fine art and interiors roger tappin, shahin virani, david williams, michael wynell-mayow. fine art...

Fine Art and InteriorsWednesday 20 November 2013 at 11am Thursday 21 November 2013 at 11amChester

BonhamsNew House150 Christleton RoadChester CH3 5TD+44 (0) 1244 313936+44 (0) 1244 340028 fax

International Auctioneers and Valuers - bonhams.com

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Bonhams 1793 LimitedRegistered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

Bonhams 1793 Ltd DirectorsRobert Brooks Chairman, Colin Sheaf Deputy Chairman, Malcolm Barber Group Managing Director, Matthew Girling CEO UK and Europe, Geoffrey Davies, Jonathan Horwich, James Knight, Patrick Meade, Caroline Oliphant, Hugh Watchorn.

Bonhams UK Ltd DirectorsColin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Matthew Bradbury, Harvey Cammell, Simon Cottle, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Charles Graham-Campbell, Miranda Grant, Robin Hereford, Asaph Hyman, Charles Lanning, Camilla Lombardi, Fergus Lyons, Paul Maudsley, Gordon McFarlan,

Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Iain Rushbrook, John Sandon, Tim Schofield, Veronique Scorer, James Stratton, Roger Tappin, Shahin Virani, David Williams, Michael Wynell-Mayow.

Fine Art and InteriorsWednesday 20 November 2013 at 11amThursday 21 November 2013 at 11amChester

BonhamsNew House150 Christleton RoadChester CH3 5TDwww.bonhams.com

ViewingSunday 17 November 10am to 1pmMonday 18 November 10am to 4pmTuesday 19 November 10am to 4pmWednesday 20 November 10am to 4pmThursday 21 November 9am to 10.45am

Bids+44 (0) 20 7447 7448+44 (0) 20 7447 7401 faxTo bid via the internet please visit www.bonhams.com

Please note that bids should be submitted no later than 24 hours before the sale. New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bids not being processed.

Live online bidding isavailable for this salePlease email [email protected] “Live bidding” in the subjectline 48 hours before the auctionto register for this service.

EnquiriesSilver Andrew Spicer +44 (0) 1244 353 [email protected]

Susannah Davies-Lloyd +44 (0) 1244 353 [email protected]

Francesca Garvey+44 (0) 1244 353 [email protected]

Pictures Richard Hopkinson +44 (0) 1244 353 [email protected]

Zoë Johns +44 (0) 1244 353 [email protected]

Furniture & Works of Art Adam [email protected]+44 (0) 1244 353 129

Clocks & Barometers Christopher [email protected]+44 (0) 1244 353 126

Sale Number: 21133

Catalogue: £12 (£15 by post)

Customer ServicesMonday to Friday 8.30am to 6pm+44 (0) 20 7447 7447

Please see back of catalogue for important notice to bidders

IllustrationsFront cover Lot 847Inside Front cover: Lot 527

Physical Condition of Lots in this Auction

PLEASE NOTE THAT THERE IS NO REFERENCE IN THIS CATALOGUE TO THE PHYSICAL CONDITION OF ANY LOT. INTENDING BIDDERS MUST SATISFY THEMSELVES AS TO THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 15 OF THE NOTICE TO BIDDERS CONTAINED AT THE END OF THIS CATALOGUE.

As a courtesy to intending bidders, Bonhams will provide a written Indication of the physical condition of lots in this sale if a request is received up to 24 hours before the auction starts. This written Indication is issued subject to Clause 1.6 of the Notice to Bidders.

Sale Information

By Rail: Manchester and Crewe (with connections to Chester) By Air: Manchester International Airport

Tarvin Road

Vicars Cross Road

Christleton Road

Whitchurch road

Pearl Lane

A56

Hoole Road

A41

A55

A41

A41

A55

A55

A56M53

River D

ee

Chester CityCentre

Manchester

Bids+44 (0) 20 7447 7448 +44 (0) 20 7447 7401 faxTo bid via the internet please visit www.bonhams.com

PaymentsBuyers

+44 (0) 20 7447 7447

SellersPayment of sale proceeds

+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

Valuations, taxation & heritage+44 (0) 20 7468 8340+44 (0) 20 7468 5860 [email protected]

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SaleroomNew House,150 Christleton Road,Chester CH3 5TDT: 01244 313 936F: 01244 340 028 fax

OfficesManchesterLynda WorthingtonThe Stables, 213 Ashley Road,Hale WA15 9TBT: 0161 927 3822 F: 0161 927 3824 fax

SouthportJanet Major3 Botanic Road, Churchtown, Southport, Merseyside PR9 7NE T: 01704 507 875 F: 01704 507 877 fax

Carlisle Rosalind Goldie48 Cecil Street, Carlisle,Cumbria CA1 1NTT: 01228 542 422 F: 01228 590 106 fax

Deputy Chairman Antony C. Bennett

Saleroom DirectorAlexander Clement

Valuation Enquiries Joanna Thomas

Oak & Vernacular Furniture & Related Works of Art David Houlston Megan Wheeler

Oil Paintings, Watercolours & PrintsRichard J. Hopkinson Zoe Sinton

Silver & JewelleryAndrew Spicer Susannah Davies-Lloyd FGA DGAFrancesca Garvey

Ceramics, Glass & Asian ArtAlexander Clement

SportingChris HayesDan Davies(Golf) Kevin McGimpsey

Clocks, BarometersChristopher Jarrey

Rugs & CarpetsAlan Watts

Furniture & Works of ArtAdam Johns

Storage of Bought Lots at Chester

All sold lots will be removed from the Chester saleroom ten working days following the auction Thursday 5 December 2013 and placed in external storage at the buyer’s expense.

Exquisite Carriage LimitedUnit 13, Clwyd CourtRhosddu Industrial EstateWrexhamLL11 4YLT. 01244 567 600E. [email protected]

The fees, payable to the storage contractor, will be:

£10.00 handling fee per lot, plus£1.00 per day, per lotplus VAT at the current rate

Cleared funds must have been received by the storage contractor before lots can be released.

Storage of Bought Lots at ChesterAll Furniture lots will be removed from the Chester saleroom ten working days following each auction Thursday 5 December 2013 and placed in an external storage at the buyer’s expense.

Exquisite Carriage LimitedUnit 13, Clwyd CourtRhosddu Industrial EstateWrexhamLL11 4YLT. 01244 567 600E. [email protected]

The fees, payable to the storage contractor, will be:

£10.00 handling fee per lot, plus£1.00 per day, per lotplus VAT at the current rate

Cleared funds must have been received by the storage contractor before lots can be released.

Important Notice to BiddersBonhams Chester is changing from a saleroom into a consigning office at the end of

2013. As a consequence we will not be able to store any bought lots. All furniture will continue to be sent to our external storage contractor ten days after each auction.

All other lots, regardless of size, type, value or auction date will be sent to the same storage facility on Friday 13 December 2013 at the buyer’s expense. Each lot will

carry a handling charge of £10 plus a storage fee of £1.00 per day per lot, payable to the storage contractor. To avoid unnecessary charges, please ensure all your lots are

collected by or before Thursday 12 December 2013.

Antique and Modern Silverincluding The Milntown CollectionWednesday 20 November 2013 at 11amLots 1 - 176

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Old Sheffield Plate and Electroplate

1An Old Sheffield Plate salver apparently unmarked, circa 1820 Of circular form, the shaped rim ornately embellished with leaf and scrolls, the body engraved profusely with foliate scrolls, crested to the centre, raised on four paw feet, diameter 46.5cm.£400 - 600

2An Old Sheffield plate wine bottle wagoncentral boses with maker’s mark for S C Younge & Co The two circular wine coasters with fruiting vine borders, spoked wheels, length 39cm.£300 - 500

3A George IV Old Sheffield plate rectangular tray unmarked, circa 1825 With a heavy cast border and handles of rococo shells and flowers, similar flat chased decoration, raised on four floral and scroll feet, crested, 77 x 47cm, and George IV Old Sheffield plate and moulded glass centre-piece, unmarked, circa 1825, the tapering vase body with floral scroll and bouquet decoration, raised on a circular base with floral decoration, replacement moulded glass bowl, height 45cm.£600 - 800

4A George IV Old Sheffield plate table centre piece unmarked, circa 1825 The foliate stem raised on a shell and scroll trefoil base, supporting a cut glass bowl, height 46.5cm.£300 - 400

5A set of four Old Sheffield plate graduated oval meat dish coversunmarked, early 19th century Of plain form with gadrooned borders, floral scroll handles, crested, a set of four Old Sheffield plate graduated oval meat dish covers, unmarked, early 19th century, stamped “Sheffield, Light Silver Plating, 50 dwts, 8 lbs”, of plain form with plain borders, floral scroll handles, crested and an Old Sheffield plate six egg cruet, by Matthew Boulton, Birmingham circa 1815 , the rectangular reeded frame raised on four bowl feet. (9)£500 - 600

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Fine Art and Interiors | 7

6A Victorian electroplated pair of four branch/five bowl table centre-pieces by Elkington & Co., Birmingham date code 1900 The central lobed bowl raised on an acanthus leaf capital to a waisted stem with applied scrolls, to four leaf capped scrolling arms terminating in smaller bowls, raised on a pierced and fluted base with two embossed and chased Ram’s head and shell baskets, cased, height 62cm, length 52cm.£2,000 - 3,000

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7A Victorian electroplated table centre piece unmarked, circa 1880 The central knopped stem supporting a cut glass bowl, three sweeping leaf capped branches supporting smaller bowls with swan between, raised on a circular base with three scroll feet, height 47cm.£300 - 400

8Württembergische Metallwaren Fabrik An Art Nouveau presentation table centre-piecestamped WMF, I/O, EP, circa 1910 In the form of a Gondolier, with his oar upon his gondola, clear glass liner, height 42cm, length 58cm.£400 - 600

Inscribed “ A.Graham Menzies Esq., on the occasion of his marriage, from the Liverpool staff of, Messrs. J.Kennedy & Co. Ld., 4t June 1910”

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9A George III Old Sheffield plate and cut glass table centrepieceunmarked, circa 1810 The oval hob-nail cut glass bowl supported on a Greek Key decorated frieze, to column legs with chased paw feet, the central vase with acorn and oak leaf finial supporting four reeded scroll branches with smaller cut glass bowls, height 32cm, length 45cm.£400 - 600

10A Victorian electroplated pair of three light/two branch candelabra by Elkington & Co., Birmingham date code 1859, numbered 4770 The scrolling vase capital with a detachable drip pan to a scrolling baluster stem with scrolling arms, raised on a scrolling baluster column to a shaped circular base, one candelabra has fittings to allow a four branch/five light candelabra, with two spare drip pans, height 52cm.£800 - 1,000

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Modern Silver, post 1913

11A silver rectangular tea traymakers mark rubbed, Birmingham 1935, marks rubbed With polished central plaque, flanked by angular shaped handles, length 46cm, diameter 34cm, weight 54oz.£500 - 700

12Y

A silver four piece tea service by F.C., Sheffield 1938 Of oval baluster form with a floral bright cut border, ivory finials and handles, height of coffee pot 16.5cm, length of tea pot 27.5cm, weight 52oz.£600 - 800

13Ω

A silver three-piece tea serviceby Charles S. Green & Co Ltd., Birmingham 1926 / 1927 The bellied sides profusely bright-engraved with leafy scrolls around vacant reserves on either side, the pot with ebonised handle, underside also with incuse marks DINGWALL STERLING, comprising; tea pot, sugar bowl, milk jug, height of tea pot 21cm, weight combined 30oz. (3)£500 - 600

14A silver salver by Barker Bros. Ltd., Birmingham 1928, 25oz Of circular form with a pie crust border, raised on four pad feet, diameter 31cm, weight 27oz.£300 - 500

15A silver inkstand by Crichton Brothers, London 1917 Of rectangular form, with cut shaped corners, an applied reeded border, with two square silver topped cut glass inkwells, raised on four bracket feet, inscribed, length 25cm, weight 20oz.£500 - 800

Inscribed, “George R. Reid, with best wishes of the Scottish Union & National Insurance Company 1893 - 1943”.

16A silver matched three piece coffee serviceby Walker & Hall, Sheffield 1964 - 1965 Of circular form, with an applied egg and dart border, angular handles, raised on a spreading foot, together with, a silver matched three piece tea service, by makers mark indistinct, London 1907 and by The Alexander Clark Manufacturing Co., Birmingham 1908, of ovoid form, with an embossed reeded waist, to angular handles raised on four ball feet, monogrammed “BE”, a silver sauce boat, Birmingham 1937, of plain form, with a pair of EPNS sugar tongs, height of coffee pot 21cm, weight combined 63oz. (8)£600 - 700

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17A silver two-handled tray by Cooper Brothers & Sons Ltd., Sheffield 1914 Of plain form, with a pie crust border, length 55cm, weight 46oz.£400 - 600

18A silver two-handled trayby Adie Bros, Birmingham 1948 Of rectangular form with reeded borders, flanked by angular handles, 53 x 35cm, weight 59oz.£600 - 800

19A silver tea pot and hot water pot by Sydney Hall & Co, Sheffield 1931 Of plain bellied oval form, with ebonised capped scroll handles and finials, height of hot water pot 21cm, weight combined 39oz. (2)£500 - 600

20A silver two branch, three light candelabra by Walker & Hall, Sheffield 1959 The lobed vase capitals with removable sconces, to reeded scroll arms, raised on a knopped tapering stem to an oval lobed base with reeded border, loaded, height 42cm.£300 - 500

21A silver five piece tea serviceby Harrison and Howson Brothers, Sheffield 1927/1928 Of oval bellied form, with an applied gadrooned border, with ebonised wood scroll handle and finial, gilt interior, crested, comprising; tea pot, hot water pot, sugar bowl, milk jug, slop bowl, height of hot water pot 19cm, weight combined 44oz. (5)£500 - 600

22A silver three piece tea serviceby Israel Freeman & Son Ltd, London 1958 Of plain oval form, with an applied reeded rim, the tea pot with an inverted-domed cover, a fruit wood finial and capped scroll handle, raised on four ball feet, comprising; tea pot, sugar bowl, milk jug, weight combined 32oz. (3)£500 - 600

23A silver and silver-gilt commemorative gobletby Tim Minett for Aurum, London 1977, 528/750 Commemorating the Silver Jubilee of Queen Elizabeth II at Westminster Abbey, together with a matching bowl, number 198/2500, cased with booklets, weight 23oz.£300 - 400

24A silver and silver-gilt commemorative gobletby Jocelyn Burton for Aurum, London 1975, 111/600 Commemorating the Three Hundredth anniversary of the laying of the foundation stone of St.Paul’s Cathedral, together with a matching bowl, by Aurum, London 1975, 735/900, both cased with booklets, weight 18oz.£300 - 400

25A silver and silver-gilt commemorative gobletby John Willman for Aurum, London 1975, 155/673 Celebrating the founding of Ely Cathedral in 673 AD, cased, booklet, height 17cm, weight 16oz.£300 - 400

26A silver-gilt mounted and salt-glazed Rhenish “Tigerware” jug by S. Blanckensee & Son, Birmingham 1923 Of globular form with a cylindrical neck, loop handle and mottled brown glaze, the neck mount embossed with lion masks and fruit, to a similarly decorated domed cover with a scroll thumb-piece, raised on embossed foot, height 25cm.£600 - 800

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27A silver pair of Sabbath candlesticks by HS, untraced, London 1921 Of typical form with embossed floral knops and removable sconces, height 36cm, weight 33.5oz.£500 - 700

28A silver cast three branch candelabrum by Richard Comyns, London1961 The cotton reel sconces with octagonal drip pans, to scroll branches, mounted on an octagonal knopped baluster column to a stepped base, height 27cm, weight 38oz.£300 - 400

29A silver matched pair of cafe au lait potsby William Comyns & Sons Ltd., London 1928 - 1929 Of tapering form, with a cone shaped hinged scroll capped lid, cut card work decoration, fruit wood handles, height 21cm, weight combined 27oz. (2)£350 - 450

30A silver three piece coffee service by William Comyns, London 1967/72 The plain tapering coffee pot with a domed cover, brown resin finial and S scroll handle, sugar bowl and baluster cream jug, height of coffee pot 25cm, weight 37oz.£400 - 500

31A silver oval two-handled trayby Elkington & Co., Birmingham 1919 With reeded border and inset handles, 57 x 38cm, weight 67.5oz.£700 - 900

32A silver four piece matching tea serviceBirmingham 1932/33 Of oval fluted form, comprising teapot, hot water jug, sugar bowl and cream jug, weight 53oz. (4)£500 - 700

33A silver four piece tea and coffee service by Adie Bros Ltd., Birmingham 1949 Of rounded form, with an applied egg and dart border, a banded knopped fruit wood finial, to a capped scroll fruit wood handle, comprising; tea pot, coffee pot, sugar bowl, milk jug, height of coffee pot 20.5cm, weight combined 43oz. (4)£400 - 500

34A silver-gilt pair of wine coastersby Roberts & Belk, Sheffield 1967 Of circular form, heavily embossed with grape and vine decoration around turned wooden bases, diameter 15cm. (2)£300 - 500

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Foregin Silver and Metalwares

35A Continental pair of silver-gilt miniature cast figures of knights stamped STERLING, 925 One standing with a stag, the other holding an axe and shield, raised on gem set pierced bases, height of stag knight 15cm, weight 9oz.£400 - 500

36An American silver oval trayby Gorham coin silver, circa 1920 With an applied gadrooned border, profusely engraved with scroll, foliate and landscape scenes, raised on four oval feet, inscribed, length 61cm, weight 106oz.£1,000 - 1,200

Inscribed, “Presented to Wor. Bro. Ralph Knowles Milne MC. PM. by the Past Master Officers and Brethren of the Ionic Lodge No 2405, on the occasion of his marriage during the year of his mastership of the Lodge 1920 - 1921, as a mark of affection and esteem.”

37A Russian silver-gilt cast set of twelve “Venus” spoonsby Nichols & Plinke. St. Petersburg, circa 1880 The oval bowl to a beaded stem with a figure of Venus seated on a pedestal, cased, length 10.5cm, weight 8oz.£1,000 - 1,200

Provenance; purchased at the executors sale of The Right Hon. Viscount Ullswater, P.C., G.C.B., at The High House, Campsea Ashe, Suffolk held by Garrod, Turner & Son on the 19/10/1949.

38A French silver lidded, two-handled sauce tureen Minerva only, circa 1900 Of oval form with a floral and scroll pierced and embossed body, raised on four scroll feet, the pull-off cover with a bird finial, blue glass liner, length 23cm, weight 10.5oz.£200 - 300

39A Chinese silver candlestickbearing character marks, untraced, circa 1890 With pierced and engraved dragon and foliate decoration, raised on a embossed square foot to a carved wooden stand, together with, a Chinese silver box, bearing character marks, untraced, circa 1890, of rectangular form with all-over embossed dragons chasing the sacred flaming pearl, amongst foliate and leaf decoration, hinged cover, initialled ‘E’, loaded, height of candlestick 24cm. (2)£250 - 300

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14 | Bonhams

Flatware

40Georg Jensen: A silver Cactus pattern canteen for six settingscirca 1950, with importer’s marks for Georg Jensen Ltd., and import marks London 1971 Comprising; table forks, table spoons, dessert forks, dessert spoons, six pairs of fish forks and knives, teaspoons, seven coffee spoons, fruit spoons, steel bladed table knives, steel bladed dessert knives, steel bladed fruit knives, a carving set, a pair of salad servers, a butter knife, two preserve forks, a preserve spoon, a tea strainer, a sugar sifting spoon, a cheese knife, two serving knives, a pastry server, weight 84oz.£2,400 - 2,600


41A silver limited edition set of The Queen’s Beasts spoonsBy Toye, Kenning & Spencer, Birmingham 1977, number 423/2500 With enamel decoration including the Lion of England, Dragon of Wales and Yale of Beaufort, cased. (10)£400 - 500

42A George III silver Old English Feathered Edge pattern shell bowl ladle by Robert Ross, London 1774 Together with, a George III silver sugar sifter spoon, by William Eley, William Fearn & William Chawner, London 1789, with a pierced, chased and gilt leaf bowl to a foliate engraved handle, crested, a Victorian silver Old English bead pattern set of six table spoons, by Chawner & Co, London 1866, crested, length of ladle 34cm, weight combined 21oz. (8)£600 - 800

43A George III silver pair of Onslow pattern shell bowl sauce ladles by Hester Bateman, London 1777 , height 17.5cm, weight 3.4oz. (2)£300 - 400

44A Victorian/Edwardian silver King’s pattern, with diamond shell heels, canteen for twelve settingsby Holland, Aldwinckle & Slater, 1898-1900 Comprising; table spoons, dessert spoons, tea spoons, table forks, dessert forks, two sauce ladles, together with, six later bladed table knives and dessert knives, by Chawner & Co, London 1856/1853, some crested, a Victorian silver pair of fish servers, by William Yates Ltd., Sheffield 1860, with electroplated blades and tines, contained within a mahogany with oval inlaid paterae cutlery box of cartouche shape, length of knife 29cm, weight 142oz.£2,000 - 2,500

45A Victorian silver pair of fish servers by John Oxley, Sheffield 1871 The tines and blade profusely engraved with scroll decoration, to a scroll handle, cased, together with, a Victorian silver pair of grape scissors, by T.H.,T.H., untraced, London 1870, the cast looped handles with chased grape and vine decoration, cased, weight of weighable silver 5oz. (3)£400 - 500

46A George III silver pair of fiddle pattern table spoonsby Solomon Hougham, London 1813 Initialled, together with, a Victorian silver set of six fiddle pattern table forks, by Robert Wallis, London 1848, a Victorian silver set of six fiddle pattern dessert forks, by Robert Wallis, London 1849, a Victorian silver set of six fiddle pattern tea spoons, by Charles Boyton, London 1849, all initialled “W”, weight 35oz. (Qty)£400 - 500

47Y

A George II set of nine pairs of stained green ivory and steel table knives and forkscutlers mark of a pistol and L, circa 1720/40 With cylindrical handles, contained within a George III mahogany cutlery box of cartouche shape with silver mounts, length of knife 29cm.£300 - 400

48A silver Old English Bead pattern composite canteen for twelve place settingsVarious dates and makers Comprising; table forks, dessert forks, eight table spoons, dessert spoons, soup spoons, thirteen teaspoons, together with, table and dessert steel bladed knives, by C. J. Vander Ltd., Sheffield 1979 with beaded detail, weight 142oz.£1,200 - 1,500

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Boxes and Miscellaneous

49Of Equestrian Interest; A silver limited edition model of a horse by Lorne McKean for John Pinches, London 1975 on behalf of The British Horse Society Entitled “Play Up”, cast model of a rearing horse, mounted on an ebonised stand, height 11.5cm, weight 19oz, cased with certificate, and silver model of a horse, by G.S. Nell for FM, London 1977, Silver Jubilee mark, depicting a horse cantering, mounted on an ebonised stand, height 8cm, weight 20.5oz. (2)£400 - 500

Lorne McKean (born 1939) was a student at the Royal Academy Schools and won the Leverhume Scholarship, the Silver medal for sculpture combined with architecture, and the Feodora Gleichen Scholarship. She was elected a Member of the Society of Portrait Sculptors in 1969 and a Fellow of the Royal Society of British Sculptors in 1972, she was the official B.T. artist for the London 2012 Olympic Games. She sculpted HRH Prince Philip on his polo pony, which was the Queen’s personal Silver Wedding gift for her husband.

50Cartier; A limited edition chrome desk calendarsigned Cartier, Spain, number 1044/2000 Of circular form, twisting to reveal the day, date, month and year, from 1999 - 2037, cased and boxed, diameter 8cm, Gucci; an alarm clock, signed Gucci, numbered 002547, of domed form with tassel, height 8.5cm, boxed and cased, Louis Vuitton; two parks of playing cards, boxed and Louis Vuitton; a patent leather wallet, pouch, boxed. (4)£400 - 500

51A Victorian silver vinaigretteby Nathanial Mills, Birmingham 1845 Engraved with scroll decoration, together with, a silver pair of spectacles, stamped lion passant and date letter, with double hinged looped arms, a Victorian silver whistle, by George Unite & Sons, Birmingham 1879, with embossed and chased scroll and foliate, an Edwardian silver pipe tamper, by J Nowill & Sons, Sheffield 1905, a silver novelty bookmark, by Levi & Salaman, Birmingham 1902 in the form of a trowel, weight of weighable silver 3oz. (5)£250 - 300

52Y

A silver and coral mounted rattle and whistleby possibly W. Bellchambers, circa 1840 With a square knopped stem and six dependant bells, embossed with foliate decoration, initialled, length 15.5cm.£200 - 300

53An Art Nouveau silver and enamel chatelaineby Alstons’ & Hallam, London 1904 Of triangular form, the top clip depicting a woman holding a hand mirror, with blue enamelling and blossom detail, leading to a matching note case with three ivorine pages, length 15.5cm, weight 2oz.£150 - 200

54Y

A Victorian figured walnut toilet boxapparently unmarked, circa 1870 The purple velvet-lined interior fitted with nine electroplated lidded glass bottles and boxes each engraved with foliate decoration, three mother of pearl vanity tools, with two vacant fitted drawers, the brass inlay to lid crested, height 19cm, length 30.5cm.£300 - 400

55Y

A Victorian silver mounted travelling toilet boxby John Howes, London 1849 The amboyna and cross-banded inlaid kingswood case, with a royal blue velvet lined fitted interior, with seven silver lidded boxes, one deficient, and three silver lidded bottles, each profusely engraved with scroll decoration, five mother of pearl vanity tools, with a mirror space and a jewellery drawer, height 19cm, length 33.5cm.£500 - 700

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56A George IV silver shaving brushby John & Archibald Douglas, London 1825 Of cylindrical form, with applied reeded borders, together with, a William IV silver vinaigrette, by Joseph Willmore, Birmingham 1828, a George IV small silver vinaigrette, possibly by Thomas Shaw, Birmingham 1825, an Edwardian silver vesta case, makers mark indistinct, Birmingham 1902, engraved with scroll decoration, a Victorian silver vesta case, by George Unite & Sons, Birmingham 1881, of plain form, a silver pick box, makers mark IT only, circa 1800, an Edwardian silver sovereign case, by Deakin & Francis Ltd., Birmingham 1901, of typical form, scroll engraved, by Joseph Willmore, Birmingham 1810 (a.f) of book form, with bright-cut engraving, weight of weighable silver 4oz. (8)£450 - 550

57A George IV silver pair of spectaclesby Thomas Millington, Birmingham 1829 With sliding extensions, together with, a George III silver pair of spectacles, no makers marks, London 1809, with double hinged arms and loop ends, a William IV silver pair of spectacles, no makers mark, London 1832, an another pair of spectacles, unmarked, circa 1830. (4)£400 - 600

58Y

An Edwardian silver and tortoiseshell boudoir timepiece the silver by Batson & Batson, London 1908 The arched case with inlaid birds and ribbon swags, floral borders, raised on four ball feet, the white enamel dial with Roman numerals and a French movement, 11 x 7 x 6cm.£500 - 600

59Charles Frodsham; A silver limited edition miniature carriage clock by Charles Frodsham, London 1977, Silver Jubilee mark, number 48 In the form of an Old English carriage clock, the white enamel dial signed Chas. Frodsham, London, with Roman numerals, English movement, together with the original packaging, key and certificate, 9.5 x 5.5 x 4.5cm.£250 - 350

60A silver continental cigarette casestamped 800 Of rectangular form, with all-over engraved decoration, a gilt interior, with two vacant photograph holders, height 9cm, together with, a silver card case, by Asprey & Co Ltd, London 1987, with engine turned decoration, inscribed ‘REUTERS’, height 9.3cm, and another similar, by P J D (untraced), Birmingham 1998, a silver French vanity case, stamped with Mercury’s head, makers mark indistinct, the central section embossed and engraved with a village scene, over all shell and leaf chased decoration, with a lined and fitted interior, height 14cm, an Edwardian silver set of six fruit knives, by Harrison Brothers & Howson, Sheffield 1908, with stained plastic handles, cased, length 18cm. (5)£500 - 600

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61A Continental silver novelty hand sealunmarked, probably Dutch, circa 1890 In the form of a bust of a buxom lady with an ornate hat, raised on a pedestal, incised M.D., height 6cm, weight 2oz.£300 - 400

The M.D. is for Maria Dunkels, part of the Oppenheimer family.

62A George IV silver nutmeg graterby John Reily, London 1823 Of rectangular form, with reeded decoration, to a hinged cover and three-quarter hinged base, steel rasp, length 4.4cm.£300 - 400

63A Victorian silver Bosun’s callby Hilliard & Thomason, Birmingham 1897 With floral engraved decoration, and another smaller, by Hilliard & Thomason, Birmingham 1890, length 13.5cm. (2)£400 - 500

64A George III silver nutmeg grater by Joseph Willmore, Birmingham 1810 Of oblong form, the hinged cover opening to reveal a steel grater, initialled, 3.5 x 2 x 2 cm, together with a George III silver snuff box, by Matthew Linwood, Birmingham 1809, of arched rectangular form, with engraved decoration, vacant cartouche, gilt interior, 5 x 3.5 x 1.5 cm.£300 - 500

65A 19th century Continental silver, micro-mosaic and hardstone oval boxunmarked, probably Italian, circa 1880 The body with floral scroll engraved decoration, the hinged cover inset with a wooded scene micro-mosaic set upon a hardstone panel, bordered by turquoise, 10 x 8 x 4.5cm.£300 - 400

66Of Napoleon interest; A German silver circular boxby George Roth & Co., Hanau, circa 1900 Embossed with an image of Napoleon with a wreath border, the sides embossed with swags and N. diameter 7cm, an Austrian silver and enamel box, Vienna, circa 1900, of cartouche shape, each panel decorated with a different scene including a boar hunt and a swan hunt, 7 x 5 x 2.5cm, a 19th century gilt metal and agate box, unmarked, circa 1820, of rectangular shape with cut corners, 9.5 x 4.5 x 2cm, a 19th century electroplated etui, opening to reveal a penknife, a spoon, a pair of scissors and a scoop, length 9.5cm, and an Art Deco silver and silver-gilt compact, London import 1938, of rectangular form with engine turned decoration, opening to reveal a mirror and several compartments, 14.5 x 10.5cm. (5)£550 - 650

65, 66


Irish Silver

67An Irish silver dish ringby Charles Lamb, Dublin 1911 Embossed and pierced in the rococo style with dogs, birds, flowers, fauna, fruits and a tower, vacant cartouche, with blue glass liner, diameter 17.4cm, weight 11oz.£600 - 800

68A George II Irish silver swing handle basket possibly by William Ring, Dublin circa 1750, worn makers mark, Hibernia, harp only Of circular baluster form, embossed and pierced with floral and scroll decoration, gadrooned border, raised on a spreading pierced foot, woven handle, blue glass liner, a Victorian silver snuff box, by John Teare, London 1846, of arched form with ribbed sides, applied vacant gold cartouche, 8.5 x 3 x 3cm, a George III silver rectangular arched snuff box, by John Shaw, Birmingham 1810, with all-over floral engraved decoration, initialled, 6.5 x 4 x 2cm and a George IV silver pair of cast sugar nips, by Joseph Willmore, Birmingham 1829, with chased leaf decoration. (4)£300 - 500

69Of Celtic Interest; An Irish silver four piece tea & coffee service by John Smith, Dublin 1915/16 Of pedestal vase form, embossed and chased with a band of Celtic woven snakes and shield bosses to the body, cover and foot, ebonised handles, comprising; tea pot, coffee pot, sugar bowl and milk jug, height of coffee pot 23cm, weight 62oz.£700 - 900

67

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Chester Silver

70A silver amarda dish by Lowe & Sons, Chester 1962 Of conventional form, with twin engraved bands, diameter 41cm, weight 69oz.£800 - 1,000

71A George III set of twelve silver buttons by Richard Richardson II, Chester circa 1760, makers mark 5D only Of plain circular form, diameter 1.7cm.£600 - 800

71

70


Sheffield Silver

72Of David Lloyd George interest: A silver novelty pepper potby William Hutton & Sons Ltd, Sheffield 1912, base stamped R.603837 In the form of a scroll, the cover embossed with the face of David Lloyd George, together with, a Chinese silver pair of salts, by Wang Hing, circa 1900, in the form of a slipper, with pierced decoration and glass liners, an Edwardian silver pair of novelty peppers, by Joseph Gloster Ltd., Birmingham 1909, in the form of teddy bears, a silver salt spoon, no makers mark, Edinburgh 1973/1974, decorated with a Celtic pattern, weight of weighable silver 2oz. (6)£300 - 500

The Lloyd George pepper celebrates the passing of “People’s Budget”, in Parliament in 1911.

73An Edwardian silver rose bowl,by Mappin & Webb, Sheffield 1904, The half ribbed bowl with swirling foliate motif, over a domed base, crested, height 12cm, diameter 18.5cm, weight 14oz.£200 - 300

74An Edwardian silver pair of sauce boats by Atkin Brothers, Sheffield 1902 Of oval form, with a wavy rim to a fluted body, scroll handle, raised on a spreading foot, together with, a silver matched pair of sauce boats, one by Atkin Brother, Sheffield 1929, one by Haseler Brothers, London 1907, of shaped oval form with wavy edge rims, leaf capped scroll handles, raised on three hoof feet, one crested, weight combined 28oz. (4)£300 - 500

75An Edwardian silver pair of candlesticks by Jay, Richard Attenborough Co Ltd, Sheffield 1906 The knopped baluster stems on a square wavy base, with conforming sconces, loaded, height 31cm. (2)£600 - 800

76A Victorian eight bottle cruet set by Creswick & Co., Sheffield 1859 Composed of floral pierced containers with bead borders, to a scroll and bead handle, raised on four ball and claw feet, containing two silver topped cut-glass bottles, one Birmingham 1895 and six oil bottles, height 29.5cm, weight 23oz.£700 - 900

77A Victorian silver inkstandby H. Wilkinson & Co., Sheffield 1852 Of shaped rectangular outline, with leafy scrolls, raised on four bracket feet, the cut glass mounted wells flanking a central pounce pot with taperstick cover, length 27cm, weight of weighable silver 15oz.£400 - 600

76

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78A Victorian silver rosebowlby James Deakin & Sons, Sheffield 1895 Of circular form, embossed with scroll swag and engraved foliate decoration, raised on a spreading foot, to a turned wood circular stand, height on stand 26cm, diameter 25.5cm, weight 28oz.£300 - 400

79A George III silver pair of wine coastersby J. Roberts & Co., Sheffield 1810 With fluted baluster bodies, gadrooned rims, turned oak bases, diameter 15cm. (2)£600 - 800

80A Victorian silver pair of candlesticksby Harrison Brothers & Howson, Sheffield 1899 The ribbon and swag embossed vase shape capital, to a ram’s head and foliate column, raised on a spreading square foot with acanthus leaf, vase and beaded decoration, initialled, height 26cm. (2)£300 - 400

81A Victorian silver two handled trayby T.J. & N. Creswick, Sheffield 1839 Of oval form with applied shell and scroll border and handles, the field floral engraved, 69 x 47cm, weight 98oz.£800 - 1,000

82A Victorian silver pair of sugar castersby James Deakin & Sons, Sheffield 1888 Of typical baluster form, with swirling fluted body, the bayonet lid with pierced foliate decoration, raised on a spreading foot, vacant cartouche, height 22cm, weight combined 14oz. (2)£200 - 300

Newcastle Silver

83A George III silver mustard pot by no makers mark, Newcastle 1819 Of circular form, with an applied gadrooned border, a domed lid to a cast acorn finial, capped scroll handle, raised on four shell bracket feet, with glass liner (a.f.), initialled, height 9cm, weight 4oz.£200 - 250

84A George III silver set of six Old English pattern table forks by Ann Robertson, Newcastle 1779 Together with, a George III silver set of six Old English pattern table forks, by Thomas Wilkes Barker, London 1805, a George III silver set of fruit knives and forks, by Joseph Taconet possibly, London 1800 - 1807, crested, a George III silver set of six fruit knives, by Moses Brent, London 1790 a Victorian silver set of six fruit knives, by Chawner & Co, London 1869, crested, weight of weighable silver 24oz.£500 - 700

85A Victorian silver Old English pattern canteen for eight settings by Reid & Sons, Newcastle 1852 Comprising; table forks, table spoons, dessert forks, dessert spoons, a pair of sauce ladles, a pair of basting spoons, a ladle, initialled, together with eight table and dessert knives, length of ladle 33cm, weight 69oz.£1,200 - 1,500

78, 79, 80


Antique Silver, pre 1913

86A silver pair of candlesticks by Walker & Hall, Sheffield 1913 The acanthus leaf capital with a removable square gadrooned edge drip pan, to a fluted column, raised on a square stepped base, loaded, height 15cm. (2)£300 - 400

87A silver bowlby James Wakely & Frank Clarke Wheeler, London 1901 Of baluster form, with a wavy rim, foliate embossed and chased decoration, one vacant cartouche, to a fluted lower body, raised on a spreading foot, height 16.5cm, diameter 19cm, weight 21oz.£500 - 600

Inscribed, “From M.M to W.J 1904”.

