Transcript
Page 1: How To Play Concertina

THE COIVCERTIMami

Hon/ To Plaj/Itby

Paul de Ville

InducHng 250 Patriqik and Sacred Songs

and well known Melodies

2.00

Carl FischerInc.

02311'^P'ZJf >'JS^&f/Hr'*»M

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Digitized by the Internet Archive

in 2010

http://www.archive.org/details/concertinahowtopOOdevi

Page 3: How To Play Concertina

THE COWCERTmAand

How To Play It

by

Paul de Ville

Including 250 Patriotic and Sacred Songs

and well known Melodies

Carl Fischer, inc.

03311

Page 4: How To Play Concertina

Copyright 1905

by

Carl Fischer. New York

Pnm»d in U.S A.

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Rudiments of MusicLet us say to the beginner, here at the start, that no art, science or branch of industry can be success-

fully mastered or acquired, unless the strictest attention is paid to the rudiments or first principles.

Music is the art of combining sounds in a manner agreeable to the ear; it is divided into two parts, —I, Melody, II, Harmony.Melody is a combination of sounds which by their elevation, duration and succession, serve to form a

tune.

Harmony is another combination of sounds which by their spontaneous union serve to form chords.

STAFF

Music is written with seven figures called Notes: they are \rt||i'"e

named from the first seven letters of the alphabet and aie placedj srdllne

upon and between five parallel lines, called the Staff or Stave. ' and line

1st line

The lines and spaces are counted upwards, tlie lowest being called the first line or space.

LE GER LINES

When the instrument requires a greater compass than the staff,

small lines called Leger lines are added, below the staff for the

lower notes, and above for the upper notes.

4tll

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THE NOTES IN ROTATIOND B r a

Treble Clef

Bass Clef

C I>

It will be observed that in continuous scales a note of the same name may occur several times, but al-

ways in a different position.

THE FORM AND VALUE OF NOTES

The value or duration of a note or of a rest is determined by the form of the same. The followinp Table

serves to illustrate this:

TABLE

One Whole Note (or one Bar)

oU the equiv.iji nt of

two half notes, T I

or 4 quai ter notes,

or 8 eighth notes,

or 16 sixteenth notes, ^_j» ^» ^» ^ g_^ g_J»^» f |

»

or 32 thirty-second notes, f fTf ff f f f* *f ff f f t^* f f ff f f ff TJJ*^^^^9 BSBSS9 CSS3E3 BSBSB tSSBIS CSCSCS &ICSSS b^SSS

or e4 sixty-fourth notes. f*f^fTTTTTTTTTTTTTTTTTTTfTTTTfTTTfTTTTTTTTTTf?TTT*TT^*TT***^**Tf

r r

RESTS

A Rest is a character indicating a temporary suspension of sound, or pause, while playing. There is a rest

to correspond with each note, and it has the same value in regard to duration of time as the note.

Whole Rest Half Rest Quarter Rest Eighth Re^t 16th Rest 32nd Rest G4tiiResl

Coiiuted flame a.'^ aWhole Note

Rests, (or pauses ) beyond the extant of a singlej

bar are indicated by numbers thus:_ '

2 3 4 10 20

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I

DOTS.A Dot, placed after- a Note or a Dotted Whole, Dotted Half, Dotted^Quartw, Dott«< Bglith, Potted Sixteenth,

Rest, increases the value or du-

ration of that Note or Rest one half

of its original value.Aj:ample.

When two dots are placed after

a note or a rest.Ihe sf-rond dot has

half the value oft lie first.

Ej-rt inplc.

Jlusic is divided into cquil por.

tions by lines drawn t4jrough the

staff, called Bars, thus: _

BARS.The space and contents between two Bars is called a

3 Measure, or Bar of music Each bar or measure con-

J tains an equal value of notes. Or rests,according to the

time indicated at the commencement of the piece.

Double Bars are used to divide a piece of music itlto

two, three or more parts, called STRAINS, and are al-

ways placed at the end of a Strain or piece of music.

When dots are placed on one side of the double bar, the part on the same side as the dots is to be re-

peated. When dots are.placed on both sides of the double bar, both parts are to be repeated.

TIME.The following" are the figures used to indicate the different kinds of time, most generally used-

Common time,*' Two-four, Three-four, Tliree-twn, Three-eight, Six-eight, Nine-eight, Twelve-eight,

*'The figureC is more generally used than 4 Either one indicates Common Time.

The following Examples show the manner of counting some of the various kinds of time.

Common time has four beats or counts to a bar.

In all cases, the upper figure of the time-mark signifies the NlTMBERof notes,and the lower, the KINDof no1i.-s or their equivalent in the measure.

EXAMPLES. The wiird rt7/rf is used to iiidicafe the half i.f a beat.

I i. .3 12H tandaaud:ijnd \ i 7."

I ^ i landa 3 i ZH ia.3

12 3 4.1 H 7H « 1 a 3 4 5 fi ?8M li;34.iH 3H

(or tliesameas two-fuur time)

ta i 4.iH in H

(' L * t '- ., \ 1 a 3 12 3 I -4:i

(or the same as three four-time)

K345H 7KM Ii>lll2 12 S 4 5 H ?8» loll 12 1234.';« 7N« loll Iz

H '(.)- 59

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' SHARPS, FLATS, AND NATURALS.In order to alter the tone or pitch of a note, characters called Sharps and Flats are used.A Sharp ($)

placed before a note, raises it half a tone. A Flat ([>) placed before a note, lowers it half a tont

The Natural (1;) restores the note, which has been changed by the $ or h, to its former position.

The Double Sharp (x) raises a note naif a tone higher than the simple « would raise it.

The Double Flat (H>) lowers a note half a tone lower than the simple \>.

TheIfJI

and ^[> brings the note which has been raised by the k or lowered by the H> hack again by

half a tone.

When Sharps or Flatsareplaced fl j } 1 1.they are called the Signature, and des-

at the commencement of a piece, .^ "r ^^zg= ignate what key the piece is iir.

immediately after the clef, thus: cf ~ ^When so placcd,theyaffecf all notes throughout the piece Q ^

which is F, (in the Treble clef), sig-

beanng the same name as the lines or spaces on which they 3?^^ "''"»''* ^hat ALL the Fs,whether higfr

are placed. For example, a sharp placed on the fifth line,- ^ or low, are to be played sharp, ex-

cept when contrartictedby a natural.

Besides being used for the signature of a piece, sharps and fiats are introduced in musical composi-

tions, and are then called Accidentals. An Accidental # t or i; placed before a note, affects all the

following notes of the same name in that bar ONLY.

THE TIE, SLUR, TRIPLET, Etc.

The Tie, or Bind, is a curved line placed over or under two notes,

occupying the same line or space,and indicates that the first note

only is played,and the sound prolonged the valueof the two notes.

The Slur is a curved line placed over or under two or more notes,

occupying different positions on the staff,and signifies that they are

to be played in a smooth and connected manner. Example:-

Notes with Dots,or Dashes placed over or under them, are to be

played short and distinct; which is termed staccato.Examples:—

Whea marked with the Dash, tney are played very short and

listinct.

When the figure T" and a slur are placed over or under a groap

oflhree notes, the group is termed a TRIPLET, and the three are

played in the time of two liotes of the same value. Example:-

This Sign O which is termed a Pause or Hold, \v hen placed over a note or rest, indicates that the

player can nold the note or rest beyond its regular time.

When this sign -=r is met with, it signifies that the sound of the notes under which it is placed luusv

be gradually increased from soft to \onAj the -worA crescendo or crf*<?. is also used to indicate the same.

When the sign is reversed, thus, :=» it signifies that the sound must diminish from loud to soft. The

word diminuendo or dim. is also used to indicate the same thing. When joined thus, -^-r: ::>- it is

termed a SWELL. ^The letters D. C. or Da Cajto, placed at the end of a piece, or a double bar, signifies

to go back to the beginning, and play to the double bar with a oause O over it, or the

word Fine, which means the end. Thus; _ /y«e

When the Sign !!S, or the words DnlSegno or /?. 6". are met with, it signifies to go back to where a sim-

ilar sign % is placed, and play to the end indicated by the pause.or word Fine placed at the double bar.

they signify that in repeating the strain, (which is indi-

cated by the dots at the double bar) the part marked lis

omitted,andinsteadof it the part marked 2 isplaj'ed.

When the figures 1 and 2

or 1st and 2d are placed at

a double bar, thus: _

The Sign .S'l^jfoUowpd by a wave line

or dots, signifies that the notes over

which it is placed must be played an

octave higher than -written. Example: _

PlayedWhen placed under the notes,

they are to be played an octave

lower The word loco means

to play as written.

2483-.^246:<:<

914.i-69

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When it is required to emphasite a note occupying an unac-

cented part of a measure, it is designated by either of the fol-

lowing signs: fi or ^f, or A or ^. Example.-—

When a note of long duration is placed between twonotes of a shorter duration of time,thereby making the

weaker part of a measure the stronger,such deviation :

from the regular accent is called SYNCOPATION:

^6ipr p iu:;pir;j5

: f-jJ r i Y-TrrJii<^'

i,

i J i jJUJgir»

ABBREVIATIONS.

For the saJca of economizing space, the following abbreviations are sometimes used:

~ihr^\—

i

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SCALES.

Inthe following Scale.which is called the Scale of C SCALE OF C MAJOR.Major or Na(tir«lScaIe,be(viuse there ar.' no sharps qTOMC^ 2nd. 3rd. 41h. Bth.^ 6th. 7th. fith.

orflatsinitjit wilfhe observedthat the half tones occur

between the :Jrd and 4th and 7th and Nth dcjE^rees

of the Scale.

Every Major Scale, no matter on what note started, is so formed; hence the necessity of

sharps and flats.

Every Major Scale has its Relative Minor, which is found one third below the Major.

halftone.

DIATONIC SCALES.

SCALE OF C MAJOR.Ascending.Degrees. Descending.

1st 2 S 4 .5 6 7 8 8 7 6 5 4 3 2 1

SCALE OF A MINOR.(Relatfve of C Major.)

Ascending-.Degrees Descending.

12 3 4 5 6 7 8 8, 7 6 B 4 3 2 1

In Minor Scales, in nscettdiiig, the halftones occur between the second and third, ai.d seventh

and eighth degrees of the scale; in descending, between the fifth and sixth, and second and third.

The Minor Scale always bears the same sigiinfnre as its Relative Major ScTle,and the difference

in its intervals is made by substituting extra sharps or naturals,insteadofwritingthem at the signature.

SIUNATURES.

C MAJOR.

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TRANSPOSITION OF THE KEYS.

When C is taken as 1, the scale or Key is said to be in its natural position, but either of the oth-

er letters may be taken as 1, in, which case the scale is said to be Trn iisposcd. As 1 is (he basis

of the scale, the foundation on which it rests, so the letter wnich is takenfor the sound is called

the Key -Nofe. Thus, if the scale be in its natural position, it is said to be in the key of C; if

G be taken as l,the scale is (n the key of G; if I) be taken as 1, the scale is in the key of D,

and so on with the rest of (he seven letters; whichever letter is taken as 1, (hat letter be-

comes the key-note of the scale.

intervals, or tones and semitones, must be pre-I tone from 1 (o 2, a tone 2"to 3, a sei/i/fone fromti, a ioiic from 6 to 7, and a semitone from 7 (o 8.

r is also the same and cannot be chang'ed,— thus it

is always a tone from C to D, and from 1) to E, a semitone from E (o F; a tone from F to G,

from G to A, from A to B; and a semitone from B to C. In (he (r.insposi(i(in of (he scale,

therefore, it becomes necessary to introilnce sharps and flats,orto substitute bhaq)«abdorflatteued

letters, so as to preserve the proper order of the intervals.

First transposition by sharps from (' (o (i, a fif(h hi/j^her, or a fourth lower.

In transposing^ the scale, the order of (he

served, Th'.is, (he interval must always be ;

3 to 4, a tone from i (o 5, a tune from 5 ((.

The inter\al from one letter to another li (d

The same method is li llowed in all (he transpositions by sharps, viz. the fifth above or fourth

below is taken as 1 of a new key, in every succeeding transposition, and an additional sharp will

be required olao in every succeeding transposition.

To transpose the scale by flats, we take the fourth (instead of the fifth) of every new scale. F is

the fourth of 0, hence it is 1 of the new scale (key of F). The order of intervals must be the same

in the flat keys as in the sharp; hence (he B must be made flat.

Transposition by Flats from C to F, a fourth higher or a fifth lower.

DIFFERENT SHADES OF TONE.

p means: pinno, softly.

pp means: pianissimo, very softly

J" means: ybr/t-, loud.

Xf means: fortissimo, very loud.

////means: mezzofor/e, moderately loud

cresc.ar -~ means </t'Axr//^/«, increasing the sound.

dim. decresc. or 11:==- means diminnendo, decreseendo,A\mv\\^)\m^ the sound.

qf, rf or ^ means sforzomlo, rinforzando,s\\:\r^\y ace. ntuated.

fp means forte-pinno, loud ami im-nedia(ely soft again.

2463224638914.5-69

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GRACES, EMBELLISHMENTS OR ORNAMENTS OF MELODY.

THE APPOGGIATURA.The appoggiatura is a grace note placed above or below a principal note. When it Js placed

above, it is always at the interval of either a tone or a semitone. When it is placed below the

principal note it should always be at the interval of a semitone. When the appoggi'atura is

itten so -m-^ '-^l the value of it is one half of the following- note

When crossed by a s.nall line, thus^ its value is but one fourth of the note

that follows it.

EXAMPLES.

Written thus.

Played thus. |i' jU.-' n rr'n I r;[r{j|iJ_J i i''rr i i

r>

J

i i

;:-^vj-,,j

There is also a double appoggiatura, which is com- Written thus

posed of two grace nofes,placed the first one degree

below the principal Jiote, a. id the second one degree

above. Played thus

EXAMPLE.^ '•

r 'V ^ -i^ i

i '' [j'r J^.'II

THE TxRUPPETTO OR TURN.

Is composed of three grace notes placed between or after a principal note.Theturn is marked

thus zr.- A small sharp placed under some of the signs thus: (}" indicates that the lowest of the

j(

three grace notes is sharpened. Should the sharp be placed above the sign thus: v.. the upper8

grace note must be sharpened; or in case of a sharp above and belowthesign "S, the upper and

lower grace notes .nust be sharpened. The same rule applies to flats, only that the grace notes

must be depressed half a tone in that case.

EXAMPLES.

As writt<'n

As pl&yed

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THE PASSING SHAKE. "

The passing shake, often written thds «, must be played quick and round in the following manner

As written.

As played. j-^rfrr^-rr rri

THE SHAKE.

The shake or trillo marked thus fr consists in the alternate repetition of the note marked, with

the note in the next degree above it.

As written

As played

THE NOTE TO SOUND ON ANY INSTRUMENT

TO CORRESPOND WITH a1^.

b »» On the Piano or Organ.#WIND.

iDl> Piccolo, A Piccolo or Flute. * e!> Clarinet; Ek Cornet and Et Alto. BI> Clarinet; Bl> Cornel

B!> Baritone, Bl> Tenorand b!> Bass.

(In Trebleclef t

Clarinet and Cornet in A.^b Baritone, and Bk Trombone.

gl. or Eb Bas

CSTrombone In A.

