grants to art museums national endowment for the arts

Grants to Art Museums National Endowment for the ArtsSource: Art Journal, Vol. 32, No. 4 (Summer, 1973), pp. 449-452Published by: College Art AssociationStable URL: http://www.jstor.org/stable/775706 .

Accessed: 14/06/2014 14:23

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal.

http://www.jstor.org

This content downloaded from 62.122.72.104 on Sat, 14 Jun 2014 14:23:40 PMAll use subject to JSTOR Terms and Conditions

http://www.jstor.org/action/showPublisher?publisherCode=caa

http://www.jstor.org/stable/775706?origin=JSTOR-pdf

http://www.jstor.org/page/info/about/policies/terms.jsp


Arts in Virginia is a magazine published three times a year by the Virginia Museum "for the enjoyment of its Mem- bers." Developed out of the traditional museum bulletin, this is a handsomely turned out publication different in for- mat (12 X 8") with articles on works in the collection, interesting, well illustrated and with attractive layouts. The issue at hand (Winter, 1973) has articles on a stained glass panel identified as coming from Canterbury Cathedral; on a statue of Caligula, and on Edward Hopper.

Arts in Virginia is a magazine published three times a year by the Virginia Museum "for the enjoyment of its Mem- bers." Developed out of the traditional museum bulletin, this is a handsomely turned out publication different in for- mat (12 X 8") with articles on works in the collection, interesting, well illustrated and with attractive layouts. The issue at hand (Winter, 1973) has articles on a stained glass panel identified as coming from Canterbury Cathedral; on a statue of Caligula, and on Edward Hopper.

Rustam Rescues Bizhan from the Pit, from Shah Nama, ca. 1608, Moghul. Doris Wiener Gallery, New York. Rustam Rescues Bizhan from the Pit, from Shah Nama, ca. 1608, Moghul. Doris Wiener Gallery, New York.

Paul Howard Manship: An Intimate View. Catalogue of the sculpture and drawings from the permanent collection of the Minnesota Museum of Art, St. Paul. Research and text by Frederick D. Leach, Hamline University. Paul Man- ship was born in St. Paul and received his early training there at Mechanic Arts High School. In 1964 the Minnesota Mu- seum of Art was planning a major exhibition of his work, but the plans were inter- rupted by Manship's death. In his will, he left his extensive collection of his own sculpture and drawings jointly to the Na- tional Collection of Fine Arts and the Minnesota Museum of Art. The catalogue was published in December, 1972 for the exhibition of Minnesota's share of the bequest. It is not only a catalogue but an illustrated biography with many details regarding Manship's life, his commissions, his friends and his sculpture. Mr. Leach has presented these admirably.

Paul Howard Manship: An Intimate View. Catalogue of the sculpture and drawings from the permanent collection of the Minnesota Museum of Art, St. Paul. Research and text by Frederick D. Leach, Hamline University. Paul Man- ship was born in St. Paul and received his early training there at Mechanic Arts High School. In 1964 the Minnesota Mu- seum of Art was planning a major exhibition of his work, but the plans were inter- rupted by Manship's death. In his will, he left his extensive collection of his own sculpture and drawings jointly to the Na- tional Collection of Fine Arts and the Minnesota Museum of Art. The catalogue was published in December, 1972 for the exhibition of Minnesota's share of the bequest. It is not only a catalogue but an illustrated biography with many details regarding Manship's life, his commissions, his friends and his sculpture. Mr. Leach has presented these admirably.

An exhibition of Manship's drawings was held contemporaneously at the Gal- leries of Hamline University, for which Professor Leach's class in Art Historical Research prepared the catalogue.

Archives of American Art Journal, Edi- tor: Garnett McCoy. Published by the Smithsonian Institution. This quarterly reports on the holdings and activities of the Archives. Thumbing through the issue on photographs in the Archives (vol. 12, no. 3, 1972). We were impressed by the material: photographs of artists from Thomas Cole to Franz Kline including Sargent, Chase, Hopper, Sloan and many others. Valuable and interesting.

Also published by the Archives of American Art is Re-Discovery: Jurgan Frederick Huge by Jean Lipman. Huge (1809-1878) was born in Hamburg but came to America at an early date and set- tled in Bridgeport. He was a painter of landscapes and marine subjects mainly views of sailing vessels and coastal steam- ships in a remarkable primitive style. Mrs. Lipman has brought together enough information on this hitherto forgotten artist to assure him a place among the much ad- mired "primitive illustrators of the day. To anyone admiring ships and marine life his work will be familiar from examples in the Mariners Museum of Newport News, Virginia. But Huge also did a num- ber of landscapes, particularly "portraits" of house and public buildings.

The next publication in this series will be devoted to the sculpture of Louise Nevelson.

SITE (Sculpture in the Environment) is producing a publication entitled On Site, as a quarterly edited by Alison Sky. It is mailed free of charge to colleges, museums, architects, etc. Its purpose is to em- phasize the oppressive design in the ma- jority of our public spaces. The second issue, V.P. (visual pollution) is replete with illustrations and interviews, and is very convincing as if any of us needed convincing of the daily horrors of our environment.

Theodore Wores: We received a letter from Dr. Jess Shenson of San Francisco who with his brother Ben, also a doctor, has been resurrecting the art and career of Theodore Wores (1858-1939), San Fran- cisco born artist. He included a copy of an iullustrated monograph by Lewis Ferbrach6, which shows Wores to have been a competent painter of picturesque subjects like Chinese New Years Day or Navajo Rug Weaver. Three of his paintings, Dr. Shenson tells us, are in the

An exhibition of Manship's drawings was held contemporaneously at the Gal- leries of Hamline University, for which Professor Leach's class in Art Historical Research prepared the catalogue.

Archives of American Art Journal, Edi- tor: Garnett McCoy. Published by the Smithsonian Institution. This quarterly reports on the holdings and activities of the Archives. Thumbing through the issue on photographs in the Archives (vol. 12, no. 3, 1972). We were impressed by the material: photographs of artists from Thomas Cole to Franz Kline including Sargent, Chase, Hopper, Sloan and many others. Valuable and interesting.

Also published by the Archives of American Art is Re-Discovery: Jurgan Frederick Huge by Jean Lipman. Huge (1809-1878) was born in Hamburg but came to America at an early date and set- tled in Bridgeport. He was a painter of landscapes and marine subjects mainly views of sailing vessels and coastal steam- ships in a remarkable primitive style. Mrs. Lipman has brought together enough information on this hitherto forgotten artist to assure him a place among the much ad- mired "primitive illustrators of the day. To anyone admiring ships and marine life his work will be familiar from examples in the Mariners Museum of Newport News, Virginia. But Huge also did a num- ber of landscapes, particularly "portraits" of house and public buildings.

The next publication in this series will be devoted to the sculpture of Louise Nevelson.

