fine american & european paintings & sculpture 6/21/09

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G09-06387-FineArtCover:1 6/1/09 3:39 PM

G09-06387-FineArtCover:1 6/1/09 3:39 PM

Fine American & European Paintings &Sculpture 06/21/09

Sunday June 21st at 2pm

Sale 1340

Exhibitions:Thursday, June 18th andFriday, June 19th10am-6pmSaturday, June 20thNoon-5pm

Inquiries:alasdair nicholdirect tel: [email protected]

david weissdirect tel: [email protected]

libia elena mendezdirect tel: [email protected]

Bidding:bids department215.563.9275 ext [email protected] 215.599.2240

Catalogue $35

Inside Front Cover: Lot 116 (detail)Inside Back Cover: Lot 111 (detail)

Freeman’s1808 Chestnut StreetPhiladelphia, PA 19103Telephone: 215.563.9275Fax: 215.563.8236www.freemansauction.com

126 Garrett StreetCharlottesville, VA 22902Telephone: 434.296.4096Fax: 434.296.4011www.freemanssouth.com

Color images of every lot areavailable atwww.freemansauction.com

G09-06387-FineArtTEXT_1-32:1 5/29/09 5:09 PM Page 1

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free≤an’sfine american & european paintings & sculpture

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Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

Important Informationfor Buyers

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.

All items in the catalogue are subject to the 7% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Goods purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed within5 days. Purchases not so removed may be turned over to a licensedwarehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


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European Paintings


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1WILLIAM VERELST(british fl. 1734-ca. 1756)PORTRAIT OF THE ARCHITECT,MASTER OF THE STEELYARDS, ANDPHILANTHROPIST-THEODOREJACOBSENInscribed and dated ‘ARS NON HABETINIMICUM PRAETER IGNORANTIAM1736’ lower left, oil on canvas43 3/8 x 39 3/4 in. (110.2 x 101cm)provenance:Sabin Galleries Ltd., London, UnitedKingdom.Private Collection, Philadelphia,Pennsylvania.note:Theodore Jacobsen (d. 1772) was awealthy British merchant of Germandescent. His family was engaged in thebusiness of managing the Steelyard,which was established in Londonduring the early days of the Hanseaticmerchants. Theodore becameHousemaster in 1735 - a year beforethe present work was painted -following the death of his brother, SirJacob Jacobsen.

Though an amateur architect,Theodore Jacobsen is credited withnumerous accomplishments; theseinclude creating designs for London'sFoundling Hospital (founded for themaintenance and education ofabandoned children), The Royal NavalHospital at Gosport, and designs for"Lonesome Lodge," the artist's homenear Dorking, Surrey.

Verelst was an accomplished portraitpainter. He was a member of both theRoyal and Antiquarian Societies andThe Society of Artists. Additionally, hewas made a Governor of the FoundlingHospital in 1739, an honor bestowedon other important British painters ofthe day, including Thomas Hudson andWilliam Hogarth. Coincidentally, bothHudson and Hogarth also paintedportraits of Theodore Jacobsen.Hudson's portrait of Jacobsen waspresented to the Foundling Hospital in1746, and Hogarth's portrait ofJacobsen is now in the collection ofOberlin College, Ohio.$8,000-12,000



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4JACOB VAN STRY(dutch 1756-1815)HERDSMAN AND HIS CATTLE ATSUNSET, A RUINED CASTLE INTHE DISTANCESigned ‘J V Stry’ bottom center left,oil on paper laid down on panel9 1/2 x 13 3/4 in. (24.1 x 34.9cm)$2,000-3,000

3FOLLOWER OF REMBRANDT VANRIJN(dutch 1606-1669)JACOB BLESSING EPHRAIM ANDMANASSASOil on cradled panel34 x 46 in. (86.4 x 116.8cm)$5,000-7,000

2ATTRIBUTED TO EGBERT VANHEEMSKERCK I(dutch 1634-1704)BOORS PLAYING CARDS IN ATAVERNOil on cradled panel, unframed7 7/8 x 9 7/8 in.provenance:An estate, Virginia.note:We wish to thank Dr. Fred G. Meijerfor his assistance in cataloguing thislot on the basis of photographs.$1,200-1,800



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6FOLLOWER OF JEAN BAPTISTE-CAMILLE COROT(french 1796-1875)PEASANTWOMEN ON A PATHBY TREESBears signature ‘COROT’ bottomleft, oil on canvas10 3/4 x 15 1/2 in. (27.3 x 39.4cm)provenance:Property from the Estate of WilliamF. Heefner, Bucks County,Pennsylvania.$1,500-2,500

5CIRCLE OF LOUIS LEOPOLDBOILLY(french 1761-1845)PORTRAIT OF A GENTLEMAN,HALF LENGTHWEARING ABROWN COAT ANDWHITECRAVATOil on paper laid down on panel,framed6 3/4 x 5 3/4 in. (17.1 x 14.6cm)provenance:Private Collection, Maryland.$1,500-2,500


7CORNELIS DE VISSCHER II(dutch 1586-1658)PORTRAIT OF A SEATED LADYSigned ‘C de Visscher’ on back ofchair, bottom center right, blackchalk on vellum12 3/8 x 9 1/4 in. (31.4 x 23.5cm)provenance:Schaeffer Galleries Inc., New York,New York, circa 1980.Private Collection, Connecticut.ex-collection:J.W.M. MensingJ.T. CremerBernard Houthakker$2,500-3,500

8ATTRIBUTED TO FRANCOIS HUBERTDROUAIS(french 1727-1775)PORTRAIT OF A YOUNG LADY,FACING LEFTCharcoal and colored pastels on paper14 7/8 x 11 1/4 in. (37.8 x 28.6cm)provenance:Schaeffer Galleries Inc., New York, NewYork.Private Collection, Connecticut.ex-collection:Kurt Meissner$1,800-2,200

9WILLEM VAN DE VELDE II(dutch 1633-1707)MAN OFWAR AND SMALL BOATSIndistinctly signed and dated ‘1700’bottom right, pen and brown ink onpaper6 7/8 x 5 3/4 in. (17.5 x 14.6cm)provenance:Private Collection, Connecticut.Schaeffer Galleries, Inc. New York, NewYork, Circa 1973.$2,500-3,500

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10FOLLOWER OF DAVID VINCKBOONS(dutch 1576-1632)A VILLAGE KERMESSEOil on cradled panel14 3/4 x 19 in. (37.5 x 48.3cm)provenance:Private Collection, Rhode Island.$2,000-3,000

11ADOLF STADEMANN(german 1824-1895)SKATERS ON A FROZEN RIVERSigned and dated ‘A Stademann 1862’ bottom right, oil on canvas26 3/4 x 34 3/4 in. (67.9 x 88.3cm)provenance:Private Collection, Chester, Pennsylvania.Private Collection, Main Line, Pennsylvania.$2,500-4,000

12FOLLOWER OF THOMASGAINSBOROUGH(british 1727-1788)PASTORAL SCENE WITH AHERDSMAN AND LIVESTOCKOil on cradled panel19 1/2 x 34 1/8 in. (49.5 x86.7cm)provenance:Property from the Estate ofWilliam F. Heefner, BucksCounty, Pennsylvania.$3,000-5,000

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13EMILE CHARLES LAMBINET(french 1815-1877)REFLECTIONS IN A RIVERSigned and indistinctly dated ‘EmileLambinet 18*5’ bottom left, oil oncanvas, laid down on board18 1/4 x 32 1/4 in. (46.4 x 81.9cm)provenance:Private Collection, New Jersey.$4,000-6,000