The C Clarinet, C Cornet, and all Instruments in C, will sound A the same as the Piano or Or-

(fan

Page 14: How To Play Concertina

List of the Principal Words used in Modern MusicWith their Abbreviations and Explanations

A. . to, in or at^ o ^«m/i'>. in timeAcceliiraniio(accelJGrmiuAily incrcasin/f the Bpe*(i' ' Emphasis on certain parts of the measure

Slowly leisurely01 in str; " '

AccentAilaxiuAdtibitum(iid lib I

A du» (a 21.Arilato . .

a/ or AliaAlia MarciaAllegretto.

Allcgiu . .

Alltgro ttssai

Amoroso . .

AndanteAndantino .

ttna. con

YP'fg'O

AnimatoA piactr*. .

Appassionato

AnsaA tempo .

AUaeca . .

BarcarolleBitBratmraBrillanteBrio, con .

Cadenia .

Cantaiile.CanaontttaCapriecio t

Cavalina .

Chord. . .

Coda . . .

Col or eonCretcendo (erne.)Ua or.dalDa Capo (D. C.)Dal Signo (D.S.)

At nleaaure, no _

To Be plajeii by br th instrumenl'*Restless, with agitationIn the style ofIn the style of a MarchDiminutive of alleRro: moderately fast. Incly;faster than andante; blower than allegroIjively. brisk, rapid .

Very rapidlyAffectionatelyIn moderattly slow timeI)iminutive piatuian/f^, si rictly s/«»«r than ail

dantc, but often used in the reverse senseWith anunation

At pleasure: equivalent to ad libitumImpassionedA broken chordVery, Allegro aesai, very rapidlyIn tne orieinal tempoAttack or becin whatTolIows without pautinRA Venetian boatitian's songTwice, repeat the passageBrilliant; bold; spiritedShowy, sparkling, brilliantWith much spiritAn elaborate, florid passage introducedas an embellishmentIn a singing styleA short song or airAt pleasure, ad libitumAn air, shorter and simpler than the aria.and in one division, without Da CapoThe narmony of three or more tones ofdifferent pitch produced simultaneouslyA supplement at the end of » compositionWith

^

Swelling; iDcreasing in loudnessFromFrom the beginning

,„ -- ,_ From the signIkereicmdofdecrescjDecTensiag in strengthMiii>fiMm<<o frfimJ Gradually softerDiviti Divided, ettc^ part to be played by a sep-

arate instrumentDolce (dol.) . . Softly; sweetlyDolcittimo Very sweetly and softlyDominant The fifth tone in the major or minor scalem^t or Duo . . . .A composition for two performers

Mieganle Klegant, gracefulBnergieo With energy, viga,>auslyMnharmonie . . . Alike in pitch,but different in notationgeprettivo With expressionfinal* The concluding movementfine The endforte ff) Loudforte -piano (Jp) . Accent strongly, diminishing instanUy to

pjanofortittimo(ff) . .VtT'j loudFor*ando(fz::>l . .Indicates that a note or chord is to be

strongly accentedFor%a Force of tonelfioeo,con With fue; with spiritQioeoeo Joyously; playfullyffiueto Kxact; -in strict timetjnndioeo flr.tml; pvirpous; majesticBrave Very i.l"w and solemnOratioso OracclullyH<irnnny In Kcnrral. a combination of tones, or

chords, producing musicKe)/ note The first degree of the scale, the tonicLarga/ncute . .Very broad in sl)Ieiarghetlii Slow, but not so slow as Largo; nearly

largolegatoiJgtr line.

lentoL'iatetio tempoloeo

like AndantinoKroadand sloi

.Smoothly, (hi

the hloweat tempo-

lafrill added line .

b.-l» Amis

MarialaMeno . . -

Meno mottotrttto.

In lliu I

In plare Play n>. wnllenoctave higher or lowerHutLively, but not too ipufhMajestically, dignifiedMajor KeyMarked '

Leas

.kS^'^mwlerately

ifeitv-ptano (nipi Moderately softMinore Minor Key

,.

Muderato Moderately. Allegro mderato, mod-fratelv fast

Hulto Much." veryM'irendo Dying away

, ,

.V-.jso Rq"'**'*"' "> 'api'^ J^'" mmi/, quicker.

Mulo Motion. (Ton moto, with animal ion

Non Notnotation The art of reprcbcnting musical sointds

by means of written charactersObbligala An indispensable partOpus I Op.). ' '

Osti

Qttava (RvPause (O,Ferdtudast

A work.Or; or else Generally indicating aneasier methodTo be played an octave higherThe sign indicating a pause or rest.

Vepleauur

Ttallentando(rallReplica.

Rinfortando .

RitolutaKitenuto .

SeKertandu.Secondo (2do)

MoreMore quicklyOuir.kerA littleGradually, hy degrees; little by little

A little fasterA little slowerA little fasterThen; afterwanlsPompous, grandAs quickly as possible\iry quick; fa.uer than AllegroThe firstA piece of music for four performers.As if; in the style ofA piece of music for five per-formersGradually slowerRepetition. Senia replica, withoutrepeats

„,r^y^. ,^.,.*» . . With special emphasisRitardando 'rit.l Gradually slower and slower

Resolutely; bold; energeticIn slower timePlayfully; sportivelyThe second singer, instrumentalist orpart

Segue Follow on In similar styleSemplice Simply; unaffectedlySenza Without. 5<ni<i tordtno without muteS/urzando fe/) Forcibly: with sudden emphasisSimile or Simili In like mannerSmorzando CsmuriJPiminlshing in sound. Equivalent to

MurendoSole. . . For one performer onlv Soli, for allSordino A mule. (Ton jorrfino. with the muleSostenuto . .Sustained; prolongedSotto Below; under. 5o«o eoe«. In a subdued

toneSpirit, eon Spirito with spiritDetached: separateDragging or retarding the tempoAn increase of speed. /"ib ttretto faster.The fou.-ih lone in the diatonic scale.Chan^< of accent from a strong beatto a weak one."Is li'.enl " Signified that an instrumentor vccal part, so marked, is omittedduring the movement or number in question..Mnvement: rate of speedKfturu to the original tempoHeld for the full value.-The subject or melody.The key note of any scaleyuietl/

•*

U, A Iremnlcius flurlalmn of tone.A piece iif muMc for three performers.A group of three notes to be performedin the lime of two of equal value in theregular rhythm.

SpiritoStaccatoStentandoStretto vr strettaSubdominantSyncopation

Tacet

TempoTempo prima .

Tenuto (ten)TKema or ThemeTontc .

TranquillnTil inolandi'. TVaw

,yUt

Trappo Too. loo ch AUrgro.JO nuicklyall the instruments

i non iroppo.

. . .On one string.V.iri<ir.,.»<>

. The transformation of a melody by meansof harmonir, rhythmic and melodic changes

,, ,"(nd emhel ishments.

"^

ielou Quick, rapid, swift'•*'•'»''' A wavering tone effect, which should be

sparingly used.yyvace With vivacity; bright; spiritedrivo Lively sniritedyoiii Subito KS. Turn over qui ckl/.

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13

Description of the Concertina.

The Concertina consists of Tops and Sides made of fancy woods, ornament-

ed and trimmed with metal and etc.

The Bellows is made of cloth, imitation leather or genuine leather.

The Keys are made of bone, also of wood covered with metal.

The Reeds are made of brass, steel and silver.

The Hand -straps are made of oilcloth or leather.

Concertinas are made in various shapes and stjies, some with 10, 80, 22, 28

or 30 keys, called the German Concertina, another style called the Anglo-Sax-

on Concertina with 20, 28 and 30 keys.

Still another style, the English Concertina, with 48 keys.

The Concertinas most used are the German and Anglo-Saxon with 20 keys,

and the English with 48 keys.

Instructions for the Concertina

The 20-keyed Concertina has a compass of twenty. five notes; see diagram,

page 15.

How to Hold the Concertina

Pass the four fingers of each hand through the hand-strap on each side of the

instrument, in such a manner, as to have full command of the keys.

The hand- straps should not be too open, nor too tight.

The four fingers of each hand should fall direct upon the keys, the tips of the fin-

gers slightly bent, and touch the keys lightly.

Both the thumbs being outside the hand-straps, the thumb of the right hand being

kept in readiness to use the thumb -valve -key when required.

10118 - «7

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How to Use thr Thumb-Valv<^-K«'y.

When -two or more notes follow each other which are to be produced by drawing

outwards, and the bellows are already extended, it will be necessary to use the

thumb-valve, the same method is to be adopted when pressing inwards.

Beginners find a difficulty in using the thumb -valve -key judiciously, generally

either pressing or drawing the instrument too violently, thereby extending or con-

tracting the bellows to the utmost, so that the thumb valve is required, and thus

often causing the duration of a note to be shortened.

Particular care must be taken riot to draw out, or press in the instrument, with-

out a key or the thumb-valve being open, for should both be closed, and the bellows

moved, the instrument, being air-tight, might be considerably injured, besides forcr

ing the reeds out of tune or breaking them.

This instrument can be played either sitting or standing.

If played in sitting position, the frame of the instrument should rest on the left

knee, and is drawn out or pressed together by the right hand.

A sling to hang around the neck may be used to hold the weight of the instrument.

When playing tunes which require expression, a very pleasing effect is produced by

gently swinging the instrument backwards and forwards.

Explanation of Letters and Figures.

The letters D and P, over the notes refer to the action of the bellows.

D signifies to draw out the bellows.

P signifies to press in the bellows.

The figures under the notes denote the proper kaj- to touch.

Figures marked thus: 1 2 3 4 5 6 7 8 9 10 are for the Right hand.

Those marked thus: 1" 2' 3' 4' 5* 6' 7* H' 9* 10" are for the Left hand.

Page 17: How To Play Concertina

\

15

Page 18: How To Play Concertina

16 Scale for the German Concertina with 2H keys,

and three rows of keys.

Scale

in the key of Bk

Scale

in the kej' of C.

Scale

in the key of G.

CG GBCDEFGA BC DE F^-*-^

giyjijj i jJ i

J^ irrirr i

rri

rr|

f^

The above scale is the same as for that with 82 kej's, with the addition of the top

row on each side of the instrument in the key of Bb, but the keys are numbered

different.

The following intermediate notes are wanted to complete the Natural scale Uhat

is without flats and sharps) of German Concertinas.

Notes wanting on the

10-keyed Instrument. iS.ifff^

Notes wanting on the

28 -keyed Instrument.

j—-[]

Notes wanting on the 3(

and 22 -keyed Instrumer

0- i ^,

fnt. ^ ^

I I I

mD K

h

WE F

F A

Note: Some of the following notes T r r"'"

I• il

may l>p nirl with

G| Bk CI DIt n OK Bl.

in the melodies contained in this Self - Instructor, but. as ihi-y cm oulv h<- pi i>diu<-it

on Concertinas with more keys, I give the fmgerinn loi thr mitural note

Page 19: How To Play Concertina

The Concertina17

Each key produces two different notes or sounds, one in drawing out the bellows,

and one in pressing the bellows together.

Compass of the 20 keyed German or Anglo-Saxon Concertina, showing all the

notes which can be obtained from the instrument.

Action of the Bellows:

Vi-draw, P-press.

1.

^PDPPDPDDPPD ppPPD PD

Names of the notes, ^ |^ i" i * ^. 3. 6" 7- *' *' 7- ^- ^' ^' ^' »' »

Right \ and Left Hand V 1"

Kei/s to be used, with ,. „. „

D P P D D P D „D P PP D P P D aD ^

T, n ppDDP D L ^ m. ti t: ^B

c c d d e eff^ggaab be c d e e f% g b9- 1 10' 2 10- 2 3 6 6 3 4 7 7 5 4 S S 5 9 10 9 10

The regular scales in C major and G major can be played from the preceding

scale without anj- notes being missing.

Examples.

Scale of C major.

(All naturals.)

^^ r r r r

J-^ J J J J7 e d c ^ a g 7 e Z *a g f4 3 3 10- 10* 9-

g fH- H' 4* •• i-

Scale of G major.

(One sharp.)

9 10 9

Page 20: How To Play Concertina

MExercises

For the Concertina

Right Hand.

p

4 3 3 2 2

Left Hand.(-)

P P DP DP DP

U^'t^'i 'U' i-i' ii '

jj

7- 8- 8' 9- 9- 10- 6- 10- 6' «

C major. Right Hand.

pDPDPDPD P^P^^^PD .P»P»i^^^». T i

^aPPSfP

122222 22 23233322 232 3 3 333 23322322

Pop pDDP pTdPfDop pPOpoOpo pPDpoDpDF^m^lm^l.P'. ^I .^l.P^.I^.I^.P^mL^ml^

13332322 13332322 13322322 13322322 1

4^^ r- r ir nr nr rrir rn rir f r r123 222 3221 23 22322 1

DP DPD pOP DPD F ^ o DPD pDdPfrr irrr irrr irrr irrr i rrr irrm- i

122 223 233 223 233 223 2322 1

Page 21: How To Play Concertina

19

ppD PPpp pPPp PDpD pDPP 1 D p d

1^23 3322 2333 2212 1223 3322

D ppPpPpPpPppPppD pPP pDp

2 2 1

P

2 2 2323 2323 233 223 233 3322 1

Left and Right Hand.p p p p p PPP PPP

13.

C major

3- -

Q major.

P^

Right and Left Hand Together,

pv>

1- - ^

^ i13. m ^14.

p. W^ o. 3- T 8* • " 8-z' 3" y «•* 8*

Page 22: How To Play Concertina

so Popular Melodies.

Augusta's Favorite.

Listen to the Nighting'ale.

D D DD

4*4* 5- 4' 15- 5*4* 1 5" 5* 4* S' 5" 4* 4* 5" 5* 1 1 6* 1 1 15*6-4'5'5-

PP D DP D P DpDPPPDP PPPD PDDDPP

3- 6-3. 4-3- 3

P D D PDDP p J) J) DP DPP DDDDPPP

2l 2 Z 5-6' 5* 5* 1 6- 5* 3 2 2i 8 2 5- 6- 6' 5* I

P D Dp

82 12 2i22 32 1 3 * 4 3 2 3 2 2 j 2 2 S" 5- 5' 5' 1

When the SaveUows Homeward Fly.

PDF p P D p HJS P ppddp_d p PP P PD P

P PPPD

4" 4" 6* 1 2 2 1 16- 5ffls-'*'

*" *' ** ^' ^' * *** *^T8-

P D P P P PJB D ? D P D D P D P D P ^ P D<r^D P P

2 2 2 2 16-

P DP PDPDP ^PpDD PPPDP

Page 23: How To Play Concertina

Home, Sweet Home.21

P n P D^ PDP^DPDD P PDF D^ P_ D P ^ p p D D

5' 11 5* 5- 4- 6* 4- 4* 4" 3- 4* 5' 1 1 5" 5' 4* 5* 4* 4'43- 3-

P PP DPDD P

4- 35* 115' 5* 4' 5* 4* 4* 4- „.

Indian Death Song.

gl^^P DDD pD DP° r* p p p /r\ D p

20.2 323 343 322 22 322 333 2 11 Ij^i

DDD D P D P P D P ^r*l D D P £ *• T. P P P P P

4— . 5- 5- I 2 22 343 3 2 ri 1* 5

The Coquette.

P D P P D D p PDPDpDp PDP^^P D P g P D D Pp p DJ) P

Strike the Cymbal.

