fine american & european paintings

06/19

/11Fine American & EuropeanPaintings & Sculpture06/19/11

Sunday June 19th at 2pm

Sale 1403

Exhibitions:Thursday, June 16th and Friday, June 17th10am-5pm

Saturday, June 18thNoon-5pm

Inquiries:alasdair nicholdirect tel: [email protected]

david weissdirect tel: [email protected]

maya o’donnell-shahdirect tel: [email protected]

Bidding:bids department

natalie difeliciantonio

tel: 267.414.1208

fax: 215.599.2240

[email protected]

Catalogue $35

Inside Front Cover: Lot 44 (detail)Inside Back Cover: Lot 107 (detail)

Fine American & European Paintings & Sculpture 06/19/11

Samuel T Freeman & Co.1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

Fax: 434.296.4011

45 School Street

Boston, MA 02108

Telephone: 617.367.3400

www.freemansauction.com

Printing by Brilliant Studio

Exton, Pennsylvania

Color images of every lot are

available at


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free≤an’sfine american & european paintings & sculpture

06/19/11

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Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed by June 24th at 3pm. Purchases not so removed may be turned over to alicensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.

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European Paintings & Sculpture


1 11-5035/8LADISLAUS BAKALOWICZ(polish 1833-1904)CHOOSING A BOOKSigned and inscribed ‘L. Bakalowicz/ Paris’ lower left, oil on panel21 3/4 x 16 in. (55.2 x 40.6cm)provenance:The Estate of Albert Del Negro, NewJersey.$5,000-8,000

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2 11-8019/1EUGENIO ZAMPIGHI(italian 1859-1944)A TENDER MOMENTSigned and dated ‘E. Zampighi 1885’upper right, oil on canvas14 x 10 5/8 in. (35.6 x 27cm)provenance:Private Collection, Virginia.$8,000-12,000


3 11-5035/7CHARLES LOUIS BAUGNIET(belgian 1814-1886)“PREMIER TROUBLE DU COEUR”Signed ‘C L Baugniet’ bottom left, oilon panel25 1/4 x 20 5/8 in. (64.1 x 52.4cm)provenance:The Estate of Albert Del Negro, NewJersey.$6,000-10,000

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4 11-1506/4LÉON EMILE CAILLE(french 1836-1907)BLOWING BUBBLESSigned ‘L Caille’ bottom left, oil oncanvas laid down on board21 3/4 x 26 in. (55.2 x 66cm)provenance:An Estate, Florida.$3,000-5,000

5 11-1492/1PAUL JOSEPH LEYENDECKER(french b. 1842)AT THE PONDSigned and dated ‘P LEYENDECKER1879’ bottom right, oil on panel,unframed15 3/4 x 12 1/2 in. (40 x 31.6cm)provenance:Private Collection, Delaware.$1,500-2,500

6 11-1492/2PAUL JOSEPH LEYENDECKER(french b. 1842)AN OFFER OF MARRIAGESigned and dated ‘P LEYENDECKER1880’ bottom right, oil on canvas,unframed13 x 16 1/4 in. (33 x 41.3cm)provenance:Private Collection, Delaware.$800-1,200


7 10-2333/1VICTOR PIERRE HUGUET(french 1835-1902)AT THE WELLSigned ‘V. Huguet’ bottom left, oilon canvas, unframed21 3/4 x 18 1/4 in. (55.2 x 46.4cm)provenance:Private Collection, New Jersey.$20,000-30,000

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8 11-1360/1EMILE VAN MARCKE DE LUMEN(french 1827-1890)CATTLE WATERINGSigned ‘Em. van Marcke’ bottomright, oil on canvas23 3/4 x 35 5/8 in. (60.3 x 90.5cm)provenance:Private Collection, New York.$2,500-4,000

9 11-1073A/10BERNARD DE GEMPT(dutch 1826-1879)“A LIFE OF LUXURY”Signed and dated ‘B te Gempt 1859’bottom left, oil on canvas21 3/4 x 29 1/2 in. (55.2 x 75cm)provenance:Sara Davenport Fine Paintings,London, United Kingdom.The Estate of Judith StanleyColeman, Red Bank, New Jersey.Private Collection, Colorado.$4,000-6,000

10 11-1103/1LOUIS WILLEM VAN SOEST(dutch 1867-1948)TILLING THE FIELDSigned ‘Louis W v Soest’ bottomleft, oil on canvas13 3/4 x 31 1/2 in. (34.9 x 80cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,500-2,500


11 11-1350/1LOUIS APOL(dutch 1850-1936)DUTCH LANDSCAPESigned ‘Louis Apol’ bottom left, alsoinscribed ‘HollandischeWinterlandschaft mit Haus undPferd’ on label verso, oil on canvas18 1/2 x 25 in. (47 x 63.5cm)provenance:Private Collection, Pennsylvania.$20,000-30,000

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12 10-2294/1TINUS DE JONGH(dutch 1885-1942)SUNSET ON MOUNTAINSSigned ‘Tinus de Jongh’ bottomright, oil on canvas12 1/4 x 20 in. (31.1 x 50.8cm)provenance:Private Collection, New York.$1,500-2,500

13 10-2294/2TINUS DE JONGH(dutch 1885-1942)SOUTH AFRICAN LANDSCAPEWITH WHITE BUILDINGSSigned ‘Tinus de Jongh’ bottomright, oil on canvas12 1/4 x 20 in. (31.1 x 50.8cm)provenance:Private Collection, New York.$1,500-2,500

14 10-2294/3TINUS DE JONGH(dutch 1885-1942)SOUTH AFRICAN LANDSCAPESigned ‘Tinus de Jongh’ bottom left,oil on canvas12 1/4 x 20 in. (31.1 x 50.8cm)provenance:Private Collection, New York.$1,500-2,500


15 10-2294/5TINUS DE JONGH(dutch 1885-1942)HOUSE IN A LANDSCAPESigned ‘Tinus de Jongh’ bottom left9 3/4 x 12 1/4 in. (24.8 x 31.1cm)and a companion by the same hand,SUNLIT MOUNTAINSigned ‘Tinus de Jongh’ bottomright, each oil on canvas (2)9 1/2 x 12 1/4 in. (24.1 x 31.1cm)provenance:Private Collection, New York.$1,500-2,500

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16 11-1360/24PIETER CORNELIS DOMMERSEN(dutch 1834-1908)AN ENGLISH SHIP IN DISTRESSSigned ‘P C Dommersen 1875’bottom right, oil on canvas26 x 44 in. (66 x 111.8cm)provenance:Private Collection, New York.$3,000-5,000


17 11-1115/1ALFRED F. DE PRADES(british 1844-1883)PORTRAIT OF A BRITISHDRAGOON GUARD ONHORSEBACKSigned ‘F de Prades’ bottom left, oilon board23 1/2 x 18 in. (59.7 x 45.7cm)provenance:Private Collection, Georgia.$4,000-6,000

18 11-1498/1JENO KEMENDY(hungarian 1860-1925)SETTING OFF FOR A HORSE RIDESigned and dated ‘Kemendy Jeno. /1890’ bottom left, oil on panel,unframed6 x 9 in. (15.2 x 22.9cm)provenance:Private Collection, Connecticut.$600-1,000

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19 11-8005/2ERNST LIEBERMANN(german 1869-1960)“DER STROM”Signed and inscribed ‘ERNSTLIEBERMANN / MCHN’ signed andinscribed with title on stretcherverso and with partial ‘NeuePinakothek München’ label verso, oilon canvas39 1/2 x 47 1/2 in.(100.3 x 120.7cm)$2,000-3,000

