/FAYEZ SHARABATY

PORTFOLIO

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› CONTENTS ‹

a.a.u cocoon library concept bethlehem\palestine

aCadEmIC PROjECTS

housing project ezbet harb\giza\egypt

megacity lab

performative skin

downtown\cairo\egypt

6th october\cairo\egypt

booth design cairo\egypt\

tareq-khatib residence hebron\haska mountain\palestine

wael-abu adas residence hebron\palestine

riwaq

h.r.c hebron rehabilitation committee

ramallah\palestine

old city\hebron\palestine

PROjECTS

CV

COmmERCIaL PROjECTS

imprinted time downtown\cairo\egypt

/cuRRiculum viTAE

personal info

education

name / surnametelephone

e-mailnationality

date of birthgender

professionmarital status

current place of residence

Fayez Sharabaty00971509124050fayezjamil@yahoo.comjordanian29.10.1986malearchitectsingleabu dhabi

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social. cooperation. teamwork. project collaboration

organisational

. working on multiple projects

. interdisciplinary team work

. adapt well to new work contexts

technical

. model making

. freehand drawing.

artistic

. sketching

. photography

. cultural mapping

technical skills &acompetences

digital (windows or mac)c

proficient in:. autocad. sketchup. indesign. photoshop. illustrator.

languages

. arabic

. english

professional

. architecture

. interior design

. industrial design

. design research

. teaching

hobbies

. painting

. photography and cinema

. urban research and theory

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personal skills &ncompetences

P C

S

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qualificationorganisation

location

modern sciences andarts university in cairo - architectural depatment

bachelor of architecture

egypt - cairo

professionaltraining & work

position client

location

private, wael abu adas villa

cdc abdelhalim ibrahim

organisation

location

organisation

location

shehayeb consult

egypt - cairo

egypt - cairo

organisation

location

eng. maher shweiki constructionarchitect---site engineer palestine - hebron

architect-site engineer palestine - hebron

E T

position

position

position

position

organisation

location

a.a.u anastasarchitect

junior architect

architect---assistant researcher

palestine - bethlehem

2014

organisation

organisation

location

location

riwaq centre for architectural conservation

hebron rehabilitation committee / HRC

palestine - ramallah

palestine - hebron

august --- November

december --- april

april --- august

january --- april

position

position

architect-program manager

architect- urban researcher

2013

2010

2012

2009

june --- august

june --- august

june --- august

0.2 /lETTERS oF REcommEndATion

[ wael abu-adas ]20 June 2013 Subject: Fayez Sharabaty Recommenda on To Whom It May Concern: I have worked with Fayez for the last 2.5 months, having hired him to coordinate and supervise comple on of my villa while I am away (as I work in the UAE). I have been very pleased with his performance, and the outcome of the work. Fayez has proved to be very diligent in his work, methodical in his approach and professional in his mannerism. He was tasked with dealing with the electrical and mechanical subcontractors while they interface with the remaining works for the external landscape and pa o/trellis works. The main supervision and coordina on however was with the le installer and his team for the expansive plazas, pathways and fountains. There proved to be rigorous supervision required, and a variety of detailing that had to be developed along the way which Fayez handled adroitly and with sensi ve care. I believe this brief experience has really helped him acclimate with the reali es of the “real world” and how to deal with the contractors, and how to manage them, raise the expecta ons, delegate the work and also how to break the tasks in piece-meals so that they are not overwhelmed with the overall magnitude and/or them giving excuses for not being able to accomplish the desired work. Having dealt with young architects for the last 25 years, I can comfortably vouch for Fayez’s overall capabili es. He is an ardent architect, who takes his profession seriously and obviously has deep passion for design. His a en on to detail and insistence to get it right (especially when dealing with contractors) is pivotal in our profession. His high ability to communicate the design evolu on and document it in graphic form was extremely helpful for me to follow the progress of the work remotely. He showed keen interest in his work and his ability to manage several tradesmen at one

me (even with their mood swings) proved his capacity of working with larger teams and taking a leadership role amongst them. Fayez has a keen sophis cated sense for design and hopefully can arise to be a major player in a few years. I highly recommend Fayez and am sure he will be a valuable addi on to any rm, notwithstanding his high moral and ethical values and character which are something I always look for in an employee. If you need any further informa on please feel free to contact me at the below contact informa on: Email: Wael.abu-adas@keoic.com Mobile: +971-50-800-5303 Sincerely,