P D P D P P P DP P P P 2 PD PDPDDPPDD PPDD

234 322 34332 12 1 i2 34 32 2 34332 211

8444 88 2 34332 211

Page 24: How To Play Concertina

*• Twilight Dews.

PD PPPP PDD Dj* P pD DDP p pp p p p DPDD DPP PPP DDD p

24.

PP D DP^rfiPj P DP P,^ Pf P HJ* D PD P P PPP DPpDPPpPDDDp

*"4' 3'2li5*5-4*4*4"5*5^1 15'4-5-5- 3' 4" 4* 5' 5*2 2 1 1 5' .V 1 1 5* 4' 5* 7* 4"3 3

Charley Over the Water.

PPP PPP pppPpp PPP PPP DDP p p p PPP

4' 5* 5" 4* 5*^.4- 5- 5* 4- 5- 5M5* 5'4 3. 3.4- 5* 5' 4' 5* 5' 1 1

^ D P D P Pp PPPDDPD DP P P P D D P D P P P P P

5^5- ^*t- » 2 1 rr^.. 6- i 1 I 2 1 2-1^5. k^5-5it-5* 1 5* " ' 3

p^PpDP qpp Pi,PDDP PPpPPP pp PPPP DPP

5- 51 6- 5-4 p •*:4-5'5-4-5- 5' 1 1

Lord Lovell.

Page 25: How To Play Concertina

I Heard the Wee Bird Singing.

pD. PP PP PP p" p P_D_PDpDDpPppfpDD_PPj^

5" 5- 5* 5- 4- 6-1 i Z 3 4 3 1 2 22 I [5-1 S'^^ 5* 5' 5"i 1 *.

PP D PD^ ^P P D PD^ ^P PPPPP DD^-SPPDD P

11 22 3 4 33222234 3 32 2 322 1 1 5* 5' 1 12 2 ^7* 5

Old Rosin the Bow.PDPPDP P^-f-'

i

^^PPPr.'^

P^ PDPPDP P ^#-' TpPDDP P

D.C.

p/) ^ PDP PDP Pi,i>-- ^PPP DP D P PDPPDP P4#-- jPPDDPP ^

^r!J' i [ijCcriprri r{r[^ iiw>i

c;cr CJri^^^

i r.Crc:r ir^^*J fi* ST. o?. O a A no". rTTo 5* K- rr-l oo . 2 P A fl5T. 22 !> 1 9

31.5- 311 221 2 3 4 32i 12 2 5- 5-^^22 1 23 4 8H 2 2 2 1 g

PpPPpP -dIdrPpPPP D D PDPPDP P^i^- iT.PPDDP P

323323 4444 32 i fT2 5-\ J^-'j ^j 2 3 #4 3 Tl 2 2 2 1

America.

ppD D PD ppD pppDPD p „««r r-sr.2» ».*-r^.r»rp^.r2^."f"i*Pr'^p38. 4arrfirFrirrr ir?r i rrrir- ii rrnrgrirrrirffr ircrrr irpr irErrrp

*^ 112 11 222322121 11 333 332333 322232 2123343322 1

Yankee Doodle.PPDP PPDD PPDP P HiT PPDP DpDP D PDD P PfT^

6" 112 2 12 21 1122 115- 1122 322l IS'S'l 1

P—Jb P-i* ^>-^ P ^^ PD P D P ^^,^ Pj* ^-a P P P D D P TJ'Vwe.

2 1•J^ 5* 15' 4- 5- 1 1 5' 6* 5* 4*

J* 4' 5' 5- 1 5* 5' 5' 1 i _, ,5* * * ~ D.C.

Star- Spangled Banner.P_P PP P P PD PPD P PPDP DDD PPPPP PPpOP^DpDpDDD

2 2 1 1 5" 1 1 4- 1 5' 6" 111 15-5*6- 23221 If o'6" 1 2-3312232 1

The Stars and Stripes For Ever.

p D Ti^^Ppp If^P D pPppPp DDDD pD I ^^ ^

Page 26: How To Play Concertina

2 2233 32882 1 2222 » 6 2 2 1 , j 2 2 2 1 I 5* 5" 5' 5' «'

1112 22 1111 5- 5- 1 11112 212215- 22223PDPDPD

D p D P p p D DD Ddd PDPl'i,. ^ 'T^ ^T^ P D P P P P

3 2 3 8 2 1 5" 5* 5- 3 2*j f22 33 3 2223221 1 1111Maryland, My Maryland

p PPPDPPP P^^P.P^P^ft .^-r^'ff .i«-» «-2. 2-°^ • ••j'^

Page 27: How To Play Concertina

40.

The Flag of Our Union. *5

P PPPPP P DPPP P DDDDDDpp p ppppp p Dp p p p

J l «p-prr*-ff l r T3Jyi) l J JjJXw I r r r-hl r rprrrff I* n i r K

5* 1 1 1 1 2 1 2 5-5*5' 5* 5* 5* 5-5' 5' 1 2 1 5' i ii 12 1 1'''•'• *

PDDD PPDD P D dJ* PD PPPPP PPPp D D

1 1 15* 5" 5- i 5- 5- 5- 4* 5* 15* 5* 4- 5' 1 2 2 5- 5* 115-

P ppppp PP P'^ ^LS P P PD ^LT PPDPP P r^.PD ^.D D

41PDD PDP PPDPDD P rNPPP-f.Dq PP _:?^ P t> P

. ^ajJr i rrr i fr>r- frir->/:ihrrrirJj i rrrx;irJ'J' ii

*J 5- 5-'i 1 S 2 bJ, bJ K 1 ^PVne 2 2 2 3 5' 5- 2 2 33^, 1 5* 5*

Bonnie Dundee.

45 43 i 'A 23^5. 23^5. 1111 5- 11112 2 2 5- 5- 6* 5*

D D D L P D D P,P P P P P P S -T S P- »P "f" P • - I*^ P P p p pp p

2 2 2 2 2 3 3 2 2 2 1 2 2 2 3 2 3 3 2 3 4 3 3 23**.2'>3 1111

CamptowTi Hornpipe.pZpP D D p p PDPP°P P-^ P ?^PP DDP P PPPP P^ °-Pp/?\mm g43. p^-:;j| .r; ;j| >r r. .

r3i;^r4J;?j^;j |^ jJ|i^

t^ 1 5-4-6- 4-5-4-5- 1^5.' ^' ^" * * * ^-'-S' 4-5-I- 5" ffH .4.5- 5*1

^^.J- - - ,j - - i ,j ^ .,

PP'PPP^ PPPPPPPPD PDDP PPPDP^PPPPPDPPD PDDP

', 1', i ^^ -^22, 2rr, r- 1 1 2 1 1 1 1 2 ^^ ^ 2 2 1 222, Fi 1

2j

^'

Ricket's Hornpipe.

P-H^ PDPPPPPP DPDPP^ pOPpPPDp PPDDPDPD PDPPPPPP

**1 5-4^2 2 115-5-3 233 2 32 21 2115-5:322 if

21 Pg. 5* 3 2 3 2 1 23 21 * * * 23 32 3 21 33 43432 23

Virta* lillrS^ ^^»R»* *• 2*23 2 1It

1

Page 28: How To Play Concertina

Flora's Birthday.

Pi r-

Page 29: How To Play Concertina

My Old Kentucky Home. 87

PD PPD PD D PPPDP

S P^.-^^ PD PPDPPD P P pD PD D p r. P^. 1»- Tp D

1215- 1 12 22122 32343 7^2 21 322 1 1

We Wont Go Home Till Morning.

PD P PPDP D.pp DDDPDP P D P P P D P Dp D D

t2 2 2222 3 2 2 22212 2 12 2 2 2 2 2 3 3 4 4

P. P P °p^J? P P P P DP ^r^i^ P P P D D P P D r^ P

«^' 5^ 1 1 1 5- 1 1 5- 5- 5* 5- .5- 1 1 5* 5" 5* 5"i I 1 1 2 3 2 1

D D P D D D^ DPP P-D-PP P 5 D I D P.JJ^4h^4J

5^2 tr icx: ^

2 »»•''**

' 2 .V2l 1 5' 1 1 3 2 3 1 J^ne.D D

P PDDPP PPPPP^DPP P=:r P PPPD PPDP P D PDjCWTsP P " D P P ^i^=r PP PPDP PQ P.r^^P.^ ^jp ii'^r

i?i rTF i r-^ i

r[?-i ^ i rf^7^ii5^ 1

- „", 5- 2 3 2 2 1 2 2 2222 11 5' 1 221 'l5* 6*

P D D-PD P D P P D P

Brian BoruPPD

^mLR P D P D P DD PD pjPD p D p ;.

P D P P P D liD D P_P P D P D D P D P PP PPP PPPPP

4- 4- 4- 4- 4- 4- 5- 5* 1 1 5* 4" 3- 4- 3- 3- 4* 4* 5* 5* 4' 5* 5' 4' 5' 5' 4* 5" 1

D D D D D D D D D D D D p p j) P D P ^r^ P P D P.^ ^jL^J PPDP

Page 30: How To Play Concertina

28 Nobody Going to Marry Me?

I- D vLtS P P P P P P D P P D P ^—~P P P P P D P D

->-4- 4-5- 1 1 1 II 2 2 2,1,, 2 25- 111212p ^» ff i«zpppp.rp.p °^^.r»r .^ DPDP pppD PD

2 3 3 3 3 2 1 111 22 i 21223 3 1 2122 111212ppP pppp p D p pppD. ppdI. ^PP. ^p^ ^rrn ^

2 3 3

D D

5-5-5'5-5'l 1 122 3 32 2 3 32l 5-5*5*5*5'l 1

Charming' Young Widow.P P D P 1^

54.5-1 1 5- 4- 3- 3-3-4' 4* 5' 2 1 1 5* I 1 5* 4' 4' 5' S' 5-11 1 /'Yne.

P D P PP DPP I? DPP DPP PPPDDPPDDP12 2 12 2 15-5' ,12 1 5* 5' 2 1 2 2 1 5* 1 1

D.C.

2115^2^^25^3344333 3T2 I 243 3 23 3 4845 43 3 3 232 2 ,

If I Had But a Thousand a Year.

p p p D pI D pD P P P P D.PPPP P PP PPPPPP

3233 33 3324 54 43 6644 5432 li 4 3 1

Ten Little Niggers.

flPPPPPPPPP^

_^ ^ ^ I Z PP

,

Q-~P ^ ^ p p P D D

^ 5-^112 1 I , 2 3 3222211 211 5- 5* 5' 1112p p p p r

23 3222211 211 5- 5* 5'r~li2D DPP PPpPPPp P PPPPP PPPpDP

,,12 3 3222211 25-5'l 5-11122 122233P P P P P P P PPP ^jP m ^ f-f-_m m m m O P

Page 31: How To Play Concertina

The Bell Goes A-ringing for Sai-rah.

PP PDPDPD P__P P D D D DDPD P PDPDPD

29

5-5-II 1 2 15-

D D D

5-4- rri » 11 1 8 1 R-

P DDDDPD PP Pn DDDPDP

5- 5- 5- gTzl i5-ll 122221221 ii 5-5- 5- gT^i

D DP DDDDPD PP DPDPDPDDP;..Pg. ^r^n ^ ^ ^

^II 222212 21 11 21l II 5- 5' 4- 4- 5- 5* 1 111

*^ 5- 2 I 3

P P PD PJB-^ PPPD DPdPPD P;—-

2 1 4-4- 5* 5- 1 111 6- 2 113 2 2 1 1

Little Maggie May.

P P 2 D D D P P D D P P PPDdDD DPP Dd

2 31232 5-2 1 11 5* 5' 2 2 3123 2 5* 3 5* 5* 23 1

P PPDD PDP p. P DP*i^.|C~> • »P P £ PP P.^ PP P^ P.=r-

Pulling Hard Against the Stream.

? DDp PpPP Pddp PP^. P pdp^

23 622453 5444 2 66 2362 2453 5444 2 66 45D.C.

Beautiful Nell.

m IftP-p-r t-PPPP "pP^LP P D pPPT PP^.^ PD^P m r Ti^P^-I

3 3 6 4 3 32 2 1 * 5-5- 5* 5" 5* 33323222363 3 3643,DPD P ^^P_P D P P PP-£ PDPP I.r^I PDP i, P D pP

3 2 2'i 1 5- 5- 5- 5- 5* 5' 5-5- 1122333431 2223 i 228D DDDDPD DPD P PDP Tp DPP D ^p£^ ^-5^ D P D P

6-

10118 - •?

2 2 2 8 1 2 « » •• I •*! 1 8-1 J^2 1

Page 32: How To Play Concertina

*• The Merriest Girl That's Out.

P PPPP PPPP ^ILS P ? P^D D P_^P P D DPP P P

6«.

PPPP PPPP ^r-3 P-^ 1^ P. ^mJ^ DP ^^^P DDDPD P

3- * I- * 3- 8- * * * '^' 2- * 2- 2- 2-

^-^ D—P P P. P^ DP P P P P D PP P P P

The Harp That Once Thro' Tara's Halls,

p p ppp P PPP P^PDPP p p ppt» ^pd_p PPPP r P/5 P ^p-Spi-S,I

J II

ilPD P P P P iL£ P ri "-J I I I IP P

63.3^

P^P^P ^r-°P P P_E^ P P

64.

1112 1 1 5- 5- 5- 5- 4- 4- 5- 1 I 1 5- 5' 5' 1 1 5' 5- 4- 3— 5- 3.

John Anderson, My Joe.

/i p_p pppp ppppdi?ppf: pj'pppp PPPP p p PP p i,

^ 5-5- 4.5-5- 1 1 12 11 5- 5* 7- 6- 5- 5* 4-5-5- 1 1112 2 2 1 2 2 3I

P PP P „m. •

'oPp P PPP P PP PPPPP P^/^^ PPP P P

?rr i

i fr i ryrr i f cr orr^^212 3 32 2111 2 12212 11 11

PPPPP P r^r\ ^Ji' p D P P P

6- 2 5- 6* 4- 5- 5" 5* 6'

Norah, the Pride of Kildare.

D P P PPP pPPPpp PPPPP P^^r?^-"^ P

.

-^ ^ ^ P P "

5*7"5*4*a. "W •"a.4* a-H' B' R' 7'4'7'5* „, 4.-'*"6"o.* 3 g. 3.3 * 3 o o B 4 ^ 3- 3 2- p - 3. p- » g.

p p P P Pj> pD p p P P P P P_pp PPPP P ^P P P P P^P p ^ppp

4-7'.5-4-i5- 5-5-r4-3. i^'H'^'^'i' a'B'TB'^Zi 15-5-5'8-4- 3. 1 6-5"7-5

tons - 87

Page 33: How To Play Concertina

Molly Bawn.81

6- 6'4-4. 6-6-1 6- 4- j 118-1 J- 6- 5-f^j 6-\'l-6' S'l 6'

J- i

P P-ZP DPP D D D,P_D D^pp pDPDPDD p p p

^»16- '''*' at'^^ ^2l8- '^' *' 3''^' ^'*'*''^' '^' * '^' 4- 1 1

i 6-1 4- 1

Pirates Chorus or "Ever Be Happy."p P p p D p p D PD P p P P D P P PPpD P PD PD

6* 6* 6* i 3 2 2 2i 2 2 j j 11 1 6* 6* 6* 1 3 2 2 21 2

P P P P D P DDDD ^^^ PPDDPPPDPD^P^P—1 1 1 1 i n « «• 6- 8" 1 i i 2 1 2 Fsj J-jj.

