dukes 3rd & 4th december 2015

Thursday, 3rd and Friday, 4th D

ecember. Silver, Jew

ellery and Furniture.

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

2015 D

uke’s

Silver, Jewellery and FurnitureThursday, 3rd and Friday, 4th December

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Duke’sA U C T I O N E E R S S I N C E 1 8 2 3

www.sofaa.org

TRAVEL INFORMATION

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Email: [email protected]

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter.The Saleroom has ample parking.If you require further information please refer to the buyer’sguide on page 3, visit our website, or contact Stephanie Smith.

B3147B3147

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DAMERS ROADDAMERS ROAD

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DUKE’S

DUKE’SGROVE AUCTIONS

THETRADINGESTATE

MILLERS CL

THE KEEP

LODERSGARAGE

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MOUTH

AVE

BOURNEMOUTH (A35)

BRIDPORT (A35)

FOOTBALLSTADIUM

(A35

4)

MA

UM

BU

RY R

OA

D

GREAT WESTERN RDSOUTH WALKS RD

PRINCE OF WALES RDDUKE’SAVENUE AUCTIONS

Wiltshire & Cranborne Chase

Sir Michael Salt, Bt(01258) 860259

The Isle of WightAnthony Blest(01983) 760460

DevonChris Bolton F.R.I.C.S.(01297) 32351

CornwallCharles Cox(01840) 261085

Bristol & North SomersetMichael Liversidge(01305) 265080

HampshireRobert Nevin(0208) 7685152

North of EnglandNick Bray(07860) 642488

a r e a r e p r e s e n t a t i v e s


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B U Y E RS I N F OR M AT ION

Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium: 22% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements.

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.


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CERAMICS18th February 2016

A Delft Blue-Dash Royal Portrait Charger of George II,

Bristol, probably either Josiah Bundy or James Gaynard,

c.1725-27, 14” dia.

Sold for £9,270


We are currently inviting entries to the above auction.For further information or should you wish to consign please contact Duke’s on 01305 265080 or email [email protected]

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Catalogues £20.00 (by post)

V I E W I N G T I M E S

Saturday, 28th November, 9.30am - 12noon

Monday, 30th November, 9.30am - 5pm

Tuesday, 1st December, 9.30am - 7pm

Wednesday, 2nd December, 9.30am - 5pm

and on the morning of the auction days.

Find us on Facebookhttps://www.facebook.com/dukesauctions

Follow us on Twitter@DukesAuctions

A Delft Blue-Dash Royal Portrait Charger of George II,

Bristol, probably either Josiah Bundy or James Gaynard,

c.1725-27, 14” dia.

Sold for £9,270


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COINS AND MILITARIA10th March 2016


United States Cent, 1794,

‘Liberty Cap’ type

Sold for £11,225

We are currently inviting entries to the above auction.For further information or should you wish to consign please contact Timothy Medhurst on 01305 265080or email [email protected]

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VIEw IMAgEs OF ALL LOTs ANd bId LIVE ONLINE

Thursday, 3rd December, 10.30AM

Lots 1 – 134 SilverLots 140 – 144 Silver PlateLots 150 – 219 A Private collection of Small Silver and VertuLots 220 – 259 Small Silver and VertuLots 260 – 306 FlatwareLots 330 – 336 Luggage and VintageLots 340 – 389 Ladies and Gents WatchesLots 390 – 399A Carriage ClocksLots 400 – 705 Jewellery

Friday, 4th December, 10.30AM

Lots 750 – 795 Objets d’ArtLots 800 – 814 AntiquitiesLots 850 – 872 Port and WineLots 900 – 904 Rugs and CarpetsLots 930 – 968 Works of ArtLots 975 – 984 Clocks and Scientific InstrumentsLots 990 – 1071 Furniture

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FINE PAINTINGS14th April 2016

Laurence Stephen Lowry (1887-1976) "Young Lady Hurrying" (girl in a mini skirt), signed and dated 1968 lower left, oil on panel, 10" x 7"

Sold for £201,305



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THURsdAY, 3rd dEcEMbER, 10.30AM

sILVER

Detail of lot 34

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1 A PAIR OF SAUCEBOATS of oval tapering form with leaf-capped flying scroll handles, on extended hoof feet, by Pairpoint Brothers, London 1910, 7" long (c.33oz)

£250-350

2 A VICTORIAN MUG of baluster form with leaf capped scroll handle and gilt interior, the body embossed with foliate scrolls, possibly by Robert Hennel II, London 1865, 5½" high (c.8.9oz)

£100-200

3 A GEORGE III CHAMBERSTICK of shaped circular form, with gadrooned borders, pull-off sconce and detachable snuffer, engraved with a crest, by Rebecca Emes & Edward Barnard, London 1819, 4" high x 5¾" dia. (c.12.9oz). See illustration

£200-400

4 A CONTINENTAL BASKET of oval form, with ribbon-tied borders and handles, the pierced body decorated with classical busts to each side, on four down-curving feet, with import marks for London 1899, 13¼" long (handle to handle), (c.31oz). See illustration

£200-400

5 A VICTORIAN SUGAR CASTOR of cylindrical baluster form with a high pierced pull-off cover, flame finial and fluted decoration, by TB, London 1893, 9" high, (c.7.2oz)

£80-160

6 A SILVER MOUNTED CLARET JUG of tapering circular form, with cut glass body and elongated angular handle, by J.G & S, Birmingham 1911, 10½" high. See illustration

£150-300

Lot 3

Lot 4

Lot 6

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7 AN EDWARDIAN SUGAR CASTOR of circular form, the wirework body applied with garlands of flowers and ribbons, by Haseler Brothers, London 1907, 7" high.

£80-160

8 A TROPHY CUP AND COVER of campana form, with pull-off cover and flowerhead frieze, on an associated wooden plinth, by William Comyns, London 1914, 10½" high (on plinth), (c.10.8oz)

£80-160

9 A VICTORIAN PRESENTATION TROPHY CUP of circular tapering form with reeded handles and stiff leaf frieze, on a pedestal circular foot, the body engraved with the presentation inscription "Mr W. Johnson's Drag Hunt Meeting, Farmers Cup, Walton Heath, 11th April 1885. Presented by Mr W. Johnson, won by Mr T. Gilbert's "Captain" ridden by Mr P.M. Jones", by Charles Stuart Harris, London 1882, 13" high, (c.25oz). See illustration

£200-400

10 AN EDWARDIAN PRESENTATION BOWL of tapering circular form with a wavy border and spreading circular foot, makers mark rubbed, London 1904, 6½" dia, 4½" high, (c.10.8oz)

£80-160

11 A CUP AND COVER, after the antique, of circular form, the lobed body chased with flowerheads and scrolls, pineapple finial and scroll handles, on a spreading circular foot, with gilt interior, by the Goldsmiths & Silversmith's Company Ltd, London 1910, 7" high, (c.16.4oz). See illustration

£150-250

12 A GEORGE III TEAPOT AND STAND, the teapot of shaped oval form with wooden scroll handle, with bright-cut engraved decoration, each side crested, by Henry Chawner, London 1787, the teapot 5¾" high x 10" long, (c.16.8oz weighable silver). See illustration

£200-400

Lot 9

Lot 11

Lot 12

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13 A VICTORIAN SUGAR BOWL of circular form with a beaded circular foot, by RH, London 1873, 3" high, 4¾" dia., and two butter dishes (c.12.4oz weighable silver) (3)

£80-160

14 A PAIR OF WINE COASTERS of circular bellied form, with gadrooned borders and wooden bases, by Mappin & Webb, London 1965, 6" dia.

£100-200

15 A PAIR OF VICTORIAN CANDLESTICKS of Corinthian form with shaped square capitals, the bases applied with rams heads and swags, on filled square bases, by Martin Hall & Co. Ltd, Sheffield 1894, 10½" high

£200-300

16 A PAIR OF CANDLESTICKS in the George II style, with shaped square sconces, waisted and knopped stems, with shaped square bases, filled, by William Hutton & Son Ltd, London 1910, 11¾" 12" high . See illustration

£500-800

17 A VICTORIAN CHRISTENING MUG of circular form, with a beaded scroll handle, the body with engine-turned decoration, monogrammed, by Martin Hall & Co., Sheffield 1867, 4" high, (c.5.4oz)

£80-160

18 AN EDWARDIAN SILVER MOUNTED OIL LAMP with a cut-glass circular reservoir, cylindrical shade above a Corinthian style column, on a stepped architectural base with classical decoration, filled, by Walker & Hall, Sheffield 1907, 28½" high (with shade). See illustration

£200-400

19 A COFFEE POT of baluster form with scroll handle, domed lid and cast spout, on a spreading circular foot, monogrammed, by Nathan & Hayes, Birmingham 1911, 9" high (c.20oz)

£150-250

Lot 16 Lot 18

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20 A SAUCEBOAT of elongated oval form with a gadrooned border and a lion's head capped double scroll handle, the whole on three lions head capped paw feet, possibly by E & Co D, Birmingham 1921, 8¾" long, (c.12.7oz)

£150-250

21 AN EDWARDIAN TEA CADDY of shaped rectangular form with a pull-off circular cover, by Walker & Hall, Sheffield 1901, 3½" high, (c.2.3oz)

£60-120

22 A VICTORIAN TEAPOT of circular bellied form with flower finial and leaf capped scroll handle, the body profusely embossed with foliate scrolls, cast spout, crested, on four leaf capped down-curving feet, by William & George Sissons, London 1865, 7½" high (c.30.5oz). See illustration

£200-400

23 A VICTORIAN TEAPOT of melon form, scroll handle and fluted shell-capped spout, with disc finial, crested, on shell-capped downswept feet, by Edward, Edward Junior, John & William Barnard, London 1838, 6¼" high, (c.21oz)

£200-300

24 AN EDWARDIAN PRESENTATION INK STAND of shaped rectangular form with shell borders, on down-curving feet, on a wooden presentation plinth bearing a presentation inscription, by the Goldsmiths & Silversmith's Co. Ltd, London 1902, the underside of the base also engraved with a retailer's mark, 12" long x 7" high, (c.25oz). See illustration

£300-600

25 A WINE COASTER of circular form with a reeded border and turned wooden base, Birmingham Assay, 5" dia., and a pierced bon bon dish, London Assay, (2).

£80-160

26 A SALVER of shaped circular form, with raised gadrooned border, on ball and claw feet, by Thomas Bradbury & Sons, Sheffield 1932, 8" dia. (c.11oz)

£80-160

Lot 22 Lot 24

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27 A VICTORIAN FOUR PIECE TEA/COFFEE SET of fluted oval form, with ivory scroll handles and finials, crested with Prince of Wales style feathers, by SW, London 1865, the teapot 5½" high (c.49oz). See illustration

£400-600

28 A GERMAN FIVE LIGHT CANDELABRUM of waisted circular form, with four scrolling arms issuing circular capitals, on a spreading circular base, 20th century, 9¾"

£200-400

29 A PAIR OF GEORGE III CAST CANDLESTICKS with pull-off shaped square sconces, turned cylindrical capitals and waisted stems, on shaped square bases, each engraved with a crest and an armorial, by William Cafe, London 1762, 10" high (c.35.6oz) See illustration

£800-1,200

30 AN EDWARDIAN SILVER MOUNTED "HORSES HOOF" INKWELL with hinged cover, engraved "Manxman", by L.B & M, Birmingham 1903, 3" high

£100-200

31 A THREE PIECE TEA SET of circular tapering form, the teapot with wooden scroll handle and finial, on a tucked-in circular foot, by R.P., London 1942, the teapot 6.7" high (c.37oz)

£250-450

32 A PAIR OF GEORGE IV CANDLESTICKS with detachable circular sconces and cylindrical stems, with embossed knops, on circular bases, filled, by John & Thomas Settle, Sheffield 1824, 7½" high

£200-400

33 A WAITER of shaped circular form with a raised scroll border and presentation inscription, on three ball feet, by J.C. Ltd, Birmingham 1926, 8" dia., (c.8.8oz)

£60-100

Lot 27 Lot 29

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34 A LARGE TWO-HANDLED TRAY of oval form, with an egg and dart border, the pierced handles modelled in the form of swan heads, with further pierced leaf sections, on four compressed ball feet, by Elkington & Co., London 1911, 28½" wide (handle to handle). See illustration

£1,000-2,000

35 A THREE PIECE TEA SET of octagonal form, with angular handles, on a tucked-in foot, by W.A., Birmingham 1936, the teapot 6¾" high (c.39oz)

£200-300

35A A PAIR OF VICTORIAN SPIRAL FLUTED COLUMN FORM CANDLESTICKS with detachable sconces and square beaded bases, London 1886, Martin Hall & Co., 11½" high

£300-600

36 A SALVER of shaped square form, with a raised border, initialled, the base with a presentation inscription, on extended pad feet, by B.B/S Ltd, Birmingham 1933, 10" wide. (c.20oz)

£100-200

37 MILITARY INTEREST: A PRESENTATION SALVER of shaped circular form, with a gadrooned border, engraved with facsimile signatures from the Prince of Wales Regiment, on claw and ball feet, by the Goldsmiths & Silversmiths Co., Sheffield 1938, 10" dia. (c.19oz)

£150-250

37A A PAIR OF VICTORIAN TABLE CANDLESTICKS of spiral fluted column form, on swept bases, London 1888, by Martin Hall & Co., 5.25" high

£80-150

Lot 34

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38 A CHINESE THREE PIECE TEA SET of waisted oblong form, with bamboo style handles and spouts, each piece decorated with applied prunus blossom branches, with an accompanying pair of sugar tongs, by Hung Chong & Co. of Shanghai, also marked with a character mark, circa 1900, the teapot 4¾" high, (c.34oz). See illustration

£500-1,000

39 A CHINESE BUTTER DISH AND STAND of circular form, with pull-off cover and ball finial, with mottled decoration, by Zeewo, also bearing a character mark, 4" dia., (c.6.8oz)

£80-160

40 A CHINESE BOWL with a wavy border, the body with applied dragon decoration, on a tucked-in pedestal foot, by Zeewo, also bearing a double character mark, circa 1900, 6¾" dia., (c.13.6oz). See illustration

£200-400

41 A CHINESE THREE PIECE TEA SET of bellied circular form with bamboo style handles and finials, decorated with dragons against a mottled ground, monogrammed, on tucked-in circular feet, by Zeewo, each piece with a double character mark, circa 1900, the teapot 5¾" high (c.32oz). See illustration

£300-600

42 A JAPANESE WHITE METAL BOWL of bellied circular form, with all over basket weave decoration, on a tucked-in circular foot, with a pull-out liner, the base bearing character marks, 6¼" high, 8" dia.

£80-160

43 A FRENCH CHOCOLATE POT of baluster form, the hinged lid with disc finial, faceted spout and turned ivory handle, the whole on three down-curving feet, Paris, circa 1780, 10" high (c.25oz)

£150-250

44 A GEORGE III CREAM JUG of helmet form with beaded handle and engraved decoration, on a square foot, makers mark rubbed, London 1791, 6¼" high, and a christening mug (2) (c.8.7oz weighable silver)

£60-100

45 AN EDWARDIAN VASE of planter form with embossed foliate and scroll decoration, by Walker & Hall, Sheffield 1904, 5" high, a Victorian bon bon dish and another dish (3) (c.13.4oz)

£80-160

46 A VICTORIAN NATURALISTIC CREAM JUG of baluster form, with a branch style handle, the body embossed with leaves and vines, monogrammed, gilt interior, by William Eaton, London 1854, 4½" high (c.4oz)

£80-160

Lot 38 Lots 40, 41

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47 AN ART DECO THREE PIECE TEA SET of compressed circular form with angular handles, on tucked-in circular feet, by Charles Edwards, London 1919, the teapot 4" high (c.21.8oz)

£200-400

48 OMAR RAMSDEN: A GOBLET of tapering circular form with a wavy frieze, the stem applied with lions masks and blue cabochons surrounded by rope-work borders, on a fluted rope-work foot, the underside of the base engraved "Omar Ramsden ME FCT.", the date letter rubbed, probably London 1923, 4½" high, (c.4.3oz). See illustration

£500-1,000

49 OMAR RAMSDEN: A NAPKIN RING of waisted cylindrical form, decorated with an embossed Tudor rose, hammered finish, London 1922, 2¼" high (c.1.2oz). See illustration

£100-200

50 OMAR RAMSDEN: A NAPKIN RING of waisted cylindrical form, decorated with acorns and leaves, hammered finish, London 1921, 2¼" high, (c.1.2oz). See illustration

£100-200

51 A SILVER AND ENAMEL ASHTRAY of shaped square form, the centre decorated with a flowerhead motif in polychrome enamels, by John Ferguson Gow, London 1941, 3¼" wide (c.2.4oz). See illustration

£80-160

52 LIBERTY & CO: A NAPKIN RING of oval form with raised borders, dot frieze and hammered finish, Birmingham 1937, 2¾" long, and a small elongated sauceboat, (c.3.4oz weighable silver) (2). See illustration

£80-160

53 A CAST PARCEL GILT DISH modelled in the form of the Prince of Wales feathers, with the motto "Ich Dien", on a scroll foot, by Mappin & Webb, London 1968, 5½" wide, (c.8.8oz)

£80-160

54 A PEDESTAL BOWL of octagonal form with pierced lug handles, on an octagonal foot, by William Hutton & Co. Ltd, London 1911, 9½" long (handle to handle)x 4¼", and a pair of Victorian quaiches, London 1894, (c.20oz) (3)

£150-250

55 A WAITER of shaped square form with a raised border, on extended hoof feet, by B.B.S., Ltd, Birmingham 1928, 7" wide, (c.8.4oz)

£60-100

Lots 48 Lots 49, 50, 51, 52

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56 ROYAL INTEREST: A SET OF FOUR VICTORIAN CHAMBERSTICKS with pull-off conical snuffers, circular sconces, cylindrical stems and circular drip pans, on tucked-in circular bases, each piece engraved with the cipher of Edward VII, by Robert Garrard II, London 1872, also engraved with retailers marks for R & S Garrard of Panton Street, London, each 5¼" high x 7" wide (c.57oz). See illustration

Provenance: Purchased from J.H. Bourdon-Smith Ltd, 25.7.1974

£1,000-2,000

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57 A SET OF FOUR GEORGE III SALTS of shaped rectangular form, with gadrooned borders and part fluted decoration, crested, with wash gilded interiors, possibly by IET, London 1817, and four matching spoons, 3½" wide, (c.13.5oz)

£150-250

58 A VICTORIAN PART TEA SET comprising teapot and cream jug of oval form , with part fluted decoration, presentation engraved, by Charles Stewart Harris, London 1891, the teapot 5½" high, (c.13.3oz)

£80-160

59 A LATE VICTORIAN PART TEA SET comprising teapot and cream jug, of oval form with gadrooned borders and angular handles, engraved decoration on ball feet, by Edward Barnard & Sons Ltd, London 1900, the teapot 5¾" high, (c.23.5oz)

£150-250

60 A FIVE PIECE TEA/COFFEE SET of oval form with angular handles, on tucked-in oval feet, by Viners, Sheffield 1963/64, the coffee pot 9", (c.80oz). See illustration

£500-800

61 A PAIR OF EDWARDIAN CANDLESTICKS of Corinthian column form, with beaded pull-off sconces, on square bases with demi-lune decoration, filled, by William Hutton & Sons, London 1902, 5¾" high (2)

£80-160

62 A PAIR OF CANDLESTICKS of Corinthian column form with shaped square pull-off sconces and stepped square bases, filled, by WE/LD, Birmingham 1911, 6¾" high

£100-200

Lot 60

20

63 A GEORGE IV INK STAND of shaped rectangular form with gadrooned and scroll borders, the centre with a detachable chamberstick, the whole on shell-capped bracket feet, possibly by Joseph Angell, London 1826/1827, 12" wide. See illustration

£250-350

64 A VICTORIAN INK STAND of rectangular form with reeded borders, with two oval ink wells, on fluted down-curving feet, by Charles Stewart Harris, London 1889, with a retailers mark of Lambert of Coventry Street, London, 9" wide (c.20.5oz)

£150-250

65 A COMPOSITE FOUR PIECE TEA/COFFEE SET of oval form with angular handles and part fluted decoration, the teapot and coffee pot by Charles Boyton & Sons, London 1918, and a plated cream jug and sugar bowl, (c.53oz weighable silver)

£300-600

66 A GEORGE III TEAPOT of bellied circular form with wooden scroll handle and finial, later embossed with birds, scrolls and urns, on a tucked-in circular foot, by HN, London 1804, and a similar cream jug, the teapot 5¾" high (c.19oz weighable silver) (2)

£150-250

67 A GEORGE III CREAM JUG of helmet form with a beaded border and reeded handle, on a square base, initialled, makers mark rubbed, London 1795, 6" high, and a small coffee pot, (c.11.7oz weighable silver) (2)

£100-200

68 A VICTORIAN MEAT DISH of oval form with a beaded border, crested, by John Samuel Hunt, London 1854, also engraved with a retailers mark of Hunt and Roskell, late Storr and Mortimer, 16" wide, (c.43oz). See illustration

£600-800

Lots 63

Lot 68

21

69 A TEAPOT of shaped oval form with an angular handle, on compressed ball feet, makers mark rubbed, Chester 1933, 6" high (c.15oz)

£100-200

70 A GREEK PARCEL GILT DISH of circular form, the centre with stylised decoration, marked "Illias Lalaounis, 925", 8" dia., and an accompanying box

£100-150

71 A GEORGE II COFFEE POT of circular tapering form, with slightly domed hinged cover and knop finial, wooden scroll handle and faceted spout, on a spreading circular foot, possibly by James Manners, London 1736, 8½" high (c.20oz). See illustration

£300-600

72 A SALVER of shaped circular form with a raised plain border, by JR, Birmingham 1969, 10" dia. (c.13.2oz)

£80-160

73 A WAITER of shaped circular form with a plain raised border, on hoof feet, Birmingham 1970, 8" dia., and a fluted sugar bowl, (c.15oz) (2)

£100-200

74 A PAIR OF EDWARDIAN SAUCE BOATS of shaped oval form with leaf cap scroll handles, by EJH/NH, London 1908, another sauceboat and a cherub embossed vase, (c.16oz weighable silver) (4)

£100-200

75 A VICTORIAN SUGAR CASTOR of baluster form, the high pierced pull-off cover with urn and garland finial, the body with part-fluted swag decoration and gadrooned borders, with all over applied female figures, on a circular foot, by Carrington & Co., London 1895, the bayonet cover bearing a makers mark of SB, the base bearing an additional retailers mark, 10" high, (c.17.5oz). See illustration

£200-400

76 A PAIR OF EDWARDIAN GRADUATED SALVERS, each of shaped circular form with raised gadrooned borders, on claw and ball feet, by Thomas Bradbury & Sons, London 1905, the largest salver 10" dia., (c.31oz weighable silver) (2)

£250-350

Lot 75Lot 71

22

77 A SET OF FOUR VICTORIAN SALTS of oval form with gadrooned borders, the bodies pierced with birds in scrolls, initialled, on claw and ball feet, with blue glass liners, by FF, London 1853, 3" wide. See illustration

£150-250

78 AN EDWARDIAN WAITER of shaped circular form with a raised gadrooned border, on claw and ball feet, by the Goldsmiths & Silversmiths Company, London 1905, 7" dia., and a small rose bowl, (c.16.5oz weighable silver) (2)

£100-200

79 A PAIR OF EDWARDIAN SAUCE BOATS decorated in the Irish taste, with punched-out beaded decoration, flying scroll leaf capped handles, on raised hoof feet, by Daniel & John Wellby, London 1904, 7" long (c.11.5oz). See illustration

£150-250

80 AN EDWARDIAN IRISH SUGAR BOWL of tapering circular form, the body embossed with sprigs of flowers, on a spreading circular foot, makers mark partially rubbed, Dublin 1901 with an additional retailers mark for West & Son, 4¼" dia. x 3½" high (c.4.3oz)

£80-160

81 A MUG of circular tapering form with gilt interior and branch style handle, Birmingham 1975, with presentation engraving, 3", and a small tumbler cup by Payne & Sons, (c.8oz weighable silver) (2)

£80-160

82 A GEORGE III WAITER of circular form with a raised border, crested, on three bracket feet, possibly by John Hawkins, London 1809, (c.7.5oz)

£100-200

83 A GEORGE II WAITER of shaped circular form with a raised border and chased shell frieze, on three scroll feet, the underside scratch initialled C/IE, possibly by George Hodges, London 1734, 6" dia., and a Victorian mustard pot, (c.13.7oz weighable silver) (2)

£150-250

83A AN ART NEVEAU SILVER AND BRONZE HAND BELL, with a stylised plant form handle, London 1905, attached to a bronze 'flower head' bell, 7¼" high

£150-250

Lot 77 Lot 79

23

84 A SCOTTISH PRESENTATION CUP of lobed circular form with scroll handles and gilt interior, on a tucked-in circular base, on an ebonised plinth, applied to one side with a badge or boss depicting a thistle and the motto "Nemo me impune lacessit" which translates as "No one provokes me with impunity" and is the national motto of the Kingdom of Scotland, the other side of the plinth bearing a presentation inscription, by Hamilton & Inches, Edinburgh, 1905, 14" wide (handle to handle) x 7" high (c.51oz), contained in a fitted oak case. See illustration

£400-800

85 AN EDWARDIAN COFFEE BIGGIN ON STAND and a matching hot water pot on stand, of cylindrical form with acorn finials, hinged domed lids and scroll handles, crested, the burners with gadrooned borders, on downswept legs and square feet, by Daniel & John Wellby, London 1905/1906 (one burner by a different maker), 10¾" high, (c.52oz). See illustration

£400-600

86 A MATCHED THREE PIECE TEA SET with angular handles and gadrooned borders, Sheffield 1971/73, and two further sugar bowls, (c.55oz) (6)

