hailey landis's portfolio

1Studio Instructor UGX Semester 20XX

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EXPLORATIONS IN SPACE

Hailey LandisArchitecture Portfolio

3Factory of Re-UseForging History

Space Travel Itinerary

Speculative BuildingDesigns

Experimental Built Environments

Highland Park LibraryCommunity Through Circulation

Fort/FixturePlayful Light

Paper Pulp CeilingMaterial Fringe: Thick N Thin

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16

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Through the manipulation of spatial systems and physical elements, architects are able to shape the environment in order to inspire a mode of living, a mood, or a moment. These inspirations can enhance the human experience on a practical and spiritual level. However, Id argue that architectures advantage over mere building is its ability to provide a richness of experience and a multiplicity of interpretations within a space. In that way, the strengths of architecture can be compared to those of a great novel. Although architecture is an abstract language, it appeals to people on a visceral level. Whether it is the way the setting suns rays highlight the graceful curve of a spiral staircase or the ability of an orthogonal structure to emphasize the knotted and chaotic beauty of its forest site, architecture can be appreciated on a variety of scales and characteristic criteria. Architecture is uniquely able to weave together experiential narratives, temporal revelations and stimulate the senses.

We all search for meaning in life, and although architecture cannot solely sustain human life (even for an architect), it is the form that frames our collective experience. In that manner, architecture holds a power over us. It is a container for life, and like all containers, it shapes and affects its contents. As an architecture student, I hope to shape spaces that enrich others lives and allow them to appreciate their surroundings in a new light.

Mission Briefing

Genetic Engineering Lab & SanitariumThe Gene Pool

4The library as a type of building is essentially concerned with circulation. It contains and guides the movement of library materials, the circulation of different types of library users, and the more symbolic dissemination of knowledge. Therefore, this library attempts to fi nesse circulation in order to enhance its functionality as well as symbolically and dynamically unite the under-served community it supports. It utilizes its charged proximity to an abandoned rail line, a new suburban commercial development and a public high school by creating a civic space for learning and community activities.

Highland Park Library Community Through Circulation

Concepts

North Facade

5As the home to Fords Model T production plant in the early 1900s, Highland Park has always been intimately tied to the automobile. But over time, automobile transportation has become dominant over other modes of circulation, leading to confl icts of movement between those who have cars and those who do not. Therefore, the city grid becomes a series of speed-related borders, fragmenting the inhabitants of Highland Park. To address this fragmentation, this library strives to equalize and unite all travelers through circulation in order to foster a universally accepting place of learning and community.

UG2 Spring 2011

Independent Studio Project

Site Analysis

Motion DiagramScale 1: 7,200

Long Distance TrafficIncrease in Dash Length = Increase in Traffic Speed

Local TrafficIncrease in Dash Length = Increase in Traffic Speed

Private TransportationAutomobile

Public TransportationBus Routes

Site Location

N

View of Ford Plant Across Woodward Avenue from Northeast Corner of the Site

6The program organization is divided into four main groupings: the entry area, service areas, the heart of the library, and the book stacks that provide the buffer between the three initial zones. The entry area acts as the main control point for the multiple entrances into the library as well as the location of public meeting rooms for after-hours activities. The heart of the library is the casual assembly space that establishes community and visual connection between library visitors while providing access to learning tools. The service area contains private staff resources that are distributed through all three levels for greater accessibility.

Four Individual Study Carrels(100 sq. ft.)

Mechanical Equipment(400 sq. ft.)

Staff Toilet(50 sq. ft.)

Storage / Copy Room(100 sq. ft.)

Staff Work Room

(200 sq. ft.)

Two Staff Offices

(200 sq. ft.)

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.).)

Childrens Reading

Area(200 sq. ft.)

Exterior Reading Space

(400 sq. ft.)

ComputerArea

(400 sq. ft.)

Two Tutoring Spaces

(100 sq. ft.)

Reading Area

(300 sq. ft.)

Public Toilets

(300 sq. ft.)

Two Public Meeting Rooms

(300 sq. ft.)

Storage for Chairs, etc.(50 sq. ft.)

Storage Shelves for Hold Items(100 sq. ft.)

Service AreaPrivate Staff Resource

Rooms(1,150 sq. ft.)

Staff Meeting

Room with Kitchen

(200 sq. ft.)

