fine american& european paintings & sculpture, including works from the lehman brothers...

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JASPERJASPER FRANCISFRANCIS CROPSEYCROPSEY(american(american 1823-1900)1823-1900)“AUTUMN“AUTUMN ONON THETHE HUDSON”HUDSON”SignedSigned ‘J.F.‘J.F. Cropsey’Cropsey’ bottombottom left,left, oiloilonon canvascanvas2020 xx 3232 in.in. (50.8(50.8 xx 81.3cm)81.3cm)

FOLLOWERFOLLOWER OFOF LEONARDOLEONARDO DADA VINCIVINCI(italian(italian 1452-1519)1452-1519)THETHE PIETÀPIETÀ WITHWITH SAINTSAINT JOHNJOHN THETHEEVANGELISTEVANGELIST ANDAND MARYMARYMAGDALENEMAGDALENEOilOil withwith goldgold groundground onon panel,panel, inin ananengagedengaged frameframe5858 1/21/2 xx 4848 in.in. (148.6(148.6 xx 121.9cm)121.9cm) (sight)(sight)6363 3/83/8 xx 5555 3/43/4 in.in. (161(161 xx 141.6cm)141.6cm)(overall(overall withwith frame)frame)

wwwwww.fr.freemaneemansausaucctiontion.c.coomm SaSammueuell TT FFrreeeemmaann && CCo.o. 11880088 CChehessttnutnut StStrreeeett PhilaPhiladdeelplphiahia PPeennnsnsylvanylvaniaia 1919110033TTel-l-221155.5.5663.3.99272755 FaFax-x-221155.5.5663.83.8223636

FiFinnee AmeAmericricanan && EEuropeuropeaannPaiPaintntiingsngs && ScScuulptlptuurere12/06/09including works from thelehman brothers collection

G09-07054-cover.qxd:two flap cover 11/11/09 3:24 PM Page 2

Sunday December 6th at 2pm

Sale 1354

Exhibitions:Thursday, December 3rd andFriday, December 4th10am-6pmSaturday, December 5thNoon-5pm

Inquiries:alasdair nicholdirect tel: [email protected]

david weissdirect tel: [email protected]

libia elena mendezdirect tel: [email protected]

Bidding:bids departmentkati gegenheimer ext 3008Direct Tel: 267.414.1208Fax [email protected]

Catalogue $35

Inside Front Cover: Lot 113 (detail)Inside Back Cover: Lot 1 (detail)

Fine American & European Paintings& Sculpture 12/06/09including works from thelehman brothers collection

Samuel T Freeman & Co.1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

www.freemansauction.com

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

Fax: 434.296.4011

www.freemanssouth.com

Printing by Brilliant Studio

Exton, Pennsylvania

Color images of every lot are

available at


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Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

Important Informationfor Buyers

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before lots will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed within5 days. Purchases not so removed may be turned over to a licensedwarehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.

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European Paintings& Sculpture


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1FOLLOWER OF LEONARDO DA VINCI(italian 1452-1519)THE PIETÀWITH SAINT JOHN THE EVANGELIST AND MARYMAGDALENEOil with gold ground on panel, in an engaged frame58 1/2 x 48 in. (148.6 x 121.9cm) (sight)63 3/8 x 55 3/4 in. (161 x 141.6cm) (overall with frame)

provenance:Ex-collection (by repute): Dan Fellows Platt, Englewood, New Jersey.Parke-Bernet Galleries, Inc., New York sale of Jan. 17, 1941, lot 20, as‘Ligurian School XVI century’, sold $100.Acquired at the above sale by Noel Cortes.By family descent.Private Collection, Philadelphia, Pennsylvania.literature:F. Mason Perkins, Dipinti Italiani nella Raccolta Platt, part II of Rassegnad’Arte, Sept. 1911, p. 149.$20,000-30,000


2FOLLOWER OF CARLO SARACENI(italian c. 1579-1620)“THE MADONNA AND CHILD WITH SAINT ANNE AND AN ANGEL”Oil on canvas laid on panel30 3/4 x 42 7/8 in. (78.1 x 108.9cm)provenance:Private Collection, South Carolina.literature:For another, autograph version, please see Anna Ottani Cavina, ‘Saraceni: tredipinti, qualche dato’ in Scritti in Onore di Giuliano Briganti,’ Milan, 1990, pp.160-7, fig. 2.note:The present painting repeats Saraceni’s best known composition. Anautograph version, published in Anna Ottani Cavina, “Saraceni: tre dipinti,qualche dato,” in Scritti in Onore de Giuliano Briganti, Milano, 1990, pp. 160-167, figure 2, oil on copper, 11 1/2 x 14 3/8 in. (29.2 x 36.5cm), was offeredat Christie’s New York, New York, sale of Important Old Master Paintings,January 23, 2004, lot 42.$5,000-8,000

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3FOLLOWER OF PAUL VAN SOMER(flemish 1576-1621)DOUBLE PORTRAIT OF CHILDRENIN A LANDSCAPEOil on cradled panel36 x 27 1/4 in. (91.4 x 69.2cm)provenance:Private Collection, New Jersey.$5,000-8,000

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6FOLLOWER OF LOUIS GALLOCHE(french 1670-1761)“ASSUMPTION OF A FEMALESAINT”Oil on canvas laid on board, oval12 5/8 x 16 1/4 in. (32.1 x 41.3cm)provenance:Private Collection, Virginia.$2,000-3,000

4CIRCLE OF GORTZIUS GELDORP(flemish 1553-1616)DOUBLE PORTRAIT OF NOBLESISTERSInscribed ‘**ASV SVA/FV M/ANNO 1613/55’, oil on cradledpanel19 1/8 x 25 in. (48.6 x 63.5cm)provenance:An Estate, New York, New York.$1,500-2,500

5FOLLOWER OF PEETER NEEFFSTHE ELDER(flemish c. 1578-c. 1661)A CHURCH INTERIOR AT NIGHTWITH A PRIEST SAYING MASSOil on copper10 3/4 x 13 5/8 in. (27.3 x 34.6cm)provenance:Herbert W. Vanden Brul, Rochester,New York.Christie, Manson & Woods Ltd.,London, United Kingdom, October25th, 1985, lot 24.$2,000-3,000

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7FOLLOWER OF PIETER CASTEELS III(flemish 1684-1749)A COCKEREL, HEN, CHICKS, PEACOCK AND OTHER BIRDS, IN ANORNAMENTAL LANDSCAPEOil on canvas36 1/4 x 42 1/2 in. (92.1 x 108cm)provenance:Private Collection, Washington, D.C.$5,000-8,000

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8FLORENTINE SCHOOL(19th/20th century)VIRGIN AND CHILD FLANKED BYSAINTSInscribed on bottom of frame, ‘AVEMARIA’, tempera on panel with goldground, triptych, with shaped top, inan engaged frame17 3/4 x 18 7/8 in. (45.8 x 47.9cm)provenance:Private Collection, Philadelphia,Pennsylvania.By family descent.$2,000-3,000

9FLORENTINE SCHOOL(19th/20th century)VIRGIN AND CHILD FLANKED BYCHRIST AND MALE SAINTInscribed on bottom of frame, ‘AVEMARIA’, tempera on panel with goldground, triptych, with shaped top, inan engaged frame17 7/8 x 18 3/4 in. (45.4 x 47.6cm)provenance:Private Collection, Philadelphia,Pennsylvania.By family descent.$2,000-3,000

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10AFTER TIZIANO VECELLIO CALLED TITIAN(italian 1490-1576)“VENUS BLINDFOLDING CUPID”Oil on canvas17 5/8 x 27 in. (44.8 x 68.6cm)provenance:Private Collection, Pennsylvania.note:After the original, painted ca. 1565, in the Galleria Borghese, Rome.$2,500-4,000

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11FOLLOWER OF THOMASGAINSBOROUGH(british 1727-1788)MISS MARY POCHINOil on canvas, feigned oval,inscribed ‘K.A.M.’ on stretcher.21 3/4 x 18 in. (55.2 x 45.7cm)provenance:Kimbell Art Museum, Fort Worth,Texas.Sotheby’s ParkeBernet, New York, New York, sale524, December 8, 1976, lot 271.Private Collection, Charlottesville,Virginia.note:Inscribed K.A.M. on stretcher.$1,500-2,500

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12ATTRIBUTED TO LEMUELFRANCIS ABBOTT(british 1760-1803)FRANCIS GRANT OF KILGRASTON(D. 1818)Oil on canvas30 x 35 in. (76.2 x 88.9cm)provenance:Private Collection, WesternPennsylvania.$3,000-5,000

13FOLLOWER OF SIR THOMASLAWRENCE(british 1769-1830)PORTRAIT OF A GENTLEMANOil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, Maryland.$1,500-2,500


14CIRCLE OF DIMITRIGREGORIOVITCH LEVITSKY(russian 1735-1822)PORTRAIT OF A RUSSIANNOBLEMAN, BELIEVED TO BECOUNT GRIGORY GRIGORYEVICHORLOV (1734-1783)Oil on canvas21 1/8 x 17 3/4 in. (53.7 x 45.1cm)provenance:Private Collection, Washington, D.C.$3,000-5,000

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15FOLLOWER OF SIR ANTHONYVAN DYCK(flemish 1599-1641)“HENRIETTA MARIA”Oil on canvas50 x 39 7/8 in. (127 x 101.3cm)provenance:Nicholas M. Acquavella Gallery, NewYork, New York, circa 1934.Acquired from the above by Mrs.Dorrance, Philadelphia, Pennsylvania,circa 1934.William D. Horley Auction, Philadelphia,Pennsylvania, October 16th, 1953, lot1120, $400.Acquired at the above sale by NoelCortes.By family descent.Private Collection, Philadelphia,Pennsylvania.$3,000-5,000


16ATTRIBUTED TO THOMAS HAND(british 1771-1804)EXTENSIVE LANDSCAPE WITHFIGURES, CATTLE, HORSES ANDDONKEYS, WITH BUILDING INDISTANCEOil on canvas17 x 20 7/8 in. (43.2 x 53cm)provenance:Private Collection, Virginia.$2,000-3,000

17ATTRIBUTED TO JOHN CROME(british 1794-1842)HOUSES IN AWOODLANDSETTINGOil on canvas11 x 16 in. (27.9cm x 40cm)provenance:Private Collection, WesternPennsylvania.$3,000-5,000

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18GEORGE TURNER(british 1843-1910)“A DERBYSHIRE LANE”Signed and dated ‘Geo Turner / 88’bottom left, oil on panel12 x 16 in. (30.5 x 40.6cm)provenance:Frost & Reed, London, UnitedKingdom.exhibited:Bath and West and SouthernCounties Society, United Kingdom.$1,200-1,800


19WILLIAM H. HOPKINS AND EDMUND HAVELL(british fl. 1853-1892, british 1819-1894)BEFORE THE RACESigned ‘W H Hopkins & E. Howell’ bottom right, oil on canvas25 x 30 1/4 in. (63.5 x 76.8cm)provenance:Private Collection, Washington, D.C.$5,000-8,000

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20OLIVER CLARE(british 1853-1927)PRIMROSES AND BIRDS’ NESTSON A MOSSY BANKSigned and dated ‘OLIVER CLARE1882’ bottom right, oil on canvas10 x 12 1/8 in. (25.4 x 30.8cm)provenance:An Estate, New York, New York.$1,000-1,500

21ALFRED DE BREANSKI, JNR.(british 1877-1957)“EARLY MORNING, LODORE,DERWENTWATER”Signed ‘A. de Breanski Jnr’ bottomright, signed and inscribed with titleverso, oil on canvas20 x 30 in. (50.8 x 76.2cm)$2,000-3,000

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22MANNER OFWILLIAM HENRY HUNT(british 1790-1864)BLOWING EGGSOil on panel10 x 7 3/4 in. (25.4 x 19.7cm)provenance:An Estate, New York, New York.$1,500-2,500


23HENRY ANDREWS(british 1794-1868)A COURTING COUPLESigned and dated ‘H. Andrews 1866’bottom right, oil on canvas23 x 18 3/4 in. (58.4 x 47.6cm)provenance:An Estate, New York, New York.$2,000-3,000

24JEANNE SAMSON(continental late 19th/early20th century)THE BILLET DOUXSigned and dated ‘JEANNESAMSON 1815’ bottom left, oil oncanvas24 x 19 3/4 in. (61 x 50.2cm)provenance:An Estate, New York, New York.$1,500-2,500

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25G* R* SMITH(british 19th century)“AND AS THE FATHER HE HATHDONE, IN BOUNDEN DUTY DOTHTHE SON”Signed ‘G.R. SMITH’ bottom left, oilon canvas20 3/4 x 14 3/4 in. (52.7 x 37.5cm)provenance:An Estate, New York, New York.note:A clipping from the Fine ArtsJournal dated ‘May 15th, 1817’refering to the painting is attachedverso.$1,500-2,500


26FRANCESCO BERGAMINI(italian 1815-1883)CHOIR PRACTICESigned ‘F. Bergamini’ bottom left, oilon canvas, laid down on board18 x 27 in. (45.7 x 68.6cm)provenance:Private Collection, Pennsylvania.$7,000-10,000

27LÉO HERRMANN(french 1853-1927)THE ROSE BUSHSigned ‘Leo Herrmann’ bottom right,oil on panel10 x 7 1/2 in. (25.4 x 19cm)provenance:Private Collection, Maryland.$1,000-1,500

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28ALEKSEI STEPANOVICHSTEPANOV(russian 1858-1923)“INTERLUDE: YOUNG MAN ATWINDOW PLAYING BALALAIKA”Signed in Cyrillic, bottom left, oil oncanvas12 7/8 x 15 in. (32.7 x 38.1cm)provenance:Ex-collection, Sol Hurok.Raydon Gallery, New York, NewYork.Private Collection, Delaware.$4,000-6,000