B-s-s-"?-

P P P P D PPDPD PPPPD P P P PP P D P PpPpT P

6- 6- 6-i 8 2 2 21 ^^jjj^j iflll* 3 82288 1

When Johnnie Comes Marching Home. '^

PQDD PDPQ P P P— p p D I) D P D P D ^^=r P P=r P ^

1112 2 1 2 1 z

P P P D P D DDD PPPPD DPPPP PP PP POP P p P_

1 1 I 1 5' 6' 6' 6' 4' 6' 4' 4«

PPP^P^J" "r^PPD PPP PPP DPpPpDP ^r-PPDPD Pnni

fi' i * '^hi^ 1 5- ft- 1 8- 6- 6- 8- 4- iii111 i 6-6- 1 6-6- 6*

10118 - 67

Page 34: How To Play Concertina

^^ Lament of the Irish Emigrant.

r ^r ° ° ? D-T PPPPPPDP P pppp^^Tj d d d d p p

2 2 11 5- 5- 4- 4- 3.4. 4- 5- 5-, j 1 I 5' 6' 5' 5' 4- 4-4. 4,,. 4 g. - -

P PP" DPP Dp ^r^4-^ D D-g P D P D0 D P P n n/ D D P n' P-f=R

4- 1 I 5- 5- {>-5*l 4- 4' 2 1 1 5- 5*1 1 I 5* 5- 5- «•1112 2 2 11 11

^J^ P c'na P P D P D DP Pr4^D^PPP PDD P D D_P PJ d D P_

5'4-5-l 11 2 5-5^72 2 1 *'*' 1 1 * 1 5- 5- 5* 5" 4- 4- 4" 4' 3-3-4* 4* 5* 5' 5*1 ~j 1^

Keemo Kimo.P P r^ DP p ppPDPD PDD PPP^ DP p PPPDPD PPP

«J 111 5-5* 5- 5- 5- 11 2212 222 1 1 1 1 5' 5' 5- 5* 11 2212 2 1 1

PPP p P P PPP

2333 28322 3221 22 Hi 1 1 5' 5' 5* 5* 1 1 5* 5" 5'i 12 3 3 2 2 11

The Old Arm -Chair.

?.pr?pp p. 2 p»r pp rr.? -.S^ppp p.p p?r rr.72.-

2 222222 3 3 3 2 2 222222 32 2 1 2 2 2 2 2 2 2 S

D P D P P P P D D P ppdddddd p p p p p P

3 332 22 2222 3 33 32 5 43 3 33333 3 32222 28

2 2223 4333 22 2 22 2 3 33233 4543 12 2 2 2 1

Kitty of Coleraine.

p p p p p P ^ D PD p D p p p p P P P D DDPP PPPPP73.

5- 5 Jl 1 2 3 3 2 1 1 5- -r--, J 2 3

DPP ^r^ p p ^ p « f , ^rrn ^., ff . ^^ ^ ° D P P D D P

3 2 1 iTii iT\' »• 6*4' 4-6"1123 222116- itSilt «*«'ll

Page 35: How To Play Concertina

Castles in the Air.

p p P D p DP DP ^ P£?^ DP. °--r —^ ^

88

1 1 i 2 5* 5" 5* 1 1 1 2

What's a' the Steer, Kimmer.

3 3 4 4 3J 2 2 3 2 2,

1 5-5-^i ^2 1 5- 5- 5-1 2 2 3 3 2 4 2 4 3 2 2 2 1

The Bright, Rosy Morning-.

P P PDPdD. PnPPDPI^ P P DPPD. PD PPD P

76.5-

i 2 2\^k 3 22 2 i 1 i 5- 1 2 2"i 2 3 2 2 2 11 1

D PDPDPD Pop PP^PDPDP PP DP pP. PD PP D P

2 2 24812 412 2 2 2 2 11

Page 36: How To Play Concertina

84 Morella's Lesson.

P PPPPDD P PP P P D D P P D DP_ D P D P P P P P P

4. i. 1- 4- ?• 4- *• 6* 4* 5- 6- 1 1 5- 5' I' 4 „. n Ti'

3* 3* 3* 3* * 3 * ' 3 3* 3* 8" 3'

PJ,^ ^^ ^'^^^ .P ^^ PP P_PPPPPPP D DDDDDDD PP PP PPPP

.4- *Sj,S-*-3-^.B- 4-3.p.,3.^„.

D D D DDPD P PPPPDD P PPPPPP ^rT-Tn ^OPD PPPP

o. a. a.Q.M' M' a. ~ ~ "o 4*Q*4* 4* 4*4'4"3*4"6" 5* 1 1 5*5'4-,.3 3 d 3 4 4 d 3' 3* 3*3-* d*-**"*-* * ^ B' 3' Z'3'

Be Gone, Dull Care.

P PD P oP-PDpDp p pD p DpDpDpDp

5 1 2 2 3 342323 2 6* 1 2 2 3 2322i2lPPr*»PSS°DPPrPPD P_PPD P P PPPD PDF

Bonny Doon.J^ P P D D p£pd PDPDP ^^ P

^r^r^ D P D,

P P D D

>• 112 2 2 3 2 212 22ll5*5' 5* 5* 12 22 1122P P P D P D P D P ^-^ P DD P pPr^rPPlJlPPm r m ^ —^ 1 ^—

:

!—

1 1—(^ 11 l» 1 F R— "— r-P Pi

—F ,_

2 3 2 212 221*^" 5" 5- 5- 11 23 3 432i 3 432|PppPpp^Ppp POP PD PPrPDPDPDP ^r«£iJ' P-i£4^ P

321321 4322 22 112 2 2.'J 2212 22ll5*5-5-5'll

Olory Hallelujah.P P P n p pP-^ P P P n r p d ^J^ p d p d p d p p p

" ^—I

m ^ m . T ! \ 1 ^ T"

5' .'i' .V.V /,• 4. > 1 2 t z -i -i ^ ^ 5" 5* 1 1 I1 ]^. 5" 5' 5" 4- 6*

PPPP I' P P^ P P P D P P D D F D P_ P D P,-X»^ P—.P

4. 4- 5- 1 3 ;; ;a :; :.' 1 1 2 2 1 1 t — 5' 4' 4' S" 1 2 2 I

D PjyI' U P D P P P d pJE-£-^ p p d d p d p

IWlt - «7» 1 1 6

Page 37: How To Play Concertina

Raw Recruits, or Abraham's Daughter.p

P_P pDDD PDDri DPPD D^D pDD

36

PDDD/5PD pDDD PDDD DPPD D^D pDDD pDDD

82. ii^ r7irJJ':i, i .J..l''irJJr i ^ r•B l^JJi^l l

JJ.J'•T 2 2 1 5- 5' 5' 4- 5* 5' 5' ^ 5" 5* I 2 2 2 1 5* 5' 5' *• 5" 5* 5"

4- 5- 5* 5 3 2 1 5' 5- 5* 4- 5* 5' 5- 2 2 2 11 5' 5-

Marching Along.p p p D p p D p P D p p D D D pDDpppup p p D p ppp

5* 5' 5" 5- 4' 4* 5- 5- 5* 5* 5* 5' 5* 1 1 15* 5* 5* 4- g * 5* 5* 5' 5'5*5*4.5*

D D P D D D DP D ^Lm PD D

1 15* 2 1 2 2 2 2 2 1 1 1 5- 5-

P PDPPDP D DPD D P PPPPDP D ^^ PD PPDDDdpD ^-2 P

J p » p - pI

* f * ••

•I f ^F ff f m \ \ JJ m-\\ ' '-3-^ * '\m Jjf' i

^ L , 1 1 I1

1 u I'^w u u u I

^ ^ r ' I*

, J " u I r ^i

I

5-12I I 1 1 2 2 2 2 2 2 2 2 2 2 2 1 5* 5- 1 I o" •"<•

1 j5-5-2 1 I 5-1 1

Mary of Argyle.

p PT. PDPDP P.P^iT.Sp P^r.PDPDP PDPPPDP PP

23 32ri|:'l 2 24332 2 3 32 ri '^ Ts 212 2JJ

^ ^

D P D P PP P Dp D P P P D D P D P,

it:f^4,P» I P- i P ^ » 4, If-P I*- ** " ^»

DD Dl^f^'T P Pm24 6442 22 23221

D p nP D P D P P P D-0- ^

D

22 222 6 32 2 2 24543 23

P D P. PD pD r*g» r. P D r P

85.

23 322133544 32231I'm Leaving Thee in Sorrow, Annie.

P P DPDDD DPP DDPJLPdp PPDPDDD DP P n ^pD.PP P PA P PDPDDDDP P DDP^^DP PPDPDDD DP P D r| »," ^; ^

*^ 1 1 2if^, 2i 5- 5-41 15- 5^5- » » 2 i^RM ^* 1 1 1 sJ-^r 5" 5'5- 5-41 I 5- 5- 5- » 12 J^^, 2 111 1 5-4- 7' 5" 5'

fl p B rTT"^ DP PDDPDPD PP PDDPDP DDDDPdP £-£?-P

*^ 5- 4- 1 1 1 5- 5- 5- 5- 5- ii 2 2 2 5-2 2 2 2 2 2 1 1 1 5* 5' 1 1 2 2 32 1

DDpDD P PD PDDD DP P DDP^DP P PP P^DD DP Rj^ P pP-P D P

Page 38: How To Play Concertina

86Ever of Thee.

p p p p D ppp ppy PDPD PDDPDP .rrrr^. ^p_p r ?

1211 i Z2 ZZ\ 23244 433232 343332 22113 63

PPPPD DPpDDP PDPD P DDPDP PPPPP PDpD

2 2 2 2 2 21 4^4. 5-5- 1211 5-22221 2222 1 1223D D,DP P^D PPdP T) P^Z V^ PPDP p°p5p,

4-4- 5- T5- ill 11 5' 11 1 4*4t_ 4-4*6' 5'4*4' 4* 4' 5" 7' 5* { 7\nPD ODD p Dtj „

°r^ P "t^^AD D^ P 2- :r P P ^r^ PD ^J! ? P P P P DP

5- 4- 1 1 1 5- B" 5- 5- 5- 4- 2 2-1

PDD PdD DP PDPP^ p p p ppDpDDPp P DD^ D D PD P D DJP PDPp

5- 5'4- 3. 4- 4- 5-5-5-5-5-5- 5*1 2322il 5-5-4- 4* I 5-5-4- 55-4' 4* I 5'5' 4-5-5'4'

pP PPD DPDP DD p DPr? PP P PP P, ^ D PDD PPPPDO^

4"4*5-5- 1122332 2115-5-6"4*15- 1 22 122 222 222 1

Blue Bells of Scotland.

P P^PPPPPPDD P i^POPPPPPpppOPPn p

5- 115* 5* gTji 4'4-4-3- 3. 5- 4' 4-3. 4- 5' 1 1 5-

1

Oh! I Should Like to Marry.

1 5-5'7- 6-D.C.

89.

6-1114 32 2122 S'l 1114 32 5^2 2 "^^o

D P ^mdp ^mD D _p DP PD D .^it?r°.r r r.^^^^^

Page 39: How To Play Concertina

Last Rose of Summer.<7

PD PP^PPPD PDPD^P^ P_f P P D P If P P_P P P nDP D

90.:

3.4. 41 15- 6-4- |:3- 4- 4- 4-3 3

The Girl I Left Behind Me

5- 4- 1 i 1 5- 5- 4- 5-4- 1 I 1^* ^* ^'

D. C.

P 5 PPpD PDPD DP PDPDPl* DP P P dP

3 3 4 2 2 2 3 2 211 5* 5' 12 12 2 3 3 23342228

9S.

2345 4 4543 42223 2 2 if 5* fj 2 1 5' 5* 1

Maiden's Prayer.

PP^PDDP^HPD DDDPDD DPPdPP pPX?PDDP?^Dd«

I

—r -j^ K L m F' iih

:—n—1

rT I - 1 -. 1?

5. Jy2 2 2 4,"4-5-*

D P DP P D PDDPP PDPP PD ^ DP D P P D P D D D P?^D

3-27|:5- 5-7.5(22 11115- 1 ^^2 * * 5- 5* 2 2 1

4-5-

Belle Brandon.

P D P P P DP D D PP PDPPPPdPDd PDPPP D PDD

5-4- 4- 4-5*4-4-4-5- 5-1 5-4" 4-4-4-5-4-5-5- 3' 5-4- 4- 4-5- 4-4-4-5-

P P DP DDPDQ ^ P Dj* DPPPPPDP D Q D P PDDD PP PP D

/^

Page 40: How To Play Concertina

38 Am I Not Fondly Thine Own.

p p PPDPp^D DDPDP PPPPPpS.DPPr*'^.^ ^r^

5' 22 22283 22 gl^Z 22 22233 2123^2 ^ 1^3D. P

«J 4 3

D. P DPP P D DP P P P £. P D

rr\ [utlf \^ri-^ \

'r\rr \i[jlsj \ fr \43 3 2 212332 1 i2343 32 212332 1

P D P D P D

Jerusalem the Golden.

P PPDp PPPPD JJpDPDP D P PpjDDp PPPPP^P ^6-2232 22123 33 23221 2 5' 223332 2 211 11 5' 6' 6*1

P D P TuE P P P D P P PuP o. P PPPPTS-TPPPPPPOPfi F P P ,u- P DPP P P Pui^ ;,.P PPj^PTg-^PPPPj^PPP^(wrirfTr i rfr i rrrTir jirrrr^^mrrrrrir ii

J 1 9 9. .QR9 94* t^OA CR'OoaOil 91000900 <1 2 2362 211 1226 6 6- 2232431222322 1

Do They Think of Me at Home?

PP PPPP PP P P P D DP PPDP p Pppppppp

1 1 1

Listen to the Mocking Bird.

PPPP p D p p PPPD PPpp p P P P

2 1

CHORUS.P P P P P P D

22 34444332 1

P P P P P P P

3 4 4 4 4 3 31

P P D P D D

2222 222 2222 211 1 22222p rrrr. r pgpppp p p p p ^^f-rrrrr^

S2 2 2 2 1 1 1 S 4 4 4 41

Page 41: How To Play Concertina

The Heart That Feels No Sorrow.39

P PPDP jgDPP PPDP D ? PPDPno PD PDPPD P>) P P FD P Q D PP Pt"DPD ^.ii»i.M" P"PDPPP P

984<^j i ri7rrirrjj i r-[;rr i rrifr#Ftif-tfirrrrg i r<X) K' 2 2 2 1 a 2 K*K* 2 2 2 1 2 K- 2 2 3 2 S^2 2^ 1 ^22 II5-2221 32 5-5- 2221 2 5- 2 2 3 2 5-2 2 3 1 Jj 2 2 I

Page 42: How To Play Concertina

40Kildoug-halt Fair.

S.P D p D P r. P

3 32122321 3212^ 2 4545422^ 2 i 5. 5. 5'

Widow Machree.Irish Air.