88An Edwardian silver pair of Sabbath candlesticks by MS, untraced, London 1909 Of typical form with floral embossed and chased knopped stems and removable sconces, raised on three scroll feet, height 39cm, weight 33.5oz.£500 - 600

89Y

An Edwardian tortoiseshell and sliver mounted inkstand apparently unmarked, retailed by The Goldsmiths & Silversmiths Company Ltd. Of scalloped wavy form, with a cast and pierced scroll border, a cast scroll pen stand (a.f.), the cut glass sliver mounted inkwell, by J Batson & Son, London 1900, to a cast circular mount, raised on three fluted ball feet, length 17cm.£300 - 400

90An Edwardian silver epergneby Horace Woodward & Co., London 1909 The central trumpet shaped vase with pierced rim and wavy border, rising above three removable smaller vases, with a scroll support over a domed circular base, height 33cm, diameter overall 30cm, weight 28oz.£800 - 1,200

91An Edwardian silver-gilt cast sugar castor by W. Weatherhead, London 1909 Of vase form with alternate panels of latticework and fish scales with shell and leaf details, the pull-off cover with a vase finial, height 21cm, weight 18.5oz.£500 - 600

90 91

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92An Edwardian silver pocket barometer cased by Grey & Co., Chester 1910 Of circular form, the hinged cover opening to reveal a white enamel dial, diameter 6cm and an Edwardian silver hip flask, by Neale & Neale, London 1910, of rectangular arched form with a hinged twist bayonet cover, 13 x 7cm, weight 4oz.£250 - 300

93An Edwardian silver pair of two-handled sauce tureens with coversby C. S. Harris & Sons Ltd., London 1912 Of navette form, with an applied reeded border, the domed covers with banded knopped finials, two acanthus capped reeded loop handles, raised on a pedestal foot, crested, height 13.5cm, length 23cm, weight combined 21oz. (2)£300 - 500

94A Victorian pair of silver waitersBy E.& J. Barnard, London 1860 Of circular form with a gadrooned border, engraved with leafy scrolls around a central armorial, raised on three scroll feet, diameter 16.3cm and a George II silver waiter, by George Hindmarsh, London 1735, of circular shaped form, the moulded edge enclosing flat chased rococo decoration raised on three pad feet, diameter 16.5cm, weight combined 22.5oz. (3)£500 - 700

The arms are for WYNNE of Peniarth, Merionthshire. William Watkin Edward Wynne (1801-1880) was a Conservative MP for Merionethshire 1852-65.In 1867 he served as High Sheriff for Merionethshire and was appointed Constable of Harlech castle in 1874. He inherited a collection of manuscripts in 1859, known as the Hengwrt collection, from his kinsman Sir Robert Williames Vaughan. The collection had been assembled by the 17th-century antiquarian Robert Vaughan and it contained an early version of the Canterbury Tales, mystery plays in Cornish and many early Welsh manuscripts, including twelve manuscripts of the Welsh laws of Hywel Dda. Wynne catalogued the manuscripts, publishing the result in Archaeologia Cambrensis between 1869 and 1871.

95No lot

96A Victorian silver coffee potby William Hunter, London 1864 Of baluster shape with pronounced collar rim, the whole with basket weave engraved decoration, crested, height 24cm, weight 24oz.£250 - 300

97A Victorian silver presentation coffee potMaker’s mark untraced, G.I, possibly George Ivory, London 1864, retailed by Turner’s, 58 & 59 New Bond St. Of segmented baluster form on a pierced spreading foot, leaf capped spout and handle, and a William IV silver coffee pot, by Charles Goodwin, London 1836, of plain shouldered baluster form raised on floral scroll feet, leaf capped spout and handle, crested, weight combined weight 57oz. (2)£700 - 900

98A Victorian silver three piece tea serviceby Frederick Elkington, Birmingham 1888 Of square form, with angular handles, the lower body with embossed fluted decoration, raised on four ball feet, comprising; tea pot, sugar bowl, cream jug, weight combined 31oz. (3)£400 - 600

93


99Of Liverpool Interest: A Victorian silver presentation table centre-pieceby the Barnards, London 1865 In the form a guardian angel standing on an ornate pedestal, mounted on a mahogany plinth with a child in a cradle and two inscribed cartouches, height 45cm.£600 - 800

Sold with a photograph of the complete original centre-piece and the original illuminated scroll. Inscribed “Presented by a number of the Burgesses of Liverpool, to Jane Harrison wife of the Worshipful Edward Lawrence, Esq., Mayor, to commemorate agreeably to an ancient legend of the town, the happy event of an accession to his worship’s family, in the year of his Mayoralty by the birth of, his daughter Lilian, 4th March 1865.” Also “Ye spirit of ye legend, Gif Leverpoole’s good Maior Sh’d. everre bee, mide fatherre inne hys yeare offe Maioraltee, thenne sal bee gyften, bye ye tovvnmenne free, ane sylverre cradle to hys faire ladye.” Edward Lawrence was Lord Mayor of Liverpool during 1864/65.

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100A Victorian silver tea kettle on standby Edgar Finlay & Hugh Taylor, London 1887 Of small proportions with swirling ribbed body, upon a circular frame supported by four slender tapering feet, linked by burner, ebonised handle, height 22.5cm, weight 18oz.£400 - 500

101Of cattle interest: A Victorian silver presentation cupby Richards & Brown, London 1873 Of typical form, with an applied reeded rim, embossed and chased with scroll and steer decoration, to a knopped stem with an applied beaded border raised on a foliate embossed spreading foot, height 14.5cm, weight 13oz.£400 - 500

Inscribed, “Louth. Christmas Fat Stock Show, 1878. Class I for Steers exceeding three years old. First Prize given by Salah Cartwright Esq.”

102A Victorian wood, tin, copper, silver and gold presentation casket unmarked, circa 1899 In the form of a rectangular Freedom casket, the copper and silver body with floral and cartouche decoration, the pull off cover with copper, silver and gold decoration, raised on a tin base to an ebonised stand, case, engraved with various dates, 19 x 9 x 10.5cm.£1,000 - 1,500

The cover inscribed “Presented to, Charles Edward & Mary Simes, on the occasion of, their Golden Wedding, November 6th 1899.” The body inscribed “ From, Joseph Fordred, Arthur & Alice Neale, Herbert & Florence Fordred, Ernser & Ann Fordred.” The current wedding anniversary dates were a Victorian invention and are shown in this piece relating to the engraved dates: 5th anniversary, wood (the stand 1854) 10th anniversary, tin (the base engraved 1859) 15th anniversary, copper (various panels, twice engraved 1864 to the cover) 25th anniversary, silver (the body, twice engraved 1874 to the cover) 50th anniversary, gold (the finial, engraved presentation) Sold with a letter dated 2/06/1963 relating to the casket.

102


103A Victorian silver coffee pot by Robert Harper, London 1866 Of baluster form, profusely engraved with foliate and scroll decoration, to a capped scroll handle, with a cast pomegranate and leaf finial, monogrammed “RCJ” and inscribed, height 24cm, weight 22oz.£400 - 600

Inscribed, “Presented to the Rev. R. C. Jones. On his preferment to the vicarage of Llanarmon in Yall by the parishioners of Rhuddlan as a small token of their esteem and appreciation of his ministration during a period of eight years. September 1868.”

104A Victorian silver rose bowlby makers mark indistinct, London 1888 With an embossed swirling fluted lower body, a vacant cartouche with scroll and chased decoration, raised on a spreading foot , height 15cm, diameter 26cm, weight 23oz.£300 - 400

105A Victorian silver oval basket by Charles Boyton, London 1897 Embossed and pierced with masks, floral scrolls and latticework, raised on a cast scroll foot, 33 x 24cm, weight 18.5oz.£400 - 600

106A Victorian silver tea pot by Benjamin Davis, London 1838 Of squat circular form, with an applied reeded waist band, crested, weight 24oz.£250 - 300

107A Victorian novelty cream jugby Maurice Freeman, London 1900 In the form of a Dutch cow creamer, with tongue extended, hinged cover to her back, height 10cm, length 17cm, weight 7oz.£800 - 1,200

108A William IV silver four piece tea and coffee setby Messrs. Lias, London 1834-35 Of compressed baluster segmented form, raised on four floral scroll feet, the covers with floral finials, crested, comprising; tea pot, coffee pot, sugar bowl and milk jug, height of coffee pot 21cm, weight 76oz.£1,000 - 1,500

109A William IV silver three piece tea serviceby J. & A. Savory, London 1836 Of plain compressed shape raised on floral scroll feet, with floral finial, crested, length 27cm, weight 38.5oz. (3)£500 - 700

108

107

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110A George III silver presentation two-handled trophy cup and coverby William Bennett, London 1811 The vase shaped body raised on a pedestal foot, leaf capped handles and gadrooned cover rising to an urn finial, height 28cm, weight 32oz.£500 - 700

Inscribed “To, The Rev.d Iohn Royle, a token of gratitude, from his friend, Herbert Marsh”.

111Y

A George IV silver tea potby Joseph Craddock & William K. Reid, London 1823 Of compressed circular form with foliate girdle above a fluted lower body, embossed and chased rose decoration to spout, with applied gadroon border, to a scalloped ivory finial, leaf capped fruit wood handle, together with a George IV fiddle pattern soup ladle, by George Turner, London 1823, initialled, weight combined 31oz. (2)£500 - 600

112A George IV silver tea pot by Rebecca Emes & Edward Barnard I, London 1825 Of compressed oval form, with an applied gadrooned border, an embossed fluted lower body, to a leaf-capped scroll handle, with an embossed leaf spout, raised on four ball feet, length 29cm, weight 22oz.£400 - 500

113A George IV silver teapot by William Hewitt, London 1827 Of circular form, embossed with leaf and scroll detail, with an applied border decorated with foxes, scrolls, vines and grapes, a rose finial, a fox capped handle, raised on a spreading foot, height 16cm, weight 25oz.£500 - 600

114A George III silver bright-cut tea potby Peter & Ann Bateman, London 1795 Of oval can form with engraved floral swag decoration, bead border, fruit wood handle and finial, engraved armorial, length 28cm, weight 17.5oz.£600 - 800

The arms are those of CANN of Compton Green impaling GARNON. These arms are interesting historically as Robert Cann, was Mayor of Bristol at the time of the Restoration of the monarchy. Charles II knighted him in April 1662 and advanced his status to a baronetcy five months later. Like a number of others who had assisted the king, Sir Robert Cann’s pre-existing shield was officially augmented by the addition of the three leopard faces across the fess.

115A George III silver bright-cut tea pot by William Plummer, London 1786 Of oval form, with an inverted-domed cover, an ebonised wood finial and scroll handle, bright-cut engraved with an upper and lower band of scalloped fringing and foliate decoration, crested, length 25.5cm, weight 16oz.£600 - 800

116A George III silver bright-cut sugar bowl and milk jugby John Denzilow, London 1784 Of vase form with an engraved border and cartouche, bead rim and handle, raised on a spreading foot, engraved armorial, height of milk jug 15.5cm, weight 12.8oz. (2)£350 - 400

The arms are for SAINSBURY, probably impaling HORSPOOLE.

110, 111

114, 115, 116


117A George III silver tea pot by Robert Hennell I, David Hennell II & Samuel Hennell, London 1802 Of circular form, with an applied gadrooned border, a bright-cut greek frieze waist band, a fruit wood handle and finial (a.f.) to a circular reeded base, height 11cm, weight 18oz.£250 - 350

118A George III silver presentation candelabrum with Victorian four light, three branch capital by Kirby, Waterhouse & Co., Sheffield 1819, the branches by Robert Hennell, London 1843 The floral embossed vase shape capitals with removable leaf sconces and drip pans, to leaf scroll branches, supported by a floral and scroll knopped stem to a circular base, crested, loaded, height 52cm.£500 - 700

Inscribed “The members of Kingston College to Rev’d John Leech 3rd Oct 1871.”

119A George III silver waitermakers mark rubbed, London 1818 The circular plaque with scrolling decoration, within an applied foliate border, raised on three leaf scroll supports, together with a George III Old English pattern silver soup ladle, by Eley and Fearn, London 1803, crested and a Victorian Kings pattern example, London 1839, crested, weight total 28oz. (3)£500 - 700

120Y

A George III silver tea caddy by Edward Darvill, London circa 1760 Of plain square form, the hinged cover embossed with bead and leaf decoration to an applied gadrooned rim, with an ivory pineapple finial, armorial coats of arms and crested, height 15cm, weight 11.5oz.£600 - 700

Engraved with the crest, armorial and motto of de WINTON of Maesderwen, Breconshire.

121A George III silver swing handled presentation cake basketby William Allen III, London 1801 Of circular form, pierced within a gadrooned border with engraved foliate scrolls, on a pierced gallery foot, diameter 28.5cm, weight 27.5oz.£600 - 800

Inscribed “Presented by, Baroness Willoughby de Eresby, to Ida Mrs. Wilson, on her silver wedding, 1888”

122A George III silver-gilt and silver pap boat by Emes & Barnard, London 1814 With an applied gadrooned border and cast grape and vine bifurcated handle, length 15cm, weight 3.5oz.£300 - 500

123A George I silver brandy saucepanprobably by James Goodwin, London 1723 Of baluster form with a fold-over border, turned ebonised handle, initialled C over R*M to the underside, height 5.5cm.£300 - 500

124A George IV silver two-part wine funnelby Emes & Barnard, London 1820 Embossed and chased with a band of fruiting vines above a fluted body, gadrooned border, shell thumb-piece, crested, length 13.5cm, weight 5.5oz.£300 - 400

121, 122, 123, 124

120

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125A George III silver tankardby Edward Furnell, London 1783 Of plain tapering form with an applied reeded waist band, flat topped lid with grill thumb-piece to a double scroll handle, height 18cm, weight 28.5oz.£800 - 1,200

126A George III silver salverBy Robert Jones, London 1782 Of circular form, with beaded border, monogrammed navette cartouche, raised on three claw and ball feet, diameter 30.5cm, weight 29oz.£500 - 600

127A George III silver two-handled trayby John Mewburn, London 1812 Of oval form, with engraved and chased foliate decoration, to a gadrooned border and leaf capped handles, raised on four tapering feet, 73 x 46cm, weight 139oz.£2,000 - 3,000

128A George III silver baluster mug by John Swift or James Stamp, London 1772 Of plain form with a leaf capped double scroll handle, height 12cm, weight 10oz.£300 - 500

127

125


129A George III silver pair of chamber sticksby William Fearn, London 1791 Of circular form with reeded borders, scroll handles and conical extinguishers, crested, diameter 13cm, weight 18oz.£600 - 800

130A George III silver mug by Thomas Mason, London 1782 Of plain baluster form with a flaring rim, capped shaped scroll handle with a Queen Anne coin to the lower attachment, raised on a spreading foot, monogrammed, with S.W engraved to the base, height 11.5cm, weight 12oz.£300 - 400

131A George II silver baluster coffee pot by Thomas Whipham, London 1751 The body later embossed with floral and scroll decoration, swan head capped spout to a William IV leaf capped scroll handle, crested and monogramed, height 26cm, weight 30oz.£600 - 800

132A George III swing handle silver basket by Robert Sallam, London 1770 With a pierced and embossed foliate body, applied gadrooned border and twist handle, raised on a pierced spreading foot, with a frosted glass liner (a.f.), monogrammed, diameter 11.5cm, weight 3oz.£400 - 500

129

131, 132

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133A George II silver pair of cast candlesticksby William Gould, London 1748 The cotton reel sconces with removable drip pans, the baluster knopped stem raised on shaped square bases with shall corners, crested, height 20cm, weight 39oz. (2)£1,500 - 2,000

134A George III silver two-handed cup by Hester Bateman, London 1789 Of typical form with an applied waist band, later embossed and chased with fruits and scrolls, S scroll handles, raised on a spreading foot, crested, height 15cm, weight 11.5oz.£400 - 500

135A George II silver porringerby Richd. Bayley, London 1746 With an embossed gadrooned waist band, foliate engraved decoration with a fluted swirling lower body, initialled, “R*W” to base, height 6.5cm, diameter 8cm, weight 2.5oz.£400 - 600

133, 134, 135


The Milntown Collection was put together over three decades by Sir John Clive Leighton Edwards, 2nd Baronet of Treforis (1916 - 1999) and his mother Lady Kathleen Edwards (died 1975).

The collection is enhanced by having an archive of correspondence from their dealers, in particular, Mrs How, from whom they purchased the best of their silver. The collection also includes larger pieces bought through other dealers in Newport; Kyrle Fletcher, and for their more modern table silver; The Goldsmiths and Silversmiths Company in London.

The most important part of the collection is being sold in our Bond Street salerooms in the Fine Silver sale on 13th November 2013, including the most important collection of Charles II and later miniature silver toys to come to the market in four decades.

Sir Clive was the son of Sir John Bryn Edwards (1889 – 1922), a Welsh ironmaster and philanthropist who was created

a Baronet in 1921 as a result of his involvement in the tin plate industry in Swansea during World War 1. His seemingly promising future as a figure of political and social leadership in post-World War I Britain was cut short by death at the age of just 33. Edwards had married Kathleen Ermyntrude Corfield, daughter of John Corfield, managing director of Dillwyn & Co, on 18 January 1911. Lady Kathleen Edwards never re-married and died in Ramsey in 1975.

Clive Edwards was born at Hendrefoilan, Sketty on 11th October 1916 and at the age of 6, became the youngest baronet in Britain. He was educated at Horrace Hill near Winchester and then Winchester College. At the outbreak of war in 1939, he volunteered as a private in the Royal Army Service Corps and became Driver Edwards. He later trained as an officer and was gazetted 2nd Lieutenant in The Pioneer Corps in July 1941, his army career was curtailed when he contracted diphtheria. During his time in the Corps he met his long time companion Bob Thomas.

Post war Sir Clive lived near Bicester, close to his business interests and developed a passion for veteran motorcars and motorbikes. His first veteran car was a 1900 New Orleans that he regularly entered into the London to Brighton run. This car is still in the interesting collection of car and motorbikes displayed at Milntown today.

In 1963 he retired to the Isle of Man with Lady Edwards as her last brother had passed away and she had no further commitments to Hendrefolian. Sir Clive gave up racing after the move, though he took considerable interest in the Manx TT Race, and concentrated on restoring the near-derelict Milntown. The gardens were transformed under his guidance and the house was in a poor state after its chequered history as a school and hotel; it took years to return it to its former glory. On his death in 1999, Sir Clive bequeathed his estate to the Milntown Trust so that it would be kept open to the public.

The Milntown Collection

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Electroplate

136A George IV pair of Old Sheffield plate wine coolers unmarked, circa 1825 Of campana form with pull out liners, acanthus leaf, shell and scroll border to the rim, waist and pedestal foot, acanthus leaf and fluted lower body, with twin floral handles, height 23cm, diameter 23cm.£600 - 800

The underside scratched “£77 each”

137A pair of electroplated wine coolers circa 1960 Of urn form with a half-fluted lower body, raised on a gadrooned foot, lion mask with ring handles, removable liner, armorial crest with motto, height 25cm.£300 - 400

138A Victorian electroplated and horn table lighter by Walker & Hall, Sheffield circa 1890 In the form of a dragon with his front leg resting on a ball, the striker being an arrow in his body, with a blackbuck horn tail, length 46cm.£400 - 500

136 137

138


Modern Silver, post 1913

139A silver pair of baluster vases by Goldsmiths & Silversmiths Co., Ltd., London 1927 With applied grape and vine border, the hammered body with applied leaves at the hip and foot, the spreading base with applied grape and vines, height 19cm, weight 24.5oz.£400 - 600

140A silver and silver-gilt set of four wine goblets by C.J.Vander Ltd., London 1981 The silver-gilt stems with Prince of Wales feathers above a crown, inscribed “Ich Dien”, gilt interior, height 17cm, weight 31oz.£400 - 500

141A silver set of gobletsthree by the Royal Irish Company, Dublin 1967, one by I.H, London 1979 Of plain tubular form, raised on an abstract knopped stem to a plain base, gilt interior, height 16cm, weight 37.5oz.£400 - 500

The underside scratched, one “Bob, Milntown” the other three “CE, Milntown”

140141

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Vertu

142A Queen Anne/George I silver pear shape nutmeg grater unmarked, circa 1710 Of plain form with two hinged covers, one engraved “Ex dono, E R, 1714”, pierced rasp, length 4.5cm, a Queen Anne silver pear shape nutmeg grater, unmarked, circa 1705, the cover and base with floral engraved decoration, pierced rasp, length 4cm, and a George III silver egg shape nutmeg grater, unmarked, circa 1770, with floral engraved decoration, steel rasp, length 4.5 cm. (3)£1,000 - 1,500

143A George III silver pair of bottle labels by Margaret Binley, London circa 1770 Of crescent shape with a gadrooned border, incised title, a George III silver bottle label, by Susanna Barker, London circa 1780, of scroll and swag form, incised title, a George III bottle label, by Phipps & Robinson, London 1806, of crescent form, incised title, a Victorian silver initial bottle label, by William Sumners, London 1875, W, and two plated examples. (7)£200 - 250

144A George III silver needle case by John Turner, Birmingham 1797 With bright-cut engraved decoration, vacant cartouches, length 9cm.£200 - 250

142


Antique Silver, pre 1913

145A silver pair of table lampsby Goldsmiths & Silversmiths Co. Ltd., London 1911 Of octagonal knopped form, drilled for electricity, height 26cm, weight 43oz.£600 - 800

Provenance; purchased from Goldsmiths & Silversmiths Co. Ltd., 25th April 1939 for £10.00.00

146A silver pair of octagonal pedestal dishesby Walker & Hall, Sheffield 1913 Of plain form, raised on a spreading foot, height 15cm, diameter 20cm, weight 37oz.£400 - 600

147An Edwardian silver cup by Williams Ltd., Birmingham 1904 The vacant cartouche flanked by an embossed and chased floral band above a swag, raised on a knopped stem with bead border, gilt interior, height 31cm, weight 17.5oz.£400 - 500

148An Edwardian silver cup by Joseph Gloster, Birmingham 1907 Bright-cut engraved with a floral band and swags, raised on a tapering stem, gilt interior, height 28cm, weight 16.5oz.£400 - 500

149An Edwardian silver two bottle inkstand by Goldsmiths & Silversmiths Co., Ltd., London 1906 Of shaped rectangular form, the square glass bottles with hinged covers, pen tray in front, raised on four pad feet, 27.5 x 15cm, weight of weighable silver 15oz.£300 - 400

Provenance; purchased Goldsmith & Silversmiths Co. Ltd., 27th November 1935 for £16.15.00

150An Edwardian silver pair of pedestal dishes by Goldsmiths & Silversmiths Co.Ltd., London 1902 The shaped borders with scroll pierced decoration, raised on a knopped stem with a pierced foot, height 14cm, diameter 25cm, weight 42.5oz.£500 - 600

151An Edwardian silver tea kettle on stand by Elkington & Co., Birmingham 1910 Of compressed circular form with a pierced border, raised on a trefoil stand with a burner, height 27cm, weight 29oz.£400 - 500

The underside scratched “C.E. 0624 ******”

152An Edwardian silver circular waiter by Jackson & Fullerton, London 1906 The shaped applied shell and gadrooned border to floral engraved field, raised on three ball and claw feet, diameter 25cm, weight 18.5oz and an Edwardian silver circular waiter, by Barker Bros., Chester 1910, with a pie crust border, raised on three pad feet, diameter 20cm, weight 11oz. (2)£350 - 400

153An Edwardian silver two handled gallery tray by Charles Stuart Harris, London 1903 Of oval shaped form, the swept up handles to a gadrooned rim and a scroll pierced border, 57 x 39cm, weight 76.5oz.£1,200 - 1,500

154An Edwardian silver entree dish by Jackson & Fullerton, London 1910 Of rectangular form with cut corners and gadrooned borders, twist handle, 26 x 20cm, weight 33.5oz.£350 - 400

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155An Edwardian silver bottle coasterby William Hutton, Sheffield 1905 Of tall form, embossed and chased with a band of lilies, lily capped handles, turned oak base, height 16cm.£300 - 400

156A Victorian silver bowlby Dixon Bros., Sheffield 1896 Of circular form with a gadrooned border above a plain band to a swirling fluted lower body, raised on a fluted foot, height 15.5cm, diameter 26cm, weight 25oz.£500 - 700

The underside scratched “CE, MILNTOWN, IOFM, TEL 0624 ******”

157A Victorian silver presentation two bottle condiment standby Atkin Bros., Sheffield 1887 In the Dr. Christopher Dresser style of a rectangular pillared frame with an angular handle, surmounted and raised on balls, applied shield shape presentation plague, containing two hob-nail cut-glass pickle jars, height 25cm, length 20cm, weight 34oz.£400 - 500

Inscribed “Presented, by the Officials of, Messrs. Williams & Co., to , Miss Williams, on the occasion, of her marriage, as a token, of their, respect & esteem, 17th April 1888.” The Upper Forest and Worcester Steel and Tinplate Works of Morriston, Swansea, South Wales began in 1845, the works were commenced by William Hallam, on the site of a gist mill. In 1868 The Worcester Works were opened; the company was formed by William Williams of Maes-y-gwernen Hall, Llangyfelach and absorbed the Upper Forest Works. The company changed hands many times, becoming Nationalised in 1951, production ceased in 1958 and the 20 acre site was subsequently cleared.

158A Victorian silver circular salverby S.Roberts, Smith & Co., Sheffield 1840 With a shell and scroll border, floral, shell and scroll chased field surrounding an armorial, raised on four scroll feet, diameter 54cm, weight 124oz.£1,500 - 2,000

The armorial is for the Scottish name of MITCHELL. William Mitchell inherited property in 1840 from a close relative, Miss Jane Innes of Stow, and changed his surname to Mitchell-Innes. He had married Christian Shairp in 1810 and was Chief Cashier of the Royal Bank of Scotland from 1808 to 1827. He subsequently he acquired the Ayton estate and in 1851 commissioned James Gillespie Graham to build a new castle at Ayton in the Scottish Baronial style in red sandstone. The underside scratched “C.E. MILNTOWN IOM TEL 0624 ******”

159A Victorian silver oval dish by Finley & Taylor, London 1893 Embossed and chased with floral decoration, scroll border, 31 x 22cm, weight 10oz.£200 - 250

160A Victorian silver pair of Corinthian column candlesticksby Frederick Elkington, Sheffield 1864 The acanthus leaf capital with a removable bead edge drip pan, to a fluted column, raised on a square stepped base with bead border, loaded, crested and initialled E.C., height 33cm.£700 - 900

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161A Victorian silver presentation five piece tea and coffee serviceby J.W.Benson, Sheffield 1884, 1886, the tray by Martin & Hall, London 1881 Of pedestal vase form, the scroll engraved body with festoons of fruit between, bead border, leaf capped and chased handles, raised on embossed and chased acanthus leaf feet, fruit finials, monogrammed, the matching oval tray with mask head and scroll handles, inscribed, oak cased, height of coffee pot 28cm, length of tray 72cm, weight approximately 198oz.£2,500 - 3,000

Inscribed “Presented, by, the Workpeople of Wm. Williams & Co. of, Upper Forest and Worcester Iron, Steel & Tin Plate Works, to Miss Margaret F. Williams, on the occasion of her marriage, as a token of their high respect & esteem, Morriston, April 14th 1888.” The Upper Forest and Worcester Steel and Tinplate Works of Morriston, Swansea, South Wales began in 1845, the works were commenced by William Hallam, on the site of a gist mill.

In 1868 The Worcester Works were opened; the company was formed by William Williams of Maes-y-gwernen Hall, Llangyfelach and absorbed the Upper Forest Works. The company changed hands many times, becoming Nationalised in 1951, production ceased in 1958 and the 20 acre site was subsequently cleared.

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162A Victorian silver “Monteith” bowlby Elkington & Co., London 1891 With a shell and scroll applied border above a wavy half-fluted lower body with a vacant cartouche, raised on a matching foot, height 25cm, diameter 33cm, weight 60.5oz.£1,500 - 2,000

The underside scratched “CE, MILNTOWN, IOFM, TEL 0624 ******”

163A Victorian silver pair of entree dishes by Hawksworth, Eyre & Co. Ltd., London 1898 Of rectangular form with cut corners, fluted bodies and gadrooned borders, twist handles, crested, 28 x 20cm, weight 78oz.£800 - 1,200

164A William IV silver two-part wine funnel by Isaac Parkin, Exeter 1831 With a gadrooned border and shaped thumb-piece, the pull-off lower body with a reeded border, height 15cm, weight 4oz.£250 - 300

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165A George III silver large circular salverby Ebenezer Coker, London 1771 The wavy border with applied gadrooned decoration, the body chased with floral and scroll decoration around an applied armorial with floral engraved surround, raised on four ball and claw feet, diameter 61cm, weight approximately 150oz.£2,500 - 3,000

Provenance; purchased from J.Kyre Fletcher Ltd., of Newport on the 4th December 1940 for £45.00. The armorial is of GRIFFIN of Glamorgan. The family resided at Newton Court built on land purchased by Admiral Thomas Griffin in the 18th century, it was left to his third son, George Griffin, after his death. Under George, Newton Court was constructed between 1799 and 1802; the three-storey house was built in the neoclassical style, and remained in the Griffin family at least until 1845, when it was recorded as being in possession of Mary Griffin.

The exuberant engraving on the tray is for TYLER of Monmouth. The Revd Endel Tyler, Rector of St Giles in the Fields, London married Elizabeth Ann Griffin (1798-1830), daughter and heiress of George Griffin in 1827. Their son George Griffin Tyler (c.1828 - ?) changed his name to Griffin on inheriting the Dixton Newton estate. The underside scratched “Milntown, IOM, 0624 812232.”

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166A George III silver helmet shape cream jugmakers mark ?C, London 1787 With bright-cut engraving, raised on a pedestal foot, initialled, height 16cm, weight 4oz, a George III two-part wine funnel, by John Emes, London 1799, of plain form with a reeded border, height 12cm, weight 2.5oz and a George III wire work cover, by William Vincent, London circa 1770, makers mark only, of circular form with a lattice-work frame with flower head intersections, wire work border and rose finial, diameter 21cm, weight 9.5oz.£500 - 600

167A George III silver small chamberstick no makers mark, London 1778 Of circular form with a beaded border and scroll handle, lacking the extinguisher, crested, diameter 9cm, weight 3oz, and a George IV silver small chamberstick, by J.& T. Settle Gunn & Co., Sheffield 1826, of circular form with floral embossed borders, leaf capped handle and plain extinguisher, diameter 8.5cm, weight 3.5oz.£300 - 400

168A George III silver pair of gobletsby Ann Robertson, Newcastle 1804 Of plain form raised on a pedestal stem to a stepped foot, height 17cm, weight 14.5oz.£800 - 1,200

169A George III silver Sparrow beak jug probably by Samuel Wood, London1734 Of typical baluster form with a double scroll handle, height 8cm, weight 2.5oz.£300 - 400

Provenance; purchased from Mssrs. J.Kyle Fletcher, 14th February 1941 for £13.10.00

170A George IV silver triple egg cruetby John & Thomas Settle, Sheffield 1822 With gadrooned borders and a reeded foot, the frame with gadrooned borders, reeded handle, raised on scroll supports and feet, together with three matching spoons, crested, height 17cm, weight 12oz.£300 - 400

171A George II silver lemon strainer by James Slater, London 1728 Of plain form with two wavy edge handles, pierced bowl, engraved I over W*E, length across the handles 18.5cm, weight 2oz.£400 - 500

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172A George III silver cream pailby William Plummer, London 1765 In the form of a coopered bucket with a wavy border and twisted handle, height with handle raised 9.5cm, weight 2.5oz.£300 - 400

Provenance; purchased Mssrs. J.Kyrle Fletcher, 14th March 1941 for £12.10.00.