29MIKHAIL OSIPOVICH MIKESHIN(russian 1835-1896)“HARVESTERS”Signed in Cyrillic and dated ‘1874’ bottomright, pastel and crayon on paper laiddown on card10 1/2 x 7 5/8 in. (26.7 x 19.4cm) (image)12 x 9 in (30.5 x 22.9cm) (sheet)provenance:Ex-collection: Sol Hurok.Raydon Gallery, New York, New York.Private Collection, Delaware.$1,000-1,500

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30ERNST MEISEL(german 1838-1895)MARIE ANTOINETTE IN TEMPLEand a companion by the same hand;MARIE ANTOINETTE GOING TOHER EXECUTIONEach signed and located ‘E. Meisel /Munchen’ bottom left, each oil oncanvas, each unframed9 1/2 x 7 1/2 in. (24.1 x 19.1cm)$2,500-4,000

31JULES ALEXANDRE DUVAL-LECAMUS(french 1814-1878)YOUNG GIRL AND CHILD IN A GARDENSigned ‘Duval L.C.’ bottom left, oil on canvas18 1/4 x 15 in. (47 x 38.1cm)$1,500-2,500

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32FRANS VAN LEEMPUTTEN(belgian 1850-1914)A ROADSIDE CONVERSATIONSigned ‘FRANS VAN LEEMPUTTEN’ bottom left, inscribed ‘The undersigneddeclares that this / picture has been painted by himself / ANTWERPEN /FRANS VAN LEEMPUTTEN’ verso, oil on canvas27 1/2 x 20 in. (69.9 x 50.8cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


33EUGENE VERBOECKHOVEN(belgian 1799-1881)DROVER WITH CATTLE ANDSHEEP IN A LANDSCAPESigned ‘...** Verboeckhoven’ andinscribed indistinctly bottom left,oil on canvas23 1/4 x 32 3/4 in. (59.1 x 81.5cm)provenance:Private Collection, Pennsylvania.note:This appears to be a collaborationwith another artist whose signatureis indistinct.$5,000-8,000

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34JULIUS JACOBUS VAN DE SANDEBAKHUYZEN(dutch b. 1835-1925)EARLY MORNING, HOLLANDSigned ‘J.v.d. Sande Bakhuyzen’bottom right, watercolor heightenedwith white on paper laid on card14 1/2 x 21 3/4 in. (36.8 x 55.2cm)(image)14 3/4 x 22 in. (37.5 x 55.9cm)(sheet)provenance:Private Collection, Michigan.$2,000-3,000

35HENDRIK DIRK KRUSEMAN VANELTEN(dutch 1829-1904)FEEDING THE DUCKSSigned ‘WD Kruseman van Elten’bottom right, oil on panel13 1/4 x 18 5/8 in. (33.7 x 47.3cm)$2,000-3,000

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36HENRI DIDDAERT(belgian 1819-1893)“TAVERN SCENE”Signed ‘H. Diddaert’ and inscribedon label verso, oil on panel11 3/4 x 15 in. (29.8 x 38.1cm)provenance:Private Collection, Pennsylvania.$1,500-2,500


37FRANZ GRÄSSEL(german 1861-1948)DUCKS CROSSING A BROOKSigned ‘Franz Grässel’ bottom right,oil on canvas15 1/2 x 21 3/4 in. (39.4 x 55.2cm)provenance:Private Collection, New York.$4,000-6,000

38ARNOLD MARC GORTER(dutch 1866-1933)MOTHER AND CHILD ON AWOODLAND PATHSigned ‘AM GORTER’ bottom right,oil on canvas20 x 15 in. (50.8 x 38.1cm)provenance:Private Collection, North Carolina.$1,500-2,500

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39ATTRIBUTED TO LOUIS GABRIELEUGENE ISABEY(french 1803-1886)FIGURES CROSSING AFOOTBRIDGEOil on canvas39 1/2 x 30 3/4 in. (100.3 x 78.1cm)provenance:An Estate, New York, New York.$4,000-6,000

40NEAPOLITAN SCHOOL(19th century)“NAPOLI DAL CARMINA”Gouache on paper11 3/4 x 16 5/8 in. (29.8 x 42.2cm)and a companion“NAPOLI DA MARE”a pair (2)provenance:Private Collection, Charlottesville,Virginia.$2,000-3,000

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41ROSA BONHEUR(french 1822-1899)“OXEN PLOWING”Signed ‘Rosa Bonheur’ bottom right, oil on canvas, executed in 187527 x 40 in. (68.6 x 101.6cm)provenance:Christie’s, New York, New York, May 25, 1995, lot 260.Acquired from the above.Private Collection, Virginia.$15,000-25,000

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42ROSA BONHEUR(french 1822-1899)A DEER GRAZINGWith stamped signature ‘RosaBonheur’ bottom right, and with the‘VENTE ROSA BONHEUR 1900’wax seal verso, oil on canvas10 1/2 x 13 3/4 in. (26.7 x 34.9cm)provenance:Private Collection, Virginia.$2,000-3,000

43ROSA BONHEUR(french 1822-1899)BLACK SHEEPWith stamped signature ‘RosaBonheur’ bottom right and with the‘VENTE ROSA BONHEUR 1900’wax seal verso, oil on canvas11 1/2 x 13 3/8 in. (29.2 x 34cm)provenance:Private Collection, Virginia.$2,000-3,000

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44ROSA BONHEUR(french 1822-1899)LIONSSigned and dated ‘Rosa Bonheur1868’ bottom left, oil on canvas20 x 28 in. (50.8 x 71.1cm)provenance:Private Collection, Virginia.$3,000-5,000


45ROSA BONHEUR(french 1822-1899)“RETURNING FROMMARKET”Signed ‘Rosa Bonheur’ bottom left,oil on panel10 3/4 x 21 3/4 in. (27.3 x 55.2cm)provenance:Private Collection, Virginia.$4,000-6,000

46ROSA BONHEUR(french 1822-1899)SHEEP GRAZING ON A HILLSIDEWith stamped signature bottomright, and with ‘VENTE ROSABONHEUR 1900’ wax seal verso,oil on canvas12 3/4 x 16 in. (32.4 x 40.6cm)provenance:Estate of the artist.Galerie Georges Petit, Paris, May20-June 2, 1900.Private Collection, Virginia.$2,000-3,000

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47ROSA BONHEUR(french 1822-1899)LION AMONGST FLOWERSSigned and dated ‘Rosa Bonheur1891’ bottom center, pencil andgouache on a fan, with a hansbillturtle eretmochelys imbricatahandle, in a lunette shaped frame13 x 25 5/8 in. (33 x 65.1cm)provenance:Private Collection, Virginia.$2,000-3,000


48OTTO PILNY(swiss 1866-1936)DANCING ODALISQUESigned and inscribed ‘OTTO PILNYCairo’ bottom right, oil on canvas71 x 47 1/4 in. (180.3 x 120cm)provenance:Private Collection, Maryland.$30,000-50,000

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50GEORGES STEIN(french 1870-1955)PARISIAN STREET SCENE,EVENINGSigned and inscribed ‘GEORGESSTEIN PARIS’ bottom center right,watercolor and bodycolor on paper8 3/4 x 12 3/4 in. (22.2 x 32.4cm)provenance:Foxhall Gallery, Washington, D.C.Private Collection, Washington, D.C.$1,000-1,500

51TIVADAR J. MOUSSON(hungarian 1887-1946)THE VILLAGE MARKET, WINTERSigned ‘Mousson J. Tivadar’, bottomright, oil on canvas13 x 17 3/8 in. (33 x 44.1cm)$1,500-2,500

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49JOHN DA COSTA(british 1867-1931)LADY WITH RED OSTRICHFEATHER FANSigned and dated ‘John da Costa17’ bottom left, oil on canvas50 1/4 x 40 1/4 in. (127.6 x102.2cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


52AUGUSTE RODIN(french 1840-1917)“L’UN DES BOURGEOIS DE CALAIS:BUSTE DE JACQUES DE WIESSANT,TÊTE NO 288conceived circa 1885Inscribed A. Rodin No. 8 / © by MuséeRodin 1966 and inscribed '.GeorgesRudier/.Fondeur.Paris.', bronze with darkbrown green patina, with greenishhighlights. On black Belgian marble base4 1/2 in. (11.4cm) (height)6 1/2 in. (16.5cm) (overall height)provenance:Galerie Michael, Beverly Hills, California.Private Collection, Nevada.$8,000-12,000

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53MANÉ-KATZ(ukrainian/french 1894-1962)DRUMMERBronze with dark brown patina,signed and inscribed ‘Mané Katz2/8’ on base, on black slate plinth10 1/4 in. (26cm) (height)11 3/4 in. (29.8cm) (overall)provenance:Private Collection, Maryland.$2,000-3,000

54MANÉ-KATZ(ukrainian/french 1894-1962)FLAUTISTBronze with dark brown patina,signed and numbered ‘Mané Katz1/8’ on base, on black slate plinth14 3/8 in. (36.5cm) (height)15 5/8 in. (39.7cm) (overall)provenance:Private Collection, Maryland.$2,000-3,000

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55EMILE-OTHON FRIESZ(french 1879-1949)“LE MARCHÉ AUX CHEVAUX À FALAISE”Signed, indistinctly inscribed and dated 'Othon Friesz/*/1903’ bottom left,oil on canvas26 x 32 in. (66 x 81.3cm)provenance:Private Collection, France.Galerie Hopkins-Custot, Paris, France, 1989.Private Collection, Florida.exhibited:‘Othon Friesz’, Musée Galliera, Paris, France, November 1959, Cat. No 5.note:This lot will be accompanied by a photocertificate of authenticity fromRobert Martin dated ‘Paris, le 1er juin 1989’.$40,000-60,000

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56HENRI MANGUIN(french 1874-1949)“PAYSAGE”Signed ‘Manguin’ bottom right, oilon canvas, laid down on board,unframed13 x 16 in. (33 x 40.6cm)note:This lot will be accompanied by aphotocertificate of authenticity fromLucile Martinais Manguin dated‘Paris, le 22 décembre 1975’.$12,000-18,000


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57RUBENS SANTORO(italian 1859-1942)ON THE VENETIAN LAGOONSigned and inscribed ‘RubensSantoro / Venezia’ bottom right, oilon panel15 x 9 in. (38.1 x 22.9cm)provenance:Private Collection, WesternPennsylvania.$15,000-25,000


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58GERARD SEKOTO(south african 1913-1993)TWO BOYS IN CHECK SHIRTS WITH A BLACK CATSigned ‘G. SEKOTO’ bottom left, oil on canvas13 x 16 1/4 in. (33 x 41.3cm)provenance:Private Collection, Pennsylvania.$40,000-60,000


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59CELSO LAGAR(spanish 1891-1966)HARLEQUIN WITH GUITAR ANDMONKEYSigned ‘Lagar’ upper left, inscribed‘In ventavie / Juin 1927’ on labelattached verso, oil on canvas39 1/2 x 29 in. (100.3 x 73.7cm)$20,000-30,000


59ACARLOS NADAL(spanish 1917-1998)“COLUMBUS CIRCLE, NEW YORK”Signed ‘Nadal’ bottom right, signed, inscribed with title and numbered ‘23’verso, oil on canvas23 5/8 x 28 3/4 in. (60 x 73cm)provenance:The Solomon Gallery, London, United Kingdom.Private Collection, Philadelphia, Pennsylvania.$10,000-15,000

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II

www.ww.frfreemeemansaansauctionuction.com.com Freeman’s 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel:215.563.9275 Fax:215.563.8236

All lots to be soldwithout reserve


Works from the LehmanBrothers Collection

Please note that all lots from the Lehman Brothers Collection are to be sold not subject toreserve unless noted with a red bullet point (�) after the lot number.

This applies only to lot 93.