PFD PDP D PPi»- r. P DPP PT1 F^P PDP D PP-f»- T. P D P PP

103. S5-6'5-i 1 1 22 1 * 3 2 22 1 5-1 5" 5'5*5*11 1221* 32 2III

? .^Imf'^m. ?P? l»jr. DPdPPD. f PD m ^ ^-M ^^ P, ^ ^^f" r'T DPPP

2 323433 222332 2^2^2 2 2TI. S'l 5' 5-5-5-lTl 2T1 * » ^ ^^ ^ ^

Teddy, You. Gander, or Bully For You.Irish Air.

P:g. p :iP-D p^Ddd ^DdD P PD P P PD p ppp p D p d PPP

»r[;rp i ryryic[rr>icr;r^ i rFr[y i r(yrFi^^i£ffM2121 2l2l ^2 2 l^ 2 2l2l2i2i Hfl 1 2 2 2 111

104.

??|[P?? PPPPJ DDpDPp DDDD. !i I?!^. !^Jp P

.

PP P^- f D PPP

233 2 33 233 2 j 5^2 212 ^Z » Z38^23 233 2 j U^j 1 2^ 2IH

The Low- Backed Car, or The Jolly Ploughman.Irish Air.

105.

P^Ti P. dT ppI. ^t^ p ppdd ppp DDDD P-

•^1 12 2 3 3 2 3 ^1 2 3 3 3 23322211 22

•^ 3 3444 4332 3444 4 33 3444 4332 2^"i 2 2 3 3 2 2

PPPr. T> Pt. t. nf^Pf^Pl^pPp PDP1-T.i P P P P , PdD D P^^ pP i ' , 1 ' , ±±^^^P p-£

Page 43: How To Play Concertina

Larry O'Gaff.41

Irish Air.

P£f rS^P DP P^PPP P-DPP PP D P D P^ ^ P D

106.

1 1 f.f.4- rt- ^' ^" ^" ^'

4't^* •'^'*' ** •^** 3- 4' * ^' •^' * ' I^-

' 3-"

P P P P P P P DP PPP D P D P P P^g^ P D P PDF D D P

5-5'

5- 5- 5-5' 4-* 4-5-4-4-5-4- 3' ^S'^. ^' ^* '^' ' ^Tl rT"l T j 5.

PDDDPD PPPPP PPDPDD ^^-^sTpP P P,DD PPP p p p p

rrrs 2 1 2 2 1 1 4^5*

1 2 2 1 , g.

Moll Roon.

P«P PPDppD PPPPPPP P-^° D^P_^P D

5- 1 2 1 3 2 1 , 12333 2 3 332 3 3212 3 2 f~i *.

107.5* 1 2 1 3 2 11 12333 2 3 332 3 32.- --x„.

PT^ t^pX^D Pr> r.pX-XXDJ^X°P ^Dpr^Pn ati. DpD.^#i»- ».^ 'P ^ m t^ t- t^ -P-Pt- f- i #i»-iuPiiLDPD%p » » p rr r I p » I* p ij h—rrn i ft i rrpg» Pfi # »^n

3 33233454 33233 44 4 4445 3 54 3 66 322D.S.

A Life on the Ocean Wave.

P PPP P D P PPP PppDP P PPP pppP108.

P. PPl^I^PD P P^PD PPP P P P D

12 8 22 2222 2 2 22 2222 2 3D.C.

Shule Aroon. , u »Irish Air.PPPP

P P P D D D P,P PPPP r \ \ A P P D P P P PPPPP109.

4* 1 1 1 1 5- 5-5- 4- 4* 5- 4* 5* 5' 1 1 5' 4- 3.*

P D P P PPPP3- 3- 4- 3- 3*3-

p p D P_P P

6- 6* 6- 4- 1 \ 5' 1 6' 5* 4' 3-4* 5' 5* 4' 11 5' 6- 5* 4-

PpPPp PPPPPP PPp PD p PPPP P ^ P P P

6- 4- 4-1 \ 5- 6-i- J. ^3. 4- 4-3.f: 3- «'

J 1 2~2 1 1 »• » 6- 5"

/

/

Page 44: How To Play Concertina

4S

^ HO.

Soldier Laddie, or Independence Day.

P DP P D DP PDDP PDDP PDPP D^p ^D P p?P P

12^ 2 322 2221 2221 f 2 2 2 322 1 5' .V 5" 1 6* 5" 5

P Dp P P DD

3432 322 2221 222i 3-4 3 2 3 2 2 1 5* 5* .">• 15' .5' .5*

Pas Styrien.

P ^-^ p p p p p p D^ d p d d d d d d p^ p d

111.Q rrn .

^ ^ ^ P P P d^ dpdddddd pp p d

^itg i rjj irntffr Mrjj irjj i JJrj5.5.1 I 4- 4- 1 4- 4- 4- 5- 2 , , -. -, ^ -. -, ^. 5. 2 2

ppp ppp dDD. p ddI-p p d p d D P CsP^ p d p/O P P P P P P DJi' i^. P D ^t*-' 1 M ^ P ^ D P O*,.^^ P D P

1 4- 4- i-4- 4- 4-.V 3 2 2 3 4 3 3 3 2 3 2 >.J„, 5.^.1 1 1 1

„TiD p DpDPnDPDPDDD PDP D P D P D?T»-*i -p- » -p- » ^ X) P

1 1 2 1 i 5- 1 12 2 2 1 i 1 2 3 4 3 4 3 4 3 3 2 1 ^ ^

Maid of Judah, or Silver Moon.

r.PPPP-^TPPDDP rr^ PDDP ^r P PPDPPPPDP

4444432 133 3 32 1 1 32 111432} 122322P P p p

P PP D i^-m n < P DP P P P

i2"2 2 4 3 3 2 ^2 2 2 2 2 2 2"^| 4444432 133 332 1 1

Over the Summer Sea. "Rigoietto;

ppp P. Dp PDP D. PP PPP PPP PPP P P

2 2223 2 2 3 2 2 4 2 3 4 3 3 4 3 3 3 3 2 2

P P „ P P „ P ^°o ^ o P P P.P *.^PDp D P

3332 2 1 3 3 3 8 64*S22l ^

Page 45: How To Play Concertina

I'd Offer You This Hand of Mine.

MM /i ZA

Page 46: How To Play Concertina

/^44 It Is Better to Laugh Than Be Sighing.

PDPPDrrr ^^^m^^^" ddppdd ppppppppH8

[57^ p p p p

4' 4' ii^""2 2 l~i^' ^' 5" 5" 1 5* 5' 5* 5'g. 4*6'4*o.

p ^ f. I

IDPP DP pp PPDPDP DPD P p

3- 3'2-3-^ 3-

A r—g:^gaq p ^ r-r-^. ^ ' " dp pp ppdpdp dpdpp«J ^ 1 1 1 1 i ^ . I- 1 1 o- 5- 5- I I- I^^I^ trn> t-^r^ 2 5- M—

I

D P D P D P nPDPn DPD ^r^ P V^ P ^fT-P P P

2 3 2 2 2 3 12 1111 5* ' 5* 5' 1 1 5* f 4" 1 4* r *' 1 4' f 4"

P P P

Mountain Maid's Invit.'tion.

pPp PDp D pD D D P F ppp pt>p ^PP

D.C.

Tyrolese Air.

119.4- 5"3-* 5-

» pPp pup DPDD ^PP ppp PUp r-r "D PPP

^.' J.4- 4- ' 4- 5- 1 2 1 1 5- 5- 5- 5- ^2 * ts' 5- 1 S'l* 3. , ^^

Matrimonial Sweets.

P PPPPDPDP P DPDD PDPP PPPPPP DPDPDP. DPPPD P/?N

2 2 2 1 5- 18 2 2 22 15' 1222 33 66 222 5* liii 5-5*6-5^^

Swiss Boy.

pp PPPPPP p PDPPP pd.pdpdp^p ddpdp f pppp dppdp ppdp

121.4- 4" 5-4-4-6-4-4- 5'2 215-5' 5'32 2 2 2 1 5" 4" 2 1 1

5* 5*2 2 15' 4'21 1

5" 6*2 2 I

Fi7te. DX.

In the Lonely Grove.

'^ P P P ppp P P P D P P

i 6* 5

10118 - 67

4' 4' 5- 5* 4- 1 I 6* 6* 6-5-4* 5' 4* 4" 1 1 5' 5* B-SVg.

Page 47: How To Play Concertina

P P D P

O Haste, Crimson Morn.Lncia di Lammermoor."

DDpp dpdd P D p p P p d P ^L£

123.5* 2 z I

1 5" 5* 5* 4" 5" .V 4* 4- 5" S* 5* 2 2 2 , 1 5" 5' 5'

D P D D P^ P p p, PD p DPDD PDPD ^L^ P P

4" 5" 5- 4* 4- 5' 5* 5- 3 2 2 1 fi 2 1 1 j 12 1 5* 5' 5*

D. PD PDPDD PDPD DPD DP DP/jDPD PDPDPPDPDDPDDP DP ^p-^ ? ^

ffi^Jf r igr r i rjr r i r r r- 'ni" [j i

^^ i*^ 3 2 2 1 ii2 I li* 2 1 1 2 2 2 2^ 1 5* 5' S'

4* 5* 5* 4* 4' 4* 5- 5" Ji2 2 3 3 3 2 2 12 1 2 3 1 I

Favorite Song. u^^^.^ ^. Lammermoor.

PP PDDPDPPPD PDFD PPPP PDDPD PPPP PDP6 P PPDDPDPP PDPDFDPPP PPPPPpPPPPPPF184. 4)!. pir

p [n. i j;.jJijjjJ-'ij;jpirp[ rriJj)J^•^ 5- 1 2 1 215. 5- 4- 5- 5* 5* 3. 5- 5* 5' 4- 5' 1 2 1 2i*' .

5' 4- 5' 5* 5-3. 5"

k

PPPP PPpPDPPD DPP P PP pPPd PPPP DPP n n pppp

125.

Come, Come, Soldiers, Come.

~K' n 2*^1 5'5- 1 1 2 2 3 2 15-2 2 3^1 2 S* 5* i i 2 2 1

P PP P P P P P P P DPP ^P?n PPPP PPPP PPP P P

Js- 5- 5-1 1

PPP P P P D PD p P. P D P-^—rj. ii5. p pdp PPPPP P P#-^ P P

."72 22 23222 322 5'11 22 Z ZZ i z ^ 143 1 15* 1

Auld Lang- Syne.

P PPPP PPP PDPPP P p i-P pt/

p p p p PP PP p PP P P

126

p p

'J" i i 1 2 212 2~2 112 3 4 4 43221 2i2221 5-5' S' I

p

D P P P. P P P ^ f:^ i*. P-P P P P P F P P D D

Page 48: How To Play Concertina

46

127.

Dearest Spot on Earth to Me Is Home.

P FDPD QPPP PD PP PDPD QPPP P P D P (^

5- 2 2 1 1 5- I 5- 5- 5- 4* 4- 5* 2 2 1 1 5" 1 -V 1 2 2 2 1

1111 111 5* ilii 121 5* 2221 23 6221 * IS'S'D.C.

O, Lassie, Art Thou Sleeping Yet? .'u•'

p P P P P P P P P D^P D pPP PPPQ p p p p p p

1 1122 32l22 1 1 2 33334 2 2233D DDPDP PD PP p p^.r p^r^.^r^'^ r.^ p

2 2 212 2 1 5' 1 5- 5- 5- 4- 5- 12 2 3 3 2 1 2 2 1 1

Her Bright Smile Haunts Me Still.

4 9Q :j(

Page 49: How To Play Concertina

^y

Pop Goes the Weasel.

PPDD PrPp PPDDg-JP PPDD pTpp

47

D D p

131. ..„.,

.

, ^ ,,

118 2 2 8 8 1 1 12 2 2 1 i i 2 2 2 3 2 i "l 2 3 2 'i

adm.V ^V r^lr. P.p ^ D p ^ p p D^ ^ n.^.P•P. dP D^d

*4*6863 444631 6- 1 1 2 1 6- * 6- * 1 6

How Can I Leave Thee?

PPD pp DPP PDP p pppDp ppp p

132.

ppp ppp PDPPPP P D_P P P P P P P

P P

Within a Mile of Edinboro' Town.p P

p P ^>- P pDP p Pp ppPPp pp ^' CP p pP P_j) P D

133.2 3 3 2 2 2 1 z^ *^5-F5^ l2 234432i22 22 28

3 2 i" 2 i 2^ BJ 5.4. 6- Y% 23443222 1 1223324• 5 * p

P. p J^/^dd _ pP pp p

p

° r. yt- p p p p

p

p_ v^ffft p p

p

p ^^ ##- i p

p

ppp fi pr. DPP

*^ 12233 24 1 i2r5-^'**^'* 2l234454 322i?:i5-l 23231

134.

Sally, Come Up.

p PPP ^-° P " p pp p p p p p F P P P ^r^^-? P P D D p p

4-6-5*5*l 5*5* 5* 6'5-4'-*-^.-*-a. 4* 4'5"5*6*1 5* 6* 6* R* 6* 4* a- „

3*2' 3 "8P PfN^P p PDD^ PPP Ppp

\ fll 4- 5- 5- 5- 6^ 1 5-4|: » B' 5' 6- R- 6' 4"J.^.^.

P Pn npP—g PPPp PP pp p P PP P ^S" " PPPp PPP

61^6' »«-8-

Page 50: How To Play Concertina

I've Nothing Else to Do.

^ P PPP D PPp p p „ T, „ „ P PPP D PPDP

I I I I fill \A KPP D PI I I I I I I I

PP D D P

135.5*1 1 1 5'I 15- 5*1 J22 2 5- ^l 11 5-11 ."J* »f,, T* 1

PPP D P P D ^ pop DPPP D PPP

*J 5- I 1 5-1 I 5' 5- i ,22 2 ^^^ ' 5-1 1 5- iB^g ^ 1

Shabby Genteel.

P P P P D POP DPP p DO PJ>PPDD PP PPDPDP136.

5* 5- 5* 4- 4' 5" 5- 5- 5" 5" 4- 1 jj ll4'4"l 5* 5^111 5' 5* 5' 4- 4* 5* 5* S'

DPP p PP DPDPD D P P_P P D P P.^^ D P D P P P

5* 5- 4- 1 ~j rT~2 rr^s- 5- 5- 5- 5* 4* 4- 4* i 5* 5* 5' 4' 4- 5* 5*

DD DnppD PPPDPDPD DPP P PP D D P D D P P-

5* 6- i 2 115- 3 5

Kathleen Mavourneen.

137.2 213324 5 4322 2 221243 3 2322 1 5-2 2i3 32

4584 643221 i44 5-5-1222 1

DPD P°-PDDD PP PB P PDP^Dp

2 4545 5 3 4 34

£1. P Pd dp p.

32 2 115-6-5'5-iiii 5* 2 2i 3 3248444 544 3 21

P D nD pi.' D Pr^T^ nDD „„D°#- i,f^-» i,D ^ Dp P P pD^- # P DP P P

1 1

10118 - 87

222aa 2 2t884344328 322 223441 S'S'Sai

Page 51: How To Play Concertina

Land of Sweet Erin.49

P PDF ^P POP P DD p jj

DD D

1385^ 12 1 1 5" 4- 5- 5- 5- 5- 5-1 1 2 1 1 5 4- '.a 2 22 2 12 1 * 5" 4

l2332i 2333 5- i2332i J-^pj 2 3 3 2 2 2 2*4^. ^T^i i

Rory O' More.D PPPPPP PPpPP P_DPPDP DDDDPD PppPPP

139.5* 6-* J'**- 5

** 3- 3-* 3-3- 3-3-3 _3-3-3-4-4"

5f.*4-*-/^P P p D_P D p n P P D,^ yJ P P P P D D D__P P D P D P D

3- 2

2\2.3-3-3*-4-5-5-5-51

, j 5.5-4- 4' 4'4- 3-^. ^. |.|*t.3-4-

4-5-5-5-

Kate Kearney.pPi>„or^ .5. p5pp

140.:

P P P P P D P DP P pPJiiiPP PD

*J 5- 5- 4.5- 12221 1 123321 22 1 43433D P D p DPP P Pf—P J* D P P P

PP P P P P P D P P

DP "-Xa DPDP DDPDD r P,XPdPDD PDDDP Im.^'Im'^E.^^^141.