Heart of LibraryCasual and Communal

Places to Assemble(1,400 sq. ft.)

Entry AreaControl Points and Public

Meeting Rooms(1,350 sq. ft.)

Multi-Purpose Room

(400 sq. ft.) Check Out / Reference

Desk(200 sq. ft.)

Total Square FootageAll Programmatic

Elements Combined(21,850 sq. ft.)

Book StacksInterspersed with Computers and Reading Areas (15,000 sq. ft.)

ProgramOrganization

Process Model

Process Model

Process Model


7Section Perspective

The northeastern area of the library is an especially charged zone that unites the automobile entry from Woodward Avenue and the pedestrian entry from the abandoned raised rail line (which has been converted into a pedestrian walkway and park that directly connects to the high school across the street). It also prominently displays the multi-story community meeting area designed for after-hours activities by positioning the multi-purpose space toward the bustling traffi c of Woodward Avenue. The stacks are tucked into the upper levels of the library in order to foster an atmosphere of quiet contemplation and study.

Entry ConditionsSection Perspective

UG2 Spring 2011

8N

Since the library is the physical embodiment of a community service, it is important for it to provide social resources such as wi-fi , movies, lectures, and additional educational services. These additional programs are made accessible on the ground fl oor with the possibility of expanded hours of operation. The centrally-located heart of the library is the literal space around which circulation occurs but it also physically and emotionally unites library users through visual connection. The outdoor area around the back of the library acts as a natural place to walk and relax, in contrast to the lively communal zone at the front of the library.

First Floor

First Floor Plan


9N Second Floor Plan

The second fl oor serves more traditional library purposes, primarily housing book stacks and quiet reading areas. However, it fosters visual connections between library users through its open central core and triple height reading space on the southwestern edge of the building. In addition, the community activity space on the Woodward-facing end of the building extends on to the second level, creating a unifi ed space that can still facilitate multiple activities. This space also entices outside travellers by communicating interior activity through a transparent facade.

Second Floor

UG2 Spring 2011

10

N

The third fl oor exclusively contains book stacks and quiet study areas. It offers a tranquil sanctuary away from the casual and communal activities found in the other parts of the library. It provides space for solitary reading and working.

Third Floor

Third Floor Plan Third Floor Plan


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By directly addressing Woodward Avenue, the bus stop located at the front of the site, street-side walkways, and the raised walkway, this library invites all residents of Highland Park to participate in communal learning. By creating a highly visible space for shared educational resources, this project attempts to encourage a culture of cooperation and knowledge.

Conclusion

Longitudinal Section

View from Raised Walkway

UG2 Spring 2011

12

Fort/Fixture Playful Light

The design challenge for this project was to transform dimensional lumber (specifi cally two-by-fours) into an assembly that performs two functions: a playhouse for young children and a light fi xture. Despite the inherent resistance, we were interested in integrating conventional methods of construction with innovative methods of form-making in order to create a structure that creates an atmosphere of playful light.

Concepts

Front View of Playful Light as Light Fixture

Side View Showing Interior Playhouse Seat

Back View Block Pattern

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Fall 2010

Inspired by the spiraling nature of a conch, the spatial structure of the fort/fi xture evokes the mysterious nature of a hideout by visually separating the entry from the inner enclosure. The intention was to create a space for a child to experience privacy at a scale specifi cally fi t to their small proportions. This privacy is intended to foster a cozy space for imagination. In order to address lighting effects, we staggered and spaced the perimeter pieces of wood in order to create lively conditions of light and shadow that vary as one walks around the fi xture.

Collaborative WorkPartner: Vittorio Lovato

Design

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The fort/fi xture is made exclusively of two-by-fours and wood glue. First the wood was cut to size and then put together based upon a paper template. In order to create the outer boundary, each layer of wood was stacked on top of the previous layer and glued face-to-face using small spacer blocks.

Construction Construction Process

Fort/Fixture Playful Light

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The fort/fi xture attempts to mitigate programmatic distinctions in order to link the atmospheric quality of light and the distinct scale of a childs fort. This task is addressed by using conventional methods of construction and unconventional formal assemblies in order to create an object whose relevance does not diminish over time.

