, Connecticut, 1996$10,000-20,000152Large Iron and Wood BoneshakerAmerican, circa 1870Deaccessioned from the Boston Museum of Transportation.$2,000-4,000153Small Iron and Wood BoneshakerAmerican, circa 1870$800-1,200154Navajo Rug Depicting Seven HousesAmerican Southwest, circa 1920 Handspun wool 40 x 37 inches Literature: Illustrated in Tyrone Campbell and Joel and Kate Kopp, Navajo Pictorial Weaving (1880-1950), Albuquerque: University of New Mexico, 1995, p. 75, fi g. 102. Provenance: America Hurrah, New York, 1994;Eastside Winter Antiques Show, Wayne Pratt, Inc.,1995 $5,000-8,000155A Painted Sheet Iron Snowman WeathervaneAmerican, Probably Connecticut, circa 1920Provenance: Fred Giampetro, New Haven, Connecticut;Kelter-Malce Antiques, New York, 1991$3,000-6,000156Painted Linoleum United States Travel MapAmerican, circa 1940 73 x 92 in. Provenance: James and Judy Milne, New York, 1996This map of the United States was produced by Armstrong and was the centerfold in their 1940 Linoleum Rug catalogue. The wide black border depicts the development of transportation in the United States from horse and wagon to the streamlined trains of the 1930s.This rug has been personalized by a previous owner in red paint to refl ect their travels.Now mounted for hanging$3,000-6,00068 Additional Information and Condition Reports at Kenoauctions.com157Six Painted Bamboo Turned Windsor Side Chairs Together with a Pair of Yellow Painted and Decorated Hitchcock Chairs Windsor Chairs, New England, circa 1800 Hitchcock Chairs, New England, circa 1830(4)$1,500-2,500158Painted Scallop-Top Hanging ShelfMid-Atlantic States, 19th centuryProvenance: Jane F. Wargo, Wallingford, Connecticut, 1988$200-400159A Group of Eight Reticulated Soft-Paste Tea Strainers English, second half 18th centuryComprising: A pair of small strainers with shell form handlesTwo cream ware examples with twisted foliate vine handlesOne cream ware strainer with foliate vine handleTwo Leeds type with blue decorationOne Willow pattern with LovebirdsL. (Longest) 5 in. (8)$800-1,200160Three Soft-Paste Trays and Soft-Paste Miniature Covered Tureen Two Staffordshire Trays, English, 19th centuryThe fi rst, with feather edge and fl oral decoration, the second, with transfer decora-tion depicting fl owersA Miniature covered tureen and under tray, English, early 19th century, H. 3 in.L. (longest tray) 9 in. (4)$600-900161Five Examples of English Soft-Paste Table WareComprising: A cream ware cup and saucer with foliate twisted handle, English, circa 1765.Three English molds, early 19th century: one yellow Davenport Basket and under tray each with black painted fl oral decoration, English, circa 1819, L. 9 in. (5)$800-1,200158159 159160160161161161160160159 159 159 159 159 159 Additional Information and Condition Reports at 69165162166163164162A Redware Jar with Punch Decoration and Slip Decorated Pitcher Jar, probably Benjamin Dodge Pottery Works (c. 1790-1875)Portland, Maine, dated August 1, 1810Pitcher: late 18th / early 19th centuryProvenance: Eastside Winter Antiques Show, Samuel Herrup, 1995(2)$1,200-1,800163Hooked Rugs, On the Wing Three Pairs of Mallards Jane KingsleyConnecticut, circa 1920Signed and titled on verso: Jane Kingsley / On the WingProvenance: Judith and James Milne, Inc, New York, New York, 1996$800-1,200164Red Painted and Floral Decorated Window ValenceNew England, circa 1820-1840 H. 8 in.; W. 54 in.Provenance: Wayne Pratt, Nantucket, Massachusetts $2,000-4,000165Painted Sheet Iron EAT SignAmerican, 20th centuryProvenance: Judith and James Milne, Inc. New York, 1995$1,000-$2,000166A Group of Twenty Yellow Ware PiecesAmerican, 19th century Including covered jars, pitchers, molds, and bowls(20)$800-1,20070 Additional Information and Condition Reports at Kenoauctions.com168167Painted Sheet Iron Indian with Bow and ArrowsPennsylvania, last quarter 19th century H. 36 in.Provenance: Steven Still, York, Pennsylvania, who removed it from a barn in Lan-caster County, where it had been since the late 19th century;Frank Gaglio, Wurtzboro, New York;The Bruce Wilt Collection, New JerseEastside Winter Antiques Show, Wayne Pratt, 1991Literature: For a nearly identical example Christies, Important American Furniture and Folk Art, January 20, 2012, lot 238.$4,000-8,000 167169168Grain Painted and Decorated Thirty-Two Drawer Apothecary ChestNew Hampshire, 1800-1830 H.78 in.; W. 36 in.The sides with vivid swirled grain-painted decorationProvenance: Butterfi eld and Butterfi eld, 1991;Eastside Winter Antiques Show, Wayne Pratt Inc., 1992$10,000-20,000 Additional Information and Condition Reports at 71171171169Chippendale Carved Red-Stained Birch Tall Chest of Six-DrawersDunlap School, New Hampshire, 1780-1810H. 62 in.; W. 36 in.; D. 17 in.Provenance: Virginia Carlson Collection;David Schorsch, New York;Wayne Pratt, Woodbury, Connecticut, 1996$2,000-4,000170A Red Painted Iron, Wood and Rubber ScooterAmerican, fi rst half 20th century$800-1,200171Two American Hooked RugsLighthouse Rug: American, 20th centuryProvenance: Judith and James Milne, Inc., New York, 1996Square Rigger Ship: American, circa 1920(2)$500-1,000172Hooked Rug with Heart MotifAmerican, late 19th / early 20th century38 x 42 inches$2,000-4,000173A Pair of Red-Painted Tin Fire LanternsNew England, 1820-1840 The number 4 is painted on the side of each lantern. (2)$800-1,200172173173143170170, 172, 173 insitu72 Additional Information and Condition Reports at Kenoauctions.com174174174The Bradlee Family Monumental Queen Anne Mahogany Drop Leaf Dining Table Massachusetts, 1740-1765 28 in.; W. (open) 60 in.; W. (closed) 19 in.; D. 48 in.A nineteenth century brass plaque attached to the table reads: 1746 NATHANIEL BRADLEE 1813. Provenance: Nathaniel Bradlee (1746-1813) of Massachusetts;Thence by direct descent;Eastside Winter Antiques Show, Wayne Pratt Inc., 1995Literature: Similar example with a cyma-shaped skirt illustrated in Albert Sack, The New Fine Points of Furniture, New York: Crown, 1993, p. 274$10,000-20,000175Pair of Painted Brass Frog and Moving Turtle CandlesticksAmerican, Early 20th centuryH.7 in.(2)$1,200-1,800176No Lot Additional Information and Condition Reports at 73179175177180177A Pair of White Painted Carved Wooden SeagullsAmerican, probably Maine, circa 1930 H. 19 in. (largest) Provenance: Judith and James Milne, The Wilton Show, 1996(2)$400-800178Classical Red Stained Birchwood Candlestand and One-Drawer Red-Painted StandBirchwood Candlestand: New England, circa 1830H. 30 x W. 18 x D. 18 inchesProvenance: Hagadones Antiques, Jamesville, New York, 1988Joan Darnell, Akron, Ohio, 1987One-Drawer Painted CandlestandJudith and James Milne, Inc., 1996(2)(not illustrated)$200-400179Four Yellow Painted and Decorated Step Down Windsor ChairsAmerican, circa 1810H. 35 in.Provenance: Marguerite Riordan, Stonington, Con-necticut, 1994Eastside Winter Antiques Show, Wayne Pratt, 1995(4)$1,200-1,800180White Painted Wooden Porch Support in the Form of a LadySouthern Michigan, fi rst half 20th century Provenance: Judith and James Milne, Inc, New York, 1996$2,000-4,000181No Lot74 Additional Information and Condition Reports at Kenoauctions.com182A Glazed Covered Redware Jar and A Glazed Redware Mug Dated 1867American, 19th CenturyThe ovoid covered jar with applied ears and copper oxide and manganese decora-tionMug provenance: Chris A. Machmer, Annville, Pennsylvania, 1991(2)$800-1,200183Hooked Welcome Rug with Basket of FlowersAmerican, 1932Initialed and dated: SG / 32$500-700182, 183184185186186A184Ships DioramaAmericanDioramaProvenance: Judith and James Milne, Inc., New York, 1996 $200-400185A Group of Ten Yellow Ware Molds and Vessels19th century Comprising: Five molds including various animals, and fi ve vessels(10)$800-1,200186A Group of Seven Redware Vessels and One Slipware Plate American, 19th century Comprising: A tall mug with strap handle, an ovoid jug with two tone glaze, a bottle with three concave sides, an ovoid jar with vertical handles, a covered jar, two red ware molds and a slip decorated Huntington, Long Island Plate with scrolled decora-tion depicting JJ.