SITE (Sculpture in the Environment) is producing a publication entitled On Site, as a quarterly edited by Alison Sky. It is mailed free of charge to colleges, museums, architects, etc. Its purpose is to em- phasize the oppressive design in the ma- jority of our public spaces. The second issue, V.P. (visual pollution) is replete with illustrations and interviews, and is very convincing as if any of us needed convincing of the daily horrors of our environment.

Theodore Wores: We received a letter from Dr. Jess Shenson of San Francisco who with his brother Ben, also a doctor, has been resurrecting the art and career of Theodore Wores (1858-1939), San Fran- cisco born artist. He included a copy of an iullustrated monograph by Lewis Ferbrach6, which shows Wores to have been a competent painter of picturesque subjects like Chinese New Years Day or Navajo Rug Weaver. Three of his paintings, Dr. Shenson tells us, are in the White House. (Continued on page 452) White House. (Continued on page 452)

Grants to Art Museums National Endowment for the Arts

Aid to Special Exhibitions Adirondack Museum, Blue Mountain Lake, N.Y.,

Selected Drawings and Watercolors by Arthur F. Tait, $5,000. American Numismatic Society, New York, N.Y., Coinage of the Americas-Historical analysis of the various monies of the period of Spanish exploration to present, $7,540. Ames So- ciety for the Arts, The Octagon Center, Ames, Iowa, Exhibitions to be held in conjunction with a sym- posium on Technology and the Artist-Craftsman,. $8,600. Anchorage Historical and Fine Arts Mu- seum, Anchorage, Alaska, Native Art of the Ameri- can Northwest and Arctic, $17,150. The Asia So- ciety, New York,- N.Y., The Arts of Isfahan (1587- 1629), $30,000. The High Museum of Art, Atlanta, Ga., Highlights from Atlanta University collection of Afro-American Art, $6,200. The Baltimore Mu- seum of Art, Indigo and Cobalt: The Blue Tradi- tion in the Decorative Arts, $10,000. The Bronx Museum of the Arts, Bronx, N.Y., I and My World -Emphasizing three themes: (1) Self, (2) Environ- ment and, (3) The W'orld, $20,000. Center of Asian Art and Culture, San Francisco, Calif., Rarities from the Guimet Museum, $12,500. China House Gallery, New York, N.Y., China Trade Porcelain, $10,000. Colorado State University Art Museum, Fort Collins, Colo., Contemporary Crafts of the Americas, $20,000. Cornell University, H. F. John- son Museum of Art, Ithaca, N.Y., Directions in Afro-American Art, $16,596. Creative Arts League of Sacramento, Calif., California Crafts VIII to be held at E. B. Crocker Art Gallery, $2,000. Cultural Groups Foundation of Orange County Mucken- thaler Cultural Center, Fullerton, Calif., Exhibition of the work of Nampeyo, female Hopi (Tewa) In- dian, $4,750. DeCordova and Dana Museum. Lin- coln, Mass., Photographic exhibition of Master- works of Contemporary New England Architecture,. $5,000. Denver Art Museum, Retrospective exhibition of the works by Herbert Bayer, $9,462. Evans- ville Museum of Arts and Science, Evansville, Ind., Architecture Today-its trends and direction,. $1,820. Field Museum of Natural History, Chicago, Ill., Contemporary African Arts, $30,000. The Franklin Institute, Philadelphia, Pa., Beauty in the Universe, $25,000. The Solomon R. Guggenheim Museum, New York, N.Y., Jean Dubuffet, $25,000. Hofstra University, The Emily Lowe Gallery, Hempstead, N.Y., Exhibition comparing the use of the Visual Arts by the Serge Diaghilev and Merce Cunningham Dance Companies, $5,000. Interna- tional Exhibitions Foundation, Washington, D.C., American Self-Portraits, $15,000. The Jewish Mu- seum, New York, N.Y., The Jewish Experience in the Art of the 20th Century, $25,000. Joslyn Art Museum, Omaha, Neb., A Sense of Place, American Landscape Painting in cooperation with Nebraska Art Galleries, $15,000. Library of Congress, Exhibits Office, Washington, D.C., History and Use of Color, $10,000. Metropolitan Museum of Art, New York, N.Y., Retrospective of the sculpture Elie Nadelman, $10,000. Milwaukee Art Center, Milwaukee, Wis., Milwaukee River and it's aesthetic potential in the' urban environment in cooperation with Milwaukee' Public, $15,000. Museum of American Folk Art, New York, N.Y., Development of America's Folk Art, $15,000. Museum of Contemporary Art, Chi- cago, Ill., Post-Mondrian Abstraction in America, $11,990. Museum of Fine Arts, Boston, Mass., Aus- tro-German Baroque Sculpture of the 18th Century, $30,000. The Museum of Fine Arts, Houston, Tex., The Birth and Development of Pure Abstraction (Europe and America in the early teens), $15,000. The Museum of Modern Art, New York, N.Y.,

Grants to Art Museums National Endowment for the Arts

Aid to Special Exhibitions Adirondack Museum, Blue Mountain Lake, N.Y.,

Selected Drawings and Watercolors by Arthur F. Tait, $5,000. American Numismatic Society, New York, N.Y., Coinage of the Americas-Historical analysis of the various monies of the period of Spanish exploration to present, $7,540. Ames So- ciety for the Arts, The Octagon Center, Ames, Iowa, Exhibitions to be held in conjunction with a sym- posium on Technology and the Artist-Craftsman,. $8,600. Anchorage Historical and Fine Arts Mu- seum, Anchorage, Alaska, Native Art of the Ameri- can Northwest and Arctic, $17,150. The Asia So- ciety, New York,- N.Y., The Arts of Isfahan (1587- 1629), $30,000. The High Museum of Art, Atlanta, Ga., Highlights from Atlanta University collection of Afro-American Art, $6,200. The Baltimore Mu- seum of Art, Indigo and Cobalt: The Blue Tradi- tion in the Decorative Arts, $10,000. The Bronx Museum of the Arts, Bronx, N.Y., I and My World -Emphasizing three themes: (1) Self, (2) Environ- ment and, (3) The W'orld, $20,000. Center of Asian Art and Culture, San Francisco, Calif., Rarities from the Guimet Museum, $12,500. China House Gallery, New York, N.Y., China Trade Porcelain, $10,000. Colorado State University Art Museum, Fort Collins, Colo., Contemporary Crafts of the Americas, $20,000. Cornell University, H. F. John- son Museum of Art, Ithaca, N.Y., Directions in Afro-American Art, $16,596. Creative Arts League of Sacramento, Calif., California Crafts VIII to be held at E. B. Crocker Art Gallery, $2,000. Cultural Groups Foundation of Orange County Mucken- thaler Cultural Center, Fullerton, Calif., Exhibition of the work of Nampeyo, female Hopi (Tewa) In- dian, $4,750. DeCordova and Dana Museum. Lin- coln, Mass., Photographic exhibition of Master- works of Contemporary New England Architecture,. $5,000. Denver Art Museum, Retrospective exhibition of the works by Herbert Bayer, $9,462. Evans- ville Museum of Arts and Science, Evansville, Ind., Architecture Today-its trends and direction,. $1,820. Field Museum of Natural History, Chicago, Ill., Contemporary African Arts, $30,000. The Franklin Institute, Philadelphia, Pa., Beauty in the Universe, $25,000. The Solomon R. Guggenheim Museum, New York, N.Y., Jean Dubuffet, $25,000. Hofstra University, The Emily Lowe Gallery, Hempstead, N.Y., Exhibition comparing the use of the Visual Arts by the Serge Diaghilev and Merce Cunningham Dance Companies, $5,000. Interna- tional Exhibitions Foundation, Washington, D.C., American Self-Portraits, $15,000. The Jewish Mu- seum, New York, N.Y., The Jewish Experience in the Art of the 20th Century, $25,000. Joslyn Art Museum, Omaha, Neb., A Sense of Place, American Landscape Painting in cooperation with Nebraska Art Galleries, $15,000. Library of Congress, Exhibits Office, Washington, D.C., History and Use of Color, $10,000. Metropolitan Museum of Art, New York, N.Y., Retrospective of the sculpture Elie Nadelman, $10,000. Milwaukee Art Center, Milwaukee, Wis., Milwaukee River and it's aesthetic potential in the' urban environment in cooperation with Milwaukee' Public, $15,000. Museum of American Folk Art, New York, N.Y., Development of America's Folk Art, $15,000. Museum of Contemporary Art, Chi- cago, Ill., Post-Mondrian Abstraction in America, $11,990. Museum of Fine Arts, Boston, Mass., Aus- tro-German Baroque Sculpture of the 18th Century, $30,000. The Museum of Fine Arts, Houston, Tex., The Birth and Development of Pure Abstraction (Europe and America in the early teens), $15,000. The Museum of Modern Art, New York, N.Y.,

