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G12-12168_FinePaintCOV_two flap cover 5/1/12 10:50 AM

G12-12168_FinePaintCOV_two flap cover 5/1/12 10:50 AM

Fine American & European Paintings & Sculpture, including Sporting Art 06/03/12

Fine American & EuropeanPaintings & Sculpture,including Sporting ArtSale 1432

Sunday June 3rd at 12 noon

Inquiries:

alasdair nichol

direct tel: 267.414.1211

[email protected]

david weiss

direct tel: 267.414.1214

[email protected]

maya o’donnell-shah

direct tel: 267.414.1210

[email protected]

Exhibitions Times:Thursday, May 31st, 10am-5pm

Friday, June 1st, 10am-5pm

Saturday, June 2nd, 12pm-5pm

Catalogue $35

Inside Front Cover: Lot 172 (detail)Inside Back Cover: Lot 50 (detail)

Color images of every lot are available atwww.freemansauction.com

Bidding:bids department bridgette bonnertel: 267.414.1208fax: [email protected]

Printing by Brilliant Studio

Exton, Pennsylvania

G12-12168_FinePaint1-34_Layout 1 5/3/12 10:39 AM Page 1

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free≤an’sfine american & european paintings & sculpture, including sporting art

06/03/12

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Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $50,000 of the hammer price of each lot, 20% on theportion from $50,001 through $1,000,000, and 12% thereafter.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed withinten (10) working days of the sale. Purchases not so removed may be turnedover to a licensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


European Paintings,Sculpture

& Sporting Art



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1 121443/1ALESSANDRO POMI(italian 1890-1976)“ATELIER”Signed ‘A. POMI’ bottom right, oilon panel27 5/8 x 23 7/8 in. (70.2 x 60.6cm)provenance:Private Collection, New Mexico.exhibited:Carnegie Institute, Pittsburgh (n.d.)$5,000-8,000


2 121520/1FRANCISCO PERALTA DEL CAMPO(spanish 1837-1897)READING THE NEWSSigned and located ‘F. Peralta /Roma’ bottom left, oil on panel,unframed20 x 13 3/4 in. (50.8 x 34.9cm)provenance:Private Collection, New York.$5,000-8,000

3 121472/2THÉODORE LOUIS AUGUSTE RIVIÈRE(french 1857-1912)“SALAMMBO CHEZ MATHO”Signed ‘THÉODORE RIVIÈRE,’ inscribed ‘SALAMMBO’ and‘Susse Fes Edts. Paris’ and with ‘Susse Frères Editeurs Paris’foundry seal flanked by stamped initals ‘H P,’ bronze groupwith golden and golden brown patinasHeight: 25 in. (63.5cm)Width: 13 3/4 in. (34.9cm)Depth: 11 7/8 in. (30.2cm)Executed circa 1920provenance:Private Collection, Maine.literature:Harold Berman, Bronzes: Sculptors & Founders 1800-1930, vol.2, no. 1762, p. 448, (another cast illustrated.)$7,000-9,000

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4 121077/2GIOVANNNI COSTA(italian 1833-1893)REVERIESigned ‘G. Costa’ bottom right, oilon canvas44 1/2 x 27 in. (112.4 x 70.5cm)provenance:Private Collection, Rhode Island.$10,000-15,000

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5 121109/51WALTER DENDY SADLER(british 1854-1923)“A FAVORITE CUT”Inscribed ‘To J. Hullneck / From W.Dendy Sadler’ bottom right, oil oncanvas laid on panel18 x 14 in. (45.7 x 35.6cm)provenance:Frank S. Schwarz, Inc., Philadelphia,Pennsylvania.The Estate of John M. Seabrook,New Jersey.$2,500-4,000


7 121453/1ALFRED-ÉMILE GAUBAULT(french d. 1895)AT FULL GALLOPSigned ‘A Gaubault’ bottom right, oilon panel14 5/8 x 18 in. (37.1 x 45.7cm)provenance:Private Collection, New Jersey.$2,000-3,000

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8 121504/1ALBERT FERDINAND DUPRAT(italian 1882-1974)FISHING BOATS OFF THE SHORESigned ‘A Duprat’ bottom left, oil oncanvas29 1/2 x 50 1/2 in. (74.9 x 128.3cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

6 11-2284/1JULES HENRI VERON-FARE(french fl. 1836-1870)VENICESigned ‘J.H. Veron’ bottom left, oilon canvas14 x 30 in. (35.6 x 76.2cm)provenance:Private Collection, Maryland.$1,500-2,500


9 11-2416/3FRANZ LEFLER(czech 1831-1898)ALLEGORY OF THE HARVESTSigned ‘Fr. Lefler’ bottom left, oil oncanvas32 1/2 x 43 3/8 in. (92.6 x 110.2cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

10 121235/1CORNELIS CHRISTIAANDOMMERSEN(dutch 1842-1928)“VLISSINGUE - ENTRANCE TO THESCHELDE; A THREE MASTEDMERCHANT SHIP TAKING INTHEIR PILOT”Signed and dated ‘ChrDommershuizen 1890’ bottom right;also signed and inscribed with titleand dated verso, oil on canvas,unframed20 1/2 x 28 in. (52 x 71cm)provenance:Private Collection, North Carolina.$3,000-5,000

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11 128018/1ELCHANON VERVEER(dutch 1826-1900)AWAITING HIS RETURNSigned and dated ‘Elchanon Verveer/ 1880 ft.’ bottom right, oil oncanvas20 7/8 x 30 1/8 in. (53 x 76.5cm)provenance:Private Collection, Virginia.$2,500-4,000


12 11-1506/6EDOUARD VUILLARD(french 1868-1940)“STILL LIFE WITH CHERRY PLUMS”With stamped signature ‘E Vuillard’ bottom left, oil on canvas8 x 10 in. (20.3 x 25.4cm)provenance:The artist’s studio.Renou et Colle, Paris circa 1949.Louis Bonn, Paris.Sam Salz, New York, circa 1979.An Estate, Florida.exhibited:Musée Toulouse-Lautrec, Albi, France, 1960, cat. no. 3.literature:Antoine Salomon and Guy Cogeval, Vuillard - The Inexhaustible Glance -Critical Catalogue of Paintings and Pastels, vol. 1, Wildenstein Institute, p. 18 I-20, (illus.)$30,000-50,000

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13 11-1784/1EUGENE FROMENTIN(french 1820-1876)“BORDS DU NIL”Signed and dated ‘Eug. Fromentin 1850’ bottom right, oil on canvas22 1/2 x 34 in. (57.2 x 86.4cm)provenance:Private Collection, Pennsylvania.note:We would like to thank Dr. James Thompson for his assistance cataloguingthis lot. Dr. Thompson has verified the authenticity of this work on the basisof photographs and has suggested that this work may have been executedduring the artist’s second trip to Algeria.$20,000-30,000

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14 121516/3LEOPOLD FRANZ KOWALSKI(russian/french 1856-1931)DÉSIR D’ÉTÉSigned ‘L. KOWALSKY’ bottomright, oil on canvas36 x 55 1/2 in. (91.4 x 140.8cm)provenance:Private Collection, Maryland.$6,000-10,000

15 11-2380/1HENRY WALKER D’ACOSTA(european 19th century)MONKS IN A STUDYSigned ‘Hy Walker d’Acosta’ bottomright, oil on panel12 3/4 x 19 3/4 in. (32.4 x 50.2cm)provenance:Private Collection, Philadelphia.$1,500-2,500

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16 11-2048/31NICOLAS VERMONT(romanian 1886-1932)FEMALE NUDESigned, inscribed and dated ‘NicolaeVermont / Paris / 1925’ bottomright, oil on canvasboard15 3/4 x 27 3/4 in. (40 x 70.5cm)provenance:Private Collection, The Bronx, NewYork.$1,000-1,500


17 121020/1GEORGES MANZANA-PISSARRO(french 1871-1961)FIGURE ON PATHWAYSigned and dated ‘manzana 1902’bottom right; also with Parisianpreparer’s stencil verso, oil oncanvas25 5/8 x 21 3/8 in. (65.1 x 54.3cm)provenance:Private Collection, Florida.$10,000-15,000

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18 11-8082/10ANDRÉ HAMBOURG(french 1909-1999)SAIL BOATS IN A HARBORSigned ‘A Hambourg’ bottom left, oilon canvas12 x 15 in. (30.5 x 38.1cm)provenance:Private Collection, Florida.$5,000-8,000

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19 11-8082/13FRANÇOIS NARDI(french 1861–1936)BOATS BEACHED ON JETTYROCKSSigned ‘Fr. Nardi’ bottom right, oil oncanvas15 x 21 3/4 in. (38.1 x 55.2cm)provenance:Private Collection, Florida.$4,000-6,000


20 11-8082/11PAUL EMILE PISSARRO(french 1884-1972)“RAMASSEUSE DE POMMES”Signed ‘Paulémile Pissarro’ bottomcenter left, oil on canvas18 1/4 x 24 in. (46.4 x 61cm)provenance:Wally Findlay Galleries, New York,New York.$6,000-8,000

21 11-8082/12PAUL EMILE PISSARRO(french 1884-1972)STILL LIFE OF MIXED FLOWERS INA BLUE VASESigned ‘Paulémile Pissarro’ bottomright, oil on canvas24 x 18 1/4 in. (61 x 46.4cm)provenance:Private Collection, Florida.$6,000-8,000

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22 11-2429/1ALFRED DE BREANSKI, SR.(british 1852-1928)“IN WILD ABERDEEN, SCOTLAND”(HUNTING DEER)Signed ‘Alfred de Breanski’ bottomleft, oil on canvas30 x 50 in. (76.2 x 127cm)provenance:Private Collection, North Carolina.$12,000-18,000

23 11-8097/12EDWARD BURNE-JONES(british 1833-1898)STANDING MALE NUDESigned with initials and dated ‘EBJ /1885’ bottom center right, pencil onpaper laid to paper8 5/8 x 4 7/8 in. (21.9 x 12.4cm)(sheet)provenance:Private Collection, Florida.$3,000-5,000


26 121516/1TERENCE JOHN MCCAW(south african 1913-1978)TOPOGRAPHICAL VIEW, SOUTHAFRICASigned and dated ‘Terence McCaw55’ bottom right, oil on masonite19 1/2 x 25 1/2 in. (49.5 x 64.8cm)provenance:Pieter Wenning Gallery,Johannesburg, South Africa.Private Collection, Pennsylvania.Private Collection, Maryland.$2,500-4,000


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25 121539/2SAMUEL JOHN LAMORNA BIRCH(british 1869-1955)TRAVELLERS ON A FOOTPATHALONG A RIVERSigned and dated ‘S J Lamona Birch1927’ bottom right, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Maryland.$2,500-4,000

24 11-2243/1WILLIAM GEORGE GILLIES(scottish 1898-1973)“TEMPLE, MIDLOTHIAN”Signed and dated ‘W. Gillies / 1942’in pencil bottom right; also inscribedwith title and signed in ink on labelverso, watercolor on paper20 x 25 1/2 in. (50.8 x 64.8cm)provenance:Private Collection, The Bronx, NewYork.$3,000-5,000


27 121105/1ATTRIBUTED TO ROBERT DODD(british 1748-1816)AN EAST INDIAMAN OFF SOUTHAMPTON WATEROil on canvas33 x 44 1/8 in. (83.8 x 112.1cm)provenance:RJ Reynolds Tobacco Company Corporate Collection, Winston-Salem, North Carolina.note:This lot will be sold to benefit the The Arts Council of Winston-Salem and ForsythCounty, Winston-Salem, North Carolina.$15,000-25,000

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28 121109/47ATTRIBUTED TO LAI FONG(chinese active 1870-1910)“SHIP GLENLUI”Oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Colin Denny, Ltd., London, United Kingdom.The Estate of John M. Seabrook, New Jersey.note:The Glenlui was built in Liverpool by T. Royden & Sons for W.Alexander & Co. in 1884. She was an iron ship of 1847 grosstons.$4,000-6,000


29 128027/17EUGÈNE DELACROIX(french 1798-1863)HORSE STUDIESWith the artist’s ‘E.D.’ studio stampbottom right, pencil on paper7 3/8 x 9 3/8 in. (18.7 x 23.8cm)provenance:Private Collection, Virginia.$2,000-3,000