14PIERRE ERNEST BALLUE(french 1855-1928)FIGURE WITH EEL BASKETS BY ARIVERSigned ‘E. Ballue 82’ bottom right,oil on canvas15 x 21 5/8 in. (38.1 x 54.9cm)provenance:Private Collection, Maryland.$1,500-2,500

15HENRI LINGUET(french fl. 1881-1941)THE OLDWATER MILLSigned ‘H. Linguet’ bottom right, oilon canvas13 3/8 x 18 1/2 in. (34 x 47cm)provenance:Private Collection, Maryland.$2,000-3,000

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16JACOB MARIS(dutch 1837-1899)A DUTCH PORTSigned ‘J. Maris’ bottom right, oil onboard8 3/4 x 11 7/8 in. (22.2 x 30.2cm)provenance:Private Collection, Maryland.$3,000-5,000

17MAURITZ FREDERICK HENDRICKDE HAAS(dutch 1832-1895)FISHING BOATS AT SUNSETSigned ‘M.F.H de Haas A.H.A’bottom left, oil on board13 3/4 x 23 3/4 in. (34.9 x 60.3cm)Executed circa 1863-1867provenance:Private Collection, Connecticut.By family descent.Private Collection, South Carolina.$8,000-12,000

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18EUGENE HENRI CAUCHOIS(french 1850-1911)“CHRYSANTHEMUMS”Signed ‘H Cauchois’ and dated andinscribed ‘14 Avril 1904. LS. LC’bottom right, oil on canvas45 x 28 3/4 in. (114.3 x 73cm)provenance:Rehs Galleries, Inc., New York, NewYork.From the collection of The Ritz-Carlton Hotel, McLean, Virginia.$5,000-8,000

19CIRCLE OF HENRI FANTIN-LATOUR(french 1836-1904)STILL LIFE WITH FLOWERSBears signature ‘Fantin’ upper left,oil on panel7 3/4 x 5 1/2 in. (19.7 x 14cm)provenance:Property of Sir William & Lady ElsieCoates, Belfast, Northern Ireland.By family descent.Acquired in Dublin, 1949.Private Collection, Virginia.$1,000-1,500

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20ANTOINE PERRET(french 19th century)A BASKET OF FLOWERSSigned ‘Ant. Perret’ bottom right, oil on canvas35 1/4 x 46 in. (89.5 x 116.8cm)provenance:Sotheby's, New York, New York, 29th October 1987, lot 141.Haynes Fine Art, Broadway, United Kingdom.From the collection of The Ritz-Carlton Hotel, McLean, Virginia.$5,000-8,000

21ALFRED ARTHUR DE BRUNEL DE NEUVILLE(french 1852-1941)STILL LIFE WITH PEACHES, BERRIES AND GRAPESSigned ‘Brunel de Neuville’ bottom right, oil on canvas21 1/4 x 25 1/2 in. (54 x 64.1cm)$3,000-5,000

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22E* VOLKOV(russian 19th century)HOUSE IN VYATKASigned and inscribed in Cyrillic anddated ‘1887’ bottom right, oil oncanvas11 3/4 x 19 3/8 in. (29.8 x 49.2cm)provenance:Private Collection, Maryland.$3,000-5,000

23* INOEL(continental 19th/20th century)AN ARAB CAMP IN THE DESERTSigned ‘inoel’ bottom left, oil onboard16 x 24 in. (40.6 x 61cm)provenance:Private Collection, New Jersey.$2,500-4,000

24GIUSEPPE GABANI(italian 1846-1899)ARAB HORSEMENSigned and located ‘G. Gabani /Roma’ bottom right, watercolor28 1/2 x 20 in. (72.4 x 50.8cm)$1,500-2,500

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25DELPHIN ENJOLRAS(french 1857-1945)AN ELEGANT LADY WITH HERCAVALIER KING CHARLESSPANIELSSigned ‘D. Enjolras’ bottom right,pastel on paper laid on canvas36 x 25 1/4 in. (91.4 x 64.1cm)$5,000-8,000

26* GIRARDET(continental 19th century)YOUNG LADY WITH PARASOLFISHING IN A PUNTSigned ‘Girardet’ bottom right,watercolor on paper laid onpaperboard17 1/2 x 22 1/8 in. (44.5 x 56.2cm)provenance:Private Collection, New Jersey.$1,000-1,500

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28NARCISSE BERCHERE(french 1819-1891)A TROOP OF CAMELS WATERINGSigned ‘Berchere’ bottom right, oilon canvas16 1/8 x 12 3/4 in. (41 x 32.4cm)provenance:An estate, Philadelphia,Pennsylvania.$2,000-3,000

27NARCISSE BERCHERE(french 1819-1891)“LA CARAVANE”Signed ‘Berchere’ bottom right, oilon panel17 3/8 x 24 in. (44.1 x 61cm)provenance:Dominion Gallery, Montreal,Canada, July 18, 1974.Property from the Estate of WilliamR. Frazier, Jr.The proceeds to primarily benefitFox Chase Cancer Center.$5,000-8,000



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30AUGUST LOHR(german 1843-1919)PALMS BY AWATERFALLSigned, inscribed and dated ‘AugustLohr, Mexico, 1895’ bottom left,watercolor11 1/4 x 9 in. (28.6 x 22.9cm)and a companion, a pair (2)$2,000-3,000

29PAUL LECOMTE(french 1842-1920)TREES BY A RIVERSigned ‘Paul Lecomte’ bottom left,oil on canvas39 1/2 x 29 1/2 in. (100.3 x 74.9cm)provenance:Private Collection, Maryland.$5,000-8,000



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31SANTI CORSI(italian early 20th century)THE SATURN ROOM, PALAZZO PITTI, FLORENCESigned and inscribed ‘S Corsi / Lung’Arno Torrigiani 17’ bottom left, oil oncanvas41 x 51 in. (104.1 x 129.5cm)provenance:Sotheby’s, New York, 29th November, 1999 lot 65.Private Collection, Philadelphia.$15,000-25,000


provenance:Newman Galleries, Philadelphia, Pennsylvania.Property from the Estate of William R. Frazier, Jr.The proceeds to primarily benefit Fox Chase Cancer Center.$5,000-8,000

provenance:Frost & Reed, London, United Kingdom.Newman Galleries, Philadelphia, Pennsylvania, 1963 and 1976.Property from the Estate of William R. Frazier, Jr.The proceeds to primarily benefit Fox Chase Cancer Center.$5,000-8,000


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33JACOB EMMANUEL GAISSER(german 1825-1899)FORTUNE TELLINGSigned ‘Gaisser’ bottom right, oil on panel12 1/4 x 15 3/4 in. (31.1 x 40cm) and a companion READING THE LEAVES apair (2)

32CHARLES EUPHRASIE KUWASSEG(french 1838-1904)COASTAL TOWNSigned and dated ‘C Kuwasseg fils 1870’ bottom left, oil on canvas13 1/2 x 22 in. (34.3 x 55.9cm), and a companionTOWN ON THE RIVER, a pair (2)



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35GUSTAF CARLSTRÖM(swedish 1896-1964)“JA Å MEJ, Å JA Å MEJ”Signed ‘Gustaf Carlstrom’ bottomleft, inscribed with title verso, oil oncanvas32 x 25 3/4 in. (81.3 x 65.4cm)$3,000-5,000

34HERMAN GUSTAF AF SILLEN(swedish 1857-1908)SHIPPING OFF THE COASTSigned and dated ‘H af Sillen1894’ bottom right, oil on canvas20 1/2 x 33 in. (52.1 x 83.8cm)$4,000-6,000