(8)$800-1,200 Additional Information and Condition Reports at 75188A189A188187189186ARed Painted Queen Anne Cherrywood Bird Cage Tilt-Top Tea TableConnecticut, 1760-1780H. 27 in.; D. 38 in.An unusual example of diminutive scale with its origi-nal painted surface.Provenance: Descended in the prominent Howard fam-ily of Hartford, Connecticut$3,000-6,000187Rouths Ice Cream SignIce Cream SignProvenance: Judith and James Milne, Inc., New York, 1996$500-800188Pair of Pumpkin Head Iron AndironsAmerican, fi rst half 20th century$300-600188AEat It All Ice Cream ConeAmerican, fi rst half 20th centuryH. 21 inches$200-400-189Zinc Lady Liberty Head Architectural ElementAmerican, late 19th centuryProvenance: Judith and James Milne, Inc., New York, 1996$2,500-4,500189ANewlaid Eggs SignAmerican, fi rst half 20th centuryProvenance: Judith and James Milne, Inc., New York, 1996$200-40076 Additional Information and Condition Reports at Kenoauctions.comProperty of a New York Lady190Red Painted Pine Livery Cupboard with Vertical Open Slats New England, late 18th / early 19th centuryH. 31 in.; W. 48 in.; D. 12 in.This cupboard is known as a livery cupboard based on a description given of its form by Wallace Nutting who discovered a turned example of a livery cupboard front. The only other known example of this form is illustrated in his book and in Essex County Furniture: 1636-1700. Literature: Wallace Nutting, Furniture of the Pilgrim Century, New York, Dover Books, 1965.;Benno M. Forman, The 17th Century Case Furniture of Essex County, Massachusetts and Its Makers, University of Delaware (thesis) June 1968, p. 120, pl. VII.Provenance: Lillian Blankley Cogan, Farmington, Connecticut (d. 1991) $800-1,200191Ancient Order of Foresters Cabinet with Enclosed MirrorAmerican, 1834-1850 Doors open to reveal mahogany veneered looking glass. Inscribed on shaped crest: Ancient Order of Foresters and on cornice COURT UNITY. 2316. H. 46 in.; W. 30 in.; D. 5 in. The Royal Ancient Order of Foresters was founded in England in 1790. It was a Fraternal Group. Their object was to unite the virtuous and good in all sects of man in the sacred bonds of brotherhoods that while wandering through the Forest of this world they may render mutual aid and assistance to each other. The order came to the United States in 1832, and took the prefi x Royal off from the title of the organization in 1834. $1,200-1,800192193194195190191Property of Descendants of Thomas Kittredge, North Andover, Massachussets192Inlaid Mahogany Bracket Clock with Inset Brass Tuck-Away HandlesJames A. Lightbody (working 1820-1837) White enamel dial inscribed: J.A. Lightbody / Lanark Lanark, Scotland, circa 1825The case with quarter columns and tapered bracket feet.H. 14 in.; W. 11 in.; D. 7 in.$800-1,200Various Owners193Pair of Mahogany George II Side Chairs with Slip in SeatsEnglish, circa 1765 H. 39 in. (2)$800-1,200 Additional Information and Condition Reports at 77201196197202198200Property of a Virginia Lady 198Three Yellow Thistle Pattern Spatterware SaucersEnglish, circa 1830 Comprising: A pair of lighter yellow examples and one deep yellow example. Diam. 5 in. (each) (3)$400-800199Two Slip-Ware Plates and a Salt-Glazed Stoneware Blue Decorated Crock Plate Inscribed: Cheap / ware, Diam. 11 in. Plate: Diam. 8 in Crock: Features chicken picking decoration, 1 gallon, H. 8 in. (3)Not illustrated$200-400Property of the Descendant of a Prominent Massachusetts Family200John Hancock DocumentPartially printed DS, 4 May 1789, as Governor of Massachusetts. Appointment for James Dickenson as Lieutenant of a company in the 6th Regt. and 3rd Division of the Militia of Middlesex County. Boldly signed John Hancock in the left margin, below the intact large paper seal. 12 x 15 inches$1,500-3,000201A Collection of Twenty-One Autographs including, Oliver Wendell Holmes, Henry W. Longfellow, Booker T. Washington, and General W. T. ShermanBooker T. Washington, Tuskegee, Alabama, Aug 8, 1905Phillips Brooks (1835-1893) was an American clergy-man and author, known for being the lyricist of O Little Town of Bethlehemthe night shall be fi lled with music, And the cares, that infest the day, Shall fold their tents like the Arabs, and silently steal away. Henry W. Longfellow, Nov. 13, 1879Yours truly, G.W. Cable George Washington Cable (1844-1925)Character is destiny, Mary A. Livermore, January 9, 1900, Celia Laighton Thaxter, Abolitionist Celia Thaxter, W.D. Howells,William Dean Howells (1837-1920), And if I should live to be / The last leaf upon the tree / In the spring, / Let them smile, / as I do now, / At the old forsaken bough / Where I cling. -The last verso of The Last Leaf by Oliver Wendell Holmes, 1831, W.T. Sherman (General William T. Sherman), General Philip H. SheridanEdwin Thomas Booth (1833-1893), Yours respectfully, A.W. Tourgee, Dec 12/1883$1,000-2,000Property of a New York Lady202Painted Laminated Wood Sign in the Form of Shakespeare Inscribed Shakespeare in Hamlet English, Second half 19th centuryH. 29 in.; W. 16 in.Provenance: Purchased by Sebastian Gaeta, Esquire, in England in the 1970s and displayed in his home Shakespeare Museum for decades. $200-400 Property of a Virginia Lady194Oval Painted Bentwood Brides Box, Lid Decorated with Man and WomanContinental, Late 18th / early 19th century H. 7 in.; W. 19 in.; D. 11 in. $300-600Property of a New York Lady195Painted Forty-Drawer Apothecary ChestAmerican, late 19th / early 20th century H. 30 in.; W. 30 in.; D. 7 in.$400-800196Three Painted Wooden Fish DecoysAmerican, 20th centuryThe largest example is in the form of a sucker.L. (largest) 16 in. (3)$150-250197Nantucket Light Ship Basket with Swing HandleNantucket, Massachusetts, fi rst half 20th century Ink inscription on the bottom: BARTELH. (with handle) 6 in.; Diam. 5 in. $400-80078 Additional Information and Condition Reports at Kenoauctions.com205Twenty-Seven 18th Century German Engravings of Various Subjects Including prints by: Georg Balthasar Probst (German, 1673-1748), Franz Xaver Habermann (German, 1721-1796), Johann August Corvinus (German, 1683-1738) and Karl Remshard (German, 1678-1735).Provenance: Thomas Kittredge (1746 -1818), married in North Andover, Massachusetts, 1771;Thence by descent to the present owners.(27)Not illustrated$1,000-2,000203English, Second Half 19th CenturyJuliet in Friar Laurences CellOil on canvas 16 x 12 inchesProvenance: Handwritten note verso reads It belonged for many, many years to Wil-liam Jaggard, descendent of Isaac Jaggard, who with Ed Blount, published Shakespeares First Folio in 1623. Purchased by the late Sebastian Gaeta, Esquire, in April 1963 from Shakespeare Gallery in Stratford-on-Avon, England.