30 128027/18ANTOINE CHARLES HORACE VERNET(french 1758-1836)“CHEVAL DE CHASSE ANGLAISE”Signed ‘Carle Vernet f.’ bottom left, charcoalheightened with white on paper14 1/2 x 21 1/8 in. (36.8 x 53.7cm) (sight)provenance:Christie’s New York, sale of February 25,1988, lot no. 146.Private Collection, Virginia.$1,000-1,500

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31 128027/16ATTRIBUTED TO GEORGEHEMNING MASON(british 1818-1872)STUDIES OF GOATSOil on board7 3/4 x 11 1/2 in. (19.7 x 29.2cm)provenance:Private Collection, Virginia.$800-1,200


33 12-8005/10JAMES SEYMOUR(british 1702-1752)“MATCH BETWEEN DUKE OF BOLTON’S BROWNCOLT ‘LOOBY’ AND LORD WEYMOUTH’S‘CONQUEROR’ ON 6TH OCTOBER, 1735 ATNEWMARKET, 4 MILES, 300 GUINEAS”Inscribed ‘Looby’ upper center left and ‘Conquerer’upper center right, pencil on paper7 7/8 x 12 1/4 in. (20 x 31.1cm)provenance:Fry Gallery, London, United Kingdom.Sotheby’s London, sale of Drawings andWatercolors from the Collection of the Late Sir Johnand Lady Witt, February 19, 1987, lot 44.Private Collection, Virginia.$800-1,200

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34 12-8005/32ARTHUR FITZWILLIAM TAIT(american 1819-1905)HOUNDS ON THE SCENTSigned and dated ‘A. F. Tait 99’ bottom right, watercolorover pencil on paper4 3/4 x 8 in. (12.1 x 20.3cm)provenance:Private Collection, Virginia.$1,000-1,500

32 12-8005/2HENRI DE TOULOUSE-LAUTREC(french 1864-1901)“CHEVAUX, LAD ET CHIEN” and“GRAFITTI: (SKETCH OF HORSE)”A double-sided drawing, pencil onpaper6 x 7 15/16 in. (15.2 x 20.2cm)Executed circa 1880provenance:Sotheby’s New York, sale ofFebruary 28, 1992, lot 4.Private Collection, Virginia.note:M.G. Dortu, Toulouse-Lautrec et SonOeuvre, vol. 4, New York, 1971, no.D.1.754, p. 288, (illus. p. 289.)$2,000-3,000


35 12-8005/23THOMAS ROWLANDSON(british 1756-1827)“THE HAYMAKERS”Signed ‘Rowlandson’ bottom right, ink andwatercolor on paper10 5/8 x 8 3/8 in. (27 x 21.3cm)provenance:Arthur U. Newton Galleries, New York, New York.Christie’s New York, sale of May 19, 1987, lot177.Private Collection, Virginia.$2,000-3,000

36 12-8005/24THOMAS ROWLANDSON(british 1756-1827)“MRS. THORNTON RIDING ATYORK”Sepia ink with sepia and graywashes over pencil on paper, laid topaper5 5/8 x 8 13/16 in. (14.3 x 22.4cm)provenance:Christie’s London, sale of April 9,1991, lot 80.Private Collection, Virginia.$1,000-1,500

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37 12-8005/22THOMAS ROWLANDSON(english (1756-1827)AT THE RACESSigned and dated ‘Rowlandson 1816’bottom left, ink, watercolor andwash on paper5 3/4 x 9 1/8 in. (14.6 x 23.2cm)provenance:Christie’s sale of September 4, 1991,lot 84.Private Collection, Virginia.$1,000-1,500


38 128027/15JAMES SEYMOUR(british 1702-1752)HORSE AND RIDER; with HORSEAND RIDER versoInscribed ‘25’ upper right, sepia inkon paper5 3/8 x 6 3/8 in. (13.7 x 16.2cm)provenance:Private Collection, Virginia.$800-1,200

39 128027/22BRITISH SCHOOL(19th century)“JACK SPIGOT WITH JOCKEY UP, 1821”Oil on canvas and two companions by the same hand;“THEODORE WITH JOCKEY UP, 1822”and“BAREFOOT WITH JOCKEY UP, 1823”Bears signature ‘J. F. Herring’ bottom right, oil on canvas, a set of three14 x 18 in. (35.6 x 45.7cm) (each)(3)provenance:Private Collection, Virginia.$2,000-3,000

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40 12-8005/7SIR ALFRED MUNNINGS(british 1878-1959)FIGURAL STUDIESPencil signed ‘AJ Munnings’ bottomright, ink on paper6 1/16 x 4 3/8 in. (15.4 x 11.1cm)provenance:The Sporting Gallery, Middleburg,Virginia.Private Collection, Virginia.$1,000-1,500

41 12-8005/8SIR ALFRED MUNNINGS(british 1878-1959)“SIR ALFRED AND LADYMUNNINGS WITH JOCKEY”Signed ‘Alfred Munnings’ bottomright, and inscribed upper left andupper right; also inscribed verso,pencil on ‘The Cooling Galleries,London’ printed paper invitation4 x 4 in. (10.2 x 10.2cm) (sheet)provenance:Private Collection, Virginia.$1,000-1,500

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42 12-8005/11SIR ALFRED MUNNINGS(british 1878-1959)“STUDY FOR THE BRAMHAM MOORHOUNDS,”with HORSE AND JOCKEY STUDY versoPencil on paper6 3/4 x 7 3/8 in. (17.1 x 18.7cm)Executed circa 1929provenance:Private Collection, Virginia.literature:Sir Alfred Munnings, The Second Burst, London,1952.$2,000-3,000


43 121109/60CHARLES COOPER HENDERSON(british 1803-1877)“LONDON TO BRIGHTON ROYALMAIL COACH”Signed ‘C. Cooper Henderson 1846’bottom center left, oil on canvas41 1/2 x 75 5/8 in. (105.4 x192.1cm)provenance:David Geiger Gallery, London,United Kingdom, 1972.The Estate of John M. Seabrook,New Jersey.$10,000-15,000

45 121109/54JAMES POLLARD(british 1792-1867)THE BRIGHTON-LONDON ROYALMAIL COACH PASSING REGENTCIRCUSSigned and dated ‘J. Pollard 1822’bottom left, oil on canvas31 1/2 x 39 3/4 in. (80 x 101cm)provenance:The Estate of John M. Seabrook,New Jersey.$2,000-3,000

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44 121109/61JOHN CHARLES MAGGS(british 1819-1896)THE NIMROD COACH ENTERINGBATHSigned ‘J.C. MAGGS’ bottom left, oilon canvas33 x 44 3/8 in. (83.8 x 112.7cm)provenance:Sotheby’s New York, sale of April 11,1997, lot 81.The Estate of John M. Seabrook,New Jersey.$3,000-5,000


46 121109/68JOHN PAUL(british 19th century)A HORSE PULLED COACHWith strengthened signature ‘J Paul’bottom right, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:The Estate of John M. Seabrook,New Jersey.$5,000-8,000

47 121109/69JAMES LYNWOOD PALMER(british 1868-1941)“HARNESSED GREY HORSE WITHATTENDANT COACHMAN”Signed and dated ‘Lynwood Palmer/ 1913’ bottom left, oil on canvas29 1/8 x 25 1/8 in. (74 x 63.8cm)provenance:Frank Partridge & Sons, Ltd., London,United Kingdom.The Estate of John M. Seabrook,New Jersey.$3,000-5,000

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48 121109/50ALAN ELLISON(american 20th century)“RUFUS”Signed and dated ‘Alan Ellison /1993’ oil on canvas26 x 28 in. (66 x 71.1cm)provenance:The Estate of John M. Seabrook,New Jersey.note:The present painting wascommissioned by John M. Seabrook.Painted at the family farm in Salem,this painting was specificallypatterned on a work by JamesLynwood Palmer.$1,000-1,500


49 128025/5HENRY ALKEN(british 1785-1851)“THE FIND”Oil on canvas and a companion bythe same hand;“THE DEATH”Signed ‘H. Alken’ bottom centerright, oil on canvas14 x 18 in. (35.6 x 45.7cm) (each)(2)provenance:Schillay & Rehs, Inc., New York, NewYork.Christie’s New York, sale ofDecember 1, 1999, lot 12.Private Collection.$15,000-25,000

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50 11-2226/104HENRY ALKEN(british 1785-1851)“DEAD HEAT FOR THE DONCASTER ST. LEGER 1850 BETWEENVOLLTIGUER AND RUSSBOROUGH”Signed ‘H Alken’ bottom right, inscribed and dated ‘Dead Heat for theDoncaster St. Leger / 1850’ bottom left, oil on canvas14 x 21 in. (135.6 x 53.3cm)provenance:Frost & Reed, London, United Kingdom.The Sporting Gallery & Bookshop, Inc., New York.Estate of Mr. and Mrs. William R. Wister, Oldwick, New Jersey.$15,000-25,000

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51 128025/4JOHN NOST SARTORIUS(british 1759-1828)“CATCHING THE SCENT”Signed and dated, ‘J. N. Sartorius1812’ bottom right, oil on canvas,and a companion by the same hand;“THE KILL,”Signed and dated ‘J. N. Sartoriuspin* 1812’ bottom left, pair oils oncanvas25 x 30 in. (63.5 x 76.2cm) (each)(2)provenance:Private Collection.$40,000-60,000

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52 128025/12JOHN NOST SARTORIUS(british 1759-1828)“THE CHARGER OF AN OFFICER OF YEOMANRY HELD BY A GROOM INSTABLE DRESS WITH MEMBERS OF THE TROOP IN THE BACKGROUND”Signed and dated ‘JN Sartorius pinxit 1804’ bottom left, oil on canvas laid toboard25 x 30 in. (63.5 x 76.2cm)provenance:The Los Angeles Turf Club, Inc., Los Angeles, California.Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lotno. 212.Private Collection.exhibited:‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California,November 11 - December 11, 1955.$15,000-25,000

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53 128025/10BENJAMIN MARSHALL(british 1767-1835)“‘PASTIME’ A BAY FILLY, LED BY ONE OF HER TRAINERS, WITH AGROOM IN ATTENDANCE”Signed and inscribed ‘PASTIME / B Marshall Pt’ lower right, oil on canvas28 x 36 in. (71.1 x 91.4cm)Painted circa 1822provenance:Sir Walter Gilbey.Christie’s London, sale of June 11, 1915, lot 336.The Property of a Lady title.Sotheby’s London, sale of July 27, 1949, lot 102.With Ellis & Smith, London, United Kingdom.With Frost & Reed, London, United Kingdom.The Los Angeles Turf Club, Inc., Los Angeles, California.Christie’s New York, sale of Important Old Master Paintings, April 15, 2008,lot 209.Private Collection.exhibited:‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California,November 11 - December 11, 1955.‘The Equestrian in Art,’ The Muckenthaler Cultural Center, Fullerton,California, September 7-30, 1984.literature:Aubrey Noakes, Ben Marshall, Leigh-on-Sea, 1978, p. 56, 64, and 74, no. 227.$150,000-250,000


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54 128025/13JOHN NOST SARTORIUS(british 1759-1828)“‘DIAMOND,’ HELD BY A GROOM, WITH HIS JOCKEY DENNISFITZPATRICK, IN A LANDSCAPE”Signed ‘JN Sartorius pinxit’ lower left, oil on canvas23 3/4 x 30 in. (60.3 x 76.2cm)provenance:The Los Angeles Turf Club, Inc., Los Angeles, California.Christie’s New York, sale of Important Old Master Paintings, April 15, 2008,lot no. 208.Private Collection.