Wael Abu-Adas Director, Architecture & Engineering Services KEO Interna onal Consultants

[ shehayeb consult ] DINA K. SHEHAYEB, PH.D. E : info@dkshehayeb.com

Architecture – Urban Design – User-based Design & Planning – Participation T / F : +20 2 33466144 3 Batal Mohamed Khairy St, Mohandeseen, Giza 12411 EGYPT www.dkshehayeb.com

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April  22nd,  2014  

To  whom  it  may  concern    I  have  known  Arch.  Fayez  Jamil  through  teaching  part-­‐time  at  the  Modern  Sciences  and  Arts  University  in  Cairo  –  Department  of  Architectural  Engineering.  I  taught  him  several  undergraduate  courses  such  as:  “Design  Methodology”,  “Human  Aspects  in  Architecture”  and  “Housing  Planning  and  Design.”  Fayez  was  an  attentive  and  creative  student  who  was  always  keen  on  participating  in  class  discussions  bringing  into  the  classroom  much  of  his  self-­‐directed  studies  and  readings.    As  his  professor,  I  have  had  the  opportunity  to  observe  his  knowledge  processing  as  a  student  and  to  evaluate  his  mental  skills  which  were  superior  to  his  colleagues.  Part  of  the  assignment  in  the  “Design  Methodology”  course  Fayez  took  with  me  was  studying  the  socio-­‐spatial  patterns  of  dwelling  in  a  rural  community  in  Upper  Egypt;  “Nazlet  Abdella”  village.  Fayez  was  required  to  present  a  paper  designed  to  measure  the  student’s  ability  to  research,  to  analyze  and  report  the  results  of  the  research.  Fayez  had  good  insight  and  analytical  skill  to  discern  and  externalize  hidden  patterns.    

In  the  “Housing  Planning  and  Design”  Course  he  also  worked  on  producing  research-­‐based  sustainable  solutions  to  the  rehabilitation  of  housing  in  a  deteriorated  village  core  “Ezbet  Harb”  in  the  outskirts  of  Giza.  Fayez  demonstrated  social  responsibility  and  creativity  in  reaching  culturally  appropriate  yet  contemporary  solutions  that  would  accommodate  the  economic  and  social  dimensions  of  the  rural  lifestyle  of  residents.  Fayez  also  chose  to  take  another  elective  course;  “Mega  City  Lab,”  which  I  taught  in  2010  parallel  to  the  ETH’s  Studio  Basel’s  Contemporary  City.  Students  from  Studio  Basel  came  for  a  two  week  field  study  visit  to  Cairo  and  worked  on  14  different  areas  of  Greater  Cairo  with  students  from  MSA  who  targeted  understanding  different  parts  of  the  city  through  mapping  the  territorial  domains  of  their  various  users  and  stakeholders  as  an  analysis  of  the  socio-­‐physical  urban  morphology.  Fayez  worked  on  Cairo’s  Downtown  area  looking  at  the  often-­‐conflicting  claims  on  public  space  and  was  among  the  MSA  students  who  travelled  to  Basel  to  share  their  work.    During  his  summer  vacation  in  2010,  Fayez  trained  in  my  private  office  “Shehayeb  CONSULT”  and  assisted  in  the  production  of  the  Final  Report  on  “Resettlement  Housing  Projects  in  Greater  Cairo”  commissioned  by  GIZ.  

In  conclusion,  I  would  rate  his  skills  as  excellent.  He  is  one  of  the  best  students  I  had;  serious,  always  keen  on  self-­‐development,  critical  in  his  processing  of  knowledge,  and  creative  in  design.  As  a  person,  he  is  excellent  in  communicating  his  ideas  to  others.  Based  upon  his  performance  and  my  knowledge  of  his  character,  I  believe  Fayez  would  be  a  successful  candidate  in  any  architectural  and  urban  design  firm  that  nurtures  creative  and  critical  thinking  and  an  effective  agent  of  advancement  in  the  professional  community  he  would  join.    

