how to make tv and video: five creative approaches

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Five ways to do TV and video CM417.15 Edward Boches, Professor of Advertising

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A lecture for an intro creative class, CM417, Fundamentals of Creative Development, on ways to think about how to approach TV and video.

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Page 1: How To Make TV and Video: Five Creative Approaches

Five ways to do TV and video

CM417.15

Edward Boches, Professor of Advertising

Page 2: How To Make TV and Video: Five Creative Approaches

Thoughts on TV/Video

Page 3: How To Make TV and Video: Five Creative Approaches

Television offers endless opportunities to tell a story, feature a product, bring a user to life.

You can be serious, provocative, funny.

You can convey a feeling, leave an impression or educate the viewer.

But the one thing you have to remember is that every person sitting in front of the TV set has a remote control within reach.

Page 4: How To Make TV and Video: Five Creative Approaches

What makes great?

Page 5: How To Make TV and Video: Five Creative Approaches

Are you interesting enough to watch?

Are you respecting your viewer?

Are you rewarding them for their time?

Would you want to watch it yourself?

Would you share it with a friend?

Page 6: How To Make TV and Video: Five Creative Approaches

What come !rst?

Page 7: How To Make TV and Video: Five Creative Approaches

Strategy

Audience

Message

Concept

Execution

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Strategy: client, planner, account team, CD

Audience: client, planner, media

Message: planner, account team, CD

Concept: writer, art director

Execution: CD, writer, art director, producer, director, editor,

Page 9: How To Make TV and Video: Five Creative Approaches

Where do you start?

Page 10: How To Make TV and Video: Five Creative Approaches

What do you want to say?

Page 11: How To Make TV and Video: Five Creative Approaches

How can you dramatize it?

Page 12: How To Make TV and Video: Five Creative Approaches

Five ways to do video

Page 13: How To Make TV and Video: Five Creative Approaches

All are concepts thatyou can remember

and tell someone about.(Stories)

Page 14: How To Make TV and Video: Five Creative Approaches

Manifesto: say it brilliantly in words

Tell a story: beginning, middle, end -- classic dramatic structure

Visual: bring a powerful image to life to convey a feeling

Dialog/drama: create a mini drama with characters and dialog

Monolog: personal story or recollection

Page 15: How To Make TV and Video: Five Creative Approaches

The Manifesto

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Page 19: How To Make TV and Video: Five Creative Approaches

If you let me play sports

I will like myself more;

I will have more self-con!dence,

I will be 60 percent less likely to get breast cancer;

I will suffer less depression.

I will be more likely to leave a man who beats me.

I will be less likely to get pregnant

I will learn what it means to be strong.

If you let me play sports.

Page 21: How To Make TV and Video: Five Creative Approaches

Here’s to the crazy ones.

The mis!ts. The rebels. The trouble-makers.

The round pegs in the square holes.

The ones who see things differently.

They're not fond of rules, and they have no respect for the status-quo.

You can quote them, disagree with them, glorify, or vilify them.

About the only thing you can't do is ignore them.

Because they change things.

They push the human race forward.

And while some may see them as the crazy ones, we see genius.

Because the people who are crazy enough to think they can change the world --

are the ones who do.

Page 23: How To Make TV and Video: Five Creative Approaches

When I grow up, I want to !le all day.

I want to claw my way up to middle management.

Be replaced on a whim.

I want to have a brown nose.

I want to be a yes man.

Yes woman.

Yes sir. Coming Sir.

Anything for a raise sir.

When I grow up I want to be under appreciated.

Be paid less for doing the same job.

I want to be forced into early retirement.

Page 24: How To Make TV and Video: Five Creative Approaches
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Plain was the same as it ever was.

Plainly plain.

Samely same.

But then, someone lit the "ame.

Plain rode away on lion’s mane.

Where plain met fruits with strangely names.

Such wonderful things they did contain.

A shot of life to a hungry vein.

That kept a beast who broke the chain.

And there upon that fruited plane

Is where plain became what plain became.

So much more than more than plain.

Plain will never be the same.