20 11-1548/2ADOLF KAUFMANN(austrian 1848-1916)CATTLE BY A RIVER, SUMMERSigned and dated ‘A Kaufmann1903’ bottom right, oil on canvas15 5/8 x 23 in. (39.7 x 58cm)provenance:Private Collection, Newton,Massachusetts.$1,500-2,500


21 11-8014/1CARL WILHELM FRIEDRICHBAUERLE(german 1831-1912)PORTRAIT OF YOUNG GIRL WITHA BASKET OF FLOWERS AND HERDOGInscribed ‘Carl Bauerle’ on stretcherverso, oil on canvas58 x 54 5/8 in. (147.3 x 138.7cm)

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provenance:W & J Sloane, Inc., New York, NewYork.Private Collection, Florida.note:The sitter in this portrait is said tobe Miss Hilda Dundas.$40,000-60,000


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22 11-1182/18MANÉ KATZ(french/ukranian 1894-1962)FLUTISTSigned ‘Mane Katz’, bronze, brownpatinaHeight: 14 5/8 in. (37.1cm)provenance:From the Buloff Collection, NewYork, New York.$1,000-1,500

23 11-1182/25MANÉ KATZ(french/ukranian 1894-1962)BASS PLAYERSigned ‘Mane Katz’, bronze patinawith greenish highlights, mountedon Black Belgian marble baseHeight: 11 1/4 in. (28.6cm)Overall height: 12 7/8 in. (32.7cm)provenance:From the Buloff Collection, NewYork, New York.$1,000-1,500

24 11-1182/26MANÉ KATZ(french/ukranian 1894-1962)THE VIOLINISTSigned ‘Mane Katz’, bronze, brownpatinaHeight: 13 3/4 in. (34.9cm)provenance:From the Buloff Collection, NewYork, New York.$1,000-1,500

25 11-1182/12REUVEN RUBIN(israeli 1893-1974)FIGURE WITH SHEEPSigned in Hebrew and signed ‘Rubin’ bottom center,inscribed ‘To sweet Barbara / with love / Rubin / 1963’on mat, black ink and watercolor on paper4 1/2 x 4 in. (11.4 x 10.2cm)provenance:A gift from the artist to the present owner.The Buloff Collection, New York, New York.$2,000-3,000


26 11-1337/2LESSER URY(german 1861-1931)STRAßENSZENE IN DER NACHTSigned ‘L Ury’ bottom left, oil oncanvas laid down on panel3 15/16 x 6 9/16 in. (10 x 16.7cm)provenance:Private Collection, Pennsylvania.$10,000-15,000

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27 11-1337/1LESSER URY(german 1861-1931)SIEGESALLEE MIT SIEGESSÄULEIM SOMMERSigned ‘L Ury’ bottom left, oil oncanvas laid down on panel4 x 5 5/8 in. (10.2 x 16.8cm)provenance:Private Collection, Pennsylvania.$10,000-15,000


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28 11-1339/1PIERRE BONNARD(french 1867-1947)“PAYSAGE DU DAUPHINÉ”Oil on panel5 1/4 x 8 11/16 in. (13.3 x 22.1cm)Executed circa 1897provenance:The Bonnard Estate.Private Collection, New York, NewYork.literature:Jean and Henry Dauberville,Catalogue Raissoné de L’Œvre Peint1940, 1947. Supplement 1887-1939,vol. 4, no. 01694, p. 113, (illus.).$30,000-50,000


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29 11-1506/6EDOUARD VUILLARD(french 1868-1940)“STILL LIFE WITH CHERRY PLUMS”With stamped signature ‘E Vuillard’ bottom left, oil on canvas8 x 10 in. (20.3 x 25.4cm)provenance:The artist’s studio.Renou et Colle, Paris, ca. 1949.Louis Bonn, Paris.Sam Salz, New York, ca. 1979.An Estate, Florida.exhibited:Musée Toulouse-Lautrec, Albi, France, 1960, cat. no. 3.literature:Antoine Salomon and Guy Cogeval, Vuillard - The Inexhaustible Glance - CriticalCatalogue of Paintings and Pastels, vol. 1, Wildenstein Institute, p. 18, no. I-20, (illus.).$50,000-80,000


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30 11-1500/1HENRI ALPHONSE BARNOIN(french 1882-1940)HARBOR SCENESigned ‘H. Barnoin’ bottom right, oilon canvas26 x 32 in. (66 x 81.3cm)provenance:Galerie Georges Petit, Paris, France.Private Collection, Connecticut.$12,000-18,000


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31 11-1500/2HENRI ALPHONSE BARNOIN(french 1882-1940)BRINGING IN THE CATCHSigned ‘H Barnoin’ bottom left, oilon canvas21 1/2 x 25 1/2 in. (54.6 x 64.8cm)provenance:Private Collection, Connecticut.$10,000-15,000

32 11-1493/1HENRI ALPHONSE BARNOIN(french 1882-1940)A BUSY HARBOR SCENESigned ‘H. Barnoin’ bottom left,indistinctly inscribed in pencil onstretcher verso, oil on canvas15 x 18 in. (38.1 x 45.7cm)provenance:Private Collection, Maryland.$4,000-6,000


33 11-1506/3SUZANNE EISENDIECK(french 1908-1998)SAILING TOY BOATSSigned ‘SUZANNE EISENDIECK’bottom left, oil on canvas28 x 21 1/4 in. (71 x 54cm)provenance:An Estate, Florida.$3,000-5,000

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34 11-8022/1JULES RENÉ HERVÉ(french 1887-1981)“JARDIN DES TUILERIES”Signed ‘Jules R. Herve’ bottom right,signed ‘Jules R. Herve’ verso, oil oncanvas18 x 22 in. (45.7 x 55.9cm)provenance:Private Collection, Virginia.$3,000-5,000


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35 11-1336/1ANDRÉ HAMBOURG(french 1909-1999)“MIDI EN CARMARGUE”Signed ‘A Hambourg’ bottom left, oil oncanvas10 1/2 X 17 1/4 in. (26 x 44.5cm) (sight)provenance:Private Collection, Maryland.$5,000-8,000

36 11-1360/2SIMON FRANÇOIS STANISLASMONDZAIN(french/polish 1890-1979)“LA ROUTE DE VENCK”Signed and dated ‘Mondzain 1923’ bottomright, signed and inscribed with title andlocated ‘Saint Paul, Alpes Maritimes,France’ on label attached verso, oil oncanvas21 1/4 x 25 1/2 in. (54 x 64.8cm)provenance:Private Collection, New York.$3,000-5,000


37 11-1336/2ANTOINE BLANCHARD(french 1910-1988)“QUAI DES GESVRES”Signed ‘Antoine Blanchard’ bottomleft, oil on canvas12 1/1 x 17 1/2 in. (33 x 45.7cm)provenance:Private Collection, Maryland.note:This lot is accompanied by a letterof authenticity from Rehs Gallery,New York, New York and is includedin the online catalogue raisonné ofAntoine Blanchard’s paintings as no. CHATQG1318.0005.$3,000-5,000

38 11-1336/4CONSTANTINE KLUGE(french 1912-2003)“LE QUAI DE L’HORLOGE”Signed ‘C. Kluge’ bottom right, oil oncanvas24 1/2 x 32 in. (62.2 x 81.3cm)provenance:Findlay Galleries, Chicago, Illinois.Private Collection, Maryland.$3,000-5,000