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60F.E. MCWILLIAM RA(northern irish 1909-1992)“ANTHROPOMORPHIC BEAN”Bronze sculpture with gold patina,signed and numbered ‘McW 1/5’ onbase, executed in 196530 1/4 in. (76.8cm) (height)provenance:A plaque attached to the basestates ‘Presented by H. DieterHolterbosch.’From the Lehman BrothersCollection.note:This work relates to a series of‘Bean’ sculptures produced by theartist in 1965-1966. Typically suchworks were characterized by theirswelling organic forms which appearto reference a playful sexuality.$8,000-12,000


42


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61MICHAEL AUGUSTIN POWERO’MALLEY(irish 1870-1946)DRIVING THE GEESE HOMESigned ‘Power O’Malley’ bottomright, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:From the Lehman BrothersCollection.$2,000-3,000

62NICOLAS KALMAKOFF(russian/french 1873-1955)FRENCH RIVIERASigned illegibly bottom right, oil oncanvas, laid down on panel9 7/8 x 12 5/8 in. (25.1 x 32.1cm)provenance:From the Lehman BrothersCollection.$2,000-3,000

63WALTER KOENIGER(american/german 1881-1943)RIVER IN AWINTER LANDSCAPESigned and dated ‘W KOENIGER 28’bottom left, indistinctly signed,inscribed and dated on partial labelverso, oil on canvasboard13 3/4 x 13 3/4 in. (34.9 x 34.9cm)provenance:From the Lehman BrothersCollection.$2,500-4,000


43


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64HENRY RUSSELL BALLINGER(american 1892-1994)BREAKERS ON A ROCKY SHORESigned ‘HR Ballinger’ bottom right,oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:From the Lehman BrothersCollection.$1,000-1,500

65ANDREW GEORGEWINTER(american 1893-1958)OCEAN SURFSigned bottom right and dated ‘AWinter 33’, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:From the Lehman BrothersCollection.note:Possibly painted on the Maine coast.$3,000-5,000

66CHARLES PAUL GRUPPE(american 1860-1940)“BASS ROCKS, MASS.”Signed ‘Chas P. Gruppe’ bottom left,inscribed with title in pencil onstretcher verso, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:From the Lehman BrothersCollection.$2,500-4,000


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67WALTER A. CLARK(american 1848-1917)A NEW ENGLAND COVEREDBRIDGEInscribed ‘Estate of Walter Clark’verso and inscribed ‘Walter Clark’ inpencil on stretcher, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:From the Lehman BrothersCollection.$700-1,000

68ARTHUR MERTON HAZARD(american 1872-1930)WOODED RIVER LANDSCAPESigned ‘A M Hazard’ bottom left, oilon canvas20 x 24 in. (50.8 x 61cm)provenance:From the Lehman BrothersCollection.$1,000-1,500

69ROBERT EMMETT OWEN(american 1878-1957)WOODED LANDSCAPE, AUTUMNSigned ‘R. Emmett Owen’ bottomleft, oil on canvas28 x 46 1/4 in. (71.1 x 117.5cm)provenance:From the Lehman BrothersCollection.$2,500-4,000


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70WILLIAMMERRITT POST(american 1856-1935)“A CLOUDY DAY”Signed ‘W. MERRITT POST’ bottomright, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Vose Galleries, Boston,Massachussetts.From the Lehman BrothersCollection.$2,000-3,000

71FREDERICKW. KOST(american 1861-1923)SUNLIT BRIDGE IN A RURALLANDSCAPESigned ‘Kost’ bottom left, and withthe artist’s estate stamp twice verso,oil on canvas20 x 23 1/2 in. (50.8 x 59.7cm)provenance:From the Lehman BrothersCollection.$1,000-1,500

72MAXWEYL(american 1837-1914)POTOMAC LANDSCAPESigned ‘MAX WEYL’ bottom left, oilon canvas16 x 24 in. (40.6 x 61cm)provenance:From the Lehman BrothersCollection.$2,500-4,000


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73EDMUND DARCH LEWIS(american 1835-1910)“YACHTS OFF OCHRE POINT,NEWPORT”Signed and dated ‘Edmund D. Lewis1880’ bottom left, inscribed withtitle verso, oil on canvas30 x 50 in. (76.2 x 127cm)provenance:From the Lehman BrothersCollection.$6,000-10,000

74WARRENW. SHEPPARD(american 1858-1937)AT FULL SAILSigned and dated ‘Warren Sheppard1885’ bottom right, oil on canvas24 x 37 1/2 in. (61 x 95.3cm)provenance:From the Lehman BrothersCollection.$3,000-5,000


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76JOSHUA TOLFORD(american 1909-1985)“CONVERSATION ON AWHARF”Signed ‘JOSHUA TOLFORD’ bottomright, signed and inscribed with titlein pencil on stretcher verso, oil oncanvas24 x 30 1/4 in. (61 x 77.5cm)provenance:From the Lehman BrothersCollection.$800-1,200

77J. J. ENWRIGHT(american 1911-2001)GLOUCESTER HARBORSigned ‘J.J. Enwright’ bottom right,oil on canvas28 x 38 in. (71.1 x 96.5cm)provenance:From the Lehman BrothersCollection.$1,000-1,500

75JULIET BURDOIN(american b. 1873)SAILBOATS BY AWHARFSigned ‘Juliet Burdoin’ bottom left,oil on canvas20 x 24 in. (50.8 x 61cm)provenance:From the Lehman BrothersCollection.$800-1,200


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78GEORGE ELMER BROWNE(american 1871-1946)FISHING BOATS SETTING SAILSigned ‘Geo. Elmer Browne’bottom left, oil on canvas30 1/4 x 36 in. (76.8 x 91.4cm)provenance:From the Lehman BrothersCollection.$5,000-8,000

79SOLOMONWILSON(american 1896-1974)“THATCHER’S LIGHTHOUSE”Signed ‘Sol Wilson’ bottom right,signed and inscribed with title inpencil on stretcher verso, oil oncanvas25 x 30 in. (63.5 x 76.2cm)provenance:From the Lehman BrothersCollection.exhibited:Carnegie Institute, Pittsburgh,Pennsylvania, ‘Paintings In TheUnited States’, October 14-December 12, 1943.$800-1,200


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80HENRI HAMMOND GALLISON(american 1850-1910)CAPE COD DUNESSigned ‘HH Gallison’ lower left, oil on canvas36 x 50 in. (91.4 x 127cm)provenance:From the Lehman Brothers Collection.$4,000-6,000

81WILLIAM SAMUEL HORTON(american 1865-1936)SEA SHOWERSWith the artist’s estate stamp verso,oil on panel14 3/4 x 18 in. (37.5 x 45.7cm)provenance:From the Lehman BrothersCollection.$1,500-2,500


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82GERTRUDE FISKE(american 1878-1961)“OUTGOING TIDE”Signed ‘Gertrude Fiske’ bottom left,signed and inscribed in pencil onstretcher verso and also signed andinscribed on label attached verso, oilon canvas, in a frame by W.F. Scott20 x 27 1/8 in. (50.8 x 68.9cm)provenance:Vose Galleries, Boston,Massachusetts.From the Lehman BrothersCollection.$3,000-5,000

83ALICE KENT STODDARD(american 1885-1976)FISHING BOATS IN A SQUALLWith stamped signature bottomright, oil on board16 x 20 in. (40.6 x 50.8cm)provenance:From the Lehman BrothersCollection.$1,200-1,800

84WILLIAM J. KAULA(american 1871-1953)“TOWERING CLOUDS”Signed ‘WILLIAM J. KAULA’ bottomright, signed and inscribed on labelattached verso, watercolor20 1/8 x 25 in. (51.6 x 63.5cm)(sight)provenance:From the Lehman BrothersCollection.exhibited:Boston Society of WatercolorPainters, Fiftieth Anniversary.The Museum of Fine Arts, Boston,April 18th and May 14th, 1939.$1,500-2,500


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85PAUL STRISIK(american 1918-1998)“VIEW IN ESSEX”Signed ‘STRISIK’ bottom left, signedand inscribed with title in markerpen on stretcher verso, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Grand Central Art Galleries, NewYork, New York.From the Lehman BrothersCollection.$2,000-3,000

86W.J. VAN HASSELL(american 20th century)LANDSCAPE WITH HOUSESSigned ‘Van Hassell’ bottom left, oilon canvas24 x 28 3/4 in. (61 x 73cm)provenance:From the Lehman BrothersCollection.$800-1,200

87ERNEST ALBERT(american 1857-1946)“SUMMER LANDSCAPE, ROUNDHILL”Signed ‘ERNEST ALBERT NA’bottom right, oil on board17 3/4 x 19 5/8 in. (45.1 x 49.8cm)provenance:Vose Galleries, Boston,Massachusetts.From the Lehman BrothersCollection.$2,500-4,000


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88ERNEST ALBERT(american 1857-1946)“STILL LIFE, THE BLUE COVEREDJAR”Signed ‘ERNEST ALBERT A.N.A’bottom right, oil on canvas24 x 24 in. (61 x 61cm)provenance:Vose Galleries, Boston,Massachusetts.From the Lehman BrothersCollection.$1,500-2,500

89HENRY SCHWARTZ(american 1927-2009)“THE MARRIAGE AT CANA BY VERONESE AS PARODIED ANDFURTHER PARODIED BY HENRY SCHWARTZ USING THE FACULTYOF 1951”Signed and dated ‘Schwartz 51’ bottom left, casein, gold ink and pencilon board20 x 29 1/4 in. (50.8 x 74.3cm)provenance:Gallery NAGA, Boston, Massachusetts.From the Lehman Brothers Collection.note:This work depicts the faculty of the Boston Museum School of 1951. Apencil sketch key attached verso identifies the sitters.$800-1,200

90JOHN COSTIGAN(american 1888-1972)“INDUSTRY 1942”Signed and dated ‘J E COSTIGAN 1942’ bottomleft, watercolor17 3/4 x 33 in. (45.1 x 83.8cm) (image)19 5/8 x 35 3/8 in. (49.8 x 89.9cm) (sheet)provenance:Michael Rosenfeld Gallery, New York, New York.From the Lehman Brothers Collection.$2,000-3,000


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91GORDON HOPE GRANT(american 1875-1962)“BENEATH THE BROOKLYNBRIDGE”Signed ‘Gordon Grant’ bottom left,oil on canvasboard, executed circa193019 1/4 x 27 1/2 in. (48.9 x 69.9cm)provenance:David Findlay Jr., Inc., New York.From the Lehman BrothersCollection.$4,000-6,000

92JOHANN BERTHELSEN(american 1883-1967)“WALL STREET - TRINITYCHURCH”Signed ‘Johann Berthelsen’ bottomright, inscribed with title in panel onstretcher verso, oil on canvas, in aPaul Carter Goodnow frame11 x 9 in. (27.9 x 22.9cm)provenance:Wallace Gallery, East Hampton,New York.From the Lehman BrothersCollection.$4,000-6,000


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93 �GUY CARLETONWIGGINS(american 1883-1962)“THE PLAZA IN WINTER, 1959”Signed ‘Guy Wiggins NA’ bottomright, oil on canvasboard12 x 16 in. (30.5 x 40.6cm)provenance:Christie’s, Los Angeles, California,October 24, 2000, lot 94.Christie’s, New York, New York,July 17, 2002, lot 101.From the Lehman BrothersCollection.$15,000-25,000

� This lot has a reserve


Contemporary Art from aPrivate Collection,

Massachusetts


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94CLAES OLDENBURG(american b. 1929)“STUDY FOR FIREPLUG COLUMN”Signed with initials and dated‘CO75’ bottom right, graphite,crayon and watercolor on paper10 7/8 x 8 1/2 in. (27.6 x 21.6cm)(sheet)provenance:Obelisk Gallery, Boston,Massachusetts.Private Collection, Wellesley,Massachusetts.$6,000-10,000

95CLAES OLDENBURG(american b. 1929)“ARCH IN THE FORM OF ASCREW, FOR TIMES SQUARE NYC”1976, pencil signed and numbered7/35 in the margin; Gemini G.E.L.,Los Angeles, California, publisher;Barbara Thomason & Charles Ritt,printers. Lithograph on Arches Roll.67 1/2 x 40 1/2 in.(171.5 x 102.9cm) (sheet)[Axsom & Platzker, 141].provenance:Obelisk Gallery, Boston,Massachusetts.Private Collection, Wellesley,Massachusetts.$1,500-2,500


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96RICHARD POUSETTE-DART(american 1916-1992)“RADIANCE (UNTITLED)”Signed and dated ‘Pousette-Dart 69/70’ verso, also inscribed ‘POUSETTE-DART 286 HAVERSTRAW RD SUFFERN NY 10901 TEL 914-354-1954 / ST463’ on stretcher bars verso, oil on canvas36 x 54 in. (91.4 x 137.2cm)provenance:Acquired directly from the artist through Obelisk Gallery, Boston,Massachusetts.Private Collection, Wellesley, Massachusetts.$70,000-100,000


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97RICHARD POUSETTE-DART(american 1916-1992)UNTITLEDSigned and dated ‘R Pousette-Dart 77’ verso, signed ‘R. Pousette-Dart’ onstretcher, oil on canvas, unframed20 x 38 in. (50.8 x 96.5cm)provenance:Acquired directly from the artist through Obelisk Gallery, Boston,Massachusetts.Private Collection, Wellesley, Massachusetts.$40,000-60,000


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98DAVID HOCKNEY(british b. 1937)“TWO VASES OF CUT FLOWERS AND A LIRIOPE PLANT”1979, signed, dated and numbered 22/98 in red crayon in the margin;Gemini G.E.L., Los Angeles, California, publisher; Serge Lozingot and JamesReid, printers. Lithograph on Japanese Toyoshi 80.42 x 59 in. (106.7 x 149.9cm) (sheet)[M.C.A.T., 232].provenance:Private Collection, Wellesley, Massachusetts.$10,000-15,000


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99FRANK STELLA(american b. 1936)“SINJERLI VARIATION I”1977, pencil signed, dated and numbered 41/100 in the margin. Offset colorlithograph and screenprint on Arches Cover wove paper; Petersburg Press,New York, publisher.32 x 42 in. (81.3 x 106.7cm) (sheet)[Axsom, 113].provenance:Private Collection, Wellesley, Massachusetts.$5,000-8,000


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100LOUISE NEVELSON(american 1899-1988)“MORNING HAZE”1978, pencil signed, dated and numbered43/125 in the left sheet margin; PaceEditions, Inc., New York, publisher; GarnerTullis, Experimental Print Workshop, SanFrancisco, California. Cast paper relief on twosheets.33 1/2 x 45 1/4 in. (85.1 x 114.9cm)(full sheet)33 1/1 x 22 1/2 in. (85.1 x 57.2cm)(left sheet)33 1/2 x 22 3/4 in. (85.1 x 57.8cm)(right sheet)provenance:Private Collection, Wellesley, Massachusetts.$3,000-5,000

101JOSEF ALBERS(german 1888-1976)“VARIANT X”from “ten variants”1966, pencil signed, dated, titled andnumbered 76/200 in the margin; IvesSillman, New Haven, Connecticut, publisher;Sirocco Screenprints, North Haven,Connecticut, printer. Color screenprint onBFK Rives.10 x 14 in. (25.4 x 35.6cm) (image)[Danilowitz, 173.10].provenance:Private Collection, Wellesley, Massachusetts.$600-800

