Transcript
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    Killing Priests Nuns

    Women

    Children

    Jean

    ranco

    The murder

    of

    three American

    nuns

    in El Salvador

    in

    December

    1980, the

    murder

    of priests in Brazil

    and Argentina, the torture of pregnant women in

    Uruguay, the farming

    our of

    terrorists ' children

    to military families in the southern cone, the ad

    monitory raping of women

    in front

    of

    their families

    in several Latin American countries, the l'vlexican

    army's

    attack on unarmed

    male and female stu

    dents in Tlatelolco in 1968, the recent kidnapping

    in broad daylight

    of

    a well-known writer, univer

    sity teacher, and feminist, Alaide Foppa, in Guate

    mala,

    the dislodging of Indian communities from

    traditional lands, plus countless other incidents, all

    appear more and

    more

    to

    be

    the

    well-thought-out

    atrocities

    of

    a concerted offensive. It is

    part of

    a

    war

    that has pitted unequal forces against one

    another-

    on

    the one hand, the overarmed military

    who

    have become instruments

    of

    rhe latest stage

    of

    capitalist development and,

    on

    the other, not only

    the left but also certain

    traditional

    institutions, the

    Indian

    community, rhe family, and the Church

    (which still provide sanctuary

    and

    refuge for resist

    ance). These institutions owe their effectiveness as

    refuges to historically based moral rights and trad

    itions,

    rather like the immunities

    which

    (before the

    recent attack on the Spanish embassy in Guate

    mala) had accrued to diplomatic space.

    Homes

    were, of course, never immune from entry and

    search, but until recentlv, it was generally males

    who were

    rounded

    up and taken away, often leav

    ing women to carry on

    and

    even transmit resistance

    from one generation

    to

    another. Families thus in

    herited

    opposition

    as others inherited positions in

    the government and bureaucracy.

    Bur

    what is novv at

    stake

    is

    the assault on such

    formerly

    immune

    territories. The attack

    on

    the

    Cathedral in

    El

    Salvador in 1980 and the assassin

    ation of

    Archbishop

    Romero,

    for instance, showed

    how

    little the Church could now claim

    to

    be a

    sanctuary. The resettlement of Indians in Guate

    mala,

    of

    working-class families from militant

    sectors of Buenos Aires, the destruction of

    the

    immunirv formerly accorded to wives, mothers,

    children, nuns,

    and

    priests have all taken away

    every immune space. This assault

    is

    not as incom

    patible as it

    might

    at first seem

    with

    the military

    government's organization

    of

    its discourse around

    the sanctity of

    Church and

    family. Indeed these

    corwenient abstractions, which once referred t

    well-defined physical spaces, have subtly shifted

    their range

    of

    meaning. Thus, for instance, the

    saucepan

    demonstrations

    of

    Chilean women

    during the last

    months

    of the Allende regime

    plainly indicated the emergence of the family as

    consumer in a society which, under Pinochet,

    was

    to acquire its s y m ~ l i c monument - the spiral

    shaped

    tower

    of the new labyrinthine shopping

    centre. The

    Church,

    once clearly identified

    as

    rhe

    Catholic Church,

    and

    the pari sh as its territory, has

    now been replaced by a rather more flexible notion

    of religion. The conversion of massive sectors of

    the population all over Lat in America to one

    form

    or another of Protestantism, the endorsement by

    Rios Montt, vvhen President of Guatemala, of

    born-again Christianity, and the active encourage

    ment,

    in

    other

    countries,

    of

    fundamenta-list

    seers,

    all indicate a

    profound

    transformation which,

    until recently, had gone almost unnoticed.

    RadiO

    . ..-.._]

    and television

    now

    p

    yatized religious expe

    t be anchored in the

    and in the

    continuity

    This process can be

    zation,

    although

    I u

    different from

    that

    us

    In

    their \ iew (see Gille

    Anti Oedipus: Capi

    :.Jew York, 1

    377),

    pri

    chine) does

    not

    disting

    the rest of

    the social

    a

    are inscribed on the s

    chine that distinguish

    and affiliations). In th

    the mother

    earth.