39 11-1463/16LOUIS ICART(french 1888-1950)TWO ELEGANT LADIES IN ACARRIAGESigned ‘Louis Icart’ bottom left,numbered ‘552’ and initialed ‘LI’verso, oil on board13 x 16 1/4 in. (33 x 41.3cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

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40 11-1330/1DAVID FARQUHARSON(scottish 1840-1907)“A HIDDEN STREAM”Signed and dated ‘D Farquharson /1878’ bottom left, inscribed withtitle, signed and dated verso, oil oncanvas22 1/2 x 36 1/2 in. (57.2 x 92.7cm)provenance:Private Collection, Ohio.$3,000-5,000

41 11-1434/1EDWIN HAYES(irish 1819-1904)“GREAT YARMOUTH HARBOR”Signed and indistinctly dated ‘188*’bottom left, oil on canvas21 x 33 in. (53.3 x 84.5cm)provenance:Fine Arts Gallery of New Orleans,Louisiana.Private Collection, Pennsylvania.$6,000-10,000


42 11-8031/12JAMES ARTHUR O’CONNOR(irish 1792-1841)A VIEW ON THE RIVER DARGLE,CO. WICKLOWSigned and dated ‘JA O’Connor /1826’ bottom right, oil on canvas14 x 18 in. (35.6 x 45.7cm)provenance:Cynthia O’Connor & Company,Dublin, Ireland.Private Collection, Virginia.$10,000-15,000

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43 11-8031/15ANDREW NICHOLL(irish 1804-1886)WILD POPPIESSigned ‘A. Nicholl RHA’ bottomright, watercolor on paper12 1/2 x 19 1/2 in. (31.8 x 49.5cm)(sight)provenance:Private Collection, Virginia.$6,000-8,000


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44 11-8031/11AJACK BUTLER YEATS(irish 1871-1957)“THE BREAKER OUT”Signed ‘JACK B YEATS’ bottomright, inscribed with title verso, oilon canvas20 x 27 in. (50.8 x 68.6cm)provenance:Sold to Miss. May Guinness at theDublin Exhibition in 1945.Mrs. Mabel Spiro, 1948.Dr. Camille Jourdain, Quebec, 1965.Dawson Gallery, Dublin.J. Burke Wilkinson, Washington,D.C.Private Collection, Virginia.exhibited:Dublin, Ireland, 1925.London, United Kingdom, 1926.Birmingham, United Kingdom, 1927.Leeds, United Kingdom, 1948.London, United Kingdom, 1948.American Retrospective, 1951-1952.York, 1960.Montreal 1961(repro).London, United Kingdom, 1963(repro).Massachusetts, 1965 (repro).Dublin, Ireland 1966 (repro).New York, 1971-1972 (color repro).Birmingham, Alabama, 1980.

literature:Thomas MacGreevy, Jack B Yeats: AnAppreciation and an Interpretation,Dublin, Ireland, 1945 p. 27, plate 8.Hilary Pyle, Jack B Yeats: A Biography,London, United Kingdom, 1970, p. 128.Hilary Pyle, Jack B Yeats: A CatalogueRaisonné of the Oil Paintings, AndreDeutsch Ltd., London 1992, p. 264(illus.).David Lloyd, ‘Republics ofDifference: Yeats, MacGreevy,Beckett’, Field Day Review, 2005, p. 50.note:“Yeats used to explain that the‘breaker-out’ is the man who signalsto the crane manipulator where andwhen to lower the packages on to aboat - ‘so as not to crush everyoneto death’. One of his greatest portraits of anordinary man practising hisprofession, with the man of thedockyards assuming a universalimportance and dignity as he raiseshis hand to the unseen cranemanipulator. MacGreevy (op.cit) hasdescribed The Breaker out as‘timeless’; and the paintinganticipates the more deliberatelysymbolic characters in the paintingsof the 40’s.” (Hilary Pyle, Jack BYeats: A Catalogue Raisonné of the OilPaintings, Andre Deutsch Ltd.,London 1992, p. 264).$150,000-250,000


exhibited:Dublin, Ireland, 1914.London, United Kingdom, 1914.Allied Artists, London, UnitedKingdom, 1918.London, United Kingdom, 1919.London, United Kingdom, 1981.literature:Hilary Pyle, Jack B Yeats: A Biography,London, United Kingdom, 1970, p. 128.Hilary Pyle, Jack B Yeats: A CatalogueRaisonné of the Oil Paintings, AndreDeutsch Ltd., London 1992, p. 53.$20,000-30,000

45 11-8031/11BJACK BUTLER YEATS(irish 1871-1957)“KERRY MOUNTAINS”Signed ‘JACK B YEATS’ bottomright, inscribed 'Kerry Mountains'and 'Kerry Hills' verso, oil on panel9 x 13 7/8 in. (22.9 x 35.2cm)provenance:Sold by the artist to Edward Le Bas,ARA, London, United Kingdom, June1946.Sotheby’s sale of November, 1979,lot 25.Theo Waddington, London, UnitedKingdom.Private Collection, Virginia.

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46 11-1360/3GRACE HENRY(irish 1863-1953)MADONNA OF THE ROCKSSigned ‘Grace Henry’ bottom right,oil on canvas25 x 20 in. (63.5 x 50.8cm)provenance:Private Collection, New York.$3,000-5,000

47 11-1360/16CIARAN CLEAR(irish 1920-2000)“MOONLIGHT, ATLANTIC COAST”Signed ‘Ciaran Clear’ bottom left, signed and inscribed with titleverso, oil on board18 x 24 in. (45.7 x 61cm)provenance:Private Collection, New York.$1,000-1,500

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48 11-8031/13BMARSHALL C. HUTSON(irish 1903-2001)OPEN AIR MARKETSigned ‘MARSHALL C. HUTSON’ bottom left, oil onmasonite16 x 28 in. (40.6 x 71cm)provenance:Private Collection, Virginia.$1,500-2,000


49 11-1108/1EDWARD SEAGO(british 1910-1974)“THE BURE VALLEY”Signed ‘Edward Seago’ bottom left,inscribed with title verso, oil onboard10 5/8 x 14 in. (27 x 35.6cm)provenance:The Collection of Bernard Madoff.Private Collection, Philadelphia,Pennsylvania.$10,000-15,000

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American Paintings & Sculpture


50 11-1537/38BENJAMIN WEST(american 1738-1820)“ST. PETER PREACHING HIS FIRST SERMON”Signed ‘B. West’ bottom left, graphite on paper7 x 5 5/8 in. (17.8 x 14.3cm)provenance:Thomas Agnew & Sons, London, UnitedKingdom.Black Gallery, New York, New York.An Estate, Pennsylvania.exhibited:Bernard Black Gallery, New York, ‘A BenjaminWest Portfolio’ May-June 1968, cat. no. 5.$1,000-1,500

51 11-1141/2AMERICAN SCHOOL(early 19th century)MILITARY OFFICER IN A LANDSCAPE, SAID TOBE CAPTAIN ALEXANDER HAMILTONInscribed on stretcher in ink, ‘Captain AlexanderA. Hamilton, issue of Colonel Hamilton / Staff ofGeneral Washington, Killed in a duel by AaronBurr / Vice President of the United States’, oil oncanvas16 x 12 in. (40.6 x 30.5cm)provenance:Frank S. Schwarz & Son., Philadelphia,Pennsylvania.Private Collection, Virginia.literature:Frank S. Schwarz & Son., Philadelphia, AmericanPortraits, Philadelphia Collection XXX, Winter1985, plate 17.$3,000-5,000

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52 11-1497/1DAVID JOHNSON(american 1827-1908)FIGURES IN A WOODLANDSigned with artist’s monogram anddated ‘76 bottom right, oil on panel12 3/16 x 9 3/8 in. (31 x 23.8cm)$3,000-5,000