£300-400

87 TIFFANY & CO: A CHRISTENING BOWL of circular form with plain lug handle, initialled and dated, 4¼" dia., and a pair of bleeding bowls with pierced lug handles, each marked Web and Sterling, (c.9.1oz weighable silver) (3)

£80-160

88 A PAIR OF VICTORIAN BON BON DISHES of shaped circular form, with scroll borders, Sheffield 1895, an Edwardian beaker (marks rubbed") and two Continental bowls, (c.13.3oz weighable silver) (5)

£100-200

Lot 84

Lot 85

24

89 A SAUCEBOAT of tapering oval form with a scroll handle, by Asprey & Co Ltd, Sheffield 1915, 6" long, and two further sauceboats, (c.10.9oz weighable silver) (3)

£60-100

90 A GEORGE III BOWL of circular tapering form with egg and dart border and geometric beaded frieze, with part fluted lower section, on a tucked-in circular foot, by Benjamin Smith, London 1807, 6½" dia. x 4½" high, (c.20.6oz). See illustration

£200-400

91 A DANISH VASE of tapering circular form, with a hammered finish and a stylised wavy bottom section, Assay Masters mark for Christian F. Heise, 1918, and a similar vase, (c.13.7oz)(2)

£100-200

92 PAUL STORR: A WILLIAM IV TOAST RACK of seven shaped bars and a central leaf capped carrying handle, on downswept scroll feet, the underside also engraved "Storr and Mortimer", and "349", London 1836, 6¾" high x 6¼" long (c.9oz). See illustration

£200-400

93 A VICTORIAN SAUCEBOAT of shaped oval form, decorated in the Irish manner, with scroll handle, on extended hoof feet, by MF, Chester 1896, 7" long, and an Indian colonial mug by Hamilton & Co. Ltd, 3½" high (c.13.5oz weighable silver) (2)

£100-200

94 A GEORGE II MUG of baluster form with scroll handle, on a spreading circular foot, by Richard Gurney and Thomas Cook, London 1750, 5¼" high (c.12.9oz). See illustration

£200-400

95 A PAIR OF SAUCEBOATS of tapering oval form with leaf capped flying scroll handles, on extended pad feet, by Robertson and Belk, Sheffield 1967, 7" long (c.15.9oz)

£100-200

Lot 90

Lot 92

Lot 94

25

96 A BREAKFAST DISH AND COVER of oval form, the pull-off cover with wooden disc finial, "D"-shaped carrying handles, the whole on compressed ball feet, by Mappin & Webb, Sheffield 1927, 11" wide (handle to handle) (c.38.5oz)

£250-350

97 A CONTINENTAL STIRRUP CUP of tapering circular form, terminating in a cast boar's head and two branch feet, the body engraved with a scene of a boar hunt, marked 925 and bearing import marks for Berthold Muller, c.1900, 8¼" high (c.16.2oz). See illustration

£300-600

98 A VICTORIAN SUGAR CASTOR of cylindrical form with pull-off pierced cover, the body embossed with foliate scrolls, by Nathan & Hayes, Birmingham 1892, 6½" high, (c.7.6oz)

£80-160

99 A GEORGE III WAITER of circular form, with a raised gadrooned border, on scroll feet, monogrammed, by Samuel Hennel and John Terry, London 1814, 8½" dia. (c.11oz)

£100-200

100 A VICTORIAN SILVER AND CUT-GLASS CLARET JUG, the bulbous body decorated with three prancing horses in a landscape, the mounts with interlaced horseshoe and cross design, engraved to the lid "Clark, 20 Old Bond Street, London 1887", possibly Edward H. Stockwell, 10" high. See illustration

£500-1,000

101 A GEORGE IV MUG of baluster form, chased with foliate scrolls and exotic birds, leaf capped scroll handle and gilt interior, on a spreading circular foot, by WB, London 1824, 4¼" high, (c.6.8oz)

£80-160

102 A COLLECTION OF FRENCH WINE TASTERS of conventional form, of mixed makers and dates, (c.6.1oz) (3)

£100-200

Lot 97 Lot 100

26

103 A JAMES II LIDDED TANKARD of tapering circular form, the slightly domed hinged lid with scroll thumbpiece and scroll handle, scratch initialled L*W, the body decorated with an acanthus leaf lower section, on a reeded base, the underside of the base engraved with a later inscription "WdeE / 1866", by DG crowned with a pellet below, London 1686, 7" high (c.19.4oz). See illustration

For a similar maker's mark see "Jacksons Silver and Gold Marks of England, Scotland and Ireland" edited by Ian Pickford, pg.146

£1,000-2,000

104 A GEORGE IV COASTER of circular form, with a gadrooned border and fluted decoration, on a turned wooden base, possibly by Smith, Tate & Co., Sheffield 1821, 6" dia.

£150-250

105 A SET OF FOUR GEORGE III SALTS of circular tapering form with reeded borders and gilt interiors, the bodies possibly later embossed with foliate scrolls, initialled, on circular bases, by Robert, David and Samuel Hennell, London 1801, 3½" dia. x 2¾" high (c.10.9oz)

£150-250

106 A GEORGE III CREAM JUG of oval form, with ribbed decoration and angular handle, crested, by Peter, Anne & William Bateman, London 1801, 4½" high, and a pair of bon bon dishes (c.10.4oz weighable silver) (3)

£80-160

107 A WILLIAM III BRITANNIA STANDARD MUG of circular tapering form, with a reeded girdle and bead capped scroll handle, scratch initialled C/I*D, on a reeded spreading foot, possibly by Edward Gibson, London 1701, the handle part marked with a different makers mark of SI (possibly a replacement), 4¼" high (c.9.5oz). See illustration

£300-600

Lot 103

Lot 107

27

108 A PAIR OF GEORGE I BRITANNIA STANDARD TRENCHER SALTS of conventional form, with wash gilded interiors, the bases scratch initialled AS, makers mark partially rubbed, R?, London 1719, 3" wide (c.2.9oz). See illustration

£150-250

109 A NEAR PAIR OF GEORGE II TRENCHER SALTS of conventional form with gilded interiors, crested, the base of one scratch initialled I*S, possibly by EW, London 1731/1732, 3" wide, (c.4.2oz). See illustration

£150-250

110 A THREE PIECE TEA SET of bellied oval form with angular handles, on compressed ball feet, the teapot by Nathan & Hayes, Chester 1914, the cream jug and sugar bowl by Charles Stuart Harris, London 1915, the teapot 6" high, (c.31oz)

£300-500

111 A PAIR OF THREE LIGHT CANDELABRA with waisted cylindrical stems, on filled circular bases, each marked "Sterling", 9" high

£60-100

112 A GEORGE IV LARGE SALVER of shaped circular form, the raised border applied with shells and scrolls, with chased foliate scroll decoration, the whole on four leaf-capped scroll and shell feet, by Rebecca Emes and Edward Barnard, London 1827, 16" dia. (c.67oz). See illustration

£1,000-1,500

Lot 112

Lot 108-109

28

113 AN EARLY 18TH CENTURY WINE TASTER of circular form with twin wire-work "S"-shaped handles, the underside of the base scratch initialled "IR/MN 1707", otherwise unmarked, probably West Country, circa 1700, 6" wide (c.4oz). See illustration

£200-300

114 A GEORGE III KITCHEN PEPPER of cylindrical form with a pull-off pierced cover and reeded scroll handle, crested, on a reeded base, the base also scratch initialled MH, the cover only bearing a makers mark for Hester Bateman, London 1779, 4" high, (c.3.8oz). See illustration

£200-400

115 AN GEORGE II BRANDY WARMER of conventional form with a turned wooden handle, London Assay, marked rubbed, circa 1740, 6" long. See illustration

£100-200

116 A QUEEN ANNE BRITANNIA STANDARD BRANDY WARMER of circular tapering form with a reeded base, the underside scratch engraved I.B, with a turned wooden handle, by WW?, London 1702, 7" long. See illustration

£200-300

117 A CONTINENTAL BEAKER of flared circular form, applied with a wire-work band of angels heads, on a spreading circular foot, the body engraved with stylised geometric motifs, monogrammed above the date 1649, the underside of the base struck twice with a conjoined makers mark of MC, 4½" high (c.4.8oz), and a smaller flared Continental beaker (2). See illustration

£300-500

118 A GERMAN PORRINGER of circular tapering form, the lug handles pierced with heart motifs, the underside monogrammed and bearing an Augsburg town mark, possibly circa 1753, with traces of gilding, 7" wide (handle to handle), (c.4.2oz), and a toddy ladle bowl (2). See illustration

£200-400

Lots 113, 114, 115 and 116

Lots 117 and 118

Lot 119

29

119 A PAIR OF IRISH WAITERS of shaped circular form, with a raised border, each engraved with a coat of arms, raised on extended pad feet, the undersides with scratch weights, by Ralph Vizard, Dublin, no date letter, 18th century, 6" dia. (c.13.7oz). See illustration

The coat of arms is possibly that of the Vandeleur Family.

£600-1,000

120 A GEORGE I IRISH STRAWBERRY DISH of circular form with fluted borders, the centre engraved with a crest above the motto "Fortitudo A Deo Est", the underside with a scratch weight of 12/6, by Joseph Walker, Dublin 1715, 8¾" dia. (c.11.7oz). See illustration

£1,000-2,000

121 A GEORGE III ENTREE DISH AND COVER of oval form, with reeded "D"-shaped handles, the cover engraved with a later monogram and date, with a later liner, by WS, London 1798, 14" wide (handle to handle), (c.44oz)

£350-450

122 A GEORGE III CREAM JUG of baluster form with leaf-capped scroll handle, the body embossed with flowers and scrolls, possibly by CH, London 1775, 5" high (c.3.1oz)

£60-100

123 A GEORGE III CREAM JUG of baluster form, with scroll handle and "punched-out" border, the body embossed with farmyard scenes, monogrammed, on a circular foot, by TS, London 1779, 4¼" high (c.3.2oz)

£60-100

124 A BRITANNIA STANDARD SUGAR CASTOR of baluster form with a pierced bayonet fitting and pull-off cover, disc finial, crested, with a moulded girdle, on a spreading circular foot, marks rubbed, circa 1715, 6" high (c.5.2oz)

£100-200

125 A PAIR OF THREE LIGHT CANDELABRA BRANCHES with reeded arms and detachable oval sconces, London 1969, each 17cm wide, (c.48oz)

£300-500

126 A CONTINENTAL CUP AND COVER of campana form, the domed pull-off cover with leaf bud finial, the body decorated with mythical figures amongst foliage, on a waisted stem and a circular base, the base marked "Hagen", 12¾" high (c.11.3oz)

£80-160

Lot 120

30

127 A GERMAN BEAKER of tapering circular form with a parcel-gilt border to the rim, scratch engraved with initials, on a circular foot with gadrooned decoration, the underside of the base scratch engraved "TLD", probably 17th century, 7" high (c.12oz). See illustration

£300-600

128 A NORWEGIAN PEG TANKARD, the domed hinged lid inset with gilt coins, lion and ball thumbpiece, scroll handle, the body engraved with wriggle-work cartouches and barrels above geometric friezes, the whole on three claw and ball feet, gilt interior, by Mathias Pettersen, Bergen, circa 1787, 9½" high, (c.30oz). See illustration

£1,000-2,000

129 A "BAROQUE" DISH of circular form, repoussé with cherubs and masks amongst foliage, with a central flower head boss, apparently unmarked, c.1660(?), 16½" dia. See illustration

£400-600

130 A CHARLES II LIDDED TANKARD of tapering circular form with domed hinged lid, scroll thumb piece and graduated scroll handle, prick-dot engraved with the initials SWI/GH, on a reeded foot, makers mark of TL in a plain stamp, London 1670, 7" high (c.21oz). See illustration

For the makers mark see "Jacksons Silver and Gold Marks of England, Scotland and Ireland" edited by Ian Pickford, pg.127

£1,500-2,500

131 A GEORGE II COFFEE POT of tapering circular form, the domed hinged cover with graduated disc finial, wooden scroll handle and shell-capped spout, one side engraved with a coat of arms, probably by Thomas Whipham, London 1746, 10" high (c.24oz). See illustration

£400-600

132 A CHINESE THREE PIECE TEA SET of circular form, with bamboo style handles and spouts, the body embossed with prunus blossom, on circular tucked-in feet, by WN, with a single character mark to the base, c.1900, the teapot 5¾" high (c.26oz)

£300-600

133 A CHINESE MUG of tapering circular form with bamboo style handle, the body embossed with a dragon, by Wihg Nam, also with a character mark, circa 1900, 4" high, and an egg cup, a napkin ring, a hand mirror, a dressing table brush and a cigarette case (a lot)

£200-300

134 A PAIR OF CHINESE VASES of trumpet form, decorated with blossom and birds, on circular feet, by Wang Hing, and a pierced example, 6½" high (3)

£80-160

135-139 Spare Lots

Lot 127 Lot 129

31

Lots 128 and 130

32

140 CHRISTOPHER DRESSER: A CLARET JUG of stylised form with an elongated cylindrical neck, ebonised bar handle, on a tucked-in circular foot, by Hukin & Heath after a design by Dr. Christopher Dresser, 11¾" high. See illustration

£300-600

141 A PAIR OF PLATE ON COPPER VASES of flared cylindrical form, the bodies embossed with foliate scrolls, on spreading circular bases, with gadrooned borders, 13¼" high

£80-160

142 A PAIR OF OLD SHEFFIELD PLATE WINE COOLERS/ICE BUCKETS of circular form, with ring handles, each applied with an engraved griffin crest, on a reeded foot, each 6½" dia. x 6½" high. See illustration

£150-250

143 A NOVELTY ELECTRO-PLATED INKWELL modelled in the form of a cockerel, the hinged head opening to reveal the well, the whole on a spreading circular base, the underside marked James Deakin & Sons, Sheffield, 9" high. See illustration

£150-250

144 A VICTORIAN MEAT DOME of oval form with a leaf and branch oval handle and gadrooned borders, crested, the meat dish with turned wooden handles, and a smaller graduated dish, both on compressed ball feet, 27" long x 17" high (3)

£100-200

145-149 Spare lots

sILVER PLATE

Lot 142

Lot 143

33

Lot 140

34

150 A VICTORIAN VINAIGRETTE of shaped oval form, chased with foliate scrolls and vacant cartouche, gilt interior, the grill pierced with flowers and scrolls, by Nathaniel Mills, Birmingham 1847, 1½" wide. See illustration

£100-200

151 A GEORGE IV VINAIGRETTE of rectangular form with engine-turned decoration, the rectangular cartouche inscribed, the gilt interior with floral pierced grille, by Nathaniel Mills, Birmingham 1829, 1½" wide. See illustration

£100-200

152 A VICTORIAN VINAIGRETTE of rectangular form, the cover engraved with foliate scroll decoration and vacant cartouche, the gilt interior with floral pierced grill, by Nathaniel Mills, Birmingham 1846, 1¼" wide. See illustration

£100-200

153 A VICTORIAN VINAIGRETTE of shaped rectangular form with geometric engine-turned decoration, monogrammed cartouche and gilt interior, with floral pierced grill, by Nathaniel Mills, Birmingham 1845, 1¼" wide. See illustration

£100-200

154 A VICTORIAN VINAIGRETTE of rectangular form with engraved geometric decoration, the rectangular cartouche engraved with a name, the gilt interior with a floral pierced grill, by Nathaniel Mills, Birmingham 1837, 1½" long. See illustration

£100-200

155 A GEORGE III VALISE VINAIGRETTE of rectangular form, with a vacant cartouche to the base, the gilt interior with floral pierced grill, by Joseph Wilmore, Birmingham 1819, 1¾" long. See illustration

£150-250

156 A VICTORIAN "SCOTTISH MARKET" VINAIGRETTE, the cover set with various coloured agate stones, with suspension ring, gilt interior and scroll pierced grill, possibly H & C, Birmingham 1858, 1¼" long. See illustration

£150-250

157 A VICTORIAN VINAIGRETTE of shaped rectangular form with foliate scroll decoration, vacant cartouche and gilt interior, with floral pierced grill, by WD, Birmingham 1852, 1¾" long. See illustration

£80-160

A PRIVATE cOLLEcTION OF sMALL sILVER ANd VERTU

35

Lot 156

Lot 155

Lot 154

Lot 153

Lot 151

Lot 150

Lot 152Lot 157

36

158 A GEORGE IV VINAIGRETTE of rectangular form with engraved geometric decoration and vacant rectangular cartouche, wriggle-work decoration to the base, gilt interior and floral pierced grill, by Nathaniel Mills, possibly over-striking another, Birmingham 1826, 1¾" long. See illustration

£80-160

159 A VICTORIAN VINAIGRETTE with scroll decoration and floral pierced gilt grill, by Gervase Wheeler, Birmingham 1839, 1½" long. See illustration

£80-160

160 A GEORGE IV VINAIGRETTE with engine-turned geometric decoration and vacant rectangular cartouche, moulded borders and suspension ring, with gilt interior and floral pierced grill, by TF, Birmingham 1823, 1½" long. See illustration

£80-160

161 A VICTORIAN VINAIGRETTE of shaped rectangular form with engine-turned decoration, circular cartouche and gilt interior, the grill pierced with foliate scrolls, by AT, Birmingham 1856, 1½" long. See illustration

£100-200

162 A WILLIAM IV VINAIGRETTE of rectangular form with engine-turned decoration, with vacant rectangular cartouche, gilt interior and floral pierced grill, by Nathaniel Mills, Birmingham 1831, 1¾" long. See illustration

£100-200

163 A GEORGE IV SILVER GILT VINAIGRETTE of rectangular form with raised foliate scroll decoration, with vacant rectangular cartouche and scroll pierced grill, possibly by John Bettridge, Birmingham 1827, 1½" long, and a similar example, Birmingham (2). See illustration

£150-250

164 A GEORGE III VINAIGRETTE of rectangular form, with engine-turned decoration and vacant cartouche, with foliate thumb piece and gilt interior, scroll pierced grill, by Thomas Shaw, Birmingham, probably 1811, 1¼" long, and a Victorian vinaigrette (2). See illustration

£150-250

165 A GEORGE IV WATCH CASE VINAIGRETTE with an engine-turned cover, foliate border, gilt interior and foliate pierced grill, suspension ring, by John Shaw, Birmingham 1823, 1¾" long, and a similar example (2). See illustration

£150-250

37

Lot 160

Lot 158

Lot 162

Lot 163Lot 164

Lot 161

Lot 159

Lot 165Lot 165

Lot 164Lot 163

38

166 A WILLIAM IV SILVER GILT VINAIGRETTE of rectangular form with engine-turned decoration, foliate moulded border and foliate pierced grill, monogrammed, by John Bettridge, Birmingham 1833, 1½" long, and a similar example (2). See illustration

£150-250

167 A VICTORIAN VINAIGRETTE of shaped oval form with chased foliate cover, gilt interior and foliate pierced grill, by AT, Birmingham, probably 1852, 2" long, and a similar example (2). See illustration

£150-250

168 A VICTORIAN VINAIGRETTE of shaped rectangular form with scroll engraved cover, vacant cartouche and foliate pierced grill, by Edward Smith, Birmingham 1853, 1¼" long, and another example (2). See illustration

£150-250

169 A GEORGE IV VINAIGRETTE of rectangular form with engine-turned decoration, foliate borders, pierced scrolling grill, initialled, by WS, Birmingham 1826, 1¾" long, and a similar example (2). See illustration

£150-250

170 A GEORGE IV VINAIGRETTE of rectangular form with engine-turned decoration and foliate borders, the cover engraved with a name, with gilt interior and foliate pierced grill, by Thomas & William Simpson, Birmingham 1824, 1¾" long, and a similar example (2). See illustration

£150-250

171 A VICTORIAN VINAIGRETTE of shaped oval form with striped engine-turned decoration and a vacant cartouche to the cover, with gilt interior and foliate pierced grill, by George Unite, Birmingham 1854, 1½" long, and a similar example (2). See illustration

£150-250

172 A VICTORIAN VINAIGRETTE of shaped rectangular form with engine-turned decoration, monogrammed, with foliate pierced grill, by Edward Smith, Birmingham 1848, 1¼" long, and a similar example (2). See illustration

£150-250

173 A VICTORIAN VINAIGRETTE of shaped rectangular form with chased scroll cover, vacant cartouche and foliate pierced grill, by George Unite, Birmingham 1855, 1" long, and a similar example (2). See illustration

£150-250

39

Lot 167

Lot 167

Lot 170

Lot 170

Lot 169 (part)

Lot 171

Lot 171

Lot 168

Lot 168

Lot 169 (part)

Lot 166Lot 166

Lot 172

Lot 172

Lot 173

Lot 173

40

174 A GEORGE III VINAIGRETTE of canted rectangular form, the cover engraved with flowers and leaves, suspension ring, pierced gilt grill, probably by Samuel Pemberton, Birmingham 1810, 1" long, and two further examples (3). See illustration

£150-250

175 A GEORGE IV VINAIGRETTE of rectangular form with engine-turned decoration, initialled, with foliate pierced grill, by W & S, Birmingham 1825, 1¼" long, and two similar examples (3). See illustration

£150-250

176 A VICTORIAN VINAIGRETTE of rectangular form with wriggle-work engraved decoration, monogrammed and drilled foliate grill, by Edward Smith, Birmingham 1847, 1" long, and two similar examples (3). See illustration

£150-250

177 A GEORGE IV VINAIGRETTE of rectangular form with engine-turned decoration, the cover engraved with a name, with a foliate pierced gilt grill, by John Bettridge, Birmingham 1825, 1½" long, and two further examples (3). See illustration

£150-250

178 A GEORGE III VINAIGRETTE of oval form with engraved decoration, monogrammed, geometric drilled grill, possibly by Cox & Bettridge, Birmingham 1805, 1" long, and two similar examples (3). See illustration

£150-250

179 A VICTORIAN VINAIGRETTE of rectangular form with foliate engraved decoration and vacant cartouche, with gilt pierced grill, by Edward Smith, Birmingham 1852, 0¾" long, and two similar examples (3). See illustration

£150-250

180 A GEORGE IV VINAIGRETTE of rectangular form with engraved foliate decoration, suspension ring and foliate pierced gilt grill, by John Bettridge, Birmingham 1824, 1" long, and two similar examples (3). See illustration

£150-250

181 A GEORGE III VINAIGRETTE of oval form with chequerboard engraved decoration, the base monogrammed and dated, with gilt drilled grill, by Samuel Pemberton, Birmingham, possibly 1802, 1" long, and two similar examples (3). See illustration

£150-250

41

Lots 174, 175, 176, 177, 178, 179, 180 and 181

42

182 A VICTORIAN VESTA CASE of heart form, engraved with foliate scrolls and a vacant circular cartouche, by M & L, Birmingham 1897, and a similar example, 1¾" long (2)

£60-100

183 AN EDWARDIAN PATENT SOVEREIGN CASE of circular form, decorated with engraved foliate scrolls and suspension ring, the slide-away cover marked "Brevete", by Levi & Salaman, Birmingham 1902, 1½" long, and a similar example (2)

£80-160

184 AN EDWARDIAN NOVELTY PIN CUSHION modelled in the form of a roller skate, engraved with a registration number, by Chrisford and Norris, Birmingham 1909, 3" long x 2" high. See illustration

£200-300

185 AN EDWARDIAN NOVELTY PIN CUSHION modelled in the form of a pig, with replacement cushion, by Levi & Salaman, Birmingham 1904, 2¾" long x 1¾" high. See illustration

£100-200

186 AN EDWARDIAN NOVELTY PIN CUSHION modelled in the form of pig, by Adie & Lovekin, Birmingham 1907, 2" long x 1" high, and a similar example, Birmingham 1908 (2). See illustration

£150-250

187 A NOVELTY PIN CUSHION modelled in the form of an elephant by Adie & Lovekin Ltd, Chester 1913, 1½" long x 1" high. See illustration

£100-200

Lots 184, 185, 186 and 187

43

188 A LATE VICTORIAN COMBINATION VESTA/SOVEREIGN CASE of oval form with suspension ring, monogrammed, the body with leaf engraved decoration, by WW, Birmingham 1900, 4" long, and a Victorian double compartment vesta case (2)

£100-200

189 A VICTORIAN BOSUN'S CALL of conventional form, with suspension ring, by Hilliard & Thomason, Birmingham 1873, 4" long. See illustration

£100-200

190 A VICTORIAN SCOTTISH SILVER MOUNTED HORN SNUFF MULL of conventional form, applied with a vacant shield cartouche, the hinged cover bearing a makers mark of JAS. Aitchison, Edinburgh, 1898, 4" long. See illustration

£100-200

191 A VICTORIAN COMBINATION PENKNIFE / VESTA CASE of oval form, with a double vesta compartment to the top, striker, hook, spike and knife blade, with gilt interior, by WL, London 1879, also engraved with a retailers mark of Leuchars & Son, Piccadilly and Paris, 3" long. See illustration

£80-160

192 A VICTORIAN DRESSING TABLE BOX of square form, the cover embossed with a classical figure amongst scrolls, the base bearing a retailers mark of T.W. Harris of Hanover Square, with acanthus leaf embossed borders, by Nathan & Hayes, Chester, 1898, 3¾" wide

£80-160

193 A GEORGE IV PATCHBOX of circular form with wriggle-work decoration, by Taylor and Perry, Birmingham 1829, 1" dia. and a similar example by Samuel Pemberton (2)

£80-160

194 A GEORGE III LANCET CASE of conventional form, decorated with engraved cartouches and ribbons, with suspension ring, Birmingham 1789, 2" long, and two vinaigrettes, (lacking grills) (3)

