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Welcome to How to Play Piano Lessons where you will learn how to read music on the grand staff and play all of
your favourite music expressively and with technical precision.
Each lesson consists of technical warm-ups, expressive exercises, learning new repertoire, reviewing old
repertoire and "pause and play" time so that you can practice your skills - just like a real-time lessons!
This set of notes is for the first 20 Piano Lessons. They contain hyperlinked video tutorials, sheet music and
concise written explanations to optimise your learning experience. Lesson 1 starts at the very beginning and
assumes no musical knowledge.
Don't hesitate to forward me your performance audio or video tracks via email [email protected] or
Skype for friendly, personalised support. You can also message me at the website www.simprov.biz.
In addition, you are eligible for membership of the How to Play Piano & Keyboard Facebook Gallery. Request to
join this secret group and begin posting your performances for other How to Play Piano scholars to learn from
and enjoy.
You can also join our vibrant Beginner Piano WhatsApp Group here, dedicated to learning together and
supporting each other’s musical progress.
As you travel through the lessons, you will learn the meaning of a range of music notation. Have a pencil close
by so that you can jot down various notes onto your sheet music.
Don’t be in a hurry and feel that you have to rush through these lessons. Give yourself plenty of time and take
every opportunity to explore your creativity. It's the journey rather than the destination that is your goal.
Each lesson begins with a YouTube Piano Lesson. Click on the link to watch the lesson. The sheet music and
clearly written explanations of the relevant practical skills and music theory follow on from the hyperlink.
Let’s get onto the piano and have some fun!
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PIANO LESSONS – PRELIMINARY TUTORIAL
Click Here to Watch the Preliminary Tutorial
Before You Begin Playing
Your posture at the piano
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PIANO LESSON 1 – Notes to Play and When to Play Them
Click Here to Watch the Online Lesson
Locating Middle C
The Middle C piano key is to the left of the 2 black keys located in the middle of the piano.
Music Staff & Treble Clef
The music staff is the 5 lines and 4 spaces upon which music is written.
The treble clef (or G clef) is the symbol that gives the names to the notes that are located mostly on the
upper half of the piano.
The First 5 Notes
The first 5 notes from Middle C to G are written on the treble staff as follows:
C D E F G
Bar lines
Bar lines are short lines that are drawn across the staff. They divide the music into equal parts called bars or
measures.
Time signature
A time signature is the two numbers that appear at the beginning of a piece of music. Time signatures indicate
the number of beats (top number) and the type of beats (bottom number) in each bar/measure.
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The Semibreve/Whole Note
Semibreves, also called whole notes, are round open notes that are held for 4 beats
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
The Minim/Half Note
Minims, also called half notes, are round open notes with a stem that are held for 2 beats.
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
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The Crotchet/Quarter Note
Crotchets, also called quarter notes, are coloured in notes with a stem that are held for 1 beat.
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
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PIANO LESSON 2 – Let’s Play Some Tunes
Click Here to Watch the Online Lesson
Play through each example slowly using your right hand and fingers 1 to 5.
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Example 1
Example 2
Example 3
Example 4
Example 5
Example 6
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Example 7
Example 8
Example 9
Example 10
Example 11
Example 12
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PIANO LESSON 3 – Let’s Play Some Longer Tunes
Click Here to Watch the Online Lesson
Play through each example slowly using your right hand and fingers 1 to 5.
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Feel free to write in the fingers that you need to use above the notes.
(Remember don’t write in the letter names!)
Three Is Not A Crowd
Sweet and Short
Tango-ette
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Mini Calypso
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PIANO LESSON 4 – The Left Hand
Click Here to Watch the Online Lesson
The Bass Clef
The bass clef (or F clef) is the symbol that gives the names to the notes that are located mostly on the lower
half of the piano.
The First 5 Left Hand Notes
The first 5 notes from C to G are written on the bass staff as follows:
C D E F G
Left hand semibreves
Left hand minims
Left Hand crotchets
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PIANO LESSON 5 – Let’s Play Some Left Hand Tunes
Click Here to Watch the Online Lesson
Play through each example slowly using your left hand and fingers 1 to 5.
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Example 1
Example 2
Example 3
Example 4
Example 5
Example 6
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PIANO LESSON 6 – Left Hand Tunes
Click Here to Watch the Online Lesson
Play through each example slowly using your left hand and fingers 1 to 5.
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Feel free to write in the fingers that you need to use above the notes and the counting below the notes.