449 449



Maicel Duchamp (1887-1968) in cooperation with The Philadelphia Museum of Art, $60,000. Uni- versity of Nebraska Art Galleries, Lincoln, Neb., A Sense of Place, American Landscape Painting in cooperation with the Joslyn Art Museum, $15,000. The New Haven Colony Historical Society, New Haven, Conn., The 17th Century Furniture of the New Haven Colony, $5,500. New York Cultural Center, New York, N.Y., Man Ray, $20,000. The New York Historical Society, New York, N.Y., John Pintard and his Circle Friends, $8,125. North- western University, Evanston, Ill., Exhibition of the collections of the eleven large midwestern universities, $20,000. The Oakland Museum, Oak- land, Calif., California Landscape using multiple image projection and sound, $7,500. The Oakland Museum, Oakland, Calif., Oakland Biennial En- vironmental Design Exhibit, $16,000. Pasadena Art Museum, Pasadena, Calif., Richard Diebenkorn, $22,099. Phoenix Art Museum, Phoenix, Ariz., Retrospective exhibition, Ernest Trova, $10,000. Portland Art Museum, Portland, Ore., Masterworks in Wood, $25,000. San Francisco Museum of Art, Diego Rivera drawings to be traveled to Spanish speaking communities, $7,082. Seattle Art Museum, American Art: 1947-72, $15,000. Sheldon Jackson College, Sitka, Alaska, Traveling exhibitions of artifacts and an exhibition of early Tlingit life circa 1776, $3,240 (non-matching). Storm King Art Center, Mountainville, N.Y., Outdoor Sculpture, $10,000. Studio Museum in Harlem, New York, N.Y.. Shango in Art and Ritual: A Worldwide View, $33,500. The Textile Museum, Washington, D.C., Turkish Rugs and Textiles, $5,000. Univer- sity of California at San Diego, La Jolla, Calif., Polvnesian Art and the European Vision of Poly- nesian culture as reflected in engravings, sketches and paintings, $15,000. University of Illinois, Kran- nert Art Museum, Champaign, Ill., Contemporary American Painting and Sculpture, $27,200. Uni- versity of Kansas Museum, Lawrence, Kan., Span- ish Drawings dating from 1500-1750, $4,140. Uni- versity of Vermont, Robert Hull Fleming Museum, Burlington, Vt., George Loring Brown, American Landscape painter, $4,131. Virginia Museum of Fine Arts, Richmond, Va., American Painting 1974, $6,800. Wesleyan University, Davison Art Center, Middletown, Conn., Three exhibitions: Complete Prints of Richard Hamilton, Technology and Aesthetic Contents of a Medium: Offset Lithography, and The Fable of the Sick Lion: A 15th Century Blockbook, $9,950. Whitney Museum of American Art, New York, N.Y., Pop Art, $26,915. Wichita Art Museum, Wichita, Kan., John Quidor, $8,407. Yellowstone County Fine Arts Center, Billings, Mont., Frank Lloyd Wright, $4,540.

Utilization of Museum Collections Artkansas Art Center, Little Rock, Ark., Cata-

logue of the John Reid Early American Jazz col. lection, $1,980. Baltimore Museum of Art, Re- installation of the Cone Collection, $15,000. Balti- more Museum of Art, Catalogue of the Collection of American Paintings, 1700-1900. $6,848. Cincin- nati Art Museum, Cincinnati, Ohio, Installation of audio equipment in Museum's Musical Instrument Galleries, $22,080. Cincinnati Art Museum, Cincin- nati, Ohio, Publication of a Handbook providing a comprehensive survey of the collections, $15,090. Corning Museum of Glass, Corning, N.Y., Installa- tion of undisplayed collections in storage-study center, $15,000. Corning Museum of Glass, Corn- ing, N.Y., Re-issuance of illustrated handbook guide to its collections and general history of glass, $15,000. E. B. Crocker Art Gallery, Sacramento, Calif., Publication of booklet on Jacques Louis- David's Funeral of Patroclus, $1,500. DeCordova and Dana Museum, Lincoln, Mass., Publication of two handbooks for its collection of art, $3,700. Denver Art Museum, Publication of a catalogue of the Museum's quilt and coverlet collection, $7,257.

