hannah purser visual presentation
TRANSCRIPT
Creative Visual Creative Visual PresentationPresentation
Hannah PurserProfessor Medina Arts 1301-62430
Wayne Thiebaud. Wayne Thiebaud. Piecounter, Piecounter, 1963 1963 Oil on canvas, 30”x36”Oil on canvas, 30”x36”Oil on canvas, 30”x36”Oil on canvas, 30”x36”
Painting that glorifies and encourages the consumption of sweets
Juice elementsJuice elementsThe one horizontal line creates a focus point on the juice bottles, following the rules of perspective.
There is equal light across the whole piece showing equal emphasis on each bottle
All of the color comes from the juice themselves, showing “personality” of each type
Interpretation of ThemesInterpretation of ThemesJuice Juice Juice Juice
Pop art is all about glorifying the consumption of food, whereas this piece glorifies all natural, cold pressed juice.
In addition to lack of nutrition, pop art did not focus on portions whereas these bottles are proportioned to be consumed throughout the day
Interpretation of ThemesInterpretation of ThemesPie CounterPie CounterPie CounterPie Counter
onlookers are encouraged to consume the baked goods with their eyes as well as their stomachs
Cafeterias and buffet style restaurants were on the rise, diners and cafes started producing a high quantity of single servings around this time
historical and geographicalhistorical and geographical
Mass-production of food was becoming common in the US, and in California where he was living at the time
Focus on nutrition was waning as “Pop Art” became popular to consumers
Thiebaud resisted the pop art movement and stuck with illustrations as advertising unlike other artists
compare and contrastcompare and contrast
Both Juice and Pie Counter bring an interest to food of some sort.
It’s in the nutritional value of the subject that differs.
The food is the only focal point in both works.
The two pieces have a consistent source of light throughout
sourcessources
Esten, Hugh. "Wayne Thiebaud Biography." Academy of Achievement. Academy of Achievement, 6 June 2011. Web. 8 Jan. 2014.