field report - iasteiaste.berkeley.edu/pdfs/05.1f-fall93hadjri-sml.pdf · algeria; the second was...

10
Fie Re p o T D S R V O L . V N O . 1 9 9 3 6 5 - 7 4 VERNACULAR HOUSING FORMS IN NORTH ALGERIA K A R I M H A D J R I The paper exanlines vernacular hOllsing fanns in north Algeria to identify COlnnl0n charac- teristics which nlay be lIsed in the design of new housing. For 1l10re than cwo decades the Algerian governl11ent has been using foreign designs i n the cons truction of large-scale housing developnlents. In addition, self-builders have been utilizing French house-design cOlnponents in their projects. This new hous ing is not fulfilling residents' social and cultural requireInenrs, sllch as their need for privacy. New hOllse designs are needed based on the Inain tradi tional requirenlenrs of daily life, as adapted to ITIodern conditions. This examination of vernacular housing in north Algeria shows that there are three cllstonlary cOlnponents in house designs: rhe sqifa entrance, the west-ed-da1' (courtyard), and the nlliItifuncrional rOOln or bit. KARIM HADJRI recently completed a Ph.D. ill Architectllre dealing with hOllSing design alld comtmctioll at Oxford Brookes University, Oxford. u. K. Over the course of the twentieth century the Algerian popu- lation has experienced dramatic changes to i ts way of life and its built environment. The population, once predominantly rural, had become largely urbanized by the end of the French colonial period in 1962. This dramatic change obliterated the balance between rural and urban ways of life. The s hift from rural to urban was in part brought on by the Algerian War (1954-1962), during which about 8,000 villages were destroyed, forcing most rural people - some three million in al l - to seek refuge in bidonvies (shanty towns) near large towns and cit ies. This experience has considerably influenced a new Algerian generation's perception of the traditional way of life and suitable housing forms.' This paper deals w ith t he search for aspects ofvernacular hous- ing in north Algeria that may provide new common patterns for contemporary house design. It briefly summarizes prominent political, social and cultural impacts on the continuity of ver- nacular forms. It then examines the histOrical development of

Upload: dinhque

Post on 14-Sep-2018

213 views

Category:

Documents


0 download

TRANSCRIPT

Field Report

T D S R V O L . V N O . 1 9 9 3 6 5 - 7 4

VER NACU LAR H O U S I N G FO R M S I N N O RTH ALG E R IA K A R I M H A D J R I

The paper exanlines vernacular hOllsing fanns in north Algeria to identify COlnnl0n charac-

teristics which nlay be lIsed in the design of new housing. For 1l10re than cwo decades the

Algerian governl11ent has been using foreign designs in the cons truction of large-scale

housing developnlents. In addition, self-builders have been utilizing French house-design

cOlnponents in their projects. This new hous i ng is not fulfilling residents' social and cultural

requireInenrs, sllch as their need for privacy. New hOllse designs are needed based on the Inain

tradi tional requirenlenrs of daily life, as adapted to ITIodern conditions. This examination of

vernacular housing in north Algeria shows that there are three cllstonlary cOlnponents in house

designs: rhe sqifa entrance, the west-ed-da1' (courtyard), and the nlliItifuncrional rOOln or bit.

KA RIM HADJ RI recently completed a Ph.D. ill Architectllre dealing

with hOllSing design alld comtmctioll at Oxford Brookes University, Oxford. u. K.

Over the course of the twentieth century the Algerian popu­lation has experienced dramatic changes to its way of life and i ts built environment. The population, once predominantly rural, had become largely urbanized by the end of the French colonial period in 1962. This dramatic change obliterated the balance between rural and urban ways of life . The shift from rural to urban was in part brought on by the Algerian War

(1954-1962), during which about 8,000 villages were destroyed, forcing most rural people - some three million in all - to seek refuge in bidonvilles (shanty towns) near large towns and

ci ties. This experience has considerably influenced a new Algerian generation's perception of the tradi tional way of life and suitable housi ng forms. '

This paper deals w i t h t h e search for aspects o f vernacular hous­

ing in north Algeria that may provide new common patterns for contemporary house design. It briefly summarizes prominent political, social and cultural impacts on the continuity of ver­nacular forms. It then examines the histOrical development of

66 • T D S R 5 . 1

housing i n north Algeria to identify possible vernacular housing components. The suitability of such components was i nves­tigated through a survey by q uestionnaire in Oran.