    \Xl

    scribe is a process

    of

    a

    with the emergence

    o

    inscribes people accor

    doing so

    divides the

    men to a new imperia

    to

    the

    abstract

    unity

    pseudo-territoriality

    tion of abstract signs

    the earth and a priva

    state or private pro

    carries this abstractio

    sons and making re

    exercised not only in

    but within the family

    ism where desire can

    (as

    with Oedipus).

    What seems uns

    Guattari's descriptio

    though, reading thes

    the

    family's restrictiv

    do not recognize the

    refuge and shelter.

    home (and what s

    the convent)

    is

    that it

    one's back

    on

    the w

    (albeit in an idealiz

    c ~ u l d nourish subjec

    italism. (Thomas

    M

    good example

    of

    t

    mother inculcating i

    ~ i m

    incapable of rep

    Latin America, this s

    ness that attaches

    to

    c

    the virgin, the

    nun,

    greater significance,

    the home retained a

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    stake is the assault on

    such

    -ontlle

    1980

    and the

    assassin

    showed

    now claim to

    be

    a

    of

    Indians in G-;;;rte

    the

    ~ o t h e r s ,

    riests have all

    t k ~ ~ y

    sault

    is

    not

    as incom-

    first seem with the -J11ilitary

    of its discourse around

    and family. Indeed

    h e s e

    to

    shifted

    the

    women

    of the Allende regime

    of the family as

    was

    monument

    - the spiral

    new

    labyrinthine shopping

    as

    the

    s i t s

    territory,

    has

    rather more flexible notion

    of

    massive sectors

    of

    to one form

    by

    of

    of fundamentalist sects,

    transformation which,

    Radio

    KILLING

    PRIESTS

    NUNS

    WOMEN

    CHILDREN

    97

    d television now

    promote

    a serialized and pri

    an

    · ed

    re io-ious

    experience which no longer needs

    vanz

    "'

    . . . .

    to be anchored in the phys1cal reality

    ot

    the

    pansh

    din the continuity of family hfe.

    a\his

    process can be described as deter ritori ali-

    tl

    on

    ; although I use this term in a sense

    rather

    D ' .

    different from that used

    by

    Deleuze and

    Guattan.

    r n t h e l r ~ i e w (see Gilles Deleuze and Felix Guattari,

    ;:;;t;Oedipus: Capitalism and Schizophrenia

    New

    York,

    1977), primitive society (the social ma

    chine) does not distinguish between the family and

    t11efestof the social and political field, all

    of

    which

    are

    inscribed on the socius (that is, the social ma

      ~ t h ~ t

    distinguishes people according to status

    and

    affiliations). In the primitive tribe,

    the

    socius

    is

    rhe mother earth.

    What

    Deleuze and Guattari de

    scribe

    is

    a process

    of

    abstraction which takes place

    with the emergence of the despotic state

    that now

    inscribes

    people according

    to

    their residence, and in

    doing

    so divides the

    earth

    as an object an d subjects

    men

    to a new imperial inscription, in other words

    to the abstract unity of the State. This they call

    pseudo-territoriality,

    and

    see it as the substitu

    tion of abstract signs (e.g. money) for the signs

    of

    the

    earth and a privatization

    of

    the earth itself (as

    state or private property). Advanced capitalism

    carries this abstraction much further, recoding per

    sons and making repression into self-repression,

    exercised not only in the vvorkplace

    and

    the streets

    but within the family, the one place under capital

    ism

    where desire can be coded and territorialized

    (as

    with Oedipus).

    What seems unsatisfactory in Deleuze

    and

    Guattari's description of the family is that even

    t ~ ? _ i ~ g _ l l ~

    reading these authors, we may recognize

    t ~ - ~ a J 1 1 i l y s restrictive and repressive qualities, we

    ?_o not recognize the family's

    power

    as a space of

    refuge -and shelter.