$200-400Property of Descendants of Thomas Kittredge of North Andover, Massachusetts204 Kittredge Family Federal Inlaid Mahogany Card TableNew England, circa 1800 H. 27 in.; W. 36 in.; D. (closed) 18 in.; D. (open) 35 inProvenance: Descended in the family of Thomas Kittredge (1746-1818), North Andover, Massachusetts; Thence by descent to the present owners.$1,000-2,000203204206207 208209 Additional Information and Condition Reports at 79213214210211212Property of a New York Lady206Three Spatterware Teapots each with Painted House DecorationEnglish, circa 1830 H. (tallest) 8 in. (3)Note: restorations$400- 800 207Set of Five Yellow Painted and Decorated Plank-Bottom ChairsPennsylvania, circa 1830 H. 34 in.(5)$1,200-1,800Various owners208Carved and Painted Poplar Spoon Rack Probably New Jersey, 1750-1800 H. 23 in.; W. 9 in.$2,000 4,000Property of Descendants of Thomas Kittredge of North Andover, Massachusetts 209Kittredge Family Chippendale Mahogany Ball and Claw Drop Leaf Table Salem, Massachusetts, circa 1770H. 29 in.; W. (open) 41 in.; W. (closed) 15 in.; D. 44 in. Condition note: the corners of the rectangular leaves have been rounded.Provenance: Thomas Kittredge (1746-1818), who was married in North Andover, Massachusetts in 1771;Thence by descent to the present owner.$1,500-3,000Property of a Texas Family210Louis Comfort Tiffany Glass VaseTiffany Studios, New York, Circa 1905Inscribed on bottom, near ground pontil 3027 L / L.C. Tiffany-FavrileH. 10 in.$2,000-4,000Property of the Estate of a Florida Collector211Assorted Group of Silver Hollow Ware American and English, 19th century Comprising an Eastlake style coffee pot, inscribed: JHA 1874 (26.735 ozt., including non-silver inlay on han-dle); Coffee pot stamped Tiffany & Co., ( 17.710 ozt.); Four-part service comprising coffee pot, warmer stand, sugar bowl and creamer with London Hallmarks (62.1 ozt.); A London Rococo decorated teapot with ball feet (18 ozt.).; A cup, Boston, Massachusetts, inscribed: Waldo Parry Kennard / from / Grandmother (5.195 ozt.); circular serving tray, Tiffany and Co., (29.270 ozt.) together with a silver-plated four-footed circular tray (9)$12,000-18,000212Assorted Group of Silver Flatware American and EnglishIncluding examples by: Gorham for Stanwood & Co. (Boston, Ma, 1860-1869), Lincoln & Foss (Boston, 1848-1857), Currior & Trott, Crump & Low, Farrington & Hunnewell, J. Raynes & Co., Barker Brothers, G.A. Mudge & Co., Henry Wilkenson & Co. (London, 1831-1892), Bigelows Brothers, (Boston, 1846-1847), Shreve Stanwood & Co, (Boston, 1860-1869), Currier & Trott, (Boston, 1823-1855), J. Raynes & co. (Lowell, Ma, 1860-1879), William Fordham & Albert Faulkner.(Total approx. weight 239 ozt.)(180)$7,000-10,000Property of a Lady213 Chinese Blue Glazed Porcelain VaseWith an elongated neck rising from a pear form body supported on a low foot, the mottled cobalt wash of rich hue applied to the exterior beneath a colorless glaze applied to all surfaces except the foot padH. 17 in. $1,200-1,800Property of a New York Family214A Ming-Style Blue and White Porcelain Moonfl ask, Qianlong Six-Character SealmarkPainted on each side in cobalt blue with eight radiating lotus petal-shaped panels enclosing the bajixiang around a central raised base with a stylized fl ower head, divided by keyfret and lappet bands, all within a key-fret border, the slightly convex sides with a wide band of leafy scroll issuing lotus blossoms, the neck and foot with bands of lingzhi scroll beneath a keyfret band to the rim, the cylin-drical neck fl anked by scroll handlesH. 22 in. $2,000-4,00080 Additional Information and Condition Reports at Kenoauctions.comProperty of a Virginia Lady215Pair of Silver-Inlaid Stirrups (Abumi)Edo Period, 18th centuryWith red lacquer coated interiors.H. 10 in.$500-1,000Property of a Texas Lady216Vincenzo Gemito (Italian, 1852-1929) LAcquaiolo, 1881Bronze fi gure of a boy, 19th century H: 21 in. $2,000-4,000217Daum Glass Vase with Rose Motif20th centuryH. 13 in. $800-1,200218Brass and Wood Wool WinderEnglish or American, second half 19th centuryH. 26 in.; L. 24 in. $500-1,000215219216217218 Additional Information and Condition Reports at 81219Hans Christensen (Danish, 1924-1983)A Group of Five Brass SculpturesProduced in Rochester, New YorkIncluding: Walk Softly but Carry a Big Stick, 1980Life, 1980Prototype for Nathanial Rochester Society Stabile, 1979(5)$1,200-1,800220Platinum and 14 Karat Yellow Gold Mounted Diamond Bar Pin.Circa 1920 The bar style brooch is set with twelve old European cut diamonds totaling approxi-mately 3.90 carats. The diamonds are set in a rectangular platinum mount with engraved sides. The pin is 18 karat yellow gold. The brooch has a gross weight of approximately 8.3 grams. The brooch measures 2 inches long.1,200-1,500221Antique Platinum and 14 Karat Yellow Gold Three Stone Diamond RingCirca 1890 Containing three old European cut diamonds weighing approximately 1.23 carats, 1.58 carats and 1.24 carats each. The ring has a gross weight of approximately 4.5 grams. Along with an antique Tiffany ring box. The ring exhibits wear to mount. Unsigned.$6,000-8,000222A 14 Karat Yellow Gold, Sapphire and Diamond PendantCirca 1980 The center oval faceted blue sapphire weighs approximately 8.91 carats, surrounded by two rows of brilliant cut and radiant cut diamonds weighing a total of approxi-mately 3.75 carats. The pendant has a gross weight of approximately 14.5 grams and measures 1 1/8 by 7/8 inches.$4,000-8,000222AA platinum, 14 Karat White Gold and Diamond Bar PinCirca 1920 The diamond set bar pin contains 15 old European cut diamonds weighing a total of approximately 3.15 carats. The brooch has an open geometric pierced gallery. The brooch weighs approximately 7.3 grams and measures 2 7/8 inches long.$800-1,200221222222A22082 Additional Information and Condition Reports at Kenoauctions.com223224225 225223Three White Painted Wood Rio Grande Pueblo BirdsRio Grande Pueblo, 1900-1930 Constructed from found wood.H. (Largest): 12 in.Provenance: From a New Mexico Collection(3)$800-1,200224A Carved and Painted Wood Rio Grande ParrotProbably Pueblo, late 19th centuryH. 4 in.; W. 9 in.Possibly intended for use in a home altar.Provenance: Private California Collection$800-1200 Property of a New Mexico Gentleman225Life-Size Intricately-Detailed Anatomical Model, Designed and Created by the French Physician Dr. Louis Thomas Jerome Auzoux (1797-1880)Crafted by Workshop of Louis Auzoux, Paris, circa 1883 Signed indsitinctly and dated on outer left thigh Anatomie Cl./Auzoux/1883Calcium carbonate hyde glue and rag pulp paper fi berThis hand sculpted sculpture stands on its original cast-iron base.H. 49 in.Dr. Auzouxs realized in 1822 during his medical training, that cadavers rapidly deterio-rated and wax models were not readily available, hence there was a need in the fi eld for anatomically correct models. The workshop of Louis Auzoux used an innovative papier-mch method to cast anatomical fi gures for teaching purposes. (reference: Maine Antiques Digest, June, 2012). The internal body cavity and head open and, like the exterior they are meticulously labeled with Latin inscriptions on small strips of paper.Provenance: Private Collection, Mexico, circa 1883A similar example sold Bonhams, Knightsbridge, April 2011. $12,000-18,000226Yokut Polychrome Bottleneck Friendship BasketTulare Lake region, Central