CHANGES IN VERNAC U LAR HOUSING FORMS

At the end of the colonial era in Algeria the French adm inis­tration attempted to improve the housing conditions of Algerians by building new social housing as part of the Constantine Plan (I959-63) . This housing took two forms, either permanent or temporary. The former was intended for Algerians living in poor housing conditions in cities, and the latter was i ntended for people from bidonvilles awaiting better­quality social housing.

A major part of the French effort were regroupement camps,

designed and built by the French army in deliberate ignorance of trad itional ways of l ife and housing requirements. The army placed Algerians in these settlements without consult­i ng future residents about house type or community life . The army believed that by dominating and restricting housing space, i t could control Algerians, who would be forced to m igrate to the new settlements and leave their land behind. This tactic had an overwhelming impact on the traditional

way of life in the country.

Regroltpement not only destroyed the villagers' social l ife, it severed their natural link to a fam il iar built environment.

For example, regro1tpe17lent-camp dwelli ngs did not have court­yards. They were standardized to provide minimum space to

cook and sleep. And open spaces were shared by everybody, i ncluding women, who were obliged to collect water from a public fountain in the middle of the central square.'

At the same time that Algerian rural life was under assault, the thousands of Algerians who were sharing towns and cities with

Europeans were living in unhealthy and unsafe conditions, i .e. , in bidonvilles. The response by the French administration was to build new housing called cites de recasement. Most of this housing was designed by famous architects, e .g . , Simounet, Candilis, etc. Usually, a dwelling in a cite de recctsement had one room and a balcony. This has caused some critics to claim that dwellings

in bidonvilles actually offered more space and were more appro­priate. Nevertheless, most of the recasement housing, which was

originally i ntended to be temporary, is still occupied, some­times by its original occupants. This illustrates the current housing situation among the urban poor of the country.)

Another type of housing built by the French for Algerians was called million, and it was equally inappropriate. It consisted

mainly of high-rise social housing of a lower standard than the French minimum, both in terms of number of rooms, floor area, and services. Nevertheless, a great deal of this type of housing was built .

After independence many people living i n cites de reg1"OltpellteJZt

and million, and a large number from regroupement camps and rural areas, moved to the country's large towns and cities. Here

the demands of modern life were added to the list of social, economic and cultural constraints and difficulties they expe­rienced. A new generation of children born in l·egrOttpelllent

camps never became familiar with their parents' built environ­ments. Growing up in camp dwell ings, they were pleased by the French urban heritage. They saw it as an improvement on their housing conditions, although European housing forms conflicted with their inherited social and cultural traditions.

People from regrottpement camps were obviously not the only m igrants to cities. Other migrant populations came from farms and the mountains. Moreover, more than 300,000 refugees returned from Morocco and other neighboring coun­tries after i ndependence. ' A small number of Algerians were

also living in designated areas on the peripheries of cities and towns. All of these people moved i nto the centers of Algerian cities after the French left in I962. The effect of the sudden movement was dramatic.

For these people, the new housing, formerly occupied by the French, was totally alien in form to their way of life and sociocultural requirements. Since, this housing has undergone considerable change both inside and out, as attempts have been made to suit the new occupants' requirements. When a French apartment did not provide full fam ily privacy, or created dis­comfort (i .e. , when the housing was too hot or lacked adequate space) , the new occupants did not hesitate to permanently close balconies, divide large rooms, make new openings, and so on. But even these changes did not always fulfill their needs.

There has been a second impact engendered by the shift of the Algerian population to E uropean-designed housing. This is that the modern way of life has led to social segregation. Today people living in good-quality European housing in city centers are seen as belonging to an upper social class. As a

result, self-built housing has copied fash ionable aspects of older European designs, creating a new typology best known as "balcony houses . " Such trends in building persist despite the fact that the modification of European designs was first reported by Gottmann in I957, well before Algerian i nde­pendence. At that time Gottmann wrote that Algerians were having to brick up openings i n European houses not only to avoid light but to protect family privacy. '