53 10-2109/3XANTHUS SMITH(american 1839-1929)“HAYING”Signed with initials and dated ‘XSJune 19th / 1877 (?)’ bottom right,oil on paper7 1/2 x 11 1/2 (19 x 29.2cm) (sight)provenance:David David Inc., Philadelphia,Pennsylvania.Private Collection, New York.$2,000-3,000


54 11-1496/1WILLIAM TROST RICHARDS(american 1833-1905)“SPRING SIDE (SIC) AT MALIN -IRELAND”Signed and dated ‘Wm T. Richards91’ bottom right, watercolor withtraces of pencil on paper14 x 26 in. (53.6 x 66cm) (sight)provenance:J.J. Gillespie, Pittsburgh,Pennsylvania.Private Collection, Pittsburgh,Pennsylvania.By descent in the family to thepresent owner.Private Collection, Pennsylvania.$4,000-6,000

55 11-1504/2THOMAS P. ANSHUTZ(american 1851-1912)“MRS. ANSHUTZ AND DOG ATHOLLY BEACH”Watercolor on paper13 1/2 x 20 1/4 in. (34.3 x 51.4cm)provenance:Graham Gallery, New York, NewYork.Private Collection, Connecticut.$5,000-8,000

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56 11-1000/18AMERICAN SCHOOL(19th century)SAILBOATS IN AN AUTUMNLANDSCAPEIndistinctly signed bottom right, oilon canvas laid on board14 3/8 x 24 1/4 in. (36.5 x 61.6cm)provenance:Private Collection, New York.$2,000-3,000

57 11-1537/200DEWITT CLINTON BOUTELLE(american 1820-1884)“HARVEST TIME”Signed and dated ‘Boutelle 1871’bottom right, oil on canvas laid onmasonite14 x 20 in. (35.6 x 50.8cm)provenance:Robert C. Vose Galleries, Boston,Massachusetts.An Estate, Pennsylvania.$2,500-4,000


58 11-1546/1EDWARD MORAN(american 1829-1901)“SQUARE RIGGER AT SEA”Signed ‘Edward Moran’ bottom left,oil on canvas24 x 40 in. (61 x 101.6cm)provenance:Private Collection, Pennsylvania.$8,000-12,000

59 11-1113/2EDWARD MORAN(american 1829-1901)EVENING SAILSigned ‘Moran’ bottom left, oil oncanvas12 x 18 in. (30.5 x 45.7cm)provenance:Robert Schoelkopf Gallery, NewYork, New York.Private Collection, Maryland.$5,000-8,000

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60 11-1106/1MAURITZ FREDERICK HENDRICKDE HAAS(dutch/american 1832-1895)A STEAMSHIP TO THE RESCUESigned ‘MFH de Haas’ bottom left,oil on canvas12 x 18 in. (30.5 x 45.7cm)$4,000-6,000

61 11-1430/2FRANKLIN DULLIN BRISCOE(american 1844-1903)HOISTING THE SAILSSigned ‘F.D. Briscoe’ bottom right, oilon board13 1/2 x 21 1/2 in. (34.3 x 54.6cm)$3,000-5,000


62 10-2181/1WILLIAM MERRITT POST(american 1856-1935)TREES BY A RIVER, AUTUMNSigned ‘W. MERRITT POST’ bottomright, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, North Carolina.$3,000-5,000

63 11-1317/2THOMAS HILL MCKAY(american 1874-1941)“AUTUMN”Signed ‘T H McKAY’ bottom right,oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, West Chester,Pennsylvania.$2,000-3,000

64 11-1510/6IVAN F SUMMERS(american 1889-1964)“REFLECTIONS - SAWHILL CREEK”Signed ‘Ivan Summers’ bottom right,oil on board13 3/4 x 13 3/4 in. (34.9 x 34.9cm)Executed circa 1927provenance:Private Collection, New Jersey.exhibited:Buffalo Society of Artists, AlbrightArt Gallery, Buffalo, New York.$1,500-2,500

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65 11-1000/38ROBERT WILLIAM VONNOH(american 1858-1933)SUN DAPPLED GARDENSigned and dated ‘Vonnoh 1901’bottom left, oil on canvas28 1/2 x 36 3/4 (72.4 x 93.3cm)provenance:Private Collection, New York.$15,000-25,000


66 11-1331/1WALTER LAUNT PALMER(american 1854-1932)TRACKS IN THE SNOWSigned ‘W L PALMER’ bottom right,oil on canvas28 x 18 in. (71.1 x 45.7cm)provenance:Private Collection, New Jersey.$8,000-12,000

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67 11-8030/7FREDERICK CARL FRIESEKE(american 1874-1939)“SKATERS IN SWITZERLAND”Signed ‘F.C. Frieseke’ bottom right,also with Parisian preparer’s stencilverso, oil on canvas19 7/8 x 24 in. (50.5 x 61cm)Executed by 1931

provenance:Estate of the artist, 1939.By descent to Sarah O’BryanFrieseke, the artist’s widow.By gift to Mrs. Allene Richmond,Falls Church, Virginia, 1950s.By descent to her daughter, PatriciaRichmond Lundquist, Arlington,Virginia.Private Collection, Raleigh, NorthCarolina.

note:This painting was executed inSamaden, Switzerland. A letterdated April 7, 2011 from ‘TheFrederick Carl Frieseke CatalogueRaisonné’ stating that the presentwork will be included in theforthcoming Frederick C. FriesekeCatalogue Raisonné will accompanythis lot. The catalogue raisonné ofFrieseke’s work is being compiled byNicholas Kilmer, the artist’sgrandson, and sponsored by HollisTaggart Galleries, New York.$10,000-15,000


68 11-8030/8FREDERICK CARL FRIESEKE(american 1874-1939)“THE PRACTICE HOUR”Signed ‘F.C. Frieseke’ bottom right,watercolor on paper laid on card9 3/8 x 12 1/2 in. (23.8 x 31.8cm)provenance:Estate of the artist, 1939.By descent to Mrs. Sarah O’BryanFrieseke, the artist’s widow.By gift to Mrs. Allene Richmond,Fall’s Church, Virginia 1950’s.By descent to her daughter PatriciaRichmond Lundquist, Arlington,Virginia, 1993.Private Collection, Raleigh, NorthCarolina.note:This watercolor was executed in theartist’s home in Normandy. A letterdated April 7, 2011 from ‘TheFrederick Carl Frieseke CatalogueRaisonné’ stating that the presentwork will be included in the FrederickC. Frieseke Catalogue Raisonné willcompany this lot. The catalogueraisonné of Frieseke’s work is beingcompiled by Nicholas Kilmer, theartist’s grandson, and sponsored byHollis Taggart Galleries, New York.$5,000-8,000

69 11-1504/3ROBERT HENRI(american 1865-1929)FIGURES SEATED AT A TABLEBlack conté crayon on paper8 1/4 x 7 1/4 in. (21 x 18.4cm)(sight)and another by the same handverso,STREET SCENE7 1/4 X 9 3/4 in. (18.4 x 24.8cm)(sight)provenance:Maynard Walker Gallery, New York,New York.Private Collection, Connecticut.$2,000-3,000