California, circa 1900Woven from Caladium root, redbud shoots and bracken fern roots.H. 6 in.; W. 10 in.Friendship baskets were given as gifts to family and friends to store personal items. This basket represents the three dimensions of human existence: the celestial world is represented as a star motif along the upper neck, the human dimension represent-ed as 25 stylized fi gures holding hands, and the stylized rattlesnake wrapped around the base symbolizes the protector of the underworld.Provenance: Pook and Pook, Inc., The Americana Collection of Richard and Rosemarie Machmer, Dowington, Pennsylvania, October 2008, lot 772 (sold for $15,210)$7,000-10,000 Additional Information and Condition Reports at 83227 Pair of Hopi Katsina DollsCentral Northern Arizona, circa 1890Seated fi gure: H. 8 in.; W. 5 inStanding fi gure: H. 9 in.; W. 4 in.The Hopi made Katsina dolls to use in ceremonies, which often included depictions of neighboring tribes. These two depict a seated Navajo drummer dressed as a clown, wearing turquoise earrings, and a standing Navajo Yei Bichai dancer wearing a corn mask. Not only were they ceremonial, but often the dolls were used to educate children. The costumes are unique, and are entirely original.Provenance: Keams Canyon Trading Post, Arizona;The Steven and Linda Nelson Collection, California(2)$5,000-10,000226228227229228 New Mexican Folk Art Death Cart FigureAttributed to Frank Applegate (American, 1881-1931)New Mexico, circa 1925Death carts, with their terrifying fi gures of La Muerte, are a peculiarly New Mexican art form, appearing in the Holy Week processions of the Brotherhood. In their secret rites, Penitentes dragged the heavy, cumbersome death carts to calvarios, where they com-memorated the Crucifi xion. The fi gure and cart represents the power of death during the period between the crucifi xion and the resurrection, and the ritual foretells the miracle of Christs ultimate triumph over death.H. (seated) 38 in.; H. (extended) 50 in. Note: Cart is missing$1,500-3,000229Felipe Benito (1910- 1991) Archuleta Folk Art painted Wood LynxTesuque, New Mexico, 1978 Signed and dated on underside of belly:F B A 7. / 6. / 78With plastic nails $6,000-10,00084 Additional Information and Condition Reports at Kenoauctions.com235Ninety Assorted Intaglios Including Plaster Intaglio Casts Italian, fi rst half 19th century and laterLot includes a handwritten note dated 1822 which presumably identifi es the artist of some of the inta-glios: engraved at Rome by Pickler Pickler, also spelled Pichler, is the surname of known gem-engraver Anton Pichler (1697-1779) who worked in Rome. His sons Giovanni Pichler (1734-1791) and Luigi Pichler (1773-1854) were also successful gem engravers in Rome and Vienna, respectively.Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$1,200-1,800236Inca Red Earthenware Water Bottle with Lizard Man CarvingA nineteenth century extensively inscribed and par-tially indecipherable label identifi es this bottle as a Guaca waterbottle about the 10th century, found in the city capital It also states: The animal on the top is the iguana- a giant lizard that grows sometimes to a length of 5ft.H. 9 in. Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$1,200-1,800230Iron and Wood Crooked Knife in Form of Fist Effi gyWoodlands, fi rst half 19th centuryBlade fashioned from a trade fi le. H. 4 in.; L. 10 inCrooked knives, or draw knives were used to make bowls or cut deeply into wood because the special shape allowed for increased wrist mobility. $1,200-1,800231Black Painted Carved Wooden MirrorWelsh, fi rst half 19th centuryRelief carved with acorn and fl oral motifs. Mirror fl anked by two bearded fi gures. Sun motif surmounted by fi nial comprised of crowned effi gy head.H. 21 in.; W. 15 in.$200-400Property from the Estate of Violetta J. P. Dupont232A Navajo Figural Rug and Navajo Geometric Rug Figural rug with nine full length male and female fi g-ures, mid-20th century, 4 ft.4 in x 2 ft. 8 in.Geometric rug, circa 1920s, 2 ft. 11 in. x 1 ft. 11 in. Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey Not illustrated$200-400233An Assorted Group of Twenty-Two Chinese Jade and Hardstone Items Including a fi gure, a pendant, two cups, a mounted plaque, and other small carvings.Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey $1,000- 2,000234An Egyptian Dark Green Stone Heart Scarab and Nine Egyptian Items, Including Four Scarabs and Three Seals The green stone ScarabProbably Dynasty 18-20, circa 1550-1070 B.C.Inscribed with hieroglyphics on base.L. 2 in.Note: A very similar dark green stone scarab is in the collection of the Metropolitan Museum of ArtAccession no. 10.130. 1650gift of Helen Miller Gould, 1910 Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey(10)Green stone scarab illustrated$500-1,000230 231233 detail233 Additional Information and Condition Reports at 85236 238234 235237Pottery Pipe from Tennessee and a Green Stone Effi gy Figure of a Mans Head Southeastern woodlands, 19th century or earlierA circa 1880-1900 label affi xed to the pipe reads, No. 6672 Pipe of Granger Co. Tenn was found in 1890 on bank of river H. 3 in.; L. 4 in.; H. 3 inProvenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$200-400238Four Pre-Columbian Pottery VesselsTwo with 19th century labels documenting where they were found. Including a polychrome vessel inscribed HUETARE POLYCHOME (sic.) CHORTEZA COSTA RICA and a vessel, possibly Mayan, inscribed NEAR LAGO ATITLAN / GUATEMALA. Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$200-4000239237241240242239Mass of Copper Coins from ShipwreckCorroded, oxidized and melded together. Originally in a fabric or leather bag which presumably disintegrated, resulting in the present shape. H. 7 in. L. 9 in.Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$400-800240Two British Cameroons Pipes The fi rst, a British, 18th / 19th century, Cameroons bronze effi gy pipe in the form of a mans head, H. 1 in.; L. 1 in.The second, a terracotta Elbow Pipe, L. 3 in.Elbow pipe not illustratedProvenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$100-200241A Group of Nine Iridescent Roman Glass VesselsFirst-second century A.D. Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$200-400242Aztec Carved Stone Head of a Man1300-1550 A.D.Head with crown ornament and earringsH. 7 in.; W. 8 in.Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$500-80086 Additional Information and Condition Reports at Kenoauctions.com248247246246 246246246 246245243Nine Wood and Metal Weapons and a Documented African Malachite SpecimenIncluding eight African weapons and one spear. Malachite fragment with late 19th cen-tury label inscribed Malachite/ Green Carb Copper / W. Africa.Provenance: From the collection of James Maxime DuPont (1912-1991) of New JerseyNot illustratedPlease see $500-1,000245Babe Ruth Signed BaseballAmerican LeagueDesirable Sweet Spot signature.Baseball type cannot be determined. Date and marking on south panel written in unknown hand.