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exhibited:‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California,November 11 - December 11, 1955.note:Dennis Fitzpatrick (1764-1806) was active from 1795 - 1800. He is arguablybest known for his matches against rival jockey, Francis Buckle, including thegreat match at the Beacon Course, Newmarket Craven Meeting in 1799, inwhich Buckle, riding Sir H.T. Vane’s ‘Hambletonian’ defeated Fitzpatrickriding ‘Diamond’.In addition to the present painting, Sartorius painted several works depicting‘Diamond” and ‘Hambletonian’ at the finish line at Newmarket.$12,000-18,000


55 128025/14JOHN NOST SARTORIUS(british 1759-1828)“A SADDLED HORSE WITH GROOM OUTSIDE A COUNTRY HOUSE”Signed and dated ‘1802 Sartorius’ bottom right, oil on canvas laid to board25 x 30 in. (63.5 x 76.2cm)provenance:The Los Angeles Turf Club, Inc., Los Angeles, California.Christie’s New York, sale of Important Old Master Paintings April 15, 2008,lot no. 213.Private Collection.exhibited:‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California,November 11 - December 11, 1955.$8,000-12,000

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56 128025/7THOMAS WEAVER(british 1774-1843)“THE MASTER OF THE HOUNDS”Signed and dated ‘T. Weaver pinxt1811’ bottom center left, oil oncanvas28 x 35 7/8 in. (71.1 x 91.1cm)provenance:Christie’s New York, sale ofDecember 1, 1999, lot 4.Private Collection.$4,000-6,000

57 128025/8ATTRIBUTED TO BENJAMINHERRING SR.(british circa 1806-1830)“THE HONORABLE THOMASORDE POWLETT’S ‘JACK SPIGOT’WITH WILLIAM SCOTT”Bears signature ‘J F Herring’ bottomright, oil on canvas15 3/4 x 20 in. (40 x 50.8cm)provenance:Christie’s New York, sale ofDecember 1, 1999, lot 14.Private Collection.note:‘Jack Spigot’ was foaled by‘Ardrossan’ out of the sister to‘Bourbon ‘in 1818. ‘Spigot,’ a darkbay colt, went on to win a sweep atDoncaster, the St. Leger andAconvival Stakes, New Castle.$5,000-8,000

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58 128025/6JOHN FREDERICK HERRING THEYOUNGER(british 1815-1907)“THE BLACKSMITH’S SHOP”Signed ‘J F Herring’ bottom right, oilon canvas16 1/8 x 24 1/8 in. (41 x 61.3cm)provenance:Christie’s New York, sale ofDecember 1, 1999, lot no. 26.Private Collection.$10,000-15,000

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59 128025/2HEYWOOD HARDY(british 1842-1933)“FOX HOUNDS”Signed and dated ‘Heywood Hardy1913’ bottom left, oil on canvas anda companion by the same hand; alsosigned and dated ‘Heywood Hardy1913’ oil on canvas, a pair28 x 36 in. (71.1 x 91.4cm) (each)(2)provenance:Richard Green, London, UnitedKingdom.Sotheby’s London, sale of December13, 1989, lot 150.Private Collection.$30,000-50,000

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60 128025/3JOHN EMMS(british 1843-1912)“HUNTSMAN, BAY HUNTER ANDFOXHOUNDS OUTSIDE KENNEL”Signed ‘J. EMMS’ bottom left, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:Phillips London, sale of April 28,1992, lot 55.Private Collection.$40,000-60,000

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61 121109/48MICHAEL LYNE(british 1912-1989)“RIGHT BE DONE”Signed ‘Michael Lyne’ bottom right, oil on canvas19 3/4 x 24 in. (50.2 x 61cm)provenance:Major Brian Shone, Berkshire, United Kingdom.The Estate of John M. Seabrook, New Jersey.literature:Brian Shone, We Command That Right Be Done, England, 1990, p. 109, (illus.)note:The present painting depicts the conclusion of the 200th Meet at The CoachingClub in a Cloudburst, at Hampton Court Palace, June 12, 1982. Just behind TheBay Team of His Royal Highness the Duke of Edinburgh is the Grey Team of JohnSeabrook.A hand-written letter by Michael Lyne discussing this painting will accompanythe lot.$3,000-5,000

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62 121109/64MICHAEL LYNE(british 1912-1989)“WE COMMAND THAT”Signed ‘Michael Lyne’ bottom left, oil oncanvas28 x 36 in. (71.1 x 91.4cm)provenance:Major Brian Shone, Berkshire, UnitedKingdom.The Estate of John M. Seabrook, NewJersey.literature:Brian Shone, We Command That Right BeDone, England, 1990, p. 108, (illus.)note:A label attached verso states ‘ThePresident of the Coaching Club Lt.Colonel Sir John Miller, KCVO, DSO MCtaking a mixed team from the RoyalMews through the Water Splash at the1971 International Grand Driving Prix. Onthe back of the canvas I have added theinformation given to me by the RoyalGroom who rode behind him: - Off Wheel- Frobisher / Near Wheel - Eagle / OffLead - Rio / Near Lead - Santiago.’The present painting depicts the formerCrown Equerry and President of theCoaching Club taking the Royal Teamthrough the Water Splash at VirginiaWater.$5,000-8,000

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63 121109/59MICHAEL LYNE(british 1912-1989)“IN DAYS GONE BY”Signed ‘Michael Lyne’ bottom right,oil on canvas24 x 36 in. (61 x 91.3cm)provenance:Frost & Reed, London, UnitedKingdom.Private Collection, Baltimore,Maryland, 1967.The Estate of John M. Seabrook,New Jersey.exhibited:‘Michael Lyne Exhibition,’ Frost &Reed, London, United Kingdom,1967, no, 41736.$4,000-6,000


64 11-5052/24SIR PETER MARKHAM SCOTT(british 1909-1989)“GEESE”Signed and dated ‘PETER SCOTT1935’ bottom right, oil on canvas40 x 59 7/8 in. (101.6 x 152.1cm)provenance:The Pew Estate, Gladwyne,Pennsylvania.$12,000-18,000

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65 11-5052/23SIR PETER MARKHAM SCOTT(british 1909-1989)“BLACK DUCKS AT NOON”Signed and dated ‘Peter Scott 1940’bottom left; also titled in pencilverso, oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:The Pew Estate, Gladwyne,Pennsylvania.$6,000-10,000

66 11-2226/44GEORGE WRIGHT(english 1860-1942)CLEARING THE FENCESigned ‘G. Wright’ bottom right, oilon canvas and a companion by thesame hand;AFTER THE RACESigned ‘G. Wright’ bottom right, oilon canvas7 x 10 in. (17.8 x 25.4cm) (each)(2)provenance:Arthur Ackermann & Son, Inc., NewYork, New York.The Estate of Mr. and Mrs. WilliamR. Wister, Oldwick, New Jersey.$1,500-2,500

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67 128022/2MARIE GUISE NEWCOMB(american 1865-1895)SPANIEL WITH WOODCOCKSigned ‘Marie Guise Newcomb’bottom right, oil on canvas22 x 15 in. (55.9 x 38.1cm)provenance:Private Collection, Virginia.$1,500-2,500

68 128025/16EDMUND HENRY OSTHAUS(american 1858-1928)AN ENGLISH SETTERSigned ‘Edm. H. Osthaus’ bottomright, watercolor on paper laid tocard12 x 18 in. (30.5 x 45.7cm)provenance:With partial label ‘The SportingGallery, New York’ verso.Christie’s New York, sale ofDecember 1, 1999, lot 89.Private Collection.$7,000-10,000

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69 128025/11HENRY STULL(american 1851-1913)“‘IROQUOIS’ WITH FRED ARCHER UP, WINNER OF THE EPSOM DERBY,ST. LEGER AND PRINCE OF WALES STAKES, 1881”Signed ‘Henry Stull’ bottom right; also inscribed ‘From the Artist / to hisfriend / Jas F. J. Archibald / San Francisco / May 1 / 95’ bottom left, oil oncanvas23 1/4 x 28 1/8 in. (59.1 x 71.4cm)provenance:A gift from the artist to James A. Archibald, San Francisco, 1895.The Los Angeles Turf Club, Inc., Los Angeles, California.Christie’s New York, sale of Important Old Master Paintings, April 15, 2008,lot 219.Private Collection.

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note:‘Iroquois,’ a bay stallion by Leamington out of ‘Maggie BB’ by ‘Australia,’ wasbred at Erdenheim Stud in Pennsylvania by Aristides Welch. In 1881,‘Iroquois’ became the first American horse to win the British Epsom BayDerby, a feat not repeated until 1954. The victory was a triumph ofAmerican Thoroughbred breeding. Americans were so excited over hisvictory that the New York Stock Exchange suspended trading the day thenews arrived in the city. That same year, ‘Iroquois’ went on to win at St.Leger, Payne Stakes, Prince of Wales Stakes at Ascot, and St. James PalaceStakes. In 1886, ‘Iroquois’ was purchased from Pierre Lorillard by WilliamHicks Jackson and was transported to the Belle Meade Plantation nearNashville where he became the leading sire of 1892.$60,000-100,000


70 128025/15ROBERT FARRINGTON ELWELL(american 1874-1962)OUT SHOOTINGSigned ‘R. Farrington Elwell’ bottomleft, oil on canvas38 1/4 x 26 in. (97.2 x 66cm)provenance:Christie’s New York, sale ofDecember 1, 1999, lot 91.Private Collection.$4,000-6,000

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American Paintings &Sculpture


71 11-1789/5PHILIPPE CHARTRAND(cuban 1825-1889)LANDSCAPE WITH DEER ANDHUNTERSigned ‘Ph. Chartrand’ bottom left,oil on panel16 3/8 x 12 1/2 in. (41.6 x 31.8cm)provenance:Private Collection, Philadelphia,Pennsylvania.$5,000-8,000

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73 121548/2MARINA NUÑEZ DEL PRADO(bolivian 1910-1996)“DANZA DE CHOLOS”Signed and dated ‘M. Nunez DelPrado 1938’ verso, earthenwareHeight: 12 5/8 in. (32.1cm)Width: 17 in. (43.2cm)Depth: 10 1/2 in. (26.7cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

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72 121548/1MARINA NUÑEZ DEL PRADO(bolivian 1910-1996)FIGURAL STUDYSigned ‘M. Nunez del Prado’ verso,carved wood with dark stainHeight: 19 5/8 in. (49.8cm)Width: 26 in. (66cm)Depth: 3 3/8 in. (8.6cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


74 121020/3ALFONSO X. PEÑA(mexican 1903-1964)“RICO PULMON”Signed and dated ‘A.X. Peña / 1955’upper right; also titled upper left, oilon canvas laid to board10 1/2 x 13 1/2 in. (26.7 x 34.3cm)$3,000-5,000

75 121020/2ALFONSO X. PEÑA(mexican 1903-1964)MARKETPLACELocated, signed and dated ‘MEX /A.X. Peña / 49’ bottom right, oil oncanvas laid down to board10 x 12 in. (25.4 x 30.5cm)$3,000-5,000

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76 11-2058/65WASHINGTON ALLSTON(american 1779-1843)“UNA SLEEPING IN A WOOD”Oil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:E.T. Hastings, Medford,Massachusetts.Mrs. John B. Hatch, Medford,Massachusetts.Miss Ruth Charlotte Dana.M. Knoedler & Co. Inc., New York,New York.Purchased from the above by thepresent owner, February 18, 1960.The Estate of Gerald M. Bordman,Bala Cynwyd, Pennsylvania.exhibited:‘Exhibition of the Works ofWashington Allston,’ BostonMuseum of Fine Arts, Boston,Massachusetts, July 18, 1881, no. 240.‘Forty American Painters,’ Akron ArtInstitute, Ohio, December 1945, no. 5.literature:M. F. Sweester, Artist Biographies,Boston, Massachusetts, 1877, p. 188.Jared B. Flagg, Life and Letters ofWashington Allston, London 1893, p. 392.Edgar Preston Richardson,Washington Allston, Chicago, Illinois,p. 149, p. 152, p. 215, no. 162.$15,000-25,000

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77 128028/1JASPER FRANCIS CROPSEY(american 1823-1900)PANORAMIC LANDSCAPE,SUNSETSigned and dated ‘J F Cropsey 1889’bottom left, watercolor, unframed7 x 11 in. ((17.8 x 27.9cm) (image)9 1/2 x 13 1/2 in. (24.1 x 34.3cm)(sheet)provenance:Private Collection, Virginia.note:The present work will be included inthe forthcoming catalogue raisonnéof the works of Jasper FrancisCropsey by the Newington-CropseyFoundation, Hastings-On-Hudson,New York.We wish to thank Dr. KennethMaddox for his assistancecataloguing this lot.$3,000-5,000