21 1512221 f|»,235•&i^T^^ =?ji 23 3232fTli

dPdPd pD P.pD.DPPDP pDPDP DP ^J^LI^.^.LJ' D^^ D P B P

Page 52: How To Play Concertina

60 ,// V^

142.

Irish Washerwoman.

t'^PPPPPPPPPP_DP DDDPDD DDD Dj* D P P p P p p

3- 3- ^^.3- 3- ' 3'** ^* *' *' *' 3- a'iFs- 3- *' 3" *' «" «' *•i"f.f. -, ^. g.

PPPPPP DPn DPD P P P P P_D PPPPPP PPP P D P

2 1 15-11 15-1 2^j ^Tii 5-11 4-1 1 4-1 1 5'4-4-3.5-4- 4

The Tempest.3*3'3-

P P D/^ ^_P^P P r-m D "DPP f O f P_D P DPDD^D P P -rn

143. ifcfltJTJ^ U J'rrj' IJT] /J; I Jj

j J/] I

J .h.[^

*^5- 4- 4' 4- 4I 1 5- 5- ^ripj 5- 5- 5- 5- 4- 4- 43- 3.3- 5' 4' 4* 4" 4' * *4. 4- 4* 4I * 5- 5- ^rii J

5- 5- 5' 5- 4- 4- 43- 3. 3- 5"4- 4* 4" 4' * I

D DPDP PDPnPn DPPP P^ P FDD PDPP p

3- 3- 3 1 2 1 Il5' ^" *'

rJL^ ^n£p pppp pp pppp pdddpdpdpP-Dp ^-ZJ d p p %A ''Jj^ sL5 DPPP PPP PD PPPPPPHP^p r^M=Kga

4- 5-1 1 5- 4- 4- 3- 3- 3- 1 2 2 1 2 j ll 5- 2 11 2 2 1 * 5' 5" 5* 1 1 6" 5* 4'

Jordan Am a Hard Road.D.S.

144.p p p p P p p p H-^ p PPP PPP H^ p PPP ^LS

5- 1 1 1 1 5" 1 1 1 1 5' 11112 2 1 * 5' ^'1 1 1 1 5'

P ^ P p DPDD DPP p p p PPP P_PP pppp P

Old Zip Coon.P-P PDPDPPP ^^^?P PD PPPDPD PPPPP PPPPPP

145.2 2 1112 1 -ri-

5-5-5-4- 5-J2 222212 222 22 fjfg 1 ^'

PDP Pp P-D PPPP^PPr. PPP.

PJ P^rrft pj P ^r^ft pj . ^f^^XT -.K.R.r.5-5*5-4-5' 12 2 2 2 3 sz 12 211 12 2334333 2334333 3 4443

^ f- f- f^ f^ T'f'f'pEf.-^I^^ f— - PPDPDPP p p

lOllN - 67

34 443 4444323 g ^'-', g '^'"2 2 2 ,B- 1 5- Ti

Page 53: How To Play Concertina

51College Hornpipe.

146.22 1 3.^. R"*' 4-5*

1 1 21 23.3.21 15-12.4 44 AUSiHHZ .922, ' ' '>"•'>'

no DDDDDDDDdpddppdP P P P

PPPPPPP P

—. 2 1 2 2 .S 2 1 1 5' 4' 4" 5* 1 5* 4- 5* 1 .5' 5* 4* 4' 5* 5* 4* .V 2 .5* 4* .V 2 5*

.5' 1 1

PpP J D P P j^ ^I d P D P D P »-gsl' DPDDPPDD PPP"

ff I f r r r

"

^2 1 i 1 5- 5- ^==2 12 2 3 2 1115- 5" 32 3 44332 3 22

Hunting the Hare, or The Calais Packet.

PPPPP DDPDPD PPPDD DPDP PDPPPP PDF PDF DDPDDP DPPpD

147.

148.

IH'**'^' 5^12 11 lt-4*'^',^ll^"^22l221 22i22i 211211 ^^^^nc.

Chinese Dance. "Hark, the Merry Bells" from"StradeIla'.'

P D P P D ^p^ ° ^ D D D D ^^^ ^ ^ P D P P DPPP

^ j--^i ::-r^ i

-''j| .rr-/

''^i E:r[T5-11 1 fT^ 22 11 5- 5-

{.. ^ I. \5-11 1 nr2 2 2

P_D_D P DP p /CNpPPpDPD Dp dIIp DPP D

Hail to the Chief.

p DP p P D P P PPdp p pdppp P P P PP p p p p DJ^ p °^

149.5- 5- 1 1 15- 5- S.V^.^.^ 5-12221 212 22T155. ^' ^'

^ * *^"

P P Pppp ppDP p P p p p pp P PPP Dp PPPPPP

5'5-«4-3-f.5-

J-*j ^15-I- 5- ri 12 2 2232212225-

/• PPPPPPP L.rDPP P P P D,^ PPP PpPpP D^ p p^F-p^J' P P P P

2 2 2 2 2 1 2 3 3 3 3 2 2 1 1 j5- 1 Tg. •'^*

1 2 2 2 1 V 1 Pg.5l .5-4- 5' 1 nThe Witches' Dance. Paganini.

p pppppppppppppp ppppp p pPpr^f .P p^

150.5" 2 2 1 1 1 5- 5- 3 2 2 1 2 5-5' 2 2 1 i 5- 1 1 2 3 4 3 2 1 1

p DpDPpPPPPPpPPPPDPDP D PPpTppPP

Page 54: How To Play Concertina

62

151.

Drunken Sailor, or The Monkey^ Wedding.

P P D I D P^D P.

P P PPP P Pp PP DDDDDDDDP PPPPP Pf^^

11111 2381 82222 igH- lUll 2.9 21 4* 5485 4

4 44894 5853 445454 3432 32334 33 2 34 5 44 5485 4

Spanish Dance.

2 233 1-2 12212233 J-g12223 3 3 42 443 3, 2233 ^2 1

Fred. Wilson's Clog" Dance N91.

pDpPDPPpppp DDDPDPDD PPPPPOP O P 00^0 Dp d ^T^P PP P

153.

5-5 1 * * * 5-^.Ji.5-

5-4-5-1 1 5-5-1 ^Tg 2^^- ^'^'^ * 2 3 2 2 ^ S'J.^.^.S

n nP^ n pop POP PP ODD PPP PD D PD D PDPDP DPPD P D

5- 7-jj'

PDDPP DpP DDDPD '^p.^^^ P D P D P P P P P P DD p p ppppppp

1 2 12221 rrtv ^2 2 Ti 5-5-5-1 TTr^- ^'i't-*'^'^l 1 2 Lip^i r2

Clog Dance N92.

PP ppppPPDP P_^J^p pp p p D Pp PP p ^ ^DpDPpnn154. ^

5- 4- 3.4-5-4- 3-4-5-4' 4-5-1 2 2T1:* .4-322lil 222i7- "4- 5-5-5-5-^3.ppppPDDD PP£iapppp p ppPPPPppp PP pppppppp DppppPPP

2-^5-2-5^6- ««»t5-5W,^.,.^-^*>V5*'4-«-*««»»-4- 4-..15-6-I 12i

Page 55: How To Play Concertina

On the Road to Boston.

P PPPDPDp DPDP FPPP P rDg.gPDP DFPP F F

63

*^ 22223221 Ji 2 2 1 5'r ^- i i 2 -^ 3 2 oj Ji2 2 1 1

P^ P D P .^ P D p DDpDPDpj) ppppHpop DPDF pp

3333 4332 3 32333 2 i 2 1 112 2 1 1

Jefferson and Libertv

D D p D DPP p D D D P D P P-2-^ DDF P^P P D DPg „ "p^ ,

P P Pp^,

P !{ D D P,

D P P^ii-^,

D 9 F P^",

P D, Dp^,

5-1 1 5- 5* 5" 5" 4' 5- ^r^l 1 5' 5' 1 1 2^,5. •''' •'>'1 1 5'5'5*6-

P D D P PDF P-J2-4* ODD P P D P D P ^ ».

4* 5* 5* 2 2 2 1 1 5" 1 5- 5' 5* 1 5* 1 1 2 2 3 3

PDPPDDPPP DD F D fP,-^' PDF ^p^ ^ ^ D.

157.

Arkansas Traveler.

ppDD PPDF PP DD PPDPD^P PDPP D D

1 1 .5- 5- 5* 5\^i 2 5J 2 2 1 2 2 1 5* 6'1 2 2 1 5* 1 ^^^

D F P D P FDpP PPDD PPDF DPPP

1 2 15* 5* 5- 5* rTf, 2 2 2 2 I 2 I

5' 5' 5* 5* 1 i

Haste to the Wedding-.

P P PP P r P D PDPPD PPP ^ ^ ^

158.

DDDPP PPPP i P

^' 5*4-5*-r3 2 2 1 2 2i:5- 5' 4- 5' 5' 14- 3.3.3.3. &* ^* ** ^" 5^38

D P DPPD PPP pTp PPPP ^ Tp^TpI P-R^^m ^

Page 56: How To Play Concertina

54Hob or Knob, or The Campbell's Are Coming.

^ ^ ^J! ^r»r ^ ^-— ^ " I' P D P PPDPDDDP PpDPppy? I.

^I^ ^.ii r«il

^I

^ ^ ^ ^ "

^ 4 t4-^'S"4T. 4- 4- 4. 4. ^PPPD PDPDPD PPPP P PPDP P PPDP

4- 5* i 2 2 2 1 S^'lrf•">' 4- 4- I" 5*

j, \ ^2^2 5* 5* .V 4*J-

J!_ P P D P D, D D P P.^ V^ PPPPD PPPD p D P P P P

1112 2 5- 5- 5- 5- 5- 5- 1 1 1 5- 5- 4- 5- 1 2 2 2 i ^rf%. 5* 4- 4' 4-

Money Musk. ^('jlkJi ^j' 7

160.4 31213134 31212234 31212334 43 2 3 21

43 3 42434 43342424 43443424 4323211

Tempest Quickstep.

PD PPPP PPPD D p^^^ P^ P PD PPPP PP PP P P^rrn PA PPPPPPPP PPP P pn r^ PPDPDPPPPPPD P ppi P

*^ ^2 2 2 1* 4-5-1 \ 2 i 151 gTg^i i f2 2 2 1 ^. i-S'i \ 2 115-1 1

161.

PP P DPD DP DP PP p PP p PP PPPP p PPP PP D D PP P PD PP P P D DD DP ^u t- r p PPP PP r r f t' P p pp pp UJ) PP PPDP

*^ 5-5- 6- ™i 22 2 1 5- 5- 5' "l 1 2 2 2 1 5-5' s* i i 1 22 2 1 S'S* 1 2 2 1

PDPDPDP ^rr^PD Pp PD ss^r^.Tpr^.r ^p^m-. p pp p pfi PD PPPD P m»i"P DPpPD^^i^PD PPPD P»»^^P PPPP P

iE,Mrrrn i r.,Cf:£!f#ffF iry^r i rgrgircrCL'jryrrir-ni

\2 2222 2 33 3 32 2121 233322 2222 333332 2i22 1

Grand March in Norma.

A P P P P P P

168.4- 5* 4

' p p ^ p ppp. PPPP PPPP p °_r p DP ^

•5- 1 5-12 2 2 3 2 2 I 21i' .•'^' 4* 5* 5- S' 4"

J.!:

1 15* 5'1 1112 5" 5' 5" 5' 5" 5" 5- 5*5*5'5'5*1 1 5' 5* 5"

PPPP ppPpPP PP D P^ °f^jj pp PPDPDPDPPP PPPP

llllIX - «7

4*4-4'5" l-*-Y2 2 1 5' 5* 5" 5*5*5-5*5* 1 1 5* 5* 5* 4"4*4"5* 1-" jj} 1111

Page 57: How To Play Concertina

Scotch March.55

D PPP P^^PPP P'J^P PDD P D PD D PDPD DPDPDPP P D P p p P

163..4- 5- 5-6-4-^.4' 5' 5" 5* 4' i i

5'5-5-1 11™, JT2^ ^ 3'*' '"'' ^'^'*3'*'

p D_Pp PP DdPDdpdd p DPP dpdddpdppd p p ppdppd p ".^p

P DPD P-gfi-a D PDPdP P P ^ Pp PPP DPp pp DDPDDPDD P DPP

Louisville March.

164.p PPPDPDD P PPPPP ^p^p^PPPP D PPP PD^ P PPP npnn

1111 2iig. 5- 4- 4-4- 5- 4" 4'4'5-4- 4* 4-5-4' 3- 6' 5* 5-5' 5' 1 1111 2 ij*^.

P p p P P P D DP DPDPD PPPP /TNPPPPD PPPPD

5" 4* 4' 4* 6* 4"**5"5*4i~jr3* 3- 2- 3- S' 3- 3* J^^'ne 3- 3- 3-3' 3*

P pP Pd DPP D DDDP P PPPP PP^.jPPDDP P_J^ ^ ? ? ?

15-12^2 3 234 444343 33222 1 444343

PPPDP P pDpDPPlg^Dp D U^.P^r^*P^«^P.D J>DD^ff.

*J R ^ •> n 933222 1 2323334332 2 333 2323334332 2 222 4^4

Pr^^feg.^ ^.^ ..D_PDPDD PDPD _pD_p DPPto_P DPDpD P£g_PD

4543543 6 6 333 2222333322 2323334332 2222333322

pDp- r> P^DpD D£DpnPnp D DP rrryT*!"^ ^ i;^*-* » ^^-Iggi; p pp d

*J 2 2 22 3433232211 3543 4 4543 663222

^^;2^p ^j^ I PPP I ^ p PP ii.i±±i^PDp,, p - PPi ," i

••II

Page 58: How To Play Concertina

56

166.

Zouave Quickstep,

p pD P DP f> ^-f DPDP_D PDPPDPD FDD PDDPD P FDD P>

jPDPDD f««|%J'DPDP_P PDi^DDPD PDDPDDPDPFDDP

DDPD PDDPD °r^ °r^ D D P n D DDPD PDDPD ^r4a 'L.i? P

1^2 25-J?j rs- 1

^-^-^ S* 5- TH-f^ -2 2 2 ^, ^5. » •^'l 5-7

P P Dp P„DP PP

111 111

P^P P P ^,^-~^ D^D2 2 23222 34.^ 2 2 rT1 ^ 2

P P P

1 1 1 2 1 13 3 2 3 2 2 3 2 1 » *

r-Tfp ; .^^p r^yp^

4242 3 32215' 111 2 3 3 3 3 2^ ?*i 1 ^ 2 1 1

Coronation March. "Prophet."