$1,000-1,500246Group of Six American League Signed BaseballsChicago White Sox Team Signed Baseball; Circa 1928; Signatures include: Ed Walsh Jr. (Hall of Fame) / Red Faber (Hall of Fame) / Ted Lions (Hall of Fame) / H. McCurry / A. Shires / B. Cussell / B. Huntsfi eld / M. Berg; Some signatures partially obliterated.Bib Falk Single Signed Baseball; 1929-1930; Signature on a Reach Offi cial American League Baseball.; Inscriptions on side panel written in unknown hand.Chicago White Sox Partial Team Signed Baseball; 1926-1927; Signed on a Reach Offi cial American League Baseball.; Signatures include: Tommy Thomas, Bob Falk, Willie Kamm, Elmer Jacobs, Clyde CrouseWillie Kamm / Bib Falk dual signed baseball; 1926-1930; Signatures on an obliterated Offi cial American League Baseball.; Additional indecipherable signature on an adjacent panel.(6)$1,000-1,500 247Babe Ruth / Lou Gehrig / Ty Cobb Signed BaseballAmerican League, circa 1926-1927Signed on a Reach Offi cial American League Baseball.Ban Johnson, PresidentVery scarce grouping of the greatest players of the 1920s.$1,500-2,500 244Engraved Copper Plate for Printing CurrencyAmerican, late 19th century,Engraved: STORE OF THE SAVAGE MANUFACTURING COMPANY in denomina-tions of twenty-fi ve cents, fi fty cents and one-dollar for bill prints.9 x 14 inches Provenance: From the collection of James Maxime DuPont (1912-1991) of New JerseyNot illustratedPlease see $200-400 Additional Information and Condition Reports at 87249250252251Property of Direct Descendants of John C. Breckinridge248Rembrandt Peale (American, 1778-1860)Portrait of Margaret Irvine (Mrs. John) Miller (1756-1847)Circa 1805-1807Oil on canvas27 x 22 inchesThis portrait exemplifi es Peales tendency to take liberty with the way in which he portrayed his sitters. Mr. and Mrs. Miller begin as a working class family who later raised their position in Philadelphia society. Though her clothing is aristocratic, Mrs. Millers pose and gaze are those of a straightforward, working class woman. Likewise, Peale depicts her husband in a fi ne suit, resting on a stone, with detailed work affected. Mr. John Miller (1754-1814), a stonecutter, and his fam-ily were painted in exchange for steps and chimney pieces for Peales house. The fi ve other family por-traits are also illustrated in the exhibition catalog.$4,000-8,000249American School, late 18th centuryJohn Breckinridge (1760-1806)Oil on canvas27 x 22 inches$4,000-8,000John Breckinridge (December 2, 1760-December 14, 1806) served as a lawyer and politician from Virginia and later Kentucky. He was elected to the United States Senate and appointed the fi fth United States Attorney General during President Thomas Jeffersons second presidential term. He is the origi-nator of Kentuckys Breckinridge political family and represents the namesake of Breckinridge County in Kentucky. Despite his prominence, period images of Mr. Breckinridge are quite rare. An often reproduced painting by Alban Jasper Conaut (1821-1915) was painted in 1863, more than 55 years after Breckinridges death.250American School, late 18th century Portrait of John C. Breckinridge (1821-1875) Oil on canvas27 x 22 inches $2,000-4,000 John Cabell Breckinridge, the grandson of John Breckinridge (1760-1806), is offered as lot 243, was the youngest Vice President in the history of the United States when he was elected to the White House in 1856 with President James Buchanan. He was active in the Army, Kentucky State Legislature and United States House of Representatives. During his Vice Presidency, he was well respected for his unfailing fairness in the Senate during an unprecedented com-bative era in United States history.251American School, circa 1845 Miniature Portrait of John C. Breckinridge (1821-1875) Oil on panel2 x 2 inches $400- 800 252Sydney Mortimer Laurence (American, 1865-1940)Evening Light, Mount McKinley, Alaska, 1923 Signed lower left Sydney Laurence Signed, inscribed with title and dated on an old label attached to the backing: Anchorage, Alaska, 1923 Oil on artists board 8 x 10 inches $7,000-10,000253No Lot88 Additional Information and Condition Reports at Kenoauctions.com256258259254William Stanley Haseltine (American, 1835-1900)Italian Landscape at Sunset Initialed and dated lower right WSH 83 Oil on canvas 12 x 16 inches Provenance: Recently found in Rhode Island$4,000-8,000Property of Various Owners255Aaron Draper Shattuck (American, 1832-1928)River Valley Landscape Signed lower left: A.D. ShattuckOil on canvas10 x 19 inches$4,000-8,000256Charles Edwin Lewis Green (American, 1844-1915)Boatyard At Nahant, Massachusetts Signed lower right C.E.L. Green Oil on canvas 14 x 18 inches $1,200-1,800254255257Paul Raphael Meltsner (American, 1905-1966)The Broken Fence, 1924 Signed and dated lower right P. Raphael OSB 1924 Oil on board 12 x 16 inches$1,000-2,000Not illustrated258Charles Edwin Lewis Green (American, 1844-1915)House on a Lake Signed lower right C.E.L. Green. Oil on canvas 10 x 14 inches $800-1,200259Edmund Darch Lewis (American, 1835-1910)New England Landscape with Figures, 1875 Signed and dated lower left, Edmund D. Lewis 1875 Oil on canvas 30 x 50 inches Provenance: Berry Hill Galleries, New York (before 1988) $3,000-5,000 Additional Information and Condition Reports at 89260The Estate of Violetta J.P. DuPont260William Trost Richards (American, 1833-1905)Gentle Surf, New Jersey Coast, 1905Oil on canvas28 x 48 inchesProvenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$40,000-80,00090 Additional Information and Condition Reports at Kenoauctions.com260AGideon Eldon Bradbury (American, 1833-1904) Battleground on Lovewells PondSigned G.E.B. 1871 Oil on board5 x 3 inches The Battle of Pequawket (also known as Lovewells Fight) occurred on May 8, 1725$200-400Various Owners261James MacDougal Hart (American, 1828-1901) Cows at a Trough, 1889Signed and dated lower-left: James Mc Hart. 1889 Oil on canvas laid down on masonite 30 by 50 inches $1,500- 2,500 261261A260A265262266263264 Additional Information and Condition Reports at 91261ANelson Augustus Moore (American, 1824-1902)View on Mahong River, 1895Initialed and dated lower left 1895oil on board,5 by 4 $200-400262Attributed to Alexander Helwig Wyant (American, 1836-1892)Summer StreamUnsignedOil on CanvasRetains original frame30 x 40 inches$1,000-2,000263Milton Talbot Menasco (American, 1890-1974)Harness Race at Goshen, New YorkSigned lower right: MenascoOil on Canvas17 x 24 inchesProvenance: From the artist to Florence Menasco;Thence by descent to present owner$1,200-1,800264Joseph Honore Pellegrin (French, 1793-1869)Barque Orono of Ellsworth Entering the Port of Marseilles, 1852 Inscribed lower center Barque Orono of Ellsworth. C. Chase Master, Entering the Port of Marseilles jan.y 7th 1852. Watercolor, gouache and Chinese white on paper 18 x 24 inches (sight) $2,000-4,000265Attributed to Samuel Walters (American, 1811-1872) and/or His Father Miles Walters (1774-1849) Black Ball Line, EuropeOil on canvas27 x 40 inches Provenance: Alexander C. Marshal; Peabody to his son, Rushton Peabody, his son, Charles Marshall Peabody, To his daughter, Eugenia Peabody; thence by descent to the present owner.In 1816 Captain Charles H. Marshall founded the Black Ball Line the fi rst scheduled transatlantic passenger service, employing a fl eet of clipper ships, one of which was commanded by the founders brother, Captain Alexander Marshall. The service operated for over 60 years between New York and Liverpool fl ying the house fl ag, which consisted of a black ball centered on a red background. $2,500-3,500266Attributed to Raffaele Corsini (Turkish, active 1830-1880) Bark Kazan of Boston Entering the Bay of Smyrna, 1841 Inscribed lower center : Kazan of Boston John LOCKIE COMMANDER entering in the Bay of Smyrna Asia Coast Watercolor, gouache and Chinese white on paper Inscribed on verso: R. Chafford Mills Watermark Sky toned15 x 21 inches$2,000-4,000267Follower of Richard B. Spencer (British, fl . 