Des Moines Art Center, Des Moines, Iowa, Publica- tion of the Museum's first catalogue of its permanent collection of paintings, sculpture, and unique works on paper, $11,650. Farnsworth Li- brary and Art Museum, Rockland, Maine, Pub- lication of catalogue of the Museum's collection of American Art, $9,896. Field Museum of Natural History, Chicago, Ill., Preparation and publication of two works on the Museum's collection of Chinese rubbings, $21,560. Detroit Institute of Arts, De- troit, Mich., Publication of catalogue of Horace E. Dodge Collection of French 18th Century decorative art, $6,500. Huntington Library and Art Gal- lery, San Marino, Calif., Catalogue of 700 drawings of illustrations to Shakespeare dating between 1740 and 1830, $2,875. Institute of American In- dian Art, Santa Fe, N.M., Identification, photog- raphy, and cataloguing of 300 items of Contemp- orary Indian Arts & Crafts (Publication of catalogue thereof), $9,664. Jacksonville Art Museum, Installation of Museum's Oriental Art Collection, $25,000. Joslyn Art Museum, Omaha, Neb., In- stallation of its collection of paintings, sculpture and decorative arts (15th through the 20th centuries), $80,000 Treasury (2A private). Loch Haven Art Center, Orlando, Fla., Preparation and installation of its collection of Pre-Columbian art objects, $4,900. Museum of Fine Arts, Houston, Texas, Preparation and publication of a handbook on the Bayou Bend Collection, $16,950. Museum of New Mexico, Santa Fe, N.M., Cataloguing religious objects in ten counties of Northern New Mexico, $10,000. Museum of New Mexico, Santa Fe, N.M., Preparation of catalogue of the Museum's collection of Fine Arts, $9,755. Pasadena Art Museum, Reinstallation of the Galka E. Scheyer Bequest, $25,000. Portland Art Museum, Portland, Ore., Re- installation of three Collections-Art of the North- west Coast, Cameroon Art, and Pre-Columbian Art, $15,000. Potsdam Public Museum, Potsdam, N.Y., Catalogue of the Burnap Collection of English Pottery, $2,500. Rhode Island School of Design, Museum of Art, Providence, R.I., Publication of of two catalogues: "Selection III: Contemporary Graphics from the Museum's Collection," and "Se- lected IV: Glass from the Museum's collection," $5,000. Sheldon Jackson College, Sitka, Alaska, Preparation of a catalogue of Eskimo and Indian ethnographic artifacts collection, $9,914. Smith- sonian Institution, Cooper-Hewitt Museum of Decorative Arts and Design, Washington, D.C. and New York, N.Y., Preparation of a colored-slide catalogue of the Cooper-Hewitt Textile Collection, $9,789. Society for the Preservation of New England Antiquities, Inc., Boston, Mass., Research and publication of a catalogue of its Stebbins Col- lection of Nautical Photographs, $4,335. Suffolk Museum and Carriage House, Stony Brook, N.Y., Cataloguing and accessioning of 300 sketches in its William Sidney Mount Collection, $10,450. Univer- sity of California, University Art Museum, Berk- eley, Calif., Publication of a monograph of "Hans Hofmann at Berkeley," $7,500. University of Florida, Florida State Museum, Gainesville, Fla., Installation of an "Object Library" utilizing the permanent collections, $58,222. University of Il- linois, Krannert Art Museum, Champaign, Ill., Publication of a catalogue of the Museum's collection of Pre-Columbian art from Peru, $8,430. University of Washington, Henry Art Gallery, Se- attle, Wash., Preparation and publication of four catalogues: 1) "Artists of the Pacific Northwest," 2) "The Masked Rituals of Afikpo," "A Study in African Art," 3) "History of Ceramics in the Paci- fic Northwest," and 4) "Imogen Cunningham: The Early Years," $70,060. Walters Art Gallery, Balti- more, Md., Installation of the arms and armor collection, illuminated manuscripts collection, and collection of Sevres and other 18th Century porcelain, $29,338. Yale University Art Gallery, New Haven, Conn., Publication of booklet of the Mu- seum's American paintings and sculptures collections, $7,200.

Wider Availability of Museums

The Baltimore Museum of Art, Continuation and

expansion of NEWSEUM-an extension of the Baltimore Museum of Art located in the inner

city, $35,000. The Children's Museum, Boston, Mass., Expansion of the Museum's Community Services Division, $45,000. Cincinnati Art Museum, A project to transfer three TV tapes of parts of the collection to 16 mm film in order to make the material more available to schools and museums, $4,860. Cleveland Museum of Art, The Cleveland Museum of Art is the funding agency for a col- laborative project between six American museums and the Council on Museums and Education in the Visual Arts to study and to report on innovative and substantive programs and training in Visual Art Education, $75,000. Connecticut Commission on the Arts, Hartford, Conn., Development of a

program of cooperative exhibitions which will tour six states: Connecticut, Massachusetts, Maine, New

Hampshire, Rhode Island, and Vermont, $9,750.

Corning Museum of Glass, Comrning, N.Y., Creation

of an educational program specifically for dis-

advantaged students involving the students in the

history and science of glass and glass blowing, $3,930. Fresno Arts Center, Fresno, Calif., To cir- culate portions of the Center's collection of Mex- ican Folk Art to communities in the valley, $1,940. Brockton Art Center, Brockton, Mass., The second

year of a proposed three year program which is

already a model of museum cooperation. Works are to be loaned from the reserve of the Museum

of Fine Arts, Boston, $8,740. Higgins Armory Mu-

seum, Worcester, Mass., Development and installation of audiovisual equipment suitable for pro- grammed sound slide presentation to elementary, high school, university and other educational

groups, $4,130. Los Angeles County Museum of Art, "Youth Expression,"-program for high school students to better acquaint them with the Mu- seum's collection-In two parts: 1) Youth Expres- sion Festival, 2) Student Guide Program, $6,010.

Metropolitan Museum of Art, New York, N.Y., Support is for three-year plan for Community Pro-

grams, $100,000. Museum of Fine Arts, Boston, Mass., Expansion and operation of the second year of the Museum's Supplementary Learning Program directed to elementary and secondary school groups and their teachers, $25,000. Museum of Modern Art, Children's Art Carnival, New York, N.Y., A

program to introduce young people, their parents and teachers to creative learning through painting, collage, drawing, sewing, printmaking and film making. The Carnival, located in Harlem is only nominally under the control of the Museum of Modern Art, $25,000. Museum of Modern Art, New York, N.Y., Projects: a continuing series of small exhibitions designed to inform the public of current research and explorations in the Visual

Arts, $25,000. Museum of Modern Art, New York, N.Y., Transfer 77,000 magazine and newspaper

clippings to microfiche, $17,637. Pasadena Art Mu- seum, Expansion of arts program to make available on a wider basis the facilities of the Museum's Education Department, $25,930. Portland Center for the Visual Arts, Portland, Ore., Support of an exhibition program of Contemporary Art to fill a need in the city and region. Cooperation with other west coast museums is a fundamental part of the project, $10,000. Stanford University Mu- seum of Art, Continuation of the Museum's Edu- cational Program, $12,500. University of Arizona, Msueum of Art, Tucson, Ariz., Expansion of Mu- seum's program to make museum facilities available to a greater segment of the community, $11,330. University of California, University Art Museum, Berkeley, Calif., Establishment of Mu- seum Night: to serve a contemporary arts forum for artists in Bay Area; to establish better contact with the community; and to keep the Museum

open one night a week (allowing further com-

munity participation), $18,050. Virginia Museum

450



of Fine Arts, Richmond, Va., Workshop/Confer- ence program for the state-wide system of 30 affili- ated arts organizations, $9,200.