102JOSEF ALBERS(german 1888-1976)“VARIANT VII”from “ten variants”1966, pencil signed, dated, titled andnumbered 76/200 in the margin, IvesSillman, New Haven, Connecticut, publisher;Sirocco Screenprints, North Haven,Connecticut, printer. Color screenprint on BFKRives.10 x 14 in. (25.4 x 35.6cm) (image)[Danilowitz, 173.7].provenance:Private Collection, Wellesley, Massachusetts.$600-800


American Paintings& Sculpture


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103MARC-AURÈLE DE FOY SUZOR-CÔTÉ(canadian 1869-1937)“THE SURVEYOR”Bronze with brown patina, signed,dated and inscribed ‘M. Suzor-Coté/ 1925 / ROMAN BRONZE WORKSNY. / Copyright Canada & U. States’on base20 3/8 in. (height)provenance:Private Collection, Charlottesville,Virginia.$12,000-18,000

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104HERB MIGNERY(american b. 1937)“DOWSER AND THE SKEPTICS”Bronze with brown patina, signed,dated and numbered 'HERBMIGNERY 1991/19/20' on base. Onblack marble and stained mahoganyrevolving base24 1/2 in. (62.2cm) (height)27 3/8 in. (69.5cm) (overall height)provenance:Private Collection, Penn Valley,Pennsylvania.$4,000-6,000

105MAUDE SHERWOOD JEWETT(american 1873-1953)FROG DECORATED CENTERPIECEInscribed ‘Maude S. Jewett 1929’,along side, bronze, brown patinawith verdigris highlights3 1/2 in. (8.9cm) (height)22 1/8 in. (56.2cm) (diameter)provenance:Private Collection, Pennsylvania.$2,000-3,000


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106ALEXANDER PHIMISTER PROCTOR(american 1862-1950)"KODIAC"Inscribed 'BOONE AND CROCKETT CLUB./ KODIAC / A.P. PROCTOR / COPYRIGHT',bronze, brown patina. Set on wood plaque6 1/8 in. (15.6cm) (height)6 3/8 in. (16.2cm) (width)4 1/4 in. (10.8cm) (depth)provenance:Private Collection, Virginia.$2,000-3,000

107ANNA VAUGHN HYATTHUNTINGTON(american 1876-1973)LIONESS WITH CUBSInscribed 'Stanerigg 1957 / made formy / dear sister / Harriet / Anna H.Huntington / ROMAN BRONZEWORKS · INC ·N · Y·', aluminumgroup. On wood base7 1/2 in. (19.1cm) (height)24 7/8 in. (63.2cm) (width)11 1/2 in. (29.2cm) (depth)9 in. (22.9cm) (overall height)provenance:Private Collection, Charlottesville,Virginia.$4,000-6,000


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108AUGUSTUS SAINT-GAUDENS(american 1848-1907)‘ROBERT LOUIS STEVENSON”1887-8. Inscribed in raised letters with an excerpt from 'Underwoods' by Stevenson; also inscribed'TO·ROBERT·LOUIS·STEVENSON,·AUGUSTUS·SAINT·GAUDENS' and 'M·D·C·C·C·LXXXVII'. Bronze, with brownpatina. With original oak frame.11 3/4 x 11 5/8 in. (29.8 x 29.5cm) (height)11 5/8 in (29.5cm) (width)provenance:Private Collection, New Jersey.literature:(Other casts)The National Portrait Gallery, Smithsonian Institution, Augustus Saint-Gaudens: The Portrait Reliefs, New York, 1969,numbers 39-41.J. H. Dryfhout, ‘Robert Louis Stevenson’, Metamorphoses In Nineteenth Century, Cambridge, Massachusetts, 1975,pp. 197-200.J.H. Dryfhout, The Work of Augustus Saint-Gaudens, Hanover, New Hampshire, 1982, cat. number 133.K. Greenthal, Augustus Saint-Gaudens, Master Sculptor, Boston, Massachusetts, 1985, pp. 119-121.$15,000-25,000


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109HARRIET WHITNEY FRISHMUTH(american 1880-1980)“LAUGHINGWATERS”1929. Edition of 61, inscribed '19©29HARRIET W. FRISHMUTH' and'GORHAM CO. FOUNDERS QGOA'on base, bronze with brown patina.On black Belgian marble base.16 7/8 in. (42.9cm) (overall height)provenance:Private Collection, Bucks County,Pennsylvania.literature:C.N. Aronson Sculptured Hyacinths,New York, 1973 pp. 183-85, 214(another example illustrated).J. Conner, L.R. Lehmneck, T. TollesCaptured Motion: The Sculpture ofHarriet Whitney Frishmuth, ACatalogue of Works, New York, 2006,pp. 200-201, p. 259, no. 1929:5(other casts illustrated).$20,000-30,000


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110GEORGE FORSTER(american 1817-1896)STILL LIFE WITH FRUIT IN AGLASS COMPOTE WITH BIRD’SNEST AND EGGSSigned and dated ‘G. Forster 1870’bottom right, oil on canvas16 x 12 7/8 in. (40.6 x 32.7cm)provenance:Christie’s, New York, New York,September 27, 1990, lot 13.Private Collection, Delaware.$10,000-15,000


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111ALEXANDER CHARLES STUART(american 1831-1898)“STEAM SAIL SHIP OFF THEJERSEY COAST”Signed and inscribed ‘A G STUART /CHESTER PA’ verso, oil on canvas20 x 36 in. (50.8 x 91.4cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Estate of Suzanne Correll Matthias,Philadelphia, Pennsylvania.Private Collection, Pennsylvania.$2,000-3,000

112ANTONIO JACOBSEN(american 1850-1921)“STEAMSHIP LA GASCOGNE”Signed, dated and inscribed ‘A.Jacobsen 1888 / 705 Palisade Av.West Hoboken NJ’ bottom right, oilon canvas22 x 36 in. (55.9 x 91.4cm)provenance:Raydon Gallery, New York, NewYork.Private Collection, Delaware.literature:Harold S. Sniffen, Antonio Jacobsen -The Checklist: Paintings and Sketchesby Antonio N.G. Jacobsen, 1850-1921,1984, New York.note:La Gascogne was built by Forges &Chantiers de la Mèditerran’ee, LaSeyne, for the Compagnie GeneraleTransatlantique. It’s maiden voyagewas from Le Havre to New York,September 18, 1886. Its lifespan was1886-1919.$8,000-12,000


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113JASPER FRANCIS CROPSEY(american 1823-1900)“AUTUMN ON THE HUDSON”Signed ‘J.F. Cropsey’ bottom left, oil on canvas20 x 32 in. (50.8 x 81.3cm)provenance:Ben J. Selkirk & Sons Auction, St. Louis, Missouri,November 13-16, 1939, lot 325.Acquired at the above by Harold Z. Riley, Clayton,Missouri.By family descent.Private Collection, North Carolina.note:Kenneth W. Maddox of the Newington-CropseyFoundation compares this work to a similar work, inthe Foundation’s collection entitled ‘Hudson HighlandsSunset’. He believes both were painted between 1895-1900, and probably closer to 1900.‘Autumn On The Hudson’ will be included in theforthcoming catalogue raisonné of the works of JasperFrancis Cropsey by the Newington-CropseyFoundation, Hastings-On-Hudson, New York.$100,000-150,000


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114WILLIAM TROST RICHARDS(american 1833-1905)CLIFFS OVERLOOKING BREAKERSON THE SHORESigned and dated ‘WMT. Richards1900’ bottom right, watercolor onpaper laid on card28 7/8 x 19 in. (73.3 x 48.3cm)(image)29 13/16 x 19 5/8 in.(75.7 x 49.8cm) (sheet)provenance:Private Collection, Brooklyn, NewYork.$5,000-8,000


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117FRANK PAUL SAUERWEIN(american 1871-1910)THE GRAND CANYONSigned ‘F.P. Sauerwein’ bottom left, watercolor10 3/4 x 15 1/2 in. (27.3 x 39.4cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

116FRANKLIN DE HAVEN(american 1856-1934)AUTUMNSigned ‘DeHaven A.N.A’ bottom right, oil on canvas30 x 24 in. (76.2 x 61cm)provenance:Private Collection, Virginia.$2,000-3,000

115KARL EUGENE FELIX(american 1837-1906)FIGURES ON A BEACH, SHIPPING,AND A TOWN IN THE DISTANCESigned ‘KE FELIX’ bottom right, oilon canvas17 x 35 in. (43.2 x 88.9cm)provenance:Private Collection, Maryland.$2,000-3,000


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118BENJAMIN FERRIS GILMAN(american 1856-1934)THE YOUNG VIOLINISTSigned and dated ‘BF Gilman 1893’bottom left, oil on canvas36 x 28 in. (91.4 x 71.1cm)provenance:Private Collection, North Carolina.exhibited (probably):1893, World’s Fair, The ColumbianExposition, Chicago, Illinois.$2,500-4,000

119LEONARD OCHTMAN(american 1854-1934)FOREST AT DUSKSigned and dated ‘L. OCHTMAN1886’ bottom left, oil on canvas16 x 12 in. (40.6 x 30.5cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


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121FREDERICKWILLIAM KOST(american 1861-1923)“HILLTOP WITH SHEEP”Signed ‘Kost’ bottom left, oil onpanel11 3/4 x 13 7/8 in. (29.8 x 35.4cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

120WILLIAMMERRITT POST(american 1856-1935)RIVER LANDSCAPE, AUTUMNSigned ‘W MERRITT POST’ bottomleft, oil on canvas30 x 40 in. (76.2 x 101.6cm)provenance:Private Collection, Brooklyn, NewYork.$4,000-6,000

122FREDERICKWILLIAM KOST(american 1861-1923)“A BAVARIAN PEASANT’S HUT”Signed ‘Kost’ bottom left, alsosigned and inscribed verso, oil onpanel8 x 10 1/8 in. (20.3 x 25.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


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123HERMANN HERZOG(german/american 1832-1932)“DAYBREAK ON THE FJORD”Signed ‘H. Herzog’ bottom left, oilon canvas15 x 21 in. (38.1 x 53.3cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Property from the Estate of WilliamR. Frazier, Jr.The proceeds to primarily benefitFox Chase Cancer Center.$4,000-6,000

124ALEXANDER HELWIGWYANT(american 1836-1892)“EVENING”Signed ‘AH Wyant’ bottom right,signed and inscribed with title onlabel verso, oil on canvas12 1/2 x 15 1/2 in. (31.8 x 39.4cm)provenance:M.A. Newhouse & Son, St. LouisAcquired from the above by thepresent owner’s grandparentsBy family descent.Private Collection, Main Line,Pennsylvania.$3,000-5,000


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125WALTER HARTSON(american 1866-1946)RIVER IN SPATESigned ‘Walter C. Hartson’ bottomleft, oil on canvas, laid down24 x 28 3/4 in. (61 x 73cm)provenance:An Estate, New York, New York.$2,000-3,000

126GEORGEW. DREW(american 1875-1968)REFLECTION IN A LILY PONDSigned ‘George W. Drew’ bottomright, oil on canvas24 1/4 x 36 in. (61.6 x 91.4cm)provenance:Private Collection, Maryland.$2,000-3,000

127JOHN FRANCIS MURPHY(american 1853-1921)“EVENING LANDSCAPE”Signed and dated ‘J. Francis Murphy1914’ bottom right, oil on canvas12 x 20 1/4 in. (30.5 x 51.4cm)$2,000-3,000


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128ROBERTWOOD(american 1889-1979)SILVER BIRCHES, SUNSETSigned ‘Robt. Wood’ bottom left, oilon canvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Las Vegas,Nevada.$3,000-5,000

129ROBERTWOOD(american 1889-1979)WATER LILIES ON A LAKESigned ‘Robt Wood’ bottom right, oilon canvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Las Vegas,Nevada.$3,000-5,000


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130ROBERTWOOD(american 1889-1979)“BLUEBONNET TIME”Signed ‘Robt. Wood’ bottom right, inscribed with title in ink and withstamped signature twice verso, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Las Vegas, Nevada.note:This lot will be accompanied by a letter of authenticity from the artist’sdaughter, Florence Wood, dated ‘October 3 - 1981’.$8,000-12,000


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131ROBERTWOOD(american 1889-1979)AUTUMN LANDSCAPESigned ‘Robert Wood’ bottom rightwith artist’s stamp verso, oil oncanvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Las Vegas,Nevada.$2,000-3,000

132ROBERTWOOD(american 1889-1979)PINE TREES BY A LAKESigned ‘Robert Wood’ bottom right,oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Las Vegas,Nevada.$2,000-3,000

133ROBERTWOOD(american 1889-1979)“OWENS RIVER - WHITEMOUNTAINS, NEVADA”Signed ‘Robert Wood’ bottom left,inscribed with title in pencil andwith stamped signature verso, oil onboard9 x 12 1/4 in. (22.9 x 31.1cm)provenance:Private Collection, Las Vegas,Nevada.$1,000-1,500


135ROBERTWOOD(american 1889-1979)“LAGUNA BEACH”Signed ‘Robert Wood’ bottom right,inscribed with title, dated ‘1972’ andwith stamped signature verso, oil oncanvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Las Vegas,Nevada.$2,500-4,000

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134ROBERTWOOD(american 1889-1979)“LAGUNA SUNSET”Signed ‘Robert Wood’ bottom right,inscribed with title in ink verso, oilon board12 x 24 in. (30.5 x 61cm)provenance:Private Collection, Las Vegas,Nevada.$2,000-3,000

136ROBERTWOOD(american 1889-1979)SUNSET OVER THE CANYONSigned ‘Robert Wood’ bottom right,oil on board16 x 12 in. (40.6 x 30.5cm)provenance:Private Collection, Las Vegas,Nevada.$1,500-2,500


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137JOHN (JACK) FROST(american 1890-1937)A HUNTSMAN AND HIS DOGSigned and dated ‘JOHN FROST 1934’ bottom right, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Western Pennsylvania.$15,000-25,000