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36JOHN CLAYTON ADAMS(british 1840-1906)“A SURREY HEATH”Signed ‘J CLAYTON ADAMS’ bottom right, oil on canvas22 3/8 x 38 1/2 in. (56.8 x 98cm)provenance:Dixon & Dixon, New Orleans, Louisiana.From the collection of The Ritz-Carlton Hotel, McLean, Virginia.$7,000-10,000



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37WILLIAM BARRAUD(british 1810-1850)A BAY, A CHESTNUT AND A GREY BY A THATCHED COTTAGESigned and dated ‘W. Barraud 1845’ bottom left, oil on canvas29 x 40 in. (73.7 x 101.6cm)provenance:Haynes Fine Art, Broadway, United Kingdom.From the collection of The Ritz-Carlton Hotel, McLean, Virginia.$12,000-18,000



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38MICHAEL LYNE(british 1912-1989)“THEY’RE AWAY!”Signed ‘Michael Lyne’ bottom right, oil on canvas25 x 36 in. (63.5 x 91.4cm)provenance:Frost & Reed, London, United Kingdom.Newman Galleries, Philadelphia, Pennsylvania.Private Collection, Pennsylvania.$5,000-8,000


39ARTHUR CLAUDE STRACHAN(british 1865-1932)“KNITTING AT THE COTTAGEDOOR”Signed ‘CLAUDE STRACHAN’bottom left, watercolor heightenedwith white7 1/4 x 10 1/2 in. (18.4 x 26.7cm)provenance:Taggart, Jorgensen & Putnam,Washington, D.C.Christopher Wood Gallery, London,United Kingdom.$1,500-2,500

40EDWARD CHARLES WILLIAMS(british 1807-1881)HARVESTING TIMESigned and dated ‘E C Williams1873’ bottom right, oil on canvas20 x 36 in. (20.8 x 91.4cm)provenance:Private Collection, New Jersey.$3,000-5,000

41ROBERT JOHNSON(australian 1890-1964)AUSTRALIAN LANDSCAPESigned ‘Robert Johnson’ bottomright, oil on board18 x 20 1/2 in. (45.7 x 52.1cm)provenance:A plate attached recto states‘Presented by the Government ofthe Commonwealth of Australia toMr. Oscar Cox’.An estate, Philadelphia,Pennsylvania.$1,500-2,500

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42MANE-KATZ(ukranian/french 1894-1962)LA CHARETTE DE FLEURSSigned ‘Mane Katz’ bottom left, oilon canvas25 1/4 x 21 1/4 in. (64.1 x 54cm)provenance:Private Collection, Maryland.$20,000-30,000

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45ALPHONSE LEON QUIZET(french 1885-1955)FIGURES BY A BRIDGESigned ‘Quizet’ bottom right, oil onboard6 1/8 x 10 in. (15.6 x 25.4cm)provenance:Private Collection, Maryland.$1,000-1,500

44ANDRE GISSON(american 1921-2003)FLOWER SELLER, PARISSigned ‘A Gisson’ bottom right, oilon canvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

43PAUL-EMILE PISSARRO(french 1884-1972)FIGURE ON A PATHSigned ‘Paul Emile Pissarro’ bottomleft, oil pastel on paper10 x 11 11/16 in. (25.4 x 29.7cm)provenance:Private Collection, New York, NewYork.note:This lot with be accompanied by aphotocertifcate of authenticity byKatia Pissarro dated ‘Paris le 29 Mai,1986’.$1,500-2,500



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46LE PHO(french/vietnamese 1907-2001)“LES LYS JAUNES”Signed ‘Le Pho’ and also signed in Vietnamese bottom left, inscribed withtitle on stretcher verso, oil on canvas38 x 47 3/8 in. (96.5 x 120.3cm)provenance:Wally Findlay Galleries, Palm Beach, Florida.Private Collection, Maryland.$12,000-18,000


47LE PHO(french/vietnamese 1907-2001)“DEUX ENFANTS AU BOUQUET”Signed ‘Le Pho’ and also signed in Vietnamese bottom left, inscribed withtitle on stretcher verso, oil on canvas29 x 39 1/2 in. (73.7 x 100.3cm)provenance:Wally Findlay Galleries, Palm Beach, Florida.Private Collection, Maryland.$15,000-25,000

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48LE PHO(french/vietnamese 1907-2001)“LE DESSERT”Signed ‘Le Pho’ and also signed in Vietnamese bottom right, inscribed withtitle on stretcher verso, oil on canvas29 1/2 x 32 1/2 in. (100.3 x 29.5cm)provenance:Wally Findlay Galleries, New York, New York.Private Collection, Maryland.$15,000-25,000


49JOCELYNE SEGUIN(french 1917-1999)“AU PARC MANCEAU”Signed ‘Jocelyne Seguin’ bottomright, oil on canvas24 x 32 in. (61 x 81.3cm)provenance:Wally Findlay Galleries, New York,New York.Private Collection, Maryland.$1,500-2,500

50MICHEL-HENRY(french b. 1928)“MARGUERITES DE FRANCE”Signed ‘Michel Henry’ bottom left,inscribed with title on stretcherverso, oil on canvas26 x 32 1/4 in. (66 x 81.9cm)provenance:Wally Findlay Galleries, New York,New York.Private Collection, Maryland.$1,200-1,800

51TADASHI ASOMA(japanese/american b. 1923)“SHIRLEY IN JAPANESECOSTUME”Signed and dated ‘ASOMA ‘69’bottom right, signed, inscribed withtitle and dated verso, oil on canvas40 x 40 in. (101.6 x 101.6cm)provenance:David Findlay Galleries, New York,New York.Private Collection, Maryland.$1,500-2,500

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52SACHA MOLDOVAN(russian/american 1901-1982)FRUIT AND FLOWERSSigned ‘Moldovan’ lower left, signedand dated ‘1959’ verso, oil on canvas38 x 18 in. (96.5 x 45.7cm)$5,000-8,000

53ANDRE VIGNOLES(french b. 1920)“LE GRAND BOUQUET”Signed ‘A Vignoles’ bottom right, oilon canvas76 x 51 3/4 in. (193 x 131.4cm)provenance:David Findlay Galleries, New York,New York.Private Collection, Maryland.$1,500-2,500

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54JEAN DUFY(french 1888-1964)“AU SPECTACLE”Signed and dated ‘Jean Dufy 1923’ inink, watercolor, pencil and gouacheon paper17 11/16 x 12 6/8 in. (44.9 x32.4cm)provenance:Wally Findlay Galleries, New York,New York.Private Collection, Maryland.$4,000-6,000

55FRANCISCO ZÚÑIGA(mexican 1912-1998)“CHAMULAS”Inscribed ‘ZUNIGA III/VI 82’ bottomright, copper relief plaque, cast by RembaFoundry21 3/4 x 30 in. (55.2 x 76cm)provenance:The artist.To the parents of the present owner.By family descent.literature:Fundación Zúñiga, Francisco Zúñiga:Catálogo Razonado/Catalogue Raisonné(1923-1993), Mexico City,Albedrío/Fundación Zúñiga Laborde,1999, no. 920, p. 530.note:This lot will be accompanied by aphotocertificate by Fundación ZúñigaLaborde A.C. dated ‘MEXICO CITY MAY12th, 2009’.$6,000-10,000

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American Paintings& Sculpture