PX^PDdP pdp p ^

168.^^

P^^ P D D

pnn PDpP^ PDpdPD^ P P ..?" "^" P Ai rf- P ^ ^-- DP P P -^ ^^

*^ 5- 1 12 1 rti- 5* ^'^** *4-^' ^" 5-4.4.4.5-5- 5' ^. 5* 1 121 rtk'

4 3 4 5 3 4 211 2 2 5- 5* 5-1 5.'

-^ 5" 1 5-'.^^ 5' 1 1 3 2 232I

5* *t>4-t.^' *5-4'

10118 - 67

Page 59: How To Play Concertina

444 6 46 222 22J2 2 2 12 2 2 i i2266 444444 676

254 3 3 4j234334j2 3433333333322 1

Columbian Grand March.

P P P PPD r.I^ PPPPP P P ^•j'PPDP P^^I?^DDDD P^^P a-DD DP m

170.5- 5"

1 5~j 2 3 2 2 J 1 J1 5* 5-4 3 3 2 2 1 1 5- 1 1 J- 1 2 2 2 2 2 6 6 2 2 2 2 •

DDDD PDnppPiD,PDp

I

Jf

' J P PPP P P D DP rj -. Va P PP PD P P PD PP P POPUP P

6 2 2~i* 5'2 7- 8- 5-5'S" 5-5*222115'5-5-ljij j2 2223 22^i 2 2 2 2 12

ri r D PD p DDDDD ^-P P.Pppp P^ P P PP PP P PPP r.g P P PP D P

•^^ 3333 2T^i 1 5-5-5-5-4 3 3 22) * •''' » 1 1 1 1 j 12 222 33 2 222

P PPpTd P P PP P r rr £ n.P D P PPDDD ^-P P.PPPP Pp^ P P F-P

171

222233 2222^33 3 3 2 g", * 5-5- SS' 43 32211 ^'^ 1 111

St. Louis Quickstep.

PD PPP f>P P DppPD PPPpppp PPP PPP PPP PPP P

i—

TiT^ *2i —1r«^r p ppp p PPP p p pppp£ p^#^r ppppp ppppp p ^

343 3223 221221 ^^, 23 8343 32232 2122| I-'^«'"'

A P P^PP ppppppPj* Pp"^ P^pp pppp ^PTa ^P p

10118 - 87 • 6

Page 60: How To Play Concertina

S8

±72.

O, Nanny, Wilt Thou Gang With Me.

P D ^J\ ^eS PPD PDPPp PD f p p p pDPDp p d

,' 4- Q. 5*6'4'4- 4- 4-4.4- C-1 16- 6- 4- 4* 6'6'ti'rs- 5- „. „. „>>' a a a

p P D D PPD P P PPD PD PP P P D^PDp

5" 1 2 2 2 2 1 5- ^TiTl 16* 2 2 1 ri. 2 2 2 1 1 «* 5-

D D D P ^ "w^^^^. ^ P D POP—P P. D P D P ^

iM

Page 61: How To Play Concertina

P ?-• P D

Gallopade Qiiadrille.

P PPP o r, 1, ; ? ? _ . -

59

n==zi•s s ~ n 1-

175 /c y J -' * * . ' # * ' - -

'* * -

'

* • ' *^

-« — » #—= — « « = —= -—3 #—=^ w1 1 |. 4- A 1 4 5- 1 1 |. 4- 1 1 i-o- .rT^ 1 V 5- I >^ 41 1 Pr%t-

Virgiaia Quickstep.

_-.r.

17615- 4- 4-1 <,42 10-4-4-* w'r>-i 3 1 •5-4i- 1 <, 4-2 1 ol'. 1 T

5' * ^ 2" '* "

*-t"-*'

5" •5'5"-5-4- 4- 4- 5- 1 i ^ i 1 S' 5- 1 2 2 3 :i 2 i i i io j i

/ ? ? P

Gabriella Pclka.

*- 2 3 3 5 2 2 2 2 2 2 3 "^ 2 2 11 1 3 1 1*1 1 1^1 2 1 1

-pP? Ppp-?^-? Pdd £pd2pd £pp ^d?pdP ?dd i±££ *

-

-

5 r.Dp>;-r*^rp PDP^^Xp ^.pgr ^^Ip PDPp,^p^

Page 62: How To Play Concertina

60

179

Air from Lucia di Lammermoor.

PP PdDPD PPPq PDPD PdP P-T FDD P D

5-12, 2^g. 5- 4- 5- 5- 5- 3- 5' 5' 5- 4' 5* 5- 1 2 \ 2^,.

_P P PD^ PPPPD P P D P D D D P P DPP

F2 1 I 1•>• 4- 4' 5- 5-

P P D P P P PP DP DP Dp PD D P D P p P p p p

5' 4' 4* 5* 5* 5* 4' 2 2 1 11 5' 5* 4* *' 5" 5* 4' 5* 5* 4* S" 5* 4-

Mabel Waltzes.

p p r* p p P p p ^p p

JJ.C.

Immortellen Waltz.

P V-P P Ppppppp p p^ p p P—

I

P f^ P—

I . ? P P ,PD ^ ? .

P,—>^

, 222 222 2332 2 2 115-53 325* 2"3- 3- 4'^2. ^" pP P P P P P P/P. P «- P P >P P Q. PPP P P P^P P P^ Pp P^. P Pirrr i rrr i

rr^|

iri r-^j i

rijjj.j)

i rir 'toJ4gfJi£afi^222 222 2 3 32 42 2322 3 5*1 5' 5" 2 2322 432i 5-32 I

The Pen Waltz,

pppp P, ppppp p p pppp p. .pfi pppp j^. ppppp p P pppp 7rr~< ^ h

i88A:^7Tr^nunJryir i -'-u-iJr^ i ri^ i ^^'fe^*^ 5- 1 2 1 3 2 5-1 2 I 5^^ 5' 5" 1 2 1 3 2 4 3

p r.r^^ 11"^^

flpppp ^PPPP DPPPP P IPPPPDPPPPPPPP DP

2221 Fine. 2 1 5- 7' 7' 2 1 5' 6' 6- 3 2 1 2 I 5' 2 1 5* 2 1 B* 16' 7' 5" q c.

Page 63: How To Play Concertina

Roses Waltz,

p D D P P

61

P D

183

{ ji j.ij. ij.rj J ttJNjJ^^

^ P^. D^r P, ^ P D D D P P P P DP D p

^ ['-1 r r r^n^' i f^Mr?'^ h-^^-j ij."^

i j i j. i jl

Spanish Waltz.p

PP ppTI Pdd D PPTf^ ^PP PP

-^ T 5- i

^ P^PP PpII gPDD PPTf^ ^^PP PpII PJDD P

i84.ijiPrrirr'^rr i rrrnJ^rr-^f^^frr^5* 128 1233 3211 l234 5' 122 i233 32il 1

pppppprppppppp,? ,^nrr,^rr i*i»^'°^i^

5^2 3 2 12 3 2J

2 3 2 12 3 5' 1 2 2 i 2 3 3 3 2 i i 1

On the Beautiful Blue Danube Waltz.

Page 64: How To Play Concertina

Dream of the Ocean Waltz.

D D D P D P p P

5-5-1182 2 2 33333 4*"^3 3 33232

II Bacio Waltz.

The Kiss.

D.C.

^P P PPD p DPP P DDDPDPPD4- 4" 4' 4' 4- 4- 4- 4* 5* 5* 5* j 2 1 5' S*** 3

187.

PPD D D D P D D P D P P P P

JO uj. jrrjo 1^ j.j^ ij^j iffp i r »Fr i r

^

4* 4' 4* 4* 4" 4

Pp p p>pppDPpriP D

4- 4- 5- 5- I 2 2 1 11 1

D D P P P P

4 J I f ir-r ^4^rr ijJ J \r ' r-'^ ir*r T^^ "

*J h' 2 2 3 3 2 5-2 1 A- 5- 5^ i i S* 5' 1 I 1

Fairy Waltz.

P P P D D P P^-P D DDPP PPDPPDDP P^f-fh P P P D D P PJp-^ PPPPP PPPPPpPP PJpT

p 4i jjLl,jN-ijJr i rj i '"'Jij- i4i^jiiJi^-ij^r

*. 4^3- 4^3- 5- 4- 5-1 13- ^^ 5' 4* * *• 3* 4'>> 4^3' ^' *"''**

188.:

iDP DP PPPP DDPP DPP P X-f P PPDP PP P

f rU r l JJJJ i JiJJUJjrjJrir' i r Ji r Jir^

"1 2 5- 2 5-5-5-5- 5-5'5-5- 5-"^r^- 4-5' 1 2 2 5' 2 5* 2 5' 1

D P P D P P P PP

5- «• 5- 4' 5- »• 6' 1

Page 65: How To Play Concertina

Boston Hop Waltz63

2 5 12 1 2 1

P P PP P P p P

5-5

D D

2 2 l4* 3 3 2j 1221f DpPfp;.^lVpD PddpDdpDI

m m ' r r I P » l—

r-^*

m—^ n =—'

< p—1 i r—-

i—i

14 4 3 3 2 1 1 2 1 27%. 5- 5' ^1 2 23. - 5- - '

' - 1 5-

*J 3 2 2 1 f ' 5- 1 2 2T1. 5- 5' J-72 2 3 ^^ 5" 5' 1 rTl3. 4 " » 5 rf 5.

Prima Donna Waltz.

P D P P P D D DPDQDP P PPPPPA PPPPPP D PPDDPP P PPP.PP

*^ 5-**r8- 1 i- ^.' |: 4- i- 4- 5- i ^; -^. 5-W S- 2 2

PP PP PPP PP P P /Op pp P m ^ D D P P P/5 pp PP PPP QP P P /OP PP P^ «i^DDEfg rr i rJ i J

|

|jJN i l l i]* ii J u r i r nr ri r rif

«J 2 2 1 5^ 5- "^7- H' 5' ^ 57 -^ 5- 5- 1 2 3 33 21 12* 3* 'i'Fi7ie.

P D r. D P p p_ U U p p yo.' U ., ^ '-' P

g34 43 2 5- 5-1 23 4 4 3 44332 3 2* 1 1 Z?.^.

Cinderella Waltz.

PPP PPP p D PT-f^ Pf-^ S DP Df-, p P PP P D

.

P ^PT*191.

JTT^ ^ 2 123 3 3424 3 3 2124P P D P P r> ^i .P^ .pdppp

s3 2 1 5* 1 2

Dp P

1 ~ 2 1 2 3

Page 66: How To Play Concertina

64

192

Elfin Waltz.

P P P P D P P P P PPPPd DPP P PpPPpPPi

. IPp pd p Dp d p ^If^llirlljl^^llrlf'

PD3 2 2 12 2 3 5' \ 1 334 334454323334 3 34D p p p p

4543 5'123i 124 3 332 1223 5- j 1 3 22 15'

DD Dp PDDD DPPP PDPp DD 5 ? ? D D D P

rrirrMrirrUJ i rrirJirJ i rr i rrMr i r-' ii

15-32 22 5-1 2 1 5- 5- 22 1 5" 1 5' 3 2 22 5* 1 1

Rochester Schottische.

193.4- 5- 5-^ 4- 5- 5-^3 3 3 2 2 2 2 11 * ^ ^'S* 5" 5' 4-4- 4* 5" .V ^2

PPDp PPDPPDPD DPPP /TNOpPpD D dP??D??P

4" 5- 5- ^^ 3 3 2 2 2™r™=i 1 1 1 ^'"^ 2 2 3 j j 2 .^rTT^ 12 2 2

i^^^. 1^^^^ 2 2 3 , , 2 3 6 2?; 1 5' 5* 7- 5' 5* 5*.. ,^3. -. _;—'_.

5-2 2 2 .5-2 2 ^ * *^ 1 1 -i " * ^ 1 7/). c.

4" vSTa-S 5 5'5PPPPPDPP pppp nnPppp ^^^ ^^^ P^fl p p i • P #'#• « ii.i« r DDPpj'

_ ^- 4- 4- 2 5-4' 4-2 5- 4- 4- 1 5* 4' 5* 3 3 5' 4 4 3 3 3 " tb i j i

Diamond Schottische.

PD,

194.3 342 231 fTr2 2 342 23 1 12 33 2 342 23 1 1232 2 342 231 *1*

P DpppPX°°nDDP DpppIiDDp PD> pp.f-p prpiif r^Sf'.'ft'^ pppp pp-^i, ppjif^ Ff fp^ p p p

p

PPPP^D D^PPPp ppuD^ ppppP P P£P°^ ^RSq'pp P°°^ ° PPP

Page 67: How To Play Concertina

pDpFlying Cloud Schottische.

DP DP

65

pDp

195.j, 0-»-m, DPPPDPPDD ^gg P P PUPP m rnf-m^H P P ^DPP,

3 343 3 2 ,1 ffTs 2 1' «'

' ^ 2 , {\\'^ i ^4.1.1^ :> ,U

^^DDF D DP D p P P P D D DP d dDDddDPDp

/; -^ ==S P P P '^ P f#Ff ,f f-tf^f- P '^M*-'- - "^ ^

2 1115-12 ^"^-^ Fine. \ j g 3 * ^ 5434 i~fT)j 5 * 4366PpPD DDPd dDDd

P ^-T^g A A #^^ D ^ <--D P P P . ° P P.£-L P P D D i ^P

112 34 5 5 4 3 4 112 3*1 111 3 111112 2 2 12 2

iP P P^^^P P P D D PD p DppDPp pD D PD p «: p P^^P P D D D

^= ^ ^^^=3 . '. .. 1 ' a a a

'^ • » S»

STF 2 2 2 1 3 3 3 2 3 1 3 11111 2 2 2 1 ,. 3 4 2 2 2 2 13 3 3

/?.C.

196

PDPdDPP PDPDPDPDPDPD PDPppDDP PPDD PPPD P

5"5*5' 1111 1 2 5* 5* 5* 4'5'4'4*4'4' 3- 5'5"5' 2 2 2 2 11 rj^L, 5' 4* 4*-m

3- 3D.C

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I

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1 1 1•''•

1 ^^'1 1 1

5- 1 5-1 12 2 3 1 2 1/, r 1 • » ^ ^ ^ ^ '^ "'

1 '

P p p D D pDPoPDPp pff^ Pi^D p I PD

^ 1 5- 6- 5- 1

inim - fi7 DC.

Page 68: How To Play Concertina

4'4' 5* 5* 5' 5* 5*5' 1 5* 5* 4* 4" 5'5'5*5'5'5' 2 5* 5" 4* 4* 5' 6*6' 6" 6*8*

PPPP PDPPPD PPP /?^PDPPD p D P P

1 5- 2 5- 22, ^Ti 1 * f. t.^'"« 221221 2 6' 6-5 * 3 p

PDPPDP D DP PDPPpp D.Pd T P P P P P Pp P p p

22i22l 322 22i22i 3223 3 2 2t rri » 3-3-

N9 4. Les Graces.P P

DP^r •r^pDp p p pD p^jdpp p

23 6 6644 2 223 3 433232 2 123 6 6644

2 223 3 433232 1* ,« 22 2 1 i 3 3 6 6 2

5* 3 6643 322 * 1 1112 2 22223 2 2 223 6

i*- M2 i»'f' i*-i3*rp.^ ^ ppppp p p pppp p p

2 2 1116 6643 322 1 1 \—Tl—2 * * 2 12 2

P ppppp P P pppp ^^m^ P P^ P P PP. P PPPPP

*J 3 3 2 3 3464 33233464 3 2a I a s

1111011s - 67

Page 69: How To Play Concertina

Sacred Melodies.«f

Old Hundred.

