iberian & roman art

37
THE IBERIAN & ROMAN ART IN SPAIN

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Page 1: Iberian & Roman Art

THE IBERIAN & ROMAN ARTIN SPAIN

Page 2: Iberian & Roman Art

THE IBERIAN ART

Page 3: Iberian & Roman Art

When “Second Iron Age”

From V to III Century BC

Page 4: Iberian & Roman Art

IBERIANS

CELTS

GREEKS

PHOENICIANS

CARTAGINIANS

• Different cultures…

Page 5: Iberian & Roman Art

Funerary Monuments (Pozo Moro en M.A.N.)

Page 6: Iberian & Roman Art

SCULPTURE

Religious - funerary sculpture

Sanctuaries

Page 7: Iberian & Roman Art

CARACHTERISTICS

Polichrome sandstone From S.V to Roman conquest Mainly seated or standing females (Goddess? Priestess?) Familiar groups Males: heads or busts, warriors Bulls, lions & griffins

Page 8: Iberian & Roman Art

CARACHTERISTICSBulls, lions & griffins For protection

Page 9: Iberian & Roman Art

CARACHTERISTICSBulls, lions & griffins

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II Century BC Priestess? Geometrical clothes Hieratism

LADY OF CERRO DE LOS SANTOS

Page 11: Iberian & Roman Art

LADY OF BAZA

Policrome grey stone A hole for ashes at the right

side Small bird in one hand

(life after death?)

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Coiffure or hat with pearls Huge earings Various necklaces Greek influence IV Century BC

Page 13: Iberian & Roman Art

Polichrome sandstone IV Century BC Complex headdress Funerary statue? (has an

apperture in the rear for ashes) Strong Greek influence

LADY OF ELCHE

Page 14: Iberian & Roman Art

Maybe part of a seated statue?

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Maybe part of a seated statue?

56 cm

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Page 17: Iberian & Roman Art

ROMAN ART

Page 18: Iberian & Roman Art

ROMAN ARCHITECTURE

•Functionalism and Pragmatism

•Systematic use of arch and vault

•Monumental proportions

•Decorative art is associated to architecture

•Stone, brick or mortar of concrete

Page 19: Iberian & Roman Art

ROMAN ARCHITECTURE

•Functionalism and Pragmatism

•Systematic use of arch and vault

Page 20: Iberian & Roman Art

ROMAN ARCHITECTURE

Functionalism and Pragmatism

Stone, brick or mortar of concrete

Page 21: Iberian & Roman Art

ROMAN ARCHITECTURE

•Monumental proportions: they express Greatness of Rome

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ROMAN ARCHITECTURE

Decorative art is associated to architecture:mosaics and frescoes

Page 23: Iberian & Roman Art

ROMAN ARCHITECTUREUse of Greek orders -Ionic, Doric and

Corinthianplus two new orders: Tuscan and Composed

Tuscan Doric Ionic CorinthianComposed

Page 24: Iberian & Roman Art

ROMAN ARCHITECTURE•Religious architecture

•Tombs

•Urban architecture

•Works of engineering

•Buildings for public spectacles

•Commemorative buildings

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ROMAN ARCHITECTURE

•Religious architecture

Page 26: Iberian & Roman Art

ROMAN ARCHITECTURE

Tombs

Page 27: Iberian & Roman Art

ROMAN ARCHITECTURE

Works of engineering

Acueduct of Segovia II c BCthe most artistic and

monumental engineering work from Roman History.

Page 28: Iberian & Roman Art

•More than 15 kilometers from Fuenfría Springs

•It’s 29 meters high

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Granite stone- roughly carved and placed in a dry way (without mortar)

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ROMAN ARCHITECTURE

Works of engineering

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ROMAN ARCHITECTURE

Buildings for public spectacles

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ROMAN SCULPTURE

•Marble and Bronze

•Realistic

•Portraits

•Reliefs decorating buildings

Page 33: Iberian & Roman Art

ROMAN SCULPTURE

•Marble

•Realistic

•Portrait

Page 34: Iberian & Roman Art

ROMAN SCULPTURE

•Marble

•Realistic

•Portraits

Page 35: Iberian & Roman Art

ROMAN MOSAICSIn their domestic architecture and in the places of worship.

Page 36: Iberian & Roman Art

ROMAN MOSAICS2 main styles:

Opus tesselatum. Small cubes (1 cm) of different colors

Page 37: Iberian & Roman Art

ROMAN MOSAICS

2 main styles:

Opus vermiculatum. Smaller pieces (1-5 mm) to imitate the work of painters.