Museum Training Elma Lewis School of Fine Arts, National Cen-

ter of Afro-American Artists, Dorchester, Mass., A co-operative venture between the Museum of Fine Arts and this Museum to train staff, $7,625. Finch College Museum of Art, New York, N.Y., Internship for a graduate student to work closely with the director in all phases of the museum's operation, $3,500. George Washington University, Washington, D.C., Start-up money for a graduate program in museum education in co-operation with local museums, $13,050. Portland Art Museum, Portland, Ore., A program of internship in museum operations. Candidates to be chosen from the Northwest, $10,723. Smith College Museum of Art, Northampton, Mass., Stipends for two students from the University of Michigan program, $9,542. The Toledo Museum of Art, Continue the museum's Fellowship Program in Museum Education, $22,000. Troy State University, Troy, Ala., A cooperative venture between the University and the Montgomery Museum of Fine Arts to train selected students and other interested persons for museum work, $9,459. University of Illinois, Kran- nert Art Museum, Champaign, Ill., Continue the graduate program in museum training at the University, $13,200. University of Michigan, Ann Arbor, Mich., Continue the museum training program at the University of Michigan and expand the program to provide intern training at several college or community oriented museums in Michi- gan, $50,000. Yale University Art Gallery, New Haven, Conn., Continue the training program in museum techniques, connoisseurship and the so- ciological aspects of the museum in America, $7,000.

Visiting Specialists Baltimore Museum of Art, Research the Cone

Collection, $3,492. The Columbus Gallery of Fine Arts, Columbus, Ohio, Research and catalogue the print collection, $1,675. The Corning Museum of Glass, Corning, N.Y., Catalogue the ancient glass collection, $7,793. International Exhibitions Foundation, Washington, D.C., Research in preparation for a major exhibition "Venetian Draw- ings from American Collections," $4,150. Jackson- ville Art Museum, Jacksonville, Fla., Catalogue and installation of Oriental ceramics collection, $3,000. Maine State Museum, Augusta, Maine, Im- plement a state-wide computerization of museum collection records, $6,550. Milwaukee Art Center, Milwaukee, Wis., Organize the audio-visual equipment and assist in the development of the initial audio-visual program for the Junior Education Learning Center, $3,560. Oberlin College, Allen Art Museum, Oberlin, Ohio, Catalogue its collection of European and American drawings, $3,285. University of California, R. H. Lowie Mu- seum of Anthropology, Berkeley, Calif., Catalogue the Uhle collection of Peruvian archeological materials, $20,000. University of California, Univer- sity Art Museum, Berkeley, Calif., Catalogue the print collection, $3,000. Yale University Art Gal- lery, New Haven, Conn., Engage a professional de- signer to maximize exhibition space and to re- install the Stoddard Collection of Etruscan and Greek vases and the artifacts from Dura-Europos, $3,000.

Fellowships for Museum Professionals Susan H. Auth, Curator, The Newark Museum;

To travel to Near East to research ancient glass in

preparation for a catalogue of the museum's collection, $3,224.

James D. Burke, Curator, Yale University Art Gallery; To travel to Europe to research for an exhibition of Dutch Seventeenth Century drawings from American collections and to study ancient art, $4,500.

Susan M. Burke, Curatorial Assistant, Yale Uni- versity Art Galleries; To travel to England and Europe to study and compare ancient vases in preparation for a catalogue, $2,500.

E. A. Carmean, Jr., Curator, Museum of Fine Arts, Houston, Texas; The conservation of stain and metallic pigmnent, $2,450.

Jane H. Cone, Curator, Baltimore Museum of Art; To travel in the U.S. to research American art from the past three centuries and investigate aspects of conservation and installation, $3,330.

I. Michael Danoff, Assistant Professor of Fine Arts, Dickinson College, Carlisle, Pa.; To partici- pate in eight weeks of intensive training in curator- ship, conservation, cataloguing and publicity at a major museum, $3,400.

Dean Dawson, Superintendent, Santa Barbara Museum of Art; To study museum operations including both new and old buildings and prepare a report including recommendations for the Santa Barbara Museum of Art's new building as well as for the present operations, $3,574.

Darrell D. Henning, Norwegian-American Mu- seum, Decorah, Iowa; To do an interdisciplinary study (architectural-anthropological) of rural architecture from the first three quarters of the 19th Century, $2,693.

George Kuwayama, Senior Curator, Los Angeles County Museum of Art, Los Angeles, Calif.; To research oriental cloisonne in English, European and East Asian collections to prepare for an international loan exhibition and catalogue, $4,650.

Anthony N. Landreau, Executive Director, The Textile Museum, Washington, D.C.; To investigate Kurdish rug weaving in Eastern Turkey, $1,831.

Robert Littman, Director, Emily Lowe Gallery, Hempstead, N.Y.; To publish a selection of photographs of Solomon D. Butcher (1880-1913) docu- mentary photographer of the homesteaders in Cus- ter County, Neb., $5,072.

Margaretta M. Lovell, Yale Art Gallery; To research and compose a photographic essay on the domestic architecture and furniture of the northern Connecticut river valley, $1,600.

Imelda DeGraw, Curator of Textiles, Denver Art Museum; To travel to Europe to research the in- fluence of the couturier on the continued change of dress and economy leading to a publication and exhibition, $3,050.

Allen Stevens Dodworth, Director, Boise Gal- lery of Art, Boise, Idaho; To visit major Eastern museums to study their collections and installation techniques, $2,957.

Denise M. Domergue, Conservator, University of California, Davis, Calif.; To attend a specialized course in the conservation of mural paintings at the International Center for the Study of the Preservation of Cultural Property, Rome, $1,240.

Cleta H. Downey, Assistant Curator, University of New Mexico, Albuquerque, N.M.; To visit print collections in the U.S. to find out how other institutions care for, repair and conduct research on prints, $2,156.

Edward H. Dwight, Director, Munson-Williams- Proctor Institute, Utica, N.Y.; To continue research on the life and works of John James Audu- bon, $9,250.

Robert H. Frankel, Curator, Phoenix Fine Arts Association, Phoenix, Ariz.; To study the romantic representations of the American Indian in European paintings, $2,992.

Earl Roger Mandle, Associate Director, Min- neapolis Institute of Arts, Minneapolis, Minn.; To travel to Holland to research for a book on Dutch Eighteenth Century art, $5,620.

Evangeline J. Montgomery, Art Curator, The' Oakland Museum, Oakland, Calif.; To travel in the U.S. to research and record information on Californian Black artists in preparation for an exhibition and catalogue, $6,955.

Robert M. Murdock, Curator, Dallas Museum of Fine Art, Dallas, Texas: To visit galleries and artist's studios and museums in Europe to ob- serve the contemporary art activity, concentrating on conceptual art, and to study Constructivist art in museum collections, $6,875.

Jon Nelson, Assistant to the Director, University of Nebraska Art Galleries, Lincoln, Neb.; To study Eighteenth and Nineteenth Century American prints in the principal collections, $3,977.

Roy Perkinson, Assistant Conservator, Museum of Fine Arts, Boston, Mass.; To visit Florence, Rome and Vienna to study conservation procedures and techniques for archival materials, books, and works of art, $6,500.