173A George II two handled cupby John Langlands, Newcastle 1757 Of typical form with an applied waist band, capped “S” scroll handles, raised on a pedestal foot, height 13cm, weight 10.5oz.£600 - 800

174A George III silver swing handle sweet meat basket maker I*M?, London 1762 With a pierced body, wirework border and twist handle, raised on a pierced foot, crested, diameter 12.5cm, weight 4oz, and a George III silver swing handle sweet meat basket, probably by Thomas Pitts I, London circa 1770, maker and lion passant only with a pierced body, scroll border and twist handle, raised on a plain foot, diameter 12.5cm, weight 4oz.£400 - 500

175A George III silver oval swing handle basketby William Thompson, Dublin circa 1780, makers mark only three times to the base The wire-work frame with applied grape and vine with insects, raised on a spreading foot, grape and vine handle with caterpillars, 16.5 x 12.5cm, weight 3.5oz.£400 - 600

Provenance; Purchased from Mssrs. J.Kyrie Fletcher Ltd., 26th November 1940 for £8.00.00

176An Edwardian silver Irish salver by DSW, Dublin 1905 Of circular form, the applied cast pierced border with Celtic motifs, raised on three serpent feet, diameter 30cm, weight 28.5oz.£400 - 500

The underside scratched “ C Edwards, tel 01624 ******”

177 - 199No lots

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Furniture and Works of ArtLots 480 - 600

46 | Bonhams

200A 19th century inlaid mahogany chest on chest in the Georgian styleThe upper section with protruding cornice above two short and three long drawers, the lower section with three long drawers, both sections inlaid with boxwood geometric patterns, raised on bracket feet, 121cm wide x 59.5cm deep x 191.5cm high, (47.5in wide x 23in deep x 75in high)£200 - 300

201An Edwardian mahogany and satinwood inlaid Sutherland tableThe satinwood crossbanded canted rectangular top, inlaid with a central fan paterae, raised on boxwood-lined outsplayed supports united by a platform undertier, the fold-out tapering legs terminating in ceramic castors, 19.5cm wide x 61.5cm deep x 64.5cm high, (7.5in wide x 24in deep x 25in high)£150 - 200

202A George IV mahogany pole screenThe moulded and carved screen with a faded and torn floral needlework, raised on a slender adjustable pole, the lower section carved and fluted, raised on a triform base with rosette-carved pad feet, maximum height 143cm high£100 - 200

203A Peter Beard stoneware potThe globular body with an angled collar, a small looping handle applied below the uneven rim, covered with undulating lines of matt blue and turquoise glazes, with impressed PB seals, 25cm high£80 - 120

204An early 19th century mahogany oval tilt top tableThe oval top with reeded edge, raised on a turned tapering pedestal column, and three downswept line-inlaid legs terminating in brass caps and castors, 112cm wide x 101cm deep x 70.5cm high, (44in wide x 39.5in deep x 27.5in high)£500 - 700

205A late 19th/early 20th century carved hardwood Oriental jardiniere standThe octagonal top with marble insert with a carved foliate border and beaded edge, with a fruit and foliage carved pierced frieze over a circular undertier, raised on four square legs terminating in paw feet, 33.5cm wide x 84cm high£600 - 800

206Y

An ebony and ivory inlaid sewing boxPossibly Anglo-Indian, the mahogany box of rectangular form with ivory and ebony chevron banding to the edges, profusely ivory inlaid with stylised foliate patterns, the front of the box with opposing birds, the cover inlaid with ‘R.L.ROPER, A.M.I,MECH.E’, opening to reveal a decorated and fitted interior, with four of the compartments behind inlaid doors, with further compartment below a removable tray, the brass-bound box with carrying handles to the sides, 45.5cm wide x 30cm deep x 17cm high, (17.5in wide x 11.5in deep x 6.5in high)£2,000 - 3,000

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207A 19th century mahogany glazed corner cabinetThe shaped top with a dentil frieze below, with panelled sides flanking an astragal-glazed door enclosing three fixed shelves, on a plinth base, 73cm wide x 46.5cm deep x 107.5cm high, (28.5in wide x 18in deep x 42in high)£100 - 200

208A French cast-iron firebackOf broken-arched form with Royal Arms (crowned shield with three fleur-de-lis motifs) between palm fronds, within acanthus border, 58cm wide x 59cm high£100 - 200

209A 19th century mahogany breakfront library cabinet, in need of restorationIn the manner of Gillows, the breakfront cornice with carved rosettes, above three panelled doors enclosing adjustable shelves, the breakfront base with a plain frieze over four central drawers, flanked by two cupboard doors, the left enclosing four drawers, (several pieces missing), 194cm wide x 62cm deep x 236cm high, (76in wide x 24in deep x 92.5in high)£400 - 500

210Y

A cased set of late 19th century ebony and ivory dominoesThe double-nine set of fifty five tiles, each with ebony back, in a rectangular mahogany box with fall-front, each tile measuring 5cm x 2.5cm£100 - 200

211A Victorian mahogany bookcaseThe upper section with moulded cornice and plain frieze above a pair of glazed doors enclosing three adjustable shelves, the lower section with a concealed frieze drawer above a pair of panelled doors enclosing a fixed shelf, raised on a plinth base, 112.5cm wide x 40cm deep x 205cm high, (44in wide x 15.5in deep x 80.5in high)£200 - 300

212A William IV rosewood centre tableThe circular two-piece tilt-top, with gadrooned frieze, raised on a tapering hexagonal pedestal, with carved lobed decoration to the base, on a tripartite plinth base, with three scrolled legs terminating in carved feet, 129.5cm diameter x 72cm high£300 - 500

213A Carltonware ‘Jazz Stitch’ centrepieceOf shaped oval form sitting on four claw and ball feet with twin handles, decorated with geometric shapes in yellow, orange and black under a lustrous glaze, with black printed mark and painted 3655, 32cm wide x 16.5cm high (restored)£100 - 200

214Y

An Indian ivory and ebony inlaid occasional tableThe octagonal top with ivory and ebony chevron banding, inlaid with ivory and ebony symmetrical floral and geometric patterns, raised on inlaid and decorated hinged legs, 51cm wide x 51cm deep x 51.5cm high, (20in wide x 20in deep x 20in high)£1,200 - 1,600

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215A pair of early 20th century gilt-painted girandole in the 19th century mannerEach with a rectangular bevelled plate with a channelled surround, against a gilt-mesh decorated backboard with a moulded rococo-style frame, with two slender candle branches issuing from the base, (both with losses), 51cm wide x 87.5cm high (2)£200 - 300

216A 19th century French walnut-framed sofaThe swept toprail above an upholstered back with pierced, foliate carvings to the ends and centre, the open scrolled arms with padded elbow rests, with allover pink, floral-patterned upholstery, raised on front cabriole legs, terminating in caps and castors, 130cm wide x 69cm deep x 92cm high, (51in wide x 27in deep x 36in high)£150 - 250

217An Edwardian mahogany mirrored wardrobeThe cornice with scrolled pediment, above a central door with bevelled mirror plate, opening with the left door to reveal an upper shelf and hanging space below, the right door opening to reveal four slide-out linen drawers over three drawers, decorated throughout with inlaid ribbons and swags, raised on a plinth base, 151cm wide x 55cm deep x 232cm high, (59in wide x 21.5in deep x 91in high)£80 - 120

218A 19th century mahogany sewing tableThe rectangular top above a frieze drawer, over a slide-out bobbin basket with pleated fabric exterior, with turned X-stretchers linking the four tapering turned legs, which terminate in brass castors, 46cm wide x 33.5cm deep x 72.5cm high, (18in wide x 13in deep x 28.5in high)£300 - 400

219A Victorian mahogany extending dining tableThe pull-out table with two additional leaves, the rectangular top with rounded corners and moulded edges, raised on turned, tapering legs terminating in brass caps and ceramic castors, extended length 242cms x 108cm wide x 74.5cm high£1,000 - 1,500

220A George III mahogany bureauThe crossbanded drop-front revealing a green baize writing surface and fitted interior with drawers, compartments, and pigeonholes, over two short and three long drawers, raised on bracket feet, 111cm wide x 53.5cm deep x 109.5cm high, (43.5in wide x 21in deep x 43in high)£100 - 200

221A post-war Lalique fruit bowlClear and frosted, of octagonal shape, the outside moulded in relief with panels of partridges against foliage, with engraved mark, 29cm diameter x 10cm high£80 - 120

222A pair of bronzes signed J. GarnierDepicting a Dutch man and woman, the man carrying a scythe and corn over his right shoulder, and the woman carrying a sickle and corn, both on naturalistic circular bases, signed ‘J. Garnier’, with incised numbers 322 and 61 respectively, 19.5cm high (2)£400 - 600

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223A French 19th century-style rosewood and ormolu mounted hall cupboardThe rectangular top with a raised oval plaque above an ebonised frieze with ormolu cornucopia and garlands, with a pair of gilt-painted Egyptian-style caryatids atop tapering ebonised pilasters terminating in gilt-painted claw feet, flanking a convex cupboard door opening to reveal three curved shelves, the base inlaid with a motif of an eagle and snake, all raised on an ebonised plinth base, 59.5cm wide x 44.5cm deep x 147cm high, (23in wide x 17.5in deep x 57.5in high)£300 - 500

224Two carved torcheresThe first of mahogany, with a circular top on a turned and carved column, raised on three foliate-carved cabriole legs terminating in pad feet, 138.5cm high; the second of hardwood, the shaped top with a scrolled and pierced frieze, the column carved as a mermaid and palm leaves, terminating in three foliate-carved and scrolled downswept legs, 114cm high (2)£150 - 200

225An early 19th century copper and brass hanging kettleOf dovetailed construction, and cylindrical form, with small lid, copper spout and brass tap, the iron swing handle with hanging loop, 30cm diameter, together with an early 20th century cast iron cauldron, by the Falkirk foundry, of typical form with angular handles and three short outswept feet, 29cm rim diameter, a 19th century iron bread spade, with flat handle terminal pierced for hanging, 158cm long, and an iron fire fork, of two prongs, the central section of the handle wrythen, and with facetted knop terminal, 188cm long, (4)£50 - 70

226A large pair of cast-iron fire-dogs, in the 16th century French mannerCast in the form of broadening columns, topped by a shield adorned with three fleur-de-lys, with fluting and tracery below, the pediments cast with further tracery and another unadorned shield, on moulded divergent front supports, and ‘L’-shaped billet or rear support, 64.5cm high x 58cm deep, (2)£150 - 250

227A mahogany pedestal deskThe rectangular top inset with a dark green leather skiver over one long and two short cockbeaded frieze drawers, raised on two banks of three graduated cockbeaded drawers, on shaped bracket feet, 152.5cm wide x 106cm deep x 76.5cm high, (60in wide x 41.5in deep x 30in high)£250 - 350

228A Shibayama panelThe bone and mother-of-pearl decorated rectangular panel depicting flowers in a twin-handled lacquered vase, with a bird above, 44.5cm wide x 66.5cm high£300 - 500

229A decorative gilt-brass dolphin inkstandWith four glass wells with gilt-brass covers, mounted on dolphins, attached to a central column with flame finial, on a square plinth, raised on four paw feet, 17cm high£400 - 500

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230A collection of works of artTo include a Victorian papier mache blotter, with depiction of Oriental landscape, 30.5cm x 24cm, an inkstand with glass bottle with hinged cover, on an oak plinth with brass rests and pierced gallery, 22.5cm wide x 17cm deep x 15.5cm high, a German brass inkstand, 18.5cm wide x 13.5cm deep x 9cm high, with a brown leather box with brass-bound copper vignettes, 18cm wide x 13cm deep x 9cm high, and a brass-bound leather box, with floral decoration, 19.5cm wide x 16.5cm deep x 8cm high (5)£500 - 600

231A collection of Victorian daguerrotype portraitsOf men, women, and children, and of varying size, some in decorative brass frames, all cased (11)£200 - 300

232A Victorian rosewood and Tunbridge Ware cribbage boxThe hinged lid decorated with inlaid flowers and enclosing an interior fitted with divisions, with conforming decoration to the sides, 25cm wide x 8.5cm deep x 6cm high, together with twenty-four additional items of 19th and 20th century Tunbridge Ware items, to include a small picture frame, a card tray, a stamp-box, three lidded boxes, three napkin rings, an olivewood box, three jewellery boxes, a box with sliding pin-cushion cover, a paper-knife, five clothes-brushes and a blotting book with Van Dyke decoration, etc., (25 including lids)£300 - 500

233A terracotta plaqueSculpted as the bust of a young boy with curly hair, looking to sinister, 30cm wide x 39cm high£80 - 120

234A 19th century Continental marquetry cabinetThe rectangular top (lacking an upper section or marble top), above a frieze drawer with floral marquetry decoration, over a pair of profusely decorated doors, with decorative gilt-metal borders, enclosing two shelves, above a shaped pedestal base with a central mask, raised on short, shaped feet (in need of restoration), 130.5cm wide x 45.5cm deep x 108.5cm high, (51in wide x 17.5in deep x 42.5in high)£500 - 600

235An early 18th century lignum vitae and steel three-implement folding pocket knife, circa 1700With indistinct marks to blade, possibly including an ‘H’ and a ‘C’ The facetted and line-decorated lignum vitae handle fitted to the end with an octagonal brass pen splitter, one of the folding blades a flat-backed broad single-edged cutting blade ground to a curve on both sides, the third implement a slender point, with flat back and single edge, the back with ornamental lozenges and lines probably to serve as a finger rest, the blades pivoting around a steel peg with decorative brass collar, the handle, including peg, 10.5cm long; the broad blade 7.5cm long; the other 7.5cm long, together with a Scandinavian knife with sheath, the boxwood handle carved with foliate scrolls and fitted to the end with a steel cap and a facetted knop, the flat-backed bolstered blade with iron ferrule, in a leather or hide sheath, 15cm long, and a late Victorian brass novelty cigar or quill cutter, in the form of a champagne bottle, with steel cutter, 5cm high, (3)£100 - 150

236A Victorian rosewood occasional chairWith serpentine toprail and incised back, with padded armrests and scrolled arm supports, raised on scrolled cabriole front legs, all legs terminating in brass castors, 90.5cm high£100 - 150

237An oak dressing table, circa 1900, stamped ‘Liberty & Co’The rectangular mirror above a pierced frieze, in a tapering frame, the plain surface above two frieze drawers, the uppermost with label ‘LIBERTY & CO LTD, LONDON, W’, and stamped ‘Rd No 232372’, raised on tapering legs, 105cm wide x 53cm deep x 143cm high, (41in wide x 20.5in deep x 56in high)

238A Regency rosewood sewing tableThe shaped rectangular top above a frieze drawer with fitted interior, over a pull-out bobbin compartment with pleated fabric covering, raised on a turned pedestal, with four downswept legs terminating in brass caps and castors, 43.5cm wide x 35cm deep x 75cm high, (17in wide x 13.5in deep x 29.5in high)£150 - 200

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239A quantity of 19th and 20th century booksOn a variety of subjects, to include Literature, Art, the South-East of England, Medicine, Divinity, etc., (qty)£200 - 300

240A George II cast-iron chimney-piece or fire-place liner, once part of a larger surround, circa 1740With one moulded edge, cast within a moulded border with the Royal Arms within the Garter, a lion and a unicorn supporter, a banner cast ‘DIEU ET MON DRIOT’, surrounded by George II’s royal titles, ‘GEORG. II. DG M. BRIT. F. & H. REX, F. D. BR. & L. DUX., S. R. I. AR. TH. & EL.’, the corners cast with anthemion and with a pair of quatrefoil flowers, the initial ‘G’ cast to the upper left corner, 56.5cm wide x 90.5cm high£150 - 200

This is one of the side panels of a three-part suite used to line a fireplace or chimneypiece. The central section would have been in the form of a traditional fireback, the two flanking panels - of which this is one - were probably canted. The abbreviated titles of George II expand as follows: Georgius Secundus, Dei Gratia Magnae Britanniae, Franciae et Hiberniae Rex, Fidei Defensor, Brunsvicensis et Luneburgensis Dux, Sacri Romani Imperii Archithesaurarius et Elector, or George the Second, by the Grace of God, King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick-Lüneburg, Archtreasurer and Prince-Elector of the Holy Roman Empire. See Christie’s, 14th September 2005, Lot 251, for a pair of George II cast iron chimneypiece linings of a similar form.

241A walnut and ebonised musical boxThe top, front, and sides all with crossbanded borders, the interior with eight airs, with brass plate stamped 22601, and with parchment marked ‘FABRIQUE DE GENEVE’, 57cm wide x 15cm high£500 - 600

242A large quantity of miscellaneous pewter, British and European18th, 19th and 20th century, to include plates; dishes; pepperettes; measures; teapots; lidded porringer; reproduction tappit hen (qty)£200 - 300

243A set of eight dining chairs, 19th/20th centuryPossibly Chinese, each with a shaped toprail and a solid vertical splat, the rectangular seat raised on chamfered legs, linked with stretchers, 101cm high, (8)£200 - 300

244A pair of 9 carat gold cufflinksOf oval form with chain connections, a 9 carat gold tie slide and 15 carat gold narrow tie slide, a 22 carat gold wedding ring, two mourning rings and a small collection of decimal coinage (qty)£150 - 200

245A Chinese red lacquered chairThe swept curved toprail raised on twin arm supports and a central splat with decorative carved panel, the rectangular seat raised on plain legs, supported with stretchers, 89.5cm high£100 - 200

246A quantity of mainly 19th century metalwaresIncluding three pairs of brass candlesticks, a brass pot, a brass sugar sifter, and various copper mugs and measures (qty)£100 - 150

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247Four decorative brass boxesIncluding a gilt-brass mounted glass box, with decorative garland mounts, raised on pedestal-style legs, 11cm wide x 9.5cm deep x 8cm high, a rectangular box with hinged lid, with decorative brass mounts, 13.5cm wide x 7cm deep x 5.5cm high, a circular box on stand, with a green and grey veined stone cover with decorative gilt-brass motif, raised on four legs linked by stretchers with central cone finial, 13.5cm diameter x 12.5cm high, together with a French glass and gilt-brass mounted box depicting the tomb of Napoleon, with an eagle finial to the hinged cover, and raised on paw feet, 11cm wide x 8.5cm deep x 11.5cm high (4)£400 - 500

248An ebonised and gilt-painted mirrorThe rectangular bevelled plate in a gilt-painted and ebonised scrolled and pierced frame, some restoration to crest, 93cm wide x 135cm high£100 - 200

249A 19th century burr walnut credenzaThe breakfront top above an inlaid geometric frieze, over a marquetry-inlaid door enclosing two shelves, flanked by block and column pilasters with gilt-brass capitals, with glazed cupboards to each end, each enclosing two shelves, with brass mounts and beading throughout, raised on a plinth base, 152.5cm wide x 42.5cm deep x 103.5cm high, (60in wide x 16.5in deep x 40.5in high)£800 - 1,200

250An Austrian cold-painted owl table lighterModelled as an owl perched on two books, next to a tree trunk, the striker to the top of the trunk, with a branch for matches, on a rectangular black marble base, 12cm wide, 7.5cm deep, 11.5cm high (4.5in wide, 2.5in deep, 4.5in high) £250 - 300

251A set of six 19th century mahogany dining chairs and two othersThe set of six including two elbow chairs with swept arms, all with drop-in seats, raised on turned tapering front legs terminating in peg feet, together with a pair of similar design dining chairs, 89cm high (8)£200 - 300

252A large late 18th century mahogany wine tableThe circular tilt top raised on a carved, turned, and tapering pedestal column, raised on three downswept legs terminating in pad feet, 87.5cm diameter x 70cm high£500 - 700

253A 19th century ‘Chippendale’ style mahogany wall bracketThe incised rectangular platform with short gallery sides over a continuous floral-carved frieze, above a tapering scrolled and pierced support, 47cm wide x 43cm high£200 - 300

254A polychrome-painted and parcel-gilt figure of a BuddhaModelled seated, with clasped hands, 36cm high, together with four plates, including a plate with iron-red ground and decorative blue enamelled centre, 34.5cm diameter, a Japanese plate with floral vignettes against a blue ground, 31cm diameter, a blue and white plate with floral decoration, 23cm diameter, and a further blue and white plate with depictions of presents around a central scene of boy before a house, 22cm diameter (5)£100 - 150

255A group of 16th-17th century metalwaresA small 16th century style bronze alloy mortar, in the Dutch manner, a copy of the late 16th century original, cast to the rim with the words ‘LEEFTE VERWINT AL DINCK ANNO 1590’, decorated to the body with a band of foliate scrolls, 9.5cm diameter x 9cm high, A brass mortar, Continental/European Of squat bellied form, 12cm diameter x 10cm high, together with an associated brass pestle, of tapering form, 23cm long, together with a 17th century bronze alloy mortar, South European, 11.5cm diameter x 7.5cm high, A small brass skillet, English Possibly 17th century, stamped with a now indistinct maker’s mark, the bowl 12cm diameter x 6cm high, a sheet copper latch ejector chamber candlestick, Continental/Low Countries, the thumbpiece of baluster-form and down-curved, a petalled collar at the base of the stem, set into a deep, wide dished drip-pan, 18.5cm wide x 19cm high, together with an embossed sheet copper chamberstick, Dutch/Continental, 15.5cm diameter, a 19th century veterinary’s steel and fruitwood trocar and cannula, probably French, 20cm long.£200 - 300

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256A Regency mahogany Pembroke tableThe rectangular top with rounded drop leaves, above opposing frieze drawers, raised on a turned baluster pedestal, with four downswept reeded sabre legs terminating in brass caps and castors (one leg at fault), 47cm wide x 88cm deep x 71cm high, (18.5in wide x 34.5in deep x 27.5in high)£250 - 350

257An early 20th century brass wall lamp, for use on a ship or a trainOf tubular form, enclosing a sprung wick and with heavy ball terminal, mounted to the sconce arm on a gimbal joint, with frosted glass shade, 35cm high£50 - 70

258A pair of fretwork wall mirrorsEach with a rectangular plate with gilt-painted border, in a scroll-carved frame, with a gilt-painted figure of a bird on a branch to the centre of the crest, 49cm wide x 82.5cm high (2)£250 - 350

259An early 19th century mahogany stoolEnglish The oval top with central carry aperture, raised on square-section tapering splayed legs, 42cm wide x 31cm deep x 45cm high, (16.5in wide x 12in deep x 17.5in high)£100 - 150

260A 19th century pyrograph of Eli and Samuel by Joseph SmithSigned to the bottom right corner ‘Smith, Pyrographist, 1823’, and to the reverse ‘Smith, Pyrographist’ with artists carved eye and poker mark also to the reverse, 66cm x 52cm£500 - 700

261A mahogany and glazed display cabinet, circa 1900The rectangular top above concave friezes and an astragal-glazed door applied with carved acanthus and foliate scrolls, enclosing a plate glass shelf before a mirror, with glazed sides, the whole with canted front corners decorated with volute-carved tapering moulded columns, above a long drawer and shaped friezes, raised on four cabriole supports united by a shaped shelf stretcher, terminating in pad feet, 75cm wide x 46cm deep x 165cm high, (29.5in wide x 18in deep x 64.5in high)£300 - 400

262Three Oriental vasesIncluding two similar famille rose Cantonese vases, with typical decoration and gilt dragons and lion dogs, 43.5cm high and 36cm high respectively, together with an Imari-decorated bottle vase, with floral and geometric patterns, 44.5cm high (3)£600 - 800

263A 19th century Chinese benchPossibly elm, the rectangular top over a shaped frieze, raised on four cylindrical legs with a pair of supporting struts between each pair of legs, 154.5cm wide x 28cm deep x 50cm high, (60.5in wide x 11in deep x 19.5in high)£150 - 250

264A cast-iron fireback, in the 17th century French manner, cast with the date ‘16?1’Having a scroll-ended and arched cresting, above a coat of arms cast with three fleur-de-lys, the initials ‘IT’ and a crown, the shield with scrolling mantle, and flanked by the date ‘16?1’, a springing stag supporter to either side, with moulded edge, 69cm wide x 64cm high£80 - 120

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265A late 19th century walnut and floral marquetry writing tableThe serpentine-shaped top with a central rectangular inset leather skiver, bordered by floral marquetry designs, with a similarly decorated all-round frieze, with an end frieze drawer to one end, the swept legs with gilt-metal mounts, 94.5cm wide x 55cm deep x 73cm high, (37in wide x 21.5in deep x 28.5in high)£500 - 700

266An unusually made and large sheet brass bowlCircular and with rolled rim, with an all-over hammered finish, having a vertical dovetailed seam and a further copper-soldered dovetailed horizontal seam two-thirds of the way down from the rim running the whole circumference of the bowl, the exterior with marks of spinning, 38cm diameter x 19cm high£100 - 150

267A 19th century mahogany sewing tableThe shaped rectangular top above a faux drawer, with geometric boxwood stringing, opening to reveal a store basket, with pleated green silk exterior, raised on a turned column, on a quatreform base with four bun feet, 52.5cm wide x 43.5cm deep x 67cm high, (20.5in wide x 17in deep x 26in high)£80 - 120

268A late 19th century rosewood, inlaid and gilt-metal mounted double bed frameThe headboard and footboard with serpentine top, and crossbanded and boxwood strung borders, decorated profusely with inlaid scrolling foliage and flowers, the footboard with a central motif of an urn, with gilt-metal floral mounts to the corners, and short scrolled brass legs, approximate dimensions 118cm high x 153cm wide x 217cm long£250 - 350

269A North Country mahogany and inlaid bureau bookcaseThe upper section with a boxwood line-inlaid frieze with oval inlaid conch shell designs, above a pair of astragal-glazed doors enclosing three shelves; the lower section with inlaid fall-front opening to reveal a writing slope, and a central cupboard with inlaid design, flanked by a pair of pull-out storage compartments, and two pairs of drawers with pigeonhole compartments above, all over two short and three long cockbeaded drawers, raised on bracket feet, 92cm wide x 56cm deep x 224cm high, (36in wide x 22in deep x 88in high)£800 - 1,200

270A mid-19th century Britannia Metal meat warming dishHaving a wavy-shaped rim, turned beech carry-handles on acanthus-cast supports, on bun feet, maker’s mark of Joseph Wolstenholme, Sheffield, (working 1821-1857), (PS 10419), to base, 64cm diameter£40 - 60

271Y

A Chinese ivory brise fanThe twenty three panels each decorated with a shell, insect, and various geometric patterns, the central panels forming an oval depicting a Chinese landscape, each panel measuring 15.5cm long£300 - 500

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272A decorative games boxThe square walnut box with brass mounts inset with streaked stones, the interior with two bone counters, Bezique counters, and various other disc-shaped counters, with further counters below the removable tray, 18.5cm wide, 19cm deep, 9.5cm high (7in wide, 7in deep, 3.5in high) £400 - 500

273A 19th century bronze figure of AtlasModelled standing, with garland of grapes and vines in his hair, brandishing a serpent and stand above him, stood on a circular plinth, (lacking globe) 43cm high£300 - 500

274Five Staffordshire Toby jugsThe first with ruddy face, in yellow coat and brown hat, 25cm high, the second in blue coat and black hat, 22cm high, the third in brown coat and green trousers and black hat (damaged), 24cm high, the fourth with red coat and yellow hat and cover, 24cm high, and the fifth with brown coat, green trousers, and black hat (losses), 23.5cm high (5)£80 - 120

275A decorative gilt-brass and onyx casketOf square form, the foliate hinged cover with mirror plate and cherub finial handle, opening to reveal a cushioned interior, in a square black onyx cube with decorative gilt motifs, on a gilt-brass plinth with four decorative supporting columns, raised on eight flattened feet, 17.5cm wide, 17.5cm deep, 17.5cm high (6.5in wide, 6.5in deep, 6.5in high) £400 - 500

276A George III Neo-Classical-style gilt-framed oval wall mirrorThe oval plate within a beaded and moulded frame, the crest surmounted by a flaming urn above a canopy of descending acanthus leaves, with harebell flower swags descending from the urn handles, with a carved acanthus leaf and fruit pendant, 51cm wide x 106cm high£500 - 700

277A mid-Victorian mahogany library bookcaseThe moulded cornice above six open shelves and two cupboards, each with pigeonhole fitted interiors, enclosed by two pairs of arch-panelled doors, the lower half of larger size with two cupboards enclosed by four rectangular arched glazed doors, raised on a plain plinth, 183cm wide x 42.5cm deep x 254cm high, (72in wide x 16.5in deep x 100in high)£150 - 200

278A 19th century French carved walnut-framed open armchairThe scrolled and swept toprail with a central, pierced foliate carving, above an upholstered shield-shaped back, the scrolled arms with padded elbow rests, above a pink, floral-patterned upholstered seat, raised on front cabriole legs terminating in caps and castors, 95cm high£100 - 200

279A pewter tulip-shaped double dome-lidded quart tankard, circa 1830With plain body, open chair-back thumbpiece, double-curve handle with fish-tail terminal, 19cm high£150 - 200

280A collection of eight French bronzes by A. MarionnetEach piece signed A. MARIONNET, including a twin-handled oval tray, a tazza, a pot with cover, a small box with hinged cover, and four further small dishes or trays (8)£800 - 1,000

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281A collection of marble and gilt works of artIncluding an inkstand with pair of inkwells either side of figure of a lady, raised on claw feet, 35cm wide x 21cm deep x 22cm high, with a blotter, a model of a dog on a rectangular plinth, and a letter opener with eagle handle, all of black and green streaked marble (4)£600 - 800

282A Regency mahogany bergère library chairWith caned back and seat, the swept arms raised on turned and block supports, the turned, tapering legs terminating in brass castors, 88cm high£500 - 800

283A Royal Crown Derby Imari boxed coffee setOf pattern number 2451, comprising six coffee cups and saucers£300 - 500

284Y

A small collection of works of artIncluding a mahogany and inlaid tea caddy, the interior with two fitted compartments, with brass loop handles and raised on bun feet, a cylindrical lacquered box with two removable trays, three further various boxes, a knife with decorative ebonised grip, an ivory letter opener, a Waterman’s fountain pen and propelling pencil in a case, and two tortoiseshell card cases (qty)£400 - 500

285A 19th century Continental sideboard with tambour doorsThe rectangular top with shaped corners, over a gadrooned frieze, above a long frieze drawer, over a pair of tambour doors opening to reveal a shelf, raised on four short tapering and fluted legs, with square pad feet, 95cm wide x 49cm deep x 77cm high, (37in wide x 19in deep x 30in high)£500 - 800

286A Victorian mahogany cheval mirrorThe gently domed mirror plate with a thick rounded frame, suspended between two scrolled supports, on a serpentine-fronted plinth base, terminating in carved scrolled feet, 82cm wide x 55cm deep x 156cm high, (32in wide x 21.5in deep x 61in high)£400 - 600

287A 19th century French pine two-tier armoire wardrobeHaving a moulded cornice above twin panelled doors, the base with twin panelled doors revealing copious wardrobe space, flanked by applied turned pilasters, raised on bun feet 142cm wide x 68cm deep x 247cm high, (56in wide x 27in deep x 97.5in high)£600 - 800

288A marquetry stationary boxThe hinged cover marquetry inlaid with scene of peasants dancing, with floral decoration to the top of the box and to the drawer at the bottom of the box, and with chequered banding throughout, with further scenes to the sides and back of the box, 23.5cm wide, 13cm deep, 18cm high (9in wide, 5in deep, 7in high) £300 - 500

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289A George III mahogany D-end dining tableWith a central drop-leaf section and one additional leaf, with boxwood geometrically-patterned banding to the D-end friezes, raised on square tapering legs, extended size 282cm wide x 117.5cm deep x 72cm high, (111in wide x 46in deep x 28in high)£400 - 600

290An unusual pair of mid-18th century turned brass candlesticks, English, circa 1755Each having a seamed campana-form socket, the multi-knopped stem on slightly domed ogee-lobed foot with cast-shell motifs, 23cm high (2)£400 - 600

291A pair of Regency mahogany dining chairsEach with incised top and centre-rails with central oval plaques with boxwood and ebony stringing, and with ribbed side supports, raised on front fluted tapering legs terminating in peg feet, 83cm high (2)£150 - 200

292A George II ‘red walnut’ tea tableThe shaped rectangular fold-over top, over a plain frieze, with carved collars to the top of the tapering legs, which terminate in club feet, 83cm wide x 41cm deep x 71cm high, (32.5in wide x 16in deep x 27.5in high)£150 - 200

293A Regency mahogany work tableThe plain rectangular top with pair of drop-down leaves, over a pair of frieze drawers, with opposing pair of faux drawers, raised on four turned tapering legs, terminating in ceramic castors, 45cm wide x 48cm deep x 72.5cm high, (17.5in wide x 18.5in deep x 28.5in high)£150 - 250

294A pair of jasperware candlesticks and vaseAll of speckled and streaked rouge jasperware, the pair of candlesticks of knopped form, with tiered circular bases, 25.5cm high, together with an urn-shaped vase with circular lip, 16.5cm high (3)£200 - 300

295A fine quality Edwardian satinwood and inlaid dressing table mirrorNow adapted as a wall mirror, the broken-arched canopy with marquetry inlaid scrolled foliage and ebony stringing, with a central carved and lobed urn on plinth, above a gadrooned frieze, with the arched and bevelled mirror plate in a rectangular frame with further marquetry decoration, 68.5cm wide x 115cm high£150 - 200

296A boulle inkstand, box and ink wellThe inkstand with shallow tray with three compartments behind, the outer pair with covers with cone finials, raised on foliate legs with faun mask terminals, 24cm wide x 16.5cm deep x 11cm high, with a small rectangular box with hinged cover, 8.5cm wide x 6.5cm deep x 5cm high, and an inkwell, with the square glass well with boulle cover, in a shaped boulle stand, 11.5cm wide x 11.5cm deep x 8cm high (3)£400 - 500

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297Of local interest: A George III carved giltwood mirror, circa 1770The oval plate in a carved and pierced giltwood frame, with foliate scrolls throughout, and with flowering branches to each side, with inked paper label pasted to the rear board, 64cm wide x 81.5cm high£1,200 - 1,800

Provenance: Elizabeth Williams (nee Currie) [1782 - c. 1850] of Gwersyllt Park, Wrexham Gifted to Jane Currie of Boughton Hall, Great Boughton, Chester Thence by descent Purcahsed by the present vendor’s family 15th January 1944 from Phillips & MacConnal, Ltd., of 40 Bridge Street Row, Chester, for £35.0.0 The paper label to the reverse of this mirror reads as follows: “This ancient glass from Gwersyllt Park / long promised to my dearest sister Jane Currie / of Boughton Hall I have had gilt and presented / it to her in memorial of my late beloved Husband / John Williams Esqr - who died at Gwersyllt Park / January 15th 1848 - after a union of Happiness / of 44 years.- Elizabeth Williams / Third daughter of William Currie M.D. & Mary his wife / who was daughter and heiress of Robert Foulkes Esqr. of Boughton Hall & c / of ______(?) & Plas Coch Denbighshire. / William Currie M.D. was the third son of / of [sic] William Currie Carlyle of Bride Kirk & Clewheads (?) Dumfrieshire / revered and loved in life and death NB.” Elizabeth Currie, who married John Williams (born c. 1766) of Gwersyllt Uchaf, Wrexham, was a beauty in the early 19th century, and a lithograph of her dressed as St. Cecilia, after a portrait by Sir Thomas Lawrence, is in the collections of the National Portrait Gallery [NPG D22020]. Boughton Hall is opposite these rooms.

298A carved mahogany footstoolThe upholstered seat raised on four carved cabriole legs, the knees with foliate carvings, 62cm wide x 52cm deep x 37cm high, (24in wide x 20in deep x 14.5in high)£200 - 300

299An Edwardian mahogany, satinwood crossbanded and polychrome decorated oval occasional tableThe oval top with border of polychrome-painted flowers and ribbons, and a central depiction of flowers and musical instruments, above a similarly decorated frieze, with allover satinwood crossbanding, raised on four tapering square legs terminating in spade feet, joined by an X-shaped stretcher with a centralised medallion, 83.5cm wide x 55.5cm deep x 74cm high, (32.5in wide x 21.5in deep x 29in high)£200 - 300

300A Regency mahogany and ebony strung bow-fronted breakfront sideboard, in the manner of GillowsThe bow-breakfront shaped top above a frieze drawer, with a recessed cupboard below behind a pair of sliding tambour doors, with a fitted pivoting cellaret drawer to the right, and drawer and cupboard to the left, and with a small pot cupboard to the left end below a faux drawer, with opposing faux drawer and cupboard to the right end, all with ebony stringing, raised on six reeded tapering legs, terminating in peg feet, 198.5cm wide x 70.5cm deep x 92cm high, (78in wide x 27.5in deep x 36in high)£1,200 - 1,800

301A large stoneware bowl by Janice TchalenkoOf flowing form with slightly everted lip and sitting on a short foot, decorated to the interior and exterior with mottled and streaked blue, green, and red glazes, 30.5cm diameter x 18.5cm high£80 - 120

302A late 19th century nine piece ebonised parlour suiteComprising a sofa, open armchair, nursing chair, and six dining chairs, all with carved inlaid frames with gilt-metal mounts and beading, raised on tapering legs, the sofa, armchair, and nursing chair legs terminating in castors, and the dining chairs in peg feet, upholstered in a variety of beige and gold floral-patterned upholstery, the sofa 159cm wide x 76.5cm deep x 93cm high (9)£1,000 - 1,500

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303A 19th century figured mahogany toilet mirrorThe rectangular mirror plate flanked by square-section reeded supports, the base section with a central drawer flanked by two side drawers with turned ivory knobs, all drawers edged with boxwood stringing, on shaped bracket feet, 49.5cm wide x 23cm deep x 55.5cm high, (19in wide x 9in deep x 21.5in high)£80 - 120

304A set of eight reproduction mahogany dining chairs in the George III styleIncluding a pair of open armchairs, each with a foliate-carved toprail, and a carved and pierced vertical splat, with drop-in seats, raised on square legs, with H-shaped stretchers, each stamped ‘THOROGOOD’, (8)£300 - 500

305A large meshed carpet434cm x 330cm£400 - 600

306A Regency rosewood sewing boxOf sarcophagus shape, with brass floral motifs, and with engraved initials ‘MCN’ to the cover of the box, raised on short bracket feet, the interior with red fabric covering, and with a removable tray, with a large quantity of antique sewing implements including an untested white metal thimble and thimble guard, a tortoiseshell needle case, a faceted glass bottle, and a variety of mother-of-pearl and bone handled implements, the box measuring 27.5cm wide x 20cm deep x 14.5cm high £700 - 1,000

307A matched group of late 19th/early 20th century five copper Guernsey milk or cream measuresOf typical form and various capacities, each with strap handle to the domed lid, and strap handle to the body, one marked 66, BRITISH MADE, 3, and with stamp for Le Lievres, two marked 2, another marked 3, the last marked 6, all to the underside of the base, the largest 25cm high, (5)£200 - 300

308An early 18th century carved fruitwood, or possibly walnut, knitting sheathThe upper part of square-section, chip-carved and line-carved with the initials ‘EH’ and a cross, the lower part circular-section and tapering, and with worn decoration, 16.5cm long, a 19th century turned beech salt, the ovoid bowl with central decorative scratched line, on a high stem and circular slightly-domed straight-sided foot, 13cm high, together with a small turned sycamore pedestal bowl, possibly a salt, 19th century, the cup with two bands of decorative moulding, raised on a very slender stem with six bands of eight decorative lines, a band of dentate decoration below, the slightly domed circular moulded base with the conforming decoration, 7cm diameter x 16.5cm high. (3)£150 - 250

309An early 19th century mahogany and satinwood chequer-strung bowfront chest of drawersThe bowfront top with chequer stringing over two short and three graduated long drawers, all with further chequer stringing and cockbeading, raised on bracket feet, 134cm wide x 58cm deep x 92.5cm high, (52.5in wide x 22.5in deep x 36in high)£500 - 700

310A polished stone casketOf rectangular form, and of black onyx and gilt-metal, decorated with goldstone and chrysoberyl geometric patterns, with lined interior, raised on circular streaked agate ball feet, 15cm wide, 10cm deep, 8.5cm high (5.5in wide, 3.5in deep, 3in high) £400 - 600

311A bronze model of a terrier by Sally ArnupThe dog modelled in sitting position, signed ARNUP I/X to the back of the dog, mounted on a rectangular white marble plinth 24cm wide, 38cm deep, 31cm high (9in wide, 14.5in deep, 12in high) £2,000 - 2,500

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312A Chinese tortoiseshell brise fanThe twenty two panels decorated with various Oriental domestic scenes (some losses), in a black lacquered rectangular case, each panel 18.5cm long£500 - 700

313A set of six North European walnut high-back dining chairs19th century, after Daniel Marot Each having a scroll-pierced and leaf-carved back with arched cresting flanked by finial surmounted turned-tapering uprights, the stuff-over seat upholstered in canary damask, raised on block and baluster-turned front legs joined by a pierced C-scroll front mid-stretcher and a low block and baluster-turned H-shaped stretcher, 48.5cm wide x 47cm deep x 118cm high, (19in wide x 18.5in deep x 46in high) (6)£700 - 1,000

Provenance: Purchased from H.W. Keil Ltd., Broadway.

