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title CREATIVITY FOR CREATIVE MINDS An Interdisciplinary Look at Creativity Dr. Lori Kent

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Page 1: Foundations creativity

titleCREATIVITY FOR CREATIVE MINDS

An Interdisciplinary Look at Creativity

Dr. Lori Kent

Page 2: Foundations creativity

INTRODUCTIONINTRODUCTION

Paul Chan “My birds…trash…the future” (2006) detail

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Assumption METACOGNITION

Thinking about thinking

By being aware of processes of one’s own best thinking one can

further perfect thinking…

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Who are we as creative people…

how do we function

?

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GOALSGOALS

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Goal:To introduce a brief history of idea-making

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Goal:To overview the creative contexts of 21c visual arts

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Goal:To look at attributes of creativity

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Goal:To offer methods for maximizing creativity…

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SOME DEFINITIONS

SOMEDEFINITIONS

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What is creativity

?

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cre • a • tiv • i • ty

From the Latin creatus meaning “to make or produce” or literally “to grow”

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cre • a • tiv • i • ty

The term did not come into popular parlance until…

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The 1950swhen it was popularized by psychologists

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cre • a • tiv • i • ty

“[human’s] capacity to produce new ideas, insights, inventions or artistic objects, which are accepted of being of social, spiritual, aesthetic, scientific, or technological value.” - Dictionary of Developmental and Educational Psychology (1986)

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What are some common misconceptions

?

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General Views of Creativity

• Life would be really bad without it

• Genius and talent are essential to being a creative person

• It’s the main thing that differentiates art from other practices, such as business

• It comes from a mysterious place deep inside of a person

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General Views of Creativity

• Life would be really bad without it

• Genius and talent are essential to being a creative person

• It’s the main thing that differentiates art from other practices, such as business

• It comes from a mysterious place deep inside of a person

Page 20: Foundations creativity

General Views of Creativity

• Life would be really bad without it

• Genius and talent are essential to being a creative person

• It’s the main thing that differentiates art from other practices, such as business

• It comes from a mysterious place deep inside of a person

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General Views of Creativity

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General Views of Creativity

• Life would be really bad without it

• Genius and talent are essential to being a creative person

• It’s the main thing that differentiates art from other practices, such as business

• It comes from a mysterious place deep inside of a person

Page 23: Foundations creativity

General Views of Creativity

• Life would be really bad without it

• Genius and talent are essential to being a creative person

• It’s the main thing that differentiates art from other practices, such as business

• It comes from a mysterious place deep inside of a person

Page 24: Foundations creativity

General Views of Creativity

• Life would be really bad without it

• Genius and talent are essential to being a creative person

• It’s the main thing that differentiates art from other practices, such as business

• It comes from a mysterious place deep inside of a person

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Teaching Creativity to the Creative ? ? ? ?

Artists perpetuate myths about creativity (for example, art students who think depression = talent, also known as the “Van Gogh’s Ear Syndrome”)

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Teaching Creativity to the Creative ? ? ? ?

Over a lifetime, adults build defenses that inhibit creative thinking.

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Teaching Creativity to the Creative ? ? ? ?

• Artists are not necessary creative*

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Who is the creative genius?

Picasso? or Braque?

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Was Picasso an innovator…?

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…even though Cezanne broke the illusion of the Renaissance windowmany years before the invention of Cubism?

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Continuities

Discontinuities

Weisberg’s Creativity: Beyond the Myth of Genius

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W.A. Mozart C.P.E. Bach

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http://www.youtube.com/watch?v=3i-SzzhUtws

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The Seven

Year Rule

Weisberg’s Creativity: Beyond the Myth of Genius

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Michelangelo Buonarroti (aged 12-13)

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CREATIVITY THRU THE AGES

CREATIVITYTHROUGHTHE AGES

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Not much is known about prehistoric conceptions of creativity…

Some things must have been perceived as creative

such as the creation myths that were passed from one generation to another.

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Some argue that the invention of time caused an awareness in mortality that made art particularly important.

Art and creative acts were a means of being immortal. Ancient art forms were linked to spiritual practices.

In addition, creative objects added beauty to otherwise harsh lives and improved things in other ways…

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• Imagine the initial discovery that clay hardened in fire… then think about the course of functional and aesthetic improvements that followed.

Lucie-Smith, The Story of Craft

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Throughout early Western history…

certain motifs, stylizations and themes must have been perceived as beautiful or valuable because they were perpetuated.

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It can be argued

thatsome artists exhibited breakthrough thinking…

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But they were influenced by a rigid cultural context. Artistic creation was restricted in its content, technologies, forms, and values until the age of modernism.

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Today, we look at models of creativebehavior from many years ago despite the fact that we live in very different worlds.

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CREATIVITY THRU THE AGES

CREATIVITYIN A

CONTEMPORARYCONTEXT

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Today, we live in a (post) postmodern age.