70 10-8109/4EVERETT SHINN(american 1876-1953)SANTA CLAUSInscribed ‘p. 24 (color)’ verso,watercolor and gouache on paper13 x 12 in. (33 x 30.5cm) (sheet)provenance:Sotheby’s sale of December 2, 1982,lot 76.Acquired from the above sale by thepresent owner.Private Collection, Florida.note:A photostat stating ‘This is anoriginal / drawing by my fatherEverett Shinn / sold by me to /Richard Edgeworth / DavidsonShinn’ will accompany this lot.It appears likely that this work wasdone as an illustration for theEverett Shinn illustrated edition ofThe Night Before Christmas, publishedby John Winston Company,Philadelphia, circa 1942; although amodified version appears in the finaledition.$2,500-4,000

71 11-8034/4MARY HELEN CARLISLE(british/american 1869-1925)YOUNG GIRL WITHBUDGERIGARSSigned ‘M H Carlisle’ bottom left,pastel on canvas36 x 28 1/4 in. (91.4 x 71.8cm)provenance:Private Collection, Virginia.$1,500-2,500

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72 11-1502/1WILLIAM AIKEN WALKER(american 1838-1921)MALE COTTON PICKERSigned with conjoined initials ‘W AWalker’ bottom left, oil on board8 1/8 x 4 1/8 in. (20.6 x 10.5cm)provenance:Property of a Philadelphia Family.note:This painting will be included inJohn Fowler's forthcoming catalogueraisonné.$4,000-6,000

73 11-1502/2WILLIAM AIKEN WALKER(american 1838-1921)FEMALE COTTON PICKERSigned with conjoined initials ‘W AWalker’ bottom left, oil on board8 3/8 x 4 1/4 in. (21.3 x 10.8cm)provenance:Property of a Philadelphia Family.note:This painting will be included inJohn Fowler's forthcoming catalogueraisonné.$4,000-6,000


74 10-2108/1GERALD CASSIDY(american 1879-1934)“MISSION CHURCH IN TECOLOTE, PECOS VALLEY, NM”Signed ‘Gerald P Cassidy’ bottom right, oil on canvas18 x 18 in. (45.7 x 45.7cm)provenance:Acquired from the artist’s widow.Private Collection, Doylestown, Pennsylvania.note:This painting is registered with the Smithsonian Institute’sInventory of American Paintings under control number IAP73261962.$15,000-25,000

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75 11-1107/6JOSEPH HENRY SHARP(american 1859-1953)“THE OLD SANTA-FE TRAIL”Signed ‘J. H. SHARP’ bottom right, inscribed ‘The Old Sante Fe Trail thru TaosCanon (sic) up near the divide looking toward Taos’ in pencil on backboard,oil on canvas20 x 24 in. (51 x 61cm)provenance:An Estate, North Carolina.note:This painting is registered with the Smithsonian Institute’s Inventory ofAmerican Paintings executed after 1914 under control numberIAP73261400.$20,000-30,000


76 11-1317/1HANSON DUVALL PUTHUFF(american 1875-1972)“AUTUMN IN MALIBU”Signed ‘H Puthuff’ bottom right, oilon canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, Pennsylvania.$20,000-30,000

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77 11-1073D/4JESSIE ARMS BOTKE(american 1883-1971)PEACOCKSSigned ‘JESSIE ARMS BOTKE’bottom right, oil on panel30 1/2 x 40 1/4 in. (77.5 x 102.2cm)provenance:Private Collection, New Jersey.$30,000-50,000

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78 11-1112/1ELIZABETH SHIPPEN GREEN(american 1871-1954)“THE SEWING ROOM”Signed ‘ELIZABETH SHIPPENGREEN’ lower left, inscribed withtitle bottom center, watercolor,crayon and mixed-media on card25 1/4 x 15 1/4 in. (64.1 x 38.7cm)provenance:Acquired directly from the artist.By descent in the family to thepresent owner.Private Collection, Delaware.literature:Alice A. Carter, Red Rose Girls, AnUncommon Story of Art and Love, pp. 100-102.note:This illustration was one of a seriestitled ‘The Mistress of the House’published in Harper’s MonthlyMagazine, August 1905.The series was awarded the MarySmith Prize by the PennsylvaniaAcademy of Fine Arts in 1905.$15,000-25,000

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79 11-1118/2HOWARD PYLE(american 1853-1911)“IN THE PRISON”Signed ‘H Pyle’ with conjoinedletters bottom right, oil on canvas, ina frame by Francis A. Coll, incisedwith signature verso25 x 18 in. (63.5 x 47.7cm)provenance:From the Collection of TheWilmington Institute Library.literature:Paul Preston Davis, Howard Pyle, HisLife-His Work, New Castle,Delaware: Oak Knoll Press and TheDelaware Art Museum, 2004, vol. 1,pg. 12; vol. II, p. 403 (illus. b/w).note:This painting is included in the PaulPreston Davis catalogue as numberMBP10037 and was done as anillustration for the story ‘HughWayne, Free Quaker,’ by S. WeirMitchell, published in The CenturyIllustrated Monthly Magazine, vol. LIV, no. 5, (May 1897), p. 33(illus. b/w).$12,000-18,000

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80 11-1118/1NEWELL CONVERS WYETH(american 1882-1945)“AND THERE, QUITE CLOSE TOHIM WAS ELIZABETH AMONGHER LADIES, IN A DRESSINGGOWN, UNPAINTED, WITHOUTHER WIG, HER GREY HAIRHANGING IN WISPS ABOUT HERFACE, AND HER EYES STARTINGFROM HER HEAD.”Signed ‘N.C. WYETH’ upper right, oilon canvas, unframed30 x 40 in. (76.2 x 101.6cm)Executed 1928

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provenance:Titus C. Geesey, Wilmington,Delaware, to 1964.From the Collection of TheWilmington Institute Library,Wilmington, Delaware.exhibited:(possibly) The Wilmington Societyof the Fine Arts annual exhibition1929, catalogue number 15 as‘Elizabeth Queen of England’.(Records are unclear whether thepainting exhibited is the presentwork or another image of Elizabethfrom the same story.)

note:This work was painted as a colorillustration for ‘Elizabeth and Essex’by Lytton Strachey, Ladies’ HomeJournal vol. XLV, no. 11 (Nov. 1928) p. 17.This painting is NCW number 1822in the catalogue raisonné of theworks of Newell Convers Wyeth bythe Brandywine River Museum,Chadds Ford, Pennsylvania.$40,000-60,000

literature:Newell Convers Wyeth to JamesBoyd, Jan 5. 1928, SouthernHistorical Collection, Library of theUniversity of North Carolina.Douglas Allen and Douglas Allen Jr.,N.C. Wyeth, The Collected Paintings,Illustrations and Murals, New York:Crown Publishers, 1972, p. 263.Christine Podmaniczky, N.C. Wyeth,A Catalogue Raisonné of Paintings,London: Scala, 2008, I. 1079 (1822),p. 508.