Dina  K.  Shehayeb        Principal,  Shehayeb  CONSULT  info@dkshehayeb.com  

› COmmERCIaL WORK ‹ TaREq KHaTIb RESIdENCE hebron : schematic design : 2014

PLaNSSECTION

1m 5m

ground floor

first floor

1-living 2-foyer3-kitchen

4-office

1 2 3 4 4

5-bed room6-open to below

5 556 3

PLaNS

Located at the outskirts of the city, the project sits on a mountain-side planted with pine trees. This forest setting gives it the feeling of begin a hidden enclave, while the light filtering through the trees makes it an ideal setting for contemplation

Six parallel walls define the Khatib Residence. Incisions into these connect the rooms, reflecting the winding paths that lead through the trees, while a fully open curtain wall facade - an extrovert expression of complete connection with its immediate site - brings the forest’s spectacular views into the heart of the house

a spiral stair leads to the upper floor and a roof terrace. Like the facade, it is sheathed in glass and lets light infiltrate the interior space as if breaking through the tree-tops. The interior modules offer flexibility and connect with the extrenal wooden patio, a third source of light

CONCEPT 3d mOdEL

› COMMERCIAL WORK ‹

CONSTRUCTION

steel

polycarbonate sheets

EXPLOdEd ISOmETRIC

WaEL-abU-adaS RESIdENCE hebron : design & construction : 2013

In this project I was in charge of designing the structure as well as overseeing its construction.

before the project could go on site I had to select and instruct electrical and mechanical subcontractors. On site supervision and coordination work required a full understanding not only of the project’s construction details, but of the systems - plumbing and structural - of elements such as the fountain.

The design itself evolved mainly from a client’s brief, although a certain amount of freedom in selecting materials allowed me to optimise the original concept and introduce the client to new ideas through re-designs.

polycarbonate sheets

FOUNTaIN dETaIL

CONSTRUCTION dETaILS

› COMMERCIAL WORK ‹ aaU aNaSTaS: COCOON LIbRaRy bethlehem : schematic design models : 2014

› COmmERCIaL WORK ‹ bOOTH dESIgN egypt : design 2012

booth design:stock exchange stimulation

› aCadEmIC PROjECTS ‹ ImPRINTEd TImE downtown cairo : art research & exhibition : 2011

'HOW THINgS aPPEaR'

In his account of japan the journalist Ovchinnikov wrote: ›It is considered that time, per se, helps to make known the essence of things. The japanese therefore sec a particular charm in the evidence of old age. They are attracted to the darkened tone of an old tree, the ruggedness of a stone, or even the scruffy look of a picture whose edges have been handled by a great many people. To all these signs of age they give the name, saba, which literally means «rust». Saba, then, is a natural rustiness, the charm of olden days, the stamp of time. [—or patina—a.T.]

Saba, an element of beauty, embodies the link between art & nature

THE ESSENCE OF THINgS

LIgHT aNd dUST

› COMMERCIAL WORK ‹

north

ISOmETRIC SITE PLaN

COmmERCIaL TRENdS PROFILES

4

31

RIWaq CENTRE FOR aRCHITECTURaL CONSERVaTION

2

ramallah : urban research & analysis : 2013

COmmERCIaL TRENdS PROFILES

1 42 3

new commercial stores appear on the back of the building, especially bakeries, due to the low rent which allows people to easly convert old buildings into a back-of-house commercial space. the pedstrian flow here is higher than on the adjacent street, as this alley leads to the islamic center with children's playgrounds and football pitches. in some cases pedestrians prefer a longer walk along the back to avoid the hectic main street, with its cars and other chaos, making the back street a primecommercial location

