he loves you, he loves you not aristophanes’ knights and the politics of passion

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He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

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Through a Lens… Despotic/oligarchic democracy? (Michels) “The preponderant elements of the movement, the men who lead and nourish it, end by undergoing a gradual detachment from the masses and are attracted within the orbit of the ‘political class’ ” (Political Parties) Charismatic democracy? (Weber) “… devotion to the exceptional sanctity, heroism or exemplary character of an individual person, and of the normative patterns or order revealed or ordained by him” (Economy and Society) Pragmatic democracy? (Finley) “What counts is that the people expected results and at times, sometimes for long periods, felt satisfied with them” (Ancient History) 11-Nov 2012Old Oligarch et al.3

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Page 1: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

He Loves You, He Loves You Not

Aristophanes’ Knights and the Politics of Passion

Page 2: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Journal Question

Where is on the political spectrum (democratic/oligarchic) do you locate the

ideological perspective informing the satire in Aristophanes’ Knights?

Page 3: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Old Oligarch et al. 3

Through a Lens…• Despotic/oligarchic democracy? (Michels)

– “The preponderant elements of the movement, the men who lead and nourish it, end by undergoing a gradual detachment from the masses and are attracted within the orbit of the ‘political class’ ” (Political Parties)

• Charismatic democracy? (Weber)– “… devotion to the exceptional sanctity, heroism or exemplary

character of an individual person, and of the normative patterns or order revealed or ordained by him” (Economy and Society)

• Pragmatic democracy? (Finley)– “What counts is that the people expected results and at times,

sometimes for long periods, felt satisfied with them” (Ancient History)

11-Nov 2012

Page 4: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Agenda

• It Ain’t So• Epideictic and the Rhetoric of Response

• Our epideixis..• Rhetoric/Anti-Rhetoric

• Hesk on Spin

Page 5: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

It Ain’t So

Epideictic and the Rhetoric of Response

http://www.youtube.com/watch?v=ddx8t6zGWxA

Page 6: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Terms

epideixis:“demonstration”

epideictic:praise/censure displaying skill

Page 7: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Epitaphic topoi

The speaker’s challenge“May I find the power to say what I wish! May I find the wish to say what I must!”

cf. Thuc. 2.35.1

Loss“. . . though they have died, the loss we feel has not.”

cf. Pericles’ Samian Epitaphios

The good death“their trophy of triumph, their gift to the god — the sacrifice of themselves.”

cf. Thuc. 2.43.1

Page 8: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Gorgianic Figures

Basic concept• Colon

– rhetorical unitWord repetition• Anaphora

– colon beginning• Antistrophe

– colon end• Anastrophe

– end/beginning

Other figures• Antithesis

– contrast• Homoioteleuton

– end rhyme• Isocolon/parisosis

– same/similar-length successive cola

• Paronomasia– word play

Page 9: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Our epideixis..

Page 10: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Aristophanes’ Knights

Background, Context, Themes

Page 11: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Aristophanes’ Knights

When, where?

• Produced January 424

• 420s Athens…– Euripides’ Suppliant

Women– “Old Oligarch”

Who, what?

• Political low-lifes– Demosthenes– Nicias– “Sausage-Seller”– Cleon/Paphlagon

• Thepeople (Dēmos)• Chorus of Knights

Page 12: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Cleon’s Career

• 431/30 attacks Pericles• 420s (early) Jury-pay raise• 427 Mytilenian proposal• 426 attacks Aristophanes• 425 general

– Pylos

• 424 Aristophanes’ Knights• 422 general

– killed at Amphipolis

Cleon as Sphinx? (late

400s)

Page 13: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Action, Representation

• Crisis, planning, initial clash (36-60)

• Agonistic courtship–council meeting (60-62)

–assembly meeting (62-83)

• Festive finale– reformation, rejuvenation (86-89)

Page 14: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

DemosthenesWhy in the world is it, men of Athens, that you . . . are generally no better off now than before. . .? Because, men of Athens, though they say they love you, it is not you they love, but themselves. (Exordia 53.3)

AristophanesSAUSAGE-SELLER: Well, for one thing,

whenever anyone in the Assembly talked like this, yer know, ‘Thepeople, I love you (lit. “I am your erastēs”), I cherish (philō) you, I care for you, I am yer only protector’. . . . (Knights 87)

Demophilia as “Demerasty”

Scholtz Concordia Discors 46-51.

Page 15: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Policy as Seduction?

• jury pay• free distributions• imperial windfalls= dēmos bribery?

SAUSAGE-SELLER: Why, if there was two speakers, and it was a question of ’ow to spend some money, and A said we should use it to build warships and B said we should spend it on officials’ and jurymen’s pay, B would win every time by acclamation” (p. 87)

Page 16: He Loves You, He Loves You Not Aristophanes’ Knights and the Politics of Passion

Rhetoric/Anti-Rhetoric

Hesk on Spin