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Killing Priests Nuns
Women
Children
Jean
ranco
The murder
of
three American
nuns
in El Salvador
in
December
1980, the
murder
of priests in Brazil
and Argentina, the torture of pregnant women in
Uruguay, the farming
our of
terrorists ' children
to military families in the southern cone, the ad
monitory raping of women
in front
of
their families
in several Latin American countries, the l'vlexican
army's
attack on unarmed
male and female stu
dents in Tlatelolco in 1968, the recent kidnapping
in broad daylight
of
a well-known writer, univer
sity teacher, and feminist, Alaide Foppa, in Guate
mala,
the dislodging of Indian communities from
traditional lands, plus countless other incidents, all
appear more and
more
to
be
the
well-thought-out
atrocities
of
a concerted offensive. It is
part of
a
war
that has pitted unequal forces against one
another-
on
the one hand, the overarmed military
who
have become instruments
of
rhe latest stage
of
capitalist development and,
on
the other, not only
the left but also certain
traditional
institutions, the
Indian
community, rhe family, and the Church
(which still provide sanctuary
and
refuge for resist
ance). These institutions owe their effectiveness as
refuges to historically based moral rights and trad
itions,
rather like the immunities
which
(before the
recent attack on the Spanish embassy in Guate
mala) had accrued to diplomatic space.
Homes
were, of course, never immune from entry and
search, but until recentlv, it was generally males
who were
rounded
up and taken away, often leav
ing women to carry on
and
even transmit resistance
from one generation
to
another. Families thus in
herited
opposition
as others inherited positions in
the government and bureaucracy.
Bur
what is novv at
stake
is
the assault on such
formerly
immune
territories. The attack
on
the
Cathedral in
El
Salvador in 1980 and the assassin
ation of
Archbishop
Romero,
for instance, showed
how
little the Church could now claim
to
be a
sanctuary. The resettlement of Indians in Guate
mala,
of
working-class families from militant
sectors of Buenos Aires, the destruction of
the
immunirv formerly accorded to wives, mothers,
children, nuns,
and
priests have all taken away
every immune space. This assault
is
not as incom
patible as it
might
at first seem
with
the military
government's organization
of
its discourse around
the sanctity of
Church and
family. Indeed these
corwenient abstractions, which once referred t
well-defined physical spaces, have subtly shifted
their range
of
meaning. Thus, for instance, the
saucepan
demonstrations
of
Chilean women
during the last
months
of the Allende regime
plainly indicated the emergence of the family as
consumer in a society which, under Pinochet,
was
to acquire its s y m ~ l i c monument - the spiral
shaped
tower
of the new labyrinthine shopping
centre. The
Church,
once clearly identified
as
rhe
Catholic Church,
and
the pari sh as its territory, has
now been replaced by a rather more flexible notion
of religion. The conversion of massive sectors of
the population all over Lat in America to one
form
or another of Protestantism, the endorsement by
Rios Montt, vvhen President of Guatemala, of
born-again Christianity, and the active encourage
ment,
in
other
countries,
of
fundamenta-list
seers,
all indicate a
profound
transformation which,
until recently, had gone almost unnoticed.
RadiO
. ..-.._]
and television
now
p
yatized religious expe
t be anchored in the
and in the
continuity
This process can be
zation,
although
I u
different from
that
us
In
their \ iew (see Gille
Anti Oedipus: Capi
:.Jew York, 1
377),
pri
chine) does
not
disting
the rest of
the social
a
are inscribed on the s
chine that distinguish
and affiliations). In th
the mother
earth.
\Xl
scribe is a process
of
a
with the emergence
o
inscribes people accor
doing so
divides the
men to a new imperia
to
the
abstract
unity
pseudo-territoriality
tion of abstract signs
the earth and a priva
state or private pro
carries this abstractio
sons and making re
exercised not only in
but within the family
ism where desire can
(as
with Oedipus).