£80-160

Lots 189, 190 and 191

44

195 A VICTORIAN SNUFF BOX of rectangular form with raised foliate scroll borders, engine-turned cushion sides and base, with gilt interior, by Nathaniel Mills, Birmingham 1839, 3" long x 1¾" wide, (c.3.5oz). See illustration

£300-600

196 A WILLIAM IV TABLE SNUFF BOX of rectangular form with a raised foliate border, the cover with chased foliate decoration with an engine-turned centre, initialled, with foliate thumb piece, plain base and gilt interior, by MS, London 1830, 4" long (c.5.2oz). See illustration

£150-250

197 A TABLE SNUFF BOX of rectangular form with raised wriggle-work borders and gilt interior, possibly by Charles Dumenil, London 1910, 4½" long, (c.7.2oz). See illustration

£150-250

198 A GEORGE IV SNUFF BOX of shaped rectangular form, with engine-turned decoration and vacant rectangular cartouche, with foliate thumb piece, gilt interior and reeded sides, by Joseph Willmore, Birmingham 1825, 3½" long x 1½" wide (c.1.5oz). See illustration

£100-200

199 A VICTORIAN SNUFF BOX of rectangular cushion form with an engine-turned cover, initialled, with raised foliate borders and gilt interior, by Nathaniel Mills, Birmingham 1839, 2¼" long. See illustration

£150-250

200 A WILLIAM IV SNUFF BOX of rectangular form with engine-turned decoration, vacant rectangular cartouche and gilt interior, by Thomas Shaw, Birmingham 1835, 2¾" long, and two other snuff boxes (3). See illustration

£150-250

201 A VICTORIAN SNUFF BOX of shaped rectangular form, with engraved foliate and floral decoration, with gilt interior, the side with a panel for striking, by George Unite, Birmingham 1872, 2" long. See illustration

£80-160

Lots 199, 200 and 201Lots 195, 196, 197 and 198

45

202 AN EDWARDIAN CIGAR CASE of shaped rectangular form with chased foliate scroll decoration, initialled, with gilt interior, by J.R. Ltd, Birmingham 1903, 1¾" long (c.4oz)

£60-100

203 A COLLECTION OF WINE LABELS including a Scottish example for "Hollands", Edinburgh 1820, and nine others of mixed makers and dates (a lot)

£200-300

204 A VICTORIAN SCOTTISH TRINKET BOX of rectangular form with Celtic style strapwork decoration, with gilt interior, by John Maitland Talbot, Edinburgh 1899, 3" long (c.3.4oz)

£100-200

205 A RUSSIAN SILVER GILT AND ENAMEL SNUFF BOX of rectangular form, the body decorated in polychrome enamels, the interior stamped twice with a makers mark of G.K., also marked for Moscow 1882-1899, 2" long x 1½" wide, (c.2.2oz). See illustration

£200-400

206 A CONTINENTAL SILVER GILT AND ENAMEL SNUFF BOX of rectangular form with stylised geometric and floral decoration, 3½" long x 1" (c.1.5oz). See illustration

£150-250

207 A VICTORIAN NOVELTY BOX modelled in the form of a travelling trunk, of rectangular form, with a gilded interior, with twin carrying handles, by Samuel Walton Smith, Birmingham 1890, 3½" long x 1½" wide (c.3.6oz). See illustration

£300-600

208 A NOVELTY SILVER AND ENAMEL VESTA CASE modelled in the form of a visiting card, with a flat hinged cover, by Sampson Mordan & Co., Chester 1914, 2¼" long x 1½" wide. See illustration

£300-600

209 AN EDWARDIAN VESTA CASE for The Royal Exchange Assurance, one side embossed with an architectural scene of The Royal Exchange, the other with the coat of arms, Birmingham 1909, 2" and a silver and enamel vesta case (2)

£80-160

Lots 205, 206, 207 and 208

46

210 A CASED SET OF FOUR EDWARDIAN NOVELTY MENU CARD HOLDERS modelled in the form of characters from Alice in Wonderland, on filled circular bases, by Levi & Salaman, Birmingham 1905. See illustration

£300-600

211 FISHING INTEREST: A SET OF FOUR CASED MENU CARD HOLDERS of circular form, each inset with a different fishing fly, on circular disc bases with bar backs, by W & SB or E, Birmingham 1927. See illustration

£200-300

212 AN EDWARDIAN NOVELTY SILVER AND CERAMIC SCENT BOTTLE modelled in the form of a strawberry, possibly by Levi & Salaman, Birmingham 1904, 2¼" long, and a painted silver and ceramic circular scent bottle (2). See illustration

£150-250

213 A VICTORIAN SCENT BOTTLE of circular form with chased leaf and scroll decoration, initialled, by M & Co. London 1893, 1¾" long, and two further scent bottles (3). See illustration

£80-160

214 A COLLECTION OF SCENT BOTTLES including a red glass example, the pull-off silver cover London 1921, and seven other examples of mixed makers and dates (a lot). See illustration

£100-200

215 FOUR VARIOUS COLOURED GLASS SCENT BOTTLES with white metal mounts, of mixed designs (4). See illustration

£60-100

216 A VICTORIAN WHITE METAL MOUNTED GREEN GLASS SCENT BOTTLE/VINAIGRETTE with a loop carrying handle and cut-glass body, and a red glass example and two tear-drop examples (4). See illustration

£80-160

217 A VICTORIAN GILT METAL CRANBERRY GLASS DOUBLE-ENDED SCENT BOTTLE with engraved foliate decoration, by S. Mordan & Co., 5¾" long, and two vari-coloured glass examples (3). See illustration

£100-200

Lots 210 and 211 Lots 212, 213, 214, 215, 216 and 217

47

218 A LATE VICTORIAN SILVER-MOUNTED HIP FLASK of rectangular form with cut-glass body and pull-off cup, by LAL, London 1899, 6" high, and a George III cream jug (2)

£80-160

219 A LATE VICTORIAN SILVER MOUNTED GLASS SCENT BOTTLE of tapering circular form, with a hinged cover and webbed silver collar, London 1899, 5¼" high, and a silver-mounted circular teapot stand, 6" dia. (2)

£80-160

sMALL sILVER ANd VERTU

220 STUART DEVLIN: A PARCEL GILT SURPRISE EGG opening to reveal a frog on a lily pad next to a gilt flower, the base marked 77, London 1972, in a fitted case. See illustration

£250-350

221 A WHITE METAL NOVELTY INKWELL modelled in the form of a curling stone with a wooden handle and wash gilded interior, apparently unmarked, 3" dia.

£150-250

222 AN EDWARDIAN NOVELTY PAGE TURNER modelled in the form of a golf club, makers mark rubbed, Birmingham 1906, 12½" long. See illustration

£250-350

223 A CONTINENTAL JEWELLERY BOX of cushion form with domed hinged cover and gilt interior, the whole on four bracket feet, the base stamped "800", 5" long (c.8.7oz)

£100-200

224 A TABLE ORNAMENT modelled in the form of a prancing horse, on an oval base, by John Pinches, the base stamped 925 and dated 1975, 5" high. See illustration

£150-250

Lot 220

Lot 222

Lot 224

48

225 HUNTING INTEREST: A PAIR OF VICTORIAN MENU CARD HOLDERS modelled in the form of huntsmen jumping fences, by Samuel Jacob, London 1895, 3¼" high

£80-160

226 A HIP FLASK of conventional form with a pull-off cup and bayonet fitting top, by C.P & Co., Sheffield 1912, 4" long (c.4.2oz)

£80-160

227 A RUSSIAN NIELLO SNUFF BOX of rectangular form, the body decorated with geometric and foliate niello designs, with gilt interior, by AP, Moscow 1836, 3½" long x 2" wide, (c.4.3oz). See illustration

£200-400

228 A RUSSIAN NIELLO SNUFF BOX of rectangular form, the cover decorated with a figure amongst geometric motifs, the base decorated with an architectural scene, with a gilt interior, probably Moscow 19th century, 3½" long (c.???.8oz)

£100-200

229 A SET OF FIVE IRISH SILVER AND ENAMEL WINE LABELS, each of oval form and decorated with blue and green enamel clovers to the borders, Dublin 1973, (also bearing the additional Gleninsheen collar mark struck to commemorate Irelands entry into the European Union), each 1¾" long (5)

£100-200

230 A VICTORIAN SCENT BOTTLE of heart form with part-fluted decoration, monogrammed, with hinged cover, by William Comyns, London 1897, 3" long

£50-100

231 ROYAL INTEREST: A COMMEMORATIVE TABLE SNUFF BOX, Britannia Standard, of oval form, the pull-off cover applied with a medallion to commemorate the Coronation of King George VI, the base with a retailers mark of Collingwood & Co., London 1936, 3¾" long (c.5.4oz)

£80-160

232 A VICTORIAN VINAIGRETTE of shaped rectangular form with engraved scroll decoration and floral pierced grille, by FC, Birmingham possibly 1845, 1¼" long

£80-160

233 AN EDWARDIAN NOVELTY PEPPER GRINDER modelled in the form of a ships capstan, makers mark rubbed, probably Birmingham 1909, 3¾" high

£80-160

234 THE WORSHIPFUL COMPANY OF BLACKSMITHS INTEREST: A PEPPER MILL of circular tapering form with moulded girdles, engraved with a crest and motto of the Worshipful Company of Blacksmiths, by Mappin & Webb, London 1938, 3½" high

£80-160

Lot 227

49

235 A PAIR OF GEORGE III IRISH SHOE BUCKLES of rectangular form with beaded borders and engraved with flowerheads, with bar backs, by DP, Dublin circa 1780, 3" long. See illustration

£100-200

236 KILRUSH VOLUNTEERS INTEREST: A GEORGE III IRISH AWARD MEDAL of oval form with a raised leaf border and loop top section, one side engraved with the crest of the Kilrush Volunteers 1797, the reverse engraved with the presentation inscription "Presented by Captain Thomas Burton Vandeleur for skill in firing at the target", 3" long. See illustration

£100-200

237 A CASED DRESSING TABLE SET, London 1929, with engine-turned decoration

£50-100

238 ROYAL INTEREST: A VICTORIAN SET OF FOUR CASED SALTS with matching spoons, the salts of oval form, with part-fluted borders, gadrooned rims and gilt interiors, the spoons with onslow style terminals, by Thomas, Walter and Henry Holland, London 1898, in a box by Carrington & Co., and sold with an accompanying note reading "Given by Queen Mary, by then the Queen Mother to S.E. Povey MVO on his retirement from Buckingham Palace in 1946"

£150-250

239 A CASED SET OF EDWARDIAN SALTS of circular form with ball feet, three salt spoons and a six piece condiment set (2)

£80-160

240 A VICTORIAN CASED BUTTER DISH AND KNIFE of scallop shell form, Birmingham 1894, and a cased pair of salts with matching spoons (2)

£50-100

241 A THREE PIECE CONDIMENT SET with gadrooned borders and lions head feet, London 1937, and a pepper grinder (2)

£80-160

242 A LATE VICTORIAN STAMP BOX of rectangular form, the hinged lid engraved "stamps", with a three section gilt interior, makers mark partially rubbed, probably C & Co. Chester 1900, 3" long, and a rectangular snuff box (2)

£80-160

Lot 236Lot 235

50

243 A LARGE COLLECTION OF ENGLISH, CONTINENTAL AND CHINESE MINIATURES comprising pieces of furniture, figural groups and other items, mixed makers and dates (a lot). See illustration

£500-1,000

244 AN EDWARDIAN RING BOX of oval form, with embossed decoration and velvet interior, by Levi & Salaman, Birmingham 1903, and two dishes (3)

£80-160

245 A CREAM JUG decorated in the Irish taste with animals and sea creatures, Birmingham 1969, a mug and a small sifter ladle, (c.7.7oz) (3)

£80-160

246 A SET OF SIX IRISH NAPKIN RINGS with textured bark effect decoration, by Kilkenny Designs, Dublin 1973, also with additional Gleninsheen collar mark, each 1¾" dia. (c.8.1oz)

£80-160

247 A COLLECTION OF SILVER HANDLED BUTTON HOOKS of mixed makers and dates (a lot)

£200-400

248 A MIXED LOT comprising a miniature five piece tea set with part fluted decoration, a pair of salts, a pair of grape scissors, and other items (a lot)

£80-160

249 A SET OF THREE TOAST RACKS of six-bar form with loop carrying handles, by Viners, Sheffield 1961, each 3" high, (c.5.2oz)

£80-160

250 A VICTORIAN SOVEREIGN/VESTA CASE of rectangular form, with all over chased foliate scroll decoration, monogrammed, with suspension ring, by M.B., Birmingham 1898, 3" long, and a continental model of a violin (2)

£60-100

251 A MIXED LOT comprising two silver handled magnifying glasses, a pair of wine labels and a 20th century pierced nurses buckle, mixed makers and dates (5)

£150-250

252 A MIXED LOT comprising a pair of cauldron salts, by The Goldsmiths & Silversmiths Co. Ltd, London 1922, a pair of peppers, two matchbox slides and a cigarette box, mixed makers and dates (a lot)

£80-160

253 TIFFANY & CO: A PAIR OF PEPPERS of baluster form with embossed lower sections, and a pair of dishes, a pair of salts, a salt and pepper, a toast rack and other items, mixed makers and dates, (c.17oz weighable silver) (a lot)

£150-250

254 AN EDWARDIAN TABLE BELL of conventional form with an angular handle, by George Unite, Birmingham 1903, 3½" high, and two mustard pots, of mixed makers and dates, (c.11oz weighable silver) (3)

£80-160

51

255 A CASED THREE PIECE CONDIMENT SET of shaped oval form, Birmingham 1919 and two Indian condiments (a lot)

£60-100

256 A GEORGE III WINE FUNNEL STAND of circular form, with a reeded border, John Emes, London 1799, 4" wide

£60-100

256A A SET OF FOUR EARLY 20TH CENTURY CASED TABLE SALTS AND SPOONS, Goldsmiths & Silversmiths Co. 1919, in fitted case, a similar set of twelve teaspoons and tongs, and a two-handled cup (a lot)

£80-150

257 A BON BON DISH of oval form with pierced sides, London 1929, and another dish, a butter shell and a quantity of other items (c.9oz weighable silver) (a lot)

£60-100

258 A TABLE CIGARETTE BOX, the sloping cover with engine-turned decoration, presentation engraved, Birmingham 1928, 7" long, and two other cigarette boxes (3)

£80-160

259 A VICTORIAN SILVER AND SILVER GILT ROUND FOB decorated to the exterior with conjoined initials, fitted internally with vinaigrette, compass and locket, London 1873, probably Henry William Dee

£100-200

Lot 243

52

260 GEORGE HART FOR THE GUILD OF HANDICRAFT: A SET OF EIGHT ARTS AND CRAFTS STYLE TEASPOONS with thistle finials, reeded stems and hammered bowls, London 1973/1974, 5" long (c.8.5oz) See illustration

£150-250

261 OMAR RAMSDEN: A BUTTER KNIFE with a curved blade and a seal terminal, London 1925, 6" long (c.28.9grams). See illustration

£100-200

262 A PAIR OF ARTS AND CRAFTS SPOONS with stylised heart-shaped terminals, each inset with a different crest, hammered bowls, by E. Payne & Son, Birmingham 1911, 6" long (c.2.7oz). See illustration

£100-200

263 A GEORGE III BASTING SPOON of old English bead pattern, crested, the stem engraved with a flower head, by George Smith III, London 1779, 11" long (c.3oz)

£80-160

264 A WILLIAM IV SOUP LADLE of fiddle pattern, crested, by Joseph & Albert Savory, London 1835, 13" long (c.7.5oz)

£80-160

265 A SET OF EIGHTEEN GEORGE III SILVER GILT HOURGLASS PATTERN DESSERT SPOONS, crested, with shell heels, by Eley, Fearn & Chawner, London 1808, 6½" long (c.34oz). See illustration

£800-1,200

266 A PAIR OF SILVER MOUNTED SALAD SERVERS with porcelain handles, the back of the stems marked A.E. Lewis & Co., Sheffield 1952, 11½" long

£60-100

267 A COLLECTION OF FLATWARE comprising a George III fish slice with a pierced blade, London 1777, and a fiddle pattern tablespoon and a quantity of teaspoons and condiment spoons (c.9oz weighable silver) (a lot)

£60-100

FLATwARE

Lots 260, 261 and 262 Lot 265

53

268 A SET OF TWELVE GEORGE III OLD ENGLISH PATTERN THREE-PRONG DESSERT FORKS, crested, by Eley & Fearn, London 1805, 6" long (c.13oz). See illustration

£150-250

269 A COLLECTION OF GEORGE I AND LATER THREE-PRONG TABLE FORKS, some crested, some engraved "Salt Hill" to the reverse of the stems, one London 1714, two Britannia Standard examples, date letter rubbed, and three London 1763, and four further examples, 8" long (c.14oz) (8). See illustration

£200-400

270 A SMALL COLLECTION OF HANOVERIAN PATTERN TABLESPOONS, crested, mixed makers, London Assay, circa 1758, 8" long (c.8oz) (8)

£80-160

271 A COLLECTION OF IRISH GEORGE II AND LATER HANOVERIAN PATTERN TABLESPOONS with bird crests, Dublin Assay, of mixed makers and dates, 8½" long (c.10oz) (5)

£150-250

272 A SET OF SIX GEORGE IV OLD ENGLISH PATTERN TABLE FORKS, crested, by William Chawner, London 1820, 8" long (c.15oz)

£150-250

273 A SET OF SEVEN GEORGE II HANOVERIAN PATTERN TABLESPOONS, crested, possibly by Ann Hill, London 1736, 8" long (c.14oz) (7). See illustration

£150-250

274 A SET OF FIVE GEORGE III HANOVERIAN PATTERN BOTTOM MARKED DESSERT SPOONS, crested, probably London 1736, and five other dessert spoons of mixed makers and dates (c.11oz) (a lot)

£100-200

Lot 268

Lot 269

Lot 273

54

275 A MIXED LOT OF FLATWARE comprising a quantity of Victorian fiddle, thread and shell pattern teaspoons, and a quantity of 18th century and later condiments spoons and teaspoons, mixed makers and dates (c.22oz) (a lot)

£150-250

276 A WILLIAM IV SOUP LADLE of Kings pattern, crested, by I or J H, London 1831, and a George III old English pattern soup ladle (c.15oz weighable silver) (2)

£100-200

277 A SERVING FORK of fiddle pattern, monogrammed, by William Traies, London 1826, 11½" long (c.4oz)

£60-100

278 A GEORGE III IRISH FISH SLICE, the shaped rectangular blade pierced with fish in a basket above an oval paterae, with a green stained barrel handle, Dublin, possibly 1788, 7" long

£60-100

279 A PAIR OF GEORGE III CANDLE SNUFFERS of scissor form, with pierced handles, crested, on three extended ball feet, by Robert and David Hennell, London 1795, 7" long (c.2oz). See illustration

£150-250

280 A GEORGE III MARROW SCOOP of conventional double-ended form, marks rubbed bar the lion passant and duty head, circa 1800, 9" long

£80-160

281 A NORWEGIAN SPOON, the stem engraved with floral motifs, the reverse of the bowl engraved with stylised decoration, circa 1730, 6¼" long

£200-300

282 A MIXED LOT comprising a pair of fish servers and a Stilton scoop, London 1910, an unmarked meat skewer and a pair of electroplated salad servers and serving tongs (c.11oz) (a lot)

£100-200

283 A MIXED LOT comprising a pair of George IV fiddle pattern tablespoons, London 1823, two table forks, two sauce ladles and a berry sifter ladle (c.15oz weighable silver) (a lot)

£100-200

284 A SET OF SIX GEORGE III PISTOL HANDLED TABLE KNIVES with steel blades, by Moses Brent, London circa 1790, and six similar table knives and eight dessert knives, of mixed makers and dates (a lot). See illustration

£200-400

Lot 279 Lot 284

55

285 A MIXED LOT of Continental and English flatware including a Channel Islands tablespoon by Jacques Quesnel, and a quantity of mainly Danish and German tablespoons and other items (c.20oz) (a lot)

£100-200

286 A COLLECTION OF SPOONS by Hester Bateman, comprising three old English pattern tablespoons and a dessert spoon, mixed makers and dates (c.5.5oz) (4)

£60-100

287 A VICTORIAN PART CANTEEN of Queens pattern flatware comprising eight table forks, nine dessert forks, three serving spoons, six dessert spoons, six teaspoons, a pair of salt spoons, six dessert knives with stainless steel blades, all by George Adams, and six table knives with stainless steel blades and silver handles, , London 1868 and later (c.73oz weighable silver). See illustration

£400-600

288 A COLLECTION OF FLATWARE comprising a fiddle and thread pattern sauce ladle, London 1838, and a cased spoon, a toddy ladle with baleen handle, a quantity of silver handled tea knives, teaspoons, sugar tongs and other items (c.15oz weighable silver) (a lot)

£100-200

289 A SET OF SIX GEORGE III FIDDLE, THREAD AND SHELL PATTERN DESSERT FORKS, crested, by Eley & Fearn, London 1806, and four fiddle, thread and shell pattern dessert forks, nine table forks, eight dessert spoons, two tablespoons and five teaspoons, in mixed patterns, mixed makers and dates, (c.72oz weighable silver)

£500-800

290 A SET OF TWELVE KINGS PATTERN TABLE FORKS by William Hutton & Son Ltd, Sheffield 1920, 9" long, (c.37oz)

£300-400

291 A VICTORIAN AND LATER COLLECTED PART CANTEEN of fiddle and thread pattern. Comprising a set of eight table forks, by George Adams, London 1853, eight dessert spoons, London 1865, by a different maker, twelve dessert forks, mixed makers and dates, a set of twelve tablespoons by John Round, Sheffield 1913, and a quantity of silver handled knives by Viners, (c.98oz weighable silver) (a lot). See illustration

£700-1,200

292 A SET OF SIX FEATHER EDGED PATTERN DESSERT SPOONS, Sheffield 1872, a pair of berry spoons, four condiment spoons and two Continental spoons (c.18oz weighable silver) (a lot)

£150-250

Lot 287 Lot 291

56

293 A MIXED LOT OF FLATWARE comprising a cased set of six teaspoons, by Mappin & Webb, a sifter ladle, a sauce ladle, a quantity of condiment spoons and other items (a lot)

£80-160

294 A CASED SET OF HORS D'OEUVRE FORKS with mother of pearl handles, Birmingham 1911, and two cased sets of Continental silver and enamel teaspoons (3)

£60-100

295 A CASED SET OF SILVER BLADED MOTHER OF PEARL HANDLED FRUIT EATERS by Walker & Hall, comprising twelve knives and eleven forks, Sheffield 1905/12/13

£100-200

296 A CASED SET OF TWELVE EDWARDIAN FISH KNIVES AND FORKS with ivory handles and chased foliate blades, by Walker & Hall, Sheffield 1908, in a fitted wooden case, and a loose quantity of mother of pearl handled dessert eaters (a lot)

£200-300

297 A QUANTITY OF RAT-TAIL PATTERN CUTLERY comprising six table forks, six dessert forks, six dessert spoons and four serving spoons, all by Walker & Hall, Sheffield 1933, and a quantity of electroplated soup spoons, table forks and metal handled table and dessert knives, (c.41oz weighable silver) (a lot)

£300-600

298 A SET OF EIGHT EDWARDIAN OLD ENGLISH PATTERN TABLE FORKS, crested, by the Goldsmiths & Silversmiths Company, London 1906, and five George III and later table forks, a plated table fork and two dessert spoons (c.32oz weighable silver) (a lot)

£200-300

298A A PAIR OF GEORGE III TABLESPOONS, London 1816, by Josiah and George Piercy, and other assorted flatware (a lot)

£100-200

299 A CANTEEN OF CUTLERY for eight place settings, comprising eight table forks, seven dessert forks, three tablespoons, eight dessert spoons, a pair of butter knives, a pair of sauce ladles, eight teaspoons, three serving spoons and eight pairs of fish knives and forks, also with two plated preserve spoons, some carving implements, eight silver handled table knives and silver handled dessert knives, by Mappin & Webb, Sheffield 1937, (c.94oz weighable silver), in a fitted wooden case by Mappin & Webb. See illustration

£700-1,000

300 A PART CANTEEN OF RAT-TAIL PATTERN CUTLERY, monogrammed, comprising six tablespoons, twelve dessert spoons, six table forks, twelve dessert forks, a pair of sauce ladles and a basting spoon, by Mappin & Webb, Sheffield 1899/1900, and two London made table forks, (c.82oz weighable silver)

£500-800

301 A SET OF SIX FISH KNIVES AND FORKS with beaded handles, by EE & Co. Sheffield 1913, and a quantity of modern Scottish teaspoons, (c.19oz)

£150-250

302 A VICTORIAN CHRISTENING SET comprising knife, fork and spoon, with engraved fern decoration, in a fitted case, by Aldwinkle and Slater, and Henry Holland, London 1879/80

£60-100

303 A SET OF TWELVE EDWARDIAN PISTOL HANDLED DESSERT EATERS with filled handles, by JBC, London 1905 (one knife with a replacement blade)

£100-200

303A A PAIR OF EARLY 20TH CENTURY SEAL TOP SPOONS with pear-shaped planished bowls and decorated terminals, in presentation box, London 1906, by George Leonard Allen

£50-100

57

Lot 299

58

304 AN EXTENSIVE VICTORIAN CANTEEN OF OLD ENGLISH PATTERN CUTLERY, crested, by George Adams, London 1863, comprising 24 table spoons, 18 dessert spoons, 18 dessert forks, 24 table forks, 12 teaspoons, five egg spoons, two butter knives, a pair of basting spoons, a pair of fish servers, a pair of sauce ladles, a condiment ladle, a pair of sugar tongs and a pair of fiddle, thread and shell pattern sauce ladles, a dessert spoon and a soup ladle, (c.193oz weighable silver). See illustration

Provenance: Purchased from J.H. Bourdon-Smith Ltd, 25.7.1974

£1,000-2,000

305 A SET OF TWELVE RUSSIAN SPOONS with oval bowls, engraved floral decoration and monogram, bearing a kokoshnik mark circa 1900, in a fitted case, each 5½" long (c.10oz)

£200-400

306 A LARGE QUANTITY OF 18TH CENTURY AND LATER FLATWARE comprising tablespoons, table forks, teaspoons, sifter and sauce ladles, and a small quantity of napkin rings, mixed makers and dates (c.88oz weighable silver) (a lot)

£800-1,200

Lot 304

59

330 LOUIS VUITTON: A CANVAS AND LEATHER BOUND TRAVELLING TRUNK, with original 'LV' branded leather work and lock (replacement key), painted 'P' initial to the top, and stamped '211074' to the interior, some original luggage labels, c.1913, 39½" long. See illustration.