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56FREDERICK WILLIAMMACMONNIES(american 1863-1937)“PAN OF ROHALLION”Inscribed ‘F. MacMonnies / 1890’on reverse of sphere, also inscribedalong base and with ‘E. GRUETJEUNE FONDEUR’ foundry seal onunderside of base, bronze withbrown patina10 in. (25.4cm) (height)literature:J. Conner and J. Rosenkranz,Rediscoveries in American Sculpture:Studio Works 1893-1939, Houston,1989, p. 126.E.A. Gordon, The Sculpture ofFrederick William MacMonnies: ACritical Catalogue, Ann Arbor,Michigan, 1998, p. 121.M. Smart and E.A. Gordon, A Flightwith Fame: The Life and Art ofFrederick MacMonnies, Madison,Connecticut, 1996, pp. 121, 288(other casts illustrated).note:“Pan of Rohallion” was cast in foureditions:48 to 51 in. (121.9 x 129.5cm)28 1/2 x 30 3/4 in. (72.4 x 78.1cm)14 3/4 x 15 1/2 in. (37.5 x 39.4cm)9 7/8 x 10 7/8 in. (25.1 x 27.6cm)It was also cast by foundersJABOEUF & ROUARD andLEBLANC BARBEDIENNE.$5,000-7,000

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57JOHN FREDERICK PETO(american 1854-1907)STILL LIFE WITH MUG ANDCHALK BOARDInscribed ‘Painted by my Father /John Frederick Peto ‘ Helen **Smiley’ verso, oil on artist’s palette13 9/16 x 9 1/2 in. (34.4 x 24.1cm)provenance:The artist.Purchased from the artist'sdaughter, Helen Peto Smiley, circa1960 by the present owner.Private Collection, New Jersey.$10,000-15,000



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58JOHN FREDERICK PETO(american 1854-1907)STILL LIFE WITH FUNNEL ANDWINE BOTTLEInscribed ‘Painted by my Father /John Frederick Peto / Helen PetoSmiley’ verso, oil on artist’s palette16 1/8 x 11 5/8 in. (41 x 29.5cm)provenance:The artist.Purchased from the artist'sdaughter, Helen Peto Smiley, circa1960 by the present owner.Private Collection, New Jersey.$8,000-12,000



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61GUSTAVE WIEGAND(american 1870-1957)BILLOWING CLOUDSSigned ‘Gustave Wiegand’ bottomleft, oil on canvas28 x 24 in. (71.1 x 61cm)$2,000-3,000

60MORSTON CONSTANTINE REAM(american 1840-1898)STILL LIFE OF FRUIT AND FLUTEON A TRAYSigned ‘Morston Ream’ bottomright, oil on canvas12 x 16 in. (30.5 x 40.6cm)provenance:Property from the Estate of WilliamF. Heefner, Bucks County,Pennsylvania.$1,500-2,500

59JOHN J. EYERS(american 19th century)HANGING GAME BIRDSSigned and dated ‘J.J. Eyers 1872’bottom center left, oil on canvas26 1/4 x 19 in. (66.7 x 48.3cm)and a companion, a pair (2)$3,000-5,000



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63HERMANN HERZOG(german/american 1831-1932)“STORM AT SEA”Signed ‘H. Herzog’ bottom right, oilon canvas12 x 17 in. (30.5 x 43.2cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Property from the Estate of WilliamR. Frazier, Jr.The proceeds to primarily benefitFox Chase Cancer Center.$4,000-6,000

62EDWARD MORAN(american 1829-1901)FISHING FLEET AT SUNSETSigned ‘E. Moran’ bottom left, oil oncanvas15 1/4 x 25 1/4 in. (38.7 x 64.1cm)provenance:Mrs. Mary Goldenberg & the lateMr. Harry Goldenberg, Longport,New Jersey.Gilda’s Club South Jersey, Linwood,New Jersey.$7,000-10,000


64FREDERICK ARTHUR BRIDGMAN(american 1847-1928)AT THE WELLSigned ‘F A Bridgman’ bottom right,signed with initials, inscribed anddated ‘F.A.B / Algiers / Dec. 85’center right, oil on canvas10 x 13 3/4 in. (25.4 x 34.9cm)provenance:Private Collection, New Jersey.$6,000-10,000

65WILLIAM TROST RICHARDS(american 1833-1905)“ROSY CLOUDS”Signed ‘Wm T. Richards’ bottom left,inscribed with title verso, oil onboard9 x 16 in. (22.9 x 40.6cm)provenance:Private Collection, New Jersey.$5,000-8,000

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66CHARLES PRENDERGAST(american 1863-1948)“IN PARADISE”A beveled glass mirror flanked bytwo lateral panels, each reversepainted with tempera and appliedgold leaf, the left panel signed withinitials ‘CP’ bottom left, the right,signed twice with initials ‘CP’bottom left and centerLateral panels 13 5/8 x 5 3/4 in.(34.6 x 14.6cm)Overall size, including stainedhardwood frame 15 3/4 x 28 1/8 in.(40 x 71.4cm)

provenance:Gift from the artist to HannahO’Brien who nursed the artist’sbrother, Maurice Brazil Prendergast,at his Greenwich Village home inNew York.By family descent to John and OlgaO’Brien.By family descent to the presentowner.Private Collection, Idaho.

note:According to Dr. Nancy MowllMathews, this work dates from circa1920 and relates to works such as“Decorated Mirror With TwoFigures” circa 1915-17 (catalogueraisonné no. 2231), “Decoration onGlass” circa 1915-17 (catalogueraisonné no. 2233) and “Fairy Story”circa 1920, reworked in 1946(catalogue raisonné no. 2277). Thelatter piece, which features similarmotifs was a gift to the artist’sfriend, William Glackens.We wish to thank Nancy MowllMathews, Williams CollegeMuseum of Art, Williamstown,Massachusetts for her assistance incataloguing this lot.$20,000-30,000

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67CHARLES WARREN EATON(american 1857-1937)“AUTUMN-NEW ENGLAND”Signed ‘CHAS. WARREN EATON’ bottom right, signed and inscribed withtitle on label verso, oil on canvas30 x 36 in. (76.2 x 91.4cm)$10,000-15,000

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68CHARLES WARREN EATON(american 1857-1937)MOONLIT FORESTSigned ‘CHAS. WARREN EATON’ bottom right, inscribed and dated ‘To myFriends / Mr & Mrs Berger / from Chas. Warren Eaton. 1900’ verso, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Richmond, Virginia.$10,000-15,000

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69HUGH BOLTON JONES(american 1848-1927)“SPRING”Signed ‘H. BOLTON JONES’ bottomleft, signed and inscribed with titleon label verso, oil on canvas16 1/8 x 24 1/2 in. (41 x 62.2cm)provenance:Private Collection, New Jersey.$5,000-8,000

70JOHN FRANCIS MURPHY(american 1853-1921)LANDSCAPE WITH STREAM INFOREGROUNDSigned and dated ‘J FRANCISMURPHY 1902’ bottom right, oil oncanvas16 x 22 in. (40.6 x 55.9cm)provenance:Maria Antoville Galleries, New York,New York.Private Collection, Maryland.$2,000-3,000

71JOHN FRANCIS MURPHY(american 1853-1921)LANDSCAPE AT DUSKSigned and dated ‘J FRANCISMURPHY 1908’ bottom right, oil oncanvas16 x 22 in. (40.6 x 55.9cm)provenance:Maria Antoville Galleries, New York,New York.Private Collection, Maryland.$2,000-3,000

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72AARON H. GORSON(american 1872-1933)BOATS ON A RIVER AT DUSKSigned ‘A.H Gorson’ bottom right, oil on canvas24 x 30 in. (61x 76.2cm)provenance:Private Collection, New Jersey.note:A pencil inscription verso suggests that this scene was painted circa 1925and depicts the Hudson Basin looking at the Palisades.$15,000-25,000

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73CHARLES LINFORD(american 1846-1897)“IN WHITEMARSH VALLEY PA”Signd ‘C Linford’ bottom left, signedand inscribed with title verso, oil oncanvas15 x 22 in. (38.1 x 55.9cm)provenance:Private Collection, New Jersey.$1,500-2,500