314Two matching Art Deco burr-maple wardrobesFrom the same suite, each with a pair of gently bowed and arched doors, on a plinth base, the smaller example fitted with shelves to one side, both with hanging rod, 123cm wide x 63cm deep x 194cm high and 92cm wide x 55cm deep x 178cm high, with key£150 - 250

315An Anglo-Indian ebony, bone and porcupine quill writing box, circa 1880Of rectangular form, with inlaid bone dot decoration, and with inlaid panel to the interior of the hinged cover, 28cm wide, 20cm deep, 11cm high (11in wide, 7.5in deep, 4in high) £200 - 300

316An 18th century framed fabric borderWorked in silk and metal thread to a cotton/linen background of exotic fruits and foliage, 20.5cm x 82cm317A 19th century rosewood tea caddyThe caddy with boxwood stringing, the cover opening to reveal a pair of hinged compartments flanking a glass bowl, with later gilt-brass paw feet and ring handles, 31cm wide, 17cm deep, 20.5cm high (12in wide, 6.5in deep, 8in high) £400 - 600

318A Lalique ‘Beautreillis’ vaseClear, frosted and opalescent, of cylindrical form with wide everted rim, the body moulded with oval nodules within a pentagonal trellis, with wheel cut mark, engraved No.989, 14cm high x 18.5cm diameter£200 - 300

319Two similar Regency mahogany elbow chairs with green tapestry seatsThe first with brass-inlaid toprail and with spiral-turned centre-rail, with channelled arms and turned, tapering front legs terminating in peg feet; the second with ribbed and ebony-inlaid toprail, and with turned and fluted front legs terminating in peg feet (2)£100 - 150

320An early 20th century oak Arts & Crafts open armchairHaving a shaped back between turned supports with outswept legs, the back with inverted heart cut-outs within tapered panels, overstuffed seat above turned front supports united by turned stretchers. 151cm wide x 127cm deep x 266cm high, (59.5in wide x 50in deep x 105in high)£100 - 150

321A pair of 19th century Swiss carved and pierced walnut side chairsEach with profusely carved back with heart-shaped aperture, on octagonal-shaped seats, raised on turned legs, the front pair terminating in ball feet, and the back pair in outswept elongated block feet, 87.5cm high (2)£150 - 200

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322A decorative coromandel boxOf rectangular form with gently domed cover, with decorative floral-engraved brass mounts and circular floral-decorated enamelled studs to the front and cover, the hinged cover opening to reveal a cushioned interior, 31cm wide, 23.5cm deep, 12cm high (12in wide, 9in deep, 4.5in high) £700 - 800

323A Victorian figured walnut sewing tableThe hinged rectangular top opening to reveal a fitted interior with bobbin basket below, with decorative fretwork and scrolls to the exterior of the basket, and an octagonal base, raised on a short turned pedestal, with four downswept carved legs terminating in brass castors, 46.5cm wide x 38cm deep x 66.5cm high, (18in wide x 14.5in deep x 26in high)£300 - 500

324A 19th century French kingwood and rosewood mirror door armoireHaving a carved crested cornice above a shaped top door with bevelled glass, base with shaped frieze panelled drawer, raised on scrolling and carved feet. The interior fitted for shelving. 99cm wide x 49cm deep x 248cm high, (39in wide x 19.5in deep x 98in high)£800 - 1,200

325A carved stone inkwell inset with cameosThe grey-green marble inkwell of lobed form with six brass-bound apertures, the cover inset with seven brass-bound oval cameos, 10cm high£300 - 500

326An early 20th century mahogany serpentine-fronted silver tableThe serpentine-shaped top above a continuously carved frieze decorated with garlands, urns, and beading, raised on tapering, square legs terminating in shaped feet, 91.5cm wide x 56cm deep x 78cm high, (36in wide x 22in deep x 30.5in high)£150 - 250

327A 19th century rosewood CanterburyWith three scrollwork compartments above a frieze drawer, with opposing faux drawer, raised on turned tapering legs terminating in brass castors, 51cm wide x 40.5cm deep x 50cm high, (20in wide x 15.5in deep x 19.5in high)£400 - 600

328A gilt-metal tazza and coverDecorated throughout with scrolling foliage and Classical figures, the domed cover with a finial of cherub with cymbals, inset throughout with green and red stones, 23cm high£400 - 600

329A collection of twenty one large marble ballsEach measuring roughly 19cms in diameter, of various colours, but predominantly of grey, brown, black, orange, and red streaked patterns (21)£1,000 - 2,000

330A late 19th century English bone chess setAll thirty two pieces with turned circular disc bases, and with one set stained red, the kings 11cms high (32)£80 - 120

331A 19th century mahogany campaign secretaire chestThe plain rectangular top above a frieze with gilt-metal band and ebony stringing, over a panelled secretaire drawer, the hinged fall front revealing an arrangement of five drawers with ivorine knobs above pigeon hole compartments, flanked by two short drawers to the left and a cupboard with dummy drawer fronts to the right, above three long drawers, raised on bracket feet (one detached), 123cm wide x 56cm deep x 119.5cm high, (48in wide x 22in deep x 47in high)£300 - 500

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332Two Chinese altar tablesThe first with a rectangular top over a plain shaped frieze, raised on four cylindrical legs, with a pair of supporting struts between each pair of legs, 147.5cm wide x 30.5cm deep x 50cm high, the second with a rectangular top above a frieze with carved symbols, the square legs, ending in block feet, supported by chamfered stretchers, 98cm wide x 32.5cm deep x 49.5cm high (both with legs reduced and now used as tables) (2)£300 - 500

333A small Regency rosewood sewing tableThe rectangular top with hinged leaves, above a frieze drawer with opposing faux drawer, with slide-out bobbin store basket with pleated fabric covering below, on a shaped pedestal with tiered base, raised on four scrolled, downswept legs terminating in brass caps and castors, 47cm wide x 47cm deep x 74.5cm high, (18.5in wide x 18.5in deep x 29in high)£200 - 300

334A decorative box of writing instrumentsThe rectangular brass-inlaid box with brass and mother-of-pearl inlaid motif to the hinged cover, opening to reveal a removable velvet tray containing a variety of bone-handled compasses and other writing implements, together with a boxed set of John Lockie’s Improved Drawing Scales, 33.5cm wide, 22.5cm deep, 7.5cm high (13in wide, 8.5in deep, 2.5in high) £400 - 500

335A 20th century gilt-painted mirrorThe rectangular bevelled mirror in a gilt-painted moulded projecting surround of leaves and berries, the exterior of the frame with twist border, 87cm wide x 92.5cm high£80 - 120

336A Milanese ebony and ivory inlaid open armchair, circa 1880The toprail with carved scrolled foliage, flanked by a pair of drop-shaped finials, the shaped vertical splat ivory inlaid with depiction of a Classical Milanese couple, bordered by masks, griffins and garlands, the block and turned arms with ivory stringing, terminating in scrolled handrests, raised on block and turned legs terminating in peg feet, linked by a scrolled H-stretcher, 124cm high£300 - 500

337A George III mahogany press cupboardOf diminutive proportions, the upper section with plain top and frieze over a pair of panelled doors enclosing four shelves, with a pair of brass handles to the sides, the lower section with a pair of drawers over a long bottom drawer, raised on bracket feet, 129.5cm wide x 66cm deep x 161cm high, (50.5in wide x 25.5in deep x 63in high)£500 - 800

337 336

333


338A collection of four decorative boxesIncluding an octagonal-shaped herringbone patterned mahogany box with gilt-brass border and beading, the cover with mother-of-pearl geometric patterns, raised on four ball feet, 28cm wide x 21.5cm deep x 13cm high, an octagonal-shaped satinwood-inlaid and brass-bound French box, 22.5cm wide x 15.5cm deep x 9.5cm high, a brass-bound and studded box, the interior with divider, 21cm wide x 16.5cm deep x 12.5cm high, and a rectangular bound mahogany box, the interior with fitted, lined compartments, 26.5cm wide x 12cm deep x 14.5cm high (4)£500 - 600

339A William IV figured mahogany breakfast tableThe circular crossbanded tilt-top over a plain frieze, raised on a turned and well carved pedestal, on a gadrooned triform base, with three foliate-carved scrolled legs, 127cm diameter x 74cm high£400 - 600

340A brass-bound writing slopeThe walnut-veneered hinged slope revealing a brown leather skiver, with a domed stationery compartment above, opening to reveal a fitted envelope rack, 35.5cm wide, 25cm deep, 24cm high (13.5in wide, 9.5in deep, 9in high) £600 - 800

341A Victorian mahogany sideboardThe rectangular top with low gallery above three frieze drawers, over a pair of recessed panelled doors enclosing a fixed shelf, flanked by two further panelled doors, the left enclosing two pull-out compartments, and the right an enclosed decanter drawer below a shelf, all raised on a plinth base, 170cm wide x 55cm deep x 94cm high, (66.5in wide x 21.5in deep x 37in high)£200 - 300

342A coromandel stationery boxConverted from a knife box, with a serpentine front and a hinged cover, with boxwood inlaid batwing patera, and boxwood stringing, the fitted interior with seven envelope or letter slots, 15.5cm wide, 19cm deep, 24.5cm high (6in wide, 7in deep, 9.5in high) £400 - 600

343A Victorian carved oak Davenport-style deskThe sloped hinged top with pierced gallery above, enclosing a fitted interior with eight drawers, over a carved frieze, with a pair of carved and panelled side doors revealing fitted pigeonhole compartments, the carved and turned front legs raised on block plinths, all raised on four castors, 78cm wide x 54cm deep x 96.5cm high, (30.5in wide x 21in deep x 37.5in high)£80 - 120

340 339

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64 | Bonhams

344A gilt and silvered inkstandWith two square glass ink bottles with hinged covers flanking a central pot with screw lid, on a gilt plinth with pen rests, with a silvered continuous frieze depicting cherubs picking grapes and drinking wine, raised on four flattened ball feet, 26.5cm wide, 18.5cm deep, 13.5cm high (10in wide, 7in deep, 5in high) £500 - 600

345A Victorian X-framed rosewood CanterburyThe X-framed upper section, incorporating three divisions, with carved wreath decoration, above a frieze drawer, raised on turned legs terminating in castors, 50cm wide x 35.5cm deep x 52.5cm high, (19.5in wide x 13.5in deep x 20.5in high)£300 - 500

346A mahogany and crossbanded deskThe rectangular top with ebony-lined crossbanding, and a low back gallery, over a recessed gadrooned frieze, above a crossbanded central drawer, flanked by twin banks of four graduated crossbanded drawers, raised on plinth bases, 129.5cm wide x 59cm deep x 79.5cm high, (50.5in wide x 23in deep x 31in high)£300 - 500

347A small group of works of artTo include, a three-masted ship in a glass bottle, bearing a pennant with the name ‘Primrose Hill’, the bottle 29cm long, together with a 19th century Britannia metal twin-handled lidded cup, with glass bottom, and engraved ‘KRC TRIAL EIGHTS 14TH May 1873’, 23cm high, two bronze mortars and two associated pestles, one of the mortars twin-handled, the largest mortar 13.5cm diameter x 11.5cm high, a 19th century copper jug, with rolled rim and brazed dover-tailed seam, 25cm high, and a framed armorial crest, for General Edward Armstong, 19cm wide x 23cm high, (8)

348A 19th century walnut, floral marquetry and mother-of-pearl inlaid pier cabinetThe serpentine-shaped front over a marquetry and mother-of-pearl inlaid floral frieze, over a serpentine door, profusely decorated with an urn of flowers and insects, concealing two adjustable shelves, with further floral decoration throughout, on a plinth base, 93cm wide x 43.5cm deep x 102.5cm high, (36.5in wide x 17in deep x 40in high)£600 - 800

349A cast-iron firebackModelled in shallow relief with a Nativity scene, possibly the Adoration of the Magi, 58cm wide x 78cm high£200 - 300

350Three enamelled gilt-brass boxes and a decorative casketThe first box of rectangular form with decorative floral patterns, the hinged cover with turquoise enamel, and with scene of couple with birds nest, 11cm wide x 6.5cm deep x 3cm high, the second of rectangular form with Classical scene to the cover, 8.5cm wide x 6cm deep x 2.5cm high, and the third with enamelled cover depicting an oval bust of a Classical lady, 11.5cm wide x 8.5cm deep x 3.5cm high, together with a gilt-brass casket, with streaked grey and pink marble top, with decorative garlands and cherubs, raised on pine cone feet, 18.5cm wide x 11.5cm deep x 17cm high (4)£400 - 500

351A walnut kidney-shaped writing tableThe shaped top with boxwood inlaid floral garland and boxwood and ebony stringing, inset with a green leather skiver, raised on two turned supports linked by a turned stretcher, each support with a pair of carved downswept legs terminating in brass caps and ceramic castors, 100.5cm wide x 47.5cm deep x 69cm high, (39.5in wide x 18.5in deep x 27in high)£200 - 300

344

348


352A small collection of works of artIncluding a boxed French brass writing set comprising small dish, stamp, and letter knife, all moulded as a stork, and signed ‘FRECOURT’, a brass inkwell in the form of a twin-handled urn and cover, on metal saucer, 15cm high, a bone casket opening to reveal three glass inkwells with decorative brass covers with enamelled tops, 15cm wide x 6cm deep x 8.5cm high, a plain wooden box inset with an Italian coin dated 1891, 16cm wide x 10.5cm deep x 5cm high, a brown leather etui containing various implements, and a decorative cased compact (6)£400 - 500

353A 19th century mahogany and crossbanded serpentine-fronted side table, in the George III styleThe serpentine-fronted top with crossbanded and ebony-strung border above a pair of crossbanded frieze drawers, raised on tapering square legs terminating in spade feet, 123cm wide x 60cm deep x 73cm high, (48in wide x 23.5in deep x 28.5in high)£200 - 300

354A George III mahogany kneehole deskThe plain rectangular top over a long frieze drawer, with two banks of three graduated drawers below, flanking a kneehole cupboard with one shelf, raised on bracket feet, 88.5cm wide x 49.5cm deep x 77.5cm high, (34.5in wide x 19in deep x 30.5in high)£500 - 800

355A tile top tableThe green tile top, raised on turned supports, enclosing a shelf, 50cm wide x 50cm deep x 70cm high, (19.5in wide x 19.5in deep x 27.5in high)£80 - 120

356A large giltwood-framed rectangular wall mirrorThe rectangular mirror plate in a pierced and leafy border decorated with rocaille, with a pierced cresting and apron, 126cm wide x 165cm high£300 - 500

357An oak side tableFirst-half 18th century The top with cleated front and sides, above a single frieze drawer, and ogee-cut apron, raised on cabriole legs terminating on pad feet, 80cm wide x 48cm deep x 68cm high, (31in wide x 18.5in deep x 26.5in high)£300 - 500

358A part 18th century oak livery cupboardWith alterations and additions converted to form a cupboard with two full length panelled doors enclosing a later fitted interior, 122cm wide, 149cm deep, 79cm high (48in wide, 59in deep, 31in high). £200 - 300

359A 19th century oak corner cabinetThe moulded top above a sinle panelled door enclosing two shelves, on a plinth base, 82cm wide x 44cm deep x 102cm high, (32in wide x 17in deep x 40in high)£80 - 120

360An oak corner cupboardThe plain top above a panelled door opening to reveal three serpentine-fronted shelves, on a plinth base, 80cm wide x 39cm deep x 119.5cm high, (31in wide x 15in deep x 47in high)£150 - 200

361A Regency mahogany stoolThe square, beige-upholstered seat raised on four turned and reeded legs, terminating in elongated and outswept peg feet, 38.5cm wide x 38.5cm deep x 51cm high, (15in wide x 15in deep x 20in high)£200 - 300

362A William IV wine tableThe circular top with moulded edge, raised on a carved lobed pedestal column, with a stepped circular base, and three carved paw feet, 50cm diameter x 73cm high£300 - 400

363 - 364No lots

356354

66 | Bonhams

Oak FurnitureLots 365-469


365A 17th century oak cofferNorth European Having a boarded lid with chamfered edge, the front with four lozenge, gauge-carved and punch-decorated panels, below a geometric carved top-rail, 144.5cm wide x 58cm deep x 63cm high, (56.5in wide x 22.5in deep x 24.5in high)£200 - 300

366An oak gateleg occasional tableConstructed from some 17th century timbers Having an oval drop-leaf top above a single end-frieze drawer, raised on baluster-turned supports joined by rectangular-section stretchers, 94cm wide x 79.5cm deep x 71cm high, (37in wide x 31in deep x 27.5in high)£300 - 400

367An oak pedestal deskIn the Renaissance-Revival manner Having there shaped and gadrooned-carved lower edge frieze drawers, each pedestal with a panelled cupboard door carved with a flower-filled cornucopia and flanked by Ionic capital pilasters, the right-hand pedestal fitted with three drawers, 150cm wide x 80cm deep x 81.5cm high, (59in wide x 31in deep x 32in high)£300 - 400

368An 18th century and later carved oak open armchairHaving a solid-shaped splat and serpentine-shaped top-rail each scroll-carved, the outsplayed open-arms flanking a hide upholstered stuff-over seat, raised on rectangular-section tapering legs, further decoration to the back uprights, front seat rail and front legs£100 - 150

369A George II oak side tableHaving a boarded top with moulded edge, above a frieze drawer, raised on baluster-turned legs joined by channel-edge moulded stretchers, on pear-shaped feet, restorations, 73.5cm wide x 53.5cm deep x 72.5cm high, (28.5in wide x 21in deep x 28.5in high)£400 - 600

370A George III oak hanging corner cupboardHaving a single fielded panelled cupboard door centred by a stellar filled lozenge, enclosing a pair of shelves, 67.5cm wide x 76.5cm high£100 - 150

371An oak centre tableConstructed using some 17th/18th century timbers, having a rectangular cleated boarded top, raised on plain baluster-turned legs joined by channel edge-moulded rectangular-section stretchers, 143cm wide x 62cm deep x 71.5cm high, (56in wide x 24in deep x 28in high)£400 - 600

372A set of four George III oak and elm dining chairsEach with pierced vase-shaped splat, serpentine-shaped top-rail and boarded seat, on channel edge-moulded rectangular-section legs joined by a H-shaped stretcher, (4)£200 - 300

371

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68 | Bonhams

373A 17th century oak cofferHaving a triple panelled lid and conforming frieze, with twin panelled sides, raised on extended stile supports, 118cm wide x 58.5cm deep x 72cm high, (46in wide x 23in deep x 28in high)£150 - 250

374A set of four carved walnut French Caqueteuse style open armchairsEach with slender upright fielded and carved back panel, headed by a shaped leaf-scroll carved cresting, the scroll-ended outsplayed open-arms raised on turned stop-fluted front supports, the trapezoid-shaped seat raised on conforming turned front legs joined by a gadrooned-carved front stretcher, on turned feet, (4)£300 - 500

375A George III oak and crossbanded chest of drawersThe mahogany crossbanded rectangular top over two short and three long graduated cockbeaded and corssbanded drawers, on bracket feet, 100cm wide x 48.5cm deep x 92cm high, (39in wide x 19in deep x 36in high)£150 - 200

376A George III oak and mahogany crossbanded bureauThe sloping fall enclosing a baize lined writing surface and fitted interior (losses), over two short and three long crossbanded drawers, raised on shaped bracket feet, 124cm wide x 58cm deep x 112cm high, (48.5in wide x 22.5in deep x 44in high)£120 - 180

377A late 16th/early 17th century carved oak corbelModelled as an ‘S’-scroll carved with stiff leaves or acanthus, 11.5cm wide x 17cm deep x 41.5cm high, (4.5in wide x 6.5in deep x 16in high)£200 - 300

378An oak buffet cabinet19th century, incorporating some earlier elements Bearing trade label of Edward & Son, Staff., Newcastle, with carved three-quarter gallery raised on ball-turned front supports, the backboard centred by a 17th century Flemish oil painting, depicting an injured Classical Warrior returning home, a pair of stiff-leaf and lunette- carved panelled cupboard doors below, raised on tapering ball-turned front legs, on castors, 122cm wide x 45.5cm deep x 140.5cm high, (48in wide x 17.5in deep x 55in high)£500 - 800

379An oak panel-back open armchairIn the early 17th century manner Having a plain back panel, nulled carved top-rail and scroll-cut arch-shaped cresting, the back uprights surmounted by flowerhead carved downswept-cut finials, the downswept open-arms raised on turned-tapering front supports embracing a boarded seat, raised on conforming turned front legs joined by plain stretchers, 56cm wide x 57.5cm deep x 112.5cm high, (22in wide x 22.5in deep x 44in high)£250 - 350

379

374 (part)

378


380An oak and mahogany banded high dresser19th century and later Having an open rack with scroll-cut frieze and two shelves, the lower-section with a pair of cockbeaded and mahogany crossbanded frieze drawers, raised on ring-turned tapering front legs, 129cm wide x 44.5cm deep x 192.5cm high, (50.5in wide x 17.5in deep x 75.5in high)£300 - 400

381A set of four 19th century beech Renaissance-Revival side chairsIn the manner of Daniel Morot Each with ornately carved and pierced back, headed by a pair of sea serpents supporting a ‘crown’ and flanked by spiral-turned uprights, the stuff-over seat upholstered in crimson velvet, raised on block and spiral-turned legs joined by a conforming H-shaped stretcher, (4)£300 - 400

382An oak boarded chestThe front with Gothic style carving incorporating tracery arches and quatrefoils, the sides descending to arched cut-away supports, 109cm wide x 39cm deep x 55.5cm high, (42.5in wide x 15in deep x 21.5in high)£200 - 300

383A late 17th century oak cofferHaving a boarded lid with moulded-edge, above a triple-panelled front, raised on extended stile supports, 112cm wide x 47cm deep x 52.5cm high, (44in wide x 18.5in deep x 20.5in high)£250 - 350

384A late Victorian statue, titled ‘Chastity’, circa 1890The base carved with the name ‘J. Tress & Son, Ripon’ With long hair and wearing Pre-Raphaelite robes, her head and eyes downcast, a spray of lilies and roses in her arms, raised on a square base with re-entrant front corners, 149cm high£200 - 300

Provenance: Purchased at a sale of the contents of White Hall (or Whitehall), Welsh Row, Nantwich. In the late 19th century, William Cooper, who had purchased Nantwich brine pumping station and reopened it in 1882 to supply brine to the brine baths, lived at Whitehall, Welsh Row, Nantwich. Possibly after a marble statue of Chastity by Joseph Durham A.R.A. (1814 - 1877), commissioned in 1860 and exhibited at the British Institution and the Royal Academy of Arts.

385An 18th century and later walnut side table, SpanishHaving a deep single-piece top above a frieze drawer, raised on reel and ball-turned legs joined by plain stretchers, on bun feet, 87cm wide x 51cm deep x 67cm high, (34in wide x 20in deep x 26in high)£200 - 300

386A late 17th century style oak geometrically moulded mule chestIncorporating some reclaimed timbers, having three mitre-moulded front panels, each centred by a diamond-shaped boss and spaced by split-bobbin mouldings, above a pair of mitre edge-moulded short drawers, the top rail inlaid with the initials HW 117cm wide x 59.5cm deep x 69cm high, (46in wide x 23in deep x 27in high)£300 - 500

381 (part)380

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70 | Bonhams

387A William & Mary small oak escritoire, circa 1700 and later,Restorations and losses Having a cavetto cornice and cushion-moulded map-drawer, above a fielded panelled fall enclosing a vacant interior, the lower-section with two short over two long drawers, on later bracket feet, 91cm wide x 47cm deep x 161cm high, (35.5in wide x 18.5in deep x 63in high)£250 - 350

388A George III oak standing corner cupboardHaving a cavetto moulded cornice above an arched and rectangular fielded panelled cupboard door enclosing three shaped shelves, over a conforming rectangular panelled door, enclosing a further shelf, restorations, 96cm wide x 200cm high£200 - 300

389A 17th century and later oak joint stoolThe rectangular seat with moulded edge, above channel-moulded rails, raised on slender baluster ring-turned splayed legs joined by plain stretchers, 47cm wide x 28cm deep x 55cm high, (18.5in wide x 11in deep x 21.5in high)£300 - 500

390A Charles I joined and boarded oak chest, circa 1630-40Having a single-piece top with moulded-edges, a triple panelled front and rear, the sides descending to V-shaped cut-away supports with a scroll-cut front profile projecting forwards of the base rail, 123cm wide x 38.5cm deep x 55cm high, (48in wide x 15in deep x 21.5in high)£80 - 120

391An early 18th century and later large oak gateleg tableThe oval drop-leaf top above end frieze drawers raised on baluster-turned legs joined by baluster-turned stretchers, 178cm wide x 153cm deep x 74cm high, (70in wide x 60in deep x 29in high)£400 - 600

392A Charles II oak backstool, Yorkshire/Derbyshire, circa 1670Having a pair of typically arched and cusp-outlined splats, each scroll-carved and centred by stylized masks and hung with ball-turned pendants, the scroll-finial ended uprights with cross-hatched and split-bobbin decoration, the panelled seat raised on block and ball-turned front legs joined by a ball and ring-turned front stretcher, 48cm wide x 42cm deep x 102.5cm high, (18.5in wide x 16.5in deep x 40in high)£150 - 250

393A mid-17th century style oak standing livery cupboardHaving a central panelled and pierced cupboard door, flanked to either side by a conforming fixed slender panel, raised on turned tapering legs joined by rectangular-section stretchers, 85cm wide x 45.5cm deep x 92.5cm high, (33in wide x 17.5in deep x 36in high)£300 - 400

394An 18th century and later oak gateleg dining tableThe oval drop-leaf top later carved with a border of meandering vine, above a single end-frieze drawer, raised on turned tapering legs joined by plain stretchers, 152cm wide x 122cm deep x 71cm high, (59.5in wide x 48in deep x 27.5in high)£200 - 400

391

389

393


395An oak boarded stoolIn the late 16th century manner The seat with moulded-edge above deep scroll-cut aprons raised on profiled end-supports terminating in V-shaped cut-away supports, 47cm wide x 27.5cm deep x 55.5cm high, (18.5in wide x 10.5in deep x 21.5in high)£200 - 400

396A mid-19th century oak press cupboardHaving a pair of pointed arched panelled cupboard doors enclosing hanging space, the lower-section with two faux over three true drawers on bracket feet, 135cm wide x 56cm deep x 203cm high, (53in wide x 22in deep x 79.5in high)£500 - 600

397An oak centre tableMid-17th century and later, English The boarded top with moulded edges above channel-moulded friezes, the long friezes each with scroll-cut spandrels, raised on ring-turned tapering legs joined by channel-edge moulded stretchers, 69cm wide x 57.5cm deep x 69cm high, (27in wide x 22.5in deep x 27in high)£400 - 600

398An oak dresser base, circa 1700English Having a later back plate, the boarded top with moulded edge, above three mitre edge-moulded frieze drawers, raised on block and baluster-turned front legs, 213cm wide x 46.5cm deep x 96cm high, (83.5in wide x 18in deep x 37.5in high)£1,000 - 1,500

399A Queen Anne style beech and upholstered wing armchairHaving a scroll-over padded back, wing sides, scroll-over arms and stuff-over seat upholstered in powder-blue cotton, the back upholstered in velvet with an applied interlaced metal-braid design, raised on faceted-cabriole front legs with scroll-carved knees and hoof-type pad feet, joined by a wavy H-shaped stretcher, 86.5cm wide x 82cm deep x 127cm high, (34in wide x 32in deep x 50in high)£500 - 800

400A 17th century and later oak cofferEnglish The associated lid with five lozenge carved panels, above a triple lozenge and rosette carved panelled font, with stiff-leaf carved muntins, nulled-carving to the top-rails and the front stile supports, 115.5cm wide x 55cm deep x 64cm high, (45in wide x 21.5in deep x 25in high)£200 - 300

396

398

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72 | Bonhams

401A late 19th century carved oak three-tier buffet sideboardThe upper tier with galleried sides and a carved and pierced floral and foliate crest, with crown finials to the corners, with two further shelves below, supported by spiral-turned and carved block uprights, terminating in lobed collars and ball feet, 115cm wide x 50cm deep x 141cm high, (45in wide x 19.5in deep x 55.5in high)£200 - 300

402A George III oak settleThe back of four flattened-ogee headed panels, the downswept open-arms on turned front supports, flanking a later boarded seat, raised on cabriole front legs, 185cm wide x 67cm deep x 105cm high, (72.5in wide x 26in deep x 41in high)£400 - 600

403An oak mule chest, circa 1700-1720Having three geometric mitre-moulded framed panels above a pair of conforming short drawers, raised on extended stile supports, 133cm wide x 60cm deep x 81.5cm high, (52in wide x 23.5in deep x 32in high)£250 - 350

404A Charles II oak cofferHaving a boarded lid with moulded edge, above a quadruple panelled front, with gauge-carved rails and lunette-carved top-rail, on extended stile supports, 148.5cm wide x 60cm deep x 72.5cm high, (58in wide x 23.5in deep x 28.5in high)£250 - 350

405Two late 17th century oak side chairsEnglish circa 1680-1700 One a slat-back example, with C-scroll carved cresting, the uprights with scroll and hatch carved finials, the boarded seat raised on block and turned front legs joined by a peg-turned front mid-stretcher, the other having a fielded back panel, channel-moulded and scroll-cut arched cresting, the boarded seat with moulded edge, raised on block and baluster-turned front legs joined by a conforming front mid-stretcher, (2)£300 - 500

406A walnut and oak side chairPossibly Swiss, adapted, parts 17th/early 19th century Having a walnut shaped and scroll-carved boarded back centred by a pierced-heart, the oak boarded seat with moulded edge, the front legs with applied 17th century oak figural terms, the back supports formed from a shaped board again with a pierced heart, 38cm wide x 32cm deep x 87.5cm high, (14.5in wide x 12.5in deep x 34in high)£200 - 300

407An oak bedConstructed principally from 17th century timbers Having a rectangular triple panelled headboard, shortened end-posts, joined by substantial frame rails each with rope-holes, 137.5cm wide x 192.5cm deep x 117.5cm high, (54in wide x 75.5in deep x 46in high)£200 - 300

Literature: For examples of ‘half-headed oak beads’ of comparable design see John Fiske and Lisa Freeman, Living with Early Oak, p.156, figs. 8.3 and 8.4.

405

402

403


408A late George III oak and mahogany crossbanded low dresserAlterations Having a superstructure of five spice drawers, the base with an arrangement of three short over two long mahogany crossbanded drawers, above a cockbeaded scroll-cut apron, fielded panelled sides, raised on block and turned legs, restorations, 191cm wide x 53cm deep x 93cm high, (75in wide x 20.5in deep x 36.5in high)£400 - 600

409A George III oak chest of drawersWith two short over four long cockbeaded drawers, on bracket feet, restorations, 102cm wide x 61cm deep x 99cm high, (40in wide x 24in deep x 38.5in high)£200 - 300

410A Charles II style oak Manchester panel-back open armchairThe back panel with applied geometric boss decoration and blind-fretwork spandrels, with a scroll-cut cresting, flanked by typical pyramid finial surmounted uprights, the downswept open-arms raised on baluster-turned front supports, the boarded seat above channel-moulded rails, on single ring-turned front legs, joined by plain stretchers, 59cm wide x 59cm deep x 112.5cm high, (23in wide x 23in deep x 44in high)£300 - 500

A group of six period Manchester backstools, including an open armchair example, sold in these rooms, The Beedham Collection, May 2012, lots 138 - 143.