What seems uns
Guattari's descriptio
though, reading thes
the
family's restrictiv
do not recognize the
refuge and shelter.
home (and what s
the convent)
is
that it
one's back
on
the w
(albeit in an idealiz
c ~ u l d nourish subjec
italism. (Thomas
M
good example
of
t
mother inculcating i
~ i m
incapable of rep
Latin America, this s
ness that attaches
to
c
the virgin, the
nun,
greater significance,
the home retained a
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stake is the assault on
such
-ontlle
1980
and the
assassin
showed
now claim to
be
a
of
Indians in G-;;;rte
the
~ o t h e r s ,
riests have all
t k ~ ~ y
sault
is
not
as incom-
first seem with the -J11ilitary
of its discourse around
and family. Indeed
h e s e
to
shifted
the
women
of the Allende regime
of the family as
was
monument
- the spiral
new
labyrinthine shopping
as
the
s i t s
territory,
has
rather more flexible notion
of
massive sectors
of
to one form
by
of
of fundamentalist sects,
transformation which,
Radio
KILLING
PRIESTS
NUNS
WOMEN
CHILDREN
97
d television now
promote
a serialized and pri
an
· ed
re io-ious
experience which no longer needs
vanz
"'
. . . .
to be anchored in the phys1cal reality
ot
the
pansh
din the continuity of family hfe.
a\his
process can be described as deter ritori ali-
tl
on
; although I use this term in a sense
rather
D ' .
different from that used
by
Deleuze and
Guattan.
r n t h e l r ~ i e w (see Gilles Deleuze and Felix Guattari,
;:;;t;Oedipus: Capitalism and Schizophrenia
New
York,
1977), primitive society (the social ma
chine) does not distinguish between the family and
t11efestof the social and political field, all
of
which
are
inscribed on the socius (that is, the social ma
~ t h ~ t
distinguishes people according to status
and
affiliations). In the primitive tribe,
the
socius
is
rhe mother earth.
What
Deleuze and Guattari de
scribe
is
a process
of
abstraction which takes place
with the emergence of the despotic state
that now
inscribes
people according
to
their residence, and in
doing
so divides the
earth
as an object an d subjects
men
to a new imperial inscription, in other words
to the abstract unity of the State. This they call
pseudo-territoriality,
and
see it as the substitu
tion of abstract signs (e.g. money) for the signs
of
the
earth and a privatization
of
the earth itself (as
state or private property). Advanced capitalism
carries this abstraction much further, recoding per
sons and making repression into self-repression,
exercised not only in the vvorkplace
and
the streets
but within the family, the one place under capital
ism
where desire can be coded and territorialized
(as
with Oedipus).
What seems unsatisfactory in Deleuze
and
Guattari's description of the family is that even
t ~ ? _ i ~ g _ l l ~
reading these authors, we may recognize
t ~ - ~ a J 1 1 i l y s restrictive and repressive qualities, we
?_o not recognize the family's
power
as a space of
refuge -and shelter.
What
seduces us
about
the
home- (and
what
seduces some people
about
the
convent) is that it is_a refuge, a place for turning
~ c k on the world. Max Horkheimer
saw
( ~ i t _ . i n an idealized fashion)
that
the family
~ o u r i s h
subjectivities
that
were alien to cap
i.t< lli_;n. (Thomas
Mann's Buddenbrooks is
a
g??d example of the subversive effects of the
mother inculcating into her son all
that
will make
i n ~ a p a b l e of reproducing the
work
ethic.) In
~ n A m e r i c a
this sense of refuge and the sacred
~ h t
attaches to certain figures like the mother,
~ i r g i n
the nun,
and
the priest acquire even
g r ~ t ~ r _ s i g n i f i c a n c e , both because the Church
and
~ ~ : _ h o m e retained a traditional topography and
traditional practices over a very long period, and
also because during periods when the state was
relatively weak these institutions were the only
functioning social organizations. They were states
within the state, or even counterstates, since there
are certain
p ~ r i s h e s and
certain families which
have nourished traditions of resistance to the
state
and
hold
on
to concepts
of
moral right
(E.
P Thompson's term), which account for their op-
position to
modernization
(i.e. integration into
capitalism). This
is not
to say that the patriarchal
and hierarchical family, whose priority was the
reproduction of the social order, has
not
rooted
itself in Latin American soil. But the family has
been a powerful rival to the state, somehow more
real, often the source
of
a maternal
power
which
is
by no means to be despised, particularly when, as
in contemporary Latin America, the disappear
ance of political spaces has turned the family
(and the mother, in particular) into a major
insti
tution
of
resistance.