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138JOHN (JACK) FROST(american 1890-1937)FLY FISHERMAN ON A RIVERSigned and dated ‘JOHN FROST 1934’ bottom right, oil on board20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Western Pennsylvania.$12,000-18,000


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139EDWARD CHARLES VOLKERT(american 1871-1935)CATTLE GRAZING ON A SUN DAPPLED HILLSIDESigned ‘Edw. Volkert’ bottom right, oil on panel12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Western Pennsylvania.$7,000-10,000


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140EDWARD CHARLES VOLKERT(american 1871-1935)CATTLE RESTING IN THE SHADE OF A CHERRY TREESigned ‘Edw. C. Volkert’ bottom center left, oil on panel12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Western Pennsylvania.$7,000-10,000


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141MARJORIE REED(american 1915-1996)COWBOY IN THE MOUNTAINSSigned ‘MARJORIE REED’ bottomright, oil on canvas16 1/4 x 20 in. (41.3 x 50.8cm)provenance:Private Collection, Virginia.$2,000-3,000

142ROSS STEFAN(american 1934-1999)COWBOY ON HORSEBACK BYMOONLIGHTSigned ‘Ross Stefan’ bottom left, oilon canvas18 x 24 in. (45.7 x 61cm)provenance:Private Collection, Virginia.$1,500-2,500

143GARY KAPP(american b. 1942)“A DRINK AT THE SPRING”Signed ‘GARY KAPP NWR’ bottomright, oil on canvas25 x 36 in. (61 x 91.4cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


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145NICK EGGENHOFER(american 1897-1985)FRONTIERSMANWITH COVEREDWAGONSigned ‘N. EGGENHOFER’ bottomright, watercolor, unframed9 7/8 x 12 5/8 in. (25.1 x 32.1cm)provenance:Private Collection, Virginia.$1,000-1,500

144NICK EGGENHOFER(american 1897-1985)THE WAR PARTYSigned ‘N EGGENHOFER’ bottomright, gouache on paper13 x 16 in. (33 x 40.6cm) (sight)provenance:Private Collection, Virginia.$4,000-6,000


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146FRANK VINCENT DUMOND(american 1865-1951)FISHERMENWITH THEIR CATCHSigned and dated ‘Frank V. Dumond1927’ bottom left, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, WesternPennsylvania.$7,000-10,000


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147RICHARD STONE REEVES(american 1919-2005)“PATRICK”Signed and dated ‘RICHARD STONEREEVES 1977’ bottom right,inscribed ‘PATRICK’ bottom left, oilon board11 x 14 in. (27.9 x 35.6cm)provenance:Commissioned by the presentowner's father in the mid 1970s.Private Collection, San Francisco,California.note:The horse, Patrick, was a successfulsteeplechase racer.$6,000-10,000

148WALLACE NALL(american 20th century)“SIMONA”Signed and dated ‘W Nall 79’bottom right, oil on canvas16 x 18 in. (40.6 x 45.7cm)provenance:Commissioned by the presentowner's father in the late1960s/early 1970s.By family descent.Private Collection, San Francisco,California.note:The horse, Simona, was a ChampionHunter Jumper that the originalowner owned and competed on.$1,500-2,500


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149B.K. REILLY(american 20th century)“MR. STEWART’S FOXHOUNDS HACKING TO THE MEET”Signed 'BK Reilly' bottom right, oil on canvas, executed circa thelate 1960s-early 1970s.30 1/2 x 43 1/2 in. (77.5 x 110.5cm)provenance:Private Collection, San Francisco, California.note:This painting depicts a foxhunting scene of Mr. Stewart's Cheshirefoxhounds in the Unionville/Chadds Ford area.$6,000-10,000


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150B.K. REILLY(american 20th century)“MR. STEWART’S FOXHOUNDS MARKING THEIR FOX”Signed 'B K Reilly" bottom right, oil on canvas, executed circa thelate 1960s-early 1970s.30 1/2 x 43 1/2 in. (77.5 x 110.5cm)provenance:Private Collection, San Francisco, California.note:This painting depicts a foxhunting scene of Mr. Stewart's Cheshirefoxhounds in the Unionville/Chadds Ford area.$6,000-10,000


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151ANTONIO CIRINO(american 1889-1982)FIGURE IN AN AUTUMNLANDSCAPESigned ‘A CIRINO’ bottom left, oil oncanvas20 x 24 in. (50.8 x 61cm)$3,000-5,000

152PAUL STRISIK(american 1918 - 1998)“TAOS ADOBE”Signed ‘P STRISIK’ bottom left, oil onboard16 x 20 in. (40.6 x 50.8cm)$1,000-1,500

153PAUL STRISIK(american 1918 - 1998)“OCEAN VIEW”Signed ‘P STRISIK’ bottom right, oilon board25 x 30 in. (63.5 x 76.2cm)$1,500-2,500


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155OTIS PIERCE COOK JR.(american 1900-1980)HARBOR SCENESigned ‘Otis Cook’ bottom left, oilon canvas25 1/4 x 30 in. (64.1 x 76.2cm)provenance:Private Collection, Penn Valley,Pennsylvania.$3,000-5,000

154WALTER GRANVILLE SMITH(american 1870-1938)“OFF MONTAUK”Signed and dated ‘W. GRANVILLESMITH 35’ bottom left, signed andinscribed on label attached verso, oilon canvas12 x 15 3/4 in. (30.5 x 40cm)provenance:Salmagundi Club, Auction 1937,New York, New York.Private Collection, Alabama.$4,000-6,000

156CARL WILLIAM PETERS(american 1897-1980)“SAILBOATS”Signed ‘CARL W PETERS’ bottomright, inscribed with title ‘Sale Boats’(sic) on stretcher verso, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Penn Valley,Pennsylvania.$4,000-6,000


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157HARRY AIKEN VINCENT(american 1864-1931)“TUNA FISHERMAN”Signed ‘H.A VINCENT’ bottom left, inscribed with title verso, oil on canvas30 x 36 1/4 in. (76.2 x 92.1cm)provenance:Private Collection, Pennsylvania.$20,000-30,000


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159EMILE ALBERT GRUPPE(american 1896-1978)“MT. MANSFIELD, VERMONT”Signed ‘Emile A Gruppe’ bottomright, signed and inscribed with titleverso, oil on canvas18 x 20 in. (45.7 x 50.8cm)provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000

158EMILE ALBERT GRUPPE(american 1896-1978)“NAPLE (SIC) BAY”Signed ‘Emile A. Gruppe’ bottomright, also inscribed ‘Naple Bay byEmile A Gruppe 910’ in marker onstretcher, oil on canvas24 x 20 in. (61 x 50.8cm)provenance:Private Collection, Delaware.$6,000-10,000


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160EMILE ALBERT GRUPPE(american 1896-1978)“THE LIBERTY AT DOCK ATGLOUCESTER”Signed ‘Emile A Gruppe’ bottomright, inscribed with title verso, oilon canvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Penn Valley,Pennsylvania.$5,000-8,000

161EMILE ALBERT GRUPPE(american 1896-1978)“ROCKPORT HARBOR”Signed ‘Emile A Gruppe’ bottom left,inscribed with title verso, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Penn Valley,Pennsylvania.$4,000-6,000


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163STEPHEN MORGAN ETNIER(american 1903-1984)“TOWARDS HASKELL’S ISLAND”Signed and dated ‘Stephen Etnier1963’ bottom center left, oil oncanvas12 x 20 in. (30.5 x 50.8cm)provenance:The Milch Galleries, New York, NewYork.Wiscasset Bay Gallery, WiscassetBay, Maine.provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000

162STEPHEN MORGAN ETNIER(american 1903-1984)“DAVIT, NASSAU”Signed ‘Stephen Etnier’ bottomcenter right, signed, inscribed withtitle and dated ‘1968’, reworked1974-5’ on stretcher verso, oil oncanvas16 x 24 in. (40.6 x 61cm)provenance:Private Collection, Philadelphia,Pennsylvania.$5,000-8,000


164EVERETT FRANKLIN SPRUCE(american 1908-2002)BREAKINGWAVESSigned ‘SPRUCE’ bottom right, oil oncanvas30 x 40 in. (76.2 x 101.6cm)provenance:Private Collection, WesternPennsylvania.$7,000-10,000


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165DAVID BURLIUK(russian/american 1882-1967)HOUSE BY A LAKESigned and dated ‘Burliuk 22’bottom left, oil on canvas13 x 19 in. (33 x 48.3cm)provenance:Purchased by the parents of thepresent owner in the 1970s, possiblyfrom a gallery in Maine.Private Collection, Colorado.$5,000-8,000

166LEON SHULMAN GASPARD(russian/american 1882-1964)“PROVINCETOWN #5 - BOAT INHARBOR”Signed, inscribed and dated ‘LeonGaspard Provincetown 1917’ bottomleft, with an estate stamp verso, oilon panel10 x 5 3/4 in. (25.4 x 14.6cm)provenance:Kennedy Galleries, New York, NewYork.Santa Fe East, Santa Fe, NewMexico.Private Collection, WesternPennsylvania.$5,000-8,000


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169MOSES SOYER(american 1899-1974)“DANCERS”Signed ‘M Soyer’ bottom center,signed and inscribed with title verso,oil on panel33 1/4 x 16 5/8 in. (84.5 x 42.2cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

168MOSES SOYER(american 1899-1974)FEMALE NUDE WITH ARMSBEHIND HER HEADSigned ‘M SOYER’ bottom right, oilon canvas20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, New Jersey.$2,000-3,000

167PAUL CADMUS(american 1904-1999)“FEMALE NUDE - A19”Signed and inscribed ‘Cadmus A-19’bottom left, white pencil on blackpaper11 3/4 x 7 1/2 in. (29.8 x 19.1cm)provenance:Midtown Galleries, New York, NewYork.$1,500-2,500


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170RAPHAEL SOYER(american 1899-1987)FEMALE MODEL STANDINGBAREFOOTSigned ‘RAPHAEL SOYER’ bottomright, oil on canvas24 x 12 in. (61 x 30.5cm)provenance:Private Collection, Richmond,Virginia.$4,000-6,000

171RAPHAEL SOYER(american 1899-1987)GIRL IN BLUESigned ‘RAPHAEL SOYER’ bottomright, oil on canvas16 x 12 1/4 in. (40.6 x 31.1cm)provenance:Private Collection, Richmond,Virginia.$3,000-5,000


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173GORDON COUTTS(american 1880-1937)IN THE SOUKHSigned ‘Gordon Coutts’ bottomright, oil on canvas18 x 14 in. (45.7 x 35.6cm)provenance:Private Collection, Brooklyn, NewYork.$1,200-1,800

172HENRY LEE MCFEE(american 1886-1953)“STICKS AND STONES”Signed ‘McFee’ bottom right, oil oncanvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, Richmond,Virginia.exhibited:Pennsylvania Academy of Fine Art‘Annual Exhibition’, January 23 -February 27, 1949.$4,000-6,000


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176MAXIMILIAN VANKA(american 1890-1963)STILL LIFE OF FLOWERSAGAINST A YELLOW DRAPESigned ‘M VANKA’ bottom left,oil on canvas29 3/4 x 28 in. (75.6 x 71.1cm)$3,000-5,000

174ANATOLE KOVARSKY(american 20th century)“FRAME SHOP”Signed 'Kovarsky' bottom right,watercolor on paper18 x 14 in. (45.7 x 35.6cm) (image)19 5/8 x 17 13/16 in. (49.8 x 45.4cm)(sheet)provenance:The artist.Robert Dain, New York, New York.By family descent.Private Collection, Pennsylvania.note:This watercolor depicts Robert Dain, theuncle of the present owner, in his frameshop on Madison Avenue, New York, NewYork. This illustration was used as the coverthe New Yorker on April 6th, 1963.$2,000-3,000

175JANE PETERSON(american 1876-1965)“PEONIES”Signed ‘JANE PETERSON’ top left, oil on board15 3/4 x 12 in. (40 x 30.5cm)provenance:Private Collection, North Carolina.note:A label attached verso headed Appolonia H. Cassidy, Public RelationsCounsel, New York, New York states: ‘PRIZE WINNING PAINTING: PEONIESBY JANE PETERSON, OCT 16TH 1956, N**P WON BY MR. A.C. SHEPHERD,PURCHASING AGENT, WINSTON-SALEM, N. CAROLINA. CONVENTIONTHE CONRAD HILTON HOTEL, CHICAGO ILLINOIS.’$5,000-8,000


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177JOHN FABIAN CARLSON(american 1875-1947)“WOODLAND REPOSE”Signed ‘John F. Carlson’ bottom leftsigned and inscribed with title onstretcher verso, oil on canvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, North Carolina.$8,000-12,000


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179LAURENCE A. CAMPBELL(american 1896-1978)“ARCH STREET”Signed ‘Laurence A. Campbell’bottom left, signed and inscribedwith title verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Virginia.$3,000-5,000

178JOHANN BERTHELSEN(american 1883-1972)“FIFTH AVENUE LOOKING NORTHFROM 23RD STREET”Signed ‘Johann Berthelsen’ bottomright, inscribed with title verso, oilon canvasboard12 1/4 x 9 1/4 in. (31.1 x 23.5cm)provenance:Private Collection, WesternPennsylvania.$3,000-5,000


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181BROR JULIUS OLSSONNORDFELDT(american 1878-1955)LANDSCAPE WITH HORSESSigned and dated ‘Nordfeldt 37’lower right, watercolor20 x 30 in. (50.8 x 76.2cm)provenance:The artist.Emily Abbott Nordfeldt, the artist’swife, Lambertville, New Jersey.Private Collection, New Hope,Pennsylvania.$2,000-3,000

180BROR JULIUS OLSSONNORDFELDT(american 1878-1955)FISHINGSigned and dated ‘Nordfeldt 37’bottom right, watercolor20 x 30 in. (50.8 x 76.2cm)provenance:The artist.Emily Abbott Nordfeldt, the artist’swife, Lambertville, New Jersey.Private Collection, New Hope,Pennsylvania.$2,000-3,000


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Born in Richmond, England in 1858, Henry Bayley Snell emigrated to New York in1875. He studied at the Art Students League, and then worked at the PhotoengravingCompany, where he became friends with the painter William L. Lathrop. The twoartists, both of whom would become leading lights of the ‘New Hope’ school ofimpressionist painting, remained lifelong friends, with Snell and his wife eventuallysettling in New Hope – Lathrop’s adopted home - in 1925. For over four decades, Snellwas a much revered staff member at the Philadelphia School of Design for Women. Infact, some of his students went on to form the so-called ‘Philadelphia Ten’ group ofartists.