411A reproduction oak mule chestIn the mid-18th century manner Having three pointed-ogee arched fielded panels above a pair of short fielded drawers, 122cm wide x 45.5cm deep x 72cm high, (48in wide x 17.5in deep x 28in high)£200 - 300

412An oak joint stoolThe rectangular top with moulded-edge, on splayed bulbous-turned legs joined by rectangular-section stretchers, 46.5cm wide x 26cm deep x 48cm high, (18in wide x 10in deep x 18.5in high)

413A large double-action oak gateleg table, circa 1700Having an oval drop-leaf top above a single end-frieze drawer, raised on turned tapering legs joined by rectangular-section channel-edge moulded stretchers, with double pivotal-action gates and twin central stretchers, 183cm wide x 157cm deep x 71.5cm high, (72in wide x 61.5in deep x 28in high)£600 - 800

414A set of three early 18th century oak side chairsEnglish Each with a fielded back-panel, arched scroll-outlined cresting and ogee-cut lower-rail, flanked by channel-edge moulded uprights surmounted by turned finials, the flush boarded seat raised on block and baluster-turned legs joined by a baluster-turned front mid-stretcher and multiple plain stretchers, 47cm wide x 41cm deep x 106.5cm high, (18.5in wide x 16in deep x 41.5in high) (3)£400 - 600

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74 | Bonhams

415A small oak low dresserParts late 18th century Having three moulded and mahogany crossbanded frieze drawers, above a scroll-cut apron, raised on cabriole front legs terminating in pad feet, 154cm wide x 40cm deep x 71.5cm high, (60.5in wide x 15.5in deep x 28in high)£300 - 500

416A late George III oak bureauHaving a hinged sloping fall enclosing a fitted interior, over four long drawers, on bracket feet, 95cm wide x 54cm deep x 107cm high, (37in wide x 21in deep x 42in high)£300 - 500

417A sycamore, beech and pine refectory-type tableIn the Dutch 17th century manner Having an 18th century and later sycamore boarded top, above beech channel-edge moulded friezes, raised on pine bulbous baluster and ring-turned legs, terminating in bun feet and joined by an H-shaped stretcher, 201cm wide x 78cm deep x 80cm high, (79in wide x 30.5in deep x 31in high)£400 - 600

418An oak geometric chest of drawers, circa 1700 and laterEnglish Typical in two parts, with four long mitre-moulded drawers, on extended stile supports terminating in later bun feet, restorations, 95cm wide x 58cm deep x 93cm high, (37in wide x 22.5in deep x 36.5in high)£300 - 400

419A pair of late 17th century oak backstools, South Lancashire/North Cheshire, circa 1680-1700Each with a fielded back panel flanked by rectangular-section uprights and surmounted by a heart-pierced cresting, the boarded seat with moulded-edge raised on block and ball-turned front legs joined by a scroll-outlined front mid-stretcher, (2)£200 - 300

420A set of 6 late 17th century style oak and cane dining chairs, circa 1900Each with a slender oval cane back panel, with pierced and scroll-carved arched cresting, flanked by baluster-turned uprights, the cane seat on block and baluster-turned legs joined by a conforming cresting front stretcher and H-shaped turned stretcher, (6)£500 - 600

421An 18th century oak and ebonised Dutch cupboard, adaptedProbably the upper-section of a larger cupboard, the protruding cornice over an ebonised frieze with lion head carved masks, a pair of cupboard doors below enclosing a shelf, raised on bun-turned front feet, 174cm wide x 72cm deep x 131cm high, (68.5in wide x 28in deep x 51.5in high)£100 - 200

420 (part)

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422A large late 19th century oak extending dining tableIn four sections, designed to allow various assembly options To include a pair of demi-lune ends, with telescopic action; a pair of rectangular-ends, each with one gadrooned-carved long-edge detaching to facilitate use as a centre section; one additional leaf and two legs, the top with a border of veneered figured-oak and gadrooned carved edge, raised on spiral-turned legs, joined by conforming stretchers; each demi-lune end 152cm wide x 80.5cm deep x 72.5cm high; each rectangular end (including attached gadrooned moulding) 152cm wide x 69cm deep x 72.5cm high; assembled using all components 152cm wide x 353cm deep x 72.5cm high£1,500 - 2,000

423A George III oak dresser baseYorkshire Having a T-shape arrangement of moulded-edge drawers, the base drawer false, flanked to either side by a fielded panelled cupboard door and a stop-fluted pilaster, twin panelled sides, on extended stile supports, 186.5cm wide x 47cm deep x 84cm high, (73in wide x 18.5in deep x 33in high)£500 - 800

424A late 17th century oak cofferHaving a triple panelled front with lunette carved top-rail, on extended stile supports, repairs, 120.5cm wide x 47cm deep x 74cm high, (47in wide x 18.5in deep x 29in high)£200 - 300

425A late 17th century and later oak livery cupboardHaving a pair of quadruple fielded panelled cupboard doors, enclosing hanging space, later top and base, 144cm wide x 54cm deep x 152.5cm high, (56.5in wide x 21in deep x 60in high)£300 - 500

426An early 18th century oak gateleg tableHaving an oval drop-leaf top above a single end-frieze drawer, raised on baluster-turned supports, joined by channel-moulded rectangular-section stretchers, on turned feet, 125cm wide x 100.5cm deep x 72cm high, (49in wide x 39.5in deep x 28in high)£400 - 600

427A mid-17th century and later oak occasional tableHaving a boarded top above lunette carved long friezes, raised on ring-turned tapering legs joined by channel-moulded stretchers, 59.5cm wide x 37.5cm deep x 63cm high, (23in wide x 14.5in deep x 24.5in high)£200 - 300

428A George III oak high dresserThe boarded rack with scroll-cut frieze above a pair of shelves, the lower-section with three frieze drawers, each over an ogee-cut arch-shaped apron, raised on silhouette baluster-shaped front supports joined by a plain front stretcher, 170cm wide x 45cm deep x 176.5cm high, (66.5in wide x 17.5in deep x 69in high) 162cm wide£600 - 800

423

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76 | Bonhams

429A 19th century elm and beech ‘cricket’ tableHaving a near circular one-piece elm top with chamfered under-edge, raised on three high multiple-ring and baluster-turned splayed legs, terminating in peg-feet, 39cm diameter x 69cm high£200 - 300

430An oak open armchairThe back incorporating 17th century timbers With an arched needlework upholstered padded back within a flowerhead and leaf-carved arch, headed by a pierced and scroll-carved cresting centred by a cherub mask, flanked by spiral-turned uprights, the downswept open-arms on ball-turned front supports, the boarded seat raised on ‘S’-shaped chamfered front legs, 56.5cm wide x 58cm deep x 121.5cm high, (22in wide x 22.5in deep x 47.5in high)£200 - 300

431An oak side tableMid-18th century and later Having a single frieze drawer, raised on four cabriole legs terminating in pad feet, 71cm wide x 50cm deep x 68cm high, (27.5in wide x 19.5in deep x 26.5in high)£250 - 350

432A 17th century ‘transitional’ oak cofferOf boarded and joined construction, having a triple panelled front and nulled-carved top-rail, the sides descending to V-shaped cut-away supports, 109.5cm wide x 44cm deep x 65cm high, (43in wide x 17in deep x 25.5in high)£200 - 300

433A set of four beech and elm farmhouse kitchen chairsEach with spindle filled-back and bar top-rail, the saddle seat raised on baluster ring-turned legs, (4)£100 - 150

434An oak side tableEarly 18th century and later The boarded top with moulded edge, above a slender frieze drawer and ogee-cut frieze, raised on slender baluster-turned legs joined by rectangular-section stretchers, on turned feet, 70cm wide x 45.5cm deep x 69.5cm high, together with an oak joint stool, 49cm wide x 24cm deep x 44cm high (2)£300 - 500

435A 17th century and later oak cofferHaving a triple panelled lid, each panel with applied beaded lozenge, the front with three scroll-carved panels, spaced by stiff-leaf carved muntins, with guilloche-carved top-rail and lunette carved base-rail, on gauge-carved extended stile supports, 134cm wide x 54cm deep x 76cm high, (52.5in wide x 21in deep x 29.5in high)£300 - 500

436A late 19th century oak bookcase cabinet, FlemishIn the 17th century manner The upper-section with a single-glazed cupboard door flanked by figural and fruit carved pilasters, headed by a lion-mask centred carved frieze, the lower-section with a scroll-carved drawer, above a profusely geometric applied cupboard door flanked to either side by similar carved pilasters, on a carved plinth base, 90.5cm wide x 48.5cm deep x 205cm high, (35.5in wide x 19in deep x 80.5in high)£500 - 600

435

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437A harlequin set of six George III oak dining chairsEach with shield-shaped back and pierced vase-shaped splat, the boarded seat raised on rectangular-section legs joined by multiple stretchers, (6)£100 - 200

438A late George III oak tripod occasional tableThe circular tilt-top raised on a turned tapering support and three downswept hipped legs terminating in square-ended pad feet, 77cm diameter x 67cm high£150 - 200

439An oak gateleg table, circa 1700The oval drop-leaf top raised on baluster and vase-turned supports joined by channel-edge moulded stretchers, restorations, 151cm wide x 122cm deep x 71.5cm high, (59in wide x 48in deep x 28in high)£100 - 150

440A set of six Charles II style oak Derbyshire backstoolsEach with a pair of arched, cusp-outlined, scroll and mask-carved splats, between scroll-ended bobbin applied uprights, the drop-in seat upholstered in tapestry style fabric, on block and baluster-turned front legs joined by a baluster-turned front mid-stretcher and multiple stretchers, (6)£500 - 700

441A carved oak box settleCirca 1900 The rectangular back with a pair of panels each carved with dancing figures, the hinged seat flanked by recumbent lion carved arm-rests, above a pair of panels each carved with a Green Man style mask, 121cm wide x 48cm deep x 98.5cm high, (47.5in wide x 18.5in deep x 38.5in high)£120 - 180

442An oak cofferPart 18th century Having a quadruple carved panelled front, the two central panels depicting the Three Legs of Man, 126.5cm wide x 53cm deep x 80cm high, (49.5in wide x 20.5in deep x 31in high)£250 - 350

443A large Elizabethan-Revival oak library type tableCirca 1900 The rectangular top with moulded edge above a gadrooned-carved canted frieze, raised on pairs of Ionic capital headed baluster-turned and reeded-carved supports, joined by a H-shaped foot-stretcher, on acanthus-wrapped carved downswept supports, 183cm wide x 121cm deep x 77cm high, (72in wide x 47.5in deep x 30in high)£500 - 700

444An oak joint stoolConstructed using some 17th/18th century timbers The boarded seat above channel-moulded friezes, raised on baluster ring-turned legs joined by plain stretchers, ivorine retail label of S. & H. Jewell, 132 High Holborn, London. W.C. to the underside of the seat, 49cm wide x 29cm deep x 57cm high, (19in wide x 11in deep x 22in high)£100 - 150

S.& H.Jewell, dealers in antique and reproduction furniture, traded from the Holborn area, London, from the mid-19th century.

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78 | Bonhams

445A small oak high dresserHaving a boarded rack with three shelves, the lower-section with a pair of short drawers above a scroll-cut frieze, raised on baluster-turned front supports joined by a pot-board, 99cm wide x 45cm deep x 178cm high, (38.5in wide x 17.5in deep x 70in high)£500 - 600

446An oak panel-back open armchairIn the mid-17th century manner, incorporating some period timbers The single back-panel carved and punch-decorated with a rosette-filled lozenge within guilloche-carved back rails, the downswept scroll-ended open-arms on turned column supports, the boarded seat with moulded-edge, on conforming turned front legs joined by plain stretchers, 63.5cm wide x 50.5cm deep x 99cm high, (25in wide x 19.5in deep x 38.5in high)£200 - 300

447An oak refectory tableInfluenced by late 16th century design Having a boarded top above S-scroll carved friezes, raised on bulbous gadrooned and leaf-carved legs, headed by ionic capitals, joined by a Y-shaped foot stretcher, 244cm wide x 80cm deep x 76cm high, (96in wide x 31in deep x 29.5in high)£1,000 - 1,500

448A William & Mary oak slat-back side chairThe high-back with scroll-outlined and tulip-carved cresting, the ring-turned uprights terminating in ball finials, the boarded seat on block and baluster-turned front legs joined by a conforming ring-turned front mid-stretcher, the rear of the lower back-rail later carved with the date 1724, 47cm wide x 39cm deep x 114cm high, (18.5in wide x 15in deep x 44.5in high)£100 - 150

449A mid-17th century oak cofferFrench Having a cleated boarded lid, above a triple panelled front, each panel unusually carved with a stylized filled-vase over a lunette, the top-rail with broad channel-moulding punctuated by the carved initials E A, on extended stile supports, 135.5cm wide x 63cm deep x 75cm high, (53in wide x 24.5in deep x 29.5in high)£300 - 500

450A late 17th century oak transitional cofferEnglish Having a boarded lid, the front with three panels and stile supports, the sides descending to M-shaped cut-away supports, 119cm wide x 48cm deep x 66cm high, (46.5in wide x 18.5in deep x 25.5in high)£200 - 300

451A walnut and oak side tableConstructed principally from mid-18th century timbers Having four walnut crossbanded and moulded short drawers, above a scroll-cut apron, raised on cabriole front legs terminating in pad feet, 103.5cm wide x 51cm deep x 76.5cm high, (40.5in wide x 20in deep x 30in high)£200 - 300

445

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452An oak sideboard, adaptedParts 18th century The superstructure with eight carved back panels spaced by figures and terms, the scroll-carved cornice centred by the pseudo date 1713 raised on figural column supports, centred by an inverted breakfront shelf on satyr supports, the lower-section principally an 18th century dresser base later carved, comprising three drawers over a pair of flattened ogee-fielded panelled cupboard doors, centred by a conforming smaller panel headed by the carved initials W B, flanked to either side by figural pilasters headed by carved masks, gadrooned carved base-rail, on ogee bracket feet, 169.5cm wide x 59cm deep x 197cm high, (66.5in wide x 23in deep x 77.5in high)£500 - 800

453An oak mule chestConverted from a Charles II oak coffer, Yorkshire The hinged boarded top above three lozenge carved panels, the top-rail S-scroll carved and centred by the initials and date JN 1667, the remaining rails geometric and lunette carved, above a later pair of drawers, on bracket feet, 136cm wide x 54.5cm deep x 91cm high, (53.5in wide x 21in deep x 35.5in high)£200 - 300

454A pitch pine partner’s deskHaving an olive-green leather skiver inset top, each pedestal with a bank of three graduated drawers opposed by a panelled cupboard door, centred by a single drawer, 160cm wide x 117cm deep x 80.5cm high, (62.5in wide x 46in deep x 31.5in high)£150 - 250

455A 19th century oak and iron bound silver chestHaving a gently domed hinged lid, the interior with typical baize lined removable deep tray, the sides with pairs of recessed carry handles, 91cm wide x 60.5cm deep x 66.5cm high, (35.5in wide x 23.5in deep x 26in high)£100 - 150

456An early 18th century oak chest of drawersEnglish Having two short over three long featherbanded graduated drawers, on bracket feet, 95.5cm wide x 55cm deep x 93cm high, (37.5in wide x 21.5in deep x 36.5in high)£200 - 300

457A George III elm Pembroke table, circa 1800The rectangular twin-flap top above an end-frieze drawer, raised on rectangular-section tapering legs, 84cm wide x 80.5cm deep x 74.5cm high, (33in wide x 31.5in deep x 29in high)£80 - 120

458An early 18th century oak settleHaving a quadruple fielded panelled back, downswept scroll-ended open-arms on baluster-turned front supports, rope-seat, raised on three block and baluster-turned front legs joined by ogee-cut front mid-stretchers, 184cm wide x 74cm deep x 102cm high, (72in wide x 29in deep x 40in high)£300 - 500

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80 | Bonhams

459Six various 19th century ash, elm and beech Windsor chairsTo include a pair each with a wheel-pierced splat, attributed to the Thames Valley region; another similar side chair; an example with later arms; and two stick-back chairs, one with a flat front seat; all on baluster-turned legs joined by a H-shaped stretcher, (6)£200 - 300

460A late 17th century oak boarded chestEnglish The sides descending to V-shaped cutaway supports, 93cm wide x 36.5cm deep x 54cm high, (36.5in wide x 14in deep x 21in high)£100 - 150

461A Charles II oak coffer, West Country, circa 1660-80Having a boarded lid with channel moulded-edge, above an interlaced rosette carved twin panelled front, lunette carved top-rail, on extended stile supports, 114cm wide, 47cm deep, 52.5cm high £150 - 200

462A 19th century oak bureauThe cleated sloping fall enclosing a fitted interior, above four long cockbeaded drawers, on bracket feet, 96.5cm wide x 54cm deep x 106cm high, (37.5in wide x 21in deep x 41.5in high)£200 - 300

463An oak gateleg occasional table, circa 1700English The rectangular drop-leaf top above an end-frieze drawer, raised on baluster-turned supports, joined by baluster and plain stretchers, on turned feet, 89.5cm wide x 75cm deep x 70.5cm high, (35in wide x 29.5in deep x 27.5in high)£60 - 80

464An early 18th century oak chest, GermanHaving a hinged canted boarded domed-lid, above a triple fielded gauge and flowerhead carved panelled front, below a deep guilloche-carved top-rail, raised on carved stop-fluted extended stile supports, iron side carry-handles, 123cm wide x 57cm deep x 70cm high, (48in wide x 22in deep x 27.5in high)£150 - 200

465A George III oak and mahogany crossbanded mule chestHaving a hinged lid with moulded edge, above a pair of fielded and crossbanded panelled, three drawers below, on bracket feet, restorations, 126cm wide x 52.5cm deep x 82cm high, (49.5in wide x 20.5in deep x 32in high)£150 - 250

464

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466A Victorian oak low dresserThe boarded top with rounded front corners above three frieze drawers, the scroll-cut apron with turned boss, raised on turned front legs, terminating in peg feet, 179.5cm wide x 45cm deep x 84.5cm high, (70.5in wide x 17.5in deep x 33in high)£300 - 500

467A pair of late 17th century style oak open armchairsEach having a scroll carved and pierced splat, with later fabric lined back panel, flanked by leaf-carved uprights and headed by a scroll-outlined carved and pierced cresting, the baluster-turned uprights surmounted by turned finials, the acanthus-wrapped downswept arms on baluster-turned front supports, embracing a stuff-over seat, on block and baluster-turned legs joined by a conforming low H-shaped stretcher and arched scroll-carved and pierced front stretcher; together with four late 17th century style beech and cane chairs, each with a slender cane back within a scroll-carved and pierced frame, flanked by spiral-turned uprights, the cane seat raised on floral block carved and spiral-turned front legs, joined by a turned low H-shaped stretcher and conforming cresting carved front mid-stretcher, (2 + 4)£300 - 400

468A George III oak mule chestThe hinged lid with raised mahogany crossbanded central board, the front with three flattened ogee-headed fielded panels above a pair of mahogany crossbanded drawers, the top-rail carved with the initials H F, on ogee bracket feet, 139cm wide x 58cm deep x 91.5cm high, (54.5in wide x 22.5in deep x 36in high)£250 - 350

469A mid-17th century oak boarded chestEnglish Having a moulded hinged lid, the front carved with a pair of flowerhead-roundel filled lozenges, centred and flanked by stiff-leaf filled arches and headed by the carved initials GC, the sides descending to M-cutaway supports, 117cm wide x 54cm deep x 65cm high, (46in wide x 21in deep x 25.5in high)£200 - 300

470An 18th century style walnut and featherbanded bachelor’s chestWith an ivorine label to top drawer reading ‘Kerridges, Upholsterers and Furnishers, Hailsham’, the featherbanded and crossbanded fold-over top above four graduated long drawers, the lowest concave-centred and inlaid with an ebony and boxwood sunburst, raised on bracket feet, 76.5cm wide x 36.5cm deep x 79cm high£500-800

471 - 479No lots

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ClocksLots 480 - 600

84 | Bonhams

480A late 19th century french brass Doucine style carriage timepieceAnonymous Having a 2 1/4” enamel dial with Roman hours, the single train movement with platform escapement, backplate stamped ‘Made in France’; the Doucine style case with beveled glass panels. With carrying case and double ended winder. 12cm (4 1/2 inches) high excluding handle £200 - 300

481A 19th century French miniature carriage timepieceHenri Jacot Number 5181 Having a 1 1/2” white enamel dial with Roman hours; the single train movement with lever platform escapement , backplate stamped with Jacot trademark, numbered 5181; the cornice case of characteristic form, with three section handle. 7cm (2 3/4 inches) high excluding handle £300 - 400

482No lot

483A 19th century French gilt brass carriage clock with half hour repeat and alarmAnonymous No. 1646 Having a 2 3/4” white enamel dial with Roman hours and alarm dial; the twin train movement with platform escapement, repeating the hours and half hours on a coiled gong; the cannalee case with engraved decoration, oval top aperture . With case and double ended winder. 15cm (5 1/2 inches) high excluding handle £250 - 350

484A rare 1970’s gilt-brass Atmos timepiece, with wall bracketJaeger Le Coultre. No. 8222. Having a 4 1/2” open dial with Arabic hours and baton hands, movement with fast slow adjust, contained within a gilt-brass case with perspex plates; the front plate signed ‘ATMOS, JAEGER-LE-COULTRE’; raised on a shaped plinth. With a gilt brass wall bracket. 24cm (9 inches) high£600 - 800

Jean-Leon Reutter laid the mechanical foundations of the legendary ‘Living on Air’ clocks in the 1920s. Aiming to create a clock that would be independent of any mechanical or electrical source of energy, Reutter modified the 400-Day Clock so as to minimise the power required to drive the escapement. More importantly, he created a mercury filled chamber known as the Bellows which would expand and contract at the slightest change in atmospheric pressure. The Bellows are then connected to the mainspring, constantly winding the clock. Indeed, this fascinating mechanism is possibly worthy of its claim to have perpetual winding motion.

485An 18th century ebonised musical bracket clock circa 1760Daniel Vauguion, London c.1760-93 Having a 6” break-arched dial , silvered chapter ring with Roman hours, matted centre with signed maker’s cartouche and mock pendulum aperture, within pierced gilt spandrels, the arch having a silvered Strike/Silent ring framed with applied pierced gilt scroll and mask arches , the three train gut-driven fusee movement now with anchor escapement (converted from verge), thought to have originally been a quarter repeater, ringing on a carillon of eight bells, the finely engraved back plate decorated with foliage, the case having an inverted bell top and brass handle above a moulded cornice, stopped brass foliate fretwork spandrels and caddie-moulded corners to the door, the sides with pierced brass roundels and foliate frets, the whole raised on gilt brass ogee bracket feet. Sold with pendulum and case key. 42cm (16 1/2 inches) high excluding handle £1,500 - 2,500

Daniel Vauguion (1760-93) is listed in Brittens ‘Old Clocks and Watches and their makers’ as operating from Spring Gardens, Charing Cross 1760-93, clock and watch maker ‘to....duke of Gloucester & Prince Henry’ A similar clock by the same maker was sold in these rooms 14th June 2005, New Bond Street Sale No. 11950 Lot. 108.

484

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486A Regency brass inlaid rosewood five pillar twin fusee bracket clock, with repeatFrodsham, Gracechurch Road, London. Having an 8” signed enamel convex dial with Roman hours and moon hands; the twin fusee movement with pull repeat and adjustable pendulum, calling the hours on a bell, shaped backplate engraved ‘Frodsham, Gracechurch Road, London’; the case with ormolu pineapple finial surmount on a stepped platform top, brass edged panels and canted corners, brass fish scale sound panels and carrying handles to the sides, moulded top plinth raised on brass ball feet. With pendulum, case key and winder. 48cm (19 inches) high £1,000 - 1,500

John Frodsham, born 1781, is recorded as working as a watch, clock and chronometer maker at 33, Gracechurch Street, London moving there in 1825 having taken over the firm following the death of his father William Frodsham in 1805. He was made a Liveryman of the Worshipful Company of Clockmakers in 1830.

86 | Bonhams

487A good 19th century brass inlaid mahogany twin fusee bracket clockRetailed by Collingwood & Son. Middlesbrough Having a signed 5 1/2” silvered dial with Arabic hours; the twin fusee movement with shaped backplate, numbered 1183, adjustable pendulum, calling the hours on a coiled gong; the arched top with inlaid brass panels, on a stepped plinth raised on gilt brass squat ogee bracket feet. With pendulum. 33cm (12 1/2 inches) high £250 - 350

488A 19th century French four-glass mantel clock with twin mercury pendulum and open brocot escapementAchille Brocot Having a 5” dial with Roman hours and moon hands, the center recess with open Brocot escapament; the two train movement with adjustable mercury pendulum, calling the hours on a bell, AB within a star stamp, numbered 9449 & 183; the gilt bronze case with a stepped and shaped plinth. With pendulum and winder. 36cm (14 inches) high £300 - 400

The trademark on the movement is that of the firm founded by Achille Brocot (1817 - 1878) whose innovations include the escapement, pendulum suspension and perpetual calendar that all bear his name. They were widely used in 19th century French clocks.

489A good 19th century French gilt-bronze figural mantel clockJapy Frere et Cie for Rodier et Paris. Having a 3” enamel dial with blue Roman hours and Arabic minutes; the two train movement with outside countwheel and pendulum adjust, calling the half hours on a bell, the backplate stamped ‘Japy Frere et Cie, 1855 Grande De H’nour’ within a roundel and ‘Rodier et Paris’ within a lozenge, numbered 405; with a faun riding a goat surmount, above oval case on a stepped plinth supported on scrollwork and toupee’ feet. With pendulum and winder. 28cm (11 inches) high £250 - 400

490A Regency brass inlaid figured mahogany bracket clock/timepiece with related bracketThwaites, London Having a signed 6” with Roman hours and moon hands; the single fusee movement with shaped plates, stamped J.R; with adjustable pendulum; case with caddie top and pineapple finial surmount, carrying handles to sides, on a rectangular plinth raised on gilt brass ogee bracket feet. With pendulum, case key and winder. 38cm (14 1/2 inches) high £500 - 750

This clock was reputedly supplied to the current owners by London clock dealer Aubrey Brocklehurst in 1964.

491A 19th century French neo-classical architectural mantle clock, with adjustable silk suspensionBourdier Having a signed 4 1/2” enamel dial with Roman hours and Gothic hands; the two train movement with outside countwheel and adjustable silk suspension, calling the half hours on a bell; surmount of twin putti on a tasselled cushion, opposed sirens above an egg and art bordered dial, applied mouldings below, Egyptian inspired decoration to the sides, raised on a stepped plinth supported on squat bun feet. With winder and related pendulum. 44cm (17 inches) high £500 - 800

489491


492A Edwardian inlaid oak mantle clock, with half hour repeatHamburg American Clock Co Having a 4 1/2” white enamel dial with Arabic hours and spade hands; twin train movement with adjustable pendulum,calling the half hours on a coiled gong, backplate and gong stand with crossed arrow mark; architectural break arch case with fluted columns and neo-classical urn inlay, on a stepped plinth raised on squat bun feet. With pendulum and winder. 33cm high. £120 - 150

HAC (Hamburg American Company) Founded in 1883 by Paul Landenburger eventually merging with Junghans in 1930.

493A rare architectural 19th century French brass architectural form mantle clock with Indian hunting scene decorationMovement by A.D Mougin Having a 4 1/2” porcelan dial with Arabic hours within gilded segments, decorated with a 19th century Indian hunting scene with figures atop Elephants and palaces behind; twin train movement calling the half hours on a coiled gong, backplate with ‘A.D Mougin Deux Medailles’ within a roundal, numbered 1372/48, with matching numbered pendulum; case with pierced gallery surmount and turned urn finials, Corinthian columns flanking a moulded edge dial, deep plinth with applied Romanesque relief moulded copper panel, on adjustable toupee feet. With pendulum and winder. 33cm (12 1/2 inches) high£600 - 800

A.D. Mougin were located at Rue de Turenne 75 Paris in 1870.

494A 19th century 8 day single fusee walnut framed Black Forest table timepieceWinterhalder & Hofmeier Having an 11” white dial with Roman hours, signed ‘Winterhalder & Hofmeier, Neustadt Baden’; the single chain driven fusee movement with adjustable pendulum, backstamped ‘W & H, Son’; the case with broken swan neck pediment above scrollwork and mask frame, raised on a rectangular stepped plinth. With pendulum. 72cm (28 inches) high £500 - 600

495An impressive 19th century ormolu mounted architectural mantel clock, in the neo-classical styleRetailed by Hall & Co, Manchester Having a signed 4” dial with applied Roman hours and spade hands; the two train movement calling the half hours on a bell, backplate numbered 859 & 77; the case with pagoda form surmount above an architectural case encrusted with ormolu neo-classical and floral decoration, raised on a shaped plinth with raised scrollwork and leaf decoration. With winder. 49cm (19 inches) high £1,000 - 1,500

496A late 19th century lancet top 8-day inlaid mahogany mantle clockAnonymous Having a 7” enamel dial with Roman hours, Arabic quarters and spade hands; two train movement with adjustable pendulum, striking the quarter hours on three gongs, backplate numbered 136; the lancet top case with shell marquetry and string inlay, drop side carrying handles, on a stepped plinth raised on block feet. With pendulum. 45cm (17 1/2 inches) high £200 - 300

493495

88 | Bonhams

497A 19th century cast and gilt metal mantel clockAnonymous Having a 3” silvered circular dial with black Roman numerals and steel moon hands surmounted by a model of a girl protecting a bird from a cat on a rocky outcrop; the twin train movement with outside countwheel striking the hours on a bell, backplate stamped D 326; on an oval wooden plinth under glass dome. 40cm (15 1/2 inches) high £200 - 300

498An impressive 19th century French architectural form black slate and ormolu mantel clockJapy Frere et Cie Having a 4” dial with applied Roman hours, raised center and egg and dart border; the two train movement calling the half hours on a bell, backplate with Japy Freer et Cie within a roundel, numbered 6986 and 48, with matching numbered pendulum; the case with urn surmount flanked by female caryatid masks and hounds on platforms, the sarcophagus form case with applied ormolu relief panels and acanthus frieze, raised on applied scrollwork and talon feet. With winder. 48cm (18 1/2 inches) high £400 - 600

499Patek Philippe. A rare brass solar desk clockCase no. 1012, Movement No. 872997. Circa 1960’s Having a 4 3/4” signed black dial with gilt hour indexes, gilt baton hour and minute hands, brushed brass rectangular case, 4 square columns; solar cell on top of case, cellular back up battery; plastic glass, hinged back door. With original red carrying case (lacking number.) £2,000 - 3,000

Patek Philippe had the revolutionary idea of inventing a light-powered mechanism which could hold additional storage in an electronic accumulator. Patek Philippe’s photoelectric cells combines the best in old and new world technology in the mechanical 17” movement, and for this, they were awarded Patent 298564 for photoelectric energy in 1954. So novel was this invention that it was exhibited at the 1955 World Symposium and displayed at the Museum of Science in Boston.

500An early 20th century continental quarter striking oak mantle clockWinterhalder and Hoffmeier Schwaerzenbach having a 6” brass dial with silvered chapter, Roman hours and Arabic minutes, slow-fast dial above, applied gilt scrollwork decoration; the two train movement striking the quarter hours on two coiled gongs, backplate stamped W & H Sch; case with caddie top and flame urn surmounts, the arched door with applied gilt metal caryatid mounts on canted corners, the stepped base raised on scrolling leafwork gilt metal feet. With winder. 43cm ( 16 1/2 inches) high£400 - 600

The company was established in 1810 by Thomas Winterhalder in Friedenweiler, southern Germany, and was continued by his three sons Mathaus, Karl and Linus, finally closing in 1932.

501A good late Victorian mahogany mantel time piece/clockAnonymous Having a 5” silvered dial with Roman hours; the single fusee movement with adjustable pendulum, backplate stamped ‘G.R.V’ within a roundel, numbered 6404; the rectangular case with moulded pediment, on a stepped plinth raised on squat block feet. With pendulum. 33 cm high (13 inch) £100 - 300

A label on the inside of the rear door suggests this clock was of Government issue, numbered 2326 in room 86 of the Ministry of Health, 15th June 1920.

499


502An Edwardian strung mahogany twin fusee mantel clock, with Westminster chime and pull repeatAnonymous Having an 8” silvered convex dial with Roman hours and trefoil hands; the twin fusee movement with pull repeat, calling the quarter hours on five coiled gongs, with adjustable pendulum; the arched top case with brass bezel above a deep stepped plinth, raised on ball feet. With pendulum. 38cm (15inches) high £150 - 350

503A 19th century German oak cased bracket clockWinterhalder and Hoffmeier Schwaerzenbach having a 6 1/2” square dial with Roman hours, Arabic minutes and floating cross half, silvered chapter and applied mask spandrels; The twin train movement striking the half hours on a coiled gong; architectural form case with shaped pediment and brass acorn finials, carved friezes to front and brass lion head drop handles to sides, on a stepped plinth raised on brass squat bun feet. Lacks pendulum. 31 cm (12 1/2 inches) high £150 - 250

The company was established in 1810 by Thomas Winterhalder in Friedenweiler, southern Germany, and was continued by his three sons Mathaus, Karl and Linus. It was finally discontinued in 1932 following the death of Thomas Winterhalder’s last son, Linus

504A mid 19th century French figural onyx and ormolu mantle clockF. L. Hausburg, Paris Having a 3 1/2” enamel dial with Roman hours, signed ‘F. L. Hausburg, Paris’; the two train movement with outside count wheel, striking the half hours on a bell, the backplate stamped ‘F. L. Hausburg, Paris’; the case surmounted with a figure of a 17th century artist contemplating architecture, the dial within an onyx frieze, base with pastoral and floral scenes within arched panels, raised on scrollwork supports. With pendulum and winder. 48cm (19 inches) high £250 - 400

Friedrich Ludwig Hausburg (1817-1886) was born in Berlin and was to become a British citizen in 1840, his naturalization was accelerated and signed by Queen Victoria suggesting the intervention of the Prussian Court. Hausburg initially traded with his uncle August Wilhelm Promoli first in Paris and then from the Old Post Office Buildings at 24 Church Street in Liverpool. Clocks have been recorded bearing the names of both men.

505An early 20th century French mantel clock with faux tortoiseshell and gilt decorationAnonymous. Movement by Samuel Marti Having a 3 1/2” segmented dial with Roman hours, Arabic minutes and moon hands; the twin barrel movement with adjstable pendulum, striking the half hours on a coiled gong, the backplate with Samuel Marti stamp annotated ‘Medaille D’or Paris 1900’, numbered 16346 with matching pendulum; the bell shaped case with shell and leaf surmount, raised on scrollwork feet, applied engraved plaque inscribed ‘Presented to Mr Donald Macauley by the people of Glengarry, a mark of their esteem & regard’; with pendulum and winder. 37ccm (14 1/2 inches) high £300 - 400

506No Lot

507A Victorian figured Mahogany ‘Norwich’ Cased Wall ClockThomas Waite, Cheltenham 1829-d.1875 Having a signed 11” painted circular dial with Roman hours; the twin train weight driven movement with deadbeat escapement, striking the half hours on a bell; octagonal frame with scrollwork brackets above a long crossbanded door. With case key, winder & pendulum. 121cm (48 inches) high £350 - 450

508A late 19th century continental ebonised oak dial clock/timepieceAnonymous Having a 9” painted dial with Roman hours and moon hands; the single train movement with adjustable pendulum; shaped frame with brass bezel on an octagonal case. With pendulum. 38cm ( 14 1/2 inches) wide£150 - 350

509A late 19th century mahogany drop dial clock timepieceRussells, 18 Church Street Liverpool Having a signed 10” cream painted dial with Roman hours; the single train movement with deadbeat escapement; moulded frame with brass bezel. Without pendulum. 33cm (13 1/2 inches) diameter £100 - 200

Thomas Russell is listed as a watchmaker in 1848 at 20 Slater Street, Liverpool and later at 30 Slater Street, Liverpool. By 1877 the company moved premises to 18,Church Street, Liverpool.

510A 19th century mahogany single fusee drop dial wall clockAnonymous Having a 12” painted dial with Roman hours and trefoil hands; the single fusee movement with adjustable pendulum; case with moulded blockwork frame and brass bezel, the hinged pendulum aperture with brass knob handle. With adjustable pendulum. 63cm (24 1/2 inches) high £400 - 600

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511A late 19th century single fusee mahogany school dial/wall timepieceHerbert Blockley No. 12326 Having a signed 12” cream dial with Roman hours; the single fusee movement with adjustable pendulum; simple molded frame with brass bezel. With pendulum, winder and case key. 38cm (15 inches) diameter £250 - 350

Loomes Clockmakers and Watchmakers of the World lists; BLOCKLEY. Herbert. London. (Duke Street, St. Jame’s) 1890’s-1902. Succ. to Lund & Blockley, q.v.

512A good 19th century figured mahogany twin fusee drop dial clock (for restoration)Edward Bevans, Birkenhead Having a signed 12” enamel dial with Roman hours; the twin fusee movement with shaped plates, calling the hours on a coiled gong, with adjustable pendulum; the octagonal dial with segmented panels and stringing border, pendulum aperture flanked by scrolling foliate brackets, canted base with acanthus scroll mounts. With pendulum. 76cm (30 inches) high 76cm (30 inches) high£500 - 700

Loomes’ ‘Watchmakers and Clockmakers of the World’ lists; Bevan, Edward. Argyl Street, Birkenhead (Cheshire) 1853-78.

513A 19th century brass inlaid mahogany twin fusee drop dial wall clockSam Firderer, Birmingham. 1839-94 Having a signed 11” painted dial with Roman hours and spade hands; the twin fusee movement with shaped plates and adjustable pendulum, calling the hours on a bell; the octagonal frame with brass inlay, moulded edge and brass bezel, carved brackets flanking a glazed pendulum aperture with inlaid brass star and stringing surround. With pendulum. 55cm (22 inches) high £250 - 350

Loomes’ ‘Watchmakers and Clockmakers of the World’ lists; FIRDERER, John. Birmingham (Warx) (b.c.1811), working 1839-94. Sometimes Firdirer.

514A 19th century painted convex dial brass inlaid mahogany single fusee dial/wall time pieceThomas Blundell, Liverpool 1813-83 Having a signed 12” concave dial with Roman hours; single fusee with shaped plates and adjustable pendulum; octagonal dial with brass floral fretwork inlays and brass bexel. With pendulum. 43cm (17 inches) high £150 - 200

515A 19th century figured mahogany drop dial wall time pieceHenry Arden, Malton Having a signed 12” painted dial with Roman hours; the single fusee movement with shaped plates and adjustable pendulum; moulded frame with brass bezel supported on a case with pendulum aperture flanked by (replacement) carved brackets, rounded base with cock-beaded hatch. With pendulum. 66cm (26 inches) high £200 - 300

Loomes’ ‘Watchmakers and Clockmakers of the World’ lists; ARDEN, Henry. (1) Market Place, Malton (Yorks) 1834-51.