After Algerian i ndependence the adoption of the French way

of life and the embracing of French housing became a symbol of modernity and progress. Unfortunately, only a few authors

have mentioned this impact of colonization. Amos Rapoport briefly points out that European housing, although inappro­priate to the indigenous way of l ife, was nevertheless popular among certain classes in North Africa because it reflected modern l ife and a raised sense of social status 6

VERNACULAR HOUSING IN NORTH ALGERIA

In 1982 Benmatti wrote of the need for a new effort to provide suitable low-cost housing in Algeria, based on an examination of what remained of the country's traditional housing ? He identified three types according to their location. The first was the medina type, mainly found in the large urban areas of north Algeria; the second was comparatively less u niform, found i n the semi urban and rural areas o f the north (e .g. , the Kabylie region); and the third category was a very heterogeneous type found in southern desert areas (FIG. 0.

For the purpose of this paper only north Algerian vernacular housing will be exami ned, that is, the housing of the Kasbah

of Algiers, the medina of Tlemcen, and Berber housing i n the Aures and Kabylie regions. Another type, called got/rbi, was widespread before and d uring the colonial period. It was a stone hut of poor quality used as temporary accommodation by nomads and migrating populations. Gottrbi dwellings were usually built next to tents, and had one or two rooms. The front room was for receiving guests, cooking and eating; the back room was for sleeping and storing food. Other types that were not quite as widespread, but which are nevertheless

worth mentioning, were cave and subterranean dwellings 8

KASBAH- AND M E D INA-TYPE HOUSING:

ALGIERS AND TLEMCEN

The word kasbah (also spelled casbah or kasaba) means "for­tress" or "citadel" ; it is a term typical of North Africa and Andalusia in Spain . The Kasbah of Algiers is the oldest part of the city.9 Apparently, before the comi ng of the Turks to Algiers i n 1516 the area was an Arab-Islamic medinct, unpro­

tected against military attacks. Later it was subject to many invasions, which reshaped it. However, i t still presents fea­

tures of the traditional urban design and architecture of north Algeria. The Kasbah is characterized primaril y by the absence of squares and large streets. Only a number of major narrow

streets connect to blind alleys leading to houses, public baths, mosques, and water wells or fountains (FIG. 2).

A.

B .

c . D.

E.

I. 2. 3 ·

4-5· 6.

K E Y

K E Y

DOORS:

Bab Djedid

Be/b AzolIJl

BClI; [f-BhClr

Bal; Djezi ret

BClI; El-Olled

PClICice of the Dey

KasbClb

NCl'vcd A OIlOJ),

H A D J R I . N O R T H A L G E R I A . 67

MED ITERRANEAN SEA

Algiers Annaba

G ,---2QOkm " ...... I ._�

Berher ctreels.

COltn/rief houudclries.

iV/Cljor cities emel towns .

Old Palace of tbe Dey

Big 111oJc/lle

ellstollls

Port

FIGURE I . (TOP) 1"IaJ} 0/ North A/ritel showing Berber aree/J. (orawillg ctlter

LebbClI. "Traditiollal Berber Architecture, " p. 25. )

FIGURE 2. (ABOVE) PlaJl of the Kasbah of Aigien. (Drawing (I/ter Leshet. La

Casbah c!'Alger, 1985. 1}. P )

68 • T D S R 5 . 1

Housing design i n the Kmbah is based on several key con­cerns, among which are climate, privacy inside the house, and protection against i ntrusion and housebreaking. In addition, wealth is sometimes expressed in the size and decoration of houses, although the architecture (and the facades in par­ticular) of Arabo-Islamic housing are traditionally very mod­est. Houses are also built to accommodate several households (the extended family) . This is why houses may have three stories and be composed of many rooms organized around a central courtyard. In such houses, there is only one entrance, through a sqifa (meaning a closed and covered space or en­trance lobby, where there is a bench). This space is normally accessible either from an outside corridor called a driba, or di­rectly from a blind alley or a narrow street (FIG. 3).

The courtyard, the west-ed-dar, meaning "the center of the

house, " is a typical feature of medina-type housing. It is usu-

o 1) 20 30 40 50 l= 1QOm I

K E Y S

1. Entrcmfe from ({ street

2. ji-Olil " driba

3. ji-Olll a blilld "lIey

FIGURE 3. Accessibility to typiwl hOIlJeJ ill the Kasbah of Algier.r. (Drclwing

,,/tel' DelllZ, L'Urbanisme er I'archi recrure d'Alger, p. l3. )

ally surrounded by a covered gallery with arcades giving access to rooms. The gallery provides women with a place for do­mestic activities i n bad weather. Rooms in such a house type rarely have openings to the outside; instead, the courtyard ptovides both sunlight and ventilation.