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78 121243/3HARRIET WHITNEY FRISHMUTH(american 1880-1980)“ALLEGRA” (SOLO DANCER)1929. Edition of 52. Signed‘HARRIET W. FRISHMUTH,’copyrighted and dated 1929, andinscribed ‘ROMAN BRONZEWORKS INC. NY.’ bronze, greenishbrown patina, on Belgian marblebaseHeight: 11 1/2 in. (29.2cm)Width: 6 1/4 in. (15.9cm)Depth: 3 in. (7.6cm)Height with base: 11 7/8 in.(30.2cm)provenance:Private Collection, Allentown,Pennsylvania.literature:James Conner, Leah RosenblattLehmbeck, Thayer Tolles, CapturedMotion: The Sculpture of HarrietWhitney Frishmuth, A Catalogue ofWorks, New York, 2006, pp. 195-197,p. 260 (another cast illustrated).$10,000-15,000


79 11-2058/2THOMAS COLE(american 1801-1848)“PART OF THE RUINS OF KENILWORTH CASTLE”Signed ‘T. Cole’ bottom left and inscribed on partial label verso, oil on canvas16 x 22 1/4 in. (40.6 x 56.5cm)provenance:Charles M. Leupp, New York.Sale of his collection at E. H. Ludlow and Company, November 13, 1860.John Taylor Johnston (Bowman Johnson).The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania.note:When Thomas Cole was commissioned by Thomas H. Faile to paint anItalian coastal scene, the artist persuaded Faile to accept instead, paintingsof a favorite English site. He travelled to England in summer 1841, to paintand sketch Kenilworth Castle, which he described to his wife as ‘…country[that] was rich and beautiful … the ruins went beyond my expectations …the ivy-clad towers, roofless halls, whose floors are covered with green turfand flowers, and cropped by flocks of sheep, over which, through thedismantled windows and ragged loopholes, the sun casts his wandering rays,inspired me with a melancholy pleasure…’According to Alan Wallach, Cole completed at least four paintings and fourdrawings at Kenilworth Castle.The paintings are: 1. ‘The Ruins at Kenilworth Castle, England, 1841’, oil onmillboard (Juniata College Museum of Art, Huntingdon, PA); 2. ‘Study forRuins of Kenilworth Castle, England, circa 1842-3’ (private collection,location unknown); 3. ‘Ruins of Kennilworth (sic) Castle, England, 1843’(formerly in the collection of Thomas H. Faile;’ present whereaboutsunknown); 4. The present work; 5. (and a fifth work of Kenilworth Castlethat is possibly by Cole, private collection, Missouri);Alan Wallach has named the present painting ‘Part of the Ruins ofKenilworth Castle, England’, as that was the exact name given to it byCharles M. Leupp, a New York City businessman, financier and art collector,and the painting’s original owner who acquired this painting in 1846.The present painting derives from one of the oil sketches (number 1 and/or 2above) and a graphite drawing of the subject, entitled ‘Kenilworth Castle,Warwichshire, England, 1841’ (Founders Society Purchase, William H.Murphy Fund).As compared to the extant sketch of Kenilworth Castle (no. 1), the presentwork is ‘clear and brilliant. Brush strokes are much smaller…Forms are moreprecisely articulated, contrasts between light and dark subtler and moreattenuated. A hundred small details enhance the composition. Sheep grazewithin the ruined walls of the castle. The castle itself seems larger and moreimposing. To achieve this effect, Cole diminishes the relative size of ancillaryelements such as the wall, the figure in the foreground, and the birds circlingthe tower to the left…(with) luminous colors and convincing detail…’ (AlanWallach, letter of October 12, 2011).We wish to thank Professor Wallach for his kind assistance cataloguing thislot. The above referenced letter will convey with this lot and is available toview in its entirety on our website.$150,000-250,000

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80 11-2384/2ALFRED THOMPSON BRICHER(american 1837-1908)ROCKY COASTSigned ‘AT Bricher’ bottom left,watercolor on paper20 7/8 x 14 1/2 in. (53 x 36.8cm)provenance:Private Collection, Florida.$3,000-5,000

81 11-2384/1ALFRED THOMPSON BRICHER(american 1837-1908)CALM INLETSigned ‘AT Bricher’ bottom right,watercolor on paper14 3/8 x 20 3/8 in. (36.5 x 51.8cm)provenance:Private Collection, Florida.$3,000-5,000

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82 128025/9DAVID JOHNSON(american 1827-1908)“SCENERY AT SHELBURN, (SIC)VERMONT”Signed with artist’s monogrammedsignature and dated ‘DG 1865’bottom right, oil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection.$50,000-80,000

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83 11-2203/28SAMUEL LANCASTER GERRY(american 1813-1891)A SHEPHERD AND HIS FLOCKSigned ‘SL Gerry’ bottom left, oil oncanvas12 x 20 in. (30.5 x 50.8cm)provenance:Private Collection, New Hampshire.$1,500-2,500

84 11-2203/25FRANK HENRY SHAPLEIGH(american 1842-1906)“M.T. WASHINGTON FROM GLENROAD, JACKSON, NEWHAMPSHIRE”Signed and titled verso, oil on board7 1/2 x 12 1/4 in. (19.1 x 31.1cm)provenance:Private Collection, New Hampshire.$1,000-1,500

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85 11-2203/27BENJAMIN CHAMPNEY(american 1817-1907)MOUNT WASHINGTONSigned ‘B Champney’ bottom right,oil on canvas14 x 18 in. (35.6 x 45.7cm)provenance:Private Collection, New Hampshire.$2,000-3,000


86 11-2203/14ATTRIBUTED TO THOMAS HILL(american 1829-1908)VIEW OF GOODRICH FALLS, NEWHAMPSHIREWith strengthened signature ‘T Hill1881’ lower right, oil on canvas25 x 21 in. (63.5 x 53.3cm)provenance:Private Collection, New Hampshire.$6,000-8,000

87 11-2203/26BENJAMIN CHAMPNEY(american 1817-1907)SILVER BIRCHESSigned and dated ‘B Champney 53’bottom right, oil on canvas24 x 16 in. (61 x 40.6cm)provenance:Private Collection, New Hampshire.$2,000-3,000

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88 11-2203/21WILLIAM PRESTON PHELPS(american 1848-1923)“MOUNT MONADNOCK, NEWHAMPSHIRE, SPRING”Signed ‘W P Phelps’ bottom left;also inscribed indistinctly, and withtitle in pencil on upper stretcherverso, oil on canvas12 x 18 in. (30.5 x 45.7cm)provenance:Private Collection, New Hampshire.$2,000-3,000

89 11-2203/20WILLIAM PRESTON PHELPS(american 1848-1923)“MONADNOCK, NELSON, NH”Signed ‘W P Phelps’ bottom right;also inscribed with title in pencilverso, oil on canvas12 x 18 in. (30.5 x 45.7cm)provenance:Private Collection, New Hampshire.$2,000-3,000

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90 11-2203/19WILLIAM PRESTON PHELPS(american 1848-1923)THE DAY’S CATCHSigned ‘W.P. Phelps’ bottom left, oilon canvas20 x 40 in. (50.8 x 101.6cm)provenance:Private Collection, New Hampshire.$3,000-5,000


91 11-2203/24WILLIAM PRESTON PHELPS(american 1848-1923)SPRING THAWSigned ‘W P Phelps’ bottom right, oilon canvas16 x 24 in. (40.6 x 61cm)provenance:Private Collection, New Hampshire.$3,000-5,000

92 11-2203/22WILLIAM PRESTON PHELPS(american 1848-1923)SHEEP GRAZING IN AWOODLAND INTERIORSigned ‘W.P. Phelps’ bottom left, oilon canvas26 1/4 x 41 3/8 in. (66.7 x 105.1cm)provenance:Private Collection, New Hampshire.$5,000-7,000

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93 11-2203/7WILLIAM PRESTON PHELPS(american 1848-1923)“THE ROAD HOME”Signed ‘W P Phelps’ bottom right, oilon canvas28 1/4 x 48 in. (71.8 x 121.9cm)provenance:Private Collection, New Hampshire.$4,000-6,000


94 11-2382/5HERMANN HERZOG(american/german 1831-1932)“A FISHERMAN”Signed ‘H. Herzog’ bottom left, oilon canvas22 x 27 in. (55.9 x 68.9cm)provenance:An Estate, Pennsylvania.exhibited:‘American Paintings of HermannHerzog,’ Brandywine River Museum,Chadds Ford, Pennsylvania,September 11, 1992 - November 22,1982.$7,000-10,000

95 11-2203/23WILLIAM PRESTON PHELPS(american 1848-1923)A LOGGING WAGON, WINTERSigned ‘W P Phelps’ bottom right, oilon canvas18 x 24 in. (45.7 x 61cm)provenance:Private Collection, New Hampshire.$2,000-3,000

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96 121542/1DANIEL RIDGWAY KNIGHT(american 1839-1924)“WOMAN WITH GOLD COINS”Signed and dated ‘D. R. Knight 1871’bottom right, oil on canvas26 1/8 x 20 in. (66.4 x 50.8cm)provenance:Private Collection, Pennsylvania.note:A certificate of authenticity fromHoward L. Rehs dated June 7, 2011,will accompany this lot.$4,000-6,000

97 121543/2HERMANN HERZOG(american/german 1831-1932)THE DONKEY CARTSigned ‘H. Herzog,’ bottom right, oilon canvas24 x 20 in. (61 x 50.8cm)$5,000-8,000

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98 121551/1WILLIAM AIKEN WALKER(american 1838-1921)SHARECROPPERS OUTSIDE CABINSigned ‘WAWalker’ bottom left, oilon board9 x 12 in. (22.9 x 30.5cm)provenance:Private Collection, United Kindom.note:This painting will be included in theforthcoming catalogue raisonné beingprepared by John Fowler.$8,000-12,000

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99 121152/14HENRY OSSAWA TANNER(american 1859-1937)“MOROCCAN MAN”Signed ‘H.O. TANNER’ bottom right,oil on panel13 x 9 1/4 in.provenance:Christie’s New York, sale of May 29,1987, lot 107.Ex-collection: The Museum of FineArts, Boston.Sotheby’s New York, sale of May 24,2006, lot 75.Private Collection, Long Island, NewYork.$50,000-80,000

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100 121037/1FRANKLIN DULLIN BRISCOE(american 1844-1903)A STIFF BREEZESigned ‘FD Briscoe’ bottom right, oilon board14 x 10 in. (35.6 x 27.3cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

101 11-2419/10FRANKLIN DULLIN BRISCOE(american 1844-1903)UNDER FULL SAILSigned with initials ‘F.B.’ bottomright; also signed ‘F.D. Briscoe’ verso,oil on canvas6 1/2 x 10 in. (16.5 x 25.4cm)provenance:Private Collection, New Jersey.$1,000-1,500

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102 11-2419/9FRANKLIN DULLIN BRISCOE(american 1844-1903)ATLANTIC CITY, BUOY AT DUSKSigned ‘F. D. Briscoe’ bottom right,oil on panel7 3/4 x 13 1/2 in. (19.7 x 34.3cm)provenance:Private Collection, New Jersey.$1,000-1,500


103 11-2419/6FRANKLIN DULLIN BRISCOE(american 1844-1903)“OYSTER BOATS”Signed ‘F. D. Briscoe’ bottom right;also signed, titled, and dated 1901verso, oil on board6 1/8 x 10 3/8 in. (15.6 x 26.4cm)provenance:Private Collection, New Jersey.$1,000-1,500

104 11-2419/11FRANKLIN DULLIN BRISCOE(american 1844-1903)FISHERMEN ON CHOPPY WATERSSigned ‘F.D. Briscoe’ bottom right, oilon canvas8 7/8 x 15 in. (22.5 x 38.1cm)provenance:Private Collection, New Jersey.$1,500-2,500