    What

    seduces us

    about

    the

    home- (and

    what

    seduces some people

    about

    the

    convent) is that it is_a refuge, a place for turning

    ~ c k on the world. Max Horkheimer

    saw

    ( ~ i t _ . i n an idealized fashion)

    that

    the family

    ~ o u r i s h

    subjectivities

    that

    were alien to cap

    i.t< lli_;n. (Thomas

    Mann's Buddenbrooks is

    a

    g??d example of the subversive effects of the

    mother inculcating into her son all

    that

    will make

    i n ~ a p a b l e of reproducing the

    work

    ethic.) In

    ~ n A m e r i c a

    this sense of refuge and the sacred

    ~ h t

    attaches to certain figures like the mother,

    ~ i r g i n

    the nun,

    and

    the priest acquire even

    g r ~ t ~ r _ s i g n i f i c a n c e , both because the Church

    and

    ~ ~ : _ h o m e retained a traditional topography and

    traditional practices over a very long period, and

    also because during periods when the state was

    relatively weak these institutions were the only

    functioning social organizations. They were states

    within the state, or even counterstates, since there

    are certain

    p ~ r i s h e s and

    certain families which

    have nourished traditions of resistance to the

    state

    and

    hold

    on

    to concepts

    of

    moral right

    (E.

    P Thompson's term), which account for their op-

    position to

    modernization

    (i.e. integration into

    capitalism). This

    is not

    to say that the patriarchal

    and hierarchical family, whose priority was the

    reproduction of the social order, has

    not

    rooted

    itself in Latin American soil. But the family has

    been a powerful rival to the state, somehow more

    real, often the source

    of

    a maternal

    power

    which

    is

    by no means to be despised, particularly when, as

    in contemporary Latin America, the disappear

    ance of political spaces has turned the family

    (and the mother, in particular) into a major

    insti

    tution

    of

    resistance.

    It is only by recognizing the traditional power of

    the family

    and

    the Church

    and

    the association

    of

    this power with a particular space (the home, the

    Church building)

    that

    we can begin to understand

    the significance of recent events in Latin America.

    Beginning in the fifties

    and

    early sixties, develop

    ment brought new sectors of the population,

    including women, into the labour force. The ex

    pansion of transnational companies into Latin

    America depended on

    the pool of cheap

    labour

    formed from the uprooted peasantry and the

    ever-growing sector

    of urban

    underclasses.

    The

    smooth functioning of this new industrial revolu

    tion was imperilled by the guerrilla movements

    and movements of national liberation which, in

    turn, confronted the counterinsurgency campaigns

    of the sixties

    that

    modernized the armies

    of

    Latin America, making them pioneers in the

    newest

    of

    torture methods and inventive masters

    of

    the

    art of

    disappearance. It

    is

    this counter

    insurgency movement which has destroyed both

    the notion

    of

    sacred space and the immunity

    which, in theory if

    not

    in practice, belonged to

    nuns, priests, women

    and

    children.

    Though women have never enjoyed complete

    immunity from state terror - indeed rape has

    been the casually employed resource of forces of

    law and order since the Conquest - the rapidity

    with which the new governments have been able to

    take immunity away from the traditional institu

    tions

    of

    Church and family calls for explanation.

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    198 JE N FR NCO

    Such

    an explanation

    \\·ould i1woh·e

    understanding

    not

    only the

    particular

    incidents

    mentioned at the

    beginning

    of

    this essay,

    but

    the profound conse

    quences

    of

    destroying

    what Bachehrd,

    in

    he

    Poetics

    ol

    Space,

    called the '·images

    of

    felicitous

    spaces:'

    or topophilia.

    Bachelard's investigations

    ·'seek

    to determine

    the

    human

    ,·alue

    of

    the sorts

    of

    space that may be

    grasped, that

    may be defended

    against adverse forces,

    the

    space we lo,·e.

    For

    di

    verse reasons, and

    with

    the differences entailed by

    poetic shadings, thi, is eulogized space.