74CHARLES LINFORD(american 1846-1897)RIVER IN AWOODED LANDSCAPESigned ‘C LINFORD’ bottom right,oil on canvas12 x 17 in. (30.5 x 43.2cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

75WILLIAM ANDERSON COFFIN(american 1855-1925)“JENNERSTOWN PENNSYLVANIA -SPRING EVENING”Signed ‘Wm A Coffin’ bottom right,signed and inscribed with title onlabel verso, oil on canvas14 1/4 x 20 1/8 in. (36.2 x 51.1cm)provenance:Private Collection, New Jersey.$2,500-4,000

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76HENRY PEMBER SMITH(american 1854-1907)“THE OLD GRIST MILL, MID-SUMMER”Signed ‘HENRY P. SMITH’ bottomright, inscribed with title on labelverso, oil on canvas14 x 20 in. (35.6 x 50.8cm)provenance:Private Collection, New Jersey.$2,000-3,000

77THOMAS RATHBONE MANLEY(american 1853-1938)“AT COLEBROOK, CONNECTICUT”Signed with initials ‘TRM’ bottomleft, inscribed with title verso, oil onboard10 x 12 in. (25.4 x 30.5cm)provenance:Dr. Gilbert Horrax, Boston,Massachussetts.By descent to his son, Dr. Trudeau,Horrax, Philadelphia, Pennsylvania.By family descent.$1,200-1,800

78DEWITT CLINTON BOUTELLE(american 1820-1884)THE MILL, SAND ISLAND, LEHIGHVALLEY, BETHLEHEM,PENNSYLVANIASigned and dated ‘DWCBoutelle/1872’ bottom left, oil oncanvas, unframed36 x 28 1/2 ub, (91.4 x 72.4cm)$2,000-3,00079

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79GRANDMA MOSES (ANNA MARYROBERTSON)(american 1860-1961)“COVERED BRIDGE”Worsted picture with embroideredsignature ‘GRANDMA MOSES’ bottom left9 1/8 x 15 in. (23.2 x 38.1cm)Executed circa 1939. Signed by the artist inembroidery in 1949.provenance:Collection of Mrs. Louis Cassell.Private Collection, Ohio.literature:Otto Kallir, Grandma Moses, New York,1973, p. 283, No. 12W (not illustrated).note:The present lot is one of only 52 worstedpictures Grandma Moses executed. Most,unlike this example, were not signed. Fortwo Moses worsted pictures very similar insubject to this lot, see Kallir, no. 13W, TheCovered Bridge, and no. 22W, Hoosick Bridge.

The copyright for this picture is reserved toGrandma Moses Properties Co., Inc., NewYork.$12,000-18,000

80ANN CRANE

(american 1881-1948)RIVER IN WINTER

Signed ‘ANN CRANE’ bottom left, oil oncanvas

26 x 22 in. (66 x 55.9cm)provenance:

Private Collection, Aiken, South Carolina.$3,000-5,000

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81ROBERT EMMETT OWEN(american 1878-1957)TREES BY A COVERED BRIDGESigned ‘R Emmett Owen’ bottomleft, oil on canvas16 1/4 x 20 in. (41.3 x 50.8cm)provenance:Private Collection, Lynchburg,Virginia.$3,000-5,000

82ALBERT HERTER(american 1871-1950)EASTERN BLOSSOMSSigned and dated ‘Albert Herter 94’bottom left, watercolor9 7/8 x 13 7/8 in. (25.1 x 35.2cm)$2,000-3,000

83CHAUNCEY FOSTER RYDER(american 1868-1949)“THE CIDER MILL”Signed ‘Chauncey F. Ryder’ bottomleft, signed and inscribed with titleverso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

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84GUY CARLETON WIGGINS(american 1883-1962)FIFTH AVENUE IN FRONT OF LIBRARYSigned ‘Guy Wiggins’ bottom right, oil onpanel4 3/8 x 2 9/16 in. (11.1 x 6.5cm)Executed circa 1918-1920provenance:Private Collection, Pennsylvania.note:This lot will be accompanied by a letter ofauthenticity from the artist's son, Guy A.Wiggins, dated '21st May 2009'.$12,000-18,000

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85OGDEN MINTON PLEISSNER(american 1905-1983)“THE UPPER MARGAREE - CAPE BRETON (SALMON FISHING)”Signed and dated ‘Pleissner 31’ bottom left, oil on canvas, laid down onboard12 x 16 in. (30.5 x 40.6cm)provenance:Casson Galleries, Boston, Massachusetts.Dr. Gilbert Horrax, Boston, Massachussetts.By descent to his son, Dr. Trudeau, Horrax, Philadelphia, Pennsylvania.By family descent.$10,000-15,000

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86HENRY BOLLER PANCOAST(american 1876-1962)“ROOFTOPS”Signed ‘H.B Pancoast’ and inscribedwith title verso, oil on canvas24 3/4 x 33 in. (62.9 x 83.8cm)$1,500-2,500

87JOHN E. COSTIGAN(american 1888-1972)“FIGURES IN THE WOODS”Signed ‘J.E. COSTIGAN NA’ bottomleft, signed and inscribed with titleverso, oil on board12 x 16 in. (30.5 x 40.6cm)$3,000-5,000

88CARL WUERMER(american 1900-1982)HAY RICKS IN AWOODEDLANDSCAPEDated and signed ‘23 CarlWuermer’ bottom right, oil oncanvas22 x 24 in. (55.9 x 61cm)provenance:Anderson Galleries, Chicago, Illinois.Findlay Galleries, Chicago, Illinois.$1,000-1,500

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89REYNOLDS BEAL(american 1867-1951)“CIRCUS”Signed and dated ‘REYNOLDS BEAL1929’ in pencil bottom left, coloredpencil and watercolor on paper14 5/16 x 18 13/16 in. (36.4 x47.8cm)provenance:Pennsylvania Art Conservatory,Berwyn, Pennsylvania.An estate, Pennsylvania.$1,500-2,500

90VESTY DAVIS(american 1903-1978)“PARKWAY BATHS”Signed and dated ‘VESTYDAVIS/1955’ bottom right, inscribedwith title verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

91DALE NICHOLS(american 1904-1995)“HARVESTING”Signed ‘DALE NICHOLS’ bottomleft, oil on canvas14 x 22 in. (35.6 x 55.9cm)provenance:Maxwell Galleries, San Francisco,California.Private Collection, South Carolina.$6,000-10,000

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92YASUO KUNIYOSHI(japanese/american 1893-1953)GIRL AT A BARSigned and dated ‘Y Kuniyoshi / 36’upper left, oil on canvas with tracesof graphite14 x 10 in. (35.6 x 25.4cm)provenance:Private Collection, Lynchburg,Virginia.$10,000-15,000

93ALEXANDER BROOK(american 1898-1980)RECUMBENTWOMANSigned ‘A BROOK’ bottom right, oilon canvas6 x 10 in. (152 x 25.4cm)provenance:Downtown Gallery, New York, NewYork.Private Collection, Lynchburg,Virginia.$1,200-1,800

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94OLAF CARL WIEGHORST(american 1899-1988)BUCKING BRONCOSigned and dated ‘O. Wieghorst ‘2*’bottom right, black ink andwatercolor on paper11 1/8 x 7 5/8 in. (28.3 x 19.4cm)provenance:Private Collection, Virginia.$1,500-2,500

95EVERETT SHINN(american 1876-1953)MEN AT A CAFÉ BARSigned and dated ‘E. SHINN1906’ bottom left, sanguineconte on buff paper11 1/4 x 17 3/4 in. (28.6 x45.1cm)provenance:Private Collection,Williamsburg, Virginia.$4,000-6,000