Provenance: Purchased at auction in Swanage, Dorset, in the late 1940s. The vendor at this time had worked as valet to the Duke of Orleans in the early 20th century, and this trunk was purportedly property of the Duke during that period.

£800-1,500

331 LOUIS VUITTON BY TAKASHI MURAKAMI: a Papillon Tote in the limited edition 'Cherry Blossom' monogram pattern, in brown leather with barrel shape, fold over top, gold-tone stud detailing and lock, together with a further key purse, diary and purse, held in 'LV' monogrammed dust bag, original receipt available for inspection. (4) See illustration.

£800-1,500

332 LOUIS VUITTON: A METAL CARD CASE, with 'LV' monogram cut-out to the front, marked 'Made in Italy' and numbered 'M65227' to the edges, in fabric pouch with original box

£80-100

LUggAgE ANd VINTAgE

Lot 330

Lot 331

Lot 332

60

333 CARTIER: FOUR HANDBAGS, two in black, one in white and one in navy blue leather, with a snap shut interior section, three stamped to the interior 'Cartier Ltd. London', the white bag stamped 'Cartier Ltd.', each in its original Cartier box, with a single Cartier 18ct yellow gold interchangeable chain, the chain c.118g and 33¼" long (5). See illustration.

£2,000-3,000

334 RADLEY OF LONDON: a black dress, full length, in finely pleated chiffon, in an iconic Ossie Clark style, with mid-length wide sleeves, a deep plunging neckline with tie waist to the back, circa 1970s

£50-100

335 OSSIE CLARK FOR RADLEY: a black dress, full length in moss crepe reminscent of Ossie Clark's 'Come Fly with Me' dress, the pleated bodice with centre slit, wrap around with open back, with tie neck, circa 1970s

£50-100

336 OSSIE CLARK FOR RADLEY: a cream dress, full length in moss crepe with long sleeves buttoned at the cuff, a tie neck collar above pleated bodice with centre slit falling to the wraparound waist, circa 1970s

£50-100

SPARE LOTS 337-339

Lot 333

61

JEwELLERY

wATcHEs

Lot 456 detail

62

LAdIEs wATcHEs

340 ROLEX: A LADIES 18K YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and crown at 12 o'clock, sweep seconds hand and date aperture, inscribed "Rolex Oyster Perpetual Datejust", attached to a replaced Rolex yellow gold bracelet with folding clasp, in a Rolex suedette carrying case and a Rolex leatherette presentation case. See illustration

£2,000-4,000

341 ROLEX: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and crown at 12 o'clock, inscribed "Rolex Precision", attached to a 9ct yellow gold bracelet with folding clasp, in a fitted Rolex presentation case

£100-200

342 A LADIES YELLOW GOLD WRISTWATCH, the round dial with raised baton and Arabic numerals, attached to an 18ct yellow gold fancy-link bracelet with folding clasp and safety chain

£150-300

343 OMEGA: A LADIES UNMARKED YELLOW METAL WRISTWATCH, the round dial with raised baton numerals, inscribed "Omega", attached to a solid mesh bracelet with folding clasp and safety chain

£80-160

344 A LADIES YELLOW METAL WRISTWATCH, the oval dial with raised gilt baton numerals, inscribed "Everite", attached to a 9ct yellow gold bracelet with folding clasp, and 9ct yellow gold wristwatch attached to a rolled gold front bracelet (2)

£80-160

345 BUCHERER: A LADIES WHITE METAL RING WATCH, the round dial with Arabic numerals, inscribed "Bucherer", the dial with marcasite cover

£40-60

346 ROLEX: A LADIES YELLOW GOLD WRISTWATCH, the round dial with raised gilt baton numerals, inscribed "Rolex Precision", attached to a 9ct yellow gold bracelet with folding clasp

£200-400

347 BULOVA: A LADIES 14K YELLOW GOLD DIAMOND AND EMERALD COCKTAIL WATCH, the shaped dial with raised baton and Arabic numerals, inscribed "Bulova", the dial cover of foliate form decorated with emeralds and diamonds, attached to a 14k yellow gold bracelet with folding diamond clasp

£400-800

348 IMACO: A LADIES WHITE GOLD AND DIAMOND COCKTAIL WATCH, the dial with gilt baton numerals, surrounded by a shaped diamond bezel, attached to a white gold double strand bracelet with folding clasp. See illustration

£200-400

349 BLANCPAIN: A LADIES 18K YELLOW GOLD WRISTWATCH, the miniature square dial inscribed "Blancpain UTI", with winding crown to the reverse, attached to an articulated yellow gold mesh bracelet, with solid clasp and safety hook. See illustration

£1,000-2,000

gENTs wATcHEs

350 TUDOR BY ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the black dial with dot and triangular numerals, date aperture and sweep seconds hand, inscribed "Tudor Prince Oyster Date Submariner", the outer bezel with Arabic numerals, attached to a stainless steel bracelet with folding clasp, in original presentation case

£200-400

63

Lots 340, 348 and 349

Lot 340

Lot 348

Lot 349

64

351 INTERNATIONAL WATCH COMPANY: A GENTLEMANS 18CT YELLOW GOLD WRISTWATCH, the round dial with Arabic and baton numerals, sweep seconds hand, inscribed "International Watch Company Schaffhausen", attached to a black leather strap. See illustration

£400-800

352 LONGINES: A GENTLEMANS 18CT YELLOW GOLD WRISTWATCH, the oval dial with raised gilt baton numerals, inscribed "Longines Flagship", the dial set in a gold oblong frame, attached to a brown leather strap

£200-400

353 OMEGA: A GENTLEMANS WHITE METAL WRISTWATCH, the round dial with raised baton and Arabic numerals, sweep seconds hand, inscribed "Omega Automatic Seamaster", attached to a black leather strap

£100-200

354 TECHNOS: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with raised gilt baton and Arabic numerals, sweep seconds hand and date aperture, inscribed "Technos Automatic", the reverse of the watch inscribed "To EJW from SR 1965", attached to a black leather strap

£100-200

355 LONGINES: A GENTLEMANS WHITE METAL WRISTWATCH, the rectangular dial with Arabic numerals and subsidiary seconds dial, inscribed "Longines", attached to a black leather strap

£80-160

356 OMEGA: A GENTLEMANS WHITE METAL WRISTWATCH, the round dial with raised gilt baton numerals, sweep seconds hand, inscribed "Omega Automatic Chronometer Constellation" attached to a black leather strap

£100-200

357 LONGINES: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with raised baton numerals, sweep seconds hand and date aperture, inscribed "Longines Automatic Ultra-Chron", attached to an articulated stainless steel bracelet with folding clasp

£100-200

358 ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with dot, baton and triangular numerals, sweep seconds hand and date aperture, inscribed "Rolex Oyster Perpetual GMT Master Superlative Chronometer", the pepsi bezel with Arabic numerals, attached to an articulated stainless steel bracelet with folding clasp, circa 1984/85. See illustration

£2,000-4,000

359 PAUL GARNIER: A GENTLEMANS YELLOW METAL WRISTWATCH, the round dial with raised gilt baton numerals, sweep seconds hand and date aperture, inscribed "Paul Garnier", attached to a black leather strap

£80-160

360 CARTIER MONTRES SANTOS: A GENTLEMANS WHITE AND YELLOW METAL WRISTWATCH, the square dial with Roman numerals, sweep seconds hand and date aperture, inscribed "Cartier", attached to a white and yellow metal articulated bracelet with folding clasp, the case back inscribed "Cartier Automatiq 296143137", in a fitted Cartier presentation case with instruction/guarantee booklet See illustration

£600-900

361 LONGINES: A GENTLEMAN'S 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, subsidiary seconds dial, inscribed 'Longines', the case back inscribed 'H. R Floyd, Moss Bros from 1934-' in a fitted Longines presentation case

£150-250

362 OMEGA: A GENTLEMAN'S YELLOW GOLD WRISTWATCH, the gilt dial with raised baton numerals, sweep second hand and date aperture, inscribed 'Omega Automatic Deville', attached to an 18ct yellow gold mesh bracelet with folding clasp, in a fitted Omega presentation case and outer box. See illustration.

£700-1,400

65

Lots 351, 358, 360 and 362

66

370 A FINE GEORGE III GOLD ENAMEL AND DIAMOND SET WATCH, the movement cover signed 'William Anthony, London, Number 2072', the exterior of the case set with a central rose-cut diamond with a border of diamonds, seed pearls and gold scroll work, on a gillouche blue enamel ground, and enclosed by subsidiary enamelled borders of red, blue and duck egg blue, within an outer border of seed pearls, the suspension loop with conforming decoration, the white enamel convex dial with Roman numerals, outer Arabic numerals, at the quarters and sweep seconds hand enclosed by a single border of seed pearls.

William Anthony (1765-1844) worked in Red Lion Street, St. John's Square, Clerkenwell, and specialised in watches for the Chinese Market. Duke's sold a similar example of this watch in their auction 'Treasure's from the Summer Palace, May 19th 2011' for £160,420. See illustration.

Provenance: Private collection, West Sussex.

£40,000-60,000

68

371 A GENTLEMAN'S 18CT YELLOW GOLD AND BLUE ENAMEL HUNTING CASE POCKET WATCH, the gilt dial with Roman numerals, the case with scrolled foliage decoration on a dark blue enamel background, in a fitted ivory presentation case. See illustration.

£300-500

372 A GENTLEMAN'S 18CT YELLOW GOLD HUNTING CASE POCKET WATCH, the gilt engine turned dial with gilt Roman numerals, and subsidiary seconds dial, the fusee movement inscribed, 'J and W Howden and Co., Southbridge, Edinburgh, number 1426'. See illustration.

£500-1,000

373 WALTHAM: A GENTLEMAN'S YELLOW METAL HUNTING CASED POCKET WATCH, the dial with Roman numerals, outer Arabic seconds numerals, and subsidiary seconds dial, inscribed 'Waltham', the case cover inscribed 'Annie'

£50-100

374 A GENTLEMAN'S 9CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, and subsidiary seconds dial, inscribed 'Waltham USA', in a fitted leatherette presentation case

375 A GENTLEMAN'S 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the gilt engine turned and foliage engraved dial with Roman numerals and subsidiary seconds dial, the case back with engraved foliage decoration

£300-600

376 A LADIES YELLOW GOLD AND ENAMEL FOB WATCH, the round dial with Roman numerals and gilt decoration, in an engraved case with a blue enamelled pansy to the reverse, with an old-cut diamond to the centre, attached to a yellow gold bow brooch, with safety chain, in a fitted presentation case

£250-450

Lot 371 Lot 372

69

377 A LADIES 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals and engraved centre, the case back engraved and monogrammed, attached to a short, unmarked yellow metal fob chain, with attached watch key. See illustration.

£250-450

378 A GENTLEMAN'S SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, and two subsidiary seconds dials, inscribed 'Thos Russell and Son, 12 Church Street Liverpool', the fusee movement also inscribed and numbered '106119'

£50-100

379 A GENTLEMAN'S SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, attached to a silver fob chain, six other pocket watches and two white metal fob chains with attached coins and compass

£100-200

380 A GENTLEMAN'S YELLOW METAL OPEN FACED POCKET WATCH, the white enamel dial with Roman Numerals, and subsidiary seconds dial, inscribed 'Waltham, Mortimor Ricks, Paignton', one other yellow metal ladies fob watch, and a 9ct yellow gold fob chain, 40cm long, c.34.7g

£150-250

381 A GENTLEMAN'S SILVER PAIR CASED POCKET WATCH, the white enamel dial with Roman numerals, the movement inscribed 'D P How, Mattishall 82390', with attached watch key

£100-200

382 A GENTLEMAN'S EARLY 19TH CENTURY SWISS SILVER REPEATING POCKET WATCH, the silvered engine turned dial with Roman numerals, the movement repeating on a coiled gong, the movement cover inscribed, 'J N. L. Analric Genève' See illustration.

£300-500

388 A SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals, the fusee movement inscribed "Pemberton, London 29854", one other hunting cased pocket watch and an open faced pocket watch (3)

£80-160

389 ROLEX: A GENTLEMAN'S SILVER SLIM POCKET WATCH, the silvered dial with Arabic numerals, subsidiary seconds dial, inscribed 'Rolex', with top winder

£50-100

Lot 377 Lot 382

70

390 ELKINGTON: A BRASS CASED TRAVELLING CLOCK BAROMETER, the sunken dial with visual escapement, surrounded by a gilt chapter ring with Arabic numerals, inscribed 'Elkington London', the case top with fitted barometer, under a swing handle, 10½" high in a fitted leatherette travelling case. See illustration.

£300-600

391 COUAILLET: A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the cream chaptering with Arabic numerals, surrounded by a gilt brass engine turned mask, the back plate with arrow marking, the door numbered '334', in a brass case, with pillared corners and swing handle, 7" high, in a fitted red leatherette travelling case. See illustration.

£400-800

391A DUVERDRY & BLOQUEL: A FRENCH GILT BRASS CARRIAGE CLOCK, the dial with roman numerals, the back plate with "Lion" trade mak, in a readed brass case with foliate decoration and swing handle. 4¼" high.

£100-200

392 DROCOURT: A FRENCH BRASS GORGE CASED REPEATING CARRIAGE CLOCK, the white enamelled dial with Roman numerals, the back plate with 'Drocourt' stamp, and numbered '19503', striking on a coiled gong, in a brass gorge case, with swing handle, 5¼" high, in a fitted red leatherette travelling case, stamped 'J. W. Benson, 35 Old Bond Street London'. See illustration.

£400-800

393 RICHARD AND CO.: A FRENCH BRASS CASED MINIATURE CARRIAGE CLOCK, the white enamel dial with Roman numerals, the back plate stamped 'R and C' with snakes heads in between and numbered '235', in a plain brass case, with swing handle, 3½" high, in a fitted red leatherette travelling case

£150-250

394 A FRENCH BRASS GORGE CASED MINIATURE CARRIAGE CLOCK, the white enamel dial with Roman numerals, the back plate with arrow marking and numbered '53', the clock face marked 'Paris and London', in a brass gorge case, with swing handles, 3¾" high

£100-200

cARRIAgE cLOcKs

Lots 390, 391 and 392

71

395 MAURICE AND CO': A FRENCH BRASS CASED MINIATURE CARRIAGE CLOCK, the white enamel dial with Roman numerals, the back plate numbered '3902' and stamped 'E M and Co.', in a plain brass case with swing handle, 3½" high

£100-200

396 A FRENCH BRASS CASED MINIATURE CARRIAGE CLOCK, the cream enamel chapter ring with Arabic numerals, surrounded by a silvered mask, the back plate with arrow marking, in a plain brass case with swing handle, 4" high

£80-160

397 A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, striking on a coiled gong, in a plain brass case with swing handle, 6½" high

£150-300

398 ASPREY LONDON: A FRENCH OVAL BRASS CASED REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed 'Asprey London', the back plate with arrow marking, striking on a coiled gong, in a plain brass case, with swing handle, 6½" high. See illustration.

£400-800

399 JOHN WALKER: A RAILWAY GUARDS TIMEPIECE, the white enamel dial with Roman numerals, enclosed in a raised brass plate, inscribed 'John Walker...London', the movement cover numbered '2397', 2¾" x 4"

£100-200

399A A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the cream chapter ring with Arabic numerals, engraved gilt centre and surrounding engraved gilt mask,in a brass case with readed columns, etched foliate banding and swing handle. 7½" high.

£250-500

Lot 398 Lot 399

72

400 A MULTI-COLOURED GEMSTONE AND YELLOW GOLD NECKLACE, each claw-set gemstone attached to the centre of a fine 9ct yellow gold chain, c.40.5cm long. See illustration

£100-200

401 A DIAMOND AND 18CT WHITE GOLD TRACE LINK CHAIN NECKLACE collet-set with seven round-cut diamonds, c.46cm long

£100-200

402 A MODERN DIAMOND-SET PENDANT of open diamond shape, rub-over set overall with a border of graduated round brilliant-cut diamonds, in yellow and white gold, with a diamond-set pendant bale, c.3.7cm long, suspended on an 18ct yellow gold fancy link chain, 40cm long. See illustration

£150-300

403 A PAIR OF GEM-SET CHANDELIER EARRINGS, the pear-cut blue stone suspending a cluster of oval-cut orange stones, possible yellow sapphires, with collet-set diamond fringe, all in 18ct yellow gold setting, each earring c.2.5cm long

£250-500

404 A PAIR OF DIAMOND STUD EARRINGS, each collet-set in 18ct yellow gold with a round brilliant-cut diamond, c.0.07cts

£50-100

405 A PAIR OF PINK OVAL-CUT TOURMALINE EARRINGS, claw-set on unmarked yellow metal

£80-160

406 A 9CT YELLOW GOLD AND JADEITE BRACELET, the jadeite of circular form interspersed on a fancy link chain, with spring clasp, and a pair of matching jadeite stud earrings (2)

£100-200

407 A SAPPHIRE AND DIAMOND PENDANT, the oval-cut sapphire suspended in an openwork diamond and yellow gold frame, attached to a white gold chain, 44cm long. See illustration

£250-500

408 A TANZANITE PENDANT, the six oval-cut claw-set tanzanites forming a cross, attached to an 18ct yellow gold fine link chain, 43cm long. See illustration

£280-500

409 A CULTURED PEARL DROP PENDANT with diamond surmount, attached to a yellow gold fine link chain, 46cm long. See illustration

£150-300

410 A RUBY, SAPPHIRE AND EMERALD CRESCENT-SHAPED BROOCH, each single graduated stone claw-set to the centre of a shaped, unmarked gold frame forming a crescent. See illustration

£100-200

411 AN AGATE AND DIAMOND TORTOISE BROOCH, the cabochon agate body surrounded by a border of diamonds and further diamonds to its' feet, tail and head, on unmarked white metal with yellow metal clasp, and a 15ct yellow gold bar brooch, set with seed peals and gem stone. (2). See illustration

£100-200

412 A PAIR OF EMERALD AND PEARL EARRINGS, the emerald encased with gold trim to form an urn, attached to a gold chain interspersed with seed pearls, with fish-hook loop. c 2.5cm long.

£400-800

JEwELLERY

73

Lot 400

Lot 407

Lot 408

Lot 409

Lot 411

Lot 402

Part Lot 411

Lot 410

74

413 A VICTORIAN GARNET AND PEARL MOURNING PENDANT, the oval-cut cabochon garnet set with a single pearl, within a star border, set in an Etruscan style unmarked yellow metal pendant, with enclosed hair to the reverse, attached to an unmarked yellow metal chain, c.35cm long.

£500-1,000

414 AN AQUAMARINE AND TOURMALINE PENDANT, the pear-cut aquamarine suspended from a single round-cut tourmaline and one further pear-cut aquamarine, c.4.5cm long, attached to a 15ct yellow gold chain, c.44cm long.

£1,400-1,800

415 AN OPAL AND DIAMOND PENDANT/BROOCH, the central oval-cut opal surrounded by six further opals set on a 15ct yellow gold openwork frame, interspersed with six claw-set diamonds, the yellow gold pendant bale set with a round-cut opal. See illustration

£200-400

416 A SAPPHIRE AND DIAMOND OPENWORK FLORAL SPRAY BROOCH, the three flowers set with a single oval-cut sapphire above two brilliant-cut diamonds, each claw-set on unmarked white metal See illustration

£300-600

417 AN AMETHYST AND PEARL PENDANT/BROOCH, the oval amethyst surrounded by a border of seed pearls, set in unmarked yellow metal, attached to a fine 9ct yellow gold chain, c.56cm long. See illustration

£150-250

418 A TOPAZ AND PEARL BROOCH, the round-cut topaz surrounded by a border of pearls, set in unmarked yellow metal See illustration

£100-200

419 AN AQUAMARINE FLOWER BAR BROOCH comprising three oval-cut aquamarines forming a single flower with a seed pearl centre, attached to a white and yellow gold bar, with a yellow gold clasp

£100-200

420 A JADEITE AND DIAMOND FLORAL SPRAY BROOCH set in 18k white gold, c.6cm long. See illustration

£100-200

421 A PURPLE OVAL-CUT SAPPHIRE surrounded by a border of diamonds set in yellow gold, with a diamond-set pendant bale, attached to a fine link yellow gold chain, c.44cm long.

£250-500

422 AN AMETHYST PENDANT, claw-set on an unmarked yellow metal openwork frame set with seed pearls, attached to a 15ct yellow gold chain See illustration

£100-200

423 A 14K YELLOW GOLD AND AGATE STONE BRACELET, each claw-set coloured stone set between scrolled openwork links, with concealed clasp and safety chain. See illustration

£100-200

75

Lot 422

Lot 415

Lot 423

Lot 420

Lot 418

Lot 416

Lot 417

76

424 GEORG JENSEN: AN ORGANIC SILVER AND LAPIS LAZULI NECKLACE, the links of alternating leaves and berries, each set with alternating oval and circular lapis lazuli, c.42cm long. See illustration

£150-300

425 GEORG JENSEN: A SOLID SILVER TORQUE BANGLE decorated with stylised hearts. See illustration

£150-300

426 CASTILLO: A PAIR OF MEXICAN SILVER CLOAK PINS in the form of husk swags, 10cm long. See illustration

£100-200

427 A Belle époque aquamarine and diamond pendant, the oval cut aquamarine suspended from a diamond set bow, in an openwork diamond set foliage frame, with a round cut aquamarine drop, attached to a white metal fine link chain c43cms long, in a fitted “Carrington & Co” presentation case

£300 -500

428 A JADE PENDANT, the pear-shaped jade suspended in an openwork 14k yellow gold frame, and two other gold pendants, one of floral form and one of spiral form (3)

£150-300

429 A CULTURED PEARL SPRAY BROOCH, each single yellow gold spray tipped with a cultured pearl See illustration

£50-100

430 A TURQUOISE AND PEARL BROOCH, the round-cut cabochon turquoise set between yellow metal scrolling dragons with a single cultured pearl above, and a peridot bar brooch and a seed pearl bar brooch (3)

£80-160

431 AN TOURMALINE AND PEARL PENDANT, the square-cut tourmaline in an openwork yellow gold heart-shaped frame, with three seed pearls above and a single drop pearl terminal, and an engine-turned circular unmarked yellow metal mourning locket with enclosed hair (2)

£60-120

432 A GREEN HARDSTONE NECKLACE, each of the nine graduating stones with yellow metal studs, attached to a yellow metal chain, c.43cm long, and a 9ct yellow gold necklace c.40cm long (2) See illustration

£60-120

433 A 9CT YELLOW GOLD FOX HEAD BAR BROOCH and another of a running fox, in a fitted presentation case (2)

£50-100

434 A 9CT YELLOW GOLD NAVAL BAR BROOCH and two other 9ct gold brooches (3)

£80-160

435 A ROYAL ARTILLERY DIAMOND AND ENAMELLED BROOCH set on platinum and 9ct white gold, with safety chain. See illustration

£100-200

77

Lot 432

Lot 429

Lot 425

Lot 435

Lot 424

Lot 426

78

436 A ROYAL ARTILLERY DIAMOND AND ENAMEL BAR BROOCH set on platinum and 14ct yellow gold, in a fitted presentation case, and a white metal RAF brooch, also fitted in a presentation case (2)

£100-200

437 A 9CT YELLOW GOLD TIGER BROOCH set with coloured stones, in a fitted presentation case See illustration

£60-120

438 A PEARL AND CORAL BROOCH PENDANT of openwork floral form, an Etruscan style brooch and a garden fork and trowel charms (4)

£60-120

439 AN EDWARDIAN AMETHYST AND SEED PEARL PENDANT of openwork form attached to a 9ct yellow gold fine link chain, c.50cm long. See illustration

£80-150

440 A RUBY AND 9CT YELLOW GOLD PENDANT of openwork form, attached to an unmarked yellow gold chain, 43cm long. See illustration

£100-200

441 A CORAL BAR BROOCH, the round-cut coral set on yellow gold, a pair of coral earrings, a coral pendant and a coral dress ring (4)

£100-200

442 A LAPIS LAZULI AND YELLOW GOLD BRACELET, a lapis lazuli pendant and earrings (3)

£200-400

443 A SHELL CAMEO BROOCH/PENDANT of oval form, set in yellow gold. See illustration

£50-100

444 A SAPPHIRE AND DIAMOND NECKLACE of solid form, attached to a yellow gold chain, 43cm long and a matching bar brooch, ring and earrings, (4)

£200-400

445 A YELLOW GOLD ROPE STYLE NECKLACE with double ball terminals, marked 750, 44cm long. See illustration

£100-200

446 A PAIR OF DIAMOND CLUSTER EARRINGS set in yellow gold with white gold clips. See illustration

£100-200

447 A PAIR OF CULTURED PEARL AND GOLD EARRINGS, six pearls attached to circular yellow gold discs with screw backs and a pair of coral earrings, attached to yellow gold clips (2). See illustration

£80-160

79

Lot 443

Lot 445

Lot 440Lot 439

Lot 447

Part Lot 447

Lot 437

Lot 446

80

448 A PAIR OF TAHITIAN CULTURED PEARL EAR STUDS with diamond surmounts.

£150-300

449 A 9CT YELLOW GOLD AND CULTURED PEARL BAR BROOCH, the three pearls set within an openwork heart frame, with fitted safety chain, in a fitted presentation case

£50-100

450 A SET OF SIX ENAMEL BUTTONS with silver loop backs, in a fitted "Queensway Art Enamel" presentation case, and a silver and enamel brooch stamped "L & Co", (2)

£50-100

451 TOURETTE ETIENNE: AN ART NOUVEAU CLOISONNÉ AND ENAMEL PLAQUE BROOCH of a portrait of a lady with flowers in her hair, on a yellow enamelled background initialled "ET", claw-set in unmarked yellow metal.