516A 19th century brass inlaid mahogany drop dial wall time pieceMorris, Eastbourne Having a signed 12” painted dial with Roman hours and moon hands; the single fusee movement with tapered pillars and adjustable pendulum; the octagonal dial inlaid with cut brass and mother of pearl flowers, within an exposed dovetail constructed upper case above a glass pendulum aperture flanked by carved brackets, inlaid rounded base with cock-beaded door. With pendulum. 66cm (26 inches) high £200 - 300

Loomes’ ‘Watchmakers and Clockmakers of the World’ lists; Morris, William. South Street, Eastbourne (Sussex) 1829-39 & 1845-67. Also auctioneer & silversmith.

517A good mid 19th century single fusee dial/wall time pieceAnonymous Having a 13” painted dial with Roman hours; single fuse movement with adjustable pendulum; simple moulded frame with brass bezel within a mahogany veneered case. With pendulum. 43 cm (17 inches) wide £200 - 300

518A Victorian rosewood drop dial wall clockThe dial signed A. Hughes, 5. Lower Belgrave St. Having a signed 11” painted dial with Roman hours; the single fuse movement with adapted pendulum; the octagonal dial and case inlaid with mother of pearl floral decoration, glass pendulum aperture flanked by carved scroll-work brackets. With pendulum. 58cm (23 inches) high £100 - 150

519A 19th century mahogany and vere eglomis drop dial wall time pieceC & J Hammond, Manchester Having a signed 11” painted dial with Roman hours and Hollow Lance hands; the single fusee movement with shaped plates and adjustable pendulum; the octagonal dial with faux brass inlaid glass panels and brass bezel, pendulum aperture flanked by two shaped brackets. With pendulum. 60cm (24 inches) high £300 - 450

520A Regency brass inlaid mahogany wall clockThe dial signed ‘Jos Fenn, Newgate’ Having a signed 10” hand painted dial with Roman hours; the single fusee movement with shaped plates and adjustable pendulum; the octagonal case inlaid with pierced fretwork brass panels, moulded edge with brass bezel, on a figured mahogany case. With adjustable pendulum 36cm (14 1/2 inches) diameter £250 - 350

521A Victorian carved walnut and mahogany drop dial wall time pieceAnonymous Having a 12” painted dial with Roman hours; single fusee movement with adjustable pendulum; the carved frame with brass bezel above a leaf and scroll carved panel with pendulum aperture, mahogany veneered case. With pendulum. 55cm (22 inches) high £150 - 200


522An impressive 19th century oak twin fusee wall clock, in the Gothic mannerLitherland Davies & Co, Liverpool Having a signed 14” painted dial with Roman hours and Antique Breguet hands; the twin fusee movement with shaped plates and adjustable pendulum, calling the hours on a coiled gong; case with architectural pediment above a square door with tracery mouldings, pierced fretwork sound panels to sides, base with canted lancet form pendulum chamber. With pendulum. 88cm (35 inches) high £500 - 750

Litherland, Davies & Co. took over from Litherland, Whiteside and Co. in 1816. they were at Brownlow Hill in 1816, Church Street 1816-34, and Bold St 1832-1877.

523A George III mahogany wall hanging timepieceSam Hardy, London CC1778-1805 Having an signed 12’’ silvered dial with Roman hours and Arabic minutes; the single fusee movement with verge escapement and plum bob pendulum; mahogany case with moulded frame and brass bezel, with a later mahogany salt box case. 43cm (17 inches) high £350 - 450

Loomes ‘Clockmakers and Watchmakers of the World’ lists; HARDY, Samuel. London (Somerset Street, Aldgate)~ CC1778-1805. Son of John Hardy, q.v.

524A late 19th century ebonised dial clockAnonymous Having a 12” white back painted glass dial with Roman hours and and Moon hands, the twin train movement calling the half hours on a coiled gong; the ebonised case with moulded circular frame. With pendulum. 45cm (18 inches) high £100 - 150

525A late Victorian mahogany single fusee dial clock timepieceAnonymous Having a 12” wooden dial with applied brass Roman numerals and jeweled minutes; single chain driven fusee with adjustable pendulum; moulded edge frame with brass bezel. With pendulum. 43cm (17 inches) diameter £300 - 400

526A 20th century French oak dial clockC H Marty, Garmaux Having a signed 9 1/2” enamel dial with Roman hours and Gothic hands; two-train movement calling the hours on a coiled gong; oak frame on a pine case. With winder. 38cm (15 inches) wide £75 - 125

527A rare late 19th century Baird advertising drop dial wall clock ‘Chief Bonus Tea’Baird Clock Company, Plattsburgh, New York Having a signed 11” paper dial with Roman hours and spade hands; the single train movement with decorative embossed bob pendulum; figure of eight case with embossed text ‘DRINK CHIEF BONUS TEA, GRAND PRESENTS’ above ‘SPLENDID TEA, SEE THIS TRADEMARK ON EVERY PACKET’, India gentlemans’ head embossed within. With winder and pendulum. 78cm ( 30 1/2 inches) high£600 - 800

Jerry Maltz. “Baird Advertising Clocks” Illustrated page 37. The Baird Clock Company was founded in 1887 by Edward P. Baird in Plattsburgh, New York.The company made clocks mostly of of wood and tin, but also of papier mache.Baird is generally credited with being the first to manufacture clocks with advertising for Coca-Cola in the 1890’s.

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528A good 19th century inlaid mahogany and mother of pearl single fusee dial clock/timepieceAnonymous with Birmingham makers stamp on rear of dial Having a 12” convex dial with Roman hours and spade hands; the single fusee movement with shaped backplates; moulded frame with brass bezel, the case with shaped pendulum aperture flanked by carved brackets, inlaid with metal stringing and mother of pearl roundels. With pendulum. 50cm ( 19 1/2 inches) high£300 - 500

529A 19th century inlaid rosewood and mother of pearl drop dial wall clock/timepieceAnonymous Having a 12” dial with Roman hours and Gothic hands; the single fusee movement with anchor escapement and adjustable pendulum; circular frame with brass bezel above a shaped pendulum aperture, flanked by shaped brackets, the whole inlaid with mother of pearl decoration. With pendulum. 51cm ( 20 inches) high£250 - 450

530A 19th Century continental mahogany single fusee dial clock/timepieceWinterhalder and Hoffmeier Schwaerzenbach Having 13” painted dial with Roman hours; the single fusee movement with achor escapement and adjustable pendulum; moulded dial with brass bezel, mounted on a veneered case with side and bottom trapdoors. 40cm ( 15 1/2 inhes) high£150 - 350

The company was established in 1810 by Thomas Winterhalder in Friedenweiler, southern Germany, and was continued by his three sons Mathaus, Karl and Linus, finally closing in 1932.

531A 19th Century mahogany dial clock/timepieceAnonymous Having a 12” painted dial with Roman hours and spade hands; the single fusee movement with anchor escapement and adjustable pendulum; the moulded frame with brass bezel, on a veneered case. With pendulum 37cm ( 14 1/2 inches) wide£150 - 250

532A 19th Century mahogany single fusee dial clock/timepieceAnonymous Having a 12” painted dial with Roman hours; the single fusee movement with anchor escapement, shaped backplates numbered 20895. Without pendulum. 39cm (15 inches) wide£150 - 350

533A small late 19th century oak single fuse drop dial wall clock/timepieceAnonymous having a 7” painted dial with Roman hours; the single fuse movement with adjustable pendulum; moulded frame with brass bezel on a saltbox case. With pendulum. 34cm ( 13 inches) high£200 - 300

534A fine 19th century figured mahogany twin fusee dial clock, 5 pillar movement with pull repeatKleyser & Co, Southwark C.1830 Having a signed 12” painted dial with Roman hours; the twin fusee 5 pillar movement with shaped backplates, calling the hours on a bell, pull repeat (no cord fitted), adjustable pendulum; the carved round frame with brass bezel, on mahogany case. With pendulum and case key. 38cm (15 inches) high £500 - 750

535A 19th century figured mahogany drop dial single fusee wall clock/timepieceAnonymous Having an 11” painted dial with Roman hours; the single fusee movement with anchor escapment and adjustable pendulum (replacement); the dial with schampfered edge and brass bezel, above a shaped pendulum apperture flanked by carved scrolling leaf form brackets, rounded base with hinged door. With related pendulum. 74cm ( 29 inches) high£400 - 600

536A late Victorian walnut framed drop dial wall clock ‘The London’British United Clock Co. Having a 12” cream painted dial with Roman hours; the twin train movement striking the half hours on coiled gongs; the case with moulded rectangular frames and brass bezel, the glazed door revealing a large brass pendulum and annotated backplate. With pendulum. 84cm (33 inches) high £125 - 175

The British United Clock Company was formed in 1885 and was one of the first British based companies that began to produce clocks on a mass scale. It was formed by two former employees of the American ‘Ansonia’ clock company, this clock bears a strong resemblance to one of that manufacturers clocks. The company closed in 1909.

537An early 20th century oak framed painted dial clockEnfield Having a signed 11” painted dial with Roman hours; the two train movement striking on two gongs; moulded oak frame with brass bezel, engraved presentation plaque dated 1953. With winder. 38cm (15 inches) diameter £200 - 300

538A 19th century figured walnut framed circular dial wall time pieceAnonymous Having a 13” painted dial with Roman hours; the single train movement with adjustable pendulum; the moulded frame with brass bezel. With winder. 43cm (17 inches) diameter £150 - 250

539A late 19th century mahogany French table regulator with open Brocot escapementAnonymous Having a 5” dial with Roman hours and open Brocot escapement; the two train movement calling the half hours on a coiled gong; the case with moulded cornice above a full length glazed door, simple rounded plinth base. With pendulum. 45cm (17 1/2 inches) high £50 - 75

540A good 19th century French ormolu mantle clock, with associated 5 branch gilt and onyx candelabra garnituresJapy Freres & Ci, NO.583-411, Retailed by Maison Marnyhac, 1 Rue de la Paix, Paris Having a signed 4” enamel dial with Roman hours, Arabic minutes and Louis XV hands; the two train movement striking the half hours on a bell, with adjustable pendulum, backplate stamped ‘Japy Frere & Ci, Grd MED. D’HONNEUR’ within a roundel; urn finial surmount above a monumental case supported by 4 winged caryatid columns on a stepped base raised on toupee feet; with a pair of 5 branch ormolu and onyx candelabra garnitures. With pendulum. 45cm (17 1/2 inches) high £800 - 1,200

541A fine late 19th century French ormolu figural globe clock and garnitureVincent & Cie Having a 5” bronzed globe dial with applied Roman hours and stars, the hands in the form of a snake; the two train movement with outside countwheel and platform escapement, calling the half hours on a bell, backplate with ‘Vincent & Cie, Medaille D’Ark 1855’ within a roundel, numbered 114; the globe held aloft by three putti on a onyx columnar base with applied ormolu fruit and floral swags; the garnitures with single putti holding twin rose boughs, on a conforming base raised on toupee’ feet. With winder. 36cm (14 inches) high £500 - 750


542A 19th century French style gilt and porcelain clock garniture, with half hour repeat on two bellsFranz Hermle and Sohn. Dated 1993. Having a 3 1/2” enamel dial with Arabic hours and minutes and Louis XV hands;the twin train movement calling the half hours on two bells, backplate with factory stamp and numbered 130-070; case with urn surmount above twin pillars supported on a shaped plinth, raised on lion paw feet. With a pair of urn form garnitures and winder. 42cm (16 1/2 inches) high £200 - 300

Franz Hermle founded the Franz Hermle Clock Company in 1922 in Gosheim, Wuerttemberg, Germany. Now in the hands of the third generation the company continues to manufacture high quality clock movements and cases.

543An imposing 19th century French gilt-bronze architectural form mantel clock, with associated five branch candelabra garnituresA D Mougin Having a 4” ivorine dial with Roman hours, the two train movement with outside countwheel, calling the half hours on a bell, backplate with A D Mougin mark within a roundel, numbered 9519, with matching numbered pendulum; the case with swan handles urn surmount above a gothic arch top case, hop swag and mask decoration, raised on splayed bracket feet, the associated 5 branch candelabra garnitures on a central urn, raised on a stepped platform with mask panels and splayed feet. With winder and pendulum. 62cm (24 inches) high £500 - 750

544A 19th century waqlnut cased Vienna type wall regulator clockAnonymous Having a 7” ivorine coloured enamel dial with Roman hours and floating fleur de lys halfs, seconds dial to centre (lacking hand); the twin train movement calling the hours on a coiled gong; the case with a moulded cornice above turned half pilasters flanking a glazed door revealing a large adjustable pendulum. With brass covered weights and winder. 107cm (42 inches) high£120 - 180

545An 8-day break arch brass longcase clock movementWilliam Roberts, Bath Having a 11” silvered dial with Roman hours and Arabic minutes, matted center and urn spandrels, ‘William Roberts, Bath’ within a roundel in the arch, flanked by sea serpent panels; the 8 day two train movement with shaped backplates, striking the hours on a coiled gong. The movement appears to be a high quality reproduction of an early 18th century long case clock dial and movement. With two brass weights a pendulum and a winder. £200 - 300

546An 18th century square painted dial 8-day longcase clock movementLomax, Blackburn (1749-81) Having a 14” signed dial with Roman hours and Arabic minutes, seconds and date dials and hand painted floral spandrels; the two train movement with bell strike. With two weights, winder and pendulum. 35cm (14 inches) high £150 - 250

547An 18th century ebonised oak 8 day longcase clockJohn Stripe. Chichester. 1742-1748 Having a signed 10” square brass dial with Roman hours, Arabic minutes and matted center, signed roundel in arch and applied mask and floral spandrels; the two train movement striking on a bell; arched top hood with brass swan surmount and three quarter columns, long door with applied moulded edge, above a plain base raised on a shaped plinth. With weights, pendulum and case key. 213cm (83 1/2 inches) high £300 - 500

548A mid 18th Century oak longcase clock with 30 hour movement and penny moon dialThomas Lister. Luddenden. Circa 1760-circa 1795 Having a signed 12” brass dial with Roman hours, Arabic minutes and floating fleur de lys halfs, the engraved centre with faux winding ports, date dial and penny moon dial, applied foliate spandrels; the two train movement with outside countwheel, striking on a bell; hood with swan neck pediment and plain columns, the shaped top long door flanked by quarter columns, base with applied panel, raised on a rectangular plinth. With pendulum and weight. 233cm (91 1/2 inches) high £350 - 500

549A 19th century brass and satinwood inlaid mahogany 8 day ‘Memento Mori’ longcase clock with brass faceAnonymous Having an associated 14 1/2” brass break arch dial with Roman hours and Arabic minutes and secondary seconds dial, gilt brass shell and scroll spandrels, roundel in arch inscribed ‘Memento Mori’; the twin drive 8 day movement striking the hours on a coiled gong; the hood with broken swan necked pediment and brass ball finials and Corinthian gilt brass capped columns, the shaped top door flanked by quarter twisted columns, the base with conforming twisted columns flanking a canted inset panel, the whole raised on a swept shaped plinth, the whole inlaid with neo-classical style shell, ribbon and hop swag decoration. With pendulum, weights and winder. 258cm (8ft 11 inches) high £250 - 300

Anything related to the passage of time can be a memento mori, and many public clocks once included phrases such as Tempus fugit meaning “time flies,” or used an automated figure of Death to strike the bell on the hour.

550An early 18th century 10” square brass clock dial on later movement and caseJoseph Mason. Nailsworth. (Glos) c.1730-c.1740 Having a 10” square brass dial with Roman hours, signed ‘Joseph Mason, Nailsworth, Fecit’, the matted center with engraving, mask spandrels; the late 19th century two train movement striking on a coiled gong; the dial within an open carved bezel. With pendulum and hands. 32cm (12 1/2 inches) high £150 - 250

551A late 18th Century mahogany 8 day longcase clockPeter Nichols. Newport. Having a 12” brass break arch dial with silvered chapter, Roman hours and Arabic minutes, the matted center with date aperture and recessed seconds dial, signed on a convex roundel in the arch, applied scrollwork spandrels; arched top case with reeded and fluted Corinthian columns, long door with break arch top above a plain base raised on a shaped plinth. With weights, pendulum case key and winder. 195cm (76 1/2 inches) high £250 - 400

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552An 18th century oak eight-day longcase clockHarold Sheppard. Guernsey. Having a signed 12” break arch dial with silvered chapter, Roman hours and Arabic minutes, the matted center with sate aperture and recessed silvered seconds dial, signed roundel in arch, applied scrollwork spandrels; the two train movement striking on a bell; hood with moulded cornice above three quarter pillars, the shaped top long door above a plain base raised on a rectangular plinth. With weights, pendulum, winder and case key. 205cm (80 1/2 inches) high £200 - 300

553A 19th century figured mahogany 8 day longcase clockWilliam Smith. Huddersfield. Circa 1755-1795 Having a signed 14” painted beak arch dial with Roman hours and secondary Arabic minutes and date dials, hand painted ‘Barge-ware’ style roses for spandrels and in arch; the twin train movement striking on a bell; hood with broken swan neck pediment and brass ball finial surmount above turned columns, the case with shaped top door flanked by short turned pillars, base with octagonal panel, raised on a shaped plinth. With weights, pendulum, winder and case key. 254cm (100 inches) high £250 - 400

554An mid 20th century figured mahogany cased Grandmother clock, quarter striking with three tunesSchatz & Schone Having a 6 1/2” gilt break arch dial with silvered chapter, Roman hours and spade hands, applied mask spandrels and ‘Tempus Fugit’ on roundel in the arch; the three train movement woith platform escapement, calling the quarter hours on 8 bars, the backplate stamped ‘Silent, St. Michaels, Westminster & Whittington’ and ‘seven jewels’, and ‘W3’ within the company name in a roundel; arched top moulded cornice above a door with three quarter columns, the faux shaped top long door on a plain base, raised on ogee bracket feet. 150cm (59 inches) high£600 - 800

The company known as Schatz was founded by August Schatz in the mid-1850s in the Black Forest region of Triburg, Germany. In 1923 it was registered as Jahresuhrenfabrik August Schatz & Sohne. They produced fine cuckoo clocks, barometers, and 400- day clocks, finally closing in 1985.

555A 19th century mahogany 8 day longcase clockW Helliwell, Leeds. 1817-53. Having a 14” break arch hand painted dial with Roman hours, seconds and date dials, hand painted floral spandrels and a mother and child scene within the arch; the twin train movement calling the hours on a bell; broken swan necked pediment above turned brass capped columns, the shaped top long door above a veneer panelled base, raised on a shaped plinth. With weights, winder and pendulum. 235cm (92 1/2 inches) high£400 - 600

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556*

An Edwardian mahogany 8 day longcase clockAnonymous Having a 12” brass dial and silvered chapter, Roman hours and Arabic quarters, floating fleur de lys halfs, applied mask spandrels and engraved convex roundel in the arch; the two train movement striking the hours on a coiled gong; hood with broken swan necked pediment above twin columns flanked by pierced fretwork sound panels, the base with applied carved scrolling foliate decoration, the long door surrounded by broad tulipwood, ebony and boxwood banding, base with marquetry decorated panel above a shaped plinth. With pendulum, weights and winder. 237cm (93 inches) high £800 - 1,200

557An 18th century oak cased 8 day long case clockJames Viall Walsingham Norfolk(1760-1787) Having a signed 12” break arch dial with Roman hours and Arabic minutes, engraved centre with seconds dial and date aperture, signed roundel in arch and applied scrollwork spandrels; twin train movement striking on a bell; the hood with a shaped pediment, three ball finial surmounts and three quarter columns, the long door with arched top above a plain base raised on a shaped plinth. With weights pendulum, case key and winder. 563cm (222 inches) high £1,000 - 2,000

558A 19th century Scottish painted dial 8-day mahogany longcase clockGeorge Murray. Down (Doune?) circa 1798 Having a signed 13” break arch painted dial with Roman hours and Arabic minutes, seconds and date dial to center, hand painted floral spandrels and stylised thistle decoration; the two train movement striking on a bell; hood with flat top with dentil moulded frieze, brass capped reeded columns above a further dentil moulded frieze, the long door above a panelled base, raised on bracket feet. With two weights, pendulum and winder. 235cm (92 1/2 inches) high £600 - 800

559An 18th century oak 30 hour longcase clockEli Stott, Wakefield. 1773-c.1810 Having a 12” brass break arch dial with Roman hours and Arabic minutes, secondary date dial, applied scrolling spandrels, moon phase within the arch; single train movement calling the hours on a bell; broken swan neck pediment with brass flaming urn finial surmount above turned and fluted columns, the shaped top long door above a plain base, raised on bracket feet. With pendulum and weight. 225cm (88 1/2 inches) high£500 - 700

560An 18th century oak 8 day longcase clockJames Barlow. Oldham.1775-1781 Having a signed 13” brass dial with Roman hours and Arabic minutes, the centre with engraved decoration, date aperture and hand painted calender dial; the twin train movement calling the hours on a bell; hood with broken swan necked pediment with brass ball finial surmount, vere eglomis panel above plain turned brass capped columns, shaped top long door flanked by plain quarter columns, the plain base with canted corners, raised on turned feet. With weights, pendulum and winder. 220cm (86 12 inches) high£800 - 1,200

557

96 | Bonhams

561A good early 19th century Scottish mahogany 8 day longcase clockGraig of Perth. Having a 14” signed round painted dial with Roman hours and seconds and date dials; the twin train movement calling the hours on a bell; hood with three brass ball finial surmounts, shaped top long door flanked by twisted quarter column pillars, plain base raised on bracket feet. With weights, case key, winder and pendulum. 215cm (84 1/2 inches) high£800 - 1,200

Loomes’ ‘Watchmakers and Clockmakers of the World’ lists; Graig. William. Stewartfield, Aberdeenshire (Scotland) 1836.

562A 19th century oak 8 day longcase clockDaniel Oliver. Wellington. 1861-83 Having a signed 112 painted dial with Arabic hours, seconds dial and date arch, hand painted fan shaped spandrels; the two train movement striking on a bell; broken swan neck pediment with ormolu mount above plain corinthian columns, feather banded banding a crossbanded long door, planked base raised on bracket feet. With pendulum, winder and weights. 204cm (80 inches) high £250 - 350

563A 19th century oak 8 day longcase clockJones of Llangerniw. Having a signed 14” square painted dial with Roman hours, secondary date and seconds dials; the twin train movement calling the hours on a bell; hood with broken swan necked pediment above square harlequin veneered columns, the long door flanked by harlequin veneered pilasters, raised panel base on a shaped plinth. With weights, pendulum and winder. 214cm (84 inches) high£500 - 800

564An early 18th century longcase clock movement in a 19th century Gothic style mahogany case.Samuel Townson. London. CC1702-38 Having a signed 12” brass dial with silvered chapter, Roman hours and Arabic minutes, the matter center with seconds dial and date aperture, applied cherub and crown spandrels; the two train movement striking on a bell; lancet topped hood with carved cross below, the long door and base with arched top panels, raised on a rectangular plinth. With pendulum, weights, winder and case key. 194cm (76 inches) high £250 - 350

565A late 18th century oak and inlaid mahogany 8-day break arch painted dial longcase clockG Ellis, Watling Street Having a signed 13” painted dial with Arabic hours, seconds dial and arched date aperture, hand painted spandrels and domestic scene in arch; two train movement rack striking on a bell; broken swan neck pediment with brass urn surmount, the break arch door flanked by brass capped columns, shaped top long door flanked by conforming columns, the base raised on a shaped plinth, all with inlaid shell marquetry panels and mahogany cross-banding. With pendulum, weights, case key and winder. 221cm (87 inches) high £500 - 750

566An 18th century oak 8 day longcase clockRichard Stedman. Godalming. Circa 1773-1839 Having a signed 12” square brass dial with Roman hours and Arabic minutesm matted centre and appplied vase and scrollwork spandrels; the two train movement striking on a bell; square hood with moulded cornice above plain tapering columns, the long door above a planked base, raised on a low plinth. With pendulum, weights, case key and winder 192cm (75.5 inches) high £250 - 350561


567An 18th century Scottish round dial 8 day quarter striking mahogany longcase clockJames Richard, Nethertonholm. having a signed 18” diameter brass round dial, with Roman hours and Arabic minutes, calender dial to edge; the two train movement quarter striking on two bells; the hood with broken swan neck pediment above a stopped fretwork frieze, the door with fan marquetry corner panels, flanked by twisting columns, the long door with tulipwood cross-banding, above a mahogany cross-banded base, raised on bracket feet. With pendulum and weights. 225cm (88 1/2 inches) high £500 - 700

568An 18th century oak 8 day longcase clockJoseph Barnit, Birmingham circa 1775 Having a signed 13” break arch dial with Roman hours and Arabic minutes, seconds dial and date aperture in dial and painted lunar calender in arch; the two train movement striking on a bell; the caddy top hood with three ball finials above twin reeded columns, the shaped top long door flanked by reeded quarter columns, base with applied panel, raised on bracket feet. With two weights, pendulum, case key and winder 227cm (89 inches) high £500 - 750

569A fine and grand 19th century oak cased quarter striking musical 8 day long caseArchibald Haswell, London. 1839-75. Having a signed 12 1/4” segmented ormolu and porcelain dial with Roman hours and Arabic minutes; the three train movement calling the quarter hours on a carillon of 8 bells, striking the hours on a large bell; the hood with stop fretwork carved pagoda top with acorn finial, scrolling pillars flanking a round door with brass bezel and convex glass, the case with side door, panelled front with carved mask, on a stepped and canted plinth. With pendulum, case key and three weights. 257cm (101 inches) high £1,000 - 1,500

570A 18th century Scottish figured mahogany 8 day longcase clock, with saucy scene in archH.O. Newlands. Kilmarnock. Dated 1799. Having a signed 14” painted break arch dial with Roman hours and seconds dial, spandrels decorated as woman from the four nations of the UK, the arch with a scene entitled ‘Come under my plaidy’ depicting a soldier inviting a young woman under his clothing as a rival suitor looks on; the twin train movement striking on a bell; the hood with castellated pediment, long door with cross-banded edge within canted corners, on a veneered base, lacking feet. With pendulum and weights. 215cm (84 1/2 inches) high £300 - 400

571An early 20th Century Continental oak miniature longcase clock (for restorationAnonymous Having a 5” ivorine ring dial with Arabic hours, the two train French movement ringing the half hours on a coiled gong, numbered 74; the case with brass bezel above paneled trunk raised on a plain plinth 92cm (36 inches) high£100 - 150

572A 19th century rosewood wheel barometerJohn Wilson. Appleby Having an 8” silvered dial with seven predictions and verniere, subsidiary ‘Dry-Damp’, thermometer and level apertures; the rosewood case with broken swan neck pediment and brass urn finial. 98cm (38 1/2 inches) high £75 - 125

573A late 19th century oak cased wheel barometerNegretti and Zambra. London Having a signed 8” silvered dial with seven predictions, secondary thermometer apperture; the case with turned wooden adjuster. 92cm (36 inches) high £75 - 125

The firm Negretti and Zambra (active 1850-c. 1999) were opticians and scientific instrument makers to Her Majesty Queen Victoria, Prince Albert and Edward VII of the United Kingdom, the Royal Observatory and the British Admiralty.

574A 19th century mahogany and inlay wheel barometerAnonymous Having an 8” silvered dial with seven predictions, secondary thermometer and convex mirror apertures; the case with broken pediment and later pineapple finial, ebony and boxwood stringing borders and ivory adjustment wheel. 97cm (38 inches) high £50 - 100

575 - 599No lots

569

98 | Bonhams


Pictures, Oil Paintings and Watercolours featuring Northern Artists

Thursday 21 November at 11amLots 600 - 849

100 | Bonhams

Prints and Paintings

600William Ward I (British, 1766-1826), after Thomas Weaver‘A Short Horned Heifer’ colour mezzotint 46 x 61cm (18 1/8 x 24in). together with a lithograph by M. Billing ‘Miss. Frances’ also an engraving by Charles Hunt ‘The Habertoft Short Horned Prize Cow’ (3).£200 - 300

601No Lot

602AR

Sir Frank Brangwyn RA (British, 1867-1956)‘The Rabbi Talking to Roger’ signed ‘Frank Brangwyn’ and inscribed in pencil (lower right) etching 17.5 x 13cm (6 7/8 x 5 1/8in).£200 - 300

603† AR

Peter Brook (British, 1927-2009)Winter Farmhouse, Country Lane, White Cottage, Derelist Farmhouse and Farm House and Field, (5) all signed ‘Peter Brook’ in pencil (lower right), all numbered ‘AP XII/XX’ in pencil (lower left) limited edition colour prints 51 x 71cm (20 1/16 x 27 15/16in).£200 - 300

604† AR

Peter Brook (British, 1927-2009)River and bridge, Field and Trees, Sheep at Gate, Higginbottoms Vetinary Service, and Winter Scene, (5) signed ‘Peter Brook’ in pencil (lower right), numbered ‘AP XII/XX’ in pencil (lower left) limited edition colour prints 51 x 71cm (20 1/16 x 27 15/16in).£200 - 300

605AR

Beryl Cook (British, 1926-2008)‘Musicians’ signed ‘Beryl Cook’ in pencil (lower right), numbered 155/650 in pencil (lower left) limited edition colour print, unframed 42 x 42cm (16 9/16 x 16 9/16in). together with ‘Party Girls’, signed ‘Beryl Cook’ in pencil (lower right), numbered 325/650 in pencil (lower left), limited edition colour print, unframed, plus ‘The Bathing Pool’, signed ‘Beryl Cook’ in pencil (lower right), with blind stamp (lower left), limited edition colour print, unframed, plus ‘Joggers on the Hoe’, signed ‘Beryl Cook’ in pencil (lower right), with blind stamp (lower left), limited edition colour print, and ‘Sultry Afternoon’, signed ‘Beryl Cook’ in pencil (lower right), numbered 593/850 in pencil (lower left), limited edition colour print, all unframed, all a/f, (5)£100 - 200

606AR

Donald Hamilton Fraser RA (British, 1929-2009)In Full Sail signed ‘Fraser’ and numbered 262/295 in pencil (lower left); bears labels verso colour lithograph 61 x 40cm (24 x 15 3/4in).£100 - 150

607No Lot

608AR

John Piper CH (British, 1903-1992), John PiperSan Zobenigo (Levinson 118) signed in pencil, numbered 37/50, colour lithograph 65 x 44cm (25 9/16 x 17 5/16in).£500 - 700

608


609AR

Eileen Alice Soper, RMS (British, 1905-1990)Feeding the Chickens, together with, In Class, Bedtime and The Sampler all signed ‘Eileen A. Soper’ in pencil (lower right), all with blind stamp on mount (lower right) etchings 11.5 x 13.5cm (4 1/2 x 5 5/16in). and other sizes, (4)£300 - 500

610After Andy Warhol (American, 1928-1987)Flowers colour screen print from the Sunday B Morning edition 90 x 90cm (35 7/16 x 35 7/16in).£80 - 120

611James Abbott McNeill Whistler (1834-1903)Girl with Bowl (S.S.T. 118; Way 82) lithograph in grey ink, on laid, most likely from the posthumous edition of 45 printed by Goulding in 1904,(there was also an edition of 600 printed by Lemercier for L’Ymagier 2, no.5 in 1895), with Rosalind Birnie Philip’s round rubber stamp verso, 13.6 x 6.7cm (5 3/8 x 2 5/8in).(sheet 20.2 x 16 cm).£150 - 250

612William Lionel Wyllie (British, 1851-1931)Beach scene signed ‘W L Wyllie’ in pencil (lower left) etching 24.5 x 51cm (9 5/8 x 20 1/16in).£200 - 400

613†

Gerhard Mercator (Flemish, 1512-1594), Eastern England - Yorkshire and counties around The Wash‘Eboracum, Lincolnia, Derbia, Staffordia, Notinghamia, Lecestria,Rutlandia et Norfolcia’, engraved map, as published by Hondius c. 1620, hand coloured together with Visscher (Nicholas) Switzerland - ‘Exactisisma, Helvetiae Rhaetiae, Valesia casterorumo confaederatorum ut et initimorum populorum regionum tabula’ engraved hand coloured map, both bear labels verso 36 x 41cm (14 3/16 x 16 1/8in).£200 - 400

614William F. Ashburner (British, active 1900-1932)Girl on garden steps signed ‘Wm F. ASHBURNER’ (lower right) watercolour 34.5 x 24.5cm (13 9/16 x 9 5/8in).£200 - 300

615British School, Clement Hardy (later 19th century)Fishermen at a pool indistinctly signed oil on canvas, unframed 51 x 76cm (20 1/16 x 29 15/16in). also a highland loch landscape by G. Lester and a still life of fruit, all unframed, (3)£80 - 120

616F. Vitale, (Italian School, later 19th century)Young boy playing cricket and another similar, a pair both signed ‘F. Vitale’ (lower right) oil on canvas 37 x 24cm (14 9/16 x 9 7/16in). together with another, a Neapolitan couple reading a newspaper, plus another, two monks preparing dinner, oil on canvas, (4)£100 - 200

617J. R. Miller (British, active 1880-1912)Near the Market Square Bruges and companion a pair of continental street scenes both signed ‘J R Miller’ (lower left) watercolour heightened with white 36 x 25cm (14 3/16 x 9 13/16in).£200 - 300

618† AR

Tony Sheath (British, born 1946)Watching the flock signed ‘Tony Sheath’ (lower right) oil on canvas 51 x 61cm (20 1/16 x 24in).£150 - 300

619AR

Fred Wilde (British, later 20th century)‘We’ve Come A Cob-Coalin’, ‘Matinee at the Majestic’ and another, ‘The “Leggers” Arms’ all signed ‘WILDE’ (lower right); all bear labels verso oil on board 36 x 43.5cm (14 3/16 x 17 1/8in). and other sizes, (3)£200 - 400

620AR

Stanley Reed (1908-1978)Portrait of Peggy Garnett signed ‘Stanley Reed’ (lower left); signed, inscribed and dated verso, also signed and inscribed label verso oil on board 58.5 x 48.5cm (23 1/16 x 19 1/8in).£100 - 200

621Circle of Rev. R. Woodley BrownRiver landscape with figures by a cottage, together with another similar, a pair oil on canvas 44.5 x 59.5cm (17 1/2 x 23 7/16in).£150 - 200

622British School, (19th Century)‘Near Marlom’, figures walking beside a river towards a cottage signed ‘Hume King’ (lower right); also signed verso and inscribed with title on stretcher verso oil on canvas 49 x 74.5cm (19 5/16 x 29 5/16in).£100 - 200

623British School, circa 1800, in the manner of Frans FranckenThe Tribute Money - Christ with the Pharisees oil on board 18 x 27cm (7 1/16 x 10 5/8in).£150 - 250

624AR

Brian R. Entwistle (British, active circa 1960-circa 2000)‘Canning Half Tide’ also Mount Wood landing stage and two others all signed watercolours 30 x 50cm (11 13/16 x 19 11/16in). (4)£200 - 300

625James Orrock (British, 1829-1913)‘Old Mill at Woodhouse, Leicestershire’ signed ‘J Orrock’ (lower left); signed and inscribed label verso watercolour 49 x 74cm (19 5/16 x 29 1/8in).£150 - 250

626Francis William Topham (British, 1808-1877)By the church, Bettws-y-Coed signed ‘F W Topham’ (lower left), and inscribed ‘Bettws y coed’ (lower left) watercolour 38.5 x 52cm (15 3/16 x 20 1/2in).£100 - 200

102 | Bonhams

627AR

Ray Richardson (British, born 1964)‘An Englishman in Spain’ signed ‘RAY RICHARDSON/1992’ also inscribed pastel on paper 22 x 22cm (8 11/16 x 8 11/16in).£100 - 150

628AR

Ken Moroney (British, born 1949)Still life with plate, fruit and flowers signed ‘Moroney’ (lower left)’; signed and inscribed verso oil on board 49.5 x 61cm (19 1/2 x 24in).£500 - 700

629Michael Tyzack (British, 1933-2007)‘Pavillion 1968’ titled on label verso acrylic on shaped canvas, unframed 201 x 154cm (79 1/8 x 60 5/8in).£300 - 400

Provenance: Axiom Gallery, London.