PPDQPPD P PPPDpDp^ PDPDP DD P « PP dP PD PfK P PD DPPD P PPPDPj^P^ P DP DP DD P « PP Di? PD P

i^Kr i(rMJ i(f i rififrirr irnfirirr irrMf i r iinrf' i rrirr ir ii197.

198.

199.

200.

lit 6*6' 12 % 22221322 1 2221 5*1 1 3 2123221

Hebron.

P PPDP PPPP DDPP DPP P PPPP DPDD PPpP PPPP PPDP PPPP DDPP DPP P PPPP "PDD PPDP PDI

801.

S02.

5* 4-5*6* 6' 6*1 1 1 12 2 1 1 5* 5" 5* 12 2 1 3 2 2 2 2 1 5* 6' 5*1 1

Peterborough.

1 2283 22 1 23332 2 2 222132 22 2223322 1

Zion.Pp

P P PP ha pp PP DDPD P PPPPPPDDPDPPPPPPPDDPDP

Windham.D D pD

P pDp D pp

6' 1222 116 5- 1112 2111 1224 4342 2322 116*

Balerma.

P PD p DPP PD PD ^P ^ D PDPDPPPD/>P P-Pd P

1 22 18* 6- 5* 12 22 232 2 2 22 15-5'4*5-2 2322i2 i

Russian National Hymn.

PPP p p p p D p p P D p D P

4- 4' Z. 4" 4* 5* 6-I \

6* 6' 6' 6* 11 ft* «* 5* 8* 4* 4* H

Page 70: How To Play Concertina

68Sicilian Hymn.

P D P D P D P D P D P P D D P D

204.:5" 5- 5' 4* 4- 4* 5* 5" 5" 4* 4- 4* 5- 5- 5* ^""1

'i5' 5*

D PDP DP PDPDPP I—? V-J* ^r-Jf P D P D P

3'' I't' 4' ** *" *' *'* *' ^' ^' * 1 5* 5* 1 5* 5* 4- 4* 3.

Come, Good Shepherd.

PD PPPP DDPP D PPD P PP^ PD^J* ^efP P Hn ^^^X P

205.4-„,-»-»4-5- p- 0.4-5- 5-5-40. -* 5* 5-1 1 1 S'S* 5-5-4- 5' 5M 1 1 S'S* 1

Moulton.

P D P-2 PP PDPP DPD P P D P P D P^ P P PPPP

807- p JjJi Jri" i rrrif-'iJjiJJ-'ujj i jj iJrJij^

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St. Thomas.

P PP PPP P ^I>I

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*^ 5' 11 2212233323223 21 2 5- 126 6343322 1

Golden Hill.

209.

210.6. P ^-PpP P PDP D PP P FPPPP PpPP PPPPP DPPPPPP

«7

10118 - 67

1 2216* t SSI 5*1 8-2 2 2 111 3 6' 6' 1 S 8 f 'f 1 6' I B' 2 21!

Page 71: How To Play Concertina

12 1 1 5- 5' 3 2 2 1 2 2 3 2 1 i 1

212.^S3D P D POP JD D_

1 1 5- 4- 3- t-1 1

*- 1 5- 4-4

D P P D ? DP ? D P D P D P P ?

3- 5- 4- * 4-^3- -^^i-* 4^

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f^r.^ ^=^ '. "/*,*- S' 4- * S" 1 5- 5- 4- 4 4- 3- 4- 4" o' 5' o" 1 5 >-4-4-

^ -

k! 1 4

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<^ ."^ •'—

-

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^ ^- ——^

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Page 72: How To Play Concertina

5' 5* i ^I12 2 2 2 1

Ortonville.

p pp DD PD pP p p P p P_ - P P P

P PDPPPPP P PP DPDP DD D P D

4^ J I J J.;iJ. J U JiJ''N.-; \nU4i^H^«18.

3- 2- 3-

fi D PPPDPP D P PDDPDPDPDPDPi j.j i JJJj i J J' ij.j'JJiJ-j.'iJ i i.J.JJ I J II

3- 3- 4- 5- 4- 4- 4 3' I- J- 3' 3" 4' 4 5 3. 5 4 4' 3. "f.

St. Martin's.

P PjP,P P P,^P F m 0'm ^ ^ . ^ ?p D

P DPP

123 3 4 33223 332 2 3 4332 211 1

221.

3 2 2 2 5^~^5- 1 2

Clarance.

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5- 5- 4- 4' 5- 4*V3.5* 4- I 1 6* 6* 5" 5' 5' 1 4- I'*-';. 5' 5" I* 4- 3. •*;

Page 73: How To Play Concertina

Hervey. "'^

P PPP« Pd P P D PD P ?-P P PPPD Pm-fi>--fi- ^PPD PA P PPPfi '^D P P D Pi' K ^.-y P PPPD Pi*.*. iPPD P

1 2223 3221 2232 221 2222 2344 3212 1

Mendon.

PDPPPD PPPDD P._P D P^PDPP PP PPPD D f^—Jr D P

*^ 1 1 I 5- I 2 1 2I y 2 1 21 ^dddppS p d p p p D D D P D

r r r i r r^^ir n r r i ^PfJ i r r i f*

ii

2 2 2 2 1 3 2 2 1 2 1 5^232 1 1 1

Cephas.

ppPPPPPP Pppp p d p P D p d p p p d p d

224.

A p D r x__r_ur_u PPPP p DPP D PD r f f U f U

^j,"j iJ-;jj jjN-jjj i j.j j j i j ,TiJ-3Jj jj

•.^ A- A- 5* K' 5" 4- <• 4* R* M- M- «. A- r.-» .. „ *• A' ."i* S'.'i" A-..A>4- 4* 5- 5' 5- 4- 4' 4* S* 4- 4- 4- 4* 3-* 4" 3. 4-4- 5-5-5"4'4-4*

P P D D Pf-q D P Dp^D P pppp V^P P PDPD PPD

J- r f F I J- ^ r r ^ I J- n^ I J-~j?^ I i i i i I j J ^5- 11 5- 5* 1 2 i

5* 7' H- 3- 4" 4* 5' 5-4' 5* 4- 4" 3- 4" *' 5* 4- 4*

D P D PPPP P P PP PD PP PDDDP

5^ 1 2 2 A\ I 3 22 2333 221 1 1

Land of Rest.

P PDPPPrpp^Ppppprl o p2 jg^g^r-r^^Tl I ^^rfr^+Z-

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iniiH - fi7

Page 74: How To Play Concertina

72

227.

Saw Ye My Saviour.

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J4.4-5-5-5-2,15-5-

j ^, 1 5-5-5-.V4- 4-3-4l4-a* h^.H'^*'*'^'' *'^'*'^'s-'- 3.

Dallas.

pr)P D P PPD DP P D P D P P D P

P P PDF D PPpPD P PDPDp D P D D P D PA PPPDP D PPDPD P PDfi'P D PDDPD P

^.. jJrirr i

°i Jjj|jB.i i o i Jrrirri° i rJj i j^ i "ii

^ 5- 5- i i 1 Z 5'5-5-5-7- H* 5-2 2 3 2 2 1 5* 5- 5' 1 1

229.

Benevento.

P P P P P D P DDDD DPP PPPD PPP PD PPPD DP

Bower of Prayer.

PPPP^DP pppp p DP PJT P P pPpppp pD

231.1 5- 5- 5*1 2 2 2 1 12 2 I S'S'Sl 5* 5* 4. 5' 1 1*, 1 2 3

333 33 4 444 32 2 22 2 3^2 r5- ^' ^' ^' ^' 4' 5" 1 i 1 1

Dedham.

pddp« 5p PPP D_p p p^

232

10118 - «7

Page 75: How To Play Concertina

Troas.71

5* 5- 4- 5- 5- 4- 3. 4- 4* 5* 1 4- 4- 3. 4- 4' 5' I ^3 2 2 p^ 1

The Morning Light Is Breaking.

PPPPPPPP PPDP D p pppp PQ p p p p D P

234.*^ 6" i 1 2 i 1 6* 1 5- 1 2 2 2 5- i i 2 1 I 5- 1 5' i 2 2 1

P DDPD PPpDpfiD PD p pppp PDP PPPD P

5-2212 22 2 32 5-2 11 5* 1121 15-1 5-122 1

Lischer.

p P DP P^ « PP ^ ^ « ^^. P PP -TT-^r PpopD?235.

222332 21 p, 2 12 2 2334 8 j2 2 2 1

Come Ye Disconsulate.

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5- 4--*. 5- 5- 5- 4^. 5- 1 I 5^ 4- 4-4- 4* 4" 5' 5^^rTU-

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Uxbridge.

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237.Q PPPPPPPP PPPPPPPPPPPPPP PDDPPPpPDP

3- 3-3'**3 3- • 3-*' ^^^^ *^ ^^ 15-5-5-4-4-3- 3- 4-5 5-4 4-3-3.

Woodstock.,pp,

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t^ « o o o a <> n o o o o « a~ b o O o o o o o o O o a « a * a m. '« '« j2228 2222 334332 222 2228 S«S4 ttSSll 1

Page 76: How To Play Concertina

^ PP PrpppP D Fj;r*| ^ i' D PD P PDPD Ui^PDP DJj^^Pd PPD«40. ^-{J|jJJj^lMrjJJJ^;j | jj|jJj] |J3jJ: i pJj|jJ]|

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3- 3-

Oliphant.

ri P P Q P P P P D P P DP PP DPP DP PP DPPz'.i. h J j_j|j J ij j_J

i J jHJ J 1:1 J rm i

j I

I J JJ I J J

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?. 5'^' 5* 4' 4* 5" * 5" 5* ^7* 8* 5* 5* 5' 5" J- 5* 5' 5* 5* 4-

P P PJ* i; P P P P D-P PDP PPPDPPDDPD P DPPD P

5' 1 2 2 5* 4-5' 5-122 5- ^4- 4-5' 1 2 2 15' 4' 4' 3- "* 5* 1 1 1 1

Duke Street.

PPD P DDPDD P PPPDP DP242.:

4' 4- 5* 5- 1 1 i 5*o

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D D P D P D

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g^ -ii'pr I f rri F'^r i rrT i

rfri rrri c i

22 22 1 223 22 1 123 348 32210118 - 67

Page 77: How To Play Concertina

244.

Clifford.

p p p p^p p DJLd d p^° r p r> r-^ ^ p

1 111 2 2 I 'i 1222 232222 2 1 5' 'l

78

1 2

Page 78: How To Play Concertina

76

247.

Millenium Dawn.

P PPPP PPPPPDP D p pppppppppp D P

5- 1 1 2 I 1 5* 1 5' 1 2 2 2 H' 112 1 1 5' 1 5' j 2 2 i

PDDPDPPP^PPD PD P PPPPPDPPPPDP2 1 2 2 2 2 3 2 5* 2 1 I 5* 112 1 1 5* 1 5*

'i 2 2 1

The Lord Is Our Shepherd.

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248.«?^ 3 3 3 2 3 3 2 2 3 2 15-2 1 i 3 3323 3223 2 F2 1 ^i T^

DD D PDP Vdd PuDD P P ^^^ p P D_P ^ d P^D p ^ pA D D U r u p T< D D Pi*'-'" « . i -T^ *^ « ^T- D " '—~r P D P

^^ i r>J i rFrr ir'rrirTir?rrirFrr irrjrrir- ii

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Greenville.

p P_D p p D D g_ppP

^-r° P P D-.PP~P p Pr-°r*.-r^p P

249.2221122221 33322 21 221 22333 4432

PDPP ^^P pP^p

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Canaan.

P P PDg PP^^^ ill PPDPD P P.. ri* ^--Sp p.p. ft° DD.

2 f2 3 2 2 3 32 1 112 2 -^1 4 4 3 2 3 32i 3 2 2 1 T

Lisbon.

P DPP D PP DPDP DP PPPP PPPP

Page 79: How To Play Concertina

Oh! How Happy Are They.

1 5

p

3 4 3 S 2 S 2~3 8 2

Missionary Hymn.

77

253.'l 2 3 3 4 3 2 1

'i 1 3 2 2 2 1 2 8 3 4 3 2 2 2 4 3 6 «

P D pD P A ^ P^^P P^D P pTI^ ^-^fP Dg PD P

433 2 4 3S43332 2 2 I 2 3 3 4 3 2 1 2 3 2 2 1

Nashville.

P P PPPP PPPPPPDPDDP254.

1 T 'l 1 5* 5- 6" 5- 1

Lanesboro'.

P P D, D P P D P ? .^D O D J" P D D P D

255.

2 2 11 5- 5- ^7-4- 5^5- 5' 1 ^^. .V 5' S" 6- 5' 1 1 2 2 2

Duane Street.

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6- ''

l 2 Vl ' 2 3 322irr'l 2 S'S' 5^4- i 2 2 1 2 3 8 2 2 1 2 2 3 2 1 1 1

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Page 80: How To Play Concertina

'® My Bible Leads to Glory.

257.5- fT2 3 3 .9 2 s 2 3 , 1 .V5- JTZ 3 3 3 2 3 21; .r, 1^

P P I P P D D D D D P D P J' P, r " P D D D i. D P

22 3 32 22223 221 22 3 32 222 S^i T^

Peace, Troubled Soul.

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I^DP P pPDPP PP ^-P-P F P^ P P P P D P D P

p DPPD PP P PP P P PPP oPPPpP^PPp PPpp P

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2 1 5- 4- 4- 5- 1 2 1 5- 5' ^. g. 5- U-sb^ 2,15- 5* 1 4- 5. 4.^

Rock of Ages.

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5' ft 2 2 t^l 115- * ' " "^^5-

Nearer, My God, to Thee.

G .. TP^.^^L^.^^r. ^^^^^. E ppppp .^p P—p p=-

860. 411 r'r(; i rJ''i- i J-ri'irT^ in"r i

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pOpppP pPpp/? p. f ft ;: p ;,. i.. f ; j, p p p p p p p p p p p^p f=^i r r^ir^r ir rf

i rffrirrF i rJ'J^

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Sweet Bye and Bye.

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261.2 2 21 2 r-B-

'^'1 2 2 2 2 3 3 2 2 7*2 2 ^-j 2

PD PPPP PD P P D P P P P P P

Page 81: How To Play Concertina

79

862.

There Is a Fountain,

ppp Dppp Qppp pf: Dp p D D p p p D p p

3\i-5- 5- 5- i I 5' 5- -^.i- 5- 5- 5" 5" 4* 3- 3-' IJl'' 5* 5' 5' 1

I Need Thee Every Hour.

P PDPD PP PDPDl^i^ D PDP P P D FDD P P

263..5- 21 2 2I-1 1 1 1 rTs- 5 5- 2 ^^ 2 1 1 J-pi^^

P P P P PD PPPD pPP PDPDPPp P P D P P

r ci ri r r i fL^f^fff-^^iJ r r i f^r i r r2 13222 2122 211 1 2i^g. 5* 1 2 2 i 2 12

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Adeste Fideles.

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101m - 67

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Page 83: How To Play Concertina
Page 84: How To Play Concertina

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