Page 29: How To Make TV and Video: Five Creative Approaches

What does the product stand for and believe?

What do you want me to know about its vision?

Tell a story with words that resonate.

Write it. Write it again. Write it again. And again.

Page 30: How To Make TV and Video: Five Creative Approaches

Visual story telling

Page 31: How To Make TV and Video: Five Creative Approaches

VW’s handles great in the snow.

Mercedes Benz handles great in the snow.

Levi’s is for rebels

VW has useful features like the remote key.

Google search has all the answers

Page 32: How To Make TV and Video: Five Creative Approaches

How can I convey that in a story?

Is there tension and drama?

Character development?

Is there a protagonist?

What makes me remember it?

How is time manipulated?

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Page 35: How To Make TV and Video: Five Creative Approaches
Page 39: How To Make TV and Video: Five Creative Approaches

How can I demonstrate the feature?

Come up with 100 answers.

Evaluate them based on relevance to brand, target, category convention.

Presuming they are original, fresh, unexpected.

Page 40: How To Make TV and Video: Five Creative Approaches

One Powerful Visual

Page 41: How To Make TV and Video: Five Creative Approaches
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Page 49: How To Make TV and Video: Five Creative Approaches

What is the one thing you want to say?

Joy and happiness. Amazing color. Women’s independence. Ultimate desire.

Come up with 100 visual ways to say it.

Page 50: How To Make TV and Video: Five Creative Approaches

Dialog / Scene

Page 57: How To Make TV and Video: Five Creative Approaches

Is there a metaphor?

Is there a mini-drama?

Is there a simple encounter?

Page 58: How To Make TV and Video: Five Creative Approaches

First person monologstory

Page 62: How To Make TV and Video: Five Creative Approaches

Express a virtue that is connected to the product (VW)

Relate an experience that celebrates the user of the brand (Bud)

Share a sentiment, a wish, a regret that a product promises to address (Axe)

Sometimes you are just creating a connection

But you are always telling a story, a narrative, that is interesting

Page 63: How To Make TV and Video: Five Creative Approaches

inform: tell me about new product or feature or bene!t

persuade: convince me you’re better than the alternative

inspire: make me feel good, connect around shared beliefs

entertain: make me laugh and like your brand

Page 64: How To Make TV and Video: Five Creative Approaches

Idea !rst, but then the details matter.

Page 65: How To Make TV and Video: Five Creative Approaches

Shot list

Casting

Location

Music

Editing

Page 68: How To Make TV and Video: Five Creative Approaches

Elements of a script

Page 69: How To Make TV and Video: Five Creative Approaches

An ideaIf you can’t explain your idea in a sentence you probably don’t have an idea.

Page 70: How To Make TV and Video: Five Creative Approaches

There was a ________ that __________ it !gured why not _________.

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There was a bear rug that watched so many Canal + movies it !gured why not direct one itself.

(Show Canal +’s passion about and commitment to, cinema.)

Page 75: How To Make TV and Video: Five Creative Approaches

Sequence of shots

Description/explanation of action

Dialog/VO

SFX/Music

Page 76: How To Make TV and Video: Five Creative Approaches
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Anthem TV: 60

Till all books are read

and all the pens put down

and stories stop being told

and everything there is to learn is learned

till tears are no longer shed

and zingers have all zinged

and the irony is all ironed out

till the heroes retire

and monsters return to their dens

and ships are all beached

and all the plots are wrapped up

till there are no more twists or turns

no more guns in drawers

no more shaggy dogs

till rhymes stop rhyming

and pots stop boiling

and everyone is happy

and there is nothing more to say

till that day

by hook or by crook

by book or by NOOK

I will read.

SUPER: Barnes & Noble

Page 81: How To Make TV and Video: Five Creative Approaches

VO: Plain was the same as it ever was the same. Samely same...

It rode away... ...on a lion’s mane. Where plain met fruits with strangely names.

FAGE :45 Launch Television“PLAIN”

But then, someone lit the flame.Plainly plain...

Plain went against the grain of plain old plain.

Page 82: How To Make TV and Video: Five Creative Approaches

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