(Remember don’t write in the letter names!)
Au Claire De La Lune
Tisket, A Tasket
Aura Lee
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Ode to Joy
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PIANO LESSON 7 – Taking Turns
Click Here to Watch the Online Lesson
The treble staff and bass staff can be joined together by a bracket to form the Grand Staff as shown in the
diagram below:
Playing on the Grand Staff
Play through each tune slowly using your left and right hands as indicated on the sheet music.
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Feel free to write in the fingers that you need to use above the notes and the counting below the notes.
(Remember don’t write in the letter names!)
A bracket joins the
treble and bass staffs
together
These are repeat dots. In these tunes they indicate that the music is to be repeated from the beginning.
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Off We Go
Dancing Hats
This is the symbol for a crotchet rest. A rest is a sign meaning silence. When you come to a rest you raise
your hands from the keys. Like a crotchet note, a crotchet rests also lasts for 1 beat.
This is the symbol for a semibreve rest. It lasts for the whole bar.
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PIANO LESSON 8 – Intervals
Click Here to Watch the Online Lesson
Practice each line slowly and once you are comfortable and the music is flowing, play the whole piece from
start to finish. (Don’t forget the repeat).
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
Then There Were Two
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PIANO LESSON 9 – Let’s Get Together
Click Here to Watch the Online Lesson
Practice each line slowly, first with your right and left hands separately and then practice each line with your
hands together. Gradually work your way through the music one line at a time until you are practicing the piece
from start to finish. Spend more time on any small sections that are a proving to be a challenge. No need to
overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
Up and Down We Go
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PIANO LESSON 10 – Playing Expressively
Click Here to Watch the Online Lesson
Play with your right and left hands separately using finger 3
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PIANO LESSON 11 – Then There Were Three
Click Here to Watch the Online Lesson
Practice each line slowly, first with your right and left hands separately and then practice each line with your
hands together. Gradually work your way through the music one line at a time until you are practicing the piece
from start to finish. Spend more time on any small sections that are a proving to be a challenge. No need to
overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your left hand chord notes sound together and that the right hand melody can be heard over the
left hand accompaniment. Also listen carefully to ensure that your right hand is playing this tune as legato
(connected) as possible even though your left hand is playing detached.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
Then There Were Three
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PIANO LESSON 12 – Right Hand Chords
Click Here to Watch the Online Lesson
Expressive Development – Ding Dong Play “Ding Dong” with your right and left hands separately using finger 3.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the two keys
New Learning – Chord Fancy
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your right hand chord notes sound together.
Also listen carefully to ensure that your left hand is playing this tune as legato (connected) as possible even
though your right hand is playing detached.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
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Chord Fancy
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PIANO LESSON 13 – Introducing Marianne
Click Here to Watch the Online Lesson
Expressive Development – Corn Flower Play “Corn Flower” with your right and left hands separately using finger 3.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the keys
New Learning – Marianne
New Note
There is a new note, the B note, in each hand of this piece. For the left hand “B”, move your finger 5 (pinky finger) down one note to play the white note to the left of C.
For the right hand “B”. move your thumb down one note to play the white note to the left of Middle C.
G7 Chord
The new chord in the left hand is part a G7 chord. (More about this in future videos).
The Tie
A curved line that joins two notes that are the same is called a tie. The second note is not played but held for
its full value.
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your right hand chord notes sound together.
Also listen carefully to ensure that your right hand is playing this tune as legato (connected) as possible even
though your left hand is playing detached.
There are repeat dots at the end of this piece indicating that you need to return to the beginning and play it a
second time. For some variation, consider playing the right hand notes an octave higher for the repeat.
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Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
Marianne
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PIANO LESSON 14 – Let’s Get Dynamic
Click Here to Watch the Online Lesson
Expressive Development – In the Shadow of the Hill Play “In the Shadow of the Hill” with your right and left hands separately using fingers 2, 3 and 4.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the keys
New Learning – Easy Walking
Musical Terms
Musical terms are used to provide some direction for performance with respect to the speed at which the
music is to be played (tempo), how loudly or softly the music is to be played (the strength of the tone), the
expression that is to be incorporated into the music, as well as other general directions, such as when and how
to repeat sections of the music (the form of the music).
Many musical terms are in Italian because many of the most important early composers were Italian.
These terms in Easy Walking indicate the strength of tone to be used:
pp – pianissimo – very soft
p – piano – soft
mf – mezzo forte – moderately loud
f – forte – loud
The term “Andante” means at “an easy walking pace” and indicates the tempo of the music.