630AR

Sir Jacob Epstein (British, 1880-1959)Roses signed ‘Epstein’ (lower left); bears inscriptions verso and bears labels verso gouache 56 x 43cm (22 1/16 x 16 15/16in).£1,200 - 1,800

631AR

Sir Jacob Epstein (British, 1880-1959)‘Stream in a Woodland Glade’ signed ‘Epstein’ (lower right); bears label verso gouache 44.5 x 55.5cm (17 1/2 x 21 7/8in).£1,200 - 1,800

632Bohuslav Barlow (Czechoslovakian, born 1947)The Acrobat signed ‘B Barlow’ and dated 82 (lower right) pen, ink and watercolour 50 x 31.5cm (19 11/16 x 12 3/8in). together with Boy playing a whistle by the same hand, signed ‘B Barlow’ and dated ‘86 (lower left), 47 x 37 cm, (2)£500 - 700

Provenance: The Acrobat was purchased from the Ginnel Gallery, Manchester and has its original certificate and catalogue.

630

631


633AR

Susan Ryder (British, born 1944)Landscape with house on a country path signed ‘Ryder’ (lower right) oil on canvas 74.5 x 100cm (29 5/16 x 39 3/8in).£500 - 700

634AR

Susan Ryder (British, born 1944)Wooded Landscape signed ‘Ryder’ and dated 80 (lower right) oil on board 57.5 x 90cm (22 5/8 x 35 7/16in).£400 - 600

635AR

Annabel Gosling (born Overbury, Gloucestershire 1942)Interior with girl seated on a bed oil on board 92 x 122cm (36 1/4 x 48 1/16in).£250 - 350

636William Walcot, RA (British, 1874-1943)Royal Naval College, Greenwich in winter signed ‘W. WALCOT’ (lower left) pen, ink and watercolour, unframed 21 x 28cm (8 1/4 x 11in).£500 - 700

637AR

Michael Ayrton (British, 1921-1975)‘Daedalus’ - study for sculpture signed ‘Michael ayrton’, inscribed and dated ‘61 (lower right); bears inscription verso and indistinctly inscribed verso pencil drawing 36 x 56.5cm (14 3/16 x 22 1/4in).£500 - 700

638AR

Austin Wright (British, 1911-1997)Resurrection Figures Two figures, 1960 both numbered 2 on base aluminium 22.3 x 22 x 11 cm and 16.3 x 28 x 9cm respectively£1,200 - 1,800

Provenance: Private Collection. Exhibited: 9 figures in lead at Wakefield City Art Gallery, Austin Wright, Retrospective, 1960. Literature: Hamilton (James), The Sculpture of Austin Wright, (The Henry Moore Foundation in association with Lund Humphries, London, 1994), pg. 93, plate S152, figures f and h. The original figures were cast in lead with some figures editioned in bronze. Wright first began to use aluminium in 1950, it was a medium he was particularly attracted to perhaps enhanced by his partial colour blindness and one that worked extremely well with both his large and small sculptures.

Austin Wright was born in Chester, grew up in Cardiff and moved to Yorkshire in 1937. He studied Modern Languages at Oxford University before becoming interested in Modern Art. He was the Gregory Fellow in Sculpture at the University of Leeds (1961-1964) and a major retrospective of his work was held at the Yorkshire Sculpture Park in 1981 and at York City Art Gallery in 1994. His work can be found in many public collections and public commissions include the Christmas Crib at Wakefield Cathedral and a wall relief for the University of Northumbria.

639AR

Peter Greenham (British, 1909-1992)Coastal scene with village initialled ‘PG’ (lower left); bears inscription verso oil on canvas 39.5 x 49.5cm (15 9/16 x 19 1/2in).£500 - 700

640AR

Paul Lucien Maze (French, 1887-1979)‘Cowes’ signed ‘Paul Maze’ and inscribed with title (lower left) watercolour 20 x 32cm (7 7/8 x 12 5/8in).£300 - 500

638

104 | Bonhams

641AR

Maurice Canning Wilks R.U.A., A.R.H.A. (Irish, 1910-1984)‘Co Donegal’ - a strand, inlet and hills beyond signed ‘MAURICE C. WILKS. R.U.A.’ (lower right), also signed and inscribed on stretcher, with William Rodman & Co label verso, oil on canvas 41 x 51cm (16 1/8 x 20 1/16in).£1,000 - 2,000

642† AR

Anthony Klitz (Irish, 1917-2000)Westminster Bridge and the Houses of Parliament signed ‘KLITZ’ (lower right) oil on canvas 130 x 74cm (51 3/16 x 29 1/8in).£400 - 600

643† AR

Frederick Donald Blake (British, 1908-1997)Village and blossom trees signed ‘F DONALD BLAKE’ (lower right) oil (or acrylic) on board 45 x 68cm (17 11/16 x 26 3/4in).£200 - 300

644† AR

Frederick Donald Blake (British, 1908-1997)Village signed ‘F DONALD BLAKE’ (lower right) pen, ink, airbrush and acrylic on board 46 x 68cm (18 1/8 x 26 3/4in). and another by the same hand, of trees and houses, signed, (34 x 47cm) (2).£300 - 500

645AR

Gwilym Pritchard (British, born 1931)Landscape signed with initials ‘GP’ (lower right) oil on board 16 x 23.5cm (6 5/16 x 9 1/4in).£600 - 800

645AGwilym Pritchard (British, born 1931)‘Storm over Mawddach estuary’signed ‘GWILYM/PRITCHARD’ (lower right), also signed and inscribed on artist’s label verso oil on canvas 52 x 76cm (20 1/2 x 29 15/16in).£900-1,200 Provenance: Purchased by the present owner in Menai Bridge, circa 1980.

646AR

Donald McIntyre (British, 1923-2009)‘Sgeirain Dubh No 1’ signed ‘DMcINTYRE’ (lower left); inscribed on artist’s label verso and numbered 2001 oil on board 53 x 78cm (20 7/8 x 30 11/16in).£4,000 - 5,000

641

646


647AR

Donald McIntyre (British, 1923-2009)‘Seated Figure and Flowers’ signed ‘DMcINTYRE’ (lower right); inscribed artist’s label verso and numbered 1408 oil on board 60 x 50cm (23 5/8 x 19 11/16in).£2,000 - 3,000

648AR

Donald McIntyre (British, 1923-2009)‘Sheltering Rocks, Iona’ signed ‘DMcINTYRE’ (lower right); inscribed artist’s label verso and numbered 1619 oil on canvas 50 x 60cm (19 11/16 x 23 5/8in).£3,500 - 5,000

649AR

Donald McIntyre (British, 1923-2009)‘Iona West’ signed ‘DMc’ (lower right); inscribed artist’s label verso and numbered 1879 oil on board 28 x 38.5cm (11 x 15 3/16in).£2,000 - 3,000

647 648

649

106 | Bonhams

650AR

Donald McIntyre (British, 1923-2009)‘Iona Shore No 17’ signed ‘DMc’ (lower right); inscribed artist’s label verso acrylic on board 29 x 39cm (11 7/16 x 15 3/8in).£2,000 - 3,000

651AR

Donald McIntyre (British, 1923-2009)‘Flowers on a Table No 2’ signed ‘DMcINTYRE’ (lower right); inscribed on artist’s label verso, numbered 1489 oil on board 50 x 60cm (19 11/16 x 23 5/8in).£2,000 - 3,000

652AR

Donald McIntyre (British, 1923-2009)‘River Wharfe’ signed ‘DMcINTYRE’ (lower centre); inscribed on artist’s label verso and numbered 1857 oil on board 52.5 x 78cm (20 11/16 x 30 11/16in).£4,000 - 6,000

Charles Murray

Murray was born in Aberdeen and studied at Glasgow School of Art. He won the Prix de Rome for engraving circa 1922 and studied etching and engraving at the British School, Rome 1922-1925. He travelled widely, including to Russia in 1918-20 when he fought with the White Russian army, and to Iceland. Like several other early 20th century British artists he sought out the celtic fringes of Europe and painted many scenes of Scottish Hebridean and West coast fishing villages and fisherfolk. His work often has a deeply spiritual feeling and during some periods of his life he produced a large number of religious paintings. His paintings echo the works of some of his contemporaries, including Augustus John and his circle, also David Jones and Christopher Wood. Some paintings hint that the artist had a troubled state of mind. He was a fine etcher, although his output of etchings was quite limited. His work is held in the Tate Gallery, London and many public galleries in Scotland and Yorkshire.

653AR

Charles Murray (British, 1894-1954)‘Iceland Coast’ signed ‘C Murray’ and indistinctly dated oil on wood 35 x 55cm (13 3/4 x 21 5/8in). and ‘Russian Park (Winter)’, signed and dated 1937, oil on wood, unframed, 36 x 54cm, (2)£300 - 400

654AR

Charles Murray (British, 1894-1954)‘Russian Retreat’ signed ‘C Murray’ (lower right); bears inscription verso oil on board 33 x 56cm (13 x 22 1/16in). and another, ‘Spring Lapland’, signed, oil on panel, 33 x 41cm, (2)£300 - 400

655AR

Charles Murray (British, 1894-1954)Fishergirls on the shore before a chapel signed ‘Charles Murray’ (lower right) oil on board, unframed 41 x 58cm (16 1/8 x 22 13/16in). also, ‘Fishing Smacks, Night’, oil on board, unframed, 36 x 46cm, and ‘Loch (Ben Nevis)’, oil on board, unframed, 25 x 38cm, (3)£350 - 500

656AR

Charles Murray (British, 1894-1954)‘Red Sail’ signed and inscribed verso oil on panel, unframed 23 x 34cm (9 1/16 x 13 3/8in). and, ‘Barra, Scotland’, also ‘West Riding Colliery’, by Tom Whitehead, 31 x 38cm, (3)£250 - 350

650

651


657AR

Charles Murray (British, 1894-1954)‘The Gondola’ signed ‘C Murray’ and inscribed (lower right) watercolour 32 x 53cm (12 5/8 x 20 7/8in). also ‘San Sebastian’ and two others of fishing villages, one unsigned, (4)£300 - 500

658AR

Charles Murray (British, 1894-1954)A folder of watercolours mostly fishing villages, but also Yorkshire subjects, Iceland and religious subjects mostly signed, all unframed, (26)£300 - 500

659AR

Charles Murray (British, 1894-1954)‘St. Patrick in Ireland’ signed and inscribed verso oil on wood, unframed 21 x 26cm (8 1/4 x 10 1/4in). also five watercolours and an etching of religious subjects, (7)£150 - 250

660AR

Charles Murray (British, 1894-1954)‘The West Riding’ (two vignettes) both signed watercolours 36 x 30cm (14 3/16 x 11 13/16in). also two fishing villages and ‘In York’, all signed, (4)£300 - 400

661AR

Charles Murray (British, 1894-1954)‘Green Lawns, Moonlight’ indistinctly signed ‘C Murray’ (lower right); signed and inscribed verso oil on wood, unframed 36 x 46cm (14 3/16 x 18 1/8in). together with ‘Near Boroughbridge’, an imaginary mountain landscape and coastal landscape with two figures, sunset, (4)£400 - 600

662Charles Murray (British, 1894-1954)‘Camelias’ signed ‘C Murray’ (lower right); signed and inscribed verso oil on wood, unframed 36 x 30cm (14 3/16 x 11 13/16in). also a French chateau and park, signed, with flower study verso, 43 x 59cm, and a study of herrings with harbour verso, all unframed, (3)£250 - 350

663AR

Charles Murray (British, 1894-1954)Etchings Borghese Gardens (2), San Gimignano and others including Icelandic subjects all signed (14 unframed and 1 framed)£200 - 300

664Archibald Knox (British, 1864-1933)Windpumps by the shore bears label of Manx Museum and Art Gallery verso, numbered 232 and indistinctly inscribed verso watercolour 43 x 56cm (16 15/16 x 22 1/16in).£1,500 - 2,000

665Archibald Knox (British, 1864-1933)‘Little Hampton’, vessel at a wharf, contre jour inscribed (lower left) watercolour 43 x 56cm (16 15/16 x 22 1/16in).£1,800 - 2,500

652

665

108 | Bonhams

666Archibald Knox (British, 1864-1933)Trees and sky, sunshine, probably on the Isle of Man watercolour 42 x 56cm (16 9/16 x 22 1/16in).£1,500 - 2,000

667Archibald Knox (British, 1864-1933)‘Castle Town’, derelict fishing boat on the shore inscribed (lower left) watercolour 43 x 56cm (16 15/16 x 22 1/16in).£1,800 - 2,500

668Archibald Knox (British, 1864-1933)Landscape with low horizon and windmill watercolour 43 x 56cm (16 15/16 x 22 1/16in).£1,500 - 2,000

669AR

Arthur Spooner (British, 1873-1962)‘Preparing to Load’ and ‘Team Work’, a pair both signed ‘Arthur Spooner’ (one lower left and one lower right) oil on canvas 39 x 60cm (15 3/8 x 23 5/8in).(2)£1,000 - 1,500

670Alfred de Bréanski Snr. (British, 1852-1928)‘Shades of Evening. Nuneham on the Thames’ signed ‘1886.7/Alfred. de Bréanski’ (lower left); with transcription from the original inscription on the reverse of the lined canvas oil on canvas 61 x 91cm (24 x 35 13/16in).£3,000 - 5,000

671Henry John Kinnaird (British, active 1880-1920)‘Kilchurn Castle, Loch Awe’ signed ‘Henry.J.Kinnaird’ (lower left), also inscribed (lower right) watercolour 27 x 36cm (10 5/8 x 14 3/16in).£350 - 500

672Circle of Sophie Anderson (British, 1823-1903)Sisters playing in the corn field oil on canvas 46 x 61cm (18 1/8 x 24in).£600 - 800

667

669

669


673Walter Williams (British, active 1841-1876)‘On the River Exe’ signed ‘W. Williams’ and inscribed ‘Plymouth’ (lower right) oil on canvas 49.5 x 75cm (19 1/2 x 29 1/2in).£800 - 1,200

674Ernest Walbourn (British, 1872-1927)Maid feeding hens before hen houses signed ‘Ernest Walbourn’ (lower right); signed and inscribed label verso oil on board 34.5 x 50cm (13 9/16 x 19 11/16in).£800 - 1,200

675†

Henry H. Parker (British, 1858-1930)‘The Stepping Stones near Bettws y Coed N. Wales’ signed ‘Henry H. Parker’ (lower right), also signed and inscribed on the reverse oil on canvas 61 x 107cm (24 x 42 1/8in).£2,000 - 3,000

676Daniel Sherrin (British, 1868-1940)Mother and child on a path by a stream and village signed ‘D Sherrin’ (lower right) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).£300 - 500

677James Peel (British, 1811-1906)‘The Lledr Valley Looking Towards Moel Siabod’ signed with monogram and dated 1868 (lower right); also signed, inscribed and dated 1868 verso oil on canvas 38 x 61cm (14 15/16 x 24in).£400 - 600

678Thomas Spinks (British, active 1872-1907)‘In the Lledyr Valley’ and ‘On the Lledyr’, a pair both signed ‘T. SPINKS’ (lower right), both inscribed verso oil on panel 13 x 22cm (5 1/8 x 8 11/16in).£300 - 500

673

674

675

110 | Bonhams

679Colin Graeme Roe (British, 1850-1910)Head of a Pointer and Head of a Setter, a pair both signed ‘Colin Graeme’ (lower left, lower centre) oil on canvas 26 x 21cm (10 1/4 x 8 1/4in).£1,200 - 1,800

680Circle of George William Horlor (British, 1823-1895)Maid feeding sporting dogs oil on canvas 76 x 65cm (29 15/16 x 25 9/16in).£600 - 800

680ACircle of Edward Armfield (British, 1817-1896)Hounds in an interior, and another similar, a pair oil on canvas 31 x 31cm (12 3/16 x 12 3/16in).£500 - 800

681William Weekes (British, active 1864-1904)Two donkies leaning over a fence watching chickens and a cockrell scratching around a frog signed ‘W Weekes’ (lower right) oil on panel 28 x 17.5cm (11 x 6 7/8in).£1,200 - 1,800

682William Weekes (British, active 1864-1904)A friendly discussion signed ‘Weekes’ (lower left) oil on panel 19 x 29cm (7 1/2 x 11 7/16in).£1,200 - 1,800

683Colin Graeme Roe (British, 1850-1910)Heads of two Rough Collies signed ‘Colin Graeme’ (lower left) oil on canvas 30 x 25cm (11 13/16 x 9 13/16in).£700 - 1,000

684AR

Arthur Wardle, RI (British, 1864-1949)‘Lions at Midnight’ signed ‘ARTHUR WARDLE’ (lower right) oil on board 36.5 x 49.5cm (14 3/8 x 19 1/2in).£800 - 1,200

685J.C. Morris (British, active 1851-1863)‘Cattle and Sheep’ bears inscription on old tablet on the frame oil on canvas 76 x 127cm (29 15/16 x 50in).£800 - 1,200

J. C. Morris painted landscapes, genre and animals. He worked in Greenwich and Deptford and exhibited at Royal Academy and the Institute of British Artists. He was a pupil of Thomas Sidney Cooper.

686Attributed to Henry Shayer (British, 1825-1894) & Charles Shayer (British, 1826-1914)Cattle in a landscape with maid and farm boy conversing bears signature ‘H B Willis’ (lower right), also bears old inscription ‘W Shayer Senr’ on slip oil on canvas 51 x 61cm (20 1/16 x 24in).£800 - 1,200

687John Charles Dollman (British, 1851-1934)Sleeping Lion signed ‘J.C. Dollman’ (lower right) watercolour 29 x 46cm (11 7/16 x 18 1/8in).£600 - 800

688AR

Roland Green (British, 1896-1972)A collection of bird studies, (7) all signed ‘Roland Green’ watercolours 49.5 x 36.5cm (19 1/2 x 14 3/8in). and other sizes£500 - 800

682


689AR

Sir Peter Scott (British, 1909-1989)Four swans flying in the twilight oil on board 19.5 x 25.5cm (7 11/16 x 10 1/16in). together with a pencil and watercolour sketch of ducks, signed ‘ERIC H. DAY’ (lower right), 36.5 x 27cm, (2)£500 - 800

690AR

Doris Clare Zinkeisen (British, 1898-1991)Race to the finishing line signed ‘Doris Zinkeisen’ (lower right) oil on canvas 49.5 x 59cm (19 1/2 x 23 1/4in).£600 - 800

691AR

Doris Clare Zinkeisen (British, 1898-1991)Lady of the lamp signed ‘Doris Zinkeisen’ (lower right) oil on canvas 74.5 x 61.5cm (29 5/16 x 24 3/16in).£350 - 500

692AR

Anna Katrina Zinkeisen (British, 1901-1976)A Portrait of a Lady signed ‘A ZINKEISEN’ (lower left); with label verso oil on canvas 100 x 76cm (39 3/8 x 29 15/16in).£600 - 800

693Henry Andrews (British, 1794-1868)Young girl and a dove signed ‘H Andrews’ (lower right) oil on canvas, oval, in the manner of Greuze 35 x 31cm (13 3/4 x 12 3/16in).£400 - 600

694William Gale (British, 1823-1909)‘Helena in All’s Well that ends Well’ portrait of a girl with long hair, bust length signed verso ‘W Gale’ (twice) and inscribed on label verso oil on panel, oval 16.5 x 13.5cm (6 1/2 x 5 5/16in).£600 - 800

695British School, 18th centuryA portrait of a British monarch, thought to be George I, oil on canvas 76 x 57cm (29 15/16 x 22 7/16in).£1,500 - 2,500

With inscription on frame ‘William IV’

696Welsh School, or English School (circa 1860)Portrait of a Portmaddoc based sea captain, thought to be Owen John Williams of Deiniolen Caerns, wasit length bears label on frame oil on canvas 76 x 64cm (29 15/16 x 25 3/16in).£400 - 600

697E. Needham (British, active 1786-1798)A portrait of a gentleman, wearing dark jacket and white stock signed verso ‘E Needham pinxt March 9 1796 Fast day oil on canvas 76 x 64cm (29 15/16 x 25 3/16in).£250 - 350

698Sir Thomas Lawrence (Bristol 1769-1830 London)Portrait of a gentleman, thought to be Admiral Barrington, bust-length, in a blue coat signed, dated and inscribed ‘to be kept from the Damp & sun/and must not be shook/ T.Lawrence 1784’ (on an old label attached to the backboard) pastel, oval 27.9 x 22.8cm (11 x 9in).£500 - 700

Provenance: Sale, Sotheby’s, London, 3 April 1996, lot 53 (as the Property of a Lady) Professor Kenneth Garlick made the suggestion that this might be a portrait of Admiral Barrington who Lawrence drew in pastel in 1784 when he inspected it prior to the sale at Sotheby’s in April 1996.

699Otto Theodore Leyde (Scottish, 1835-1897)Portrait of a lady, head and shoulders signed with monogram and dated 1875 (lower right); bears label verso watercolour 49 x 40.5cm (19 5/16 x 15 15/16in).£250 - 350

686

112 | Bonhams

700Circle of Arthur Hughes (British, 1832-1915)A young maiden within a prison cell, possibly based on ‘The eve of St Agnes’ oil on canvas 107 x 55cm (42 1/8 x 21 5/8in).£1,200 - 1,500

701Kate Gray (British, late 19th/early 20th Century)Young girl in her sunday best signed ‘Kate Gray’ and dated 1881 (lower right); indistinctly inscribed verso oil on canvas 59 x 49cm (23 1/4 x 19 5/16in).£300 - 500

702Circle of Jane Maria Bowkett (British, 1837-1891)An elegant lady with her lap dog, and another similar, a pair both signed with initials ‘R.P.’ (lower right); both bear inscriptions verso oil on canvas 24 x 19cm (9 7/16 x 7 1/2in).£300 - 500

703Jacques Joseph Eeckhout (Belgian, 1793-1861)A portrait of a young girl wearing ostrich feather bonnet with blue ribbon head and shoulders, oval signed ‘J J Eeckhout 1861’ (lower right) oil on canvas 56 x 48cm (22 1/16 x 18 7/8in).£1,000 - 1,400

704Circle of William Huggins (British, 1820-1884) A portrait of Thomas Bickerton F.R.C.S., opthalmic surgeon, Liverpool Eye and Ear Infirmary (1826-1872), standing, three-quarter length bears inscription on frame oil on canvas (arched top) 127 x 99cm (50 x 39in).£600 - 800

705Simon Kozhin (Russian, born 1979)‘Bay Kuron in the morning light’ signed ‘Simon Kohzin/2112’ (lower right); also signed inscribed and dated verso oil on canvas 56 x 76cm (22 1/16 x 29 15/16in).£700 - 900

Sold with a book on the artist (in russian).

700

703


706AR

Edward Wesson RI, RBA, RSMA (British, 1910-1983)‘Off Pin Mill’ signed ‘Edward Wesson’ (lower left); bears label verso watercolour 25 x 35cm (9 13/16 x 13 3/4in).£400 - 600

Provenance - With the Alexander Gallery, Bristol.

707AR

Edward Wesson RI, RBA, RSMA (British, 1910-1983)‘Outside Portland Harbour’ signed ‘Edward Wesson’ (lower left), bears label verso watercolour 33 x 50cm (13 x 19 11/16in).£600 - 800

Provenance - With the Alexander Gallery, Bristol.

708Charles David Jones Bryant (Australian, 1883-1937)Sailing vessel at sunset signed ‘Charles Bryant’ (lower left); indistinctly inscribed in pencil verso oil on panel 27 x 32.3cm (10 5/8 x 12 11/16in).£500 - 700

709AR

Hugh Boycott Brown (British, 1909-1990)‘Square Riggers, Calm Sea’ signed ‘Hugh Boycott Brown’ (lower left); inscribed on stretcher oil on canvas 61 x 76cm (24 x 29 15/16in).£400 - 600

710Hugh Boycott Brown (British, 1909-1990)Maldon Essex signed ‘Hugh Boycott Brown’ (lower left) oil on canvas 59 x 74cm (23 1/4 x 29 1/8in).£400 - 600

711Attributed to Archibald Webb (British, active 1860-1900)Sailing barges and shipping off Northfleet bears old label verso oil on canvas 61 x 91cm (24 x 35 13/16in).£800 - 1,200

705

711

114 | Bonhams

712Hector Caffieri, RI, RBA (British, 1847-1932)Sorting the catch at sunset, signed ‘H Caffieri’ (lower right) watercolour 34.3 x 51.3cm (13 1/2 x 20 3/16in).£800 - 1,200

713Hubert Anslow Thornley (British, 19th Century)‘Low Tide Scarborough’ ‘Thornley’, inscribed on stretcher oil on canvas 36 x 30cm (14 3/16 x 11 13/16in).£1,200 - 1,800

714Circle of Clarkson Stanfield RA (British, 1793-1867)‘Entrance to the Zuyder Zee’ oil on canvas 100 x 130cm (39 3/8 x 51 3/16in).£1,000 - 1,500

715Samuel Austin (British, 1796-1834)‘Eel traps by the Ferry’ watercolour, unframed 21.5 x 30.5cm (8 7/16 x 12in).£300 - 500

716English School, (mid/later 19th century) SLAVE TRADE INTEREST ‘Capture of the Slave Trader Lacunda 230 tons with 450 slaves and a crew of 32 men of all nations from Bonny Rivea for CUBA by Her Majesty’s Brig PELORUS, Captain Meredith RN in the Bite of Benin June 1852’ with title on plaque attached to the frame oil on canvas 75 x 103cm (29 1/2 x 40 9/16in).£700 - 1,000

717Neapolitan School, (circa 1900)A game of counting with grandfather indistinctly signed (lower left) oil on canvas 68 x 51cm (26 3/4 x 20 1/16in).£500 - 700

718Giovanni Battista (Italian, 1860-1925)The Coast of Capri signed ‘G. Battista’ (lower left) gouache 70 x 51cm (27 9/16 x 20 1/16in).£500 - 700

719No Lot

719AAR

Alfred Théodore Joseph Bastien (Belgian, 1873-1955)Wooded river landscape signed ‘A Bastien’ (lower right); also with artists label verso oil on panel 37 x 55cm (14 9/16 x 21 5/8in). and another, wooded lake scene at sunset, signed, also dedicated and dated 16.9.54, 51 x 40cm, (2)£800 - 1,200

720Camillo Rapetti (Italian, 1859-1929)‘A Tiresome Sitter’ signed ‘C Rapetti’ (lower left); bears inscription label verso watercolour 27.5 x 38.5cm (10 13/16 x 15 3/16in).£300 - 400

721Girolamo Gianni (Italian, 1837-1895)‘Menaggio, Lago do Como, Italy’ signed ‘G. Gianni’ and dated 1878 (lower right); signed, inscribed and dated label verso oil on board 17.5 x 26.5cm (6 7/8 x 10 7/16in).£500 - 700

722Gordon Coutts (Scottish/American, 1868-1937)A Middle Eastern craftsman working on brass, together with figures before a North African town, an American garden and head of a North African, (4) all signed ‘Gordon Coutts’ (lower right) oil on canvas, unframed, unstretched 76 x 62.5cm (29 15/16 x 24 5/8in).and smaller£800 - 1,200

713


723Errol Stephen Boyley (South African, 1918-2007)‘Cape Town Harbour’ signed ‘Errol Boyley’ (lower right); inscribed verso oil on board 61 x 91cm (24 x 35 13/16in).£1,000 - 1,500

Provenance - With Spring Street Art Gallery, Knysna.

724Sydney Carter (South African, 1874-1945)South African landscape with willows by a creek signed ‘Sydney Carter’ (lower right); indistinctly inscribed verso oil on canvasboard 26 x 36cm (10 1/4 x 14 3/16in).£250 - 350

Sold with a certificate verso.

725George William Pilkington (South African, 1879-1958)‘The Old Lakeside Club, Lakeside, Cape’ signed ‘G W Pilkington’ (lower left); inscribed verso oil on canvas 31 x 41cm (12 3/16 x 16 1/8in).£300 - 500

Sold with receipt from its purchase 13.6.1975.

726Walter Whall Battiss (South African, 1906-1982)‘Goreme, Turkey’ signed ‘Battiss’, inscribed and dated 1975 (lower left) watercolour 41 x 35cm (16 1/8 x 13 3/4in).£800 - 1,200

727Adriaan Hendrik Boshoff (South African, 1935-2007)‘Africans’, three Africans on a homeland signed ‘Adriaan Boshoff’ (lower left) oil on board 20 x 29cm (7 7/8 x 11 7/16in).£800 - 1,200

Sold with receipt from the Lister Art Gallery, Johannesburg, 1974.

728Willem Hermanus Coetzer (South African, 1900-1983)Muddy track South Africa with figures and vehicle signed ‘W.H. COETZER’ (lower left) oil on board 22 x 30cm (8 11/16 x 11 13/16in).£800 - 1,200

Sold with a certificate verso.

729Edwin Thomas Roberts (British, 1840-1917)Grandpa’s story signed ‘Edwin Roberts’ (lower right) oil on canvas 33 x 26cm (13 x 10 1/4in).£500 - 700

730Attributed to William Bromley (British, active 1835-1888)The New Shoes bears signature (lower left) oil on canvas 36 x 31cm (14 3/16 x 12 3/16in).£700 - 1,000

731Attributed to Albert de Belleroche (British, 1864-1944)‘A quick study from life’ indistinctly signed and inscribed verso oil on canvas 34 x 44.5cm (13 3/8 x 17 1/2in).£500 - 700

723

727

116 | Bonhams

732Follower of Jan Miel (Antwerp 1599-1663 Turin)Studies of a cloaked gentleman, another of a leg and riding boot and another of a man smoking all signed ‘Jean Miel’ (lower left) black chalk with white highlights 30 x 16cm (11 13/16 x 6 5/16in). and smaller (4), together with a red chalk drawing of a woman standing, Flemish 17th century, (5)£200 - 300

733Dutch School, (18th Century) A shepherd and his flock and goats before cottages oil on panel 27.1 x 33cm (10 11/16 x 13in).£500 - 700

734Edward Lear (British, 1812-1888)‘Ceriana’ inscribed with title and dated ‘13 Oct 1870 2PM’ (lower right), with collectors stamp (lower left) pen & ink drawing, unframed 17.5 x 25.5cm (6 7/8 x 10 1/16in).£700 - 1,000

735Ebenezer Wake Cook (British, 1843-1926)‘The Palace of Pearl’ signed ‘E. Wake Cook’ and dated 25 (lower left); signed and inscribed label verso watercolour 27 x 36cm (10 5/8 x 14 3/16in).£400 - 600

736Charles Edward Wilson (British, 1854-1941)‘The Stream Bridge’ signed ‘C.E. WILSON’ (lower right) watercolour 36 x 25.5cm (14 3/16 x 10 1/16in).£600 - 800

737George Barret Jnr. (British, 1767-1842)A capriccio classical landscape with goatherds, with the falls at Tivoli and Lake Albanobears inscription on mount and old label verso watercolour with stopping out 30 x 44cm (11 13/16 x 17 5/16in).£300-500

738Albert Goodwin, RWS (British, 1845-1932)‘Schultz, Ergadine’, Switzerland signed ‘Albert Goodwin’ (lower right) and inscribed with title (lower left) watercolour, unframed 19 x 24.5cm (7 1/2 x 9 5/8in).£500 - 700

739Anthony Vandyke Copley Fielding, P.O.W.S. (British, 1787-1855)‘Off Teignmouth’ signed ‘Copley Fielding’ and dated 1849 (lower right); inscribed with title label verso and bears label verso watercolour 21.5 x 33cm (8 7/16 x 13in).£700 - 1,000

740Attributed to John Varley, OWS (British, 1778-1842)Cottage scenes with figures, possibly of dwellings near Bushey, a set of four one bears label verso watercolour 17 x 24cm (6 11/16 x 9 7/16in).£600 - 800

734

739


741Attributed to John Varley, OWS (British, 1778-1842)‘Snowdon’ from Llyn Padarn bears inscription on mount watercolour 25 x 36.5cm (9 13/16 x 14 3/8in).£500 - 700

742William Anstey Dolland (British, 1858-1929)Classical maiden by a temple garden, and another similar, a pair both signed ‘W. Anstey Dolland’ (one lower left, one lower right) watercolour 40 x 24.5cm (15 3/4 x 9 5/8in).£600 - 800

743William Anstey Dolland (British, 1858-1929)‘At the Shrine’ signed ‘W. Anstey Dolland’ (lower left) watercolour 40 x 22cm (15 3/4 x 8 11/16in).£500 - 700

744AR

William Todd-Brown (British, 1875-1952)Dockyard industrial scene with winding gear signed ‘-Todd-Brown’ (lower right) oil on canvasboard 46 x 71cm (18 1/8 x 27 15/16in).£500 - 700

742 742

741

118 | Bonhams

745Robert Watson (British, active 1877-1920)Sheep and lambs on the hillside signed ‘R Watson 1910’ (lower right) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).£2,000 - 3,000

746Flora MacDonald Reid (British, active 1879-circa 1938)Figures in the marketplace, probably Holland signed ‘Flora M. Reid - 33’ (lower left) oil on canvas 45 x 61cm (17 11/16 x 24in).£300 - 500

747AR

John Murray Thomson, RSA RSW PSSA (British, 1885-1974)Cattle on the meadows signed ‘J. Murray Thomson’ (lower right); signed and inscribed label verso oil on canvas 62 x 75cm (24 7/16 x 29 1/2in).£500 - 700

748†

John Young Hunter (American, 1874-1955)A peddler selling ribbons from a donkey in a village signed ‘J Young Hunter 1903’ (lower right) oil on canvas 79 x 99cm (31 1/8 x 39in).£2,000 - 3,000

John Young Hunter was born in Glasgow, the son of the Scottish artist Colin Hunter. He trained at R.A schools, London, under Sargent and Orchardson. He lived in Giffords Hall, Suffolk, and emigrated the USA in 1913, where lived and worked in New Mexico. Many of his American paintings depicted the native indians’ way of life.

749AR

William Mervyn Glass, RSA PSSA (British, 1885-1965)Bathers in a landscape signed ‘Glass’ (lower right); signed ‘W.M. Glass’ verso oil on board 52.5 x 71.5cm (20 11/16 x 28 1/8in).£800 - 1,200

750AR

Attributed to David MacBeth Sutherland (British, 1883-1974)Sorting the catch on a scottish quayside oil on canvas 46 x 61cm (18 1/8 x 24in).£250 - 350

751Continental School, circa 1880A still life of fruit, wicker basket and earthenware jug oil on canvas 61 x 97cm (24 x 38 3/16in).£250 - 350

745

748


752Attributed to Benjamin Blake (British, 1757-1830)Still life of a sportsman’s larder bears initials ‘E.L. 1866’ (lower left) oil on panel 19 x 24cm (7 1/2 x 9 7/16in).£300 - 400

753Circle of T. C. Bale (British, active 1868-1873)Still life grapes, peaches and a melon before a landscape, oval, and another still life with a basket of fruit and carrots both indistinctly signed ‘James Coulton’ (lower right) oil on canvas 46 x 61cm (18 1/8 x 24in).and 36 x 46cm, (2)£500 - 800

754Circle of T. C. Bale (British, active 1868-1873)Still life with fruit on a tray, and another still life with fruit and mallard on a ledge both indistinctly signed ‘James Coulton’ (lower right) oil on canvas 51 x 72cm (20 1/16 x 28 3/8in).and 46 x 61cm, (2)£500 - 800

755†

James Hey Davies (British, 1844-1926)‘A Summer’s Retreat’ signed ‘J HEY DAVIES’ (lower left), also signed and inscribed on label verso with the artist’s address in Manchester oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).£500 - 700

756William Edward Webb (British, 1862-1903)‘St Mary’s Gate Market, Manchester, Saturday Morning’, sketch signed ‘W Webb’ (lower right) oil on canvas 36 x 26cm (14 3/16 x 10 1/4in).£2,500 - 3,500

Sold with a photograph showing inscription on the reverse of the canvas prior to its lining. William Edward Webb is best known for his harbour and coastal oil pantings particularly the Isle of Man. He lived in Manchester and this is an interesting and impressionistic study.