Rooms in medina-type housing have different names accord­

ing to their location and their main use. Three rooms usually occupy the first floor and are called ghoraf (plural of ghOi/ct,

meaning "room") . They are connected to a large corridor (es­him) which overlooks the west-ed-dar. On the second floor there are other rooms call m'nazeh (plural of menze/h, which means "distant room") . These are arranged in a similar way

to the ghoraf, but because they receive considerable sunlight and dominate the house, they are i n the best position. Finally,

the house i ncludes a roof terrace, largely used by women to

dry clothes, look at the sea and the townscape, and meet their neighbors. Additionally, some houses have wells in the court­yard, and orhers have djeb, a tank which collects rainwater for washing clothes, cleaning floors, etc. (FIG. 4).[0

Physical characteristics of the site of the Kasbah of Algiers have considerably influenced its built form. Its steep slope forced its builders to rely on stairs and nartow, winding streets. Only

pedestrians are able to enter (except that when the streets are flat, animals may be used for transport). Commercial activi-

G RO UND F L O O R PLAN CROSS SECTION I - I

K E Y S

I . Sgifa

2. West-ed-Dar

4- Covered gelllery

5. Terrace

3. "OOIll (bit)

FIGURE 4. An exawple of a traditional hottSe ill the Kasbah of /\Igier.r. (SONne:

A telier de leI Casb"h, 1980, /). 8;. )

t ies can only be fou nd along the main streets leading to its

fortified doors. Originally, houses in the Kasbah were built following strict building regulations established by the city's rulers and dating to the fourteenth century . These regula­tions concerned the fact that every house should face the sea and have a roof terrace. "

Such uniformity is no longer t h e case, however. Severe over­

crowding and the demand for additional housing space has led to anarchic extensions. In addition, the KaJbah is under serious threat due to physical decay, lack of maintenance, and frequent inadequate building expansion or subdivision. These conditions became so dramatic that UNESCO was called in to

help the Algerian government restore this valuable piece of urban heritage. The results of this initiative are not known yet, however, it seems that the government intends to move

inhabitants out of some parts of the Kasbah. These parts will be considered a protected cultural heritage and wil l be reno­vated as a tourist attraction.

Some exceptional examples of 17ledina- or kasbah-type housing can still be found in the cities of Tlemcen, Algiers and Con­stantine. The Kasbahs of Algiers and Constantine resulted

from a combination of Arab-Islamic urban design and Otto­man architecture. Tlemcen's medina, on the other hand, pre­served its original Arab-Islamic character. B .S. Hakim writes that "Tlemcen is unique in Algeria as one of the few towns to have preserved certain features of its celebrated pre-colonial past ."" These features are mainly historic monuments, mosques, and palaces which date to medieval times. To a lesser degree these i nclude houses within a medina.

Tlemcen's history dates to the seventh century. It expanded very quickly and flourished during the medieval period . Tlemcen was a prominent town especially in terms of cultural, religious, commercial and political activities. For these rea­sons, it was protected against invaders by fortified walls and was accessible only through three protected doors.

The coming of the Ottomans to Algeria had disastrous effects on the development ofTlemcen. To begin with, it lost much of its importance to coastal towns like Algiers and Oran, which were favored and expanded u nder Ottoman rule. It was further damaged after the coming of the French, who obliterated its existing built environment and erected the customary buildings of their occupation, which later came to dominate its townscape.'J Little research has been done on vernacular architecture in north Algeria, especially its medinc/­

type architecture. But a quick glance at Tlemcen's plan helps

one understand the medina and i ts hOLising as a general con­cept (FIG. 5).

As one can see in the example of Tlemcen , the meelina is a network of narrow winding streets that lead to narrower alleys which connect to private houses. Public spaces and buildings (ed ucational , religious and pol itical) are well defined, and located in specific areas . The need for family privacy and protection against i ntruders or strangers - mainly to protect the women - further led to the adoption of a strict h ierarchy

of space from public to private: this extended from public space (the market), to main streets, alleyways, the front door, the sqijct, the west-eel-elm', and the individual rooms of the house.