CONNECTEd TO HOUSINg

CONNECTEd TO PEdESTRIaN NETWORKS

CONNECTEd TO NON-LOCaL USERS

CONNECTEd TO HOUSINg: LOCaL INCOmE gENERaTION

the new housing project offers commercial stores on the first floor which are still not rented. the rental adevertisment signs are written both in english and arabic, indicating the possbility that those apartments are not cheap. the assumpation would be that stores in that block would be services for the people who live in the residntial building, limiting their audience

this building from al-sahal street is fully commercial, with no housing integrated into it at all. the fist floor is made up of shops, and the second and third floor is taken up by services and offices for professionals such as architects, laywers and a doctor

a more integrated example is this realtively new builidng, with the first floor dedicated to ccommercial use, some of which is storgae for stores elsewhere. one example of such a space used to be rented out to the owner of a syrian restaurant at manara, who hired a woman form the neighbourhood to cook there - an example of the area's wider economy impacting that of the block through its mixed-use nature

$+

PROgRam\FaCadE dIagRam

empty housing

housing

commercial

empty commercial

COmmERCIaL\VEgETabLE maRKET

street zoning

PaVEmENT zONINg aNd FURNITURE

graphic zoning

1

sections c-c sections b-b sections a-a

SECTIONS C-C SECTIONS b-b1 SECTIONS b-b2 SECTIONS a-a

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1

2

1

1 1

2 2

dIagRam SHOWINg THE SEqUENCE OF PEdESTRIaN aNd VEHICULaR CLaSH WITH THE INFORmaL FUNCTIONS ON THE STREET INTERSECTION

dIagRam SHOWINg THE SEqUENCE OF PEdESTRIaN aNd VEHICULaR CLaSH WITH THE INFORmaL FUNCTIONS ON THE STREET INTERSECTION

this project in rammal investigates the spatial configraution within the old city of ramallah. the work consisted of evaluting the physical conditions of both the streets and the pavement, along with a socio-economic analysisof the puclic space and impresions ofa visual reading of the city

ON-SITE SEqUENTIaL ObSERVaTION OF NOdE aCTIVITy

› COMMERCIAL WORK ‹

mOdULE 1: aRCHITECTURaL dRaFTINg aNd gRaPHIC aNaLySIS

HRC - HEbRON REHabILITaTION COmmITTEE

The architectural drafting and graphics module consists of ''physical data documenation''. To capture the current architectural state of Hebron's old town, the accuracy and material detail in the drafting and represenation methods used is crucial, since no other documenting exists of these buildings, considered to be of significant cultural and historical value. Of the urban fabric encompassed by this documentation project, some is Ottomanand some older

hebron : preservation & documentation : 2013-4

hrc1

This module kickstarts the Hebron old city preservation project and data from it will be distributed to the civil engineers, archeologists and architecctural historians involved who will add to its graphic analysis in order to asses the value of the buildings as solid artifcats, and come upwith a managment plan for their future

Techniques used include digital photogrammetry, used in conjunction with surveying technology, making the final documentation both accurate andmaterially descriptive

dIagRam OF THE RUINS FOR aRCHEOLOgICaL PERIdOd aNayLSIS

hrc2

mOdULE 2: abaCUS OF HOUSES I was in charge of the conceptual development and practical compilation of an 'abacus' of houses in the project areabeing documented

In the design of the programme for data collection, I included collaboration with local education initiatives, so that the resulting intervention programme could have a broader social impact - making a material intervention into the historic fabric relevant to the unfolding history of thearea and its residents

The interdisciplinary collaboration that made up this phase included some interesting negotiations regarding the format of interviews and of the abacus, as well as agreement as to be best mapping strategies, and the scale at which theseshould be applied

It also involved reporting the progress to a project manager and liasing with the Spanish donor agency funding the project, as well as proposing collaborative projects within the larger framework of the restoration work to local academic institutes. This helped to both promote it locally as well as serving as a sounding-board to evaluate howrealistic our impact-projection was

I also collaborated with a Swedish anthropologist who was in charge of conducting interviews with the local residents. From the discussions with them we aim to develop a user-based methodfor the restoration

my role in the project also included setting up an action plan, schematically coordinating the different tasks and collaborations between the range of disciplines involved in order to weave them into one coherent whole. To set up the academic backbone of the project I collected a literature review, and a file of historical maps, images and documents, aswell as designing a data archiving model