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105 11-2419/7FRANKLIN DULLIN BRISCOE(american 1844-1903)“MOONLIGHT ON THE COAST”Signed with initials ‘F. D. B.’ bottomleft; also signed, titled, and dated1900 verso, oil on board7 x 11 in. (17.8 x 27.9cm)provenance:Private Collection, New Jersey.$1,000-1,500


106 121547/1JAMES HAMILTON(american 1819-1878)“VIEW OF PHILADELPHIA HARBOR”Signed ‘J. Hamilton’ bottom left, oil on canvas40 x 60 in. (101.6 x 152.4cm)provenance:Berry-Hill Galleries, Inc., New York, New York.The Ritz-Carlton, Laguna Niguel, California.Bonham’s San Francisco, sale of California and American Paintings &Sculpture, December 12, 2005, lot 20.Vallejo Gallery, Newport Beach, California.$15,000-25,000

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107 121538/3CLAWSON SHAKESPEAREHAMMITT(american 1857-1927)COVERED BRIDGE,PENNSYLVANIASigned ‘C S Hammitt’ bottom right,oil on canvas15 x 25 in. (38.1 x 63.5cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

108 121538/2CLAWSON SHAKESPEAREHAMMITT(american 1857-1927)A DAM ON THE RIVER,PENNSYLVANIASigned and dated ‘C S Hammitt1885’ bottom right, oil on canvas22 x 36 in. (55.9 x 91.4cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

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109 121543/1WILLIAM E. WINNER(american 1815-1883)“NEAR THE BEACH, GLOUCESTER,1877”Signed ‘W. E. Winner / Pinx’ bottomright, oil on canvas26 1/8 x 20 5/8 in. (66.4 x 52.4cm)provenance:Spanierman Gallery, New York.$3,000-5,000


110 121503/1MILNE RAMSEY(american 1847-1915)STILL LIFE WITH ROSES ANDCOVERED URN ON A MARBLE TOPTABLESigned ‘M. Ramsey’ upper right, oilon canvas28 1/2 x 21 1/2 in. (72.4 x 54.6cm)provenance:Private Collection, California.$3,000-5,000

111 121275/3GEORGE COCHRAN LAMBDIN(american 1830-1896)ROSESSigned and inscribed ‘Geo C.Lambdin / Philad’ bottom right, oilon canvas, 23 1/2 x 14 in. (59.7 x35.6cm)provenance:Martha Webb Foundation,Birmingham, Alabama.Christie’s New York, sale ofSeptember 28, 2010, lot 131.Private Collection, New York.$8,000-12,000

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112 121535/1LOUIS CHARLES MOELLER(american 1855-1930)“THE CHESS GAME”Signed ‘Louis Moeller N.A.’ bottom right, oil on canvas18 x 24 1/4 in. (46.4 x 61.6cm)provenance:O’Shea Gallery, Tulsa, Oklahoma.Private Collection.$5,000-8,000

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113 12-1132/1JOHN FRANCIS MURPHY(american 1853-1921)EVENING GLOWSigned ‘J Francis Murphy’ bottomright; also signed in pencil verso, oilon canvas laid down on board8 x 10 in. (20.3 x 25.4cm)provenance:Private Collection, North Carolina.$1,500-2,500


114 128022/1WILLIAM KEITH(american 1838-1911)“SNOW CAPPED MOUNTAINS”Signed, located and dated ‘WmKeith / SF / 10’ bottom left, oil oncanvas22 x 16 in. (55.9 x 40.6cm)provenance:Kennedy Galleries, Inc., New York,New York.Private Collection, Virginia.$10,000-15,000

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115 121447/1JOHN FERY(american/austrian 1859-1934)GLACIER NATIONAL PARKSigned ‘J. Fery’ bottom right, oil onboard9 7/8 x 18 in. (25.1 x 45.7cm)provenance:Private Collection, Pennsylvania.$4,000-6,000


116 12-8001/36THOMAS HILL(american 1829-1908)AN INDIAN ENCAMPMENT INTHE YOSEMITE VALLEYSigned ‘T. Hill.’ bottom left, oil oncanvas17 3/4 x 23 5/8 in.provenance:Private Collection, Virginia.$30,000-50,000

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117 11-5052/15OLAF CARL WIEGHORST(american 1899-1988)“DESERT HOME”Signed ‘O-Wieghorst’ and withartist’s device bottom left, alsoinscribed ‘DESERT HOME 28 X 38by O. Weighorst’ on stretcher, oil oncanvas28 x 38 in. (71.1 x 96.5cm)provenance:The Pew Estate, Gladwyne,Pennsylvania.$20,000-30,000

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118 11-5052/21OLAF CARL WIEGHORST(american 1899-1988)“NAVAJO CORRAL”Signed ‘O-Wieghorst’ and withartist’s device bottom left; alsoinscribed in pencil ‘Navajo Corral byO. Weighorst Copyright by Artist’on stretcher, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:The Pew Estate, Gladwyne,Pennsylvania.$10,000-15,000

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119 11-5052/25EDGAR SAMUEL PAXSON(american 1852-1909)“INDIAN BRAVES”Signed and dated ‘E.S. PAXSON /1909’ bottom right, watercolor onpaper laid to board19 5/8 x 13 in. (49.8 x 33cm) (sight)provenance:McClees Gallery, Ardmore,Pennsylvania.The Pew Estate, Gladwyne,Pennsylvania.$10,000-15,000

120 11-1786/2BERT GEER PHILLIPS(american 1868-1956)“MOONLIGHT IN THE ASPEN FOREST”Signed ‘Phillips’ bottom left, inscribed in pencil withtitle verso, oil on board13 5/8 x 10 5/8 in. (34.6 x 27cm)provenance:The Collection of Frederick and Katherine Farrar.note:This lot will be sold to benefit the Western Museumof Mining and Industry, Colorado Springs, Colorado.$3,000-5,000

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121 11-1786/3BERT GEER PHILLIPS(american 1868-1956)“OCATILLO”Signed ‘Phillips’ bottom left anddated ‘1941’ verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:The Collection of Frederick andKatherine Farrar.note:This lot will be sold to benefit theWestern Museum of Mining andIndustry, Colorado Springs,Colorado.$6,000-10,000

122 121529/1MAURICE BRAUN(american 1877-1941)SPRING LANDSCAPESigned ‘Maurice Braun’ bottomright, oil on canvas16 x 12 in. (40.6 x 30.5cm)provenance:Private Collection, California.$6,000-10,000

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123 121519/7JOHN FRANCIS MURPHY(american 1853-1921)MARSH AT DAWNSigned ‘J. Francis Murphy’ bottomleft, oil on canvas11 1/8 x 14 1/8 in. (28.3 x 36.1cm)provenance:Private Collection, Bala Cynwyd,Pennsylvania.$2,500-4,000

124 11-2419/8JOHN JOSEPH ENNEKING(american 1841-1916)“LANDSCAPE, OCTOBER”Signed ‘Enneking’ bottom left; alsoinscribed on hand-written labelverso, oil on board9 x 13 1/2 in. (22.9 x 34.3cm)provenance:Private Collection, New Jersey.$1,200-1,800

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125 121519/11JOHN JOSEPH ENNEKING(american 1841-1916)A GATHERING STORM, AUTUMNWith artist’s label verso, oil on board10 1/2 x 14 in. (26 x 35.6cm)provenance:Pierce Galleries Inc., Hingham,Massachusetts.Private Collection, Bala Cynwyd,Pennsylvania.$1,000-1,500


126 121470/1ROBERT WILLIAM VONNOH(american 1858-1933)“PLEASANT VALLEY, LYME,CONNECTICUT”Signed ‘Vonnoh’ bottom left; alsosigned and titled verso and onstretcher, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Pennsylvania.$7,000-10,000

127 121519/1ROBERT HENRI(american 1865-1929)“SEGOVIA, SPAIN”Signed ‘Robert Henri’ bottom centerright; also signed, inscribed anddated ‘Robert Henri / Segovia Spain/ Aug 1906’ verso, oil on panel8 x 10 in. (20.3 x 15.4cm)provenance:Castellani Collection, New York(according to label verso).Tom Veilleux Gallery, Portland,Maine.Private Collection, Bala Cynwyd,Philadelphia.$7,000-10,000

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128 11-8030/7FREDERICK CARL FRIESEKE(american 1874-1939)“SKATERS IN SWITZERLAND”Signed ‘F.C. Frieseke’ bottom right, also with Parisianpreparer’s stencil verso, oil on canvas19 7/8 x 24 in. (50.5 x 61cm)Executed by 1931provenance:The Estate of the artist, 1939.By descent to Sarah O’Bryan Frieseke, the artist’s widow.By gift to Mrs. Allene Richmond, Falls Church, Virginia,1950s.By descent to her daughter, Patricia Richmond Lundquist,Arlington, Virginia.Private Collection, Raleigh, North Carolina.note:This painting was executed in Samaden, Switzerland. Aletter dated April 7, 2011 from ‘The Frederick Carl FriesekeCatalogue Raisonné’ stating that the present work will beincluded in the Frederick C. Frieseke Catalogue Raisonné willaccompany this lot. The catalogue raisonné of Frieseke’swork is being compiled by Nicholas Kilmer, the artist’sgrandson, and sponsored by Hollis Taggart Galleries, NewYork.$6,000-10,000

129 11-8030/8FREDERICK CARL FRIESEKE(american 1874-1939)“THE PRACTICE HOUR”Signed ‘F.C. Frieseke’ bottom right, watercolor on paper laidon card9 3/8 x 12 1/2 in. (23.8 x 31.8cm)provenance:The Estate of the artist, 1939.By descent to Mrs. Sarah O’Bryan Frieseke, the artist’swidow.By gift to Mrs. Allene Richmond, Fall’s Church, Virginia1950’s.By descent to her daughter Patricia Richmond Lundquist,Arlington, Virginia, 1993.Private Collection, Raleigh, North Carolina.note:This watercolor was executed in the artist’s home inNormandy. A letter dated April 7, 2011 from ‘The FrederickCarl Frieseke Catalogue Raisonné’ stating that the presentwork will be included in the Frederick C. Frieseke CatalogueRaisonné will accompany this lot. The catalogue raisonné ofFrieseke’s work is being compiled by Nicholas Kilmer, theartist’s grandson, and sponsored by Hollis TaggartGalleries, New York.$3,000-5,000

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130 121455/3JOHN EDWARD COSTIGAN(american 1888-1972)FAMILY OUTINGSigned ‘J. E. COSTIGAN N.A.’bottom right, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, New Jersey.$5,000-8,000

131 11-2065/1JEROME MYERS(american 1867-1940)“BLOSSOM TIME”Signed ‘JEROME MYERS 1928’bottom right, oil on canvas14 x 20 in. (35.6 x 50.8cm)provenance:Private Collection, New Jersey.$3,000-5,000

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132 121245/3JOSEPH SOLMAN(american 1909-2008)“CAT”Signed with initials ‘JS’ bottom right;also inscribed with title, dated, andsigned ‘CAT 1960 / by / J. Solman’verso, oil on board12 x 20 in. (30.5 x 50.8cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500

133 121519/12OSCAR FLORIANUS BLUEMNER(american 1867-1938)“A CAT IN A BASKET”Signed with initials and dated ‘OFBFeb 6 ‘27’ bottom left, watercolorover pencil on paper9 x 7 3/8 in. (22.9 x 18.7cm) (sight)provenance:Private Collection, Bala Cynwyd,Pennsylvania.$2,000-3,000

134 121245/4WILLIAM ZORACH(american 1887-1966)ESTUARY WITH BOATSigned ‘W. Zorach’ bottom right, oilon panel7 9/16 x 14 1/8 in. (19.2 x 35.9cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500


135 121529/2EDWARD HENRY POTTHAST(american 1857-1927)“ROCKY PASTURE”Signed ‘E. Potthast’ bottom right;also titled and inscribed verso, oil oncanvasboard12 x 16 in. (30.5 x 40.6cm)provenance:Sotheby’s New York, sale ofFebruary 1, 1990, lot 172.Private Collection, California.literature:Chapellier Galleries, New York,1969, Edward Henry Potthast 1857 to1927, no. 44 (illus.)$30,000-50,000