The sqijcl plays an important role in this hierarchy. It is a well­decorated transition space one passes through before entering the remainder of the house (FIG. 6). Decoration, furniture, light, and view into the courtyard all provide a homey feeling

H A D J R I : N O R T H A L G E R I A . 69

here. Sometimes the sqifa has, besides a front door (the main feature of a house's exterior elevation and a frontier between the public and private environments), a second door opening on to the courtyard. The sqifa is also used as a room where male guests are received.

By contrast, the west-ed-dm- is regarded as the center of the house. It is where most domestic, social and cultural activities take place. This is an enclosed space, totally private and traditionally reserved for women. However, nowadays men equally share the pleasure of socializing, eating, and even sleeping ( in the hot season) in this courtyard. In hot climates the west-eel-dar improves thermal comfort inside the house, and it is a source of daylight, water, and fresh air. It also symbolizes fam i ly u nity and modulates daily activities; it is in west-ed-dar that most family activities and wet domestic activities take place. During the day all rooms are opened onto it. During the summer the rooms may also be left open to the courtyard to gather the breeze.

Rooms in the medina-type house are commonly called biottt

(plural of bit). They are multifunctional, especially in winter when domestic and social activities, normally undertaken i n west-eel-dar, may b e disturbed b y the weather (some domestic activities may still take place in the galleries around the courtyard) . Generally, the rooms are the place for receiving visitors, working, relaxing and sleeping.

There may be several types of relation between the medina-type house and the city, characterized by various levels of remote­ness. The house may be connected to the outside simply by a sqijct; it may be connected by a cl1-iba before entering the sqifa;

or it may be further removed from the street by a blind alley (REFER TO FIG. 3). Other arrangements may exist as a result of a combination of these types, but generally these are the most common. It can be noted that the blind alley and driba

are the expression of the need for strict space hierarchy and enclosure in Arab-Islamic urbanism.'"

THE BERBER HOUSE: SHAWIA AND KABVLE

A second type of indigenous hOLising in north Algeria is found in the region of Kabylie in the center of the northern

part of the country. It may also be found to the south of Algiers and in the mountain massif of the Aures in the

northeast. In this region it is very cold in winter and quite hot in summer. Beside the sociocultural requirements of housing form , the climate and the peculiar topography of the area - rocky mountains and steep slopes - have played a major role in determining house form .

70 • T O 5 R 5 . 1

K E Y S

l. Great Mosque

2. Petlace El Betli

3 · T achjilliet lJlCllllic School

4· Theatre

5· KaySJariya

6. Palace (ksar)

7· DClr El Hadith [s/cllnic School

8. Mosqlle of i'vlechotlar

9· Mosqlle of Sidi Bra him

FIGURE 5. (RIGHT) Urbcm Jtrllctllre ojTlelltceJl.

(Sollree: Wi/aya ofTlelllcell, 1987 )

FIGURE 6. (BELOW) TyjJicct/ hOllse plall ill

Tlemtell'J medina. (DrcllUing hy ellllhor. )

I.

K E Y S

l. Sgjfa

2. Kitchen / /?001ll

3· Toilet

4· /<00111

5 · West-ed-Dar

6. ExtcllSion for

Jtorcige

7· Storage room

According to Rapoport,'5 sociocultural factors are the princi­pal forces i nfluencing housing forms, whereas climatic and physical concerns may generally be related more to change and design improvement. However, in some instances, envi­ronmental conditions may be as influential as sociocultural principles. This has been the case for Berber housing. A crucial factor dictating the location of Berber towns has been a lack of water and fertile land. This has forced local popula­tions to build their v i llages on top of hills and cliffs to save

land for agriculture and prevent inundation of their settle­ments by flooded rivers during winter. Another aspect worth mentioning is that these people have been encouraged to build towns i n easily defended locations on account of i nter­tribal wars - as in the case of Ghardaia in the south .'6

There are two types of Berber housing: the Shawia type (that of Berbers of the Aures region), and the Kabyle type (that of