Freeman’s is pleased to offer the following nineteen lots by Snell, which reflect theartist’s extensive travels in Europe - including trips to St. Ives, England, Italy andGermany - as well as summer sojourns on the Maine and Massachusetts coasts. Thiscollection is consigned by family descendents of the artists.

182HENRY BAYLEY SNELL(american 1858-1943)“LOW TIDE, ST. IVES”Signed ‘Henry B. Snell’ bottom right,oil on canvas24 x 30 in. (61 x 76.2cm)provenance:The artist.By family descent.Private Collection, Virginia.note:This lot will be accompanied by aphotograph of the painting signedand inscribed by the artist.$4,000-6,000


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185HENRY BAYLEY SNELL(american 1858-1943)SAILBOATWITH LOWERED SAILSOil on canvas, laid down11 x 13 in. (27.9 x 33cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,200-1,800

184HENRY BAYLEY SNELL(american 1858-1943)SAILBOAT SETTING OUTOil on canvas, laid down11 x 13 in. (27.9 x 33cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,200-1,800

183HENRY BAYLEY SNELL(american 1858-1943)FISHING BOATS IN A SUNLITHARBOROil on canvas, laid down11 x 13 in. (27.9 x 33cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,500-2,500


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188HENRY BAYLEY SNELL(american 1858-1943)THE BLUE ROW BOATSigned ‘Henry B. Snell’ bottom right,oil on canvas10 1/4 x 9 in. (26 x 22.9cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,000-1,500

186HENRY BAYLEY SNELL(american 1858-1943)CHILDREN PLAYING IN ROCKPOOLSIndistinctly signed ‘Henry B. Snell’bottom left, oil on board, unframed10 1/2 x 13 3/8 in. (26.7 x 34cm)provenance:The artist.By family descent.Private Collection, Virginia.$2,500-4,000

187HENRY BAYLEY SNELL(american 1858-1943)FIGURES AT THE BOATYARDOil on canvas, unframed11 5/8 x 13 3/8 in. (29.5 x 34cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,500-2,500


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191HENRY BAYLEY SNELL(american 1858-1943)BEACHED FISHING BOATSOil on canvas11 x 13 in. (27.9 x 33cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,500-2,500

190HENRY BAYLEY SNELL(american 1858-1943)AN ITALIAN HILLSIDE TOWNSigned ‘Henry B. Snell’ bottom left,oil on canvas13 x 11 in. (27.9 x 33cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,000-1,500

189HENRY BAYLEY SNELL(american 1858-1943)BY THE BOATHOUSEOil on canvas, unframed13 3/8 x 11 5/8 in. (34 x 29.5cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,500-2,500


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194HENRY BAYLEY SNELL(american 1858-1943)COASTAL VILLAGE WITH DARKCLIFFSOil on board, and a companion bythe same handTREES7 x 9 in. (17.8 x 22.9cm) (each)Each unframed (2)provenance:The artist.By family descent.Private Collection, Virginia.$800-1,200

192HENRY BAYLEY SNELL(american 1858-1943)FISHERMEN ON DECKOil on canvas13 1/2 x 11 1/2 in. (34.3 x 29.2cm)and another by the same handSTEAMBOAT AT SEA11 3/4 x 13 1/2 in. (29.8 x 34.3cm)Each unframed (2)provenance:The artist.By family descent.Private Collection, Virginia.$800-1,200

193HENRY BAYLEY SNELL(american 1858-1943)TRACKS THROUGH A FIELDOil on canvas11 5/8 x 13 1/2 in. (29.5 x 34.3cm)and two companions by the samehandSAILBOATS BY AWHARF11 5/8 x 13 1/2 in. (29.5 x 34.3cm)FIGURES ON A PIER13 1/2 x 11 3/4 in. (34.3 x 29.8cm)Each unframed (3)provenance:The artist.By family descent.Private Collection, Virginia.$1,200-1,800


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195HENRY BAYLEY SNELL(american 1858-1943)TWO SKETCHBOOKS CONTAINING DRAWINGS MAINLY INGRAPHITE OF COASTAL, MARINE AND LANDSCAPESUBJECTSApproximately 79 drawings4 1/2 x 6 1/2 in. (11.4 x 16.5cm) and 4 1/4 x 6 1/8 in. (10.8 x16.5cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,000-1,500

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196HENRY BAYLEY SNELL(american 1858-1943)TWO SKETCHBOOKS CONTAINING DRAWINGS IN PENCILANDWATERCOLORS OF MAINLY COASTAL SUBJECTS,SAILING CRAFT AND FIGURE SUBJECTSApproximately 76 drawings4 1/2 x 6 1/2 in. (11.4 x 16.5cm) and 4 x 6 1/2 in. (10.2 x16.5cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,000-1,500

197HENRY BAYLEY SNELL(american 1858-1943)TWO SKETCHBOOKS CONTAINING DRAWINGS INVARIOUS MEDIA ANDWATERCOLORS DEPICTING FIGURESUBJECTS, LANDSCAPES INCLUDING SOME OF EUROPEANSUBJECTS ETC.Approximately 965 5/8 x 4 in. (14.3 x 10.2cm) and 4 1/4 x 6 1/8 in. (10.8 x15.6cm)provenance:The artist.By family descent.Private Collection, Virginia.$1,000-1,500


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198HENRY BAYLEY SNELL(american 1858-1943)A SKETCHBOOK CONTAINING MAINLY WATERCOLORSDEPICTING SUNSETS, LANDSCAPES, ETC.Approximately 163 1/2 x 5 3/8 in. (8.9 x 13.7cm)and a watercolor,SAIL AND STEAM AT SUNSET

Signed ‘Henry B. Snell’ bottom right5 3/4 x 3 1/2 in. (14.6 x 8.9cm)provenance:The artist.By family descent.Private Collection, Virginia.$600-1,000

199HENRY BAYLEY SNELL(american 1858-1943)A COLLECTION OF INVITATION CARDS FROM THEPENNSYLVANIA ACADEMY OF THE FINE ARTS,SALMAGUNDI CLUB, THE NATIONAL ARTS CLUB ANDOTHERSEach with a drawing verso, in various media, mainly graphite,depicting sailing craft and trains6 1/2 x 4 1/4 in. (16.5 x 10.8cm) (largest)3 7/8 x 2 1/2 in. (9.8 x 6.4cm) (smallest) (16)provenance:The artist.By family descent.Private Collection, Virginia.$600-1,000

200HENRY BAYLEY SNELL(american 1858-1943)A COLLECTIONIncluding an album of photographs of the Division of FineArts at the Pan-American Exposition, 1901, a book ofphotographs of Henry B. Snell and William L. Lathrop, acatalogue of the Fine Arts Exhibit of the United States ofAmerica at the Paris Exposition 1900, a color print after Snell,dated 1919, signed by many of his contemporaries includingE.W. Redfield, Edw. H. Potthast, E. Irving Couse, etc.; a colorwoodcut by Florence Francis Snell and other remainingmaterial.provenance:The artist.By family descent.Private Collection, Virginia.$300-500


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201JOHN FULTON FOLINSBEE(american 1892-1972)“THE RARITAN”Signed ‘John F. Folinsbee’ bottomleft, inscribed in ink and signed‘Property of Ruth B. Folinsbee / JohnF. Folinsbee’ on label attached verso,oil on canvas32 x 40 in. (81.3 x 101.6cm)

provenance:Estate of the artist.Richard York Gallery, New York, NewYork.Sotheby's, New York, AmericanPaintings, Drawings and Sculpture,September 14, 1995, lot 155.John H. Surovek Gallery, PalmBeach, Florida.Jim's of Lambertville, Lambertville,New Jersey.Acquired from the above.Private Collection, Princeton, NewJersey.exhibited:The Carnegie Institute, Washington,DC, ‘24th Annual Painting in theUnited States’, 1925.National Academy of Design, NewYork, New York, ‘101st AnnualExhibition’, 1926.Albright Museum of Art, Buffalo,New York, 1926.Art Institute of Chicago, Chicago,Illinois, ‘Annual Exhibition ofAmerican Paintings’, 1926.Grand Central Galleries, New York,New York, 1927.

St. Louis Museum of Art, St. Louis,Missouri, ‘22nd Annual Exhibition ofAmerican Paintings by SelectedArtists’, 1927.Lehigh University, Bethlehem,Pennsylvania, May, 1929.Western Electric Gallery, Hopewell,New Jersey, ‘John Folinsbee, ARetrospective’, 1980.Richard Stuart Gallery, Pipersville,Pennsylvania, ‘John Fulton Folinsbee:His Changing Landscape andIndustrial Modernism’, 1981.New Jersey State Museum, Trenton,New Jersey, ‘The Paintings of JohnFolinsbee’, 1983.Fort Lauderdale Museum of Art, FortLauderdale, Florida, ‘AmericanImpressionism: The New HopeCircle’, 1985.literature:American Impressionism, The NewHope Circle, by Sam Hunter, theMuseum of Art, Fort Lauderdale,Florida, 1984 (illustrated incatalogue).$80,000-120,000


202WILLIAM LANGSON LATHROP(american 1859-1938)“AFTER THE STORM”Signed ‘W L LATHROP’ bottom right, oil on canvas22 x 25 in. (55.9 x 63.5cm)provenance:Private Collection, Washington.$12,000-18,000


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203WILLIAM LANGSON LATHROP(american 1859-1938)“MARTHA’S VINEYARD PASTURE”Inscribed ‘MARTHAS VINEYARD PASTURE W.L. LATHROP NA’ in pencil onstretcher verso, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Estate of the artist.By family descent.Acquired directly from the artist’s great-grandson.$12,000-18,000


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204HARRY LEITH-ROSS(american 1886-1973)“EPTING FARM”Signed ‘Leith-Ross’ bottom right, signed and inscribed with title in ink onstretcher verso, oil on canvas23 x 32 in. (58.4 x 81.3cm)provenance:Herbert W. Vanden Brul, Rochester, New York.$20,000-30,000


Artists from thePennsylvania Academy

of the Fine Arts


205WILLIAM MERRITT CHASE(american 1849-1916)HELEN VÁSQUEZ CHASESigned ‘Wm M. Chase’ bottom right,indistinctly inscribed in pencil verso,oil on panel11 3/4 x 8 7/8 in. (29.8 x 22.5cm)provenance:R.H. Love Galleries, Inc., Chicago,Illinois.Private Collection, Virginia.$12,000-18,000


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207EDMUND DARCH LEWIS(american 1835-1910)EXTENSIVE LANDSCAPE WITHFISHERMANSigned and dated ‘Edmund D. Lewis1873’ bottom left, oil on canvas23 7/8 x 42 in. (60.6 x 106.7cm)provenance:Private Collection, Maryland.$2,500-4,000

206EDMUND DARCH LEWIS(american 1835-1910)FISHERMAN ON A RIVERBANKSigned and indistinctly dated'Edmund Darch Lewis **', oil oncanvas28 x 46 in. (71 x 116.8cm)provenance:Private Collection, Maryland.$2,500-4,000


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124


210EDMUND DARCH LEWIS(american 1835-1910)HOUSE BY AWATERFALLSigned and dated ‘Edmund D. Lewis1900’ bottom right, oil on canvas27 x 22 in. (68.6 x 55.9cm)provenance:Private Collection, Maryland.$1,000-1,500

208EDMUND DARCH LEWIS(american 1835-1910)RIVERSCAPE WITH SAILBOATSigned and dated ‘Edmund D. Lewis1883’ bottom left, oil on canvas30 x 50 1/4 in. (76.2 x 127.6cm)provenance:Private Collection, Maryland.$4,000-6,000

209EDMUND DARCH LEWIS(american 1835-1910)BOATER ON MOUNTAIN LAKESigned and dated ‘Edmund D. Lewis1871’ bottom right, oil on canvas29 5/8 x 50 in. (75.2 x 127cm)provenance:Private Collection, Maryland.$3,000-5,000


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125


212VIOLET OAKLEY(american 1874-1961)“WILLIAM L. LATHROP IN HISSTUDIO AT NEW HOPE”Signed ‘Violet Oakley’ and inscribedwith title on label verso, oil on board19 7/8 x 17 7/8 in. (50.5 x 45.4cm)provenance:Gross McCleaf Gallery, Philadelphia,Pennsylvania.Private Collection, Philadelphia,Pennsylvania.$3,000-5,000

211VIOLET OAKLEY(american 1874-1961)A ROADSIDE ENCOUNTERSigned ‘V. Oakley’ bottom right, oilon canvas, unframed24 x 16 in. (61 x 40.6cm)provenance:Private Collection, Upper Montclair,New Jersey.$6,000-10,000