Conclusion

Detail of Shadow Pattern Front View of Playful Light Showing Playhouse Entry and Enclosure

Fall 2010

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Factory of Re-Use Forging History

ConceptsPendulum Corporations Factory of Re-Use functions in the ambiguous area of an objects personal narrative, either making vivid the real past of the object or constructing a plausible prop to reinforce a personal heritage story (that lacks props). It brings important histories into the realm of daily life by inserting these physical memories as functional objects. In the post-industrial economy of Chicago, this urban factory argues that there is still room for production in an urban environment, at both a social and physical level.

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Southeastern Factory Facade

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Pendulum Corporation preserves found and passed-down sentimental artifacts. There are two product lines. The high-end line provides a customized service to catalog the history of an individuals historic keepsake and transform the keepsake into a functional domestic product. The advantage of this design process is the close relationship between the company and customer, built through individualized customer service.

The second product line is a generalized service to collect historic objects with physical evidence of nostalgic value and then craft their specifi c heritage to fi t a specifi ed personal narrative. Then, these keepsakes are transformed into functional domestic products, just like in the high end product line. This product line is less personal and individualized.

2G1 Fall 2012

Independent StudioProject

Product DescriptionPASSED DOWN ARTIFACT

FACTORY OPERATIONS

FINISHED PRODUCT

Personal Value

Personal Value

Physical Value

Physical Value

Sentimental Operation

Sentimental Operation

Physical Operation

Physical Operation

Sentimental Product Physical Product

FOUND ARTIFACT

FORGING HISTORYPENDULUM

FORGING HISTORYPENDULUM

Product DiagramPRODUCT DESCRIPTION

PROTOTYPESlide - Lamp Mantle Clock

This prototype took an old slide projector and redesigned it to become a lamp and mantle clock. It is representative of the products that are produced at Pendulum because it took an old, obsolete, sentimental object and turned it into a functional product that can play a role in everyday life.

Pendulum has two product lines: HIGH END

A customized service to catalog the history of an individuals historic keepsake and transform the keepsake into a functional domestic product. The advantage of this design process is the close relationship between the company and customer, built through individualized customer service.

LOW END

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Penndulum haas twoo product lines:

HIIGH END

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LOW ENND

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Functional Domestic Object Keepsake: Projector Mantle Clock

Object Memory Shrine: For Grandpas Slide Projector

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Pendulum Corp. BrandingPendulm functions in the ambiguous area of an objects personal narrative, either making vivid the real past of the object or constructing a plausible prop to reinforce a heritage story (that lacks physical mementos). It brings these important histories into the realm of the everyday by converting the physical objects (that are the index of these memories) into functional domestic items.

Pendulums mission is to design functional devices that integrate your sentimental mementos into the fabric of everyday life. Instead of having yourkeepsakes packed away, Pendulum ensures that your memories live on through functional design interventions and narrative preservation shrines. Helping you maintain balance between the past and future.


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Pendulums mission is to design functional devices that integrate your sentimental mementos into the fabric of everyday life. Instead of having your keepsakes packed away, Pendulum ensures that your memories live on through functional design interventions and narrative preservation shrines. Helping you maintain balance between the past and future - Pendulum.*

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*Pendulm functions in the ambiguous area of an objects personal narrative, either making vivid the real past of the object or constructing a plausible prop to reinforce a heritage story (that lacks physical mementos). It brings these important histories into the realm of the everyday by converting the physical objects (that are the index of these memories) into functional domestic items.


Hailey LandisFactory Tour Representative

2015 Clark StreetChicago, IL 60601

(248) [email protected]


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PenPenduldulumumForgiForging Hing Historystory

Hailey LHailey LandisandisFactory Factory Tour RepTour RepR resentatresentativeive

2015 Clark 2015 Clark StreetStreetChicago, ILChicago, IL 6060160601

(248) 860-1(248) 860-1934934landish@[email protected]

PenndulumForging History

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PennddulumForging History

Burtynsky: Shipbreaking #27

Burtynsky: Shipbreaking #49

Conceptual Inspirations

Kempenaers: Spomenik

Kempenaers: Spomenik

Landschaftspark Duisburg-Nord

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2G1 Fall 2012

Interior Factory View

Factory ExperienceThe architecture of the factory itself seeks to obscure and frustrate the spatial experience of a typical factory in order to produce productive ambiguity through the hybridization of industrial and domestic atmospheres. This can inspire novel personal interpretations of the space, thereby injecting new potentials into the factory type. A factory is no longer merely a manufacturer of physical objects, but a believable place to construct the past and catalyze the future.