Berbers of the Kabylie region). The Shawia house has a flat roof and is built using mud bricks; only the foundations are of stones. It is common to find this type of house with two doors - one for people, the other for animals. However, when there is only one door, people and animals are segregated on the ground floor in the Jqifa. On the first floor there is a central room, the heart of the house, where there is a fireplace, weaving place (a stone bench), storage room, and water contained in goatskins. This area is also used to receive friends and family members and to sleep. The Shawia house may also contain a guest room, a storeroom for food and agricultural produce, and a roof terrace mainly used by women (FIG. 7).'7

Each Shawia house is surrounded on two or three sides by other houses or by rocks. Most of the time the rock is used as a back wall to save on building materials. The house is nor­mally large enough to accommodate all family members. Some houses have two or three stories, allowing for separate dwell­i ngs for each household, for guests, and sheds for animals.

\ \ 0

7 l�l __ � \ ( "'S11I/

.�-� L __ -L __ ---'---......J

R O O F T E R R A C E

F I R S T F L O O R

G R O U N D F L O O R

S E C T I O N

K E Y S I . Centred room

2A. Hearth

2B. Hearth for J/mmler

3 · Store room

4- Sheep den

5 · Store room

6. Sqifa

7· Roof terrace

FIGURE 7. A typiccd Shatuia holtse. (Drawing after

Lehhal, "Trctditionod Berher Architecture, " p. 32.)

H A D J R I : N O R T H A L G E R I A • 71

Locally available materials such as stone, wood, earth, and so on are used to build houses in the Aures. However, the extent of their use depends on their particular local availability. Stone is quite abundant and, despite its weight and the need for skilled labor, appears to have been quite popular for founda­tions, walls, lintels and even roofs. Wood is used for beams, posts, roofs and floors. Finally, earth is an important component in

this vernacular building. It is locally available, easily manageable, and does not require skilled labor. It could be used in most parts of the building, as walls, fences and roofs. Straw, gravel and other materials are added to the earth to prevent it from cracking and to improve its thermal properries.'8

In this part of Algeria the building of a house is an important social event; all members of the family, men and women, as well as the community at large, are involved in the building process. This process is accompanied by religious ceremonies

and celebrations.'9 Recently, however, modern building stan­dards have appeared in this area. Many new self-built houses have been erected using concrete, steel and bricks. The old traditional houses, built using locally available materials, are decaying and not cared for.2O

In contrast to the Shawia house, the Kabyle dwelling is composed of several small units which are built as the family expands. The same design principles are normally used in building the units, the principal one of which is that the main facade, containing the front door, faces east. This door is a source of light in the early morning and the reason the west wall is called "the wall of light. " The east wall is "the wall of dark­ness," because i t appears dark against the light of the east door.

In terms of its other features, the Kabyle house has a ground floor that is basically rectangular and divided into two parts. The lower part is located at the dark end of the house and is used to shelter animals and store domestic and animal food. This part of the house is dark, humid and "dirty," and is

mainly used by the women for domestic purposes. Above this part there is an attic-like room where kitchen tools and hay are stored, and where children and women sleep in winter. The other, higher, end of the house, the illuminated end, is for receiving guests, cooking and weaving. It is predominantly a

male area, but can also be used by women when the men are out. At the back of the house there is a garden accessible through a small door. The garden is primarily for women (FIG. 8)."

Houses are built using stones with or without mortar joints, or, for the poor, in pise(using earth and clay blocks made on site).

Unlike the Shawia house, the Kabyle house has a pitched roof covered with clay tiles, which is supported by wooden beams lying on load-bearing walls and a main post.H

72 • T D S R 5 . 1

The Kabyle rural town is basically laid out inside a circular street that connects to many alleys which lead to the center of each gtouping of houses.'3 The ring toad ptotects the pri­vacy of women and the community in the village from strangers . However, local men use the ring toad when return­i ng home ftom fields and places where they socialize.'4

As is the case with housing in the Kasbah, and with the Shawia house, the requirements of modern l ife have significantly affected the way Kabyle housing is built and used. For i nstance, the cooking corner has been transformed into a kitchen; more partitions, toilets, and window openings have been added; the floor has been covered with tiles; and basic ways of preparing food and cooking have been replaced by more efficient, modern means. In terms of building technol­ogy, stones and m ud have now been replaced by concrete blocks, bricks, and dense concrete.'5

A SYNTHESIS OF VERNAC U LAR HOUSING IN

NORTH ALGERIA

From this study of surviving vernacular housing types in Algeria, three components appear to be most common. These are the sqi/a entrance, the courtyard or weJ't-ed-dar, and the multi-functional room or bit. It is worth reviewing the main features of these spaces, which might be seen as the basis for the development of new contemporary housing forms in north Algeria.