HOUSE COdES aNd gIS REFERENCE HOUSE daTa TEmPLaTE

hrc2

The outcome of the abacus of houses is a book that interweaves the historic, social, economic and political data as well as the current use[s] of the buildings in theproject area

Its aim was to not only to treat buildings as a historic buildings but also to document the current context - a social reading of the site and situation, systematized and archived as a base reference for the duration of therehabilitation project

To do this it brings together analysis by a historian, an archeologist, and an architectural to summarize the typologies relevant to the project. These would later be mapped over the gIS maP, serving as a first base for additional data collectionthroughout the project

The booklet will be published to promote the work of the hebron rehabiliation commitee among the public

PLaNE dIagRam OF HOUSES

time period time period time period

hrc3

mOdULE 3: THE CULTURaL STRaTEgyThe cultural strategy module will be run in collaboration with other research centers - the building sumud project and PPU (Palestine Polytechnic University) students from the architectural department - also taking part in the data collection as part of their on-site training.

The project raises the possibility of social and economic sustainability. This module will be formulted in full after the first phase of the preliminary anaylsis and the accompanying abacus of houses is published

These will become the core of to the course outline for next year's PPU architecture students, who will embark in a process of design-by-research to propose alternative urban futures for the old city of Hebron

full construction documents at 8 months

Gis\mappinG

hoUse typoloGy research

historical research

July august septemberoctober novemberdecemberJanuary

abacus of housesphase 2

abacus of housesphase 3

structural risk and stabilityassessment phase 2

summud+hrc+ppu course

historical research

preliminary drawings

plans+sections phase

topography and land surveysocial map-catographic maps

structural engineering

February march april may June

documenation first phase 1

historical research

relative chornology of 40 houses

elevations of

structural risk and stabilityassessment phase 1

hrc+summud

abacUs oF hoUses

del

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y d

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mo

dU

les

wo

rk F

low

delivery dates

pro

Jec

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Ura

tio

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ORgaNIzaTIONaL CHaRT

› aCadEmIC PROjECTS ‹

gz1

EzbET HaRb, gIza, EgyPT giza : research & documentation : 2012

1. SITEthe rural settlement of ezbet harb is in the boulaq al-dakrour district of giza, just east of the railroad tracks that delimit the weathy mohandeseen district of cairo. composed of mud-brick houses along both sides of a canal, it houses around forty household of rural immigrants, maintaining the homogeneity and cohesion of a traditional rural community. ezbet harb is so closely knit that the elderly lady who sells packaged dry food, candy and cigarettes has a book with open credit accounts for almost all members of the community.

2. CaNaLthe al-zomor canal passes through ezbet harb. on one side of the canal there is a road along which vehicles and pedestrians can pass through the area. this road is the most public open space in ezba; from it only one dead-end alley ventures into the internal urban fabric of the settlement. on the other side of the canal, a thin open space runs along the back of the houses like a string of backyards, inaccessible to vehicles or any other means of transportation; it is difficucult for outsiders to access. as shown in figure 2, all access to the houses lies along the outer edges of the settlement. entering those outer alleys is only possible from the two ends of ezba. these entrances always have members of the community present; sitting, playing, or working outdoors; they function like check points that control the access of outsiders. One could enter, but only after answering questions like“what are you doing here?” or “who do you want to see?”

3. zOOmINg IN, zOOmINg OUTdaily shopping needs and primary schools are at walking distance south of the area. otherwise the area is isolated from the east by the railroadtrack, and from the north by agricultural land

the nearby metro station is the closest transpiration hub to ezbet harb and the most commonly used means of transportation to reach anywhere else. children take microbuses if they are in secondary school.

unlike the candy lady, the majority of the working members of the community work outside ezba in construction day jobs.

1 2 3

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as expected anywhere that has great weather most of the year, people in egypt enjoy the outdoors to spend leisure time or do other home activities when the setting allows the desired degree of privacy and security from strangers.

rural settings allow that even more.

the organization of homes creates perfect outdoor spaces; like outdoor living rooms, well protected from passersby and vehicular traffic. many activities may occur in such spaces; laundry hanging, food preparation, children play, or receiving a friend or neighbor for a cup of tea. They offer additional living space for the modest dwellings that flank it.

open spaces in the rural

settlement have different levels of

privacy, or degrees of ‘publicness’.