Tourette Etienne was an important French enamellist. He trained with Louis Houillon and they exhibited at the Paris Salons in 1875 and 1884. Later, he exhibited independently, showing object d'art in cloisonné enamel on gold. See illustration

£500-1,000

452 BELLE ÉPOQUE: A DIAMOND AND GREY CULTURED PEARL OPEN-WORK PENDANT, the oval openwork frame with pave-set diamonds and central drop black pearl, suspended from a bow, attached to an unmarked white metal fine chain, in original presentation case, c.40cm long

£400-800

453 A MODERN EMERALD BANGLE, the double row of 64 marcasite-cut emeralds c.10.24cts, in an openwork setting, on unmarked yellow gold, with concealed clasp and push safety hooks

£600-1,200

454 A PAIR OF GEORGE III SHOE BUCKLES decorated with a double row of clear paste stones and black satin bows to the centre, in original fitted presentation case, one other plain Victorian pair and a single one decorated with clear paste stones (3)

£150-300

455 A CLOVERLEAF BROOCH of circular form, the three leaf clover set in a 9ct yellow gold circular frame

£50-100

456 AN EARLY 19TH CENTURY MICRO MOSAIC ANIMAL PORTRAIT CHOKER NECKLACE, each circular enamelled panel decorated with a different animal, including a spaniel and an eagle, set in raised openwork circular gold mounts, each mount interspersed with pearls, attached to a double row yellow gold chain with a pearl cluster clasp, originally a bracelet, in a fitted presentation bracelet case. See illustration

Provenance: Private collection, Dorset.

£2,000-4,000

457 A CARVED EMERALD PENDANT, the emerald c.105cts, carved to the front and back with flowers and foliage, claw-set in white metal, attached to a three stone diamond suspension

£4,000-6,000

458 AMALRIC WALTER PENDANT: A BLUE/GREEN GLASS PENDANT of triangular form, with a raised insect with brown head, the reverse indistinctly signed "AW" and inscribed "France", attached to a twisted blue/green silk, with two oval beads attached and knotted above the pendant. c. 84cm long. See illustration

£300-500

81

Lot 456

Lot 458Lot 451

82

459 A JADEITE PENDANT carved and pierced in the form of a crane in a tree, c.4cm long, attached to an unmarked white metal chain

£500-1,000

460 A JADEITE BANGLE and a jade bangle (2)

£80-150

461 A ROW OF GRADUATED AMBER BEADS with barrel clasp. c.63cm long. See illustration

£400-800

462 A ROW OF GRADUATED "AMBER" BEADS, each bead knotted, c.74cm long

£100-200

463 A MODERN CULTURED PEARL AND AMETHYST MULTI-STRAND NECKLACE c.48cm long

£200-400

464 A SEED PEARL NECKLACE with 31 suspended turquoise drops, each mounted in unmarked yellow metal with seed pearl terminals, c.34.5cm, and another also with 31 turquoise drops, c.33cm (2). See illustration

£200-400

465 A TRIPLE ROW CULTURED PEARL NECKLACE, each graduated pearl knotted, attached to an oval paste-set silver clasp, c.48cm long

£250-500

466 A GRADUATED CULTURED PEARL NECKLACE with a sapphire, ruby and diamond clasp, set in unmarked white metal, c.54cm long. See illustration

£200-400

467 A DOUBLE ROW GRADUATED CULTURED PEARL NECKLACE with unmarked yellow metal clasp set with seed pearls, c.39cm long

£100-200

468 A SINGLE STRAND OF CULTURED PEARLS, each pearl knotted, with a 14k yellow gold clasp, c.53cm long. See illustration

£100-200

469 A MODERN CULTURED PEARL NECKLACE and another similar, both c.96cm long

£100-200

470 A DOUBLE ROW OF GRADUATED CULTURED PEARLS attached to a diamond and amethyst clasp. See illustration

£300-600

83

Lot 464

Lot 461

Lot 468

Lot 470

Lot 466

84

471 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut sapphire surrounded by a border of ten diamonds, on a white gold multi rope-twist shank. See illustration

£500-1,000

472 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut sapphire surrounded by a border of ten diamonds, on an 18ct white gold shank, with original receipt dated 1965. See illustration.

£400-800

473 A SAPPHIRE AND DIAMOND THREE STONE RING set with a central round-cut sapphire c.1.36ct, flanked by two illusion-set diamonds, c.0.14cts in total, set in platinum, on an 18ct yellow gold shank

£300-600

474 A SAPPHIRE DRESS RING, the oval-set sapphire claw-set on a yellow gold twisted shank.

£300-600

475 A SAPPHIRE AND DIAMOND THREE STONE RING, the central oval-cut sapphire flanked by two round-cut diamonds, on an 18ct yellow gold shank. See illustration

£200-400

476 A SAPPHIRE AND DIAMOND GYPSY STYLE DRESS RING, the three sapphires interspersed with small diamonds, on an 18ct yellow gold shank

£100-200

477 A SAPPHIRE AND DIAMOND DRESS RING, the round-cut sapphire in a raised claw setting, on an unmarked white metal shank with diamond shoulders

£150-300

477A A BLUE TOPAZ AND DIAMOND CLUSTER RING, the oval cut topaz surrounded by a boarder of round brilliant cut diamonds on an 18ct yellow gold shank.

£200-400

478 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire c.1.40cts, with a border of round-cut diamonds, c.0.5cts, set in a white gold frame of lozenge form, on an 18ct white gold shank. See illustration

£600-1,200

479 A SAPPHIRE AND DIAMOND HALF ETERNITY RING comprising three square-cut sapphires interspersed with four round-cut diamonds, on an 18ct yellow gold shank

£200-400

480 A SAPPHIRE AND DIAMOND DRESS RING, the emerald-cut sapphire surrounded by a border of round-cut diamonds, of square form, on an 18ct yellow gold shank. See illustration

£400-800

481 A SAPPHIRE AND DIAMOND CLUSTER RING, four sapphires and five diamonds pave-set, on an 18ct yellow gold shank. See illustration

£100-200

482 A SAPPHIRE AND DIAMOND DRESS RING, the central round-cut sapphire surrounded by a border of rub-over set diamonds, on a white metal shank

£150-250

483 AN AMETHYST AND DIAMOND LOZENGE-SHAPED DRESS RING, the square-cut amethyst with graduating diamond ends, on an unmarked white metal shank

£100-200

484 A SAPPHIRE AND DIAMOND DRESS RING, the emerald-cut sapphire surrounded by a border of pave-set diamonds, on an unmarked white metal shank with diamond shoulders

£100-200

484A A RUBY AND DIAMOND GYPSY STYLE RING, the round cut ruby flanked by two round cut diamonds, interspersed with diamonds on an 18ct yellow gold shank.

£150-300

85

485 A GREENSTONE AND DIAMOND DRESS RING, the central emerald-cut stone in a yellow gold collet setting and surrounded by a shaped cluster border of 12 round brilliant-cut diamonds totalling c.0.36cts, on an 18ct yellow gold shank with open shoulders

£150-250

486 A DIAMOND AND EMERALD DRESS RING of marcasite form, the central emerald surrounded by rose-cut diamonds, on an unmarked yellow gold shank with shaped shoulders See illustration

£300-600

487 AN EMERALD AND DIAMOND PLAQUE RING on a 9ct yellow gold shank with rub-over set diamonds

£150-300

488 A FIRE OPAL AND DIAMOND DRESS RING, the emerald-cut opal flanked by three claw-set diamonds, on a 9ct yellow gold shank

£100-200

489 AN OPAL AND DIAMOND CLUSTER RING, the central cabochon oval-cut opal surrounded by a border of diamonds, on an 18ct yellow gold shank

£200-400

490 AN OPAL AND DIAMOND CLUSTER RING, the central large cabochon oval-cut opal surrounded by a border of 18 claw-set diamonds, on a yellow gold shank with shaped shoulders See illustration

£500-1,000

Lot 471 Lot 472 Lot 475 Lot 478

Lot 480 Lot 481 Lot 486 Lot 490

86

491 A DIAMOND AND TURQUOISE RING, the central oval-cut cabochon turquoise surrounded by graduating diamonds, on an unmarked yellow gold shank with diamond shoulders

£250-500

492 A DIAMOND AND BLUE STONE RING rub-over set with three graduated old-cut diamonds totalling c.0.5cts, and flanked with two round-cut blue stones, on an 18ct yellow gold shank with engraved stylised shoulders

£150-300

493 A RUBY AND DIAMOND DRESS RING, the oval-cut ruby claw-set on an 18ct yellow gold shank, with openwork diamond-set shoulders

£350-550

494 A SYNTHETIC RUBY AND DIAMOND DRESS RING, the square-cut synthetic ruby in a raised claw setting, flanked by two brilliant-cut diamonds, on an unmarked white metal shank

£300-600

495 A THREE STONE RUBY DRESS RING, the central stone being a synthetic ruby replacement, with four diamond points, on an 18ct yellow gold shank

£300-500

496 IN THE STYLE OF ELIZABETH GAGE: AN 18CT YELLOW GOLD BAND, collet-set with oval-cut rubies and sapphires, makers mark "DPP".

£500-1,000

497 AN OPAL AND DIAMOND DRESS RING, the oval-cut opal flanked by single diamonds, each claw-set on an 18ct yellow gold shank

£200-400

498 A REGENCY HARDSTONE SEAL RING, the large oval intaglio engraved with a maiden beside a flower draped urn, with vacant trophy surmounted cartouche to her side, circa 3cm long, in a yellow gold "dot and wriggle" chased mount, the shank with husk and bead open shoulders

£250-350

499 A DIAMOND SOLITAIRE RING, c.0.25cts, on an 18ct yellow and white gold shank, and an 18ct white gold wedding band set with three diamonds (2)

£200-400

500 AN AQUAMARINE AND DIAMOND DRESS RING, the central emerald-cut aquamarine surrounded by a border of rub-over set diamonds, on an 18ct white gold shank with diamond shoulders See illustration

£800-1,200

501 AN AQUAMARINE AND DIAMOND DRESS RING, the emerald-cut aquamarine c.2cts, flanked by three round-cut diamonds c.0.50cts, in a white gold stepped setting, on a white gold shank See illustration

£600-1,200

502 CARTIER: AN AQUAMARINE AND DIAMOND CLUSTER RING, the four graduating oval-cut aquamarines flanked by a row of seven claw-set diamonds and two further oval-cut aquamarines, on a graduating ribbed white metal shank, marked Cartier. See illustration

£2,500-4,500

503 AN AQUAMARINE AND DIAMOND DRESS RING, the oval-cut aquamarine c.1.80cts, surrounded by a border of claw-set diamonds, c.0.80cts, on a yellow gold shank with shaped shoulders. See illustration

£600-1,200

87

504 AN EMERALD AND DIAMOND DRESS RING, the emerald-cut emerald c.5.40cts surrounded by a border of round-cut claw-set diamonds, on an 18ct yellow gold shank

This ring is accompanied by a Gem and Pearl Laboratory London Report confirming the emerald to be natural with evidence of significant clarity enhancement. See illustration

£7,000-10,000

505 A THREE STONE DIAMOND RING, the central brilliant round-cut diamond c.1.5cts flanked on either side by a round-cut diamond, each c.0.6cts, to an 18ct yellow gold heavy claw setting, the shank stamped 18ct, with reeded carved scroll shoulders See illustration

£1,500-2,500

506 A DIAMOND HALF ETERNITY RING set with ten princess-cut graduating diamonds c.1.8cts, channel-set in unmarked white metal See illustration

£1,000-2,000

507 TIFFANY: A DIAMOND CROSS-OVER RING comprising two brilliant-cut diamonds claw-set and flanked by three channel-set diamonds, c.1.0cts, on a platinum shank See illustration

£2,500-4,000

Lot 500 Lot 501 Lot 502 Lot 503

Lot 504 Lot 505 Lot 506 Lot 507

88

508 A PLATINUM WEDDING BAND set with ten round-cut diamonds

£500-1,000

509 A DIAMOND CLUSTER RING, the central round-cut diamond surrounded by seven smaller round-cut diamonds, on an unmarked yellow gold shank with openwork foliate shoulders

£800-1,600

510 A DIAMOND CLUSTER RING, the central claw-set diamond surrounded by two baguette-cut and ten round-cut diamonds, on a platinum shank

£800-1,600

511 CARTIER: A SOLITAIRE DIAMOND RING, the brilliant-cut diamond claw-set in a raised setting, on an 18ct yellow gold shank

£2,000-4,000

512 A DIAMOND SOLITAIRE RING, the round, brilliant-cut diamond c.1.28cts claw-set in platinum, on an 18ct white gold shank with baguette-cut diamond shoulders. See illustration

£2,000-4,000

513 AN ART DECO STYLE DIAMOND DRESS RING, three rows of brilliant, round-cut diamonds, pave-set on an 18ct white gold shank, with three round-cut square-set diamond shoulders, total diamond weight c.1.15ct. See illustration

£800-1,500

514 AN ART DECO STYLE DIAMOND RING comprising three round-cut diamonds in an openwork setting surrounded by a border of pave-set diamonds, on an 18ct white gold shank with diamond shoulders

£800-1,600

515 A DIAMOND SOLITAIRE RING, c.1.25cts, with graduated baguette-cut shoulders, on an unmarked platinum shank with original receipt dated 1952. See illustration

£1,000-2,000

516 A DIAMOND CLUSTER DRESS RING, the round brilliant-cut collet-set diamond c.2.25cts surrounded by a border of ten round brilliant-cut diamonds, on a white metal shank with diamond shoulders. See illustration

£3,000-5,000

517 A THREE STONE DIAMOND RING, the three brilliant-cut diamonds c.3.05cts total claw-set on a platinum shank

£8,000-10,000

518 CHARLES DE TEMPLE: A DIAMOND CLUSTER DRESS RING comprising four old-cut cushion-shaped diamonds c.2.33cts, interspersed with four smaller old-cut diamonds, c.0.30cts, on an 18ct yellow gold shank with caviar shoulders, and an 18ct yellow and white gold wedding band, in original Charles de Temple presentation box (2). See illustration

These rings were made for the vendor by Charles de Temple in the 1970's/80's. Prior to this the vendor worked for him in the 1960's.

£2,000-4,000

519 A TWO STONE DIAMOND CROSSOVER RING, claw-set on a platinum shank, in a fitted James Weir box

£400-800

520 A DIAMOND DRESS RING of openwork diamond form with three round brilliant-cut diamonds and six pave-set pear-shaped openwork segments forming a diamond, on an unmarked white metal shank. See illustration

£400-800

89

521 A DIAMOND HALF ETERNITY RING comprising nine rub-over set diamonds, set in an 18k white gold band

£100-200

522 A FIVE STONE DIAMOND RING, the five graduating old-cut diamonds, set in an 18ct yellow gold band

£150-300

523 A DIAMOND HALF ETERNITY RING comprising nine round-cut diamonds, rub-over set in a "V"-shaped 18ct yellow gold band

£150-300

524 A DIAMOND SOLITAIRE RING, c.0.5cts, claw-set on a crossover 9ct white gold shank

£500-1,000

Lot 512 Lot 513 Lot 515

Lot 516 Lot 518 Lot 520

90

525 A DIAMOND RING, the single pear-shaped diamond c.0.5cts, claw-set on an unmarked white metal shank with diamond shoulders

£500-800

526 A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond, claw-set on a yellow gold shank with baguette-cut diamond shoulders

£500-1,000

527 A DIAMOND SOLITAIRE RING c.0.65cts, claw-set in platinum, on an 18ct white gold shank with diamond-set shoulders

£600-1,200

528 A FULL DIAMOND ETERNITY RING, the platinum scroll chased shank millegrain rub-over set overall with nineteen round-cut diamonds, each c.0.05cts

£300-600

529 A DIAMOND CLUSTER RING, the central claw-set diamond set in an openwork frame, surrounded by a border of eight diamonds, on an 18ct white gold shank

£100-200

530 A DIAMOND AND PEARL DRESS RING, the central brilliant-cut claw-set diamond with four smaller diamonds forming a cross, flanked by two claw-set pearls, on an 18ct yellow gold shank with shaped shoulders

£400-800

531 A DIAMOND SOLITAIRE RING set within a platinum square, on an 18ct yellow gold shank with diamond shoulders

£150-300

532 A DIAMOND DRESS RING, the central old-cut diamond surrounded by an openwork frame set with old-cut diamonds, on an unmarked yellow metal twisted shank, with openwork shoulders

£600-1,200

533 A THREE STONE DIAMOND RING claw-set on an 18ct yellow gold shank

£100-200

534 A DIAMOND SOLITAIRE RING claw-set on an 18ct yellow gold shank

£100-200

535 A FIVE STONE DIAMOND RING claw-set on an 18ct yellow gold shank

£100-200

536 A DIAMOND SOLITAIRE RING, the round-cut claw-set diamond on an unmarked white metal broken shank, and a two stone diamond ring, also on an unmarked white metal broken shank (2)

£100-200

537 A DIAMOND DRESS RING, the round brilliant-cut diamond set in unmarked white metal setting, with four smaller diamonds, on an unmarked white metal broken shank

£500-1,000

91

538 A YELLOW DIAMOND SOLITAIRE RING, the pear-cut diamond c.1.5cts, claw-set on an 18ct white gold shank. See illustration

This ring is accompanied by a IGL report

£3,800-4,500

539 A DIAMOND SOLITAIRE RING, c.1ct, claw-set on an 18ct yellow gold shank

£800-1,600

540 AN AMETHYST AND PEARL DRESS RING, the round-cut amethyst surrounded by a border of seed pearls, on a yellow gold shank

£100-200

541 A PINK STONE DRESS RING, claw-set in a raised setting, on an unmarked yellow gold shank

£150-300

542 A DIAMOND CROSS-OVER RING, each diamond c.0.40cts, on a platinum shank

£400-800

543 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut sapphire claw-set, surrounded by a border of round-cut and baguette-cut diamonds, on an 18ct white gold shank

£300-500

544 A GARNET AND DIAMOND DRESS RING, the four oval-cut garnets with a central diamond forming a flowerhead, claw-set on an 18ct yellow gold shank with openwork shoulders

£80-160

545 A DIAMOND DRESS RING, the round-cut diamond flanked by stepped pave-set diamonds, on an 18ct yellow gold shank

£60-120

546 A 19TH CENTURY DIAMOND, EMERALD AND AMETHYST DRESS RING, claw-set on an unmarked yellow metal shank with scroll shoulders, in a fitted presentation case

£100-200

547 AN AQUAMARINE DRESS RING, the oval-cut aquamarine in a raised claw setting, on an 18ct white gold shank

£100-200

Lot 538 Lot 539

92

548 AN 18CT YELLOW GOLD BUCKLE RING set with two claw-set diamonds

£150-250

549 A RUBY AND DIAMOND GYPSY STYLE RING, the oval-cut ruby flanked by two round-cut rubies interspersed with tiny diamonds, on an 18ct yellow gold shank

£150-300

550 A PINK STONE and SEED PEARL DRESS RING, the oval-cut cabachon pink stone surrounded by a border of seed pearls attached to a 15ct yellow gold shank with foliate shoulders

£50-100

551 A COIN RING: A GEORGE V YELLOW METAL COIN set on an unmarked yellow metal shank

£50-100

552 AN 18CT YELLOW GOLD WEDDING BAND engraved throughout with hearts and foliage

£80-160

553 A 1930'S STYLE SAPPHIRE AND RUBY ETERNITY RING channel-set in unmarked white metal overall with baguette-cut rubies and sapphires, with two half-rows of graduated rose-cut diamonds, in a rub-over claw setting, and attached to the main band by hinges enabling the ring to be worn in eight different designs

£200-400

554 A CITRINE DRESS RING, the emerald-cut citrine set in a raised setting, on an 18ct yellow gold shank with openwork shoulders

£100-200

555 AN OPAL DRESS RING, the oval-cut opal set in an openwork foliate setting, on an unmarked yellow metal shank, and a garnet dress ring of flower form, on a 9ct yellow gold shank (2)

£50-100

556 AN AMETHYST AND DIAMOND DRESS RING, the amethyst, yellow and green toned stones in a raised setting, on a ground of round-cut diamonds, on a yellow gold shank.

£800-1,600

557 A CORAL AND SEED PEARL GYPSY STYLE DRESS RING on an 18ct yellow gold shank, and six other rings of various forms (7)

£100-200

558 A JADEITE AND DIAMOND DRESS RING, the oval jadeite claw-set on a 14k yellow gold shank with scroll diamond-set shoulders, and two other similar Jadeite rings (3)

£150-250

559 A DIAMOND DRESS RING, the eight round-cut diamonds forming a flowerhead, on an 18ct yellow gold shank, a 22ct yellow gold wedding band and two 18ct white gold wedding bands (4)

£100-200

560 A BLUE TOPAZ DRESS RING, the oval-cut topaz claw-set on an 18ct white gold shank with openwork shoulders

£200-400

93

561 A TRI-COLOURED SAPPHIRE AND DIAMOND COLLARETTE, the alternating 15 blue, 15 pink and 16 yellow oval mixed-cut sapphires, interspersed with 46 brilliant-cut diamonds, all claw-set in linked white gold collets, with concealed box clasp with folding safety snap, total sapphire weight c.45.40cts, total diamond weight c.7.30cts, c.42cm long, and a matching bracelet, total sapphire weight c.20.60cts, total diamond weight c.3.30cts. See illustration

£14,000-20,000

562 A MINIATURE DIAMOND PENDANT in the form of a dog, set to one side with diamonds and a single ruby eye, c.0.50cts

£600-1200

563 A PAIR OF OLD-CUT DIAMOND DROP EARRING, two old-cut diamonds c.0.85cts, set in unmarked white metal, attached to unmarked yellow metal fish hook fittings

£,1000-1,500

564 A DIAMOND PENDANT of lozenge form, the central round-cut diamond, with two further graduating diamonds above, surrounded by pave-set diamonds, with yellow gold back, attached to an unmarked white metal chain

£1,600-2,000

565 A DIAMOND BRACELET, each oval openwork link set with pave-set diamonds and a central round-cut diamond, each link interspersed with a single round-cut pave-set diamond, c.2.9cts, set in white gold with concealed clasp. See illustration

£4,000-6,000

566 A PAIR OF DIAMOND EAR STUDS, the central brilliant-cut diamond c.1.12cts, claw-set within two openwork rows of further brilliant-cut diamonds, total diamond weight c.3.10cts, set in platinum, in a presentation case

£6,000-8,000

567 A PAIR OF ART DECO JADEITE AND DIAMOND EAR PENDANTS, the pear-shaped jadeite c.12.9grams total, with onyx and diamond triangular tips, attached to diamond drops set on 18k white gold, in a fitted presentation case. These ear pendants are accompanied by a Swiss Gemmological Institute Report.

£4,000-6,000

Lot 561

94

568 A PAIR OF AQUAMARINE AND DIAMOND EAR STUDS, the emerald-cut aquamarines attached to a diamond pendant bale set in white gold

£700-1,400

569 A PAIR OF HALF MOON DIAMOND EAR CLIPS, the two rows of pave-set diamonds overlaid with a single row of princess-cut channel-set diamonds, circa 1.75cts, set in 18ct white gold

£1,000-2,000

570 A DIAMOND CRESCENT BROOCH, the inner row of graduating channel-set diamonds terminating in a row of individually set graduating diamonds, c.2cts, set in platinum and yellow gold

£1,000-2,000

571 A DIAMOND AND ENAMEL PLAQUE BROOCH, the central brilliant-cut diamond set within an enamel circle, surrounded by pave-set diamonds and edged with enamel forming an octagonal, the outer openwork frame set with further pave-set diamonds.

572 A DIAMOND PENDANT of oval openwork form, the centre with a marquise-cut diamond surrounded by two rows of further marquise-cut, baguette-cut and round-cut diamonds, attached to a baguette-cut diamond pendant bale, c.8.5cts total, set in unmarked white metal, attached to a platinum chain. See illustration

£4,000-6,000

573 TIFFANY & CO: A DIAMOND PENDANT, four graduating raised rows of baguette-cut diamonds collet-set within circular borders of round brilliant-cut diamonds, the reverse with an openwork mesh frame, attached to a white gold fine-link chain, in fitted Tiffany & Co. presentation box. See illustration

£800-1,600

574 A DIAMOND HEART-SHAPE BROOCH/PENDANT, the round-cut diamonds pave-set within a gold frame. See illustration

£400-800

Lot 572

Lot 573

Lot 574

95

575 A DIAMOND AND ENAMEL PENDANT, the centre with pave-set diamonds, within an enamelled circular border, attached to a white gold fine-link chain See illustration

£500-1,000

576 TIFFANY: A YELLOW GOLD SPRAY BROOCH with twisted and plain stems, set with seven raised claw-set brilliant-cut diamonds to the centre, the reverse with a double clip fastener. See illustration

£1,200-1,600

577 A DIAMOND-SET FOX HEAD TIE PIN with ruby eyes, in a fitted presentation case.

£200-400

578 MAPPIN & WEBB: A MODERN DIAMOND-SET PENDANT, the curved line set with graduating round brilliant-cut diamonds, c.1.95ct (total weight), attached to an 18ct white gold fine link chain, in a fitted Mappin & Webb presentation case, and outer box. See illustration

£800-1,600

579 MAPPIN & WEBB: A PAIR OF DIAMOND EARRINGS, the curved line earrings claw-set with graduating round brilliant-cut diamonds, c.1.7cts total weight in a fitted presentation case and outer box.