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126


215VIOLET OAKLEY(american 1874-1961)PORTRAIT OF MRS.. ELIZABETH FINDLAY ANDHER SON, SAMUELSigned, inscribed and dated ‘Violet Oakley /Geneva / November 1927’ bottom left, charcoaland conte crayon on buff paper17 3/4 x 12 3/4 in. (45.1 x 32.4cm) (sight)provenance:Gross McCleaf Gallery, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.$1,500-2,500

213VIOLET OAKLEY(american 1874-1961)JESUS CHRIST IN THE HOUSE OF MARYAND MARTHASigned and dated ‘Violet Oakley 1948’bottom right, watercolor, sanguine, contecrayon, pencil and gold leaf on paper21 1/4 x 34 in. (54 x 86.4cm)provenance:Gross McCleaf Gallery, Philadelphia,Pennsylvania.Private Collection, Philadelphia, Pennsylvania.$2,000-3,000

214VIOLET OAKLEY(american 1874-1961)“THE COMPASSIONATE CHRIST”Signed ‘VIOLET OAKLEY’ bottom right, inscribed‘Mrs. William Henry Fox, Donor’ bottom left,watercolor, ink, pencil and gold leaf on paper15 1/2 x 24 in. (39.4 x 61cm)provenance:Gross McCleaf Gallery, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.$1,500-2,500


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216JOHN MARIN(american 1870-1953)“CASTORLAND, NY”Signed and dated ‘Marin 13’ bottomright, inscribed with title on labelattached verso, watercolor withtraces of pencil17 x 13 1/2 in. (43.2 x 34.3cm)$20,000-30,000


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217CHARLES HENRY DEMUTH(american 1883-1935)TREESSigned and dated ‘C. Demuth 1916’bottom left, watercolor with tracesof pencil, with a landscape verso9 3/4 x 13 3/4 in. (24.8 x 34.9cm)provenance:Lawrence Meridith Clemson Smith,Philadelphia, Pennsylvania.Private Collection, Pennsylvania.note:"At the height of Demuth'sinvolvement with watercolors ofNew York life and literary themes,he simultaneously began to producea group of non-figurativewatercolors, distinct in style no lessthan in subject. In these works laythe origins of Precisionist paintingsthat some scholars identify as his

greatest achievement.Demuth began taking the roadtoward Precisionism in the summerof 1916 in Provincetown under theinfluence of Hartley, who was thereworking on a series ofConstructivist-derived geometriesunified around sailboat motifs. Heand Demuth spent a great deal oftime in each other's company andHartley's work-in-progress mayhave inspired the younger artist toexplore a new direction. Demuthhad begun the summer with a groupof watercolors of sunbathers thatduplicated the documentaryimpulses of his New York subjects.But by mid-September, Hartleyreported that Demuth's currentwork ‘has taken on a less frivolousquality and now they are more

dignified with more real aesthetic inthem.’ Demuth's shift may, in part,have been motivated by thesentiments evident in Hartley'scomments. The circle aroundStieglitz had not yet come to takeDemuth's work seriously. Hisambition was to gain their approval.The work of Demuth's to whichHartley referred approvingly was aseries of tree-filled landscapes inwhich Demuth replaced hischaracteristic freely handled washwith more distinctly demarcatedcolor areas that interlocked in amoderately shallow space. Asbefore, Demuth manipulated therelationship between foreground andbackground, but here, since thesubjects are inanimate, the effect isnot of time passing. And, because

color tones are more delicate andthe structure tighter, the moodseems more restrained. The pebblytexture of the blotting techniquewhich he introduced at this timejoined with interweaving organicplanes to animate the surface. Inisolated works such as Trees andRooftops, Demuth integrated curvingtree forms with the angular shapesof buildings to create a conjunctionbetween the organic and geometricthat would soon becomepredominant in his work."Origins of Precisionism 1916-1922. InBarbara Haskell's exhibitioncatalogue for Charles Demuth,Whitney Museum of American Art,New York, New York, 1987, pp. 121-122.$50,000-80,000


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218AARON HARRY GORSON(american 1872-1933)“PITTSBURGH NIGHT SCENE”Signed ‘A H Gorson’ bottom right, oil on canvas16 x 24 in. (40.6 x 61cm)provenance:Spanierman Gallery, New York, New York, 1980s.Acquired from the above by the present owner’s father.By family descent.Private Collection, South Carolina.exhibited:Westmoreland Museum, in their Barclay Gallery, Greensburg, Pennsylvania,June 22, 2009-October, 15, 2009.$40,000-60,000


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219MARTHA WALTER(american 1875-1976)“LUXEMBOURG GARDEN”Signed ‘Martha Walter’ bottomright, inscribed with title on mat,watercolor7 1/4 x 7 1/4 in. (18.4 x 18.4cm)provenance:Private Collection, WesternPennsylvania.$2,000-3,000

220ROBERT HENRI(american 1865-1929)“SUNLIGHT THROUGH TREES”Signed ‘R HENRI’ bottom center left,pastel on paper8 1/2 x 11 3/4 in. (21.6 x 29.8cm)provenance:Kraushaar Galleries, New York, NewYork.McNay Art Institute, San Antonio,Texas.Private Collection, WesternPennsylvania.$2,000-3,000


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221DANIEL GARBER(american 1880-1958)“QUARRIES AT BYRAM”Signed ‘Daniel Garber’ bottom left,oil on canvas35 5/8 x 44 in. (90.5 x 111.8cm)provenance:The Artist.Remained in the artist’s studio untildiscovered by the present owner inJuly 1985. As such it was the lastremaining work removed from theartist’s home and studio atCuttalossa.Private Collection, Pennsylvania.exhibited:Carnegie Institute, Pittsburgh,Pennsylvania, Twelfth AnnualExhibition a the Carnegie InstituteApril 30 - June, 1908 Cat. No. 103.The Corcoran Gallery of Art,Washington, DC, Second Exhibition,Oil Paintings by ContemporaryAmerican Artists December 8, 1908- January 17, 1909, Cat. No. 19.Pennsylvania Academy of the FineArts, Philadelphia, Pennsylvania,104th Annual Exhibition January 31 -March 14, 1909, Cat. No. 333.Cincinnati Art Museum, Cincinnati,Ohio, Sixteenth Annual Exhibition ofAmerican Art May 22 - July 20,1909, Cat. No. 72.The Art Institute of Chicago,Chicago, Illinois, Twenty-SecondAnnual Exhibition of Oil Paintingsand Sculpture by American ArtistsOctober 19 - November 28, 1909.American Federation of Arts,Washington, DC tour to Fort Worth,Texas, 1910.National Academy of Design, NewYork, New York, Eighty-Fifth AnnualExhibition March 13 - April 17, 1910,Cat. No. 84.

Albright Art Gallery (now Albright -Knox Art Gallery), Buffalo, NewYork, Fifth Annual Exhibition ofSelected Paintings by AmericanArtists May 11 - September 1, 1910,Cat. No. 95.St. Louis Museum of Fine Arts (nowThe Saint Louis Art Museum) St.Louis, Missouri, Fifth AnnualExhibition of Selected Paintings byAmerican Artists September 15 -November 15, 1910, Cat. No. 92.Byers’ Annual Bucks Fever ArtExhibition Heritage Towers,Doylestown, Pennsylvania, BucksCounty In Art: 22 Renowned BucksCounty Artists of Yesterday andToday, April 29 - May 13, 1990, Cat.No. 18.Pennsylvania Academy of the FineArts, Philadelphia, Pennsylvania,‘Daniel Garber: Romantic Realist’January 27-April 8, 2007.literature:Artist’s Record Book I, pg. X2, lines23-24.Artist’s Record Book II, pg. 62,number 795.Artist’s Record Book III, pg. 31:painted in September 1907 nearPoint Pleasant, Pennsylvania.Artist’s Scrap Book I, 1990, 67/68:1-2,1.‘Sargent Wins Beck Medal atAcademy: Other AwardsAnnounced Today for 104th Fine ArtExhibition Which Opens Tomorrow”.Thomas C. Folk ‘The PennsylvaniaImpressionists’, pub., FairleighDickinson University Press,Madison, New Jersey, 1997, pg. 40.Lance Humphries; Introduction byKathleen Foster, Daniel GarberCatalogue Raisonne, pub. HollisTaggart Galleries, New York, NewYork, 2006.Volume I pg. 40-41 (see note), pg.44, pg.41 (illustrated).Volume II, pg. 78 (illustrated), Cat.p. 249.

note:“Although Garber arrived back inPhiladelphia in May 1907, it was notuntil July of that year that he beganpainting there again, perhaps due towork on the property at Cuttalossa.He would record only three works asbeing painted in 1907, including twoin July, The In-take-Raven Rock, NewJersey and The Delaware(cat. p 247, p248). The latter landscape was infact recorded as painted in both July1907 and July 1908, indicating thatimmediately after his return Garberwas willing to paint on his canvasesover a long period of time, anapproach he would followthroughout his career. The thirdwork, Quarries at Byram (cat. p 249),painted in September 1907,establishes that the artist wasquickly drawn to this subject.Indeed, quarries would remaincentral to the artist’s landscapepainting for the remainder ofGarber’s working life, either as themain theme of a canvas or as anintegral part of a composition.Several years and a number ofquarries later the artist wouldreport: “The Pennsylvania hills lendthemselves to painting...Thosequarries give you things like theGrand Canon [sic] but on a scalecommensurate with the canvas. Thebig things of the west are almostimpossible to get.” As he had inmany of his European landscapes,Garber placed most of the emphasisin Quarries at Byram on the middleground, here dominated by a row oftrees, although this area has beenpushed closer to the picture planethan in earlier works. These treeslargely hide the quarry that lends itstitle to the landscape, and thus forthe first time in Garber’s work, thispart of the painting serves notmerely as the middle ground butalso as an area through which to

view the background, especially asthe trees here rise almost to the topof the canvas. Unlike in earlierpainting, in Quarries at Byram themiddle ground and beyond have nodepth. The trees march across thecanvas in an unequal, yet gentlerhythm, but all at the same distancefrom the picture plane, in anexploration of a common vistaacross the Delaware River fromRiver Road north of New Hope, inwhich trees line the edge of thecanal on the Pennsylvania side.While the canvas depicts somerecession into space, and the formsare modeled with strong light anddark contrasts, the artist’s detailedbut broad application of paint, withlimited color variations, flattens thecomposition, particularly the treesand the view beyond them.”$200,000-300,000


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222FERN ISABEL COPPEDGE(american 1883-1951)A WINTER LANDSCAPESigned ‘FERN I COPPEDGE’ bottom left, oil on canvas26 x 30 in. (66 x 76.2cm)provenance:The artist.Acquired directly from the above in 1947 by the parents of the presentowner.Private Collection, Pennsylvania.$30,000-50,000


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223FERN ISABEL COPPEDGE(american 1883-1951)"NEELEY'S MILL NEAR NEW HOPE"Signed 'FERN I COPPEDGE' bottom left, oil on canvas16 x 16 in. (40.6 x 40.6cm)provenance:Gifted to Charles H. Grubb, Newark , Delaware , circa 1950-1954.By family descent.Private Collection, Philadelphia, Pennsylvania.note:For a similar example see exhibition catalogue of Fern I Coppedge -A Forgotten Woman, James A Michener Arts Center, Doylestown ,Pennsylvania, Sept 16-Nov 25, 1990, p. 31.$25,000-40,000


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224FERN ISABEL COPPEDGE(american 1883-1951)“CORNELIA GLEED THOMPSON FARM HOME”Signed ‘F. Coppedge’ bottom right, inscribed and dated ‘Dec 25th 1914’verso, oil on canvasboard8 3/4 x 10 3/8 in. (22.2 x 26.4cm)provenance:Private Collection, New Mexico.$10,000-15,000


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225FRED WAGNER(american 1864-1940)UNDER THE BRIDGESigned ‘F. Wagner’ verso, oil onpanel9 1/8 x 12 3/4 in. (23.2 x 32.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

226GIOVANNI MARTINO(american 1908-1988)“LEVERING ST. MANAYUNK”Signed ‘Giovanni Martino’ bottomleft, inscribed in pencil verso, oil onboard11 7/8 x 18 in. (30.2 x 45.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

227CORA BROOKS(american 1885-1930)“VASE OF FLOWERS”Signed ‘Cora Brooks’ bottom right,oil on canvas18 x 20 in. (45.7 x 50.8cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, California.$1,200-1,800


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228SAMUEL GEORGE PHILLIPS(american 1890-1965)AUTUMN LANDSCAPE WITH COUNTRY HOUSESigned ‘S. George Phillips’ bottom left, oil on canvas26 x 32 in. (66 x 81.3cm)provenance:The artist.By descent to the artist’s daughter.Private Collection, Florida.$12,000-18,000


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229EDWARD WILLIS REDFIELD(american 1869-1965)“LIME-KILN PIKE, PA”Signed and dated ‘E W Redfield 96’ bottom right, oil on canvas21 1/2 x 28 7/8 in. (54.6 x 73.3cm)provenance:Acquired by the present owner’s grandfather in the 1930s.By family descent.Private Collection, Media, Pennsylvania.note:This painting will be included in the forthcoming catalogue raisonné ofEdward Redfield’s work being compiled by Dr. Thomas Folk.$30,000-50,000


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230HUMBERT HOWARD(american 1915-1992)“HIPPIES”Signed and dated ‘Humbert Howard‘68’ top right, oil on canvas36 x 24 in. (91.4 x 61cm)provenance:Private Collection, New York, NewYork.$4,000-6,000

231LOUIS SLOAN(american 1932-2008)“FROST VALLEY GOLD”Signed ‘L SLOAN’ bottom left, oil onboard6 5/8 x 7 1/2 in. (16.8 x 19.1cm)provenance:Gross McCleaf Gallery, Philadelphia,Pennsylvania.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$800-1,200