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Today, we live in a (post) postmodern age

Contemporary artreflects the cultural

context(s) ofpostmodernism

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postmodernism is pluralisticeclecticreflexive

de-constructed and

de-centered

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which makes culturalproduction much more

complicated

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Contemporary

Creation

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Vik Muniz

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Vik Muniz

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Tom Friedman

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Tom Friedman

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Tom Friedman

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Tom Friedman

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Tara Donovan

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Tara Donovan

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Tara Donovan

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Tara Donovan

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Tara Donovan

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Michael Lucero

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http://www.youtube.com/watch?v=ul8kgtiD4yg

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Hans Belmer

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Henry Darger

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Douglas Gordon

http://www.youtube.com/watch?v=I1jkoMfPa40

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Weegee

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Michelangelo Pistoletto

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ATTRITBUTES OF CREATIVIVE THINKERS

BELIEFS ABOUT

CREATIVITY

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EXPERTS AGREE

Creativity should be viewed not in terms of individual genius thinking, but as a “dynamic… evolving system that is developmental, pluralistic, and interactive.” (John-Steiner, Gruber, Feldman)

In other words…creativity does not stay still

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EXPERTS AGREE

Thinking strategies that are important to being creative are…

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THINKING…

1. “Breaking set” or breaking out of old patterns.

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THINKING…

2.Understanding complexities.

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motherboard

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THINKING…

3.Suspending judgment.(particularly in brainstorming)

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Statue of justice

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THINKING…

4.Keeping options open as long as possible.

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Long road

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THINKING…

5.Thinking broadly and seeing relationships.

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THINKING…

6. Remembering accurately.

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THINKING…

7. Perceiving freshly.

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THINKING…

8.Using “tricks”.(making the familiar strange and the strange

familiar, playing with ideas, investigating paradoxes, etc)

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ATTRITBUTES OF CREATIVIVE THINKERS

ATTRIBUTESOF

CREATIVE THINKERS

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THE CREATIVEare • tolerate of ambiguity

• naive• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

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THE CREATIVEare • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

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THE CREATIVEare • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

Page 100: Foundations creativity

THE CREATIVEare • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

Page 101: Foundations creativity

THE CREATIVEare • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

Page 102: Foundations creativity

THE CREATIVEare • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

Page 103: Foundations creativity

THE CREATIVEare • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

Page 104: Foundations creativity

THE CREATIVE • tolerate of ambiguity

• naïve, yet knowledgeable• nonconformists• intuitive• ambitious, driven• intrinsically motivated• competent in their domain• prefer complexity

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BEING MORE CREATIVEBECOMING

MORECREATIVE

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COMMON CREATIVE BLOCKS

Be aware of

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EmotionalBlocks:Fear,

Sadness,etc.

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Political Oppression

andLegal

Restrictions

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Discriminationand

Racism

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Religiousand

CulturalBlocks

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TIPSTo enhance creativity.

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TIPS

Create your own rituals.

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TIPS

Create your own ideal conditions.

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1

Draw or describe your ideal working conditions

for creativity.

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TIPS

Use background music.

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2

Is there a musical artist, genre or song that inspires

you to create?

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TIPS

Know your domain or field.

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3

What do you know the most about?

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TIPS

Maintain a high level of passion.

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TIPS

Form a support group. Converse.

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TIPS

Seek out the new. “Travel is the midwife of thought.” - Alain de Botton

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4

When was the last time your thought

“wow! that’s new! ?

Describe.

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TIPS

Laugh. How many art students does it take to screw in a light bulb?

-only one…and she gets three credits for it!

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5

Write down a joke.

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TIPS

Cultivate solitude.

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6

How long was the most time that you have consecutively spent

alone?

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TIPS

Intersect disciplines and ideas.

Functional Fixedness

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7

With a partner, make a list of ALL of the possible uses

for the object you have been given.

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TIPS

See old things in new ways.

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ART AND FEARSection on art and fearPart of artmaking is…

Learning how not to quit.

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ART AND FEARSection on art and fearPart of artmaking is…

Finding a supportgroup.

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ART AND FEARSection on art and fearPart of artmaking is…

Drawing on imagination and vision.

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ART AND FEARSection on art and fearPart of artmaking is…

Getting in touchwith materials.

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ART AND FEARSection on art and fearPart of artmaking is…

Living with uncertainty.

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ART AND FEARSection on art and fearSome Wisdom

The function of the overwhelming majority ofyour artwork is to simplyteach you about the small

fraction of your workthat soars.

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ART AND FEARSection on art and fearSome Wisdom

You learn how tomake your artwork

by making your artwork.

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THE END

Create. Solve Problems. Add some beauty to the world. Find Problems. Be curious about everything. Cultivate joy….