81 10-8070/1NEWELL CONVERS WYETH(american 1882-1945)“THE GIBBET”Signed ‘N.C. WYETH’ bottom right,oil on canvas34 x 25 in. (86.4 x 63.5cm)Executed 1924provenance:The artist.Mrs. N.C. Wyeth.Carolyn Wyeth.Frank E Fowler, Lookout Mountain,Tennessee.American Illustrators Gallery,Atlanta, Georgia.Private Collection, Virginia.exhibited:Wilmington, Delaware, 1946 no. 34.literature:Richard Layton, Inventory of Paintingsin the Wyeth Studio, 1950,unpublished, Wyeth FamilyArchives, p. 19.Douglas Allen and Douglas Allen, Jr.,N. C. Wyeth, The Collected Paintings,Illustrations and Murals, CrownPublishers, New York. 1972, p. 219.Christine B. Podmaniczky, N. C.Wyeth, A Catalogue Raisonné ofPaintings, Scala, London, 2008, I.969 (1212), p. 467.note:This work was painted as anillustration for David Balfour, BeingMemoirs of the Further Adventures ofDavid Balfour at Home and Abroad byRobert Louis Stevenson (New York:Charles Scribner’s Sons, 1924, f.p.28).‘The Gibbet’ is NCW number 1212 inthe on-line catalogue raisonné of theworks of Newell Convers Wyeth bythe Brandywine River Museum,Chadds Ford, Pennsylvania.$15,000-25,000

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82 11-1102/1ANDREW WYETH(american 1917-2009)“THE LOBSTER MAN”Signed ‘Andrew Wyeth’ bottom right, watercolor on paper19 1/2 x 26 1/2 in. (49.5 x 67.3cm)provenance:The artist.Acquired from the above by the present owner, thence by descent in thefamilyPrivate Collection, Delaware.note:This watercolor was commissioned through American Artists in New Yorkas a potential Maxwell House Coffee advert. Although the correspondencedates to 1948, the related drawings are dated 1945 so it is difficult todetermine the actual date of execution.This watercolor is to be included in the forthcoming catalogue raisonné beingprepared by Betsy James Wyeth.$80,000-120,000

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83 11-1118/3JOHN W. MCCOY(american 1910-1989)WATER LILYSigned ‘John McCoy’ bottom right,watercolor and gouache on buffpaper20 3/4 x 28 3/4 in. (52.7 x 73cm)(sight)provenance:From the Collection of theWilmington Institute Library,Wilmington, Delaware.$2,000-3,000

84 11-1463/14JOHN FORD CLYMER(american 1907-1989)“NIGHT RAIDERS”Signed ‘J. Clymer’ bottom right; alsosigned, titled, inscribed ‘Pt. 4’ (?) anddated July 24 verso, oil on canvas engrisaille15 3/4 x 47 7/8 in. (40 x 121.6cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

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85 10-8109/5CLYDE SINGER(american 1908-1999)“THE PEA PICKERS”Signed, located, and dated ‘SingerFLA 39’ bottom right; also titled,located, and dated verso, oil oncanvas10 3/4 x 28 1/2 in. (27.3 x 72.4cm)provenance:Robert Stenstream Fine Arts, BocaRaton, Florida.Private Collection, Florida.$1,200-1,800


86 10-2108/2MARGUERITE ZORACH(american 1887-1968)“THE OPEN MARKET”Signed with artist’s monogrambottom left, oil on panel12 5/8 x 16 1/8 in. (32.1 x 41.9cm)Executed circa 1909

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provenance:Acquired directly from the artist.By descent in the family.Private Collection, Doylestown,Pennsylvania.exhibited:‘Marguerite Zorach: The Early Years1908-1920’, National Collection ofFine Arts, Smithsonian Institute,Washington, D.C., December 1973 -February 3, 1974The Brooklyn Museum, New York,New York, March 13 - April 20,1974.Bowdoin College Museum of Art,Maine, May 15 - June 30, 1974.

literature:Historical Society of Princeton, NewJersey, Survey 1975.‘Marguerite Zorach: The Early Years,1908-1920’ Washington, D.C.:Smithsonian Institute Press, 1973,fig. 5.note:This painting is registered with theSmithsonian Institute’s Inventory ofAmerican Paintings under controlnumber IAP32050692.$10,000-15,000


87 10-2108/5WILLIAM ZORACH(american 1887-1966)WOMAN WITH VIOLIN -PORTRAIT OF ALIX MARUCHESSSigned ‘William Zorach’ bottomright and inscribed ‘Alex Maruchess’bottom left, black conte crayon onpaper, 23 1/4 x 15 1/2(59.1 x 39.4cm) (sight)provenance:Acquired from the Zorachs by AlixMaruchess.By descent in the family to theirdaughter who studied with WilliamZorach at the Art Students League.By descent to her husband.Private Collection, Doylestown,Pennsylvania.note:This painting is registered with theSmithsonian Institute’s Inventory ofAmerican Paintings under controlnumber IAP73262545.$2,000-3,000

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88 10-2108/4WILLIAM ZORACH(american 1887-1966)LANDSCAPE FROM THEYOSEMITE SERIESSigned and dated ‘William Zorach1920’ bottom right, watercolor withtraces of pencil13 x 17 7/8 in. (22 x 45.4cm) (sight)provenance:Acquired directly from the artist.By descent in the family.Private Collection, Doylestown,Pennsylvania.note:This painting is registered with theSmithsonian Institute’s Inventory ofAmerican Paintings under controlnumber IAP73261963.$2,500-4,000


89 10-2108/3WILLIAM ZORACH(american 1887-1966)“ROBIN HOOD”Signed and dated ‘William Zorach1928’ bottom right, watercolor withtraces of pencil on paper14 1/2 x 21 1/4 in. (36.8 x 54cm)provenance:Acquired directly from the artist.By descent in the family.Private Collection, Doylestown,Pennsylvania.note:This painting is registered with theSmithsonian Institute’s Inventory ofAmerican Paintings under controlnumber IAP73261964$3,000-5,000

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90 11-1000/6DAVID DAVIDOVICH BURLIUK(american/russian i882-1967)“A HAPPY HOUR”Signed ‘BURLIUK’ bottom right,inscribed with title bottom left, inkand watercolor on paper10 1/4 x 14 3/4 in. (26 x 37.5cm)provenance:Private Collection, New York.$3,000-5,000


91 11-1345/8DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)“PEASANT COUPLE WITH COW”Signed ‘BURLIUK’ bottom left, oil oncanvas20 x 30 in. (50.8 x 76.2cm)provenance:Ernest Raboff Gallery, Los Angeles,California.Private Collection, Philadelphia,Pennsylvania.$40,000-60,000

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92 11-1186/1MILTON AVERY(american 1885-1965)“FLIGHT”Signed and dated ‘Milton Avery1959’ bottom right, inscribed, signedand dated verso, oil on board6 x 11 1/4 in. (15.2 x 28.6cm)provenance:Rudolph Galleries, Woodstock, NewYork and Coral Gables, Florida.$20,000-30,000

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93 11-1490/1JOHN FABIAN CARLSON(american 1874-1947)RIVER IN WINTERSigned ‘John F. Carlson’ bottom right, and signed on reverse of frame andbottom stretcher, oil on canvas25 1/4 x 30 1/4 in. (64.1 x 76.8cm)provenance:The artist.Acquired directly from the artist by the present owners’ mother, New Jersey.By descent in the family to the present owners.Private Collection, Pennsylvania.$15,000-25,000

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94 11-1490/2JOHN FABIAN CARLSON(american 1874-1945)SNOW COVERED EMBANKMENTWITH STREAMSigned ‘John F. Carlson’ bottom left,oil on canvas laid on board11 3/4 x 15 7/8 in. (29.8 x 40.3cm)provenance:The artist.Acquired directly from the artist bythe present owners’ mother, NewJersey.By descent in the family to thepresent owners.Private Collection, Pennsylvania.$4,000-6,000

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95 11-1116/1WALTER EMERSON BAUM(american 1884-1956)“FARM NEAR STEINSBURG (PA)”Signed ‘WE BAUM’ verso, inscribed,signed and dated, ‘Farm NearSteinsburg (Pa) / Homer V. Smith’s/ Place, Coopensburg R.D /November 1947 / Walter E Baum /To my good friend Clarence Dranma(?) / June 1948’ verso, oil on board9 x 12 in. (22.9 x 30.5cm)provenance:Private Collection, Florida.$3,000-5,000