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your interval notes sound together.
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Also listen carefully to ensure that the melody is played as legato (connected) as possible even though the
accompaniment intervals are played detached.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
Easy Walking
alskdjfhaslkdjhflaskdhflk
ashdflkashdflkashdf
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PIANO LESSON 15 – The Romance of 3/4 Time
Click Here to Watch the Online Lesson
Expressive Development – The Green Meadow “The Green Meadow” is written on the grand staff with both hand playing notes in the treble clef.
Play the tune with your right and left hands using finger 3.
The dots at the end of the music indicate that it needs to be repeated.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the keys
4) Creating flowing coordinated hand gestures
New Learning – What Can I Share
The Key of a Piece of Music
The key of the piece of music is based on the notes of the scale from which it is made.
This piece is only made up of the white notes on the keyboard, which are the notes of the C major scale. This
makes its key is C major.
Time Signature
The time signature of this piece is 3/4. The top number indicates the number of beats in each bar so for this
tune you only need to count to 3!
Legato Slur
Long curved lines under or over groups of notes are called legato slurs and indicate that the notes need to be
played smooth, even and connected.
Dotted Minim
Dots after notes increase their value by half. As a minim in usually held for 2 beats, a dotted minim is held for
3 beats. (Half of 2 is 1 and 2 + 1 = 3)
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Tie
Curved lines that are between two notes that are the same are called ties. The second note is not played but
held down for its full value.
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 3 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your chord notes sound together.
Listen carefully to ensure that the melody is played as legato (connected) as possible even though the
accompaniment chords are played detached.
Also listen to see if the first half of the piece is sounding moderately loud and the second half of the piece is
soft.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
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What Can I Share
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PIANO LESSON 16 – New Notes
Click Here to Watch the Online Lesson
Expressive Development – Rabbit “Rabbit” is written on the grand staff with both hand playing notes in the treble clef.
Play the tune with your right and left hands using the fingers shown on the sheet music.
The dots at the end of the music indicate that it needs to be repeated.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the keys using the fingers shown on the sheet music
4) Creating flowing coordinated hand gestures
New Learning – A True Friend
New Notes
These tunes have notes written higher on the treble and bass staves. Use your favourite memorisation
technique to learn them. There are some great apps available that might assist.
B C D E F G A B C D
B C D E F G A B C D
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Pick Up Notes / Anacrusis
The time signature of this piece shows that there are 4 beats in every bar. The first bar of music is
incomplete as it only contains 3 crotchet notes instead of 4. These notes are called pick up notes (or in
classical music, an anacrusis). They provide some anticipation before the start of the music.
The last bar of music is also incomplete as it contains 1 crotchet instead of 4. The last bar of music combines
with the first pick up bar and together they make one full bar of music containing 4 crotchet beats.
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your chord notes sound together.
Listen carefully to ensure that the melody is played as legato (connected) as possible even though the
accompaniment chords are played detached.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
A True Friend
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Independent Learning – The Happy Traveler Using all of our learning techniques (analysis, followed by separate hands then hands together slow practice on
small sections at a time) have a go at learning this piece of music yourself.
Compare your interpretation with mine next lesson.
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PIANO LESSON 17 – Accidentals Are No Accident
Click Here to Watch the Online Lesson
Expressive Development – Rain
“Rain” is written on the grand staff with both hand playing notes in the treble clef.
Play the tune with your right and left hands using the fingers shown on the sheet music.
The dots in the middle of the music to the left of the double bar lines indicate that you need to repeat the
first half of the music from the beginning. The dots at the end of the music indicate that you need to repeat
from the preceeding dots (to the right of the double bar line in the middle of the music) meaning that you
need to repeat the second half of the music as well. All in all, the first half of the tune needs to be played
twice and this is followed by the second half of the tune that also needs to be played twice.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the keys using the fingers shown on the sheet music
4) Creating flowing coordinated hand gestures
New Learning – Money Cant But Everything
The Sharp
A sharp symbol indicates that a note needs to be raised by one semitone. That means playing the note that is
immediately above (or to the right) of the note that follows the sharp symbol.
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Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 4 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your interval notes sound together.
Play the first half of the song forte (loud) and the second half of the song piano (soft) with a big forte (loud)
finish at the end.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
Money Cant But Everything
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PIANO LESSON 18 – A New Key
Click Here to Watch the Online Lesson
New Learning – Happily Strolling
Key Signatures and Keys
Key signatures are the sharps or flats that appear at the beginning of each stave of music after the clef.