757John Chessell Buckler (British, 1793-1894)Underley Hall, near Kirkby Lonsdale, Westmorland A set of five prospects of Underley Hall, the seat of Alexander Nowell M.P. (1761-1842) all signed J. C. Buckler 1828 (lower right), some indistinctly inscribed on mount watercolour, four unframed 35 x 48cm (13 3/4 x 18 7/8in). Together with another 19th century view of Underley Hall by another hand (6).£1,200 - 1,800

Underley Hall was designed by the Kendal based architect George Webster (1797-1864), and built for Alexander Nowell M.P. between 1825-1828, close to the site of an earlier hall. Underley Hall is recognised as one of the earliest buildings of the Jacobean revival style, but was extended during the 19th century. The Hall became a girls school circa 1948, then a seminary for the Catholic diocese of Lancaster for the training of young priests and later a school for children with special needs which closed in 2012. We understand that this set of prospects was commissioned by Nowell on completion of Underley Hall.

756

757

120 | Bonhams

758David Woodlock (British, 1842-1929)‘A Little Negress, Tangier’ signed ‘D Woodlock’ (upper right), also inscribed (lower centre) and on the reverse oil on canvas laid on board 31 x 22cm (12 3/16 x 8 11/16in).£350 - 500

759David Woodlock (British, 1842-1929), David Woodlock Lady in front of a cottage, with a basket of eggs signed ‘DWoodlock’ (lower right) watercolour 23 x 35cm (9 1/16 x 13 3/4in).£500 - 700

760Attributed to James Campbell (British, 1828-1893)A lacemaker in an interior by candlelight oil on canvas 43 x 33cm (16 15/16 x 13in).£600 - 800

761William Daniels (British, 1813-1880)‘The Draft Players’ signed and inscribed verso oil on panel 41 x 33cm (16 1/8 x 13in).£800 - 1,200

762Arthur Claude Strachan (British, 1865-1938)Maid feeding hens before a cottage signed ‘A. CLAUDE STRACHAN’ (lower right) watercolour 35 x 25cm (13 3/4 x 9 13/16in). and another, John Abernethy Lynas Gray, Hilbre Island and the North Wales coast from the Wirral, signed, watercolour (2)£400 - 600

763William Joseph Julius Caesar Bond (British, 1833-1926)‘Peel Castle, Isle of Man’ signed ‘WJJC Bond’ (lower right); inscribed ‘Isle of Man’ verso, bears label verso oil on panel 16.5 x 24cm (6 1/2 x 9 7/16in).£500 - 700

764William Joseph Julius Caesar Bond (British, 1833-1926)Sailing barges moored by a circular tower signed ‘WJJC Bond’ (lower left) oil on panel 11.5 x 14.5cm (4 1/2 x 5 11/16in).£500 - 700

765William Joseph Julius Caesar Bond (British, 1833-1926)‘Dordrecht’ signed ‘WJJC Bond/1880’ (lower left) watercolour 50 x 74cm (19 11/16 x 29 1/8in).£250 - 350

766William Joseph Julius Caesar Bond (British, 1833-1926)‘Scene on the Irish Coast’ signed ‘WJJC Bond’ (lower right); bears inscription label verso oil on board 29 x 45.5cm (11 7/16 x 17 15/16in).£400 - 600

767William Joseph Julius Caesar Bond (British, 1833-1926)‘On the Broads’ signed ‘WJJC Bond’ (lower left); bears labels verso oil on panel 24 x 32cm (9 7/16 x 12 5/8in).£350 - 500

768William Joseph Julius Caesar Bond (British, 1833-1926)‘Drying out the sails’ - possibly the Wirral coast(?) signed ‘WJJC Bond’ (lower right); bears label verso oil on panel 9.5 x 15cm (3 3/4 x 5 7/8in).£500 - 700

Prints and Paintings by Northern Artists

769AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘The Cart’ signed ‘L. S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 49.5 x 39.5cm (19 1/2 x 15 9/16in).£500 - 700

760


770AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘The Notice Board’ signed ‘L. S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 40 x 50cm (15 3/4 x 19 11/16in).£500 - 700

771AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Level Crossing with Train’ signed ‘L.S. Lowry’ in pencil (lower right) colour print 46 x 55.5cm (18 1/8 x 21 7/8in).£700 - 900

772AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘The Lonely House’ signed ‘L.S. Lowry’ in pencil (lower right), with blind stamp (lower left) colour print 26.5 x 50.5cm (10 7/16 x 19 7/8in).£200 - 300

773AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘St Marys Beswick’ signed ‘L.S. Lowry’ in pencil (lower right), numbered 397/500 in pencil, with blind stamp (lower left) limited edition print 26.5 x 37.5cm (10 7/16 x 14 3/4in).£350 - 500

774† AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Going to the Match’ signed ‘L. S. Lowry’ in pencil (lower right), with the FATG blindstamp (lower left) limited edition colour print, from the edition of 300 53.5 x 68.5cm (21 1/16 x 26 15/16in). together with a numbered limited edition print ‘The Lancashire League Cricket Match’ with blind stamp, numbered 151/550, 35 x 68cm (2)£3,500 - 4,500

775AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Mrs. Swindells’ Picture’ signed ‘L.S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 40.5 x 30.5cm (15 15/16 x 12in).£300 - 500

776AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Market Scene in a Northern Town’ signed ‘L. S. Lowry’ in pencil (lower right) limited edition colour print, unframed 46 x 61cm (18 1/8 x 24in).£600 - 800

Provenance: With Cornwater Fine Art

777* AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Woman with a Beard’ signed ‘L S Lowry’ in pencil (lower right), numbered 017 from the edition of 750 (lower left) limited edition colour print, unframed 57 x 48cm (22 7/16 x 18 7/8in).£300 - 400

778AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Group of Children’ signed ‘L.S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 18 x 19cm (7 1/16 x 7 1/2in).£350 - 450

779AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Man Holding Child’ signed ‘L.S. Lowry’ (lower right), with blind stamp (lower left) limited edition colour print 45 x 70.5cm (17 11/16 x 27 3/4in).£300 - 500

780AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘People Standing About’ signed in pencil ‘L. S. Lowry’ (lower right, also with FATG blindstamp limited edition colour print, from the edition of 500 32 x 51cm (12 5/8 x 20 1/16in).£200 - 400

781AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Huddersfield’ signed in pencil ‘L.S. Lowry’ (lower right) with FATG blindstamp (lower left) limited edition colour print from the edition of 850 45 x 57cm (17 11/16 x 22 7/16in).£350 - 500

782AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘The Notice Board’ signed ‘L. S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 40 x 50cm (15 3/4 x 19 11/16in).£400 - 600

783AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Fever Van’ signed ‘L.S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print, unframed 42 x 52cm (16 9/16 x 20 1/2in).£600 - 800

Provenance: With Cornwater Fine Art

783

122 | Bonhams

784AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Going to the Match’ signed ‘L.S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 53 x 68cm (20 7/8 x 26 3/4in).£3,500 - 5,000

785AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Britain at Play’ signed ‘L.S. Lowry’ in pencil (lower right), with blind stamp (lower left) limited edition colour print 45 x 60cm (17 11/16 x 23 5/8in).£600 - 800

786Maurice Rowe (photographer)(British mid/later 20th century) L. S. Lowry A collection of twelve portrait photographs of Lowry taken in 1968, mostly interiors of ‘The Elms’ at Mottram with Lowry and his paintings, all signed on the reverse by the photographer and with date 1968 - the prints on paper and date from mid 1980s-early 1990s, all unframed each 19x25cm and 25 x 19cm (12).£600 - 800

787AR

James Lawrence Isherwood (British, 1917-1988)‘Snow, Manchester’ signed ‘Isherwood’ and dated ‘61 (lower left); signed, inscribed and dated 1961 verso, and signed and inscribed label verso oil on board 49 x 59.5cm (19 5/16 x 23 7/16in).£1,400 - 1,800

788AR

James Lawrence Isherwood (British, 1917-1988)‘The Lost Generation, Pit Brow’ indistinctly signed ‘Isherwood’ (lower right); signed and inscribed verso oil on board 34 x 44cm (13 3/8 x 17 5/16in).£500 - 700

PROVENANCE: Purchased at Phillips Chester, 29 May 1991, lot 215, ‘The Lost Generation’ - lots 208-229 were a collection of paintings by Isherwood.

789AR

James Lawrence Isherwood (British, 1917-1988)Horse Guards, Whitehall signed ‘Isherwood’ and dated 75 (lower right) oil on board 44 x 59cm (17 5/16 x 23 1/4in).£800 - 1,000

Lot 774, also lot 784

787

789


790AR

James Lawrence Isherwood (British, 1917-1988)‘Sun Ainsdale Beach’ ‘Isherwood’ (lower left), inscribed with title verso oil on board 31 x 41cm (12 3/16 x 16 1/8in).£600 - 800

791AR

James Lawrence Isherwood (British, 1917-1988)‘Strathumel, Scotland’ signed ‘Isherwood’ (lower right); signed, inscribed and dated 58 verso oil on canvas, unframed 40.5 x 50.5cm (15 15/16 x 19 7/8in).£250 - 350

792AR

James Lawrence Isherwood (British, 1917-1988)‘Mijas, Spain’ signed ‘Isherwood’ (lower centre right); inscribed verso oil on board 29 x 40cm (11 7/16 x 15 3/4in).£250 - 350

793AR

Pat Cooke (British, 1935-2000)‘Manchester Passover Night’ signed ‘Pat Cooke 1977’ (centre) pen ink and watercolour 22 x 29cm (8 11/16 x 11 7/16in). and another by Pat Cooke ‘Family disagreement, Garman Shoe Shop’, signed, watercolour 40 x 50cm (2).£600 - 800

794AR

William Ralph Turner (Chorlton-on-Medlock 1920-2013)‘A night in Lyon’ signed ‘Turner’ (lower left) also inscribed verso oil on board 16 x 20cm (6 5/16 x 7 7/8in).£600 - 800

There is a torn label from Pitcairn Galleries, Knutsford verso.

795AR

Marc Grimshaw (British, Macclesfield 1957)Manchester street scene, dusk signed ‘M Grimshaw’ (lower left) pastel 33 x 48cm (13 x 18 7/8in).£200 - 300

796AR

Harold Riley (British, born 1934)North American cityscape, probably New York signed ‘Riley’ and dated 70 (lower left) oil on canvasboard 42 x 59cm (16 9/16 x 23 1/4in).£1,000 - 1,500

790

794

796

124 | Bonhams

797AR

Harold Riley (British, born 1934)Young girl on the pavement of a cobbled street signed ‘Riley 63’ pastel and charcoal 28 x 17cm (11 x 6 11/16in). and a print by Riley ‘Alice with the Evening News’, signed in pencil (2).£600 - 800

Harold Riley has produced a limited edition print of similar composition to the pastel of the young girl.

798AR

Harold Riley (British, born 1934)Oil rig under construction in a shipyard; Continental landscape with church both signed ‘Riley’ and dated 70 (lower right) pastel on paper 42 x 27cm (16 9/16 x 10 5/8in).each (2)£500 - 700

799AR

Harold Riley (British, born 1934)‘Study of Augustus John’ with signature and dated 1953 in plate photographic print finished with pastel and chalk 59 x 51cm (23 1/4 x 20 1/16in).£100 - 200

800AR

Harold Riley (British, born 1934)‘The Blue Bridge at Worsley’, together with ‘Sundial Eccles Churchyard’ both signed ‘Riley 61’ pen, ink and watercolour 25 x 36cm (9 13/16 x 14 3/16in).and 21 x 17cm together with another print, ‘Elsie Mullineux in my Studio’, signed ‘Riley’ and indistinctly dated (lower right), colour print, unframed, (3)£600 - 800

Provenance: Directly from the artist to the parents of the present owner.

801AR

Tom Dodson (British, 1910-1991)‘L. S. Lowry’ - a head and shoulders portrait before a lowryesque townscape signed ‘TOM DODSON’ (lower right), also inscribed pencil 19 x 15cm (7 1/2 x 5 7/8in).£250 - 350

802AR

Geoffrey Key (British, 1941)‘Hillside House’ signed ‘GKEY.01.’ (lower left); signed, inscribed and dated verso oil on canvas 49 x 59cm (19 5/16 x 23 1/4in).£3,500 - 4,500

803AR

Geoffrey Key (British, 1941)‘Nocturnal Dance’ signed ‘Key’ and dated 66 (lower left); also inscribed with title and artist’s address label verso watercolour and gouache 50.5 x 57cm (19 7/8 x 22 7/16in).£200 - 300

804AR

Keith Gardner (British, born Liverpool 1933)‘Figures by the Park Lane’ and ‘Autumn Grange Mount Birkenhead, Gateway to Wilson Steer’s Bithplace’, a pair both signed ‘GARDNER’ (lower left); both signed and inscribed verso, one dated 95 verso oil on board 14.5 x 19.5cm (5 11/16 x 7 11/16in). and 14 x 19cm, (2)£400 - 600

805AR

Keith Gardner (British, born Liverpool 1933)‘The Lake Wollaton Park, Nottingham’ and ‘Chester’, a pair both signed ‘GARDNER’ (lower left); both signed and inscribed verso oil on board 21.5 x 29.5cm (8 7/16 x 11 5/8in). and 24.5 x 29.5cm, (2)£400 - 600

806AR

Keith Gardner (British, born Liverpool 1933)‘Lorne Road, Birkenhead, Autumn’ and ‘Autumn Fishing’, a pair both signed ‘GARDNER’ (one lower right, one lower left); both signed and inscribed verso oil on board 22 x 29.5cm (8 11/16 x 11 5/8in). and 21.5 x 29cm, (2)£400 - 600

807AR

Keith Gardner (British, born Liverpool 1933)‘Cheshire Farmhouse, Winter’ signed ‘GARDNER’ (lower right); signed and inscribed verso oil on board 29.5 x 39.5cm (11 5/8 x 15 9/16in). together with another by Michael Ayrton, still life of flowers in a vase, signed ‘MEAYRTON’ (lower right), watercolour, 21 x 27cm, (2)£300 - 400

802


808AR

George Kennerley (British, 1908-2009)Men and Ladders signed ‘KENNERLEY’ (lower right) oil on board 30.5 x 52.5cm (12 x 20 11/16in).£350 - 500

809AR

George Kennerley (British, 1908-2009)Still life of flowers in a pot on a table top signed ‘KENNERLEY’ (lower right) oil on board 36.5 x 44.5cm (14 3/8 x 17 1/2in).£350 - 500

810AR

Sam Walsh (Co. Wexford 1934-1989 Liverpool)Three figures signed ‘Sam Walsh’ verso oil on board 91 x 116cm (35 13/16 x 45 11/16in).£600 - 800

There is a comparable painting in Walker Art Gallery Liverpool. Walsh wrote in a note that accompanies the Walker painting “I was doing a spate of pictures then which involved isolating figures in a white background, with a rather loose amorphous paint structure in the figures and very hard fluid edges.... The aim was to create a counterpoint between linear rhythm and colour keys: the colours intended to suggest the hot still atmosphere of a southern clime, where perhaps two gingery gents might flee to for a rude weekend” Exhibition catalogue for Sam Walsh, Walker Art Gallery Liverpool February-March 1991 (page 29).

811AR

Sam Walsh (Co. Wexford 1934-1989 Liverpool), Sam Walsh ‘Crinkly Bacon’ Portrait of Francis Bacon signed and numbered from an edition of 3 on the reverse, bears label on backing board silkscreen print 33 x 32cm (13 x 12 5/8in).£150 - 250

Sam Walsh used a technique in the 1960s and 1970s where he soaked and crinkled both paper and canvas and used the resulting textures to give a cragginess to the faces of his portraits.

812AR

Sam Walsh (Co. Wexford 1934-1989 Liverpool)‘Mr. B. and President T.’, Leonid Brezhnev, Chairman of the Communist Party, USSR, with Tito, President of the Socialist Federation of Yugoslavia signed ‘WALSH’ and dated 71 (lower left) airbrush 29 x 28.5cm (11 7/16 x 11 1/4in). together with another, ‘Angela’ a portrait of the American political activist, Black Panther and radical feminist Angela Davis, signed ‘WALSH’ and dated ‘71 (lower left), inscribed with title (lower right), pencil and airbrush, 38 x 38cm, (2)£600 - 800

These drawings are examples of Walsh taking images from popular sources - presumably newspapers - and using them as a basis for his artwork. This working method and the use of airbrush places Walsh closer to the work of American Pop artists including Larry Rivers and Jasper Johns than their British contemporaries.

813AR

Sam Walsh (Co. Wexford 1934-1989 Liverpool)‘Sam Walsh’s Girlfriend’ signed ‘WALSH’ and dated ‘77 (lower right); bears label verso pencil and airbrush 63 x 89cm (24 13/16 x 35 1/16in).£900 - 1,200

814AR

Norman Martin Bell (British, 1907-1970)‘France, Arles, 1954’ signed ‘MARTIN BELL. ‘54’ (lower right), also inscribed with title on reverse of frame oil on canvas 41 x 51cm (16 1/8 x 20 1/16in).£500 - 700

Martin Bell taught at Liverpool College of Art, and became head of Fine Art there. He was a prominent member of the Liverpool arts scene in the 1950s and 1960s and exhibited at the Liverpool Academy. His work is represented in Walker Art Gallery, Liverpool, and other galleries locally.

815AR

Donald McKinlay (born Liverpool, 1929)‘Pepi, Greece’ signed ‘DMK’ and dated 98 (lower right); signed, inscribed and dated verso oil on canvas 32.5 x 32.5cm (12 13/16 x 12 13/16in).£400 - 600

816AR

Donald McKinlay (born Liverpool, 1929)Composition 1959/1962 indistinctly signed and inscribed on label verso oil and wax on board 122 x 94cm (48 1/16 x 37in).£600 - 800

813

126 | Bonhams

817AR

Donald McKinlay (born Liverpool, 1929)Composition 1959/62 signed on label verso with Liverpool Academy of Arts label verso oil and wax on hessian 183 x 118cm (72 1/16 x 46 7/16in).£700 - 1,000

818AR

Donald McKinlay (born Liverpool, 1929)Landscape signed ‘McKinlay’ (lower right) oil on board 50.5 x 71cm (19 7/8 x 27 15/16in).£600 - 800

819AR

Arthur Ballard (British, 1915-1994)‘Welsh Shepherds’ signed ‘ARTHUR BALLARD’ verso and also inscribed oil on board 71 x 58cm (27 15/16 x 22 13/16in). Painted circa 1954/55.£700 - 900

Arthur Ballard was a prominent member of the Liverpool art scene of the 1950s and 1960s. He was a lecturer at Liverpool College of Art where he taught many students who developed professional careers, including John Lennon. He was a professional artist working in several differing styles. He exhibited frequently at the Liverpool Academy, and his work is within the collections of major public galleries on Merseyside.

820AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)Portrait of the artist’s wife signed ‘N Horsfield’ and dated 1949 verso, also bears inscription label verso ‘Portrait painted in the Studio of Theodore Major’ oil on canvas 39 x 34cm (15 3/8 x 13 3/8in).£700 - 1,000

821AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)‘Self Portrait’ signed ‘N Horsfield’ and dated 86 verso, also bears label verso oil on canvas 39 x 35cm (15 3/8 x 13 3/4in).£700 - 1,000

819

817


822AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)‘Landscape, Bac de Guernes, France’ signed ‘N Horsfield’ verso, also bears inscription and dated 1961 verso oil on canvas 21 x 29cm (8 1/4 x 11 7/16in).£250 - 350

823AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)‘Seine Valley Village’ inscribed ‘30 July 73’ (lower left) watercolour 29 x 22.5cm (11 7/16 x 8 7/8in).£200 - 300

824AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)‘Cliffs at Le Pollet, Dieppe’ signed ‘N Horsfield’ and dated 1955 verso, also bears label verso oil on board 21.5 x 29cm (8 7/16 x 11 7/16in).£600 - 800

825AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)‘Quiberville Shore, Normandy Coast’ dated ‘18 June’ (lower left); signed ‘N Horsfield’ and dated 1953 verso, also bears inscription label verso oil on canvas 21 x 39.5cm (8 1/4 x 15 9/16in). £300 - 400

826AR Nicholas Horsfield (British, New Malden, Surrey, 1917-2005) ‘Sandrancourt, France’ signed and dated 1964 verso, also signed, inscribed and dated label verso oil on canvas 39 x 29cm (15 3/8 x 11 7/16in). £300 - 400

827AR

Nicholas Horsfield (British, New Malden, Surrey, 1917-2005)‘Rock Island, Ireland’ signed ‘N Horsfield’ and dated 1971 twice verso, also signed , inscribed and dated label verso oil on canvas 29 x 39.5cm (11 7/16 x 15 9/16in).£300 - 400

828William Mellor (British, 1851-1931)‘On the Llugwy, North Wales’ signed ‘William Mellor’ (lower left); inscribed verso oil on canvas 76 x 51cm (29 15/16 x 20 1/16in).£1,500 - 2,000

820

828

128 | Bonhams

829†

Robert Jobling (British, 1841-1923)‘The Jaws of Borrowdale,’ signed ‘RJobling 1875’ (lower left), also bears inscription verso oil on canvas 46 x 61cm (18 1/8 x 24in).£800 - 1,200

830AR

Elizabeth Campbell Fisher Clay (British/American, 1871-1959)Fishing boats, Runswick Bay signed ‘E. C. FISHER CLAY’ (lower right) oil on board 39.5 x 49.5cm (15 9/16 x 19 1/2in).£500 - 700

831AR

Robert Leslie Howey (British, Hartlepool, Cleveland 1900-1981 Seaton Carew)River landscape and bridge with figures beneath signed ‘R L Howey’ and dated 76 (lower right) pastel and watercolour 37 x 44.5cm (14 9/16 x 17 1/2in).£500 - 700

832† AR

Peter Brook (British, 1927-2009)‘Old Farm’ signed ‘PETER BROOK’ (lower right) inscribed with title (lower centre) oil on canvas, 51 x 61cm (20 1/16 x 24in).£2,000 - 3,000

833† AR

Peter Brook (British, 1927-2009)‘Spring In Cumbria.’ signed ‘PETER/BROOK’ (lower right) and inscribed with title (lower left and centre) oil on canvas 51 x 61cm (20 1/16 x 24in).£1,800 - 2,500

834† AR

Peter Brook (British, 1927-2009)‘Corner Café’ signed ‘PETER BROOK’ and inscribed with title (lower right) oil on canvas 51 x 61cm (20 1/16 x 24in).£2,000 - 3,000

835† AR

Peter Brook (British, 1927-2009)‘Old Farmhouse, Pennine Valley’ signed ‘PETER/BROOK/1980’ (lower right) also inscribed with title (lower left) oil on canvas 51 x 61cm (20 1/16 x 24in).£3,000 - 4,000

832

834


836† AR

Peter Brook (British, 1927-2009)‘Ruins In Spring’ signed ‘PETER BROOK’ (lower right) and inscribed with title (lower left and centre) oil on canvas, 51 x 61cm (20 1/16 x 24in).£3,000 - 4,000

837† AR

David Blackburn (British, born 1939)‘Beach - Circle’ signed ‘David Blackburn 2002’ (lower right) pastel and watercolour/gouache 65 x 50cm (25 9/16 x 19 11/16in).£200 - 300

Provenance: With the Hart Gallery.

838† AR

David Blackburn (British, born 1939)‘The First Leaf’ signed ‘David Blackburn 2002’ (lower right) pastel and watercolour/gouache 65 x 50cm (25 9/16 x 19 11/16in).£200 - 300


839† AR

David Blackburn (British, born 1939)‘Wheel of the Sea’ signed ‘David Blackburn 2002’ (lower right), with gallery label verso pastel and watercolour/gouache 49 x 64cm (19 5/16 x 25 3/16in).£200 - 300


840AR

Graeme Willson (British, born 1951)‘Moonshrine’ signed ‘Graeme Willson’, inscribed with title and dated 1878-88 verso oil on canvas 102.5 x 41cm (40 3/8 x 16 1/8in).£500 - 700

835

836

130 | Bonhams

841AR

Herbert Bannister Whone (Scottish, 1925-2011)Old farmhouse at Outlane, Huddersfield signed ‘Whone’ and dated 67 (upper left) oil on canvas 85.5 x 63.5cm (33 11/16 x 25in).£600 - 800

Provenance: given to the present owner when he studied violin under Herbert Whone at Huddersfield College of Music.

842AR

Laurence Bradshaw (1899-1979), Lawrence Bradshaw (British 1899-1978) Portrait head of a young boy painted plaster maquette 17 x 21cm (6 11/16 x 8 1/4in).£500 - 700

Provenance: Gift from the artist and thence by family descent. Laurence Bradshaw was born in Liscard (Wallasey) Cheshire on 1 April 1899. Bradshaw studied at the University of Liverpool during the First World War and then moved to Liverpool School of Art. He studied art and sculpture and completed his studies in London and Paris. During the mid 1920s Bradshaw worked first as a pupil and then as an assistant to Frank Brangwyn. One of his first commissions was a series of low reliefs for the Brompton Oratory, London (1928) and other commissions followed although his most famous work was the memorial to Karl Marx in Highgate Cemetery, London (1956). Bradshaw was a committed communist and made many portrait busts of key Russian politicians, most of which remain in Russian public collections. The maquette for the Karl Marx memorial is in the Leeds City Art Gallery collection and the Bradshaw archive in the Henry Moore Institute, Leeds.

843AR

Geoffrey Jenkinson (British, born 1925)The Golden Nuggett, Las Vegas - on the freeway signed ‘GEOFFREY JENKINSON’ and dated 1982 (lower right) pencil and watercolour, unframed 93 x 77cm (36 5/8 x 30 5/16in).£600 - 800

Provenance: The artist’s family. Geoffrey Jenkinson was born in Leeds and studied art at Pudsey Technical College. He exhibited at the Royal Academy, Royal Society of British Artists and Royal Cambrian Academy. His work has a graphic, illustrative quality to it which records in detail the towns and cities of Yorkshire but also in this case of ‘down town’ Las Vegas in the 1950s. In the 1950s Jenkinson moved to America where he lived for some time in Tubac, Arizona. He became a member of the Arizona Artists’ Guild and had several American solo shows. His work can be found in various public collections including, Leeds City Art Gallery.

844AR

Geoffrey Jenkinson (British, born 1925)Aladdin and Dunes, Las Vegas at night signed ‘GEOFFREY JENKINSON. R.C.A.’ and dated 1977 (lower right); bears artist’s label verso oil on board, unframed 46 x 60.5cm (18 1/8 x 23 13/16in).£500 - 600

Provenance: The artist’s family.

845AR

John Ridgewell (British, 1937-2004)‘The Old Lock, Huddersfield’ signed ‘J Ridgewell’ (lower right); also signed and inscribed on label oil on canvas 85.5 x 111cm (33 11/16 x 43 11/16in).£600 - 800

PROVENANCE: with Mansard Art Gallery, London

841


846* AR

Brian Shields (Braaq) (British, 1951-1997)‘Fagan Street, Liverpool’ signed ‘braaq F.B.A.’ (lower right) oil on canvas 41 x 51cm (16 1/8 x 20 1/16in).£4,000 - 6,000

Provenance: Purchased from the Braaq Galleries, Harrogate, circa 1975.

847* AR

Brian Shields (Braaq) (British, 1951-1997)‘St Mark’s Liverpool’ signed ‘braaq 75 F.B.A. “ANN”’ (lower left) oil on panel 56 x 91cm (22 1/16 x 35 13/16in).£6,000 - 8,000

Provenance: Purchased from the Braaq Galleries, Harrogate, circa 1975.

846

847

132 | Bonhams

848AR

Brian Shields (Braaq) (British, 1951-1997)Northern town in winter, dusk signed ‘braaq’ and inscribed “ANN” (lower right) oil on board 19 x 29.5cm (7 1/2 x 11 5/8in).£2,500 - 3,500

849AR

Brian Shields (Braaq) (British, 1951-1997)‘Crya-Baby’ signed, inscribed and dated ‘bräaq 76 F.B.A. “ANN”’ (lower left) oil on panel 25.4 x 20.3cm (10 x 8in). Painted in 1976.£5,000 - 7,000

Sold with a certificate from Braaq Galleries, Harrogate, which gives the title ‘Group’.

End of Sale

848

849


FINE ENGLISH FURNITURE & WORKS OF ARTNew Bond Street

Wednesday 20 November 2013

ENqUIRIESGuy [email protected]+44 (0) 20 8963 2848

A GEORGE II ANGLO-cHINESE HUANG HUALI AmRcHAIR£30,000 - 50,000

A pAIR OF GEORGE II ANGLO-cHINESE HUANG HUALI SIdE cHAIRS£40,000 - 60,000

bonhams.com/furniture

134 | Bonhams

Modern Sporting Guns,Rifl es & Vintage Firearms

A fi ne Sinclair-engraved .375 (H&H Mag Belted Rimless) : .300 (H&H Mag Belted Rimless) sidelock ejector rifl e by J. Purdey & Sons, no. 28998Sold £49,250

Wednesday 4 December 2013Knightsbridge, London

Entries now invited

+44 (0) 20 7393 [email protected]

International Auctioneers and Valuers - bonhams.com/guns

Closing date for entriesFriday 18 October


The Gentleman’s Library Sale

Anonymous ‘Keep Calm and Carry On’ An Original World War II Poster£500 - 700

Tuesday 28 January 2014Knightsbridge, London

+44 (0) 20 7393 [email protected]

International Auctioneers and Valuers - bonhams.com/departments/ANU

136 | BonhamsNTB/MAIN/09.13/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

Fine Art and Interiors | 137NTB/MAIN/09.13/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

NTB/MAIN/09.13/V2

Bidding in personYou should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone (only available on lots with a low estimate greater than £400)If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or faxAbsentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internetPlease visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agentBids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

identity of your client in advance, we will be in a position to address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• ZeroratedforVAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Sterling travellers cheques: you may pay for Lots purchased by you at this Sale with travellers cheques, provided the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000. We will need to see your passport if you wish to pay using travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;


Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.


Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

NTB/MAIN/09.13/V2

19. JEWELLERY

˜ Ruby and JadeiteRuby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

GemstonesHistorically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated WeightsIf a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by KutchinskyWhen the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by KutchinskyHas been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “BillBrandt”:inouropinionaworkbytheartist.• “AttributedtoBillBrandt”:inouropinionprobablyawork

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signedand/ortitledand/ordatedand/orinscribed”:inour opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signedand/ortitledand/ordatedand/orinscribedinanother hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• Thedategivenisthatoftheimage(negative).Wherenofurther date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unlessotherwisespecified,dimensionsgivenarethoseofthe piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• AllphotographsaresoldunframedunlessstatedintheLot Description.

21. PICTURES

Explanation of Catalogue TermsThe following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “JacopoBassano”:inouropinionaworkbytheartist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “AttributedtoJacopoBassano”:inouropinionprobablya work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/WorkshopofJacopoBassano”:inouropinionawork by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “CircleofJacopoBassano”:inouropinionaworkbya hand closely associated with a named artist but not necessarily his pupil;

• “FollowerofJacopoBassano”:inouropinionaworkbyapainter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “MannerofJacopoBassano”:inouropinionaworkinthestyle of the artist and of a later date;

• “AfterJacopoBassano”:inouropinion,acopyofaknownwork of the artist;

• “Signedand/ordatedand/orinscribed”:inouropinionthesignature and/or date and/or inscription are from the hand of the artist;

• “Bearsasignatureand/ordateand/orinscription”:inouropinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and RestorationFor your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the winesIt is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and UllagesUllage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcelsA parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in BondWines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case TermsThe following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton


SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

•, †, *, G, Ω, a see clause 8, VAT, for details.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.

7 COLLECTION OF THE LOT

7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.

7.4 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.


SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

•, †, *, G, Ω, a see clause 8, VAT, for details.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE


Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.


7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.


7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

NTB/MAIN/09.13/V2

8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;

8.1.3 to retain possession of the Lot;

8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.

10.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.


APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

NTB/MAIN/09.13/V2

7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;

7.1.2 to retain possession of the Lot;

7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.


10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.


10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/09.13/V2

“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

146 | Bonhams

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African and Oceanic ArtUKPhilip Keith+44 2920 727 980U.S.AFred Baklar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtAlex Clark+61 2 8412 2222

Australian Colonial Furniture and AustralianaJames Hendy+61 2 8412 2222

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Ethnographic ArtJim Haas+1 415 503 3294

Football Sporting MemorabiliaDan Davies+44 1244 353118

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413AUSTRALIAJennifer Gibson+61 3 8640 4088

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471AUSTRALIADamien Duigan+61 2 8412 2232AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Hamilton+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys, Dolls & ChessLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGCarson Chan+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD05/10/13/V2


Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African and Oceanic ArtUKPhilip Keith+44 2920 727 980U.S.AFred Baklar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtAlex Clark+61 2 8412 2222

Australian Colonial Furniture and AustralianaJames Hendy+61 2 8412 2222

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Ethnographic ArtJim Haas+1 415 503 3294

Football Sporting MemorabiliaDan Davies+44 1244 353118

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413AUSTRALIAJennifer Gibson+61 3 8640 4088

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471AUSTRALIADamien Duigan+61 2 8412 2232AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Hamilton+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys, Dolls & ChessLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGCarson Chan+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD05/10/13/V2

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1983 282 228

Representative:KentGeorge Dawes+44 1483 504 030

West SussexJeff Burfield+44 1243 787 548

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester New House150 Christleton RoadChester, CheshireCH3 5TD+44 1244 313 936+44 1244 340 028 fax

Carlisle48 Cecil StreetCarlisle, CumbriaCA1 1NT+44 1228 542 422+44 1228 590 106 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

Jersey39 Don StreetSt.HelierJE2 4TR+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EUrOpE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 0990+353 (0)1 4004 140 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 (0)2 4953 9020+39 (0)2 4953 9021 [email protected]

Italy - romeVia Sicilia 5000187 Rome+39 (0)6 48 5900+39 (0)6 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 76 379 [email protected]

Representatives: DenmarkHenning Thomsen+45 2141 [email protected]

GreeceArt Expertise+30 210 3636 404

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

portugalFilipa Rebelo de Andrade+351 91 921 [email protected]

russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

russia - St petersburgMarina Jacobson+7 921 555 [email protected]

NOrTH AMErICA

USA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

District of Columbia/Mid-AtlanticMartin Gammon+1 (202) 333 1696

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

Florida+1 (305) 228 6600

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SOUTH AMErICA

ArgentinaDaniel Claramunt+54 11 479 37600

BrazilThomaz Oscar Saavedra+55 11 3031 4444+55 11 3031 4444 fax

ASIA

Hong KongCarson Chan Suite 1122Two Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AUSTrALIA

Sydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseCnr Williams Road& Lechlade AvenueSouth Yarra VIC 3141

AFrICA

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET/11/13

148 | Bonhams

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Preferred number(s) in order for Telephone Bidding (inc. country code)

E-mail (in capitals)

I am registering to bid as a private client I am registering to bid as a trade client

If registered for VAT in the EU please enter your registration here:

/ - -

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make and other terms relating to bidding and buying at the Sale. You should ask any questions you have about the Conditions before signing this form. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your informationWhere we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected].

Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price.

Notice to Bidders.Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference.

If successful

I will collect the purchases myself

Please contact me with a shipping quote (if applicable)

Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Please indicate Telephone or Absentee (T / A)

NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.

General Bid Increments:£10 - 200 .....................by 10s£200 - 500 ...................by 20 / 50 / 80s£500 - 1,000 ................by 50s£1,000 - 2,000 .............by 100s£2,000 - 5,000 .............by 200 / 500 / 800s£5,000 - 10,000 ...........by 500s

£10,000 - 20,000 .........by 1,000s£20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s£50,000 - 100,000 .......by 5,000s£100,000 - 200,000 .....by 10,000sabove £200,000 ...........at the auctioneer’s discretion

Telephone or Absentee (T / A) Lot no. Brief description

MAX bid in GBP (excluding premium & VAT)

Covering bid*

The auctioneer has discretion to split any bid at any time.

Please note that all telephone calls are recorded.

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.

UK/04/13

Please tick if you have registered with us before

Fine Art and Interiors Wednesday 20 November 2013 &Thursday 21 November 2013

21133 Chester

Fine Art and InteriorsWednesday 20 November 2013 at 11am Thursday 21 November 2013 at 11amChester

BonhamsNew House150 Christleton RoadChester CH3 5TD+44 (0) 1244 313936+44 (0) 1244 340028 fax

International Auctioneers and Valuers - bonhams.com

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fine art and interiors roger tappin, shahin virani, david williams, michael wynell-mayow. fine art...

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