96 11-1255/5NANCY MAYBIN FERGUSON(american 1872-1967)PROVINCETOWNMASSACHUSETTSOil on masonite16 x 19 3/4 (40.6 x 50.2cm)provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000

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97 11-1255/2NANCY MAYBIN FERGUSON(american 1869-1967)“THE OLD MILL ON THEWISSAHICKEN” (SIC)Signed ‘Nancy Maybin Ferguson’ onlabel verso, inscribed with title andfurther inscribed ‘The Oldest PaperMill in the county called theRittenhouse Mill’ verso, oil on board16 x 20 in. (40.6 x 51cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,500-4,000


98 11-1346/1SAMUEL GEORGE PHILLIPS(american 1890-1965)“TOWHICKON CREEK”Signed ‘S. George Phillips’ bottom right, inscribed ‘TOWHICKON CREEK -near where it enters the Delaware River Winter 1964 / near Point PleasantBucks County (2 miles north of Lumberville, 10 miles east of Doylestown) /Presented by the artist to STEPHEN B SWEENEY/ Christmas 1964 - inappreciation of cordial professional relation between them over the years’ onstretcher verso, oil on canvas20 x 26 in. (50.8 x 66cm)provenance:The artist.Father-in-law of the present owner.By family descent.Private Collection, New Jersey.$8,000-12,000

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99 11-1499/5ROBERT SPENCER(american 1879-1931)“THE GRAY HOUSE”Signed and dated ‘Robert Spencer 1910’ bottom right, inscribed on stretcherverso oil on canvas, in a Harer frame with incised signature, ‘HARER’ verso25 x 30 in. (63.5 x 76.2cm)provenance:Bianco Gallery, Buckingham, Pennsylvania.Private Collection, Doylestown.Freeman’s sale of Fine American & European Paintings & Sculpture,December 5th 2004, lot 125.Acquired at the above sale by the present owner.Private Collection, New Jersey.exhibited:National Academy of Design, New York, New York, Annual Exhibition, 1911.Carnegie Institute’s International Exhibition, Pittsburgh, Pennsylvania, 1912.Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, AnnualExhibition, 1912, cat. no. 725.Allentown Art Museum, Allentown, Pennsylvania, ‘The Pennsylvania Schoolof Landscape Painting - An Original American Impressionism’, September16- November 25, 1984.Corcoran Gallery of Art, Washington, DC, December 14, 1984 - February,1985.Westmoreland Museum of Art, Greensburg, Pennsylvania, March 2-May 5,1985.literature:Thomas Folk, The Pennsylvania School of Landscape Painting - An OriginalAmerican Impressionism Allentown Art Museum, 1984, p. 67 (illus.).$70,000-100,000

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100 11-1073/140MAUDE DREIN BRYANT(american 1880-1946)TREES BY A RIVER, SUMMER’SDAYSigned ‘Maude Drein’ bottom right,oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Thurston Nichols AmericanAntiques, Breinigsville, Pennsylvania.An Estate, New Jersey.$3,000-5,000

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101 11-1494/3VIRA B. MCILRATH SCHEIBNER(american 1889-1956)“THE RIVER’S EDGE”Signed and dated ‘V McIlrath 15’bottom right, oil on canvas18 x 20 1/4 in. (45.7 x 51.4cm)provenance:Gift from the artist.By family descent.Private Collection, Pennsylvania.$5,000-8,000


102 11-1494/2MARY ELIZABETH PRICE(american 1877-1965)“VALLEY OF THE DELAWARE”Inscribed and signed ‘VALLEY OFTHE DELAWARE / M. ELIZABETHPRICE / NEW HOPE /PENNSYLVANIA’ verso, oil oncanvas20 x 32 1/4 in. (50.8 x 81.9cm)provenance:Gift from the artist.By family descent.Private Collection, Pennsylvania.$15,000-25,000

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103 11-1494/1MARY ELIZABETH PRICE(american 1877-1965)“THE MCGILL FARM ABOVE NEWHOPE”Signed ‘M ELIZABETH PRICE’bottom right, watercolor with tracesof pencil on paper21 1/2 x 27 3/4 in. (54.6 x 70.5cm)(sight)provenance:Gift from the artist.By family descent.Private Collection, Pennsylvania.note:This was painted from the artist’shome which was situated oppositethe farm.$5,000-8,000

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104 10-2109/1MARTHA WALTER(american 1875-1976)“UMBRELLA ON BASS ROCKSBEACH”Signed ‘Martha Walter’ bottomright, watercolor on paper15 x 18 1/2 in. (38 x 47cm) (sight)provenance:Private Collection, New York.$4,000-6,000


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105MARTHA WALTER(american 1875-1976)“A HOT DAY AT THE BEACH”Signed 'Martha Walter' bottom left,inscribed with title verso, oil oncanvasboard14 x 17 3/4 in. (35.6 x 45.1cm)provenance:Gift from the artist.Private Collection, Philadelphia. $70,000-100,000


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106 11-1359/1ANTONIO PIETRO MARTINO(american 1902-1989)A WINTER LANDSCAPESigned and dated ‘A. P. MARTINO /1928’ bottom left, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Newman’s Gallery, Philadelphia.By descent in the family.Private Collection, Pennsylvania.$15,000-25,000


107 11-1499/3ROY CLEVELAND NUSE(american 1885-1975)“THREE CHILDREN ON A FALLENLOG”Signed with monogram bottom left,oil on linen25 x 30 in. (63.5 x 76.2cm)Executed circa 1920provenance:The artist.Paul Nuse, the artist's son.By descent in the family.Bianco Gallery, Buckingham,Pennsylvania.Private Collection, New Jersey.

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exhibited:James A. Michener Art Museum,Doylestown, Pennsylvania, ‘Roy C.Nuse - Figures And Landscapes’February 9 - May 12, 2002.literature:Erika Jaeger Smith, Roy C. Nuse:Figures and Landscapes, James A.Michener Art Museum,Doylestown, Pennsylvania, 2002, p. 33 (illus.).$70,000-100,000


108 11-1549/1WALTER EMERSON BAUM(american 1884-1956)“FRIEDENSBERG”Signed ‘W E Baum’ bottom left, oilon canvas25 x 30 1/8 in. (63.5 x 76.5cm)provenance:Acquired directly from the artist, ca. 1960.An Estate, Maine.exhibited:Philadelphia Art Alliance,Philadelphia, Pennsylvania.$10,000-15,000

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109 11-1499/1ARTHUR MELTZER(american 1893-1989)“PENNYPACK CREEK”Signed ‘Arthur Meltzer’ lower right,oil on canvas20 x 26 in. (50.8 x 66cm)provenance:Jim’s of Lambertville, Lambertville,New Jersey.Private Collection, New Jersey.$12,000-18,000

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110 11-1499/2ROY CLEVELAND NUSE(american 1885-1975)“SNOW RUSHLAND, PA”Signed with monogram and dated ‘35, inscribed on label verso ‘To Carolyn a/ long and happy life / Roy Nuse / Rushland 1948’16 x 18 in. (40.6 x 45.7cm)provenance:Plymouth Meeting Gallery, Plymouth Meeting, Pennsylvania.Private Collection, New Jersey.$12,000-18,000

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111 11-1507/1WALTER EMERSON BAUM(american 1884-1956)“SNOW IN MANAYUNK”Signed and inscribed with title verso and also inscribed verso ‘Bought byMartha Cauler / from Mrs. Baum after Dr. Baum / died / Gift to BillieCurran / with love from Martha / on my 80th Birthday’ oil on board32 x 40 in. (81.3 x 101.6cm)provenance:Mrs. Walter E. Baum.Acquired from the above by Martha Cauler.Private Collection, Pennsylvania.exhibited:The National Arts Club, New York, New York.Fellowship Annual Exhibition.$12,000-18,000