    Attached

    to

    irs protecti\·e \·alue,

    which can

    be a positive one,

    are also

    imagined

    values. which soon become

    dom-

    inant.

    In this essay, I

    want

    to give these felicitous

    spaces a

    more concrete and

    historical existence

    than

    Bachelard's

    phenomenology

    allows, for

    onlv in this

    wav

    can

    we understand the

    really

    extraordinary sacrilege

    that

    we are

    now

    witness-

    1ng

    Although

    it is impossible to

    separate

    the literary

    from the social,

    literature is

    a

    good

    place

    to

    begin

    to

    understand

    this Latin American

    imaginan· with

    its clearly demarcated spaces. In common with

    vlediterranean countries, public space in

    Latin

    America

    was

    strictly

    sep;uated

    from the

    private

    space

    of

    the

    house

    (brorhel), home,

    and convent,

    that

    is, spaces

    which

    were clearly

    marked

    as "femi

    nine. These spaces gave

    women

    a certain territor

    ial

    but restricted power

    base

    and

    at

    the same

    time

    offered

    the

    "felicitous'' spaces for the repose

    of

    the

    warrior. [ ]

    The

    \'ery

    structure of

    the

    Hispanic

    house em

    phasized

    that

    it

    was

    a private

    world, shut off from

    public activity. It was traditionally constructed

    around two or more patios,

    the

    windows

    onto

    the street being shuttered or barred. Inside, the

    patios with their

    plants

    and

    singing birds

    repre-

    sented

    an

    oasis, a

    domestic

    replica

    of the perfumed

    garden. Respectable

    women

    only emerged from

    the house when

    accompanied

    and when necessarv.

    Their

    lives

    were almost

    as enclosed as those

    of

    their counterparts, the brothel whore and

    the

    nun. In the fifties, I lived in such a house

    where

    windows

    onto

    the outside were felt to

    mark

    the

    beginning of

    danger

    as indeed, after curfew, the\·

    did. A

    prison

    yes, bur

    one

    that

    could

    easily be

    idealized as a

    sanctuary

    given the violence

    of

    pol

    itical life.

    The convent was also a

    sanctuary

    of sorts,

    one

    that gathered into

    itself

    the

    old, the homeless,

    and

    the

    dedicated

    t God. In Jose

    Donoso's

    nm·el he

    Obscene Bird olNight,

    the

    convent has

    become

    an

    extended

    building housing the archaic,

    the

    mvthic

    and

    the

    hallucinating

    desires which are outlawed

    from the rest

    of

    societv. It is this

    aspect

    o the

    Hispanic"

    imaginary which

    Buiiuel's films also cap

    ture. Archaic in

    topograplw,

    its huge, empt1·, de

    crepit rooms not

    only sealed

    it off

    entireh- from the

    outside

    world

    but

    made

    it into a

    taboo

    territon:

    the

    violation

    of

    which tempted and terrorized t l ~

    male

    imagination.

    Finally there

    was

    the

    brothel,

    the

    house

    whose

    topograph,· mimed that of

    the convent, with

    irs

    small cell-like

    rooms Jnd which,

    as described bv

    . \hrio

    Vargas Llosa in his novel he

    Green H ( J I S ~ ,

    w::1s another 1·ersion

    of the

    oasis. As

    the

    cotwen

    gathered to

    itself rhe

    women who

    were

    no

    longer

    sexu::1l objects,

    the

    green

    house

    offered

    them

    as the

    common

    recepwcles of ::

    male

    seed

    b s o l n ~ d

    from

    the strict social rules

    th::Jt gm·erned

    reproduction.

    Blacks, mulattoes, mixtures of all kinds, drunks, som-

    nolent

    or

    frightened half-breeds, skinm· Chinese, old

    men, small groups of young Spaniards and Italians

    walking through rhe patios our of curiosity. Thev

    walked

    ro

    and fro passing the open doors of the

    bedrooms, stopping

    to

    look in from rime to time

    The prostitutes, dressed

    in

    cotton dresses were seated

    at the back of the rooms on low boxes. i\'lost of them

    sat with their legs apart showing their sex, the "fox"

    which was sometimes sha,·ed and sometimes not.