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136 121455/2RAPHAEL SOYER(american 1899-1987)FEMALE NUDE STUDIESSigned ‘RAPHAEL SOYER’ bottomright, oil on canvas20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, New Jersey.$3,000-5,000

137 11-2288/2RAPHAEL SOYER(american 1899-1987)WOMAN WITH RED SWEATERSigned ‘RAPHAEL SOYER’ bottomright, oil on canvas20 x 16 in (50.8 x 40.6cm)provenance:Private Collection, Maryland.$2,500-4,000

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138 121516/2RAPHAEL SOYER(american 1899-1987)WOMAN SEATEDSigned ‘RAPHAEL SOYER’ bottomright, oil on canvas14 x 10 in. (35.6 x 25.4cm)provenance:Private Collection, Baltimore,Maryland.$2,000-3,000


139 11-2288/1MOSES SOYER(american 1899-1974)“DAVID BURLIUK PAINTING (THEIMPRESSIONIST)”Signed ‘M. SOYER’ bottom left, oil on canvas12 x 18 in. (30.5 x 45.7cm)provenance:Rabin & Kreuger Gallery, Newark, New Jersey.Private Collection, Maryland.$1,200-1,800

140 11-2494/1DAVID DAVIDOVICH BURLIUK(american/russian 1882-1967)BOATS IN A COVESigned ‘BURLIUK’ bottom left, oil oncanvasboard21 7/8 x 27 7/8 in. (55.6 x 70.8cm)provenance:Private Collection, Tennessee.$15,000-25,000

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141 121519/13WILLIAM SAMUEL HORTON(american 1865-1936)WINTER LANDSCAPE, POSSIBLYGSTAADTSigned ‘W.S. Horton’ bottom right,pastel on paper laid to paperboard18 1/2 x 24 1/4 in. (47 x 61.6cm)provenance:Private Collection, Bala Cynwyd,Pennsylvania.$1,200-1,800

142 11-2440/2WILLIAM WOODWARD(american 1859-1939)FRENCH OPERA HOUSE, NEWORLEANSSigned and inscribed ‘WmWoodward New Orleans’ bottomleft, and inscribed ‘FRENCH OPERAHOUSE’ bottom right, pastel onpaper13 3/4 x 9 1/2 in. (34.9 x 24.1cm)(image)provenance:Private Collection, Canada.$8,000-12,000

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143 121111/1ERNEST FIENE(american 1894-1965)“CORAL BEACH”Signed and dated ‘E Fiene 49’bottom left, oil on canvas36 x 48 in. (91.4 x 121.9cm)provenance:Private Collection, Texas.exhibited:‘Painting in the United States 1949,’Carnegie Institute, Pittsburgh,Pennsylvania, October 13 -December 11, 1949.$8,000-12,000

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144 121455/1ANTHONY THIEME(american 1888-1954)“THE SUN BREAK”Signed ‘A. Thieme’ bottom left; alsotitled verso, oil on canvas30 x 36 in. (76.2 x 91.4cm)provenance:John Hanna, Inc., Detroit, Michigan.Private Collection, Detroit, Michigan.Private Collection, New Jersey.note:This lot will be accompanied by abill of sale from John Hanna, Inc.,dated August 11, 1941.$7,000-10,000

145 121539/3HENRY MARTIN GASSER(american 1909-1981)AFRICAN-AMERICANS ON ACOUNTRY ROADSigned ‘H. GASSER’ bottom left; alsoinscribed ‘WILLIS ROAD’ verso,watercolor on paper10 3/4 x 15 in. (27.3 x 38.1cm)provenance:Private Collection, Maryland.$1,000-1,500

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146 11-5052/13ROCKWELL KENT(american 1882-1971)“TIERRA DEL FUEGO”Signed ‘Rockwell Kent’ bottom right,oil on panel15 1/2 x 20 in. (39.4 x 50.8cm)provenance:The Pew Estate, GladwynePennsylvania.note:This painting will be included in thecatalogue raisonné of Rockwell Kent’spaintings by Scott R. Ferris. We wishto thank Dr. Ferris for his assistancecataloguing this lot.$20,000-30,000

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147 11-8093/1ORVILLE BULMAN(american 1904-1978)“THE CAPTIVE”Signed ‘Bulman’ bottom right andsigned, titled and dated 1957 verso,oil on canvas20 x 22 in. (50.8 x 55.8cm)provenance:An Estate, Florida.$5,000-7,000

148 11-8093/4HENRY LAWRENCE FAULKNER(american 1924-1981)CHRIST THE FISHERMANOil on masonite9 1/2 x 7 1/2 in. (24.1 x 19.1cm)provenance:An Estate, Florida.$1,500-2,500

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149 11-8093/3HENRY LAWRENCE FAULKNER(american 1924-1981)UNICORNSigned ‘Faulkner’ bottom left, oil onmasonite19 7/8 x 9 7/8 in. (50.5 x 25.1cm)provenance:An Estate, Florida.$3,000-5,000

150 11-8093/2HENRY LAWRENCE FAULKNER(american 1924-1981)FIGURE WITH CANDLESigned ‘Faulkner’ bottom right, oil onmasonite9 1/2 x 6 3/8 in. (24.1 X 16.2cm)provenance:An Estate, Florida.$1,500-2,500

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151 121447/2CHARLES MORRIS YOUNG(american 1869-1964)“GENERAL MEADE’S HEADQUARTERS”Signed ‘Charles Morris Young’ bottom left, oil on canvas32 x 48 in. (81.3 x 121.9cm)provenance:Private Collection, Pennsylvania.note:The present painting depicts General George Gordon Meade’sheadquarters, the Lydia Leister House, during the Battle ofGettysburg. His headquarters were located along the TeneytownRoad in Gettysburg, Pennsylvania.$10,000-15,000

152 11-2382/4BEN KAMAHIRA(american 1925-2004)“BATHERS”Signed and dated ‘Kamahira ‘53’ bottom right with;MOTHER AND CHILDverso, oil on canvas22 1/4 x 26 in. (56.5 x 66cm)provenance:Woodmere Art Gallery, Chestnut Hill, Pennsylvania.An Estate, Pennsylvania.$1,500-2,500

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153 11-2419/4HUMBERT HOWARD(american 1915-1992)“THE YELLOW PEAR”Signed and dated ‘Humbert Howard/70’ upper right, oil on board4 3/4 x 6 in. (12.1 x 15.2cm)provenance:Private Collection, New Jersey.$1,000-1,500

154 121530/1JULIUS BLOCH(american 1888-1966)“CITY DWELLER”Inscribed with title and dated ‘1963’on upper stretcher verso, oil oncanvas24 x 20 in. (61 x 50.9cm)provenance:Ex-collection, Samuel L. Evans andthe American Foundation of NegroAffairs.Private Collection, New York.$2,500-4,000

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155 121519/2DORCAS COOKE DOOLITTLE(american 1901-1993)“PORTRAIT OF A WOMAN(MARGARET BRECKENRIDGE)”Oil on canvas12 x 10 in. (30.5 x 25.4cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Bala Cynwyd,Pennsylvania.$1,000-1,500


156 121111/2HENRY MCCARTER(american 1886-1942)“THREE WOMEN IN A GARDEN”Signed and dated ‘Henry McCarter22’ bottom right; also signed,inscribed, and dated ‘HenryMcCarter / Denver Col. / 22’ verso,oil on canvas28 x 26 in. (71.1 x 66cm)provenance:According to label verso, E.Richardson Tierry.Private Collection, Houston, Texas.exhibited:‘55 Works of Modern Art Owned inHouston,’ The Museum of Fine Arts,Houston, Houston, Texas, January12, 1947 - February 2, 1947.$4,000-6,000

157 121525/1ARTHUR BEECHER CARLES(american 1882-1952)FEMALE NUDE STUDYOil on paper18 1/8 x 21 5/8 in. (46 x 54.9cm)(sheet)provenance:The artist.Caroline Robin Carles.Private Collection, Philadelphia,Pennsylvania.To the present owner, circa 1990.Private Collection, Pennsylvania.$2,500-4,000

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PennsylvaniaImpressionists


158 121077/6FRANK F. ENGLISH(american 1854-1922)THE RETURN HOME, DUSKSigned ‘F.F. English’ bottom right,watercolor on paper22 x 32 in. (55.9 x 81.3cm) (sight)provenance:Private Collection, Rhode Island.$2,000-3,000

159 121441/1WILLIAM LANGSON LATHROP(american 1859-1938)“OYSTER BAY”Signed ‘W.L. LATHROP’ bottom right, oil oncanvas12 x 16 in. (30.5 x 40.6cm)provenance:Anderson Galleries, Chicago, Illinois.Ferargil Galleries, New York.Private Collection, Easton, Pennsylvania.By desent in the family to the present owners.Private Collection, Philadelphia, Pennsylvania.$2,000-3,000

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160 121541/1LAURENCE A. CAMPBELL(american b. 1939)“MORNING SUNLIGHT,WASHINGTON SQUAREPHILADELPHIA”Signed ‘Laurence A. Campbell’bottom right; also titled and datedverso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, New Jersey.$2,500-4,000


161 121518/2PAULETTE VICTORINE J. VANROEKENS(american 1896-1988)STILL LIFE WITH FLOWERSSigned and dated ‘P VAN ROEKENS29’ bottom right, oil on canvas14 x 13 in. (35.6 x 33cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.$2,000-3,000

162 121550/1SUSAN GERTRUDE SCHELL(american 1891-1970)“OUT OF THE GROUND”Signed ‘S. Gertrud (sic) Schell’bottom right, oil on canvas14 x 16 in. (35.6 x 40.6cm)provenance:The Woodmere Art Gallery,Chestnut Hill, Pennsylvania.$1,200-1,800

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163 128017/37LAURA D. STROUD (MRS.WESTRAY) LADD(american 1863-1943)“EARLY AUTUMN”Signed ‘Laura D.S. Ladd’ bottom left;also signed and inscribed with titleverso, oil on canvas16 x 18 in. (40.6 x 45.7cm)provenance:Private Collection, Virginia.$1,500-2,500


164 121151/1MARY ELIZABETH PRICE(american 1877-1965)“PATTERN OF FLOWERS AND LEAF I.”Signed ‘M. ELIZABETH PRICE’ bottomright; also inscribed and titled verso,mixed media with silver leaf on board18 7/8 x 23 3/4 in. (47.9 x 60.3cm)provenance:Private Collection, Seattle, Washington.$15,000-25,000

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165 121524/1ROY CLEVELAND NUSE(american 1885-1975)STILL LIFE WITH PEACOCKFEATHERSigned ‘R C Nuse’ bottom left, oil oncanvasboard24 x 18 7/8 in. (61 x 47.9cm)provenance:The family of the artist.Private Collection, Bucks County,Pennsylvania.$5,000-8,000

166 121539/1MAUDE DREIN BRYANT(american 1880-1946)MIXED FLOWERSSigned ‘Maud Drein’ bottom right;also with (partial) stretcher labels40 x 29 7/8 in. (101.6 x 75.9cm)provenance:According to partial label verso,Baltimore Museum of Art,Baltimore, Maryland.Private Collection, Maryland.$2,500-4,000

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167 121518/1ARTHUR MELTZER(american 1893-1989)“APPLE GREEN PORCELAIN”Signed and dated ‘Arthur Meltzer29’ bottom left; also signed andinscribed with title on label attachedverso, and in pencil on upperstretcher13 x 14 in. (33 x 35.6cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.$2,500-4,000


168 121549/1FREDERICK R. WAGNER(american 1864-1940)“MASTS, PHILADELPHIAWATERFRONT”Signed ‘F. Wagner’ bottom right, oilon canvas37 x 32 in. (94 x 81.3cm)$5,000-8,000

169 121532/1RICHARD GIBSONWEDDERSPOON(american 1889-1976)THE RED HOUSEOil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:The artist.Gift to the current owner’s mother.Private Collection, Pennsylvania.$4,000-6,000

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170 121537/3ROY CLEVELAND NUSE(american 1885-1975)“THE QUARRY AT RUSHLAND”Signed with initials and dated ‘RN /38’ bottom left, oil on canvas22 x 24 in. (55.9 x 61cm)provenance:Freeman’s sale of Fine American &European Paintings & Sculpture,June 23, 2002, lot 125.Jim’s of Lambertville, Lambertville,New Jersey.Private Collection, New Jersey.$15,000-25,000

