honors world history i. renaissance: “rebirth” / period begun by italy’s educated to recreate...

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Honors World HistoryHonors World History

I. Renaissance: “Rebirth” / Period begun by Italy’s educated to

recreate the culture of Greece and Rome

II. Causes of the Renaissance/ End of Feudalism/ End of Plagues/ End of Urban Riots/ Improvement in Textile Industry/ Improvement in Livestock Production/ Improvement in Peasant Life

III. Where did the Renaissance begin?

Where did the Renaissance Begin?/ Began in city-states of Italy (Florence)

because: Central location for trade Religious center (Christianity – Pope of Rome) Start of craft guilds (unions) Serfs were given more freedom Improvement in Bookkeeping Methods

(Fibonacci) Development of trade centers Presence and success of Middle Class Humanistic Philosophy or Values

IV. Humanism – philosophy which IV. Humanism – philosophy which stressed:stressed:

/ Self worth of the individual Portraits Autobiographies Artists wanted to be known for their

creations

/ Love of Learning and the Arts Establishment of many Universities Funding of education by the Catholic church

and wealthy aristocrats Stressed Latin and physical and moral

development Translated the Bible Taught less Bible and more Classic Literature

Enjoyment of Worldly Pleasures/ Fancy clothes/ Tasty foods/ Life should be enjoyed

V. Achievements

/ Literature Topics ranged from religious to secular

subjects– Miguel de Cervantes – Don Quixote– Shakespeare– Francesco Petrarch – Sonnets to Laura

/ Printing Press Johann Gutenberg – movable type 1455 press used to produce the first Bible

printed by machine helped spread new learning more people learned to read

 

VI. Period of Great Discovery and Exploration

/ Why Explore? New Technology – Caravel, Compass, lateen

sail Geography – Flat Earth Belief Self Confidence of the Renaissance

/ Effects of Exploration Map coast of Atlantic Ocean Two new continents discovered and explored Globe circumnavigated Exploration of the New World

– Slavery in the New World– New Foods

Art and PatronageArt and Patronage Italians were willing to spend a lot of

money on art./ Art communicated social, political, and

spiritual values./ Italian banking & international trade

interests had the money.

Public art in Florence was organized and supported by guilds.

Therefore, the consumption of art was used as a form of competition for social & political status!

1. Realism & 1. Realism & ExpressionExpression

Expulsion Expulsion fromfromthe Gardenthe Garden

MasaccioMasaccio

14271427

First nudes First nudes sincesinceclassical classical timestimes..

2. Perspective2. Perspective

Perspective!Perspective!Perspective!Perspective!Perspective!Perspective!

Perspective!Perspective!Perspective!Perspective!

First use First use of linear of linear

perspective!perspective!

Perspective!Perspective!Perspective!Perspective!

The The TrinityTrinity

MasaccioMasaccio

14271427

What you What you are, I once are, I once was; what I was; what I am, you will am, you will

become.become.

PerspectivePerspective

3. Classicism3. Classicism

Greco-Roman influence.

Secularism.

Humanism.

Individualism free standing figures.

Symmetry/BalanceThe The “Classical Pose”“Classical Pose”

Medici “Venus” (1c)Medici “Venus” (1c)

4. Emphasis on 4. Emphasis on IndividualismIndividualism Batista Sforza & Federico de Montefeltre: Batista Sforza & Federico de Montefeltre:

The Duke & Dutchess of UrbinoThe Duke & Dutchess of Urbino

Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.

Isabella d’Este –Isabella d’Este – da Vinci, 1499 da Vinci, 1499

1474-1539

“First Lady of the Italian Renaissance.”

Great patroness of the arts.

Known during her time as “First Lady of the World!”

5. Geometrical Arrangement of 5. Geometrical Arrangement of FiguresFigures

The Dreyfus The Dreyfus Madonna Madonna with the with the PomegranatPomegranatee

Leonardo da Leonardo da VinciVinci

14691469

The figure as The figure as architecture!architecture!