Davis Pratt. Associate Curator, Fogg Art Mu- seum, Cambridge, Mass.; To study and research contemporary photographs in Esuropean collections, $2,731.

Rachelle M. Puryear, Administrative Assistant, Museum of National Center of Afro-American Artists, Brookline, Mass.; To travel to West Africa to study and record aspects of SubSaharan African art, $5,850.

Laurel J. Reuter, Director, University Art Gal- lery, University of North Dakota, Grand Forks, N.D.; To develop a program of assistance for the Sioux Indians by studying the programs in Ari- zona, New Mexico and South Dakota, $3,980.

Caroline Rollins, Membership Secretary, Yale University Art Gallery; To write a monograph emphasizing Trumbull's talent as a miniaturist and as a meticulous recorder of the contemporary per- sonalities of his time, $1,500.

Ludwig J. Rowinski, Director, University of Alaska Museum, College, Alaska; To visit the Riksutstallningar, the Swedish Travelling Exhibi- tion Service project, and learn about their operations, $1,774.

Byron D. Rushing, Executive Director, Museum of Afro-American History, Boston, Mass.; To visit museums and other institutions in the U.S. and the Caribbean to study the various means being used to portray vividly the history of ethnic groups; to begin a preliminary assessment of their holdings that relate to the history of African-Americans in New England; and to attend a course for museum administrators at Colonial Williamsburg (tuition paid by Museum of Afro-American History), $3,650.

Robert L. Shalkop, Director, Anchorage His- torical and Fine Arts Museum, Anchorage, Alaska; To survey traditional native crafts in Alaska as represented by older examples in public and private collections and contemporary craftsman still work- ing in the traditional media, $6,124.

Frederick S. Wight, Director Emeritus, Frederick S. Wight Galleries, University of California, Los Angeles, Calif.; To research and prepare for publication the history of twentieth Century sculpture, $4,711.

William D. Wixom, Curator, The Cleveland Museum of Art; To travel in the U.S. and Europe to research European medieval sculptures in preparation for a catalogue, $2,730.

Helena E. Wright, Keeper of Prints and Manu- scripts, Merrimack Valley Textile Museum, North Andover, Mass.; To attend a one-month course in the Conservation of Research Library Materials offered by the University of Illinois in conjunction with the Newberry Library. $1,213.

Peter Zegers, Conservator of Paper, Paul Mellon Center for British Art, Yale University; To continue research for a book which will provide a standard reference book on the papers used by the artists and graphic industry during the 19th Cen- tury, catalogue the water marks of the 19th Cen- tury and standard terminology, $3,500.

451



Conservation

Training in Conservation St. Louis Art Museum, Train an intern for one

year, $4,200. Detroit Institute of Arts, Train two interns in

painting and/or decorative arts conservation and one apprentice in decorative arts, $12,500.

Fogg Art Museum, Continue the Museum's 3- year training conservation apprenticeship program which will include stipends for the three trainees and related equipment, $35,000.

Museum of Primitive Art, New York, N.Y., Train one intern in the field of primitive art conservation, $4,600.

New York State Historical Association, Coopers- town, N.Y., Continue the Conservation of Historic and Artistic Works Program at Cooperstown which will include stipends for thirteen fellows, $61,525.

New York University, Conservation Center, In- stitute of Fine Arts, New York, N.Y., Continue the training program for graduate conservation students, $75,000 ($25,000 non-matching).

Rosary College (Villa Schifanoia Graduate School of Fine Arts, Florence, Italy), River Forest, Ill., Support of the Graduate program in conservation training, $16,950.

University of Delaware, Newark, Del., Develop and plan a training center in art conservation with the Henry Francis du Pont Winterthur Museum, $1 0.000.

University of Delaware, Newark, Del., Establish ra training center in art conservation with the Henry Francis du Pont Winterthur Museum, $300,000 ($100,000 private).

Walters Art Gallery, Baltimore, Md., Train an intern from Cooperstown Center for Conservation of Historic and Artistic works, $3,500.

Regional Conservation Centers Detroit Institute of Arts, Detroit, Mich., Feasi-

bility study to determine what classifications of materials would lend themselves to some cooperative arrangement and develop a system to serve the Midwest and Great Lakes Region, $2,250.

Maine State Museum, Augusta, Me., Continue and expand the services of the Conservation Center at Maine State Museum, $40,000.

Conservation of Collection Amherst College, Mead Art Building, Amherst,

Mass., Conservation treatment of the American and European painting collection, $2,500.

Baltimore Museum of Art, Emergency Conserva- tion on twelve volumes of Alfred Steiglitz's Camera- work, $2,602.

The Columbus Gallery of Fine Arts, Columbus, Ohio, Conservation treatment of six paintings, $2,250.

Cornell University, H. F. Johnson Museum of Art, Ithaca, N.Y., Emergency conservation of nine Anglo-Saxon artifacts and a display case for these objects, $1,147.

Denver Art Museum, Emergency conservation of three Italian panel paintings, $5,950.

Fisk University, Carl Van Vechten Gallery, Nashville, Tenn., Emergency conservation of the Alfred Stieglitz Collection, $7,500.

Detroit Institute of Arts, Enmergency conservation of textiles, $2,500.

Hampton Institute, The College Museum, Hamp- ton, Va., Long-range (3-years) conservation program for the Museum's ethnological collection, $17,206.

Hebrew Union College, The Skirball Museum, Los Angeles, Calif., Emergency conservation of the Museum's collection of "Ketubot" (Jewish mar- riage contracts), $5,000.

The Hispanic Society of America, New York, N.Y., Emergency conservation of a large late 15th

Conservation

Training in Conservation St. Louis Art Museum, Train an intern for one

year, $4,200. Detroit Institute of Arts, Train two interns in

painting and/or decorative arts conservation and one apprentice in decorative arts, $12,500.

Fogg Art Museum, Continue the Museum's 3- year training conservation apprenticeship program which will include stipends for the three trainees and related equipment, $35,000.

Museum of Primitive Art, New York, N.Y., Train one intern in the field of primitive art conservation, $4,600.

New York State Historical Association, Coopers- town, N.Y., Continue the Conservation of Historic and Artistic Works Program at Cooperstown which will include stipends for thirteen fellows, $61,525.

New York University, Conservation Center, In- stitute of Fine Arts, New York, N.Y., Continue the training program for graduate conservation students, $75,000 ($25,000 non-matching).

Rosary College (Villa Schifanoia Graduate School of Fine Arts, Florence, Italy), River Forest, Ill., Support of the Graduate program in conservation training, $16,950.

University of Delaware, Newark, Del., Develop and plan a training center in art conservation with the Henry Francis du Pont Winterthur Museum, $1 0.000.

University of Delaware, Newark, Del., Establish ra training center in art conservation with the Henry Francis du Pont Winterthur Museum, $300,000 ($100,000 private).

Walters Art Gallery, Baltimore, Md., Train an intern from Cooperstown Center for Conservation of Historic and Artistic works, $3,500.