The sqi/a serves as an important transition between public and private realms. It is into this space that the front door

(the l imit between public space and private domain) opens. Traditionally, the sqifa is a well-decorated room which may

also be used by men receiving their guests. It is also a transition zone where guests await permission to enter the i nside of the house. Stairs leading to first floor are most of the time located in the sqifct (FIG. 9).

The second space, the west-ed-dar, can either be square or rectangular, and is normally surrounded by a gallery with arcades. The floor of this atea is covered with tiles or marble, and its environment is kept fresh wi th trees and running water from fountains. The west-ed-dar is normally the main space for women to carry out their daily domestic work. For this reason the kitchen and laundry room open onto the court­yard . This is also the place where children play, women receive

their friends, and where social and religious events are held. The west-ed-dar represents a solution to sociocultural require­ments i nside the dwelling, and i t contributes to the thermal comfort of residents of the dwelling during the summer.

K E Y S

I . UjJfJel' 1'00111

(hollSehold)

2. Lower room

(elllil/wh)

3· Em! door (lltede)

2 4· Wm door (felllcde)

5· \rIClII 0/ c/{/l'kJleJs

6. \rIClII o/Iighl

FIGURE 8. (TOP) PlClII 0/ CI Il'adiliO/wl KClbyle dwelliJlg. (DI'C1willg tI/tel' Oliver.

Dwellings. fl. I62; e/lld BOII/·diel/. Esquisse.)

FIGURE 9. (ABOVE) Pl'iJlcifJle 0/ sqifa eJllrClJlce. (OI'Clll'iJlg tI/tel' !?tlVel'eCIII. [98I,

p. I3J. )

The last space, the bit, is usually rectangular, measuring about three meters wide and up to twelve meters long. Its middle is more decorated than its ends, where benches may be located and used as beds at night. There are at least two windows and

a door in each bit, which opens onto a gallery, and each may have a small opening to the outside, mainly for ventilation. A

bit may be used for reception of guests during the day and for family members and guests to sleep d uring the night. Cur­tains or furniture (such as a wardrobe) may be used to divide the room into several separate spaces (e.g . , for married sons to sleep in) . This organization is also common in traditional housing in MorocCO.'6 The bit is clearly a multifunctional room which is used throughout the day by all members of the household and their guests.'7

CONCLUDING NOTE

The impact of colonial power on Algeria has led to a discon­tinuity in the development of traditional forms and the im­position of foreign typologies and urban forms. This is par­ticularly true in the northern city of Oran. Here, Algerian tradi tional forms, based on Arab-Islamic principles of pri­vacy, intimacy and hierarchy of spaces, were not allowed to develop. In fact , housing typology in Oran is the product of Spanish and French i nfluence.

The impact of colonization and modernization on house form in Oran has led to the util ization of new designs by self­builders based on foreign styles. These are then combined with north-Algerian trad itional patterns. The use of some Algerian traditional models in Oran may have been caused by i nternal migrations. The models still carry cultural values

familiar to most natives of North Africa.

Of the three components of tradi tional housing designs stud­ied here, at least two can be found in self-built housing and (to a lesser degree) in squatter settlements: the west-ed-delr, and the multifunctional bit. The sqi/cl has largely been replaced by the

H A D J R I : N O R T H A L G E R I A • 73

French entrance hall, which, in other modern Algerian housing at least, occupies the central location of the west-eel-delr.

It can further be said that in locations where tradi tional housing has been preserved at least three common urban elements remain that help achieve an important hierarchy of space and privacy within the neighborhood. These are the sqifCl, the dribel, and the blind alley, all typical principles of Arab-Islamic urbanism.

Despite the apparent modernism of the Algerian urban

population, Algerian society at large is still very traditional. This explains the need for new housing designs which are adapted to contemporary needs, but which still express the principal tradi tional requirements of daily life. Self-built housing, primarily the architectural expression of middle­income groups, has to date failed to address these two needs adequately. Such housing is neither unique not appropriate

to Algeria. More forms are likely to be developed in the near fut ure, as Algerians look for a new typology that will better balance their competing requirements.

