high renaissance 1500 – 1600 the action moves to rome

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High Renaissanc e 1500 – 1600 The action moves to Rome

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Page 1: High Renaissance 1500 – 1600 The action moves to Rome

High

Renaissance1500 – 1600The action moves to

Rome

Page 2: High Renaissance 1500 – 1600 The action moves to Rome

The Big Three

LeonardoMichelangelo

Raphael

Page 3: High Renaissance 1500 – 1600 The action moves to Rome

REFORMATION

Josquin Ave Maria . . .

1500

Michelangelo

DonatelloDavid

Leonardo

Raphael

MichelangeloDavid

1400 1600

Renaissance timeline

Page 4: High Renaissance 1500 – 1600 The action moves to Rome

Leonardo da Vinciartist-scientist

Page 5: High Renaissance 1500 – 1600 The action moves to Rome

The Last Supperperspective proportion

4 groups of 3

Page 6: High Renaissance 1500 – 1600 The action moves to Rome
Page 7: High Renaissance 1500 – 1600 The action moves to Rome

Madonna and Childwith St. Anne

• Monumentality• Figure as architecture• sfumato• chiaroscuro

Page 8: High Renaissance 1500 – 1600 The action moves to Rome

Mona Lisaaka La Gioconda

• 1503-5

• Oil on wood

Curves in backgroundtie into curves in garment (relating fg & bg becomes an issue)

Page 9: High Renaissance 1500 – 1600 The action moves to Rome

Michelangelo Buonarroti Simoni

• Lived to be 89• Thinks of himself mainly as a sculptor but was

a painter, architect and poet too• If da Vinci is the scientist, Michelangelo is the

poet/thinker/emotionalist

Page 10: High Renaissance 1500 – 1600 The action moves to Rome
Page 11: High Renaissance 1500 – 1600 The action moves to Rome

c. 1500 [date to remember]

- Monumental (13’ 5”)

- Distortion (big hands, big head, extra long arms)

- Florence

Page 12: High Renaissance 1500 – 1600 The action moves to Rome

David detail

Sprezzatura&

terribilita

Page 13: High Renaissance 1500 – 1600 The action moves to Rome

Sprezzatura & terribilita

Sprezzatura - a studied carelessness

Terribilita – awe-inspiring power

Renaissance ideals

Page 14: High Renaissance 1500 – 1600 The action moves to Rome

Sprezzatura

Page 15: High Renaissance 1500 – 1600 The action moves to Rome

Sprezzatura &

Terribilita

Page 16: High Renaissance 1500 – 1600 The action moves to Rome

Pazzi Chapel

p. 198

Page 17: High Renaissance 1500 – 1600 The action moves to Rome

Pitti Palace

Page 18: High Renaissance 1500 – 1600 The action moves to Rome

Sprezzatura &

Terribilita

Page 19: High Renaissance 1500 – 1600 The action moves to Rome
Page 20: High Renaissance 1500 – 1600 The action moves to Rome

HELLENISTIC

They’re back!

Rediscovered1506

Direct influence onMichelangelo

Laocoon and his two sons

Page 21: High Renaissance 1500 – 1600 The action moves to Rome

Sistine ChapelSistine Chapel

• 1508-1512• Fresco • Last Judgment

back wall 1536-1541

Page 22: High Renaissance 1500 – 1600 The action moves to Rome
Page 23: High Renaissance 1500 – 1600 The action moves to Rome

A colorist! But color is used to reinforce design

Page 24: High Renaissance 1500 – 1600 The action moves to Rome
Page 25: High Renaissance 1500 – 1600 The action moves to Rome
Page 26: High Renaissance 1500 – 1600 The action moves to Rome
Page 27: High Renaissance 1500 – 1600 The action moves to Rome

Raphael Sanzio 1483-1520

• Youngest of the 3 • He synthesizes what he learns

from both• He began painting in Florence• Called to Rome by Pope• “Art responds to Art”

Page 28: High Renaissance 1500 – 1600 The action moves to Rome

Madonna of the Meadow1505

Influenced byda Vinci

Page 29: High Renaissance 1500 – 1600 The action moves to Rome

Portrait of Pope Julius II1511-12

• 1st known portrait of an individual pope

• Psychological study

Page 30: High Renaissance 1500 – 1600 The action moves to Rome

The School of Athens

Page 31: High Renaissance 1500 – 1600 The action moves to Rome

School of Athens

• One point perspective• All the important Greek philosophers• Located in the papal apartments

library• Working on this commission same time

Michelangelo is working on the Sistine chapel

• No Christian themes here• Great variety of poses

Page 32: High Renaissance 1500 – 1600 The action moves to Rome

Uses well known figures

• Da Vinci is Plato• Herakleitos is Michelangelo• Raphael as himself• Euclid is Bramante

Page 33: High Renaissance 1500 – 1600 The action moves to Rome

The School of Athens

Page 34: High Renaissance 1500 – 1600 The action moves to Rome

The School of Athens

Apollo

Minerva

Alexander the Great

Socrates

Plato points up to ideal realm

Aristotle motions to the here & now

Page 35: High Renaissance 1500 – 1600 The action moves to Rome

Plato Socrates Da Vinci

Page 36: High Renaissance 1500 – 1600 The action moves to Rome

Raphael

Page 37: High Renaissance 1500 – 1600 The action moves to Rome

RaphaelMadonna dell Granduca, c.1505 33 x 22 in

Page 38: High Renaissance 1500 – 1600 The action moves to Rome

RaphaelMadonna of the Pinks, 1507

Page 39: High Renaissance 1500 – 1600 The action moves to Rome

RaphaelSt. Sebastian, 1502

Page 40: High Renaissance 1500 – 1600 The action moves to Rome

RaphaelTransformation, 1517

huge

Page 41: High Renaissance 1500 – 1600 The action moves to Rome

Turner study,1810

Page 42: High Renaissance 1500 – 1600 The action moves to Rome

KEY IMAGEPERIOD:

ARTIST:

TITLE:

p. 212

Renaissance

Raphael

School of Athens

Page 43: High Renaissance 1500 – 1600 The action moves to Rome

KEY IMAGEPERIOD:

ARTIST:

TITLE:

p. 202

Renaissance

Leonardo

Last Supper

Page 44: High Renaissance 1500 – 1600 The action moves to Rome

KEY IMAGEPERIOD:

ARTIST:

TITLE:

DATE:

p. 206

Renaissance

Michelangelo

David

c. 1500

Page 45: High Renaissance 1500 – 1600 The action moves to Rome

REFORMATION

Josquin Ave Maria . . .

1500

Michelangelo

DonatelloDavid

Leonardo

Raphael

MichelangeloDavid

1400 1600

Renaissance timeline

Page 46: High Renaissance 1500 – 1600 The action moves to Rome

Summary – Italian Renaissance

• POLITICS – Italian city-states; power from € (money)

• EARLY RENAISSANCE – Florence

• HIGH RENAISSANCE – Rome

• ART – Classical ideals revived; BIG 3

• IDEAS – Humanism returns

• MUSIC – Josquin & imitative counterpoint

Page 47: High Renaissance 1500 – 1600 The action moves to Rome

RENAISSANCE DATEBOOK1432 –

1492 – Columbus, Christian consolidation of Spain

c.1500 –

Donatello’s nude David

Michelangelo’s David & Josquin’s Ave Maria . . . Virgo Serena