Regional Conservation Centers Detroit Institute of Arts, Detroit, Mich., Feasi-

bility study to determine what classifications of materials would lend themselves to some cooperative arrangement and develop a system to serve the Midwest and Great Lakes Region, $2,250.

Maine State Museum, Augusta, Me., Continue and expand the services of the Conservation Center at Maine State Museum, $40,000.

Conservation of Collection Amherst College, Mead Art Building, Amherst,

Mass., Conservation treatment of the American and European painting collection, $2,500.

Baltimore Museum of Art, Emergency Conserva- tion on twelve volumes of Alfred Steiglitz's Camera- work, $2,602.

The Columbus Gallery of Fine Arts, Columbus, Ohio, Conservation treatment of six paintings, $2,250.

Cornell University, H. F. Johnson Museum of Art, Ithaca, N.Y., Emergency conservation of nine Anglo-Saxon artifacts and a display case for these objects, $1,147.

Denver Art Museum, Emergency conservation of three Italian panel paintings, $5,950.

Fisk University, Carl Van Vechten Gallery, Nashville, Tenn., Emergency conservation of the Alfred Stieglitz Collection, $7,500.

Detroit Institute of Arts, Enmergency conservation of textiles, $2,500.

Hampton Institute, The College Museum, Hamp- ton, Va., Long-range (3-years) conservation program for the Museum's ethnological collection, $17,206.

Hebrew Union College, The Skirball Museum, Los Angeles, Calif., Emergency conservation of the Museum's collection of "Ketubot" (Jewish mar- riage contracts), $5,000.

The Hispanic Society of America, New York, N.Y., Emergency conservation of a large late 15th

Century altar piece from Northern Spain, $8,905. Honolulu Academy of Art, Emergency conserva-

tion of seven paintings, and a survey of 160 paintings, $7,265.

Jewish Museum, New York, N.Y., Conservation treatment of the collection, $10,000.

Maryland Historical Society, Baltimore, Md., Emergency conservation of approximately 30 paintings, $10,000.

Pasadena Art Museum, Emergency conservation

of the Galka E. Scheyer Collection, $9,800. Rhode Island School of Design, Museum of Art,

Providence, R.I., Conservation treatment of the British watercolors and drawings collection, $6,748.

St. Bonaventure University, Friedsam Library, St. Bonaventure, N.Y., Development of long-range conservation program for the University's Art Col- lection, $2,000.

University of California, R. H. Lowie Museum of Anthropology, Berkeley, Calif., Transcription of all cylinders, original tapes, and disks of Museum's audio recording archive of original ethnographic materials on to magnetic tapes, $19,560.

University of California, University Art Museum, Berkeley, Calif., Emergency conservation of seven works-six Hans Hofmann and one Henry Alex- ander, $5.000.

University of Illinois, Krannert Art Museum, Remount 1381 prints and drawings, $3,000.

University of Iowa, Museum of Art, Iowa City, Iowa, Restoration of 36 paintings in the Univer- sity Museum's collection, $10,000.

University of Vermont, Robert Hull Fleming Museum, Burlington, Vt., Emergency conservation

of Museum's print and drawing collection, $7,580. University of Wisconsin, Elvehjem Art Center,

Madison, Wis., Emergency conservation of the University's collection, $10,000.

Walker Art Center, Minneapolis, Minn., Devel- opment of an emergency conservation laboratory, $7,500.

Walters Art Gallery, Baltimore, Md., Establish- ment of a metallurgical laboratory to discover causes of decay of Bronzes and development of methods of treatment, $29,811.

Whitney Museum of American Art, New York, N.Y., Emergency conservation treatment of prints and drawings, $6,617.

Delaware Art Museum, Wilmington, Del., Con- servation treatment of the collection, $5,000.

Wood Art Gallery, Montpelier, Vt., Emergency conservation treatment of the collection, $2,830.

Yale University Art Gallery, One year conservation project, $7,500.

Special Projects American Association of Museums, Washington,

D.C., For support of three 3-day seminars to be held in 1973-74, $21,233.

Berger, Gustav, New York, N.Y., Research Proj- ect: "Search for a non-aqueous, non-staining ad- hesive for paper," $8,920.

National Gallery of Art, Washington, D.C., Preparation of a printed handbook describing the properties and characteristics of principal artists' pigments, $11,000.

University of New Mexico, University Art Museum, Albuquerque, N.M., Establishment of a

regional center for research and conservation procedures on photographs, $2,500.

Renovation (Climate Control, Security, Storage)

Surveys Allentown Art Museum, Allentown, Pa., Survey

of climate control in the exhibition area, $1,850. Detroit Institute of Arts, Survey of climate con-

trol needs in the exhibition area, $5,000. Museum of Fine Arts. Boston, Mass., Survey of

storage needs in the Print Department and climate

Century altar piece from Northern Spain, $8,905. Honolulu Academy of Art, Emergency conserva-

tion of seven paintings, and a survey of 160 paintings, $7,265.

Jewish Museum, New York, N.Y., Conservation treatment of the collection, $10,000.

Maryland Historical Society, Baltimore, Md., Emergency conservation of approximately 30 paintings, $10,000.

Pasadena Art Museum, Emergency conservation

of the Galka E. Scheyer Collection, $9,800. Rhode Island School of Design, Museum of Art,

Providence, R.I., Conservation treatment of the British watercolors and drawings collection, $6,748.

St. Bonaventure University, Friedsam Library, St. Bonaventure, N.Y., Development of long-range conservation program for the University's Art Col- lection, $2,000.

University of California, R. H. Lowie Museum of Anthropology, Berkeley, Calif., Transcription of all cylinders, original tapes, and disks of Museum's audio recording archive of original ethnographic materials on to magnetic tapes, $19,560.

University of California, University Art Museum, Berkeley, Calif., Emergency conservation of seven works-six Hans Hofmann and one Henry Alex- ander, $5.000.

University of Illinois, Krannert Art Museum, Remount 1381 prints and drawings, $3,000.

University of Iowa, Museum of Art, Iowa City, Iowa, Restoration of 36 paintings in the Univer- sity Museum's collection, $10,000.

University of Vermont, Robert Hull Fleming Museum, Burlington, Vt., Emergency conservation

of Museum's print and drawing collection, $7,580. University of Wisconsin, Elvehjem Art Center,

Madison, Wis., Emergency conservation of the University's collection, $10,000.

Walker Art Center, Minneapolis, Minn., Devel- opment of an emergency conservation laboratory, $7,500.

Walters Art Gallery, Baltimore, Md., Establish- ment of a metallurgical laboratory to discover causes of decay of Bronzes and development of methods of treatment, $29,811.

Whitney Museum of American Art, New York, N.Y., Emergency conservation treatment of prints and drawings, $6,617.

Delaware Art Museum, Wilmington, Del., Con- servation treatment of the collection, $5,000.

Wood Art Gallery, Montpelier, Vt., Emergency conservation treatment of the collection, $2,830.

Yale University Art Gallery, One year conservation project, $7,500.