They indicate the key in which the music is written.
The key of a piece of music is determined by the notes of the scale from which the music is based.
The tune “Happily Strolling” has a key signature of F sharp (F#).
The key signature of G major is one sharp F and as this song begins with a G chord in the bass and ends with G
notes in the treble and bass, it is in the key of G major.
The Slur
A curved line between 2 notes that are different is called a slur. A slur is played by accenting the first note
and playing the second note lightly.
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 3 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your chord notes sound together. Also listen to make sure that all of the notes covered by a legato
slur are being played smooth, even and connected.
Feel free to write in the fingers that you need to use and the counting. If you are forgetting to play F sharps
instead of F notes, write sharp symbols onto the music before all of the F notes.
(Remember don’t write in the letter names!)
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Happily Strolling
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PIANO LESSON 19 – And it Goes Ooom Pah Pah
Click Here to Watch the Online Lesson
New Learning – Beautiful Brown Eyes
Oom Pah Pah
The left hand bass pattern in bars 3 and 4 is commonly used in music with 3 beats in a bar such as waltzes. You
can choose to hold down the left hand note played on beat 1 of this “ooom pah pah” pattern whilst you play the
interval notes on beats 2 and 3 to fill out the bass sound.
Legato Slurs and Phrase Lines
In this tune, each line of treble notes is covered by a long legato slur to indicate that the notes should be
played smooth, even and connected.
Coincidently, these legato slurs also outline the musical phrases that make up this piece of music. Musical
phrases are the smaller musical ideas that make up a piece of music as a whole, a little like sentences make up
a larger paragraph.
Each line of music in “Beautiful Brown Eyes” is one musical phrase or idea. Legato slurs do not always indicate
the start and end of musical phrases in a piece of music. In this sheet music though, they do just that!
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 3 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your chord notes and interval notes sound together. Also listen to make sure that all of the notes
covered by a legato slur are being played smooth, even and connected.
Feel free to write in the fingers that you need to use and the counting. If you are forgetting to play F sharps
instead of F notes, write sharp symbols onto the music before all of the F notes.
(Remember don’t write in the letter names!)
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Beautiful Brown Eyes
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PIANO LESSON 20 – Do It Gradually
Click Here to Watch the Online Lesson
Expressive Development – Silver Sledges
“Silver Sledges” is written on the grand staff with both hand playing notes in the treble clef.
Play the tune with your right and left hands using the fingers shown on the sheet music. Play the notes in a
detached manner (or with a mezzo staccato articulatiob).
The symbol at the end of the music is a “diminuendo” or “descescendo” symbol indicating that you
need to play the notes over which it is written, gradually softer. Progressively channel less arm weight through
your relaxed wrist and curved fingers as you press down the keys to gradually soften the sound of each
successive note.
Be very mindful of:
1) Using your relaxed wrist movement to interact with the keys
2) Engaging your hearing to become aware of the connection between your interaction with the keys and
the sound produced by your piano
3) Moving smoothly between the keys using the fingers shown on the sheet music
4) Creating flowing coordinated hand gestures
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New Learning – Waltz Time
Dynamic Signs and Symbols
Music is often filled with text other than the notes on the page. Abbreviations, signs and symbols are
generally scattered throughout written music to indicate various articulations (ways of playing the keys),
dynamics (levels of sound) and tempos (speeds).
Crescendo and Diminuendo (or Decrescendo)
diminuendo or decrescendo – gradually softer
crescendo – gradually louder
To play gradually softer or louder as indicated in the sheet music, progressively channel less (or more) arm
weight through your relaxed wrist and curved fingers as you press down the keys to gradually soften (or
louden) the sound of each successive note.
Practice Tips
Practice each line of music slowly, first with your right and left hands separately and then practice each line
with your hands together. Gradually work your way through the music one line at a time until you are practicing
the piece from start to finish. Spend more time on any small sections that are a proving to be a challenge. No
need to overly practice the parts that you can play well!
Count a steady 3 beat rhythm aloud as you play and listen to the sound that is coming from your piano. Make
sure that your interval notes sound together. Also listen to make sure that all of the notes covered by a legato
slur are being played smooth, even and connected.
Feel free to write in the fingers that you need to use and the counting.
(Remember don’t write in the letter names!)
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Waltz Time