It is only by recognizing the traditional power of
the family
and
the Church
and
the association
of
this power with a particular space (the home, the
Church building)
that
we can begin to understand
the significance of recent events in Latin America.
Beginning in the fifties
and
early sixties, develop
ment brought new sectors of the population,
including women, into the labour force. The ex
pansion of transnational companies into Latin
America depended on
the pool of cheap
labour
formed from the uprooted peasantry and the
ever-growing sector
of urban
underclasses.
The
smooth functioning of this new industrial revolu
tion was imperilled by the guerrilla movements
and movements of national liberation which, in
turn, confronted the counterinsurgency campaigns
of the sixties
that
modernized the armies
of
Latin America, making them pioneers in the
newest
of
torture methods and inventive masters
of
the
art of
disappearance. It
is
this counter
insurgency movement which has destroyed both
the notion
of
sacred space and the immunity
which, in theory if
not
in practice, belonged to
nuns, priests, women
and
children.
Though women have never enjoyed complete
immunity from state terror - indeed rape has
been the casually employed resource of forces of
law and order since the Conquest - the rapidity
with which the new governments have been able to
take immunity away from the traditional institu
tions
of
Church and family calls for explanation.
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198 JE N FR NCO
Such
an explanation
\\·ould i1woh·e
understanding
not
only the
particular
incidents
mentioned at the
beginning
of
this essay,
but
the profound conse
quences
of
destroying
what Bachehrd,
in
he
Poetics
ol
Space,
called the '·images
of
felicitous
spaces:'
or topophilia.
Bachelard's investigations
·'seek
to determine
the
human
,·alue
of
the sorts
of
space that may be
grasped, that
may be defended
against adverse forces,
the
space we lo,·e.
For
di
verse reasons, and
with
the differences entailed by
poetic shadings, thi, is eulogized space.
Attached
to
irs protecti\·e \·alue,
which can
be a positive one,
are also
imagined
values. which soon become
dom-
inant.
In this essay, I
want
to give these felicitous
spaces a
more concrete and
historical existence
than
Bachelard's
phenomenology
allows, for
onlv in this
wav
can
we understand the
really
extraordinary sacrilege
that
we are
now
witness-
1ng
Although
it is impossible to
separate
the literary
from the social,
literature is
a
good
place
to
begin
to
understand
this Latin American
imaginan· with
its clearly demarcated spaces. In common with
vlediterranean countries, public space in
Latin
America
was
strictly
sep;uated
from the
private
space
of
the
house
(brorhel), home,
and convent,
that
is, spaces
which
were clearly
marked
as "femi
nine. These spaces gave
women
a certain territor
ial
but restricted power
base
and
at
the same
time
offered
the
"felicitous'' spaces for the repose
of
the
warrior. [ ]
The
\'ery
structure of
the
Hispanic
house em
phasized
that
it
was
a private
world, shut off from
public activity. It was traditionally constructed
around two or more patios,
the
windows
onto
the street being shuttered or barred. Inside, the
patios with their
plants
and
singing birds
repre-
sented
an
oasis, a
domestic
replica
of the perfumed
garden. Respectable
women
only emerged from
the house when
accompanied
and when necessarv.
Their
lives
were almost
as enclosed as those
of
their counterparts, the brothel whore and
the
nun. In the fifties, I lived in such a house
where
windows
onto
the outside were felt to
mark
the
beginning of
danger
as indeed, after curfew, the\·
did. A
prison
yes, bur
one
that
could
easily be
idealized as a
sanctuary
given the violence
of
pol
itical life.
The convent was also a
sanctuary
of sorts,
one
that gathered into
itself
the
old, the homeless,
and
the
dedicated
t God. In Jose
Donoso's
nm·el he
Obscene Bird olNight,
the
convent has
become
an
extended
building housing the archaic,
the
mvthic
and
the
hallucinating
desires which are outlawed
from the rest
of
societv. It is this
aspect
o the
Hispanic"
imaginary which
Buiiuel's films also cap
ture. Archaic in
topograplw,
its huge, empt1·, de
crepit rooms not
only sealed
it off
entireh- from the
outside
world
but
made
it into a
taboo
territon:
the
violation
of
which tempted and terrorized t l ~
male
imagination.