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96THOMAS HART BENTON(american 1889-1975)STUDY FOR “AMERICANHISTORICAL EPIC -COLONIZATION: THE AXES”Signed ‘Benton’ bottom left, oil onboard20 x 15 in. (50.8 x 38.1cm)provenance:Boyer Galleries, New York, NewYork.Acquired by the present owner’sfather in the 1930’s or 40’s.

note:Arguably the leading Regionalistpainter of the American scene,Thomas Hart Benton painted anumber of important murals,including America Today (1930), forthe New School of Social Research,The Arts of Life in America (1932), forThe Whitney Studio Club Mural, ASocial History of Indiana (1933), forthe state of Indiana’s pavilion at theChicago World’s Fair, and A SocialHistory of Missouri (1935-6), for theMissouri State Capitol Building. Thepresent work is a study for one ofthe paintings from the series TheAmerican Historical Epic, an earlier,multi-panel mural Benton began in1919 and worked on into the late1920s. Never completed, Benton’sidea for the mural is said to havebeen inspired by a reading of JesseAmes Spencer’s History of the UnitedStates as well as by his boyhoodambition to paint a series that woulddepict “The Explorers andAdventurers of Early America.”

The American Historical Epic was firstconceived as an ambitious series of

paintings in ten separate chapters,with each chapter comprised of fivepanels. The series was created todepict American history, from itscolonial beginnings, through frontierexploration, the Civil War, throughto the rise of American industry.Benton is said to have completedfrom fifteen to eighteen paintings ofThe American Historical Epic – fivepanels from three, rather than all tenchapters. The ten paintings inchapters one and two of this series –all bequeathed to the Nelson-AtkinsMuseum, Kansas City - depictthemes involving Native Americansand European explorers. The fivepanels comprising the third and finalchapter, entitled Colonization, wereexecuted in 1924-7, and depictthemes of struggle and labor.Included in this final chapter is TheAxes, the prototype for the presentpainting.

The Axes (final version in thecollection of Lyman Field and UnitedMissouri Bank, Kansas City) depictsfour men chopping trees – anallegory of industry. The final

version measures 59 1/4 x 41 1/4inches, and features two of the men,the standing figure at center left,and the distant figure at center right,wielding axes, which are omittedfrom the present work.

References: Marianne Berardi,Thomas Hart Benton, catalogue forOwen Gallery exhibition, October 14– December 15, 2000; HenryAdams, Thomas Hart Benton, AnAmerican Original, New York, 1989;Erika Doss, American Moderns andthe American Scene, 2005, transcriptof a paper presented at symposiumorganized by the Terra Museum ofAmerican Art and the Union LeagueClub of Chicago.

This work will be included in theforthcoming catalogue raisonnébeing prepared by the Thomas HartBenton Catalogue RaisonnéFoundation. Committee membersinclude Dr. Henry Adams, JessieBenton, Anthony Benton Gude andMichael Owen.$60,000-80,000


97HARRY HERMAN ROSELAND(american 1866-1950)WOMAN’S HEAD IN PROFILESigned ‘HARRY ROSELAND’ bottomleft, inscribed ‘To Ethel Smith Ka**i /April 27th 1920/From F.K.’ verso, oilon board15 7/8 x 12 in. (40.3 x 30.5cm)provenance:Private Collection, North Carolina.$4,000-6,000

98HANS O. HOFMANN(american 1893-1973)“CENTRUM FUGUS”Signed ‘H.O. Hofmann’ bottom right,also pencil signed on verso of frameand inscribed ‘H.O. HOFMANN, 3LEROY ST. N.Y. 14 N.Y, WA·9·3461 /OIL 20” x 24” / “CENTRUMFUGUS”’ on stretcher, oil on canvas24 x 20 in. (61 x 50.8cm)provenance:Private Collection, Washington, D.C.note:This lot will be accompanied by aletter from the artist to the presentowner’s mother.$1,500-2,500

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99HOWARD PYLE(american 1853-1911)“JONATHAN RUGG”Signed, inscribed and dated ‘From H.Pyle to his Friends, the Rowlands’,1907’ bottom center, oil on board11 1/2 x 5 3/8 in. (29.2 x 13.7cm)note:This work was painted as anillustration for the story Ruby ofKishmoor published in Harper’sMonthly, August, 1907.$6,000-10,000


100MOSES SOYER(american 1899-1974)“NUDE WOMANWITH SCREEN”Signed ‘M. Soyer’ top right, inscribed‘To Ted O. Thackrey’ and signed withinitials ‘’MS’ top left, oil on canvas13 x 10 in. (33 x 25.4cm)Executed circa 1950provenance:Note: Ted O. Thackrey was$1,500-2,500

101MOSES SOYER(american 1899-1974)“DANCERS”Signed ‘M Soyer’ bottom center,signed and inscribed with title verso,oil on panel33 1/4 x 16 5/8 in. (84.5 x 42.2cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

102RAPHAEL SOYER(american 1899-1987)“NUDE IN FRONT OF SCREEN”Signed ‘RAPHAEL SOYER’ bottomright inscribed and dated ‘Nude InFront of Screen 1971’ on stretcherverso, oil on canvas20 x 16 in. (50.8 x 40.6cm)$4,000-6,000

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103GIL ELVGREN(american 1914-1980)“POT LUCK!”Signed ‘Elvgren’ lower right, oil oncanvas29 x 22 1/2 in. (73.7 x 57.2cm)note:This work was reproduced as the sixof clubs for the ‘52 AmericanBeauties’ deck of playing cards,manufactured by the CreativePlaying Card Co. Inc., St. Louis,Missouri.$25,000-40,000

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104HUGHIE LEE SMITH(american 1915-1999)DOCK SCENESigned and dated ‘Lee Smith / ‘56’ bottom left, oilon masonite24 x 36 in. (61 x 91.4cm)provenance:Gift from the artist to the mother of the presentowner.Private Collection, North Carolina.$10,000-15,000

105HUMBERT HOWARD(american 1905-1990)“FISHERMAN”Signed and dated ‘Howard 51’ upper right, signed,inscribed with title and dated verso, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Purchased at The Pennsylvania Academy of FineArts, Philadelphia, Pennsylvania in the 1950s or1960s by the aunt of the present owner.Private Collection, New Jersey.$3,000-5,000

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106WALTER EMERSON BAUM(american 1884-1956)ON THE COASTSigned ‘W E BAUM’ bottom left, oilon canvasboard12 x 16 in. (30.5 x 40.6cm)$2,000-3,000

107WALTER EMERSON BAUM(american 1884-1956)BREAKERS ON THE SHORESigned ‘W.E. BAUM’ lower left, oilon canvas25 x 30 in. (63.5 x 76.2cm)$2,000-3,000

108WALTER EMERSON BAUM(american 1884-1956)“HAGERSVILLE, PENNSYLVANIA”Signed ‘W E BAUM’ bottom right,signed, inscribed with title and withartist’s label attached verso, oil onboard11 x 14 in. (27.9 x 35.6cm)provenance:Property from the Estate of WilliamF. Heefner, Bucks County,Pennsylvania.$2,000-3,000

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109WALTER ELMER SCHOFIELD(american 1867-1944)A BUSY CORNISH HARBOURSigned and dated ‘Schofield 14’ bottom right, oil on canvas30 x 36 in. (76.2 x 91.4cm)provenance:Estate of a Lady, Pennsylvania.$20,000-30,000

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110WALTER ELMER SCHOFIELD(american 1867-1944)A ROCKY SHORE, SUMMEROil on canvas36 x 30 1/4 in. (66 x 76.8cm)provenance:Estate of a Lady, Pennsylvania.$8,000-12,000