This analysis is one way of

measuring the degree of publicness

of the open space; 1) by observing

the type of activity that takes place

in it, and 2) by indicating dynamic

elements.

less

more

Sayed’s house in Ezbet Harb entered from the outer.alley like all other houses

His house and two others overlook a shared open space which they appropriate astheir own

It offers a vantage point where one can watch thechildren playing afterschool hours

The built up walls of houses, the storage room and the old tree trunk define the space that the children appropriate as a.small play area

Windows act as points of surveillance that increase the safety of such outdoorspaces

The mastaba is a common feature of many houses in rural settlements. It affords a place for all members of the household to sit outdoors in one’s private domain; like the porch and the front yard in other cultures. It offers them the opportunity to interact with neighbours, to watch life, to know what’s going on without having to leave one’s home.

Landscape and built-up elements are utilized to define the enclosure of outdoor spaces adjacent to house. This makes it easier for the residents to adopt these spaces, protect them, clean them and use them to their advantage. In residential environments, the more the residents appropriate their open spaces the safer they are and the less effort, time and money is needed from local authorities to service them.

Sayed’ mastaba outside his house is a pleasantplace to spend the

afternoon sipping tea andtalking to neighbours

gz3

Learning from the morphology of the traditional settlement, the spatial organization of activities in indoor and outdoor spaces and considering the community’s future vision and aspirations to reach volumetric parameters that generate potentiallyappropriate design and planning

gz4

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the temporality of the parameter fluxes the city into action\reactional based settings ,although the overall impression is of cairo as chaotic, espacially in downtown. it has its own rhythms, dislocating the researcherfrom theorrizing contexts

out of a grassroots exploration of the street came this project, addressing how urban furniture and physcial settings allow users to flow through this apparent chaos and intiate their own settings in reaction to it -as a sort of territorial claim

› AcAdemic proJects ‹ mEgaCITy Lab downtown cairo : design & analysis : 2011

TImE LaPSE

SHUFFLINg THE maP aNd EXPLORaTION OF THE ENTaNgLEmENT OF CITy COgNITION aNd THE admINSTRaTIVE bORdER

HOW maNy bORdERS CaN bE REPROdUCE THEmESELVES aT VaRIOUS INTERSECTIONS: THE VaCaNCy aNd THE ambIgUITy OF USERS THaT CURRENTLy OPERaTE IN THE aREa aRE THE CRUX OF THE COgNITION OF ITS FUTURE!

› aCadEmIC PROjECTS ‹

1

2 this project, based at cairo's mSa University, aimed to provide a space for international students to to socialize and display their work to foster student cultural life. the builidng consits of 3 floors, the first is public, the second and third are adminstrative officesfor the university's public relations

6th of october city is characterized by a lack of public space. instead, space is compacted, hidden between walls and behind fences. the suburb-like satelite city is defined by its borders. how, then, do we create an architecture of openness within it? one that is compact yet accessible - one that bends the very borders that define the site: I began by treating the skin of the building, this boundary of its mass and reality as apermeable and performative element

the hanging garden

sunbreakers

sheets fabricated by CNC machine: exploring possible porosity patterns through color mapping of the image

bending the sunbreakers to reaval space on the outside

PERFORmaTIVE SKIN 6th october city cairo : design & research : 2012

PLaNT daTa by SEaSON

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horseradis 1m

karrot 1m

birds foot trefoil 25-80 cm

chicory40cm-1m

alfalfa1m

sheeps fescue 20-45cm

white sweet clover 2m

cocks foot 20-120cm

yellow sweet clover 2m

tall oat grass 1m

red clover cm 20-80

hop trefoil cm 10-30

aspargagus m 1-1.5

east

west

OVERLEaF: PLaNS & ELEVaTIONSENVIRONmENTaL CUTaWay aXONOmETRIC

gREEN FaCadE dETaIL, CROSS-SECTIONOVERLEaF: 3d PERSPECTIVE maTERIaL STUdy