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233HENRY BAINBRIDGE MCCARTER(american 1866-1942)THE RED SILOSigned ‘HENRY MCCARTER’ bottomright, with the artist’s stamp verso,oil on canvas32 1/2 x 24 1/4 in. (82.6 x 61.6cm)provenance:Private Collection, Pennington, NewJersey.Acquired from the above.Private Collection, Boonton, NewJersey.$6,000-10,000

END OF SALE

232JANE PIPER(american“FLOWER ARRANGEMENT”Signed ‘Jane Piper’ lower right, oil oncanvas32 x 40 in. (81.3 x 101.6cm)provenance:Pearl Fox Gallery, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$3,000-5,000


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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age,provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


Abbott, L.F. (attributed to), 12Albers, Josef, 101, 102Albert, E., 87, 88Andrews, H. (attributed to), 23

Ballinger, H.R., 64Bergamini, F., 36Berthelsen, J., 92, 178Bonheur, Rosa 41- 47Brooks, C., 227Browne, G.E., 78Burdoin, J., 75Burliuk, D., 165

Cadmus, P., 167Campbell, L.A., 179Carlson, J.F., 177Casteels III, P. (follower of), 7Chase, W.M., 205Cirino, A., 151Clare, O., 20Clark, W.A., 67Cook Jr., O.P, 155Coppedge, F.I, 222, 223, 224Costigan, J., 90Coutts, G., 173Crome, J.(attributed to), 17Cropsey, J.F., 113

Da Costa, J., 49Darch Lewis, E., 206-210Da Vinci, L.(follower of), 1De Breanski Jnr., A., 21De Foy Suzor-Cote, M, 103Demuth, C.H., 217Diddaert, H., 36Drew, G.W., 126Dumon, F.V., 146Duval-Lecamus, J.A., 31

Eggenhofer, N., 144, 145Enwright, J.J., 77Etnier, S.M., 162, 163

Felix, K.E., 115Fiske, G., 82Florentine School, 8, 9Folinsbee, J.F., 201

Forster, G., 110Friesz, Emile-Othon, 55Frishmuth, H.W., 109Frost, John (Jack), 137, 138

Gallison, H.H., 80Galloche, L. (follower of), 6Gainsborough, T. (follower of), 11Garber, D., 221Gaspard, L.S., 166Geldorp, G. (follower of), 4Gilman, B.F., 118Gorson, A.H., 218Gorter, A.M., 38Grant, G.H., 91Grassel, F., 37Gruppe, C.P., 66Gruppe, E.A., 158- 161

Hand, T. (attributed to), 16Hartson, W., 125Havell, E. & Hopkins, W.H., 19Hazard, A.M., 68Henri, R., 220Herrmann, L., 27Herzog, H., 123Hockney, D., 98Horton, W.S., 81Howard, H., 230

Hunt, W.H. (manner of), 22Huntington, A.V.H., 107

Isabey, L.G.E., (attributed to), 39

Jacobsen, A., 112Jewett, M.S, 105

Kalmakoff, N., 62Kapp, G., 143Kaula, W.J., 84Koeniger, W., 63Kost, F.W., 71, 121, 122Kovarsky, A., 174Kruseman Van Elten, H.D., 35

Lagar, Celso, 59Lathrop, W.L., 202, 203

Lawrence, Sir T. (follower of), 13Leith-Ross, 204Levitsky, D.G. (circle of), 14Lewis, E.D., 73

Mane-Katz, 53, 54Manguin, H., 56Marin, J., 216Martino, G., 226

McCarter, H.B., 233McFee, H.L., 172McWilliam, RA, F.E., 60Mikeshin, M.O., 29Meisel, E., 30Mignery, H., 104Mousson, T.J., 51Murphy, J.F., 127

Nadal, C., 59ANall, W., 148Neefs the Elder, P. (follower of), 5Neapolitan School, 40Nevelson, L., 10Nordfeldt, B.J.O, 180, 181

Oakley, V., 211-215Ochtman, L., 119Oldenburg, C., 94, 95O'Malley, M.A.P, 61Owen, R.E., 69

Peters, C.W., 156Peterson, J., 175Phillips, S.G., 228Pilny, O., 48Piper, J., 232Post, W.M., 70, 120Proctor, A.P., 106Pousete-Dart, Richard, 96, 97

Redfield, E.W., 227Reed, M., 141Reeves, R., S., 147Reilly, B.K., 149, 150Rodin, A.., 52

Samson, J., 24

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12/06/09

Index

Santoro, R., 57Saint-Gauden, A., 108Saraceni, C. (follower of), 2Saverwein, F.P., 117Schwartz, H., 89Sekoto, G., 58Sheppard, W.W., 74Stepanov, A.S., 28Stefan, R., 142Stein, G., 50Stella, F., 99Stoddard, A.K., 83Strisik, P., 85, 152, 153Stuart, A.C., 111Sloan, L., 229Smith, G*R*, 25Smith, W.G., 154Snell, H.B., 182-200Soyer, M., 168, 169Soyer, R., 170, 171Spruce, E.F., 164

Tolford, J., 76Trost Richards, W., 114

Turner, G., 18

Van Hassell, W.J., 86Van de Sande Bakhuyzen, J.J., 34Van Dyck, Sir A. (follower of), 15Van Leemputten, F., 32Van Somer, P. (follower of), 3Vanka, M., 176Vecellio, T., called Titian (after), 10Verboeckhoven, E., 33Vincent, H.A., 157Volker, E.C., 139, 140

Wagner, F., 223Walter, M., 219Weyl, M., 72Wiggins, G.C., 93Wilson, S., 79Winter, A.G., 65Wood, R., 128-136Wyant, A.H., 124


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Purchase removal, shipping andoffsite storage information

successful bidders for the fine american & europeanpaintings & sculpture sale will be expected topick up all property from freeman’s no later than4.30 pm on friday, december 18th, 2009

Shippers who have worked with Freeman’s include butare not limited to:

Aiston Fine Art:Tel: 212.715.0629 Fax: 212.838.6982email: [email protected]

Packaging Store:Tel: 215.361.6940 Fax: 215.361.6941email: [email protected]

UPS:Tel: [email protected]

A. Mastrocco Jr. Moving & StorageTel: 215.491.0346email: [email protected]

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Property not picked up from Freeman’s within tenbusiness days of the auction will be transferred to astorage facility as noted in our terms and conditions.There will be packing, transport, storage and releasecharges. For the convenience of the successful bidder,all purchased lots will be packed and transferred to thestorage facility together.

Payment of the hammer price, premium and anyapplicable sales taxes must be made directly toFreeman’s prior to the release of property.

Please contact Freeman’s at 215-563-9275 ext. 3204with shipping related queries.


Auction:Monday, December 7th, 2009at 12 noon

Exhibition:Thursday, December 3rd (10am to 6pm)Friday, December 4th (10am to 6pm)Saturday, December 5th (12 noon-5pm)Sunday, December 6th (12 noon- 5pm)

Inquiries:kate waterhouse ext 3080Direct Tel: [email protected]

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Impressive platinum and diamond ring8.20 carat pear shape diamond prong set andframed by a 1 carat trilliant cut diamond oneither side. Accompanied by GIA certificateno. 2101964319.$60,000-80,000

Platinum and diamond love bird broochCharming rose cut diamond set platinumfloral ribbon garland over kissing love birdsholding articulated ribbon and olivebranch garland set within is a single bezelset pear shaped diamond, approximately 1carat.$2,000-4,000

Fine Jewelry, Watches &Accessories 12/07/09

Platinum, emerald and diamondbraceletBracelet band consists of one hundredfifty-five round cut diamonds bezel set in aflexible articulated band, separated bybaguette terminals. Total carat weightapproximately 16 carats.$7,000-9,000


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Fine English & Continental Furniture &Decorative Arts 01/26/10

George II Chinese Chippendalemahogany silver table$5,000-7,000

Samuel T Freeman & Co.1808 Chestnut StreetPhiladelphia, PA 19103Telephone: 215.563.9275Fax: 215.563.8236www.freemansauction.com

126 Garrett StreetCharlottesville, VA 22902Telephone: 434.296.4096Fax: 434.296.4011www.freemanssouth.com

www . f r e em a n s a u c t i o n . c om

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Fine PaintingsWednesday 2nd December, 200933 Broughton Place, Edinburgh EH1 3RR

SYBIL ANDREWS(CANADIAN 1898-1992)FALL OF THE LEAFLinocut, signed, inscribed andnumbered 4/6036cm x 25.5cm (14in x 10in)

£8,000-12,000

Viewing times Saturday 28th November 10am - 4pm Sunday 29th November 2pm - 5pmMonday 30th November 10am - 5pm Tuesday 1st December 10am - 5pmMorning of Sale by appointment only

Enquiries Nick Curnow or Elena RatchevaTel: +44 (0)131 557 8844E-mail: [email protected]

www.lyonandturnbull .com


Fine Antiques and Works of ArtWednesday 9th December, 200933 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

Viewing times Sunday 6th December 2pm - 5pm Monday 7th December 10am - 5pmTuesday 8th December 10am - 5pm Morning of Sale from 9am

Enquiries Lee Young Victoria CrakeTel: +44 (0)207 930 9115 Tel: +44 (0)131 557 [email protected] [email protected]

INDIAN MINIATURE PORTRAIT OF SIKHMAHARAJAH RANJIT SINGHEARLY 19TH CENTURYGouache heightened with gold on paper, farsiincscription 'Shabah-i Maharajah Ranjit SinghBahadur Rajah - i Lahaur o Panjab', translated as'Maharajah Ranjit Singh the warrior of Lahore andPunjab

28cm x 14cm

£8,000-12,000


specialist departments

Americanalynda a cainsamuel ≤ free≤an iiamy parenti

Asian Artsrobert waterhouserichard cervantes

English & ContinentalFurniture, Silver & Decorative Artsrobert waterhousedouglas girtonkerry jeffery

Fine Jewelrysamuel ≤ free≤an iikate waterhouse

Fine Paintings & Sculpturealasdair nicholdavid weisslibia elena mendezaimee pflieger dolby

Fine Printsdavid weissaimee pflieger dolbylibia elena mendez

Modern & Contemporary Artanne henryalasdair nicholdavid weissaimee pflieger dolby

Pop Culturesimeon lipman

Oriental Rugs & Tapestriesdavid weissrichard cervantes

Rare Books, Manuscripts,& Ephemeradavid j bloomjoe huenke

depart≤ents

Appraisalsanita heriotsa≤uel ≤ free≤an iijames e buckleydonald e walter

Appraisal Servicesandrea vainiuselton-john torreskate molets

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrollkati gegenheimerjessica carterbethany mobbssusannah hendersonmeghan styles jones

Operationshanna doughermarcell zomborijacob schelljulius claytonbethany mobbsgerald davismaya o’donnell-shahs. paul blackdarryl paris

Financehanna dougherjeffrey miller

Business Development &≤arketingthomas b. mccabe ivlily stonechristopher browne

Trusts & Estateschristian jusselsamuel t freeman iiithomas b. mccabe iv

Photographyelizabeth fieldelizabeth hintontom clark

officers

chair≤ansamuel ≤ freeman iivice chair≤analasdair nichol

presidentpaul roberts

executive vice presidentsja≤es e buckleyhanna dougher

senior vice presidentchristian jussel

chief financial officereric a smith

vice presidentsdavid j bloomlynda a cainanne henryrobert waterhousedavid weiss

representativesdavid weissWashington, [email protected]: 202.412.8345

colin clarkeCharlottesville, [email protected]: 434.296.4096Fax: 434.296.4011

robert and kate waterhouseAnnapolis, [email protected]: 267.414.1226

Directory

150


12/06/09


absentee bidding form

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: [email protected] www.freemansauction.com

sale no bidder no

name business name

address

city state

zip code e-mail

phone (h) phone (w) fax

resale / tax identification state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer priceof each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. All lots.must be paid for and removed within 5 days.

lot no description maximum bid

bank reference

bank name account n0

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction houseand which govern all auction purchases made by me. Although every attempt is made to execute your bid(s),the auctioneer is not responsible for errors and omissions.

signed

(signature required to execute your bids)

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached




$1,000until $30,000 is reached



over $100,000auctioneer’s discretion


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


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JASPERJASPER FRANCISFRANCIS CROPSEYCROPSEY(american(american 1823-1900)1823-1900)“AUTUMN“AUTUMN ONON THETHE HUDSON”HUDSON”SignedSigned ‘J.F.‘J.F. Cropsey’Cropsey’ bottombottom left,left, oiloilonon canvascanvas2020 xx 3232 in.in. (50.8(50.8 xx 81.3cm)81.3cm)

FOLLOWERFOLLOWER OFOF LEONARDOLEONARDO DADA VINCIVINCI(italian(italian 1452-1519)1452-1519)THETHE PIETÀPIETÀ WITHWITH SAINTSAINT JOHNJOHN THETHEEVANGELISTEVANGELIST ANDAND MARYMARYMAGDALENEMAGDALENEOilOil withwith goldgold groundground onon panel,panel, inin ananengagedengaged frameframe5858 1/21/2 xx 4848 in.in. (148.6(148.6 xx 121.9cm)121.9cm) (sight)(sight)6363 3/83/8 xx 5555 3/43/4 in.in. (161(161 xx 141.6cm)141.6cm)(overall(overall withwith frame)frame)

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FiFinnee AmeAmericricanan && EEuropeuropeaannPaiPaintntiingsngs && ScScuulptlptuurere12/06/09including works from thelehman brothers collection


fine american& european paintings & sculpture, including works from the lehman brothers...

Documents

flap cover

pm page

direct tel

lot areavailable

successful bid price

cmoveralloverall withwith

conditionsof sale

buyers premium shallbe