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111FERN ISABEL COPPEDGE(american 1883-1951)“JANUARY SUNSHINE”Signed ‘Fern I Coppedge’ bottom left, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Gift from the artist.An estate, Pennsylvania.note:In the original Harer frame$60,000-100,000


112EDWARDWILLIS REDFIELD(american 1869-1965)SUNLIGHT ON SNOWSigned ‘EW Redfield’ bottom right,oil on canvas32 x 23 1/4 in. (81.3 x 59.1cm)provenance:Acquired directly from the artist byMrs. Fitting.By family descent.Private Collection, New Hope,Pennsylvania.note:This painting will be included in theforthcomingcatalogue raisonné of EdwardRedfield’s work being compiled byDr. Thomas Folk.$50,000-80,000

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113WALTER ELMER SCHOFIELD(american 1867-1944)“CORNISH FARM, TREGANHISH”Signed ‘Schofield’ bottom left, inscribed with title verso, oil on canvas30 x 36 in. (76.2 x 91.4cm)provenance:Mr. and Mrs. Philip & Muriel Berman.Private Collection, United Kingdom.$25,000-40,000

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114WILLIAM LANGSON LATHROP(american 1859-1938)PATH IN THE LANDSCAPESigned ‘W.L. Lathrop’ bottom right, oil on canvas22 1/4 x 25 in. (56.5 x 63.5cm)provenance:Collection of Mr. & Mrs. Perry Foster, Texas.Private Collection, San Francisco, California.$15,000-25,000

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115WALTER ELMER SCHOFIELD(american 1867-1944)“CORNISH HARBOUR”Signed ‘Schofield’ bottom left, inscribed with title verso, oil on canvas30 x 30 in. (76.2 x 76.2cm)provenance:Estate of the artist.Mr. and Mrs. Philip & Muriel Berman.$25,000-40,000


116ROY NUSE(american 1885-1975)“THE CHILDREN OF JAMES W. HUNSBERGER”Signed and dated ‘Nuse 22’ bottom right, oil on canvas34 x 40 in. (86.4 x 101.6cm)provenance:Commisssioned by James W. Hunsberger and Helen R. Hunsberger.By descent to their daughter.Helen Rose Marr, Great Falls, Virginia.By descent to her daughter.Private Collection, Virginia.exhibited:Pennsylvania Academy of Fine Arts Annual Exhibition, 1926, Philadelphia,Pennsylvania, Cat.No. 221.note:The painting depicts the present owner’s mother and siblings at Cape May,New Jersey.$70,000-100,000

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117GEORGEW. SOTTER(american 1879-1953)“THE OUTER HARBOR-GLOUCESTER”Signed ‘G.W. Sotter’ bottom right, inscribed with title on frame verso, oil onboard12 x 14 3/4 in. (30.5 x 37.5cm)provenance:Won by the present owner’s mother at a Catholic church fundraiser in NewHope.$10,000-15,000

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118HENRY BAYLEY SNELL(american 1858-1943)VIEW OF LAMBERTVILLE ACROSS THE DELAWARESigned ‘HENRY B. SNELL’ bottom right, oil on canvas, laid down on board11 1/2 x 13 1/2 in. (29.2 x 34.3cm)provenance:Won by the present owner’s mother at a Catholic church fundraiser in NewHope.$8,000-12,000

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119WILLIAM LANGSON LATHROP(american 1859-1938)“MIDSUMMER”Signed ‘W L Lathrop’ bottom right,inscribed twice with title onstretcher and crossbar verso, oil oncanvas30 x 25 in. (76.2 x 63.5cm)Executed circa 1880provenance:Kenneth Lux Gallery, New York, NewYork.Collection of Bristol-Myers Squibb,New York, New York.$25,000-40,000

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120WALTER ELMER SCHOFIELD(american 1867-1944)“SPRING SONG”Signed ‘Schofield’ bottom left, numbered ‘5’ and inscribed with title verso, oilon canvas26 1/4 x 30 1/4 in. (66.7 x 76.8cm)provenance:Estate of a Lady, Pennsylvania.$10,000-15,000

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121FERN ISABEL COPPEDGE(american 1888-1951)“DECEMBER”Signed ‘FERN I Coppedge’ bottomleft, inscribed with title in pencil onstretcher verso, oil on canvas12 1/8 x 12 1/8 in. (30.8 x 30.8cm)provenance:Private Collection, Washington, D.C.$12,000-18,000

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122WALTER EMERSON BAUM(american 1884-1956)RIVER LANDSCAPE, AUTUMNSigned ‘W E BAUM’ bottom left, oilon board9 3/4 x 12 in. (24.8 x 30.5cm)$1,000-1,500

123JOHN FULTON FOLINSBEE(american 1892-1972)STORMY SKIESSigned ‘John Folinsbee’ bottom right, oil on board10 x 14 in. (25.4 x 27.9cm)provenance:Estate of Pilar Sabater, friend and student of theartist.Through family descent to Mr. & Mrs. CharlesHauderes, Cornwall, Connecticut.note:This work has been ascribed the number ‘1214’ bythe John Folinsbee Catalogue Raisonné Project and isbelieved to have been painted in the 1940s.$3,000-5,000

124KENNETH NUNAMAKER(american 1890-1957)“WINTER WOODLAND”Signed ‘K NUNAMAKER’ bottomleft, inscribed with title and withartist’s stamp verso, oil on panel5 7/8 x 9 in. (14.9 x 22.7cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

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125MARTHAWALTER(american 1875-1976)PINK AND WHITE HIBISCUSESSigned “Martha Walter” bottom left,oil on board36 x 30 1/4 in. (91.4 x 76.8cm)provenance:Gift from the artist to the presentowner's father.By family descent.Private Collection, Pennsylvania..$6,000-10,000

126MARTHAWALTER(american 1875-1976)‘PICNIC IN FRENCH PARK”Signed ‘Martha Walter’ bottomright, watercolor10 13/16 x 13 5/8 in. (27.5 x34.6cm)provenance:David David Inc., Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$2,000-3,000

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127HENRY BAINBRIDGE MCCARTER(american 1886-1942)“SUNSET IN THE FIELDS”Signed with initials ‘H.M’ lowerright, oil on canvas30 x 36 in. (76.2 x 91.4cm)Executed circa 1940-1942provenance:Salander-O’Reilly Galleries, Inc.,New York, New York.Collection of J.B. Neumann, NewYork.Janet Fleisher Gallery, Philadelphia,Pennsylvania.