1840-1874) Brig Off Dover 267267AInitialed lower left on plank in water WW Oil on canvas 20 x 30 inches Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$400-800267ATheodore Victor Card Valenkamph (American, 1868-1924) Sailing ship, 1901Signed lower right and dated 1901 Oil on canvas28 x 40 inches$1,000-2,00092 Additional Information and Condition Reports at Kenoauctions.com272273274275268269270271268Clement Drew (American, 1806-1889)Ship Isabella of Boston off Boston Light, 1854 Inscribed on verso Isabella of Boston / Clement Drew / 1854Oil on canvas 18 x 24 inches $2,000-4,000269Clement Drew (American, 1806-1889)Brig Antares Off Boston Light Inscribed lower right: ANTARES W COUSEN / MASTER BOUND FOR DEMERARER (sic) Oil on canvas laid down on panel 20 x 24 inches2,000-4,000270George Mears (British, 1865-1910)A French Channel Packet, 1886 Signed lower right G. MEARS / 86 Oil on artists board 14 x 23 inches Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$200-400 271Antonio Jacobsen (American, 1850-1921)Auxiliary Iron Screw Steamer Monmouthshire, 1887 Signed and dated lower right: Antonio Jacobsen. 1887 / 31 Palisade Av. West Hoboken n.j. Oil on canvas 22 x 36 inches Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey $3,000-6,000272Antonio Jacobsen (American, 1850-1921)Four Mast Schooner in Heavy Weather, 1918 Signed lower right Antonio Jaconsen. / 31 Palisade Av. West Hoboken n.j. Oil on masonite 20 x 35 inches $1,200-1,800A California Gentleman 273Chinese Export School, 20th CenturyShip Winnie C in Heavy Weather Oil on canvas 18 x 23 inches$400-800274Student of Annibale Carracci (Italian, 1560-1609)Reclining Female NudePossibly Domenico Zampiero, Domenichino (Italian, 1581-1641)Charcoal on paperWritten on verso in pencil: By DomenichinoDomenico Zampieri was an Italian Baroque painter of the Bolognese School, or Carracci School of painters, and he was considered by some to be Carraccis best student. 7 x 11 inches$800-1,200275European School, 17th CenturyDog Attacking BoarOil on canvas laid down on masonite 39 x 52 inches $2,500-4,500 Additional Information and Condition Reports at 93279280281282276277278276Follower of Brueghel the YoungerBountiful Still Life with Flowers and Fruit Surrounding a Niche with Diana and Cupid 18th century Oil on canvas 37 x 30 inches$2,000-4,000277After Andrea Del Sarto (1486-1530)Madonna and Child with St. Elizabeth and St. John the BaptistOil on canvas36 x 24 inches$1,200-1,800278KPM Porcelain Plaque, After TitianWoman with FruitThe back impressed with KPMPainted on porcelain15 x 12 inches$2,000-4,000279Jean-Baptiste Jules Trayer (French, 1824-1909)The Young Mother Signed lower right, J Trayer Oil on canvas 24 x 16 inches $3,000-5,000280Henri Duvieux (French, 1855-1920)A Gathering at Dusk in Constantinople Signed and dated lower right, H. Duvieux 1860 Oil on canvas 11 x 18 inches $1,500-2,000281Georges Seurat (French, 1859-1891)Portrait of a CardinalCirca 1876-1879Signed on verso in red crayon: Georges SeuratBlack crayon on blue rag paper with watermark DC18 x 12 inches Provenance: The collection of Felix Feneon;Schweitzer Gallery, New York;Arthur Deane, Greenwich, Connecticut;Charles Marshall Peabody, Sarasota, Florida;Thence by descent to the present owner. $3,000-6,000282Eugenio Scorzelli (Italian, 1890-1953)La Place de la Madeleine a Paris a la Belle Epoque Signed lower left Eug Scrozelli Oil on panel 14 x 18 inches $800-1,20094 Additional Information and Condition Reports at Kenoauctions.com286283287285283French SchoolSetters on the Scent Unsigned Oil on panel 8 x 10 inches$400-600 284British School, Late 19th/ Early 20th CenturyThe ExplosionSigned lower left J.E. RaggOil on canvas9 x 12 inchesNot illustrated$200-400285Anders Monsen Askevold (Swedish, 1834-1900)A View of the Fjord River, 1882 Signed and dated lower left: A. Askevold 1882 Oil on canvas 14 x 21 inches $3,000-6,000286English School, 18th CenturyPortrait of Gentleman in Red Jacket Oil on canvas 50 x 40 inches$800-1,200287Walter James Shaw (British, 1851-1933)Off Salcombe, South Devon Signed lower left Walter Shaw Oil on canvas 14 x 29 inches Provenance: From the collection of James Maxime DuPont (1912-1991) of New Jersey$1,000-2,000 Additional Information and Condition Reports at 95291290288288Andrea Cascella (Italian, 1920-1990)UntitledCirca 1980MarbleDiam. 30 in.; H. 10 in.$1,000-2,000289Sotiris Sorogas (Greek, b. 1936)Chains Over Rocks Acrylic on canvas 59 x 78 inches$2,000-4,000Not illustrated290Markos Armaos (Greek, b. 1945)Untitled Stainless steel sculpture H. 84 in.$1,000-2,000291Vangelis Rinas (Greek, b. 1966)UntitledAcrylic on two canvases 47 x 63 inches$3,000-6,000END OF SALE96 Additional Information and Condition Reports at Kenoauctions.comIndex Last Name First Name LotsA. L. Jewell Company 121After Titian 278Applegate Frank 228Armaos Markos 290Armstrong Anne Pratt 37Askevold Anders Monsen 285Auzoux Dr. Louis Thomas Jerome 225Benito Felipe 229Benjamin Dodge Pottery Works 162Bernard Nicholas 48Bradbury Gideon Eldon 260ABradley John 119aBrewster, Jr. John 44, 49, 52Brueghel Pieter, the Younger 276Carracci Annibale 274Cascella Andrea 288Chandler Joseph Goodhue 58Christensen Hans 219Columbia Iron Foundary 136Corsini Raffael 266Corvinus Johann August 205del Sarto Andrea 277Drew Clement 268, 269Dunlap Samuel 122Duvieux Henri 280Dyotteville Glass Works 33Edouart Auguste 20Ellis & Isaac Chandlee 71Field Erastus Salisbury 116Gemito Vincenzo 216Goddard-Townsend School 68Green Charles Edwin Lewis 256, 259Habermann Franz Xaver 205Harris & Company 54, 123Hart James MacDougal 261Haseltine William Stanley 254J. & E. Stevens Company 112, 128Jacobsen Antonio 271, 272Jugiez Martin 48Kilpatrick Henry 25Kingsley Jane 163Kitchell Isaac 138L.W. Cushing & Sons 2Lange Edward 81, 82, 83, 84, 118, 119Laurence Sydney Mortimer 252Lewis Edmund Darch 259Lightbody James A. 192Loeffl er Laura H. 24Loomis Samuel 90Mears George 270Meltsner Paul Raphael 257Menasco Milton Talbot 263Moore Nelson Augustus 261ANew England Vase Company 36Peale Rembrandt 249Peckham Deacon Robert 39Pellegrin Joseph Honore 264Penniman John Ritto 120Phippen Hannah 99Pichler Anton 235Porter Rufus 21Powers Asahel Lynde 15Probst Georg Balthasar 205Remshard Karl 205Richards William Trost 260Rinas Vangelis 291Sanborn Percy 115Scorzelli Eugenio 282Seruat Georges 281Shattuck Aaron Draper 255Shaw Walter James 287Sorogas Sotiris 289Spencer Richard B. 267Tracy Ebenezer 143Trayer Jean-Baptiste Jules 279Valenkamph Theodore Victor Card 267AWalters Samuel 265Wetherby Isaac 8Wheeler Chauncey 12Wood David 67Wyant Alexander Helwig 262Zampiero Domenico Domenichino 2749798 Additional Information and Condition Reports at Kenoauctions.comBidding Increments The auctioneer will commence the bidding at any level and in increments con-sidered appropriate. Bids will be sought in increments selected by the auction-eer who will have the absolute discretion to select any increments for any lot (and the discretion to vary the increments in the course of the bidding for any lot). However, generally speaking, the increments will depend upon the low estimate for the lot. Thus for example, for lots having a low estimate below $1,000, bids will be sought at increments of $50. The normal pattern for bid-ding increments will be as follows:Low Estimate Increments< 999 $50s$1,000 1,999 $100s$2,000 4,999 $250s$5,000 9,999 $500s$10,000 29,999 $1,000s$30,000 49,999 $2,500s$50,000 99,999 $5,000s> $100,000 at auctioneers discretionThese increments may vary during the course of the auction at the discretion of the auctioneer.Estimates Pre-sale estimates are provided to encourage competitive bidding. These esti-mates may not be relied upon as any predictions of the selling price and may not be considered to be any opinion or representation regarding the value of the property. Keno Auctions shall not be responsible or liable for any differ-ence between a pre-sale estimate and the actual selling price for any lot. Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is a confi dential minimum price set by the seller below which the lot will be not be sold. The reserve will not exceed a given low pre-sale estimate at the time of the auction. Regardless of whether there is a reserve, the auctioneer may reject any bid and withdraw any lot for any reason. In order to comply with the sellers reserve on any lot, the auctioneer may open bidding by placing a bid on behalf of the seller. The auctioneer may bid further on behalf of the seller (i.e. a bid from the book held by the auctioneer) up to the amount of the reserve by placing consecutive bids or by placing bids in response to other bidders. If a lot is not sold, the auctioneer will announce that fact (normally by stating that the lot has been unsold or passed).Property of Keno Auctions / Guarantees Should Keno Auctions own any lot in whole or in part or have a fi nancial inter-est in any lot equivalent to an ownership interest, the catalogue will clearly iden-tify any such property as the Property of Keno Auctions. From time to time, a lot may be offered for which a guaranteed minimum price or an advance secured by the consigned property has been given to the seller. Such property will be identifi ed in the catalogue with the symbol * next to the lot number. AFTER THE SALESuccessful BidsKeno Auctions is not able to notify successful absentee bidders. While invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary handling charges.Buyers Premium A buyers premium will be added to the hammer price of each lot and is pay-able as part of the total purchase price (comprising the hammer price, buyers premium and any applicable taxes). The buyers premium is 24% of the hammer price. Sales TaxUnless exempted by applicable law, all purchases are subject to the 8.875% sales tax of the City and State of New York. Any buyer claiming exemption from sales tax must have the appropriate documentation on fi le with Keno Auctions prior to the release of the property. Conditions of SaleParticipation in this auction is subject to and governed by the following contrac-tual terms. Each prospective buyer is deemed to have reviewed, understood and accepted these conditions of sale and participation in the auction in any manner (in person, by telephone, by written bid or on-line) constitute an accep-tance of these conditions of sale by the participant. BEFORE THE SALECondition Every item offered for sale will be sold subject to the actual condition of the property at the time of the sale (generally referred to as as is). Prospective buyers are permitted and strongly encouraged to thoroughly examine any prop-erty before the auction with the understanding that there is no representation or warranty of any kind concerning the condition or any of the physical aspects of any items offered for sale. Catalogue descriptions or verbal statements are offered as opinion and shall not constitute a representation or warranty or assumption of liability of any nature whatsoever. Registration before Bidding Prospective buyers who wish to bid in the saleroom can register online in advance of the sale, or can come to the saleroom approximately 30 minutes before the start of the sale to register in person. A prospective buyer must complete and sign a registration form and provide identifi cation (including a check acceptance form) before bidding.Absentee Bidding Reasonable efforts will be used to carry out written bids delivered to us before the sale for the convenience of prospective purchasers who are not present at the auction in person, by an agent or by telephone. If written bids for identi-cal amounts are submitted for the same lot and are the highest bids on this lot at the auction, the property will be sold to the person whose written bid was received and accepted fi rst. Execution of written bids is a free service under-taken subject to other commitments at the time of the sale and there shall be no liability for failing to execute any written bid or for errors and omissions in connection with any written bid. Telephone Bidding Telephone bids will be accepted on lots with a low estimate of more than $2,500, no later than twenty-four (24) hours prior to the commencement of the sale and only if capacity allows. Arrangements to bid in languages other than English must be made well in advance of the sale. We will use reasonable efforts to contact prospective purchasers to enable them to participate in the bidding by telephone as a free service, however there will be no liability for any failure or for any errors or omissions in connection with telephone bidding. Online BiddingPlease register for online bidding at Reasonable efforts will be exerted to place on-line bids in the saleroom. However there will be no liability for any failure or error in the placement of such bids. AT THE SALETerms of Bidding The auctioneer has the absolute and sole discretion to refuse any bid and to advance the bidding in any manner. The auctioneer also has the right to with-draw any lot, and in the case of error and dispute (whether during or after the sale) to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the property. The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will be determined at the sole discretion of the auctioneer. In the event of a dispute between bidders, the auctioneer has fi nal discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the sale record of the auctioneer is conclusive.Participation in the auction may be disallowed for any reason. A bid is an offer to purchase and by making a successful bid, a bidder is accepting personal liabil-ity to pay the purchase price, plus the buyers premium, all applicable taxes and all other applicable charges. Additional Information and Condition Reports at 99In the event that the property is removed from the auction premises by Keno Auctions, the buyer will be charged for 120% of the actual packing and shipping cost incurred in transporting the property and a daily storage charge of 1.5% of the purchase price of the property (commencing on the day following the completion of the auction). At the option of Keno Auctions the property may be transferred to and stored at a bonded warehouse and the buyer agrees to pay all the transfer and storage expenses and accepts all risks of loss or damage. Keno Auctions will only release the items after payment in full has been made of transportation, administration, handling, insurance any other costs incurred, together with all other amounts due to us.Warranty Except as specifi cally described in this particular