6. Light & Shadowing/Softening 6. Light & Shadowing/Softening EdgesEdges

ChiaroscuroChiaroscuro

“light dark”

SfumatSfumatoo

“to tone down”

7. Artists as 7. Artists as Personalities/CelebritiesPersonalities/Celebrities

Lives of the Lives of the Most Most Excellent Excellent Painters, Painters, Sculptors, andSculptors, andArchitectsArchitects

Giorgio VasariGiorgio Vasari

15501550

Renaissance Renaissance FlorenceFlorence

The Wool FactoryThe Wool Factoryby Mirabello Cavalori, 1570by Mirabello Cavalori, 1570 1252 – first gold 1252 – first gold

florinsflorins minted minted

Florentine lion:Florentine lion:symbol of St. symbol of St.

MarkMark

Lorenzo Lorenzo the Magnificentthe Magnificent

1478 - 15211478 - 1521

Cosimo de Cosimo de MediciMedici

1517 - 15741517 - 1574

Florence Under the MediciFlorence Under the Medici

Medici ChapelMedici Chapel

The Medici PalaceThe Medici Palace

Filippo Filippo BrunelleschiBrunelleschi1377 - 14361377 - 1436

ArchitectArchitect

Cuppolo of St. Cuppolo of St. MariaMariadel Fioredel Fiore

Filippo BrunelleschiFilippo Brunelleschi

Commissioned to build the cathedral dome./ Used unique

architectural concepts. He studied

the ancient Pantheon in Rome.

Used ribs for support.

Brunelleschi’s “Secret”Brunelleschi’s “Secret”

Brunelleschi’s Dome:Brunelleschi’s Dome:Basilica of Saint Mary of the Flower

Comparing DomesComparing Domes

Other Famous DomesOther Famous Domes

Il Duomo St. Peter’s St. Paul’s US capital

(Florence) (Rome) (London) (Washington)

The Duomo, as if completed, in a fresco by Andrea di Bonaiuto, painted in the 1390s, before the commencement of the dome

The Duomo’s Baptistery Doors

The Ideal CityThe Ideal City Piero della Francesca, 1470Piero della Francesca, 1470

A Contest to Decorate the Cathedral: A Contest to Decorate the Cathedral: Sacrifice of IsaacSacrifice of Isaac Panels Panels

Brunelleschi Ghiberti

Ghiberti – Ghiberti – Gates of ParadiseGates of ParadiseBaptistry Door, Florence – 1425 - Baptistry Door, Florence – 1425 -

14521452

The Winner!The Winner!

David by David by DonatelloDonatello

14301430

First free-form bronze First free-form bronze since Roman times!since Roman times!

The Liberation of The Liberation of SculptureSculpture

Vitruvian Vitruvian Man Man

Leonardo daLeonardo daVinciVinci

14921492TheThe

L’uomoL’uomouniversaleuniversale

The Renaissance “Man”The Renaissance “Man”

Broad knowledge about many things in different fields.

Deep knowledge/skill in one area. Able to link information from

different areas/disciplines and create new knowledge.

The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

Self-Portrait Self-Portrait -- da Vinci, 1512-- da Vinci, 1512

1452 - 15191452 - 1519

Artist

Sculptor

Architect

Scientist

Engineer

Inventor

Leonardo, the Leonardo, the ArtistArtist

The Virgin The Virgin of the Rocks of the Rocks

Leonardo daLeonardo daVinciVinci

1483-14861483-1486

Leonardo, the Artist:Leonardo, the Artist:From his From his Notebooks of over Notebooks of over 5000 5000

pages (1508-1519)pages (1508-1519)

Mona LisaMona Lisa – da Vinci, 1503-4 – da Vinci, 1503-4

Mona Lisa OR da Vinci??

The Last Supper The Last Supper - da Vinci, - da Vinci, 14981498

& Geometry& Geometry

RefractoryRefractory

Convent of Convent of Santa Maria Santa Maria delle Graziedelle Grazie

MilanMilan

horizontal

vert

ical

PerspectivPerspective!e!

The Last Supper The Last Supper - da Vinci, 1498- da Vinci, 1498

A Da Vinci “Code”:St. John or Mary Magdalene?

Leonardo, the Architect:Leonardo, the Architect:Pages from his Pages from his NotebookNotebook

Study of a Study of a central central church.church.

14881488

Leonardo, the Scientist (Biology):Leonardo, the Scientist (Biology):Pages from his Pages from his NotebookNotebook

An example of An example of the humanist the humanist desire to desire to unlock the unlock the secrets of secrets of nature.nature.