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Factory Floor Plans


nd Level Floor Plan Second Level Floor Plan Third Level Floor Planveevvuunn r Por Pr lanlanvelvel FloFloor Por Planlannd Lnd Leeevev Por PPlann eevv LLSSecoeco or PlLeLevel vel FlooFloor Plr Plananonond d LL PPlananooroo LL

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2G1 Fall 2012

Fourth Level Floor Plan Fifth Level Floor Plan

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Chicago Industrial Park Site Model

Pendulum Factory in Site Model

Pendulum Factory

Pendulum Model

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Material Fringe: Paper Pulp Ceiling Thick N Thin

Concepts

By creating a multiplicity of interior and exterior conditions, the project seeks to create an environment of duplicity and mystery and thereby call into question the static nature of conventional architectural experiences. The resulting spatial and constructional uncertainties are meant to conceal the distinction between digital and analog processes within architectural applications, combining the advantages of both processes in order to create a more engaging spatial experience.

Detail View Through the Fissures in the Paper Pulp Surface Detail View of Pathway

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ExperienceCeiling Axonometric

0 4 8 12 24Scale: 3/4 = 1-0

MATERIAL FRINGEHailey Landis, Zach Lemis, Vittorio Lovato, Matthew Ritsema

External LogicReflected Ceiling PlanScale: 1 = 1-0

0 3 6 12 24

Internal LogicReflected Ceiling PlanScale: 1 = 1-0

0 3 6 12 24

Fall 2011

Through the application of paper pulp to a routed surface, the surface defi ni-tions inherent in the mold are masked by the pulps natural tendency to cover detail. From the exterior, the artifacts of fabrication are visually lost. Ques-tions of construction reemerge, how-ever, after the imposition of a strong hard edge to the project, the pathway. The precision and detail of the path-way, generated as a section cut, em-phasizes the impression of thickness in an otherwise formally homogeneous project. The cut acts visually as the surfaces interior while simultaneously cultivating the discrepancies between its seemingly digital construction within the organic frame of the un-dulating grey surface.

Collaborative WorkGroup Members:

Zachary LemisVittorio Lovato

Matthew Ritsema

Spatial Effects

External Logic: Refl ected Ceiling Plan

Internal Logic: Refl ected Ceiling Plan

Experience: Ceiling Axonometric

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ScriptingLogic

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Initial Three-Part Grid System

Randomized Light Placement on Medium Del nition Gridl

Surface Based OOn Light gPlacement Points

Surface Edges Raiised to gUpper Ceiling Height

1 2

3 4

Manipulation of Control Pointss on Low Del nition Griidl

5Manipulation of Control Points on HighControl Points on High Del nition Gridl

6Final Slice for Human CirculatiionHuman Circulation

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nstructionLING$ENITION

Scripting LogicThe surface condition was originally generated from the computer scripting language of Grasshopper. However, paper pulps tendency to pull away from the milled foam as it dries mitigates the distinct and stratifi ed surface defi nition of the mold. Therefore, the exterior of the ceiling reveals little of its origins and it isnt until one investigates further into the surface fi ssures that the monolithic impression of the ceiling is broken down. Unlike the exterior, the real interior of the project still bears the marks of fabrication. Known as the moments of reveal, the fi ssures expose a second interior condition that triggers confusion and blurs the distinction between the exterior and the double layer of interiors (specifi cally the interior-like pathway cut and the interior paper pulp surface).


Milling Surface Defi nition

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ConstructionElectrical PlanScale: 1 = 1-0

0 3 6 12 24

ConstructionCeiling SectionScale: 1 = 1-0

0 3 6 12 24

Construction

The 3-axis CNC router was utilized to generate a three dimensional styrofoam mold from a digital parametric model. The paper pulp consisting of a 1:1 mixture of newspaper and vellum was applied to the surface of the styrofoam mold and later removed to leave a structural shell of paper pulp. Paint is then applied to create the distinct surface conditions. The addition of colored lighting attached to the ceiling sub-structure completes the project.