    (Jose .\Luia Arguedas,

    The Fox Abrwe

    and

    the ox

    Beloll )

    In describing these spaces, I

    am not

    describing

    categories

    of

    women

    but

    an imaginary topogra

    phy in

    which

    the

    feminine was

    rigidly compart

    mentalized and assigned particular territories.

    Individual

    women constantly

    transgressed these

    boundaries but the

    territOries themselves were

    loaded with

    significance

    and so

    inextricably

    bound

    to

    the sacred that they were

    often raken

    for

    spaces

    of

    immunity.

    With

    the increJse in stare

    terrorism

    in the sixties,

    mothers

    used this trad

    itional

    immunity to protest, abandoning

    rhe

    shelter

    of homes

    for the public square, raking

    charge

    of

    the

    dead

    and

    the disappeared

    and the

    prisoners whose

    existence

    no

    one else wished ro

    acknowledge.

    \Xlith the seizure

    of power

    lw the

    militarY,

    the dismantling of

    political parties and

    trade unions,

    this activity

    acquired

    a special

    im-

    portance.

    Homes

    became

    hiding places,

    bomb fac-

    tories, escape

    hatches,

    people's prisons.

    from

    rhe

    signifier

    of

    passivitv and peace,

    mother

    became

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    e archaic the

    ·-

    h ' l ' mythic

    esues w Ic

    1

    are

    .

    our

    awed

    It S this aspect of h

    Buiiuel's

    films 1 t e

    a so cap

    1 ~ , i t ~ huge, empt}S d e ~

    It ott enrirelv fro

    -h

    . . .

    mr e

    mto a taboo t . -  

    erntorv

    t e r r o r i z e d · ; ~

    b r ~ t h e l the

    house

    whose

    ot the convent

    ..

    h .

    , It Its

    which,

    as described

    bv

    novel The Green H

    ·

    ouse

    the oasis. As the conven;

    were

    no

    onger

    house

    offered

    them

    as the

    male seed absolved from

    governed reproduction.

    of

    all kinds, drunks, som

    skinny Chinese, old

    Spaniards

    and Italians

    of curiositY. Thev

    open doors. of t h ~

    in from time to time.

    dresses

    were

    seared

    low

    boxes.

    ;\lost

    of them

    their

    sex, the ' fox

    and sometimes

    not.

    Fox Abot•e

    ,md

    the ox

    am not describina

    .

    Imaginary topogra-

    Vias rigidly compart

    territories.

    transgressed these

    themselves were

    and so

    inextricablv

    r a k e ~

    the increase in state

    used this trad

    the

    souare takin

    l

    '

    '

    disappeared

    and the

    one

    else

    wished

    r

    of power

    b1·

    the

    political partie; and

    a special im

    places, bomb hc

    prisons.

    From the

    mother became

    KILLING PRIESTS, NUNS WOMEN

    CHILDREN

    199

    T ~ n i f i e r

    of

    resistance. ;\;othing illustrates this in

    as '

    · · h · l l

    more dramatic tash10n t an an arne e w Rodo to

    \ ( ~ { 1 5 1 1 (an Argentine writer who would himselt

    ·'disappear shortly

    after

    1niting

    this

    piece). His

    daughter, who was the mother of a small child and

    whose lcJ\·er had

    already disappeared,

    was

    one

    ot a

    group of munto leros killed in the army attack

    on

    a

    house, an attack which deployed 150 men, tanks

    ;nd helicopters. A

    soldier who

    had participated in

    rhis

    battle

    described the girl's

    final

    moments.

    The battle lasted

    more

    than an hour

    and

    a half. A

    man and woman

    were

    shooting from upstairs. The girl

    caught

    our

    attention because eyery ti me she fired and

    we

    dodged

    out

    of the wc1y she laughed. All at

    once

    rhere was silence.

    The

    girl let go of the machine gun,

    stood up on the

    parapet and

    opened her arms. \


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