Finally there
was
the
brothel,
the
house
whose
topograph,· mimed that of
the convent, with
irs
small cell-like
rooms Jnd which,
as described bv
. \hrio
Vargas Llosa in his novel he
Green H ( J I S ~ ,
w::1s another 1·ersion
of the
oasis. As
the
cotwen
gathered to
itself rhe
women who
were
no
longer
sexu::1l objects,
the
green
house
offered
them
as the
common
recepwcles of ::
male
seed
b s o l n ~ d
from
the strict social rules
th::Jt gm·erned
reproduction.
Blacks, mulattoes, mixtures of all kinds, drunks, som-
nolent
or
frightened half-breeds, skinm· Chinese, old
men, small groups of young Spaniards and Italians
walking through rhe patios our of curiosity. Thev
walked
ro
and fro passing the open doors of the
bedrooms, stopping
to
look in from rime to time
The prostitutes, dressed
in
cotton dresses were seated
at the back of the rooms on low boxes. i\'lost of them
sat with their legs apart showing their sex, the "fox"
which was sometimes sha,·ed and sometimes not.
(Jose .\Luia Arguedas,
The Fox Abrwe
and
the ox
Beloll )
In describing these spaces, I
am not
describing
categories
of
women
but
an imaginary topogra
phy in
which
the
feminine was
rigidly compart
mentalized and assigned particular territories.
Individual
women constantly
transgressed these
boundaries but the
territOries themselves were
loaded with
significance
and so
inextricably
bound
to
the sacred that they were
often raken
for
spaces
of
immunity.
With
the increJse in stare
terrorism
in the sixties,
mothers
used this trad
itional
immunity to protest, abandoning
rhe
shelter
of homes
for the public square, raking
charge
of
the
dead
and
the disappeared
and the
prisoners whose
existence
no
one else wished ro
acknowledge.
\Xlith the seizure
of power
lw the
militarY,
the dismantling of
political parties and
trade unions,
this activity
acquired
a special
im-
portance.
Homes
became
hiding places,
bomb fac-
tories, escape
hatches,
people's prisons.
from
rhe
signifier
of
passivitv and peace,
mother
became
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4/4
e archaic the
·-
h ' l ' mythic
esues w Ic
1
are
.
our
awed
It S this aspect of h
Buiiuel's
films 1 t e
a so cap
1 ~ , i t ~ huge, empt}S d e ~
It ott enrirelv fro
-h
. . .
mr e
mto a taboo t . -
erntorv
t e r r o r i z e d · ; ~
b r ~ t h e l the
house
whose
ot the convent
..
h .
, It Its
which,
as described
bv
novel The Green H
·
ouse
the oasis. As the conven;
were
no
onger
house
offered
them
as the
male seed absolved from
governed reproduction.
of
all kinds, drunks, som
skinny Chinese, old
Spaniards
and Italians
of curiositY. Thev
open doors. of t h ~
in from time to time.
dresses
were
seared
low
boxes.
;\lost
of them
their
sex, the ' fox
and sometimes
not.
Fox Abot•e
,md
the ox
am not describina
.
Imaginary topogra-
Vias rigidly compart
territories.
transgressed these
themselves were
and so
inextricablv
r a k e ~
the increase in state
used this trad
the
souare takin
l
'
'
disappeared
and the
one
else
wished
r
of power
b1·
the
political partie; and
a special im
places, bomb hc
prisons.
From the
mother became
KILLING PRIESTS, NUNS WOMEN
CHILDREN
199
T ~ n i f i e r
of
resistance. ;\;othing illustrates this in
as '
· · h · l l
1·
more dramatic tash10n t an an arne e w Rodo to
\ ( ~ { 1 5 1 1 (an Argentine writer who would himselt
·'disappear shortly
after
1niting
this
piece). His
daughter, who was the mother of a small child and
whose lcJ\·er had
already disappeared,
was
one
ot a
group of munto leros killed in the army attack
on
a
house, an attack which deployed 150 men, tanks
;nd helicopters. A
soldier who
had participated in
rhis
battle
described the girl's
final
moments.
The battle lasted
more
than an hour
and
a half. A
man and woman
were
shooting from upstairs. The girl
caught
our
attention because eyery ti me she fired and
we
dodged
out
of the wc1y she laughed. All at
once
rhere was silence.
The
girl let go of the machine gun,
stood up on the
parapet and
opened her arms. \