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171 121538/1ANTONIO PIETRO MARTINO(american 1902-1989)REFLECTIONSSigned and dated ‘A. P. Martino -30’ bottom left, oil on canvas30 x 36 in. (76.2 x 91.4cm)provenance:Private Collection, Pennsylvania.$10,000-15,000

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172 11-2440/1EDWARD WILLIS REDFIELD(american 1869-1965)“EARLY MORNING SUNLIGHT, SPRING”Signed ‘E.W. Redfield’ lower right; also inscribed ‘Early Morning Sunlight, Spring$5,000’ in pencil on upper stretcher, oil on canvas50 x 56 in. (127 x 142.4cm)In an original Harer frame.provenance:The artist.Walter Teagle of the Standard Oil Company.By descent in the family to the current owner.Private Collection, Canada.note:This work depicts the identical scene by Redfield depicted in his 'Spring Morning.'Which is illustrated in Charles V. Wheeler, Redfield, Washington D.C., 1925, n.p.'Early Morning Sunlight, Spring' is one of several spring scenes that Redfielddepicted at Point Pleasant, Pennsylvania, where he had maintained a studio. PointPleasant is located a short distance north of the artist's residence at Center Bridge,Pennsylvania. Although a rare few spring scenes were painted earlier, the artistbegan to favor spring scenes in the late teens. This scene was executed near RiverRoad, which parallels the Delaware Canal and River. The canal is to the viewer's leftand the river is depicted toward the center. Although Redfield was particularlynoted for his snow scenes, his spring scenes also became particularly prized. Thetechnique used, with very thick impasto, is typical. ‘Early Morning Sunlight, Spring’is a fine example, and the size of this work, measuring 50 x 56 inches, is his largest.The present work will be included in the forthcoming catalogue raisonné which isbeing prepared by Tom Folk. $300,000-500,000


173 11-2244/2WALTER EMERSON BAUM(american 1884-1956)“SELLERSVILLE STREET”Signed ‘WE BAUM’ bottom right;also signed and inscribed with titleverso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

174 11-2244/3WALTER EMERSON BAUM(american 1884-1956)“SENE (SIC) NEARTRUMBAUERSVILLE PA”Signed ‘WE BAUM’ bottom left; alsosigned and inscribed with title verso,oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

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175 11-2244/1WALTER EMERSON BAUM(american 1884-1956)“FLOWERS”Signed ‘WE BAUM’ bottom left; alsosigned, inscribed with title anddated ‘1946,’ oil on canvas17 x 14 in. (43.2 x 35.6cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


176 11-2286/2ANTONIO PIETRO MARTINO(american 1902-1989)MANAYUNKSigned ‘Antonio P. Martino’ bottomright, oil on canvas13 x 20 in. (33 x 50.8cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

177 121440/2GIOVANNI MARTINO(american 1908-1988)“HOUSES ON TOWER STREET(GREEN LANE)”Signed and dated ‘Giovanni Martino‘95’ bottom left, oil on canvas22 x 30 in. (55.9 x 76.2cm)provenance:Private Collection, Pennsylvania.exhibited:National Academy of Design,Annual Exhibition, (n.d.).$5,000-8,000

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178 121440/1GIOVANNI MARTINO(american 1908-1988)“FIRST SNOW”Signed ‘Giovanni Martino’ bottomleft, oil on canvas20 x 36 in. (50.8 x 91.4cm)provenance:Private Collection, Pennsylvania.$5,000-8,000


179 11-2385/1FERN ISABEL COPPEDGE(american 1888-1951)“SNOW COVERED VALLEY”Signed ‘Fern I Coppedge’ bottomleft; also signed and inscribed withtitle on label verso, oil on canvas30 1/8 x 30 1/8 in. (76.5 x 76.5cm)provenance:Private Collection, Pennsylvania.$40,000-60,000

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180 121537/2FERN ISABEL COPPEDGE(american 1888-1951)“WOODLAND BROOK”Signed ‘Fern I Coppedge’ bottom center;also signed and inscribed with title in pencilon upper stretcher verso, oil on canvas20 x 18 in. (50.8 x 45.7cm)provenance:Private Collection, New Jersey.$40,000-60,000

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181 121553/1JOHN FULTON FOLINSBEE(american 1892-1972)“HIGH RIVER”Signed ‘John F. Folinsbee’ bottom right; also inscribed with title on upper stretcher, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection.The Estate of the Artist to 1977.Newman Galleries, Philadelphia, Pennsylvania.Private Collection, Pennsylvania.exhibited:‘96th Annual Exhibition,’ National Academy of Design, New York, New York, November 9 -December 18, 1921.‘Paintings by John Folinsbee,’ Ferargil Gallery, New York, New York, March 1922.‘8th Annual Exhibition of Paintings by American Artists,’ Detroit Institute of Arts, Detroit,Michigan, April 11 - May 31, 1922.‘11th Annual Exhibition of Selected Paintings by American Artists,’ Toledo Museum of Art,Toledo, Ohio, June - August, 1922.‘Association of American Painters & Sculptors Annual Exhibition,’ Grand Central Galleries, NewYork, New York, February 1923.‘John Folinsbee,’ Carson, Pirie & Scott, Chicago, Illinois, February 1926.‘John Folinsbee and American Modernism,’ Woodmere Art Museum, Philadelphia, Pennsylvania,November 6, 2010 - March 6, 2011.note:This work is included in the catalogue raisonné of John Folinsbee’s work by the Folinsbee Art Trustas catalog number JFF.335.“By 1921, Folinsbee had won a number of awards at the National Academy, including Second andThird Julius Hallgarten prizes in 1916 and 1917 respectively. Along with his friend Harry Leith-Ross, many critics considered Folinsbee to be the heir to the American Impressionist and Tonalisttradition, particularly as practiced his former teachers, Frank Vincent DuMond and BirgeHarrison, as well as by the older artists of the New Hope colony: Edward Redfield, Daniel Garber,and Charles Rosen. Folinsbee’s reputation was also growing nationally, through annualexhibitions at museums such as those in Detroit, St. Louis, Chicago, and Houston, which wereknown for their continued support of American Impressionism despite growing interest in newforms of art. In 1921 Folinsbee won three prestigious awards: the Carnegie Prize at the NationalAcademy of Design Winter exhibition and the Corcoran Gallery’s Bronze Medal for JerseyWaterfront (JFF.517), the William Clark Purchase Prize at the Corcoran Gallery for Grey Thaw(JFF.814), and the J. Francis Murphy Prize at the National Academy’s annual for this painting,High River.With its complex and dynamic composition, High River illustrates Folinsbee’s continued interestin Japanese design, which he had begun studying in 1912 while working with Herbert Faulkner inWashington, Connecticut. The painting’s cropped view of the New Hope Bridge and the sinuoustrunks and branches of the trees lining the Delaware River are reminiscent of Ando Hiroshige’sseries One Hundred Famous Views of Edo. The scene also suggests the influence of Garber andRosen, both of whom painted similar views of the Delaware River.Even this early in his career, Folinsbee was well known for his scenes of the Delaware River andthe industrial buildings lining its banks and the bridges spanning the river, but High River givesthe viewer a much more intimate perspective. Its focus is not the bridge itself, but rather thereflection it creates in the rippling water of the Delaware on a lazy summer day. His primaryinterest in the subtleties of the changing effects of light and color not only draws the viewer in tothe work, but also lends the painting a much more universal appeal, transforming the view fromanother Delaware River scene, and placing it instead in the broader context of Americanimagery.” (John F Folinsbee Catalogue Raisonne Project)$50,000-80,000

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182 121537/1EDWARD WILLIS REDFIELD(american 1869-1965)“AETNA VALLEY”Signed ‘E.W. REDFIELD’ bottom right; also signed and inscribed with title onstretcher verso, oil on canvas26 x 32 in. (66 x 81.3cm)provenance:The Estate of the artist, distributed among his heirs.Chosen by Edward Redfield, his grandson, choice #63, 1975.Private Collection, New Jersey.

exhibited:'Exhibition of Paintings by Edward Redfield and Edmund Tarbell,' theCorcoran Gallery of Art, Washington D.C., April 25- May 21, 1918, cat. no. 3.'Catalogue of Paintings by Edward W. Redfield,' Memorial Art Gallery,Rochester, New York, April 1919, cat. no. 118 (priced at $2500.00).'Catalogue of Paintings by Edward Redfield,' Art Club of Philadelphia,November 17- December 5, 1920, cat. no. 23.'A Retrospective Exhibition of the Work of the Great AmericanImpressionist,' Edward Willis Redfield, March 31- May 13, 1973, cat. no. 15.Memorial Exhibition, Bucks County Conservancy, June 19- July 6, 1975.note:This work will be included in the forthcoming catalogue raisonné on EdwardRedfield, being compiled by Tom Folk.$60,000-100,000


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183 121537/6DANIEL GARBER(american 1880-1958)“THE KIMBALL FARM”Signed ‘DANIEL GARBER’ bottom center, inscribed with title,numbered and dated ‘27 S / 1915’ verso, oil on board9 3/8 x 10 in. (23.8 x 25.4cm)Painted in early summer, 1915.provenance:The artist.To the Estate of the artist, 1958.Tanis Garber Paige, by 1989.Private Collection.Private Collection, New Jersey.

exhibited:Art Alliance 1918 DG, cat. no. 6.literature:Humphries, Lance, Daniel Garber Catalogue Raisonné pub. Hollis TaggartGalleries, New York, New York, 2006; vol. II, p. 115, under cat. no. P340(illus.)note:The present work is recorded in Artist’s Record Book III, p.185, number 27 S.,‘Painted in 1915 on Kimbal[l] Hill above my home in Lumberville. An earlyafternoon effect in early summer. The Old Kimbal[l] Farm is suggested indistance. Sky is mostly white.’$30,000-50,000


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184 121552/1WALTER ELMER SCHOFIELD(american 1867-1944)WINTER THAWSigned and dated ‘W.E. Schofield 97’bottom left, oil on canvas32 x 29 1/2 in. (81.3 x 100.3cm)provenance:Alexander McCune, Philadelphia,Pennsylvania.Private Collection, SouthernCalifornia.J.C. Ames Auctioneers.Private Collection, Florida.$20,000-30,000


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185 121537/4CLARENCE RAYMOND JOHNSON(american 1894-1981)“THE FARM”Signed ‘C Johnson’ bottom right, oilon canvas24 3/4 x 30 in. (62.9 x 76.2cm)provenance:Jim’s of Lambertville, Lambertville,New Jersey.Private Collection, New Jersey.$25,000-40,000


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186 11-2320A/1ROY CLEVELAND NUSE(american 1885-1975)RUSHLAND, PENNSYLVANIASigned with monogrammedsignature bottom left, oil on canvaslaid on board11 7/8 x 15 3/4 in. (30.2 x 40cm)provenance:The artist.Private Collection.By descent in the family to thepresent owner.Private Collection, Bucks County,Pennsylvania.$4,000-6,000

187 121549/2GIOVANNI MARTINO(american 1908-1988)“WINTER MANAYUNK”Signed and dated ‘M. Giovanni 32’bottom left, oil on canvas30 x 36 in. (76.2 x 91.4cm)$6,000-10,000


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188 121537/5WALTER ELMER SCHOFIELD(american 1867-1944)“ROCKY COAST”Signed ‘Schofield’ bottom left, oil onpanel12 x 14 in. (30.5 x 35.6cm)provenance:Private Collection, New Jersey.$8,000-12,000


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189 121517/1WALTER EMERSON BAUM(american 1884-1956)HOUSE IN THE SNOWSigned ‘W E Baum’ bottom left, oilon canvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Florida.$3,000-5,000

191 12-1120/13ANTONIO PIETRO MARTINO(american 1902-1989)“MANAYUNK WINTER”Signed ‘Antonio P. Martino’ bottomright; also titled on stretcher,unframed27 x 36 in. (68.6 x 91.4cm)provenance:Private Collection, New York, NewYork.$6,000-10,000

