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WOMEN IN LITERATURE
Ummul Khoiriyah/112154017
Outline:
1. Introduction – Thesis
There are some reasons why women become an interesting discussion in
literature.
2. First Cause
Discrimination makes women marginalized.
3. Second Cause
Women mostly will lose their rights and be isolated in expressing their feelings
and ideas.
4. Third Cause
The dominance of men causes violence to women.
5. Conclusion
Women’s role has been important in literature since previous centuries;
discrimination, isolation, and violence make feminism works.
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WOMEN IN LITERATURE
Ummul Khoiriyah/112154017
Feminism exists for long period of time since it has been introduced around 19th
century. Many writers use the theory of feminism in literature due to focus their works
on “women”. Thinkers or philosophers have explained their ideas of feminism; related
to gender differences or women’s consciousness of freedom. Feminists concern on
exposing what women actually feel. They tell the stories, on the form of literary work (it
can be drama, novel, poem, or short story), which shows how they are interesting in
discussing women and the entire problem inside. Mostly, their works give illustration of
women live their life with unsupported environment. Those writers also depict that they
disagr ee on women’s situation in the previous centuries. There are some reasons why
“women” becomes an interesting discussion in literature.
First of all, there is discrimination causes women marginalized. Differences make
human alive, there will be no life if people live in the same way. Here, the fact that
sexual differences exist actually affect women. Women in previous centuries can not do
anything that does not fit the society’s construction. Beauvoir has stated that women
will be prevented to work, their duty only raising their children or cooking in the
kitchen. Beliefs and customs in society launch the identity of women that are seen by
being a mother and a wife [Tidd, 2004: 51-53]. Susan Glaspell is one of dramatist who
directly shows this term. In her drama entitled Trifles (1916), she uses kitchen as the
setting of place to prove that it is related to woman’s thing. Glaspell tells the case of
Mrs. Wright who killed her own husband in order to take her freedom back. In Mrs.
Wright’s marital life, she was prevented to do anything she wanted including singing in
choir like before the marriage as she was Minnie Fooster. Women around 19 th century
will be treated as what people want they to be. They will be unrecognized unless they
follow how the environment works or they can adapt well.
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Second, women in the era of Jane Austen will mostly lose their rights and be isolated in
expressing their feelings and ideas. This is the truth, when gender plays most of the
important roles in society, women not only will be marginalized but they will be
isolated. There is no place for women to confess their point of view on certain matters.
Here, Kate Chopin in her The Story of An Hour (1894), tells the story of Mrs. Mallard
who died after knowing that her husband, Mr. Mallard, was still alive after the news
stated her husband’s death. She directly gives the situation where Mrs. Mallard did not
love her husband and kept it in silence for a long time. In contrast, women in this
modern era will not do the same thing, they are free to choose with whom they want to
live or refuse everything does not fit them at all. Again, Glaspell also makes the same
proof trough her drama. She creates two more women’s characters, Mrs. Peters and
Mrs. Hale, who then made a conspiracy not to tell their husbands what evidence and
assumption they got because of knowing their husbands would not listen their opinion.
Eventhough, evidence they got only came from a killed bird in a box; it really means
everything, they assumed that Mr. Wright had killed the bird; he did not like noise. The
bird symbolizes Mr. Wright who used to sing. We can infer that women will lose most
of their identity after marriage, because their existence has to picture how their
husbands are.
Third, the dominance of men causes violence to women. Beauvoir argued that men who
are stronger than women will be consequently have the higher position in social
organization. Women will only place their subordinate position support the idea of men
and pass trough the system [Tidd, 2004: 52]. Both Mr. Mallard and Mr. Wright felt the
same way that they had the right to limit their wives. The wives automatically become
the victim of psychological violence. They of course will have a life in silence that
nobody knows. Society only sees their marital life as a happiness one without caring
what problem inside because they think their marriages have fulfilled the construction.
Feminists not only look at the psychological one, but also the physical one. For
instance, William Faulkner in Dry September (1931) also shows how McLendon, one of
the White treated his wife. “IT WAS MIDNIGHT when McLendon drove up to his neat
new house. It was trim and fresh as a birdcage and almost as small, with its clean,
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green-and-white paint”. Faulkner uses the word of “birdcage” to depict that
McLendon’s wife is like a bird in a cage. McLendon let his wife stayed home and
limited her. He is told that he used to violent his wife eventhough he knew the
consequences.
In conclusion, Women’s role has been important in literature since previous centuries;
discrimination, isolation, and violence make feminism works. Writers often compare the
condition during the era and the way they write woman’s character as a contradiction
with the environment, such as women is unlikely confessing their own feelings. Women
are considered complicated than men. By observing the condition of previous centuries,
people start to know what the reasons make women be one of the focuses. There are
more examples of literary works concern on “women” outside three examples above.
Nowadays, women start knowing terms of freedom which makes them stronger and
bear emancipation.
References:
Chopin, Kate. (1894). The Story of An Hour.
Faulkner, William. (1931). Dry September.
Glaspell, Susan. (1916). Trifles.
Tidd, Ursula. (2004). Simone de Beauvoir. London and New York: Routledge Critical
Thinkers.