These earring are ensuite to the previous lot.

£500-1,000

580 A MODERN WHITE GOLD AND DIAMOND PENDANT, the pendant of scrollwork form interspersed with six round-cut claw-set diamonds attached to a white gold chain, in a fitted presentation case and outer box

£150-300

581 A PAIR OF DIAMOND CUFFLINKS of circular form, decorated throughout with a geometric designed rub-over set diamonds, c.1.30cts (total weight)

£800-1,600

582 A PAIR OF DIAMOND EAR STUDS, each round-cut claw-set diamond set in white gold, c.0.51cts (total weight)

£500-1,000

Lot 576

Lot 575

Lot 578

96

583 A PAIR OF ART DECO STYLE DIAMOND EARRINGS of openwork floral form, c.0.55cts, set in white gold

£600-800

584 A PAIR OF DIAMOND DROP EARRINGS, the round brilliant-cut diamond claw-set and linked to three smaller round-cut diamonds, c.1.21cts (total weight), on white gold.

£900-1,200

585 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS, the round-cut collet-set sapphire surrounded by a horse-shoe border of rub-over set diamonds, set in white gold

£350-450

586 A DIAMOND AND GEM-SET BEE BROOCH, the body and head with pave-set diamonds and gem-set eyes, on unmarked yellow metal, c.2cm long. See illustration

£200-400

587 AN OPENWORK HEART-SHAPED DIAMOND PENDANT, the unmarked white metal frame set with seventeen claw-set diamonds, attached to a fine silver chain, c.50cm long. See illustration

£200-400

588 AN EMERALD AND DIAMOND BROOCH of stylised symmetrical ribbon form, cup-set to the centre with a round old-cut diamond, c.0.5cts, and flanked on either side by a cushion-cut emerald and further baguette-cut diamonds, the whole set overall with graduated rose-cut diamonds and two curved graduated bands of cup-set round old-cut diamonds, in unmarked white metal, possibly Russian, c.8cm long

£1,000-2,000

589 A VICTORIAN STYLE DIAMOND HEART PENDANT, the heart decorated throughout with pave-set diamonds, attached to a floral bow suspension, c.1.30cts (total weight)

£350-450

590 AN OPAL AND DIAMOND PENDANT, the oval claw-set opal attached to an Art Deco style openwork diamond frame, attached to a white gold fine-link chain. See illustration

£500-1,000

Lot 586

Lot 587

Lot 590

97

591 AN AQUAMARINE AND DIAMOND PENDANT, the pear-shaped aquamarine with pave-set diamond bow, suspended from a further pave-set openwork scroll with central small round-cut diamond, attached to a white gold fine-link chain.

£700-1,000

592 A DIAMOND AND ENAMEL BROOCH of oval form, the dark blue enamel set in yellow metal, presumed gold, with an oval-cut diamond, c.2cts, and millegrain diamonds forming a flower

£2,500-3,000

593 A GEM-SET AND ENAMEL BUTTERFLY BROOCH set in unmarked yellow metal

£500-1,000

594 A DIAMOND-SET BANGLE comprising nine graduating old-cut claw-set diamonds, c.1.15cts (total weight), each diamond set in a white metal square frame, attached to a triple row unmarked yellow gold bangle with safety chain

£700-1,000

595 A VICTORIAN DIAMOND FLORAL SPRAY BROOCH, the central large flower with a raised old brilliant-cut diamond c.0.50cts, five pave-set petals, one other smaller flower set on a spray of foliage, set in white and yellow metal. See illustration

£1,000-2,000

596 AN 18CT YELLOW GOLD AND DIAMOND BRACELET of ribbed framed heart form, the alternating frames set with round-cut diamonds, with an enclosed clasp. See illustration

£1,500-3,000

Lot 595

Lot 596

98

597 A VICTORIAN STYLE 9CT YELLOW GOLD AMETHYST AND PEARL NECKLACE, the central section with leaf-moulded hallmarked links, each set with round-cut amethyst and interspersed with three graduated cultured pearls, and suspending three stylised leaf cartouche drops, each set with graduated oval-cut amethysts and a rope-twist chain, overall length c.48cm. See illustration

£150-250

598 CARTIER: A PAIR OF CHIC 18CT YELLOW GOLD EARRINGS, the push clasp inscribed "Cartier", (c.25.4grams). See illustration

£2,000-3,000

599 LALALOUNIS: A PAIR OF YELLOW GOLD EAR CLIPS of raised spiral form, (c.17.8grams) See illustration

£800-1,600

600 GEORG JENSEN: A 14K YELLOW GOLD BRACELET of open scrollwork form, each scroll joined by two oval links, with concealed clasp and safety hooks See illustration

£1,000-2,000

601 A DIAMOND AND PEARL BANGLE, the Etruscan style front with six old-cut diamonds on a raised engraved band, the band terminating into pearl studded shells with concealed clasp and safety chain, in a fitted presentation case.

£600-800

602 A 9CT YELLOW GOLD WOVEN MESH CUFF BRACELET, the rectangular clasp with engraved scroll line decoration, hallmarked, (c.43.2grams)

£250-500

603 AN 18CT YELLOW AND WHITE GOLD BRACELET, each link formed from plain polished and brushed white and yellow gold heart-shaped links, the partially concealed clasp hallmarked, (c.22grams)

£200-400

604 A 14CT YELLOW GOLD NECKLACE formed from graduating interlocking loop links, the concealed clasp hallmarked, with safety catch, c. 44cm long (c.58.5grams), in fitted case for Garrard & Co. See illustration

£600-1,200

605 A YELLOW GOLD ANCHOR LINK FOB CHAIN with an attached oval textured locket, c.35.5cm long, (c.54.1grams total weight) See illustration

£150-250

99

Lot 597

Lot 599

Lot 598

Lot 600

Lot 604

Lot 605

100

606 A 9CT YELLOW GOLD CHARM BRACELET with ten attached charms, two loose charms and a heart-shaped locket, (c.21grams)

£100-200

607 A YELLOW GOLD FLAT-LINK NECKLACE, the clasp marked "Italy 750", c.58cm long, (c.28.8grams)

£250-450

608 A YELLOW GOLD CIRCULAR LINK BRACELET with attached and unattached yellow metal charms, and a yellow metal necklace (2)

£150-250

609 A VICTORIAN ETRUSCAN STYLE BELCHER CHAIN with barrel clasp, 40cm long See illustration

£100-200

610 AN UNMARKED YELLOW METAL OVAL LOCKET with Etruscan style decoration to the front, attached to an unmarked yellow metal chain, and a yellow gold cross and chain See illustration

£50-100

611 AN UNMARKED YELLOW METAL ETRUSCAN STYLE BRACELET with concealed clasp and another similar bracelet (2), (total weight c.60grams) See illustration £400-800

612 A 9CT YELLOW GOLD CHAIN LINK BRACELET with padlock clasp and safety chain, (c.12grams)

£50-100

613 A YELLOW GOLD FANCY LINK FOB CHAIN with a circular locket attached, 40.5cm long, (c.16.6grams)

£100-200

614 A 9CT YELLOW GOLD BOX CHAIN LINK NECKLACE with attached sovereign dated 1898, within a scroll-work frame, c.71cm long (c.24grams) See illustration

615 A 9CT YELLOW GOLD INGOT, (c.29grams)

£150-250

616 A PAIR OF GENTLEMAN'S 9CT YELLOW GOLD CUFFLINKS, each inscribed with the initial "G", in a fitted presentation case

£80-160

617 A PAIR OF GENTLEMANS 9CT YELLOW GOLD AND ENAMEL CUFFLINKS of square form, and one other engine-turned pair of oval form (2) See illustration

£100-200

618 A PAIR OF GENTLEMAN'S UNMARKED YELLOW METAL CUFFLINKS with a green stone and yellow metal ball chain through the centre See illustration

£50-100

619 A YELLOW GOLD SOLID TWISTED BRACELET with concealed clasp, the clasp stamped 750, (c.38.2grams) See illustration

£200-400

101

Lot 619

Lot 614

Lot 610

Lot 611

Lot 611 (part lot)

Lot 617Lot 618

102

620 A 9CT YELLOW GOLD CHAIN LINK BRACELET with padlock clasp and safety chain (c.23.8grams)

£100-200

621 A SOUTH AFRICAN HALF KRUGERRAND dated 1980, mounted as a pendant and attached to a yellow gold chain, c.64cm long, (c.28.2grams)

£400-800

622 A YELLOW GOLD CHAIN LINK NECKLACE, c.51cm long, (c.11.7grams), and two yellow metal lockets and fine link chain (a lot)

£60-120

623 A 22CT YELLOW GOLD WEDDING BAND and five other yellow gold rings (6)

£60-120

624 AN 18CT YELLOW GOLD "BALL AND CHAIN" NECKLACE, each textured ball linked together by circular links, with concealed ball clasp and safety hook, c.60cm long, (c.38.6grams) See illustration

£400-800

625 A 15CT YELLOW GOLD BRACELET comprising five hexagon-shaped barrels, interlinked with chains, concealed clasp and safety chain, and an attached 9ct yellow gold swivel charm See illustration

£150-300

626 AN 18CT YELLOW GOLD NECKLACE, the circular curled chain interspersed with ten textured bars, with concealed clasp, c.92cm long, (c.126.2grams). See illustration

£3,500-5,500

627 AN 18CT YELLOW GOLD FANCY CURB LINK CHAIN with lobster clasp and loop, stamped "750", c.91cm long, (c.42.4grams)

£400-800

628 A 15CT YELLOW GOLD CIRCULAR LINKED BAR BROOCH with safety chain, an unmarked yellow metal bar brooch with foliage and ball terminals, in a fitted presentation case, and an Oriental charm (3)

£60-120

629 A 9CT YELLOW GOLD LOCKET AND CHAIN, the oval locket with engraved flower to the front, attached to a box chain link necklace, with hook clasp, 56" long, (c.17.6grams), and a yellow gold bangle (2)

£100-200

630 AN 18CT YELLOW GOLD NECKLACE, the oval openwork links with ring safety hook, stamped 750, c.59cm long, (c.39grams) See illustration

£300-500

631 A PAIR OF GENTLEMAN'S YELLOW GOLD AND ENAMELLED CUFFLINKS, of circular form, in a fitted presentation case See illustration

£400-600

632 A PAIR OF GENTLEMAN'S 9CT YELLOW GOLD CUFFLINKS, in the form of auctioneers gavels See illustration

£150-250

633 A PAIR OF GENTLEMAN'S WHITE METAL CUFFLINKS, of openwork circular form, the solid bar with blue cabochon terminals, in a fitted presentation case

£100-200

103

Lot 625

Lot 624

Lot 630

Lot 626

Lot 631

Lot 632

104

634 A PAIR OF GENTLEMAN'S YELLOW GOLD AND SAPPHIRE CUFFLINKS, of circular form, set to the centre with a round-cut sapphire See illustration

£400-600

635 LALIQUE: A PAIR OF GENTLEMAN'S BLUE GLASS CUFFLINKS, of raised circular form, in a fitted Lalique presentation case

£100-150

636 AN INDIAN WHITE METAL DOUBLE STRAND NECKLACE, with circular ring clasp

£80-160

637 A PAIR OF GOLD, DIAMOND AND TIGERS EYE EARRINGS, the circular form tigers eye set with diamond set foliage, within a yellow gold rope border See illustration

£400-600

638 A PAIR OF GOLD AND GEM-SET EARRINGS, the pear-cut gemstone, attached to a heart shaped gemstone, within a yellow gold border, with clip backs See illustration

£800-1,200

639 A 19TH CENTURY GOLD AND CORAL BROOCH, the oblong coral set within a yellow gold filigree frame, in a fitted presentation case See illustration

£300-400

640 A VICTORIAN GOLD BANGLE, with engraved decoration, and safety chain, in a fitted presentation case See illustration

£150-200

641 AN 18CT YELLOW GOLD BROOCH, of raised circular form, set with diamonds, amethysts, demantoid garnets and seed pearls See illustration

£500-800

642 A DIAMOND SET BAR BROOCH, the unmarked white metal knife edge bar, coronet claw-set to the centre, with a round brilliant-cut diamond, c.0.86cts, with a further round brilliant cut coronet set diamond at either end, total diamond weight overall c.1.65cts, in a fitted box for Laing of Glasgow

£1,000-2,000

643 A SINGLE STRAND CULTURED PEARL NECKLACE, 44cm long

£80-160

644 A SINGLE STRAND OF BAROQUE PEARLS, 41cm long

£50-100

645 A VICTORIAN SHELL CAMEO BROOCH, of oval form, carved with an interior tavern scene, within a scrollwork yellow metal frame See illustration

£150-300

105

Lot 639

Lot 645

Lot 640

Lot 637

Lot 634

Lot 638

Lot 641

106

646 A VICTORIAN SHELL CAMEO BROOCH, of oval form, carved with a chariot and horses, within a yellow metal frame, decorated with foliage and balls See illustration

£200-400

647 A YELLOW GOLD CHAIN LINK NECKLACE, 80cm long, c.48.6g (all in) See illustration

£300-600

648 AN 18CT YELLOW GOLD AND TURQUOISE NECKLACE, the twisted shaped chain linked yellow gold necklace, interspersed with various shaped turquoise stones, 77cm long. See illustration

£150-300

649 A PAIR OF 9CT YELLOW GOLD WELLINGTON BOOT CHARMS, 3cm long, c.33.3g (all in) See illustration

£150-250

650 A YELLOW GOLD BRACELET, the oval engine turned links interspersed with circular links, with attached Egyptian style charm, c.14.4g (all in)

£100-200

651 A YELLOW GOLD DIAMOND AND PEARL BROOCH, of leaf form, with three small round-cut claw-set diamonds and a single pearl See illustration

£100-200

652 A WHITE AND YELLOW GOLD DIAMOND FLORAL SPRAY BROOCH, the three yellow gold flowers with two round-cut claw-set diamonds, on three white gold stems See illustration

£200-400

653 A YELLOW GOLD DIAMOND AND PEARL BROOCH, the open scrollwork frame set with two graduating pearls, and a small claw set diamond (pearls untested) See illustration

£80-160

654 A MODERN UNMARKED YELLOW METAL AND DIAMOND NECKLACE, the crescent shaped pendant set with rub-over set diamonds, attached to a snake-link chain with barrel clasp, 42cm long

£200-400

655 CARRERA: A MODERN YELLOW GOLD ANCHOR NECKLACE, the fine chain link attached to a unmarked black anchor, entwined with a yellow chain with white metal ball terminal, the chain inscribed 'Carrera 4216', 53cm long, and a unmarked yellow metal, enamel and diamond ships wheel pendant (2)

£200-400

656 A RENAISSANCE STYLE YELLOW METAL, ENAMEL AND DIAMOND BROOCH, the body and head decorated with blue, white and green enamel, the wings edged with tiny old-cut diamonds. See illustration.

£250-500

657 A RUBY CRESCENT BROOCH, the graduated round-cut rubies half-set in unmarked yellow metal

£300-600

107

Lot 652

Lot 656

Lot 653

Lot 651

Lot 646

Lot 648

Lot 649

Lot 647

108

658 A SAPPHIRE, DIAMOND AND PEARL BROOCH, the central emerald-cut sapphire set in an open work double frame of pave-set diamonds, four pearls and seed pearls, attached to a safety chain

£300-500

659 A VICTORIAN DIAMOND CLUSTER BROOCH, the central old-cut claw-set diamond, surrounded by a border of pave-set diamonds and further graduating pave-set diamonds, in an openwork frame, set in white and yellow unmarked metal

£400-700

660 A RUBY AND DIAMOND PENDANT, the oval-cut claw-set ruby surrounded by a double row of round brilliant-cut diamonds, claw-set in unmarked white metal, with an unmarked white metal extension. See illustration.

£1,000-2,000

661 A DIAMOND BROOCH PENDANT, of openwork cluster form, claw-set to the centre with a cushion-cut old diamond and surrounded by a further border of cushion-cut old diamonds and a shaped outer border of rub-over set diamonds, in white metal, the reverse in unmarked yellow metal with brooch fitment and hinged pendant hanger, with diamond set bail, total diamond weight in excess of 2ct.

£1,000-2,000

662 A VICTORIAN HEART SHAPED ROCK CRYSTAL AND DIAMOND LOCKET PENDANT, the rock crystal heart enclosing rose-cut diamond encrusted initials, and surrounded by an old-cut diamond border, with a central cushion-cut old-cut diamond to the centre of the ribbon tie surmount, the reverse with engraved initials and dated 1884, with a diamond set pendant bail, in a fitted case by Edward Tessier

£500-1,000

663 A TOURMALINE AND DIAMOND PENDANT BAR BROOCH, the circular, round-cut tourmaline of good strong green tone, and surrounded by a millegrain set border of round old-cut diamonds, forming a flower head design, in unmarked white metal with detachable brooch fitment and pendant hanger

£200-400

664 A ROSE-CUT DIAMOND BAR BROOCH, modelled in the form of cupid's arrow, with a crescent moon (one stone missing), all in unmarked yellow metal

£50-100

665 A LATE 18TH CENTURY CROSS PENDANT, converted into a brooch, set overall with rose-cut and old-cut diamonds, in raised white metal collet settings, the closed back reverse in yellow gold with brooch fitment and safety chain

£150-250

666 AN EASTERN LOZENGE SHAPED OPEN-WORK BROOCH, the rose-cut diamonds in raised open collet settings, with eight baroque pearl beads, wired to the centre, all in unmarked white metal

£30-60

667 AN UNMARKED YELLOW GOLD OPERA LENGTH BELCHER LINK CHAIN, spectacle set at intervals with oval-cut amethysts, c.0.19g, suspending a rolled gold pocket pencil

£200-400

668 A 15CT YELLOW GOLD CURB LINK BRACELET, suspending seven circular engine turned lockets, each with various hard stone and precious stone centres, including peridot and ruby, and engraved with names to the inner rim, c.74.5g (all in). See illustration.

£1,000-2,000

669 AN ARTS AND CRAFTS TURQUOISE AND PINK ENAMELLED PENDANT, of open triangular flower head form, set with two cabochon oval moonstones, in silver, on a silver trace link chain

£50-100

670 A FOUR STRAND SEED PEARL NECKLACE, of rope-twist form, with unmarked white metal barrel clasp, 17" long, in a case for Hunt and Roskell

£100-200

109

671 AN EDWARDIAN SAPPHIRE AND PASTE NECKLACE, set with three graduated oval cushion-cut pale sapphires, surrounded by a rub-over border of rose-cut white, 20" long

£400-800

672 A ROSE-CUT DIAMOND JABOT PIN, in the form of cupid's arrow, set in unmarked white metal, in a fitted case for the Goldsmiths and Silversmiths company, with an associated white metal trace link chain

£100-200

673 A CELTIC BROOCH ON UNMARKED WHITE METAL, of circular form, the centre with a raised claw-set citrine, and two other similar Celtic brooches (3)

£60-120

674 A TURQUOISE AND PEARL BROOCH, of open work circular form, and two other similar brooches (3)

£50-100

675 A 9CT YELLOW GOLD CHILDS CHAIN LINK BRACELET, with padlock clasp, a unmarked yellow metal cross pendant, and an unmarked yellow metal bar brooch (3)

£40-80

676 A CULTURED PEARL NECKLACE, knotted with a textured 9ct yellow gold ball clasp, 95cm long

£100-200

677 A SEVEN STONE DIAMOND RING, the round brilliant-cut claw-set diamonds on a 9ct yellow gold shank.

£100-200

678 A FIRE OPAL AND DIAMOND CLUSTER RING, the oval-cut fire opal surrounded by a border of diamonds in an unmarked white metal setting, on an 18ct yellow gold shank

£100-200

Lot 672

110

679 A TURQUOISE DRESS RING, the turquoise stone in a raised claw setting, on an unmarked yellow gold shank, with openwork shoulders

£150-250

680 A SAPPHIRE AND DIAMOND THREE STONE RING, the central oval-cut sapphire flanked by two round brilliant-cut diamonds, in an unmarked white metal setting, on an 18ct yellow gold shank

£150-250

681 AN OLD-CUT DIAMOND AND RUBY RING, of undulating leaf design, rub-over set to the centre with eight graduated cushion-cut rubies, and surrounded by a rub-over border of graduated round old-cut diamonds, on an 18ct yellow gold shank

£300-600

682 A 19TH CENTURY YELLOW GOLD AND BLACK ENAMELLED MOURNING RING, the black enamel band within a border of yellow gold leaves, inscribed 'In Memory Of '

£100-200

683 AN OPAL AND DIAMOND CLUSTER RING, the oval-cut claw-set opal within a border of pave-set diamonds, on an 18ct yellow gold shank

£200-400

684 AN EMERALD AND DIAMOND CLUSTER RING, the pear-shaped cut claw-set emerald, within a border of round brilliant-cut diamonds, in a raised, unmarked, white metal setting, on an unmarked white metal shank, with open-work shoulders

£250-350

685 A YELLOW GOLD AND DIAMOND RING, the textured, shaped band with a single collet-set diamond and white gold decoration

£150-300

686 A DIAMOND AND YELLOW GOLD RING, the yellow gold band with raised scroll decoration, set with seven round brilliant-cut claw-set diamonds

£300-500

687 A DIAMOND DRESS RING, four graduating round brilliant-cut diamonds, claw-set within a raised, twisted, yellow gold setting, on an 18ct yellow gold shank

£200-400

688 A DIAMOND AND YELLOW GOLD RING, two round brilliant-cut diamonds, claw-set in a flattened ribbed 9ct yellow gold shank

£60-120

691 A PAIR OF DIAMOND STUD EARRINGS, the round brilliant-cut diamonds, claw-set in white gold

£1,000-1,500

692 A PAIR OF DIAMOND EAR STUDS, the round, brilliant-cut diamonds collet-set in white gold

£600-1,200

693 A PAIR OF DIAMOND STUD EARRINGS, the round, brilliant-cut diamonds, collet-set in unmarked white metal, in a fitted presentation case

£100-200

111

694 A PAIR OF DIAMOND DROP EARRINGS, the round brilliant-cut diamonds claw-set in unmarked yellow metal, suspended from a graduated round brilliant-cut diamond, claw-set on an unmarked yellow metal stud, in a fitted presentation case

£900-1,800

695 A PAIR OF UNMARKED YELLOW METAL CUFFLINKS, of openwork floral form, each centre set with a claw-set ruby

£500-800

696 A PAIR OF ETRUSCAN STYLE DROP EARRINGS, each yellow gold oval panel depicting the portrait of an Egyptian lady, the scroll-work ends each set with a diamond, suspended from a diamond-set scrollwork fishhook fitting

£800-1,500

697 VAN CLEEF AND ARPELS: A PAIR OF DIAMOND AND PEARL EARRINGS, the large white-tone pearl edges with a round-cut and two pear shaped-cut diamonds, claw-set on white gold, the clip-backs stamped 'Van Cleef and Arpels N.Y 51074', in a satin Van Cleef and Arpels pouch. See illustration.

£3,000-5,000

698 THEO FENNELL: A PAIR OF TOURMALINE AND DIAMOND EARRINGS, the central cabochon tourmaline collet-set within a border of eight round, brilliant-cut diamonds, collet-set in 18ct yellow gold, within rope borders, the reverse stamped Fennell

£1,500-2,500

699 A DIAMOND SOLITAIRE RING, the round brilliant-cut diamond circa 1.51cts, claw-set in an open-work setting, on a platinum shank, with baguette-cut diamond shoulders

£3,000-5,000

Lot 697 Lot 698

112

Lot 700 Lot 701

700 A DIAMOND SOLITAIRE RING, the round brilliant-cut diamond c.2.04cts, claw-set on a platinum shank with baguette-cut diamond shoulders. This ring is accompanied by a GIA Certificate. See illustration

The diamond Colour Grade H, Clarity Grade SL1, Cut Grade good

£8,000-12,000

701 A PAIR OF JADEITE EARINGS, the three interlinked polished rings, mounted as a pair of pendent earings with fish hook fitting, c.8.85 grams

This lot is accompanied with a gem and pearl laboratory report stating "no level of treatment was observed".

£2,000-4,500

113

702 A BELLE ÉPOQUE DIAMOND AND PLATINUM PENDANT, circa 1910, the trefoil open-work plaque millegrain-set with a principal brilliant-cut diamond to the centre, supporting a pear-shaped two stone diamond drop, surmounted with similarly set chain and a single stone diamond, on a fine platinum chain (on a later diamond clasp claw-set with square and circular-cut stones)

£3,000-6,000

703 AN AQUAMARINE AND DIAMOND PENDANT, the cushion-shaped aquamarine collet-set within a radiating wire-work frame and a further frame of millegrain-set eight cut diamonds, on a fine chain necklet, in original case with brooch fitting and tool

£4,000-6,000

704 A DIAMOND CLUSTER RING claw-set with a pear-shaped diamond within a frame of marquise-shaped stones and parted shoulders, pave-set with baguette-cut diamonds

£1,000-2,000

114

705 A DIAMOND SOLITAIRE RING, the princess-cut stone 11.33mm x 11.30mm x 7.63mm, calculated weight c.7.62cts, the four corners claw/peg set in white gold, on a white gold shank. See illustration.