Special Projects American Association of Museums, Washington,

D.C., For support of three 3-day seminars to be held in 1973-74, $21,233.

Berger, Gustav, New York, N.Y., Research Proj- ect: "Search for a non-aqueous, non-staining ad- hesive for paper," $8,920.

National Gallery of Art, Washington, D.C., Preparation of a printed handbook describing the properties and characteristics of principal artists' pigments, $11,000.

University of New Mexico, University Art Museum, Albuquerque, N.M., Establishment of a

regional center for research and conservation procedures on photographs, $2,500.

Renovation (Climate Control, Security, Storage)

Surveys Allentown Art Museum, Allentown, Pa., Survey

of climate control in the exhibition area, $1,850. Detroit Institute of Arts, Survey of climate con-

trol needs in the exhibition area, $5,000. Museum of Fine Arts. Boston, Mass., Survey of

storage needs in the Print Department and climate

control needs in the Museum, $22,500. Peabody Museum of Salem, Salem, Mass., Survey

of climate control and security needs, $10,000. Pennsylvania Academy of the Fine Arts, Phila-

delphia, Pa., Survey of climate control and storage needs in the Academy and the Peale House, $12,000.

Philadelphia Museum of Art, Philadelphia, Pa.,

Survey of security needs of the Museum, Rodin Museum, Cedar Grove, Letitita Street and Mt. Pleasant Historical houses, $38,250.

University of Vermont, Robert Hull Fleming Museum, Burlington, Vt., Survey of climate control, storage and security needs, $3,916.

Worcester Art Museum, Worcester, Mass., Sur-

very of climate control needs, $5,000.

Installation The High Museum of Art, Atlanta, Ga., In-

stallation of reserve zwater chiller unit, $7,500. The Baltimore Museum of Art, Installation of

climate control and security systems, $270,000 Treasury (1/2 private).

Boise Art Association, Boise, Idaho, Installation

of climate control and security systems, $6,250. California Palace of the Legion of Honor, San

Francisco, Calif., Installation of climate control and security systems, and improvement of storage facilities in the Print and Drawing Department, $100,000 Treasury (1/2 private).

Charleston Art Gallery of Sunrise, Charleston, W.Va., Improvement of storage facilities, $3,000.

The Columbus Gallery of Fine Arts, Columbus, Ohio, Installation of climate control equipment and improvement of storage facilities, $27,500.

Detroit Institute of Arts, Installation of climate control and security systems and improvements of storage facilities in the Graphic Arts Department, $100,000 Treasury (?2 private).

Hampton Institute, The College Museum,

Hampton, Va., Installation of a security system, $5,112.

Fogg Art Museum, Cambridge, Mass., Installa- tion of a security system, $1,217.

Minneapolis Society of Fine Arts, Minneapolis, Minn., Installation of climate control equipment in the Minneapolis Institute of Fine Arts, $196,952 Treasury (1/2 private).

Museum of New Mexico, Santa Fe, N.M., In- stallation of security system, $10,000.

New York Historical Association, Cooperstown, N.Y., Installation of a security system in the Feni- more House in Cooperstown, $4,237.

Rhode Island School of Design, Museum of Art, Providence, R.I., Installation of climate control

system, $136,000 Treasury (?V private). The Textile Museum, Washington, D.C., In-

stallation of climate control and security systems and improvement of storage facilities, $120,000 Treasury (V2 private).

Museum Publications (Continued from page 449)

The Norton Saint Jerome, Norton Gal- lery Studies: 1, published by the Norton Gallery and School of Art, West Palm Beach, Florida, is a monograph on Joos van Cleve and the Saint Jerome, from the workshop of Joos van Cleve in the Nor- ton Gallery. It was written by John Oli- ver Hand, who is preparing his doctoral dissertation at Princeton on the early works of Joos van Cleve. A second monograph is in preparation, E. R. Hunter, director of the Norton Gallery, tells us, on the Matisse painting in the Gallery. H.R.H.

control needs in the Museum, $22,500. Peabody Museum of Salem, Salem, Mass., Survey

of climate control and security needs, $10,000. Pennsylvania Academy of the Fine Arts, Phila-

delphia, Pa., Survey of climate control and storage needs in the Academy and the Peale House, $12,000.

Philadelphia Museum of Art, Philadelphia, Pa.,

Survey of security needs of the Museum, Rodin Museum, Cedar Grove, Letitita Street and Mt. Pleasant Historical houses, $38,250.

University of Vermont, Robert Hull Fleming Museum, Burlington, Vt., Survey of climate control, storage and security needs, $3,916.

Worcester Art Museum, Worcester, Mass., Sur-

very of climate control needs, $5,000.

Installation The High Museum of Art, Atlanta, Ga., In-

stallation of reserve zwater chiller unit, $7,500. The Baltimore Museum of Art, Installation of

climate control and security systems, $270,000 Treasury (1/2 private).

Boise Art Association, Boise, Idaho, Installation

of climate control and security systems, $6,250. California Palace of the Legion of Honor, San

Francisco, Calif., Installation of climate control and security systems, and improvement of storage facilities in the Print and Drawing Department, $100,000 Treasury (1/2 private).

Charleston Art Gallery of Sunrise, Charleston, W.Va., Improvement of storage facilities, $3,000.

The Columbus Gallery of Fine Arts, Columbus, Ohio, Installation of climate control equipment and improvement of storage facilities, $27,500.

Detroit Institute of Arts, Installation of climate control and security systems and improvements of storage facilities in the Graphic Arts Department, $100,000 Treasury (?2 private).

Hampton Institute, The College Museum,

Hampton, Va., Installation of a security system, $5,112.

Fogg Art Museum, Cambridge, Mass., Installa- tion of a security system, $1,217.

Minneapolis Society of Fine Arts, Minneapolis, Minn., Installation of climate control equipment in the Minneapolis Institute of Fine Arts, $196,952 Treasury (1/2 private).

Museum of New Mexico, Santa Fe, N.M., In- stallation of security system, $10,000.

New York Historical Association, Cooperstown, N.Y., Installation of a security system in the Feni- more House in Cooperstown, $4,237.

Rhode Island School of Design, Museum of Art, Providence, R.I., Installation of climate control

system, $136,000 Treasury (?V private). The Textile Museum, Washington, D.C., In-

stallation of climate control and security systems and improvement of storage facilities, $120,000 Treasury (V2 private).

Museum Publications (Continued from page 449)

The Norton Saint Jerome, Norton Gal- lery Studies: 1, published by the Norton Gallery and School of Art, West Palm Beach, Florida, is a monograph on Joos van Cleve and the Saint Jerome, from the workshop of Joos van Cleve in the Nor- ton Gallery. It was written by John Oli- ver Hand, who is preparing his doctoral dissertation at Princeton on the early works of Joos van Cleve. A second monograph is in preparation, E. R. Hunter, director of the Norton Gallery, tells us, on the Matisse painting in the Gallery. H.R.H.

452 452



grants to art museums national endowment for the arts

Documents