190 12-1120/12ANTONIO PIETRO MARTINO(american 1902-1989)“FLEMING STREET, WINTER”Signed ‘Antonio P. Martino’ bottom centerright; also signed and titled on stretcher, oil oncanvas, unframed30 x 45 in. (76.2 x 114.3cm)provenance:Private Collection, New York, New York.exhibited:‘116th Annual Exhibition,’ National Academy ofDesign, New York, New York, April 8-May 16,1942.$4,000-6,000


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192 11-2320A/2ROY CLEVELAND NUSE(american 1885-1975)“CLOUD SHADOWS”Signed with initials ‘RN’ bottom right, oil on canvas20 x 22 in. (50.8 x 55.9cm)provenance:The artist.To the present owner’s family.By descent in the family to the present owner.Private Collection, Bucks County, Pennsylvania.$10,000-15,000

END OF SALE


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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


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Alken, H., 49, 50Allston, W., 76

Baum, W. E., 173, 174, 175, 189Birch, S. J. L., 25Bloch, J., 154Bluemner, O. F., 133Braun, M., 122Bricher, A. T., 80, 81Briscoe, F. D., 100, 101, 102, 103,

104, 105British School, 39Bryant, M. D., 166Bulman, O., 147Burliuk, D. D., 140Burne-Jones, E., 23

Campbell, L. A., 160Carles, A. B., 157Champney, B., 85, 87Chartrand, P., 71Cole, T., 79Coppedge, F. I., 179, 180Costa, G., 4Costigan, J. E., 130Cropsey, J. F., 77

D'Acosta, H. W., 15De Breanski, Sr., A., 22De Toulouse-Lautrec, H., 32Del Campo, F. P., 2Del Prado, M. N., 72, 73Delacroix, E., 29Dodd, R., Attributed to, 27Dommersen, C. C., 10Doolittle, D. C., 155Duprat, A. F., 8

Elwell, R. F., 70Emms, J., 60English, F. F., 158Enneking, J. J., 124, 125

Faulkner, H. L., 148, 149, 150Fery, J., 115Fiene, E., 143Folinsbee, J. F., 181Fong, L., Attributed to, 28Frieseke, F. C., 128, 129Frishmuth, H. W., 78Fromentin, E., 13

Garber, D., 183Gasser, H. M., 145Gaubault, A.-É., 7Gerry, S. L., 83Gillies, W. G., 24

Hambourg, A., 18Hamilton, J., 106Hammitt, C. S., 107, 108Hardy, H., 59Henderson, C. C., 43Henri, R. F., 127Herring, Jr., 58Herring, Sr., B., Attributed to, 57Herzog, H., 94, 97Hill, T., Attributed to, 86Hill, T., 116Horton, W. S., 141Howard, H., 153

Johnson, D., 82Johnson, C. R., 185

Kamahira, B., 152Keith, W., 114Kent, R., 146Knight, D. R., 96Kowalski, L. F., 14

Ladd, L. D. S., 163Lambdin, G. C., 111Lathrop, W. L., 159

Index

Lefler, F., 9Lyne, M., 61, 62, 63Lynwood, J., 47

Maggs, J., 44Manzana-Pissarro, G., 17Marshall, B., 53Martino, A. P., 171, 176Martino, G., 177, 178, 187Martino, A. P., 190, 191Mason, A. P., Attributed to, 31Mccarter, H., 156Mccaw, T. J., 26Meltzer, A., 167Moeller, L. C., 112Munnings, Sir A., 40, 41, 42Murphy, J. F., 113, 123Myers, J., 131

Nardi, F., 19Newcomb, M. G., 67Nuse, R. C., 165, 170, 186, 192

Osthaus, E. H., 68Palmer, A. E., 48Paul, J., 46Paxson, E. S., 119Peña, A. X., 74, 75Phelps, W. P., 88, 89, 90, 91, 92, 93,

95Phillips, B. G., 120, 121Pissarro, P. E., 20, 21Pollard, J., 45Pomi, A., 1Potthast, E. H., 135Price, M. E., 164

Ramsey, M., 110Redfield, E. W., 172, 182Rivière, T. L. A., 3Rowlandson, T.,

Sadler, W. D., 5Sartorius, J. N., 51, 52, 54, 55Schell, S. G., 162Schofield, W. E., 184, 188Scott, Sir P. M., 64, 65Seymour, J., 33, 38Shapleigh, F. H., 84Solman, J., 132Soyer, R., 136, 137, 138Soyer, M., 139Stull, H., 69

Tait, A. F., 34Tanner, H. O., 99Thieme, A., 144

Van Roekens, P. V. J., 161Vermont, N., 16Vernet, A. C. H., 30Veron-Fare, J. H., 6Verveer, E., 6Vonnoh, R. W., 126Vuillard, E., 12

Wagner, F. R., 168Walker, W. A., 98Weaver, T., 56Wedderspoon, R. G., 169Wieghorst, O. C., 117, 118Winner, W. E., 109Woodward, W., 142Wright, G., 66

Young, C. M., 151

Zorach, W., 134


Purchase removal, shipping andoffsite storage information

VG Packaging LLCContact: Gordon G Murray II12 Salem RoadSchwenksville, PA 19473Tel: 484-552-8741Fax: [email protected]

UPS StoreContact: John Bohach51 North 3rd StreetPhiladelphia, PA 19106Tel: 215.629.4990Fax: 215.629.4992Email: [email protected]

Mr. C’sContact: Charles CohenTel: 267.977.9567Email: [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104Tel: 718.706.7999Fax: 718.707.2847Email: [email protected]

Craters & Freighters4110 Butler Pike, Suite A-101APlymouth Meeting, PA 19462Tel: 610.397.0488Tel: 866.397.0488Fax: 610.397.0878Email: [email protected].

Mastrocco Jr. Moving & StorageContact: Roseanne1060 Louis DriveWarminster, PA 18991Tel: 215.491.0346Fax: 215.444.9327Email: [email protected]

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163Tel: 212.715.0629Fax: 718.361.8569Email: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA 19144215.842.3500

To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours areMonday - Friday, 9:30 - 4:30pm. For larger items, please email [email protected] to schedule a loading dock appointment. For purchaserelease to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successfulbidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’sclients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Mizzentop ETS1409 Beaver Valley PikeP.O. Box 196Refton, PA 17568Tel: 717.786.8809Fax: 717.786.2978Email: [email protected]

Old City MoversContact: John Ziemba1324 North 4th StreetPhiladelphia, PA [email protected]

The Packaging StoreContact: Duane Freed2333 West Main StreetLansdale, PA 19446Tel: 215.361.6940Fax: 215.361.6941Email: [email protected]

FURNITURE & LARGER ITEMS:For larger pieces where delivery time is not theprimary concern, we suggest getting your itemsfreighted:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com.

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free≤an’sfine american & european paintings & sculpture

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Auction: Monday, June 4th at 12 noon

w ww . f r e em a n s a u c t i o n . c om

Inquiries:kate waterhousedirect tel: [email protected]

madeline corcoran mccauleydirect tel: [email protected]

samuel (beau) m. freeman iidirect tel: [email protected]

ExhibitionsThursday, May 31stFriday, June 1stSaturday, June 2nd Sunday, June 3rd

Please contact the department or www.freemansauction.com for further details

Catalogue $20

Fine Jewelry & Watches 06/04/12including the Ann B. Ritt Collection

Lady’s platinum, emerald anddiamond suite by Mauboussin.

$28,000-42,000 (£17,500-26,250)To be offered separately

FREEMAN’S

1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275


www . f r e em a n s a u c t i o n . c om

Photographs & Photobooks 09/19/12

NICK BRANDT (british b. 1966) "ZEBRA ON LAKE, NGORONGORO CRATER"2005, edition 11/25. Pigment print.28 x 22 in.$6,000-8,000

Currently seeking consignmentsContact:aimee pfliegerdirect tel: [email protected]

Upcoming atFreeman’s


Auction:Thursday, May 31stat 10am

Upcoming atFreeman’s

www . f r e em a n s a u c t i o n . c om

Inquiries:david bloomtel: [email protected]

kerry-lee jefferytel: [email protected]

ExhibitionsTuesday, 29th MayWednesday, 30th May10am to 6pm

Catalogue $20

Books, Manuscripts, Maps, Posters &Ephemera 05/31/12

Hand-Colored Engraving withAquatint and Etching. Audubon,John, James. “Snowy Owls.”London: R. Havell, 1831. [Plate 121,Birds of America, London, 1827-1838].$70,000-100,000

One of ten Audubon folios to besold.


“One of thetop 100 hotelsin the world”

Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proudto announce our new partnership with Freeman’s. We are pleased to offerFreeman’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.215-790-2541, [email protected]


Fine Paintings Thursday, 31st May, 201233 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

AUGUSTUS JOHN O.M., R.A.(WELSH 1878-1961)MAGNOLIASigned, oil on canvas

91cm x 71cm (36in x 28in)

£20,000-30,000 ($32,000-48,000)

Viewing timesSunday 27th May 2pm - 5pm Monday 28th May 10am - 5pm Tuesday 29th May 10am - 5pm Wednesday 30th May 10am - 5pmMorning of Sale by appointment only

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% thereafter.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


absentee bidding form

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: [email protected] www.freemansauction.com

sale no bidder no

name business name

address

city state

zip code e-mail

phone (h) phone (w) fax

resale / tax identification state

25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on the portion of the hammer price exceeding $1,000,000. All lots.must be paid for and removed within 5 days.

lot no description maximum bid

bank reference

bank name account n0

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

(signature required to execute your bids)

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached




$1,000until $30,000 is reached



over $100,000auctioneer’s discretion


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depart≤ents

Appraisalssa≤uel ≤ free≤an iijames e buckleydonald e walter

Appraisal Servicesnatalie difeliciantonio

Consignmentssamuel h cooperjames e buckley

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrolljessica carterbethany mobbssusannah mcgovernbridgette bonnermallory malkasianjocelyn olsen-accad

Operationsnathan norleygerald lightfootmarlon glovermichael fredricksandrew zajackgerald davisalex hampshire

Financejeffrey miller

Business Development & ≤arketingtara theune davisthomas b. mccabe ivmary knappchristopher browne

Trusts & Estatessamuel t freeman iiithomas b. mccabe ivnatalie difeliciantonioholen mile lewis

Photographyelizabeth fieldelizabeth schultzthom clark

officers

chair≤ansamuel ≤ freeman ii

vice chair≤anmargaret d freeman

vice chair≤analasdair nichol

presidentpaul roberts

chief operating officerhanna dougher

executive vice presidentja≤es e buckley

senior vice presidentdavid weiss

chief financial officereric a smith

vice presidentsdavid j bloom lynda a cainanne henryrobert waterhousesamuel t. freeman iiikate waterhouse

representativesdavid weissWashington, [email protected]: 202.412.8345

colin clarkeCharlottesville, [email protected]: 434.296.4096Fax: 434.296.4011

kelly wrightBoston, [email protected]: 617.367.3400

robert and kate waterhouseAnnapolis, [email protected]: 267.414.1226

john jonesMountain Brook, [email protected]: 205.803.4949

Directory

Old Master Paintings & Works of Artdavid weissmaya o’donnell-shah

Photographs & Photobooksaimee pflieger

Modern & Contemporary Artanne henryalasdair nichol david weissaimee pflieger

Pop Culturesimeon lipman, consultantkerry-lee jeffery

Oriental Rugs & Tapestriesrichard cervantesdavid weiss

Rare Books, Manuscripts, & Ephemeradavid j bloomkerry-lee jeffery

specialist departments

American Furniture, Decorative & Folk Artlynda a cainsamuel ≤ free≤an iiamy parentiwhitney bounty

American Silversamuel ≤ free≤an iiamy parenti

Asian Artsrobert waterhouserichard cervantestianhan gao

English & ContinentalFurniture, Silver & Decorative Artsdavid walkerbenjamin fishernicholas clarke

Fine Jewelrykate waterhousesamuel ≤ free≤an iimadeline mccauley

Fine Paintings & Sculpturealasdair nichol david weissmaya o’donnell-shahaimee pflieger

Fine Printsanne henrydavid weissaimee pfliegermaya o’donnell-shah


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fine american & european paintings

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