Construction

Pulping Strategy

Electrical Plan

Ceiling Section

Fall 2011

Fissure Revealing Thin Shell

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W

ConstructionExploded Axonometric

The ceiling sub-structure is anchored upon the vertical plywood stands. Then, the electrical cords are attached to the sub-structure in order to allow the LED lights to sit atop the light funnels designed into the ceilings paper pulp surface. Because of its strength to weight ratio, the surface can be held by fi shing line to the ceiling sub-structure.

Construction

Exploded Axonometric

Assembly of Foam Mold for Paper Pulp

Paper Pulping Process


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The exteriors stark rigidity and very cave-like texture contrasts with the soft golden sheen and vibrant color of the inner pathway. The difference is further exacerbated through the two zones differing tactile qualities and the pathways acoustic character. The pathways traits push the distinction between the two zones to the point of separation. From outside the pathway, the cut gives the surface thickness. From within the pathway, this thickness is broken down by the fi ssures that reveal the ceilings thin-shell. The two impressions collide through the charged experience of the surfaces interior.

Conclusion

Final Paper Pulp CeilingTactile Qualities of Ceiling

Ceiling Inhabitation

Fall 2011

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Genetic Engineering Lab and Sanitarium The Gene Pool

As Koolhaas wrote in Delirious New York, Roosevelt Island has been an experimental location for testing the themes of the city throughout its history. From its origins as a a penitentiary (including the New York Lunatic Asylum) to its future as a high-tech college campus for Cornell/Technion, Roosevelt Island has housed a range of communities. This speculative design aims to unite Roosevelt Island through high-tech social mixing zones in order to create an extraordinary space of social and scientifi c interconnectedness.

Concepts

Hydroponic Nutrient Public Bath

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UG4 Spring 2012

The temporary identities of the island have left the site fragmented into three zones that represent the islands institutional past, its current residential character, and its academic future. As the most recent island identity, Cornell/Technions applied sciences graduate school can reunite these fragmented communities by integrating technological research into daily life. The targeted deployment of an architectural system is the key element in uniting these high-tech systems with functional public spaces that appeal to multiple island constituents. The phased deployment of these targeted components would allow the system to expand over time to address the changing needs of residents and remain relevant in the face of fl uctuating island identities.

Independent StudioProject

Site Analysis

Roosevelt Island Site Model Construct

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As a proposed precedent study, one of these architectural components has been developed in order to establish the character of the phasing system and envision the experience of these spaces. This system component, The Gene Pool, is a genetic engineering lab and seed bank paired with elements of a sanitarium (health spa).

Detailed ArchitecturalIntervention


PlanSecond Floor PlaPlaScale: 1- 0 = 1/16

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ation Aatioy Clinical Consultatiopy Clinicay ClinicaExperimental Gene Therap atioatio

blic Bath nic Nutrient PublHydroponic Nutrionic Nutri

Ground Level PlanScale: 1- 0 = 1/16

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nic Nutrient Public BHydroponic c Bath (Underwater)nic c B

shold from the Pre-Thresho Pre-Existing Octagonsho Pre-

)NTERCONNECTING3CIENTIlCAND)NFORM)NTERCONNECTING3 FORMATIONAL3YSTEM)N G3 FORM

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In order to recall the islands institutional past and its present residential character, this architectural intervention occurs in The Octagon, which once was the entry hall of the New York Insane Asylum, but is now a luxury apartment building.

Detailed Architectural Intervention

UG4 Spring 2012

Third Floor PlanScale: 1- 0 = 1/16

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Hydroponic Nutrient Public Bath

Genetic Engineering / Seed BaBank LaboratoryBa

Hanging Garden DNA Generatorrr

kin Fragment Collector and Massagage GrottoagSkin

Sectionalal AxonometricScale: 1- 00 = 1/12

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By making visible the multiple scales of blending on both social and systematic levels, the architectural components of this system would create new opportunities for engaging in both societal integration and scientifi c ethics.

Spatial Experience


Hanging Garden DNA Generator Entry to the Hydroponic Nutrient Bath

Exterior Aerial View of The Gene Pool

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UG4 Spring 2012

Genetic Engineering and Seed Bank Laboratory

Skin Fragment Collector and Massage Grotto

Panoramic Views

hailey landis's portfolio

Documents

architecture student

strengths of architecture

library attempts

movement of library

modes of circulation

inhabitants of highland

human experience

human life