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exhibited:Henry McCarter, 1864-1942 New ArtCircle, New York, November 15-30,1943, cat. no. 1.Henry McCarter 1864-1942, ThePennsylvania Academy of the FineArts, December 12, 1943-January 9.1944, cat. no. 87.literature:Lightscapes by Henry McCarter, ArtDigest 18 (15 November 1943): 7.$10,000-15,000

END OF SALE


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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age,provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


Adams, J.C., 36af Sillen, H.G., 34Asoma T., 51

Ballue, P.E., 14Barraud, W., 37Baum, W.E., 106, 107, 108, 122Beal, R., 89Benton, T.H., 96Berchere, N., 27, 28Boilly, L.L., circle of, 5Boutelle, D.C., 78Bridgman, F.A., 64Brook, A., 93

Carlström, G., 35Cauchois, E.H., 18Coffin, W.A., 75Coppedge, F.I., 111, 121Corot, J.B-C., follower of, 6Corsi, S., 31Costigan, J.E., 87Crane, A., 80

Davis, V., 90de Haas, M.F.H., 17de Neuville, A.A. de B., 21de Visscher II, C., 7Drouais, F.H., attributed to, 8Dufy, J., 54Dutch School, 10

Eaton, C.W., 67, 68Elvgren, G., 103Enjolras, D. 25Eyers, J.J., 59

Fantin-Latour, H., circle of, 19Folinsbee, J.F., 119

Gabani, G., 24Gainsborough, T., follower of, 12Gaisser, J.E., 33Girardet, 26Gisson, A., 44Gorson, A.H., 72Grandma Moses, 79

Herter, A., 82Herzog, H., 63Hofmann, H.O., 98Howward, H., 105

Inoel, *, 23

Johnson, R., 41Jones, H.B., 69

Kuniyoshi, Y., 92Kuwasseg, C.E., 32

Lambinet, E.C., 13Lathrop, W.L., 113, 119Lecomite, P., 29Linford, C., 73, 74Linguet, H., 15Lohr, A., 30Lyne, M., 38

Macmonnies, F.W., 56Mane-Katz, 42Manley, T.R., 77Maris, J., 16McCarter, H.B., 127Michel-Henry, 50Moldovan, S., 52Moran, E., 62Murphy, J.F., 70, 71

Nichols, D., 91Nunamaker, K., 124Nuse, R., 116

Owen, R.E., 81

Pancoast, H.B., 86Perret, A., 20Peto, J.F., 57, 58Pho, Le, 46, 47, 48Pissarro, P-E., 43Pleissner, O.M., 85Prendergast C., 66Pyle, H., 99

Quizet, A.L., 45

Ream, M.C., 60Redfield, E.W., 112Richards, W.T., 65Robertson, A.M. (Grandma Moses),79

Roseland, H.H., 97Ryder, C.F., 83

Schofield, W.E., 109, 110, 113, 115,120

Seguin, J., 49Shinn, E., 95Smith, H.L., 104Smith, H.P., 76Snell, H.B., 118Sotter, G.W., 117Soyer, M., 100, 101Soyer, R., 102Stademann, A., 11Strachan, A.C., 39

van de Velde II, W., 9van Heemskerck I, E., attributed to, 2van Rijn, R., follower of, 3van Stray, J., 4Verelst, W., 1Vignoles, A., 53Volkov, E., 22

Walter, J., 125, 126Wiegand, G., 61Wiegnhorst, O.C., 94Wiggins, G.C., 84Williams, E.C., 40Wuermer, C., 88

Zúñiga, F., 55

83


06/21/09

Index


84

free≤an’s

fine american & european paintings & sculpture

06/21/09

specialist departments

Americanalynda a cainsamuel ≤ free≤an iiamy parenti

Asian Artsrobert waterhouserichard cervantes

English & ContinentalFurniture, Silver & Decorative Artsrobert waterhousedouglas girtonkerry jeffery

Fine Jewelrysamuel ≤ free≤an iikate waterhouse

Fine Paintings & Sculpturealasdair nicholdavid weisslibia elena mendezaimee pflieger dolby

Fine Printsdavid weissaimee pflieger dolbylibia elena mendez

Modern & Contemporary Artanne henryalasdair nicholdavid weissaimee pflieger dolby

Oriental Rugs & Tapestriesdavid weissrichard cervantes

Rare Books, Manuscripts,& Ephemeradavid j bloomjoe huenke

depart≤ents

Appraisalsanita heriotsa≤uel ≤ free≤an iijames e buckleydonald e walter

Appraisal Servicesandrea vainiusjessica tudor

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrollkati gegenheimerjessica carterbethany mobbsandrea vainiusstephanie parker

Operationshanna doughermarcell zomboribenjamin fisherjacob schelljohn burkejulius claytonbethany mobbsgerald davis

Financehanna dougherjeffrey miller

Business Development &≤arketingthomas b. mccabe ivlily stonechristopher browne

Trusts & Estateschristian jusselsamuel t freeman iiithomas b. mccabe iv

Photographyelizabeth fieldelizabeth schultztom clark

officers

chair≤ansamuel ≤ freeman iivice-chair≤analasdair nichol

presidentpaul roberts

executive vice presidentsja≤es e buckleyhanna dougher

senior vice presidentchristian jussel

chief financial officereric a smith

vice presidentsdavid j bloomlynda a cainanne henryrobert waterhousedavid weiss

representativesdavid weissWashington, [email protected]: 202.412.8345

colin clarkeCharlottesville, [email protected]: 434.296.4096Fax: 434.296.4011

robert and kate waterhouseAnnapolis, [email protected]: 267.414.1226

Directory


85


06/21/09

Purchase removal, shipping andoffsite storage information

successful bidders for the fine american & europeanpaintings & sculpture sale will be expected topick up all property from freeman’s no later than4.30 pm on friday, june 26th, 2009.

Shippers who have worked with Freeman’s include butare not limited to:

Aiston Fine Art:Tel: 212.715.0629 Fax: 212.838.6982email: [email protected]

Packaging Store:Tel: 215.361.6940 Fax: 215.361.6941email: [email protected]

UPS:Tel: [email protected]

A. Mastrocco Jr. Moving & StorageTel: 215.491.0346email: [email protected]

Navis Pack & ShipTel: 610.534.0750email: [email protected]

Property not picked up from Freeman’s within tenbusiness days of the auction will be transferred to astorage facility as noted in our terms and conditions.There will be packing, transport, storage and releasecharges. For the convenience of the successful bidder,all purchased lots will be packed and transferred to thestorage facility together.

Payment of the hammer price, premium and anyapplicable sales taxes must be made directly toFreeman’s prior to the release of property.

Please contact Freeman’s at 215-563-9275 ext. 3008with shipping related queries.


Fine AntiquesWednesday 24th June, 200933 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

EnquiriesVictoria CrakeTel: +44 (0)131 557 8844E-mail: [email protected]

Viewing timesSunday 21st June 2pm - 5pmMonday 22nd June 10am - 5pmTuesday 23rd June 10am - 5pmMorning of Sale

Catalogue£15 plus post and packing

POSSIBLY SPANISH ORMEXICAN COLONIAL SCHOOL (17TH CENTURY)THE VIRGIN MARY & CHRIST APPEARING TO THEKNEELING NIKOLAUS VON TOLENTINOoil on panel, depicted in a landscape with capsizedboats, two churches, smashed portraits and acrest with the initials Mceevh - DERSLC.; togetherwith The Infant Christ presenting an engagementring to Katarina, a pair (2)

61cm x 153cm

£5,000-8,000


Auction:Monday, June 22nd, 2009at 12 noon

Exhibition:Thursday, June 18th &Friday, June 19th (10am to 4pm)Saturday, June 20th (12pm-5pm)

Inquiries:kate waterhouse ext 3080Direct Tel: [email protected]

Upcoming

w w w . f r e e m a n s a u c t i o n . c o m

Fine Jewelry &Watches 06/22/09

Gentleman's 18 karat yellow goldwristwatch, Patek Philippe1950sClassic circular thin case withdouble beaded edge bezel, whiteenamel face with Roman numeraldesign dial, signed Patek Philippe,Geneve, reverse etched KAS,original black lizard skin wristband.Accompanied by original box.L: 9 in.$3,000-5,000

FREEMAN’S1808 Chestnut StreetPhiladelphia, PA 19103Telephone: 215.563.9275Fax: 215.563.8236www.freemansauction.com

126 Garrett StreetCharlottesville, VA 22902Telephone: 434.296.4096Fax: 434.296.4011www.freemanssouth.com


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


fine american & european paintings & sculpture 6/21/09

Documents

conditionsof sale

terms andconditions

buyers responsibility

sale registered bidders

potential buyers areunable

buyers premium shallbe

successful bid price

individual lots