74 • T D S R 5 . 1

REFERENCE N OTES This paper is a summarized version of Chapter

Two of rhe Ph.D. disserrarion "The Viabiliry of

No-Fines for rhe Producrion of Appropriate

Housing in Algeria," carried out by the author

ar rhe Joint Centre for Urban Design, Oxford

Polyrechnic, Oxford, 1992.

I. M.e. Benarbia er aI., "Habirar er

Planification: Le Probleme du Logement it Alger," in Let Qltes/ioll dlt Logelllent {t Alger

(Algiers: OPU, 1977), 1'.27.

2. P. Bourdieu and A. Sayed , Le DJracineJllent

(Paris: Minuir, 1977).

3 . J.J. Deluz, L'Urbanis1lle et I'Arcbitectttre

d'A/ger: Ai}er,.,t Critique (Algiers: OPU, 1988), 1'.78.

4- Benarbia et al., "Habitat et Planiflcation,"

1'.27·

5. J . Gortmann, "Locale and Archirecrure,"

Lctndswpe Vol.VII No. 1 (Autumn 1957), 1'.20.

6. A . Rapoporr, HoltSe Form and CN/tilre

(Englewood Cliffs, N.J.: Prentice Hall, 1969),

1'.22.

7. N.A. Benmarri, "L'Habitar c1u Tiers-Monde:

Cas de ['Algerie" (Algiets: SNED, 1982).

8 . N. Lebbal, "Tradirional Berber Archirecture

in the ALires, Algeria," Verl7CfCIt!clr Architect/ire 20 (1989), 1'.27.

9. B .S. Hakim, Arahic-Is/amic Cities: Blii/ding

cmd PLuming Princij}/eJ (London: KPI Lrd , 1986),

1'·57·

10. Benmarri, "L'Habitar du Tiers-Monde,"

1'. 180; and J . Lesber, Let Cetshab d'A/ger: Ge.rtion

Urhetine et Vide Socic" (Algiers: OPU, 1985), 1'.31 .

II . Hakim, Arctbic-iJ/cttllic Cities; ancl Lesber, Let

Casbab d'A/ger, 1' .32.

12 . G. Blake and R. Lawless, "Tlemcen:

Continuity Of Change," A rchitecturel! Assoeicttiofl

QNarterly Vo1.6 No.1 ( 1974), 1'.39.

13 . Blake and Lawless, "Tlemcen."

14. R . Berardi, "Lecrure d'une Ville: la Medina

de Tunis," Arcbitecture d'Attjoltrd'btti I53 (Dec.­

Jan. 1970-71), 1'1'.38-43; and M. Roche

"Consrruire au M'Zab: Andre Ravereau er la

tradition," in "Algerie," Techniqltc et Architectllre

329 (Feb.-March '980), 1'1'.75-79.

15 . Rapoport, HOIIJe Form (mel Cllltllre.

16 . Lebbal, "Tradirional Berber Atchirecture,"

p.24-

'7· Ibid., 1'.32.

18. Ibid., 1'.34.

19. Ibid. , 1'.36; and Rapoport, HOllse Form and

Cu/tlire, 1'-46.

20. Ibid., 1'.37.

21. P. Bourdieu, ExqttiJJe eI'/me Theorie de fa

Pratique (Paris: Dmz, 1974); and P. Oliver,

DwellingJ: Tbe HOlise Across tbe \Vorld (Oxford:

Phaidon, 1987), 1'1' . 161-63.

22. Benmatti, "L'Habitat du Tiers-Monde,"

1'.181 .

23. Ibid, 1'.18 1 .

24. Bourdieu and Sayed, Le Derctcinelilent.

25. Benmarti, "L'Habitar du Tiers-Monde,"

p . l8 1 .

26. D. Baker, "The Tradirional House and New

Middle-Class Housing in Morocco," Eki.rtics

3I8-3I9 (May-Aug. 1986), 1'1'.149-56.

27. S. Noweir and J.e. Depaule, "La Maison er

son Usage," in J. Lucan et al . , "Algerie,"

A rchitecture Mottvelitent & Continitite 48(1979),

P ·74·