condition, Keno Auctions makes no representation or warranty of any kind as to the accuracy of any description of any lot and any information regarding any subject including quality, authentic-ity, medium, size, date, importance, rarity, provenance or historical relevance. Any statements made in the catalogue or at the sale or in any invoice or in any other writing shall not be deemed or constitute any warranty, representation, statement of fact or assumption of liability. Notwithstanding the foregoing, Keno Auctions will warrant the accuracy of any statement or information set forth in BOLD type in the catalogue description of the lot, unless clearly and conspicuously modifi ed prior to the bidding on the applicable lot. This warranty regarding the information in bold type shall exist for a period of fi ve (5) years from the date of the auction and is given solely to and strictly for the benefi t of the original purchaser of record at the auction. It may not be transferred to any third party. Furthermore, the exclusive remedy of the original buyer in the event of any inaccuracy not otherwise excluded herein shall be a refund of the hammer price and buyers premium actually paid by the buyer for the lot at the time of the sale. Keno Auctions and its consignor shall not be liable for any incidental or consequential damages incurred or claimed under this warranty.The warranty does not apply if: (i) a written claim supported by a written report by a recognized expert in the applicable fi eld is not delivered by the original buyer to Keno Auctions before the expiration of fi ve (5) years from the date of the sale; or (ii) the catalogue description was consistent with the opinion(s) of generally accepted scholar(s) and/or expert(s) at the date of the sale; or (iii) the only method of establishing any inaccuracy in the warranted informa-tion is by means or processes not generally available or accepted at the time of the auction sale or by means and processes at the time of the auction sale that could have caused damage to the lot or could have caused loss of value to the lot; or (iv) there has been no material loss in value of the lot from its value had it been in accordance with its description in the Bold type; or (v) the property is not returned to Keno Auctions in the same condition as on the date of the auction sale.Governing Law These Conditions of Sale and the rights and obligations of all participants here-under, shall be governed by and construed and enforced in accordance with the laws of the State of New York. The buyer and any agent for the buyer shall be deemed to have consented to the jurisdiction of the state courts of, and the federal courts sitting in, the State of New York.Notice: Regarding jewelry, all weights and dimensions are approximate only. It is strongly recommended that you bring your own expert to examine any prop-erty prior to the auction. Regarding colored stones: Historically colored stones have been enhanced or treated to improve their appearance. It is widely believed that these treatments are permanent; buyers should assume that treatments may not be permanent and stones may require additional care over time. These treatments have been accepted by the jewelry trade. Keno Auctions, its employees, or representatives make no opinions or warran-ties regarding these enhancements/ treatments. All Jewelry is sold as is with no representations of enhancements, treatments or assumption of liability is assumed. This includes all weights, measurements, carats and clarity.PaymentBuyers are expected to pay the full amount due (comprising the hammer price, the buyers premium and any applicable taxes) the day of the auction. Please note that Keno Auctions will not accept payments for purchased lots from any party other than the registered buyer. Lots purchased may be paid for in the following ways: (i) bank checks (ii) checks (iii) cash (up to $7,500)(iv) money orders (up to $7,500)(v) travelers checks (up to $7,500)(vi) Pay Pal (up to $10,000)Bank checks and personal checks should be made payable to Keno Auctions. Checks must be drawn on a US bank and payable in US dollars. In order to process your payment effi ciently, please quote sale number, invoice number and client number with all transactions. Buyers not known to us who wish to write a check must complete a bidder registration form and check acceptance form no later than two business days preceding the auction. Remedies for Non Payment If a buyer fails to make payment in full in good cleared funds, Keno Auctions shall be entitled in its absolute discretion to exercise anyone or more of the fol-lowing rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge interest at a rate of 1.5% per month;(ii) to charge $50 for any dishonored check; (iii) to hold the defaulting buyer liable for the total amount due and to com-mence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to cancel the sale; (v) to resell the property publicly or privately on any terms; (vi) to pay the seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting buyer; (vii) where several amount are owed by the buyer in respect of different pur-chases, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; (viii) to reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids; (ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located and in this regard the buyer will be deemed to have granted such security to Keno Auctions which may retain such property as collateral security for such buyers obligations; (x) to take such other action as may be deemed necessary or appropriate. If the property is resold as described above, the defaulting buyer shall be liable for payment of any defi ciency between the total amount originally due and the price obtained upon resale as well as all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or oth-erwise arising from the default. If any amount is paid to the seller as described above, the buyer acknowledges that Keno Auctions shall have all the rights of the seller, however arising, to pursue the buyer for such amount.Collection of PurchasesWe shall be entitled to retain items sold until all amounts due to us have been received in full in good cleared funds or until the buyer has satisfi ed such other terms as we, in our sole discretion, shall require.Packing, Handling, and ShippingThe removal of purchased property is entirely the responsibility of the buyer. Accordingly, packing, handling and shipping arrangements for any purchased lot is at the entire risk and cost of the buyer. Where we may suggest other handlers, packers or carriers if so requested, we do not accept responsibility or liability for their acts or omissions.Failure to Collect Purchases Where purchases are not collected from the auction premises, whether or not payment has been made, Keno Auctions will remove and store such property in any manner and by any means that it deems appropriate. Keno Auctions will not be responsible or liable for any damage caused as a direct or indirect result of the removal and storage of such property. Important American Furniture, Paintings, Folk Art and Decorative ArtsTuesday, 22 January 2013 10:00 AM127 East 69th Street New York, NY 10021 +1 212 734 2381 Kenoauctions.com1009Important American Furniture, Paintings, Folk Art and Decorative Arts22 January 2013 Keno_12643683_cvr.pdfKeno_12643683.pdf