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112 11-1499/4GEORGE SOTTER(american 1879-1953)“BUCKINGHAM MOUNTAIN”Signed ‘G.W. Sotter’ bottom right, oilon panel7 x 9 in. (17.8 x 22.9cm)provenance:Jim’s of Lambertville, Lambertville,New Jersey.Private Collection, New Jersey.$10,000-15,000

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113 11-1491/1BEN KAMIHIRA(american 1925-2004)“GIRL AND FISH TANK”Signed ‘Kamihira’ bottom left, oil oncanvas16 x 25 in. (40.6 x 63.5cm)provenance:Pearl Fox Fine Paintings,Philadelphia, Pennsylvania.Private Collection, Pennsylvania.$1,500-2,500

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114 10-2186/1LEON KELLY(american 1901-1982)FRENCH LANSDCAPE WITHFIGURESSigned ‘L Kelly’ bottom left, oil oncanvas21 1/4 x 28 3/4 in. (54 x 73cm)$2,000-3,000


115 11-1334/1HUGH HENRY BRECKENRIDGE(american 1870-1937)“BENEATH THE SEA”Signed ‘Breckenridge’ bottom center,signed and inscribed with title verso,pastel on sandpaper12 1/8 x 15 in. (30.8 x 38.1cm)provenance:Private Collection, Maine.note:This was a study for ‘Beneath theSea’ executed in 1928.$3,000-5,000

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116 11-1255/3JOSEPH BARRETT(american b. 1935)“VIEW FROM NEW HOPE”Signed, dated and inscribed ‘JBarrett / 05 / LAHASKA’ bottomcenter, inscribed verso32 x 30 in. (81.3 x 76.2cm)provenance:Private Collection, Philadelphia,Pennsylvania.$3,000-5,000


117 11-1009/1STELLA ELKINS TYLER(american 1884-1963)WOMAN WITH SWORDSigned and dated ‘Stella Elkins Tyler 1942’ and stamped‘ROMAN BRONZE WORKS INC’, bronze, medium brownand dark green patinasHeight: 26 in. (66cm)Length: 25 in. (63.5cm)note:The present model may be part of a series entitled ‘WarMemorial Group’; one of the sculptures from this series wasentitled ‘Defiance’. Although there are no known dimensionsfor that work, and records for Tyler’s later work are notcomplete, the present bronze may be ‘Defiance’.Tyler was a local sculptor who created nearly 150 works.Her sculptures have been in the collections of Bucks CountyCommunity College, Westminster Choir College, Princeton,and The Philadelphia Museum of Art. Her first solosculpture exhibition was held at Grand Central Art Galleries,New York in 1935. 24 years later she had her final soloexhibition at Woodmere Art Gallery, Chestnut Hill,Pennsylvania.In 1964, Bucks County Community College was establishedon the grounds of the Tyler Estate in Newtown,Pennsylvania.In the early 1930s, Tyler’s first home in Elkin’s Park,Pennsylvania became the Stella Elkins Tyler School of Art, ofTemple University, known today as Tyler School of Art.$5,000-8,000

END OF SALE

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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


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Index

American School, 51, 56Anshutz, T.P., 55Apol, L., 11Avery, M., 92

Bakalowicz, L., 1Barnoin, H.A., 32, 33, 34Barrett, J., 116Bauerle, C.W.F., 21Baugniet, C.L., 3Baum, W.E., 95, 108, 111Blanchard, A., 37Bonnard, P., 30Botke, J.A., 77Boutelle, D.C., 57Breckenridge, H.H., 115Briscoe, F.D., 61Bryant, M.D., 100Burliuk, D.D., 90, 91

Caille, L.E., 4Carlisle, M.H., 71Carlson, J.F., 93, 94Cassidy, G., 74Clear, C., 47Clymer, J.F., 84

de Gempt, B., 9de Haas, M.F.H., 60de Jongh, T., 12-15de Lumen, E.V.M., 8de Prades, A.F., 17Dommersen, P.C., 16

Eisendieck, S., 28

Farquharson, D., 40Ferguson, N.M., 96, 97Frieseke, F.C., 67, 68

Green, E.S., 78

Hambourg, A., 35Hayes, E., 41Henri, R., 69

Singer, C., 85Smith, X., 53Sotter, G., 112Spencer, R., 99Summers, I.F., 64

Tyler, S.E., 117

Ury, L., 22, 23

van Soest, L.W., 10Vonnoh, R.W., 65Vuillard, E., 31

Walker, W.A., 72, 73Walter, M., 104, 105West, B., 50Wyeth, A., 82Wyeth, N.C., 80, 81

Yeats, J.B., 44, 45

Zampighi, E., 2Zorach, M., 86Zorach, W., 87, 88, 89

Henry, G., 46Hervé, J.R., 29Huguet, V.P., 7Hutson, M.C., 48

Icart, L., 39

Johnson, D., 52

Kamihira, B., 113Katz, M., 24, 25, 26Kaufmann, A., 20Kelly, L., 114Kemendy, J., 18Kluge, C., 38

Leyendecker, P.J., 5, 6Liebermann, E., 19

Martino, A.P., 106McCoy, J.W., 83McKay, T.H., 63Meltzer, A., 109Mondzain, S.F.S., 36Moran, E., 58, 59

Nicholl, A., 43Nuse, R.C., 107, 110

O'Connor, J.A., 42

Palmer, W.L., 66Phillips, S.G., 98Post, W.M., 62Price, M.E, 102, 103Puthuff, H.D., 76Pyle, H., 79

Richards, W.T., 54Rubin, R., 27

Scheibner, V.B.M., 101Seago, E., 49Sharp, J.H., 75Shinn, E., 70


International Sale of Old Master Paintings & Works of Art

FREEMAN’S

1808 Chestnut Street

Philadelphia, PA 19103

Telephone: +1 215.563.9275

Fax: +1 215.563.8236


JEAN-BAPTISTE GARNIER (french fl. circa 1748-1759)ABRICOTS ET PRUNES

Signed with initials “JB.”(in ligature) G.f”

bottom center.

Oil on panel

9 7/8 x 13 1/8 inches (25.1 x 33.3 cm)provenance: Kunsthandel P. De Boer, AmsterdamPrivate Collection, ParisAcquired from the above, 1955Thence by descent in the familyPrivate collection, New York stateliterature:Michel Fare, Le Grand Siecle de la NatureMorte en France, Fribourg, 1974, p. 252illus.$12,000-18,000 (£7,500-11,250)

LYON & TURNBULL

33 Broughton Place

Edinburgh EH1 3RR

Telephone: +44 (0)131 557 8844

Fax: +44 (0)131 5578668

www.lyonandturnbull.com

Edinburgh: Wednesday, September 28th, 2011

Philadelphia: Friday, October 7th, 2011

Further entries are invited until August 12th, 2011

Contact: David Weiss (Freeman’s)Direct tel: +1 [email protected]

Nick Curnow (Lyon & Turnbull)Tel: +44 (0)131 557 [email protected]


“One of the

top 100 hotels

in the world”Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proud

to announce our new partnership with Freeman’s. We are pleased to offer

Freeman’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.

215-790-2541, [email protected]


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

fine american & european paintings

Documents

conditionsof sale

terms andconditions

buyers responsibility

successful bid price

sale registered bidders

packingall potential

potential buyers areunable

buyers premium shallbe