£25,000-45,000

END OF FIRST DAY’S SALE

115

FRIdAY, 4th dEcEMbER, 10.30AM

ObJETs d'ART

ANTIqUITIEs

PORT ANd wINE

RUgs ANd cARPETs

116

750 FERDINAND PREISS: AN ART DECO CARVED IVORY FIGURE OF A NAKED FISHER BOY, holding a spear, on onyx base, 9" high. See illustration.

£250-450

751 JOE DESCOMPS (1869-1950): AN ART DECO PATINATED BRONZE OF A YOUNG LADY, holding bouquets of flowers in her arms, on a marble base, signed to the base, 17¼" high

£800-1,500

752 A SCRIMSHAWED WALRUS TUSK, worked to one side with a cribbage board, the reverse with scenes of walrus hunting, late 19th/early 20th century, 11¼". See illustration.

£800-1,500

753 A GENTLEMAN'S WALKING CANE, formed from tapering sections of bone, the handle in the form of a clenched fist, 35"

£200-400

754 A COLLECTION OF FOUR CARVED IVORY ANIMALS, two pigs, a rhinoceros and a snarling beast, 4¼" long and smaller, early 20th century

£200-400

755 TWO SIMILAR CARVED MOTHER OF PEARL COUNTER BOXES, of octagonal form, decorated with a spade and heart to the lid, with white metal fittings and containing a collection of numbered counters (a lot)

£150-250

756 M. J. FLEMINO: A PORTRAIT MINIATURE OF A YOUNG GIRL, the girl writing at her diary, signed lower left and dated 1902, 3¾" x 3" See illustration

£80-150

Lot 750

Lot 752

Lot 756

117

757 A PORTRAIT MINIATURE BY E. S. BRISLEY, of a young child, circular in a pale blue enamelled frame, 2½" and two similar portrait miniatures of babies (3)

£200-400

758 AN 18TH CENTURY PORTRAIT MINIATURE OF A LADY, wearing a curled wig and high necked blouse, in an ivory mount, the portrait 3" x 2¾", in a half fitted box See illustration

£200-400

759 A PORTRAIT MINIATURE OF A GENTLEMAN WEARING A MILITARY UNIFORM, with blue sash and many awards, 2¾" x 2¼", in fitted case, late 18th/early 19th century

£100-200

760 A SMALL PORTRAIT MINIATURE, of an 18th century lady, purportedly a member of the Harcourt family, 1¼" x 1".

Provenance: By repute, the Harcourt Family, Ex David Lavender, New Bond Street.

See illustration.

£100-200

761 A PORTRAIT MEDALLION 'THE SAILOR'S RETURN', with a sailor passing money to a seated lady, with a ship to the distance, circular, painted on ivory, 19th century, 20" wide. See illustration.

£150-250

761A THOMAS HARGREAVES (1775-1846) A pair of portrait miniatures, the lady wearing lace collars, a bonnet and red scarf, and accompanying gentleman, both cased, 4” x 3”, the sitters probably members of the Bold family of Liverpool

£500-1,000

762 A PORTRAIT MINIATURE, head and shoulders of a gentleman in a red jacket, looking to his left, oval, 1½" x 1¼", 18th century

£100-200

Lot 758

Lot 760

Lot 761

118

762A NAIVE SCHOOL, c.1830 A young child with a hoop, on card, 3" x 2¼", in an ebonised frame with gilt metal mounts

£60-120

763 A RUSSIAN SILVER ICON OF ST. GEORGE ON HORSEBACK, slaying the dragon, stamped 800, in a glazed and ebonised frame, 8¾" x 7½"

£100-200

764 A GERMAN SILVER AND SILVER GILT SNUFF BOX, with painted enamel vignette, flanked by faux malachite panels, stamped 800, 3" wide. See illustration.

£150-300

765 A SMALL BLUE JOHN DISH, of circular dished form, 3½" wide

£80-150

766 AN 18TH CENTURY AGATE BOX, of shaped form, with an 18ct gold hinged lid, 2¾" wide. See illustration.

£400-600

767 A ROCOCO STYLE GILT METAL CHATELAINE, with belt hook, two acorn shaped compartments and a lidded necessaire containing various implements, 8" long, 18th century. See illustration.

£400-800

768 A YELLOW METAL AND BLUE ENAMEL BUCKLE, stamped Child and Child London S.W., in original fitted case £150-300

768A AN IVORY BEAD NECKLACE with ribbed decoration, an ivory paper knife, a carved ivory magnifying glass case and two markers (a lot)

£50-100

Lot 764

Lot 766

Lot 767

119

769 A GOLD PENCIL BEARING AN INSCRIPTION, 'I Belong to H. Huxley, 51 Portchester Terrace, Hyde Park W.', stamped 18ct, in fitted leather case, the pencil 4¼" See illustration.

£300-500

770 AN UNMARKED YELLOW METAL VINAIGRETTE, of rectangular form, with floral and scrolling repousse decoration, the interior with a pierced grill, 1¼" wide

£200-400

771 GARRARD AND CO. LTD: A 9CT YELLOW GOLD ENGINE TURNED LADIES CIGARETTE CASE, hallmarked, c.110g. See illustration.

£900-1,500

772 A COLLECTION OF 37 GOLD, GILT METAL AND ASSORTED WATCH KEYS, to include examples set with hard stones and others (37)

£50-100

772A A CARVED CAMEO: a profile portrait, possibly Nathaniel Marchant, in turned frame

£80-150

773 A GILT METAL THREE SIDED SWIVEL, a miniature boson's whistle and other similar items

£40-80

773A A COLLECTION OF CERAMIC MUSHROOMS in biscuit with with subtle polychrome decoration, late 19th century, the largest 4¼" high (6)

£50-100

Lot 769

Lot 771

774 A LEAD SEAL, worked to one side with a coat of arms, to the other with a seated female figure holding a sceptre and orb, apparently Johanna the Mad, 3¼" wide

£50-100

774A A HARDSTONE OVAL TAZZA with beaded silver plated mounts, 4¼" and a blue ceramic bowl with similar mounts (2)

£50-100

120

775 TWO GOLD SOVEREIGNS, 1892 and 1894

£200-300


£200-400

777 TWO GOLD SOVEREIGNS, both 1889

£200-400


£200-400

778A A ROYAL MINT GOLD PROOF PATTERN COLLECTION, four £1 coins in 22ct gold, in presentation case

£800-1,200


£200-400


£200-400


£200-400

781A A UNITED KINGDOM 2005 GOLD PROOF CROWN SET “Nelson Trafalgar 21 October 1805”, two gold coins in presentation case

£800-1,200

782 THREE GOLD SOVEREIGNS, two 1899, one 1900

£300-500


£200-400

784 A SINGLE HALF-SOVEREIGN, 1914

£80-120


£250-350

786 FOUR GOLD SOVEREIGNS, 1900, 1901, 1911 and 1913

£500-1,000

787 TWO GOLD SOVEREIGNS, 1895 and 1904, and a proof half sovereign, 1987

£250-500

788 A GOLD HALF SOVEREIGN, 1914, with three gilt metal fobs

£80-150

gOLd sOVEREIgNs

121

789 A QUANTITY OF ASSORTED SEWING ACCESSORIES AND NOVELTIES, to include an ivory umbrella with a Stanhope of the Paris 1878 Exhibition to the handle and other similar items (a lot)

£40-80

790 A QUANTITY OF SEWING ACCESSORIES, to include bone and ivory handled items, pin cases and others (a lot)

£40-80

791 A COLLECTION OF NINE THIMBLES, two hallmarked 9ct gold, the others in unmarked yellow metal, with various decorative patterns (9). See illustration.

£300-500

792 THREE SILVER THIMBLES, with bands of coloured enamel decoration and another similar thimble (4)

£50-100

793 A COLLECTION OF NINE HALLMARKED SILVER THIMBLES, various designs (9)

£50-100

794 A COLLECTION OF BASE METAL AND SIMILAR UNMARKED THIMBLES, and nine thimble reference books (a lot)

£40-80

795-799 Spare lots

THIMbLEs ANd sEwINg EPHEMERA

Lot 791

122

800 A MEDIEVAL SILVER MERCHANTS RING, with a rectangular bezel engraved with a stag, a fish and a bird, probably 15th/16th century.

Provenance: Found by the grandfather of the vendor on farmland near Blandford.

See illustration.

£500-1,000

801 A RARE NORMAN BRONZE SWIVEL LINK, with zoomorphic loops and mask terminals, 11th/12th century.

Provenance: Found with a metal detector on farmland near Child Okeford, and reported to the Finds Liaison Officer.

£250-400

802 A ROMANO-BRITISH BRONZE FIBULAR, of large size, with a central disc, probably 1st century AD, and another of similar form (2)

£100-200

803 A RARE ROMANO-BRITISH BRONZE BROOCH, in the form of a bird, with blue and red enamelled plumage, 1st century.

Provenance: Found with a metal detector near Winterbourne St. Martin, within a kilometre of Maiden Castle, and reported to the finds liaison officer.

£300-500

804 A COLLECTION OF STONE-AGE FLINT AXES AND IMPLEMENTS, the majority with dated inscriptions identifying the find spot, including Moreton (1939), Ridge (1924), Corfe (1928), together with a collection of fossils (a collection)

£200-400

805 A COLLECTION OF FIELD FINDS, including three Roman bronze fibula and other antiquities and fragments (a lot)

£50-100

806 A COLLECTION OF ROMANO-BRITISH BRONZE FIBULA, two Anglo-Saxon style bronze disc brooches, and other antiquities, (a lot).

£100-200

ANTIqUITIEs

Lot 800

Lot 801

Lot 803

123

807 A STONE-AGE POLISHED STONE AXE-HEAD, 7", a similar implement in striated hard stone, flat form, 6½", and another (3) See illustration

£100-200

808 A "MEDIEVAL" GOLD RING, with an irregular hexagonal bezel, set with a red cabochon stone, on a plain shank, probably 13th/14th century See illustration

£1,000-2,000

809 A VIKING STYLE SILVER RING, of twisted form, with a knot terminal, and another ring of spiral and fluted form (2)

£100-200

810 A COLLECTION OF FIELD FINDS, including a Roman bronze key, silver whistle and vesta case, and various mounts (a lot)

£150-250

811 AN ASSYRIAN STYLE BRONZE FIGURE, holding a staff, 5" high, bronze figure of a lion, possibly an implement mount, a bronze dagger handle with geometric decoration, and a bronze vase (6)

£100-200

812 A 'LORISTAN' BRONZE SWORD, with a tapered blade and shaped hilt, 21"

£100-200

813 A "LORISTAN" BRONZE AXE, of conventional form, on a chip-carved wooden shaft, 16¾" overall, and a similar bronze axe (2)

£50-100

814 A COLLECTION OF OBJECTS collected in palestine during the 1940s, including a Roman glass double phial, with good iridescence, and an Egyptian style bracelet (a lot)

Provenance: The Governor of Jerusalem in the 1940's and various

£50-100

815-849 Spare lots

Lot 807

Lot 808

Lot 812

124

850 FOUR BOTTLES OF 1931 LIVADIA WHITE MUSCAT in Sotheby's Massandra Collection boxes (4)

£180-250

851 THREE BOTTLES OF 1931 LIVADIA WHITE MUSCAT in Sotheby's Massandra Collection boxes (3)

£120-150

852 THREE BOTTLES OF 1937 VINTAGE TAVRIDA BLACK MUSCAT in Sotheby's Massandra collection boxes (3)

£100-200

853 TWO BOTTLES OF 1937 VINTAGE TAVRIDA BLACK MUSCAT in Sotheby's Massandra collection boxes (2)

£60-80

854 FOUR BOTTLES OF 1939 VINTAGE MASSANDRA RED PORT in Sotheby's Massandra Collection boxes (4)

£150-250

855 THREE BOTTLES OF 1939 VINTAGE MASSANDRA RED PORT in Sotheby's Massandra Collection boxes (3)

£80-150

856 THREE BOTTLES OF 1939 VINTAGE MASSANDRA WHITE MUSCAT in Sotheby's Massandra Collection boxes (3)

£100-200

857 TWO BOTTLES OF 1939 VINTAGE MASSANDRA WHITE MUSCAT in Sotheby's Massandra Collection boxes (2)

£60-80

858 FOUR BOTTLES OF 1940 VINTAGE "AYU-DAG CAHORS" in Sotheby's Massandra Collection boxes (4)

£150-250

859 THREE BOTTLES OF 1940 VINTAGE "AYU-DAG CAHORS" in Sotheby's Massandra Collection boxes (3)

£120-180

A PRIVATE cOLLEcTION OF PORT ANd wINE FROM MEssANdRA

125

860 THREE BOTTLES OF 1945 VINTAGE MASSANDRA RED PORT in Sotheby's Massandra Collection boxes (3)

£100-200

861 TWO BOTTLES OF 1945 VINTAGE ALUPKA WHITE PORT in Sotheby's Massandra Collection boxes (2)

£80-150

862 TWO BOTTLES OF 1945 VINTAGE ALUPKA WHITE PORT in Sotheby's Massandra Collection boxes (2)

£80-150

863 THREE BOTTLES OF 1945 VINTAGE SUROZH WHITE PORT in Sotheby's Massandra Collection boxes (3)

£100-200

864 THREE BOTTLES OF 1945 VINTAGE SUROZH WHITE PORT in Sotheby's Massandra Collection boxes (3)

£100-200

865 TWO BOTTLES OF 1974 VINTAGE TAYLORS QUINTA DE VARGELLAS PORT and a bottle of 1970 Vintage Quinta Do Noval vintage port (3)

£120-180

866 A 1983 BOTTLE OF TAYLORS VINTAGE PORT, two bottles of Noval LB port, and a bottle of Rocha's Old Tawny port (4)

£140-180

867 SEVEN BOTTLES OF 1985 MISE DE LA BARONNIE MEDOC PAR BARON PHILLIPPE DE ROTHSCHILD (7)

£50-100

868 A BOTTLE OF DOM PERIGNON VINTAGE 2000 CHAMPAGNE, in presentation box

£50-100

869 TWO CASES OF 2004 VINTAGE SHIRAZ BAROSSA VALLEY AUSTRALIAN "TWO HANDS DEER IN HEADLIGHTS WINE" (24)

£80-150

870 THIRTY FOUR BOTTLES OF 2004 VINTAGE SHIRAZ BAROSSA VALLEY AUSTRALIAN "TWO HANDS DEER IN HEADLIGHTS" WINE (34)

£150-250

871 THIRTY BOTTLES OF 2004 VINTAGE GRAND SHIRAZ BAROSSA VALLEY VIKING WINE (30)

£100-200

872 TWELVE BOTTLES OF 2004 RESERVE SHIRAZ HENRYS DRIVE PATHWAY AUSTRALIA WINE in two half cases (12)

£80-150

873-899 Spare Lots

Lot 860

126

900 A CAUCASIAN TRIBAL RUG of Khamseh type, the ivory, blue and brick red ground worked with ivory stepped elephants foot guhls, within floral and hooked boteh, outer borders and guards, 80” x 64”. See illustration

£150-300

901 SPARE LOT

902 A CAUCASIAN RUNNER, the blue ground worked with five ivory and brick red diamond quadrilaterals with hooked boteh decoration, within serrated leaf and wine glass running borders and guards, 112” x 56”. See illustration

£700-1000

903 A FERAGHAN TYPE SMALL CARPET, the dark blue ground worked overall with salmon pink and pale blue floral medallions and hooked boteh, within floral and serrated leaf, brick red and ivory running borders and guards, 152" x 84". See illustration

£1,000-2,000

127

904 A FINE PERSIAN CARPET of Isfahan type, the ivory ground with a central pale blue and dusty pink radiating floral medallion, within conforming pastel shaded spandrels, pale blue and ivory floral herati and scroll pattern outer borders and guards, 150" x 98". See illustration

£500-1,000

905-929 SPARE LOTS

128

930 A SET OF SIX GEORGE I PEWTER PLATES by Thomas Wheeler, the rims engraved with armorials, within a foliate mantling, 9¾" dia. (6)

£250-350

931 A PAIR OF GEORGE II BRASS CANDLESTICKS with knopped stems and swirl-moulded square bases, 9" high, and a similar candlestick (3)

£250-450

932 A NORTH EUROPEAN CHAFING DISH of conventional form with a circular bowl and a conforming foot, 16th century, 7¼" dia.

£80-150

933 A LEAD PLAQUE cast with a phoenix with outspread wings, 18th century, 10" high

£50-100

934 A TWIN BELL HORSE HARNESS FITMENT in leather with metal mounts, the bells cast "RW" for Robert Wells of Aldbourne, Wiltshire, circa 1790-1820, 17" wide

£100-200

935 A TRIPLE BELL HORSE HARNESS FITMENT in leather with metal mounts, the bells cast "RW" for Robert Wells of Aldbourne, Wiltshire, circa 1790-1820, 17½" wide

£200-300

936 A PAIR OF ENGLISH IRON FIRE DOGS with ball terminals and simple "U"-shaped supports, 17th/18th century, 18" high, and a George III metal shovel (3)

£50-100

937 A NAÏVE PAINTED WOOD DECOY carved as a lapwing, on a circular base, 15¾" high, and a treen bird scarer, 19th century (2)

£80-150

938 A RARE "BLACK JACK" LEATHER MUG with a simple loop handle and stitched seams, 18th century, 6¾" high

£200-300

939 A RARE QUEEN ANNE LINEN AND LACE "COLLAR" with pierced decoration and a panel containing a crown and the initials S & D flanking a heart and the date 1714, 6¾" x 7½", in a later maple frame

£150-250

940 A NAÏVE PAINTED WOOD TROPHY SHIELD inscribed "The Hawksby Shield Grand Winner - All Lincolnshire Produce, P. Garbutt Sec.", 18" high

£200-300

941 AN OAK CORNER MOULDING carved with a lion flanked by winged cherubs, 17th century, 11", and a pair of Gothic style spirally reeded columns with moulded capitals, 37½" high (3)

£100-200

942 A VICTORIAN SIMULATED BAMBOO TOY ELBOW CHAIR with a solid seat, 13" high

£100-200

943 A VICTORIAN "FORGET ME NOT" CUSHION inscribed in a rectangular panel on the reverse "Nelly", 6½", and a Victorian beadwork purse (2)

£40-60

944 A SET OF NINE TURNED IVORY BILLIARD BALLS

£200-400

945 TWO SIMILAR BORNEO "IRONWOOD" HOUSE POSTS, each carved in deep relief with four mask faces, the lowest with protruding tongue and topped by an exotic four-legged beast, 104" and 81" wide (2)

£600-800

bOXEs, cAddIEs ANd wORKs OF ART

130

946 AN IMPORTANT CORK MODEL OF THE GREEK TEMPLE OF NEPTUNE at Paestum, attributed to Domenico Padiglione, with exceptionally fine detail including fallen masonry around the perimeter, on an ebonised plinth, 26" x 11¾" x 7½" high, on an oak plinth with a glazed case, 30½" wide x 15¾" high overall. See illustration

Provenance: This exceptional cork model was probably acquired by the Great Great Grandfather of the vendor, Edward Dawson (1802-1859) of Launde Abbey, Leicestershire.

It is believed that Dawson acquired the model on the Grand Tour during the 1820's. Although the creator cannot be identified with certainty, there is a hint in the diary of another person who made the Grand Tour at about the same time, Richard Grenville, the First Duke of Buckingham and Chandos. In his diary, the Duke recalls dining in the ruins of the Temple of Neptune at Paestum on 13th May 1828 and meeting the local priest, whom he describes as "the real Cicerone of the place" and "a well-informed man". The diary continues: "He makes models in cork of the buildings, of singular beauty and correctness". (The private diary of Richard, Duke of Buckingham and Chandos, vol. II, published by Hurst

& Blackett, 1862). This episode is referred to and the model is illustrated in a recent book about the Duke's voyage ("No Ordinary Tourist" by Jonathon Roberts and Gerard Morgan-Grenville, Milton Mill Publishing, 2006, pg. 139). A comparable model of the Temple of Neptune at Paestum by Domenico Padiglione is in the Sir John Soane's Museum, Lincoln's Inn Fields, London. Padiglione made models of all three temples in Paestum for the Naples Museum around 1805. These post-date the excavations and restorations of the temples which began in 1802, during which large quantities of accumulated fragments were removed from within the temples. His models remained on view at the Naples Museum until the 1840's. He made numerous copies for private sale, despite the fact that his contract with the Museum forbade him from doing so. The three models in Sir John Soane's collection were probably made in the 1820's. The original inventories of the Soane Museum collection state that they were acquired from his pupil, John Sanders, circa 1826

£15,000-25,000

131

947-949 SPARE LOTS

132

950 A BRASS BOUND ROSEWOOD TRAVELLING CASE, fitted with numerous glass jars, divisions and accessories, with plated mounts, with Bramah lock, Victorian, 12" wide. See illustration.

£200-300

951 FRENCH IVORY AND BRASS INLAID TEA CADDY, with all-over scrolling inlay, enclosing two glass caddies with ivory tops, 7½" wide

£400-800

952 A JAQUES 'THE IN STATU QUO' CHESS BOARD, with stained and ivory pieces, in leather travelling case, 9¾"

£100-200

953 A WALNUT CASED GAMES COMPENDIUM, containing chess set, draughts, cribbage, cards, horse racing figures and other games, Victorian, 13" wide. See illustration.

£300-600

954 A 'BERGMANN' COLD PAINTED BRONZE GROUP, of a turban-wearing teacher, seated with four children on his feet on an oriental carpet, stamped 'B', 5" wide. See illustration.

£400-600

955 A RELIGIOUS ICON WITH ANGELS WINGS, carved ivory head and hands, and all-over polychrome decoration, possibly 19th century, 15½"

£100-200

956 A PAINTED ARTICULATED WOODEN DOLL, with miniature baby, wearing crocheted clothes and lace drawers, 18th century, the doll 11" (2)

£20-400

956A AN EBONISED WOOD TAZZA of circular form, with a stained central column with a square base, 19th century, 9" high, and a lignum vitae lamp base, 9¼" high

£50-100

Lot 950

Lot 953

Lot 954

133

957 BATTLE OF WATERLOO INTEREST: A PRESSED POPPY, stuck to paper and inscribed in ink 'Poppy from off the base of the Lion - Field of Waterloo, picked July 5th 1841, by (HAH)', displayed in glazed frame, 3¾" x 6¾". See illustration.

£250-350

958 A COLLAGE STUDY OF MARIE TAGLIONI (1804-1884), dancing in a landscape with buildings to the distance, 9½" x 7½"

£100-200

959 A COLLECTION OF AUSTRIAN COLD PAINTED BRONZE ANIMALS, to include dogs, birds and others, with other similar miniature items (a lot) £300-600

960 A MAORI WAHAIKA PADDLE CLUB, with carved tiki and short handle, with tiki terminal, 16½". See illustration.

Provenance: Thought to have been acquired by the owners Great Uncle who served in the Royal Navy at the end of the 19th century.

£700-900

960A TRIBAL ART: A DOUBLE-ENDED CLUB with black painted central section, possibly African

£100-200

961 AFTER 'VINCENT', a cast and patinated bronze of a kneeling man wrestling a snake, on a marble base, with cast signature 'Vincent', 7". See illustration.

£100-200

962 AN ELECTRO PLATED SCULPTURE OF TWO BLOODHOUNDS HUNTING, on a naturalistic base and ebonised plinth, 6½" wide.

£100-200

962A AFTER THE ANTIQUE: A LEAD FIGURE OF A LADY IN CLASSICAL ATTIRE, probably 18th century, 4" high, on a simulated red and white marble circular socle, and a bronze vase in the form of a stook of corn on a marble base, 3¾" high (2)

£50-100

Lot 957

Lot 960

Lot 961

134

963 A GEORGE III MAHOGANY KNIFE BOX, with serpentine fronted sloping lid, enclosing a fitted interior, 8¾" wide

£100-200

964 A PAIR OF CHINOISERIE GILT LACQUER TERRACOTTA TABLE LAMPS, of shouldered vase form, decorated with Chinese characters around a table, with gilt fittings, 16" high (2)

£200-300

965 AFTER GUILLAUME COUSTOU (1677-1746), a pair of patinated bronze 'Marley' horses, 15½" high. See illustration on page 115

Provenance: Private collection, Somerset.

£1,000-2,000

965A A BRONZE METAL PORTRAIT PLAQUE OF NAPOLEON in a gilt metal frame, case with beading and anthemia, 6¼" dia.

£50-100

966 AFTER ETIENNE-MOURICE FALCONNET (1716-1791): a cast and patinated bronze of Venus washing, seated on a rocky outcrop, with cast signature and turned ebonised base, 22" high. See illustration.

£600-800

967 A VICTORIAN BURR WALNUT TRAVELLING VANITY CASE, the domed top with central inlaid tablet, the velvet lined interior fitted with jars and accessories with plated fittings, with a recessed drawer below, 12½" wide

£100-200

967A AN EMPIRE STYLE "ORMOLU" TABLE LAMP with engine-turned and geometric decoration, 13.5" high and another lamp base with pierced gilt metal anthemia feet (2)

£80-150

968 A PAIR OF ANGLO-INDIAN TURNED EBONY, SANDALWOOD AND IVORY CANDLESTICKS, 19th century, 8.25" high. See illustration

£300-600

969-974 Spare lots

Lot 966 Lot 968

135

975 A GEORGE III MAHOGANY LONGCASE CLOCK, the arched dial with the tablet inscribed 'Andrew Gray, Aberdeen', the dial with seconds sweep date aperture and slow/fast adjuster in the form of a seconds dial, with an eight day two train movement, striking on a bell, the case with arched hood and conforming trunk door with brass stringing, 86" high

£800-1,500

976 A GEORGE III MAHOGANY LONGCASE CLOCK, the arched dial painted with a boy looking to sea, the dial signed 'Coupillot Fils, Jersey', with subsidiary date and seconds dials, with an eight day two train movement striking on a bell, the case with swan necked pediment and Gothic topped trunk door, 93" high

£600-800

977 A GEORGE III EBONISED BRACKET CLOCK BY BENTLEY AND BECK, ROYAL EXCHANGE LONDON, the white enamelled dial dated 1765, with strike/silent dial above, with an eight day two train movement, striking on a bell, the back plate signed 'Bentley and Beck, Royal Exchange London', the arch topped hood with gilt metal carrying handle and fish scale side panels, 17½" high. See illustration.

