gothic to italian renaissance end of chapter 15 & chapter 16 rebekah scoggins art appreciation...

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Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

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Page 1: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Gothic to Italian Renaissance

End of Chapter 15 & Chapter 16

Rebekah ScogginsArt Appreciation

February 12, 2013

Page 2: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Middle Ages in EuropeEarly Medieval Art

Page 3: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Chi-Rho Monogram (XP). Page from the Book of Kells. Late 8th Century. Inks and pigment on vellum.

Page 4: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Chi-Rho Monogram (XP). Page from the Book of Kells. Late 8th Century.

1) Angels

2) Man’s Head

3) Cats & Mice

Page 5: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Middle Ages in EuropeGothic

Page 6: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Notre Dame de Chartres. Chartres, France. View from the southeast. 1145–1513. Gothic.

Page 7: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Notre Dame de Chartres. Chartres, France. 1145–1513.

Pointed/Gothic Arch

Page 8: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Notre Dame de Chartres. Chartres, France. West Front.

Page 9: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.Notre Dame de Chartres. "Rose de France" Window. Chartres, France. c. 1233.

Page 10: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Precursor to the Renaissance

Page 11: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Giotto di Bondone. Lamentation. Scrovegni (Arena) Chapel, Padua, Italy. c. 1305. Fresco.

Page 12: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Giotto. Lamentation (Detail). Scrovegni (Arena) Chapel, Padua, Italy. c. 1305. Fresco

San Vitale, Emperor Justinian I (Detail), Ravenna, Italy, Byzantine, 526-547,

Mosaic.

Page 13: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Italian Renaissanceaka The Age of the Ninja Turtles

Page 14: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Eras – Focus• Greeks – idealized physical forms

• Roman – emphasized physical naturalism

• Middle Ages/Medieval – Spiritual concerns, not physical

• Renaissance – Earthly depictions of Christian subjects in human terms

Page 15: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Humanism• New philosophical, literary, and artistic movement

• Did not discard theological concerns, yet also:

– supported the secular dimensions of life

– pursued intellectual and scientific inquiry

– rediscovered the classical culture of Greece and Rome.

• Focus gradually shifted from God and the hereafter to humankind and the here and now.

• Endless potential for the individual.

• In art specifically, new and more modern scientific approaches were brought to the quest for representational accuracy.

– Resulting naturalism defined the Western tradition of art for over 400 yrs.

Page 16: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Masaccio. The Holy Trinity. View from the main area of the church. Santa Maria Novella, Florence, Italy. 1425. Fresco.

Page 17: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Masaccio. The Holy Trinity. Santa Maria Novella, Florence, Italy. 1425. Fresco.

Page 18: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Masaccio. The Holy Trinity. Santa Maria Novella, Florence, Italy. 1425. Fresco

Page 19: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Three Goddesses (detail), Parthenon, Athens, Greece.

Giotto, The Lamentation (detail), Arena Chapel, Padua, Italy.

Masaccio. The Holy Trinity (detail). Santa Maria

Novella, Florence, Italy.

Page 20: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Ninja Turtle #1: Donatello

Page 21: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Donatello. David. c. 1425–1430. Bronze.

Page 22: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Sandro Botticelli. Birth of Venus. c. 1480. Tempura on canvas.

Page 23: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Sandro Botticelli. Birth of Venus (Detail). c.

1480.

Venus de Medici (Detail).

3rd Century B.C.E. Marble.

Page 24: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

The High Renaissance(1490-1530)

Page 25: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Ninja Turtle #2: Leonardo

Page 26: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Leonardo da Vinci. Vitruvian Man (Study of a man according to Vitruvius). From Leonardo’s journals. c.1485-1490. pen and ink on paper.

Page 27: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Leonardo da Vinci. Mona Lisa. c. 1503–1506. Oil on Wood.

Chiaroscuro

Page 28: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Pre-World War II picture of the refectory of the Convent of Santa Maria delle Grazie, Milan, Italy. Home of The Last Supper by Leonardo da Vinci.

Page 29: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Leonardo da Vinci. The Last Supper. Santa Maria delle Grazie, Milan, Italy. c. 1495–1498. Fresco.

Page 30: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Leonardo da Vinci. The Last Supper. Perspective lines as both organizing structure and

symbol of content.

Leonardo da Vinci. The Last Supper. Christ's figures as stabe triangle, contrasting with active turmoil of the

disciples.

Page 31: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Leonardo da Vinci. The Last Supper (Detail). Santa Maria delle Grazie,

Milan, Italy. c. 1495–1498. San Vitale. Christ on the Orb of the world. Ravenna, Italy. Apse Mosaic. Byzantine.

Page 32: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Ninja Turtle #3: Michelangelo

Page 33: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Michelangelo Buonarroti. David. 1501–1504. Marble.

Page 34: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Michelangelo Buonarroti. The Sistine Chapel. Ceiling of The Sistine Chapel. Vatican, Rome. 1508–1512. Frescoes.

Page 35: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Michelangelo Buonarroti. The Creation of Adam. Ceiling of The Sistine Chapel. Vatican, Rome. 1508–1512. Fresco.

Page 36: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Michelangelo Buonarroti. The Creation of Adam. Ceiling of The Sistine Chapel. Vatican, Rome.

1508–1512. Fresco.Michelangelo Buonarroti. Ignudo.

Ceiling of The Sistine Chapel. Vatican, Rome. 1508–1512.

Fresco.

Page 37: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Ninja Turtle #4: Raphael

Page 38: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Raphael. The School of Athens. 1508. Stanza della segnatura (Room of the Signatura). Vatican Palace. Vatican City, Italy. Fresco.

Page 39: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Raphael. The School of Athens. 1508. Stanza della segnatura (Room of the Signatura). Vatican Palace. Vatican City, Italy. Fresco.

Page 40: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Raphael. Madonna of the Meadow. c. 1505. Oil on board.

Page 41: Gothic to Italian Renaissance End of Chapter 15 & Chapter 16 Rebekah Scoggins Art Appreciation February 12, 2013

Byzantine School. Madonna and Child on a Curved Throne. Byzantine, 13th

Century. Tempura on PanelRaphael. Madonna of the Meadow. c. 1505. Oil on board.