Leonardo, the Scientist (Anatomy): Leonardo, the Scientist (Anatomy): Pages from his Pages from his NotebookNotebook

Leonardo, the Inventor: Leonardo, the Inventor: Pages from his Pages from his

NotebookNotebook

Man Can Fly?Man Can Fly?

A study of siege A study of siege defenses.defenses.

Studies of water-lifting Studies of water-lifting devices.devices.

Leonardo, the Engineer: Leonardo, the Engineer: Pages from his Pages from his NotebookNotebook

Michelangelo BuonorratiMichelangelo Buonorrati

1475 – 15641475 – 1564

He He represented represented the body in the body in three three dimensions dimensions of sculpture.of sculpture.

Donatello 1408-1409, Michelangelo 1501-1504, Bernini 1623-1624

Three David Sculptures from the Renaissance

DavidDavid

MichelangelMichelangelooBuonarottiBuonarotti

15041504

MarbleMarble

15c15c

16c 16c

WhatWhat

aa

differencedifference

aa

centurycentury

makes!makes!

The PietaThe Pieta

MichelangeMichelangeloloBuonarrotiBuonarroti

14991499

marblemarble

The Popes as Patrons of the Arts

The Sistine Chapel

Michelangelo Buonarroti

1508 - 1512

The Sistine Chapel’s The Sistine Chapel’s CeilingCeiling

Michelangelo BuonarrotiMichelangelo Buonarroti1508 - 15121508 - 1512

The Sistine Chapel The Sistine Chapel DetailsDetails

The The Creation Creation

of the of the HeavensHeavens

The Sistine Chapel The Sistine Chapel DetailsDetails

Creation of ManCreation of Man

The Sistine Chapel The Sistine Chapel DetailsDetails

The Fall The Fall from from GraceGrace

The Sistine Chapel The Sistine Chapel DetailsDetails

The Last JudgmentThe Last Judgment

Baldassare Castiglione by Raphael,1514-1515

Wrote Wrote The The Courtier Courtier

Castiglione Castiglione represented represented the humanist the humanist “gentleman” “gentleman” as a man of as a man of refinement refinement and self-and self-control.control.

PerspectivPerspective!e!

PerspectivPerspective!e!

Betrothal of the Virgin

Raphael

1504

Raphael’sRaphael’s Canagiani Madonna, Canagiani Madonna, 15071507

Raphael’sRaphael’s Madonnas Madonnas (1)(1)

Sistine MadonnaSistine Madonna Cowpepper MadonnaCowpepper Madonna

Madonna della SediaMadonna della Sedia Alba MadonnaAlba Madonna

Raphael’s Madonnas (2)

The School of Athens – Raphael, 1510 -11

One point perspective. All of the important Greek philosophers

and thinkers are included all of the great personalities of the Seven Liberal Arts!

A great variety of poses. Located in the papal apartments library. Raphael worked on this commission

simultaneously as Michelangelo was doing the Sistine Chapel.

No Christian themes here.

The School of Athens The School of Athens – Raphael, 1510 – Raphael, 1510 -11-11

Raphael

Da Vinci

Michelangelo

AristotleAristotle::looks to thislooks to thisearth [theearth [thehere andhere and

now].now].

PlatoPlato::looks to thelooks to theheavens [or heavens [or

the IDEALthe IDEALrealm].realm].

The School of Athens The School of Athens – Raphael, – Raphael, detailsdetails

Zoroaster

Ptolemy

Euclid

The Liberation of St. PeterThe Liberation of St. Peter by Raphael, by Raphael, 15141514

Portrait of Pope Julius IIPortrait of Pope Julius II by Raphael, 1511-1512 by Raphael, 1511-1512

More concerned More concerned with politics than with politics than with theology.with theology.

The “Warrior The “Warrior Pope.”Pope.”

Great patron of Great patron of Renaissance Renaissance artists, especially artists, especially Raphael & Raphael & Michelangelo.Michelangelo.

Died in 1513Died in 1513

Birth of VenusBirth of Venus – Botticelli, 1485 – Botticelli, 1485

An attempt to depict perfect beauty.

PrimaveraPrimavera – Botticelli, 1482 – Botticelli, 1482

Depicted classical gods as Depicted classical gods as almost naked and life-size.almost naked and life-size.