£700-900

978 A 19TH CENTURY FRENCH 'PORTICO' CLOCK, the white enamelled dial signed 'Leroy a Paris', with an eight day two-train movement striking on a bell, the movement suspended between brass inlaid spiral turned columns, and similarly decorated base and capital, with decorative compensating pendulum, beneath a glass dome, the clock 19¾" high

£300-500

979 A 19TH CENTURY FRENCH 'BOULLE' MANTLE CLOCK, with gilt dial with ceramic numerals, with an eight-day movement striking on a coiled gong, the case with all over gilt brass and tortoiseshell inlay, 13¾" high

£100-200

980 A 19TH CENTURY FRENCH MINIATURE LONGCASE CLOCK, with circular enamelled dial, within an elaborate gilt metal mounted kingwood veneered case, with scrolling marquetry and crowing cock ornament, 21½" high

981 A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the brass dial signed 'Robt. Roe Wintern', with subsidiary seconds dial, date aperture and ringed winding hole, with a two train eight-day movement striking on a bell, the hood with scrolling cornice, the case with all-over mahogany cross-banding, 79" high

£300-500

982 A GEORGE III OAK LONGCASE CLOCK, the enamelled dial signed 'Daniel and Sons., Neath', the arch painted with a landscape, the dial with subsidiary seconds and date aperture, with a two train, eight day movement striking on a bell, the hood with mahogany cross banding, 86" high

£200-400

cLOcKs ANd scIENTIFIc INsTRUMENTs

Lot 977

136

983 A GEORGE III EBONISED AND ORMOLU MOUNTED AUTOMATON AND MUSICAL BRACKET CLOCK, by Robert Henderson, the enamelled dial signed 'Robert Henderson, 8 St. Martins Court London', with subsidiary strike/silent dial and dial numbered 1-4, all above an automated scene of figures processing before a fine house, the three train movement signed to the back plate 'Robert Henderson, St. Martins Court, London', with all-over engraved decoration and musical movement playing on eight graduated bells, with an inscription tablet, 'Presented to Lord Richard Grosvenor MP, by 264 members of Parliament, in recognition of the ability, the courtesy, and the high spirit of honour, with which he discharged the duties of Whip to the Liberal Party, in the Parliament 1880-1885', 20" high. See illustration.

Provenance: Lord Richard Grosvenor and thence by descent.

£3,000-5,000

984 A GEORGE III OAK LONGCASE CLOCK, the brass dial signed Josah. Bartholomew of Sherborne, with subsidiary seconds dial and date aperture, with a two train movement striking on a bell, the oak case surmounted by an eagle with wings outstretched and two ball and pinnacle finials, 92" high

£700-900

985-989 Spare lots

Lot 983

137

FURNITURE

138

990 A MAHOGANY SECRETAIRE BOOKCASE, the upper section with twin glazed doors above a fitted secretaire drawer and twin cupboards on bracket feet, 18th century, 50" wide

£500-1,000

991 A JOHN BROADWOOD AND SONS ROSEWOOD CASED SEMI-GRAND PIANO, 87", the case numbered 10566

£500-1,000

992 AN AMERICAN WALNUT WORKBOX, East coast, with articulated handle on splayed legs with shelf stretcher, 19th century, 16" wide

£100-200

993 A MAHOGANY BOW FRONT CHEST OF DRAWERS, with three short and three long graduated drawers on bracket feet, George III, 49" wide

£100-200

994 AN OAK 'MULE' CHEST, with rectangular top above a three panelled front and two short drawers, with moulded borders, early 18th century, 49" wide

£200-400

995 A PRIMITIVE ASH THREE LEGGED TABLE, the irregular plank top on three splayed tapering legs, possibly Cumberland region, 19" wide. See illustration.

£300-600

Lot 995

139

996 AN OAK COFFER, with four panelled top and three panelled front, with foliate carved decoration, late 17th/early 18th century, 50" wide

£150-250

997 AN OAK BUREAU, with sloping fall, enclosing a fitted interior above two short and three long drawers, on bracket feet, 18th century, 39" wide

£150-250

998 AN OAK SIDE TABLE, the rectangular two plank top with moulded border, above a single frieze drawer, on turned legs with rectangular section stretchers, late 17th century, 35" wide £400-600

999 AN OAK SIDE TABLE, with a two plank rectangular top with moulded border above a single frieze drawer with rounded borders on turned legs with bobbin turned stretched, 26" wide, early 18th century and later

£300-500

1000 A WINDSOR 'COMB BACK' ARMCHAIR, with low back and shaped arm rest above an elm seat on turned legs, 19th century, 34" high

£300-500

1001 AN ELM PIG BENCH, with broad rectangular top with all-over distressed surface on four short splayed legs, 56" wide, 19th century. See illustration.

£300-500

Lot 1001

140

1002 AN OAK MULE CHEST, with a four panelled front above two short drawer, on bracket feet, George II, 60" wide

£250-500

1003 A THREE PART 'CAMPAIGN' CHEST, each section with projecting top and base with moulded border, and pairs of two panelled doors enclosing slides or flush fitting drawers, each section with carrying handles, 66" high x 46" wide See illustration.

£400-800

1004 A SET OF SIX REGENCY MAHOGANY BAR BACK DINING CHAIRS, with broad moulded backs above carved rails, overstuffed seats and turned front legs, to include two armchairs (6)

£500-1,000

1005 AN OAK JOINT STOOL, the rectangular top with moulded border, above a carved frieze and splayed turned legs, 19" wide

£200-400

1006 A SPANISH LEATHER FOUR-FOLD SCREEN, with leather panels decorated with exotic beasts amongst scrolling flowers and foliage, 65" high x 72" wide, 19th century

£200-400

1007 A REGENCY MAHOGANY EXTENDING DINING TABLE, comprising two 'D' ends, on turned uprights and four downswept legs with brass animal paw feet, and a central section with six removable leaves and an extending base, with eight turned, reeded tapering legs with brass casters, the top 50" x 197" (fully extended). See illustration.

£2,000-4,000

Lot 1003 Lot 1007

141

1008 AN OAK DROP FLAP OCCASIONAL TABLE, the oak top on two pairs of turned legs with moulded gate action supports, 26" wide, 17th century and later

£100-200

1009 A CONTINENTAL OAK CUPBOARD, with three panelled doors with all-over carved decoration, on bun feet, 46½" high x 31½" wide

£300-500

1010 A CARVED OAK PANEL, with central detail of a child on a goat within a geometric and foliate surround, 17½" x 16", and a similar rectangular panel, carved with an arch, enclosing a scene of the nativity, 22" x 40½"

£50-100

1011 AN OAK GATELEG DINING TABLE, the oval top with twin drop-flaps, on turned legs and rectangular stretchers, 17th century, 32½" wide

£200-400

1012 A MATCHED SET OF SIX 'LANCASHIRE' TYPE SPINDLE BACK DINING CHAIRS, with rushed seats and turned legs and stretchers (6)

£200-400

1013 A WELSH OAK AND MARQUETRY MULE CHEST, the rectangular rising top above a three panel front, with scrolling foliate and flower inlay, the central arched panel above a date, 1756, and two short drawers, on shaped bracket feet, 57" wide. See illustration.

£60-800

Lot 1013

142

1014 AN OAK BUREAU, the sloping fall enclosing a fitted interior with central well and cupboard flanked by pigeon holes and short drawers, all above two short and two long graduated drawers, on bracket feet, early 18th century, 35" wide

£200-400

1015 A SET OF FOUR OAK PANELLED BACK DINING CHAIRS, with arched backs with low relief foliate carved decoration above solid seats and turned stretchers, 44" high

£150-250

1016 AN OAK PANELLED BACK SIDE CHAIR, with carved back and solid seat, above a turned stretcher, 17th century and later, 40" high See illustration.

£40-80

1017 AN OAK BOX OR STOOL, with a rectangular top with moulded border, above a carved frieze and single frieze drawer, on turned legs with moulded stretchers, 17th century, 18" wide

£200-400

1018 AN OAK WAINSCOT ARMCHAIR, the rectangular panelled back with a central carved panel within a moulded surround, with shaped arms and solid seat on turned legs, 17th century and later, 32" high.

Apparently this chair was illustrated in F. Gordon Roe 'English Cottage Furniture', 1961.

See illustration.

£2,000-3,000

1018A AN OAK DRESSER, the raised back with a moulded-cornice above two shelves with metal cup hooks, the lower section with four frieze drawers above two cupboards and matching fiekded panels, on a plinth base, early 18th century, 77" high and 101" wide

£800-1,500

1019 A MATCHED SET OF FIVE LEATHER UPHOLSTERED 'CROMWELLIAN' DINING CHAIRS, on turned legs and rectangular stretchers, comprising a single armchair and four side chairs (5)

£300-500

1020 AN OAK GATE LEG DINING TABLE, with twin drop-flaps above two frieze drawers, on turned legs with square section stretchers, 17th century, 54" wide

£300-500

1021 A CHARLES II OAK COFFER, with a three panel lid, above a conforming front with all over carved scrolling decoration, 56" wide

£200-400

1022 A GILT AND CARVED 'X' FRAME ARMCHAIR with upholstered back and seats within an elaborately figural and scroll carved frame, possibly Venetian, possibly 17th century and later, 39" high

£700-900

1023 AN ARTS AND CRAFTS STORAGE BOX, with all-over embossed leather decoration of leaves within a stylized border, within a circular removable lid, early 20th century, 21" high

£100-200

1024 A VICTORIAN 'CONVERSATION' SEAT, with a central circular raised table between raised chair back seats, with spiral turned arm supports, and bobbin turned legs, on ceramic castors, 66" wide

£500-1,000

1024A GILLOWS OF LANCASTER/WARING AND GILLOWS four elaborate cast panels possibly part of an exhibition stand, originally two uprights, approx 114" x 26"

£1,000-£2,000

143

Lot 1016

144

1025 A GEORGE III STYLE MAHOGANY TWIN PEDESTAL DESK, the broad rectangular, leather lined top, on two double sided pedestals of four short graduated drawers and central dummy drawers, 48" x 60". See illustration

Provenance: Evgeny Lebedev, Stud House, Hampton Court

£2,000-4,000

1026 A GEORGE III STYLE TWIN PEDESTAL WRITING DESK, the rectangular top with tooled leather writing surface, above three frieze drawers, and two columns of short drawers, on bracket feet, 42" wide

£250-450

1027 A GEORGE II OAK DRESSER BASE, the rectangular top with moulded border above three short drawers with moulded fronts between half round dividers, the drawers with drop handles and engraved key escutcheons, all above a wavy frieze and turned legs and rectangular stretcher, 79" wide. See illustration.

£800-1,500

1028 A CHARLES II OAK COFFER, with a three panel top, with moulded border above a conforming front with carved shallow strap work decoration, 41" wide

£200-400

1029 A PRIMITIVE OAK HANGING SPOON RACK, with arched top and pierced rail, above an open recess, containing a quantity of carved primitive spoons and similar items, the spoon rack, 20" high

£200-400

1030 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers with oval backed handles, the lower section with three further long drawers, on bracket feet, 75" high x 43" wide

£300-600

Lot 1025

Evgeny Lebedev pictured beside lot 1025, as featured in The Wall Street Journal

145

1031 A VICTORIAN MAHOGANY 'GOTHIC' LIBRARY BOOKCASE, the upper section with a crenelated cornice above twin glazed doors with arched glazing bars enclosing a shelved interior, above a base with twin panel doors, on plinth base, 92" high x 48" wide

£300-500

1032 AN OAK COFFER, with a rectangular top with moulded border above a front carved in low relief with scrolling foliage and strapwork, with initials T. G. and dated 1663, on a moulded base, 17th century and later, 44" wide,

£150-250

1033 AN OAK 'SIX PLANK' COFFER, the rectangular top carved with a date, '1615', the front carved in low relief with stylized flowers of tulips, on raised legs, 17th century and later, 48" wide,

£150-250

1034 A MAHOGANY SIDE TABLE, the rectangular top with carved border above three short drawers, on square reeded legs, 18th century, 32" wide

£150-300

1035 A VICTORIAN ROSEWOOD DAVENPORT, with a sloping leather lined writing surface, enclosing a fitted interior, above a cupboard enclosing four short drawers, on platform base with turned feet and recessed casters, 23" wide

£200-400

1036 A GEORGE II MAHOGANY FRAMED WALL MIRROR, with a rectangular plate within gilt frame, the frame surmounted with an eagle with wings outstretched, 34" x 21"

£200-400

Lot 1027

146

1037 A PAIR OF GEORGE II STYLE WALL MIRRORS, in the manner of William Kent, each with rectangular plate beneath a scrolling gilt cornice with central 'Prince of Wales' feathers, between foliate drops, flanked by similar swags and within a gilt moulding, 66" x 36½" (2). See illustration.


£2,000-4,000

1038 A NEAR PAIR OF VICTORIAN LIBRARY MAHOGANY BOOK CASES, each with a moulded cornice above a single glazed door with rounded glazing bars, enclosing a shelved interior, above a conforming base, each 82" high, 31" and 33" wide, 19th century and later

£600-800

1039 A GEORGE III MAHOGANY 'WIG' OR BASIN STAND, with a 'stone china' jug and basin, the stand with a turned soap dish above two small drawers, with turned uprights and downswept cabriole legs with pad feet, 31" high

£200-300

1040 A VICTORIAN WALNUT AND MARQUETRY JARDINIÈRE, the rectangular top with a removable panel revealing a tin-lined trough, the jardinière with all over gilt metal mounts and floral inlay, on slender cabriole legs, 31" high x 28" wide

1041 A LOUIS XV STYLE KINGWOOD AND MARQUETRY JARDINIÈRE, the rectangular top with a removable panel revealing a tin-lined planter, on turned tapering legs with gilt metal mounts and turned stretcher, with all over scrolling and floral marquetry, 19th century, 30" high x 24" wide

£300-600

1042 A VICTORIAN BURR WALNUT, GILT METAL AND MARQUETRY LOUIS XV STYLE FOLD-TOP TEA TABLE, the rectangular top with serpentine borders folding to reveal a baize-lined playing surface, above a broad swept frieze and slender cabriole legs with all over gilt metal mounts and scrolling marquetry, 30" high x 32" wide

£600-800

Lot 1037

147

1043 A VICTORIAN BURR WALNUT AND MARQUETRY CREDENZA, the shaped top with rounded corners above a central rectangular door with a panel of scrolling marquetry, with central musical trophy, the door between turned and fluted columns and quarter round glazed doors, on a plinth base, 39" high x 65" wide. See illustration

£700-900

1044 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice with central gilt metal boss, above two short and three long graduated drawers with brass handles, the lower section with three further long drawers, on bracket feet, 76½" x 41"

£500-1,000

1045 A GEORGE II WALL MIRROR, the rectangular plate within a gilt border, with a scrolling cresting with gilt Prince of Wales feathers, 43" high x 24" wide

£300-600

1046 A CHARLES II OAK SIDE TABLE, the three plank top above a frieze drawer with carved front, on ring-turned legs and rectangular section stretcher, 45" wide, 17th century and later

£100-200

1047 A FOLDING TEAK "STEAMER" CHAIR of slatted construction bearing a brass plaque "Made in the Hughes Bolokow Shipbreaking Company Ltd, Blyth, Northumberland from teak taken from HMS Thunderer", 36" high

£150-250

1048 A GEORGE III MAHOGANY FREESTANDING CORNER CUPBOARD, the upper section with an urn-shaped vase between a sloping cornice, above a single glazed door with astragal moulding bars, between reeded uprights, on an associated lower section with single panelled door, 91" high, 18th century and later

£100-200

Lot 1043

148

1049 A GEORGE III ROSEWOOD, SATINWOOD CROSSBANDED AND BRASS INLAID PEMBROKE TABLE, the rectangular top with broad crossbanding, the twin drop flaps with rounded corners, above a frieze drawer and conforming dummy drawer, with geometric stringing and turned knob handles, the legs with brass inlay and conforming stringing of gently curved outline with brass castors, 36½" wide. See illustration

£800-1,500

1050 A GEORGE II OAK DRESSER, the rectangular top with a moulded border above three frieze drawers with mahogany crossbanding and brass handles, on modified cabriole legs, 31" high x 80" wide

£800-1,500

1051 A VICTORIAN ROSEWOOD EFFECT AND GILT "CONVERSATION" SEAT with striped upholstery and carved and gilt uprights with tapering reeded legs and brass castors, 32" high x 58" wide. See illustration

Provenance: The property of Yehudi Menuhin, in his possession at his homes in North London, and from 1984 at Lord Menuhin's home in SW1. A photograph of Lord Menuhin and Jeremy Menuhin seated on and by the sofa was included in the Daily Telegraph, Monday February 21st 2005

£600-800

1052 AN OAK REFECTORY DINING TABLE, the rectangular top above a carved frieze on slender turned legs with square section stretchers, 30" high x 64½" wide, 17th century and later

£400-800

1053 IN THE STYLE OF GRINLING GIBBONS: A RECTANGULAR PANEL OF CARVING worked with a pair of central crossed ribbon-tied leaves surrounded by grapes and other motifs, 17" x 61"

£100-200

1054 A RED PAINTED PINE CHEST OF DRAWERS, the rectangular top above four long drawers with brass key escutcheons and handles, on tall bracket feet, 19th century and later, possibly American, 39" wide

£200-400

Lot 1049

Lot 1051

Lot 1055

149

1055 A MODERNIST SMOKED GLASS AND METAL COFFEE TABLE of geometric design, the square table set with smoked glass panels, 16½" high x 47½" wide. See illustration


£300-500

1056 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice above three short drawers and three graduated drawers between canted fluted corners, the lower section with a brushing slide above three further long drawers, on bracket feet, 72" high x 46" wide

£800-1,500

1057 A PAIR OF CARVED OAK PANELS, each with a central roundel featuring St. Dominic and St. Thomas Aquinas, each carved in profile within a roundel flanked by cherubs, 25" x 33" and 31" x 33½" (2)

Provenance: From a church in London which was bombed during World War II.

£400-800

1058 A LARGE OAK REFECTORY DINING TABLE, the two plank top with rounded ends resting on a rectangular base with turned legs and rectangular stretchers, 97" x 33", 17th century and later

£800-1,500

1059 A GEORGE III MAHOGANY 'LANCASHIRE' DRESSER, with a rising top above three dummy drawers and two pairs of short drawers, all between canted corners, on shaped bracket feet, 61" wide

£400-600

1060 A GEORGE III MAHOGANY BIRD CAGE TIP-TOP TABLE, the circular top on revolving mechanism and turned column with three down swept cabriole legs with leaf carved knees and pad feet, 37" high, 18th century and later

£150-250

1061 A GEORGE I STYLE OAK DRESSER, the raised back with a wavy cornice above an arrangement of shelves and two cupboards, the base with three frieze drawers, on turned legs with pierced brackets, 84½" high x 76" wide, 18th century and later

£500-1,000

1062 AN ITALIAN PAINTED BUREAU BOOKCASE, the upper section with elaborate scrolling cornice, above twin doors, all-over decorated with floral bouquets against a cream and blue ground, the lowest section with a sloping fall enclosing a similarly decorated interior, above three bow-fronted drawers with drop-handles, on a wavy base, with short legs, possibly Venetian, 19th century, 59" high. See illustration.

£1,200-1,800

Lot 1061 Lot 1062

150

1063 AN ITALIAN PAINTED CHEST, with three short drawers, with all-over floral decoration, a central bouquet of flowers, against a cream ground with a green and gilt border, the three drawers similarly decorated, the top drawer with a fall front, on wavy border and short bracket feet, 31" high

£250-450

1064 A GEORGE III YEW CRICKET TABLE with a circular top on three squared and splayed legs joined by a triangular undertier, 23½" dia. See illustration

£800-1,200

1065 A CHARLES II WALNUT STOOL with a padded square seat on turned legs united by moulded square stretchers with cutout decoration to the lower register, 16" wide

£300-500

1066 HERBERT CESCINSKY AND ERNEST GRIBBLE: "Early English Furniture and Woodwork" vols I and II; "English Decoration and Furniture of the Early Renaissance" by M. Jourdain; and "English Homes" by H. Avray Tipping II (I) (4 vols)

£150-250

1067 AN OAK "LAMBING" CHAIR, the panelled back carved with flowers and foliage flanked by shaped wings, with in-filled scroll arms, a solid seat and turned front legs, basically late 17th/early 18th century, 24" wide

£250-450

1068 AN EDWARDIAN PAINTED SATINWOOD DISPLAY CABINET with twin serpentine glazed doors with floral decorated surround and panels painted with figures in landscape settings, the sides similarly decorated, 78" high

£400-800

1069 STUART LINFORD: A BESPOKE BURR ELM WAKE TABLE, the broad top with twin drop flap sides, on eight cabriole legs with pad feet, 29" high, the top 90" x 60" (fully extended). See illustration

Commissioned by the vendor from Stuart Linford in 2003 and sold with a copy of the original invoice for £5,348, and a scale drawing of the table.

£1,000-2,000

Lot 1064 Lot 1069

151

1070 STUART LINFORD: THE WILLIAM SHAKESPEARE METAMORPHIC LIBRARY CHAIR in oak, the dished back inlaid with a scene from Romeo & Juliet, and with a panel of carving depicting Shakespeare Globe Theatre on the banks of the Thames, 38½" high. See illustration

Purchased by the vendor from Stuart Linford in 2004 for £4,750

£800-1,500

1071 DAVID LINLEY: A FINE SYCAMORE AND MARQUETRY CONSOLE TABLE, the rectangular top with broad crossbanding above four short drawers with scrolling marquetry of wheatsheafs and insects, on fluted tapering legs, 31½" high x 63" wide. See illustration

£1,500-2,500

END OF SALE

Lot 1071

Lot 1070

152

GLOSSARY OF CATALOGUING TERMS

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHTFrom mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

PAINTINGS, DRAWINGS AND PRINTS


The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condi-tion reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have under-gone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the descrip-tion. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER

Attributed to NICHOLAS CHEVALIER... in our opinion a work of the period of the artist which may

be in whole or in part the work of the artist.

Studio of NICHOLAS CHEVALIER... in our opinion a work by an unknown hand, which may

have been executed in the studio of the artist.

Circle of NICHOLAS CHEVALIER... in our opinion a work from the period of the artist and

showing his influence.

Follower of NICHOLAS CHEVALIER... in our opinion a work executed in the style of the artist but

not necessarily by a pupil.

Manner of NICHOLAS CHEVALIER... in our opinion a work executed in the style of the artist but of

a later date.

After NICHOLAS CHEVALIER... in our opinion a copy of any date after a work by the artist.

Signed/inscribed/dated NICHOLAS CHEVALIER... in our opinion the work has been signed/inscribed/dated by

the artist.

Bears signature/inscription/dateNICHOLAS CHEVALIER... in our opinion the signature/inscription/date are probably

not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work wasexecuted at that time and in that location, e.g. Dutch School, circa 1700.All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

JEWELLERYThe contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only.Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

153153

CONDITIONS OF SALEDuke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1 DEFINITIONS In these Conditions:(a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate;(b) “deliberate forgery” means an imitation made with the intention of deceiving as to

authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents;

(e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.(h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER(a) Bidders are required to register their particulars before bidding and to satisfy any security

arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the

buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.(d) Once made, no bid may be withdrawn.(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve

and the right to refuse any bid is also reserved.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4 THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT

on the premium at the rate imposed by law.

5 VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an

asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT(1) Immediately a Lot is sold you will:(a) give to us, if requested, proof of identity, and(b) pay to us the total amount due in cash or in such other way as is agreed by us.(2) Any payments by you to us may be applied by us towards any sums owing from you to us

on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES(1) The ownership of any Lots purchased shall not pass to you until you have made payment

in full to us of the total amount due.(2) You shall at your own risk and expense take away any lots that you have purchased

and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES(1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if

there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) to proceed against you for damages for breach of contract;

(b) to rescind the sale of that Lot and/or any other Lots sold by us to you;(c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for

any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(f) to retain that or any other Lot sold to you until you pay the total amount due;(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions

before any such bids shall be accepted;(h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the

settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9 THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note

the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always

responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the

property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by

sellers or buyers.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions

in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14 DESCRIPTIONS AND CONDITION(1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out

exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery

(as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance

at our auctions by any person.(1) any right to compensation for losses liabilities and expenses incurred in respect of and as

a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the

telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).


154

CHEQUESThe Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITYAny person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITUREAll items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIALProperty made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

CONDITIONS OF SALE (continued)


155


B i d d i n g F o r m

I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Grove AuctionsTelephone: (01305) 257544Facsimile: (01305) 259953

The Fine Art SaleroomsTelephone: (01305) 265080Facsimile: (01305) 260101

Lot No:- £’s Lot No:- £’s Lot No:- £’s

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

156


B i d d i n g F o r m

I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Grove AuctionsTelephone: (01305) 257544Facsimile: (01305) 259953

The Fine Art SaleroomsTelephone: (01305) 265080Facsimile: (01305) 260101

Lot No:- £’s Lot No:- £’s Lot No:- £’s

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Thursday, 3rd and Friday, 4th D

ecember. Silver, Jew

ellery and Furniture.

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

2015 D

uke’s

Silver, Jewellery and FurnitureThursday, 3rd and Friday, 4th December

dukes 3rd & 4th december 2015

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