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Page 1: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Edgar Allan Poe1839

Page 2: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

The gothic context of the tale The function of setting in the tale The structural unity of the tale

Page 3: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Started in US about 1840

Steeply pitched roofs

Pointed arch windows

Elaborate trim around roof edges

High dormers Lancet windows

Page 4: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Poe’s “house of Usher” looks more like a medieval castle or English cathedral in Gothic style

Page 5: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Emphasis on setting• Exterior: landscape• Interior: houses

Castle-like architecture Characters are brooding, secretive Buried family secrets Long history of family tied to place

Page 6: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Roderick• An artist figure • Nervous agitation • Lives in dark upstairs apartment • Cadaverous complexion • “want of moral energy”

Page 7: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Roderick’s mental condition is affected by his environment

“He was enchanted by certain superstitious impressions in regard to the dwelling which he tenanted . . . An effect which the physique of the gray walls and turrets, and of the dim tarn into which they all looked down, had, at length, brought about upon the morale of his existence.”

Page 8: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Here, “physique” refers to something physical

And “morale” refers to something mental Roderick is all mind in a weak body He represents in one way the life of the

isolated artist• Paintings• Reading• Guitar playing

Page 9: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Madeleine• Illness has debilitated her• All descriptions focus on the body• “gradual wasting away of the person” • Roderick and the narrator screw down the lid of

her coffin • She returns from the tomb to reclaim her twin

brother, her “double”• “the huge antique panels…threw back”

Page 10: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Poe addresses the dual and conflicted nature of the Self

Mind and body are at war with each other in each of us

We try to repress one side and live without it

But we cannot achieve a harmonious existence in this way

Page 11: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

The “house of Usher” has two meanings

1. The physical dwelling2. The family line, or lineage

– “the entire family lay in the direct line of descent”

Page 12: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

The house is also a type of character in the story• Like the family, it is of “an excessive

antiquity” • The landscape is overgrown and ragged• On the front down the middle is “a barely

perceptible fissure” going in “a zigzag direction”

Page 13: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Atmosphere: The climate or  feeling in a literary work. The choice of setting, objects, details, images, and words all contribute towards creating a specific mood and atmosphere. For example, an author may create an atmosphere of mystery around a character or setting.

Page 14: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Tone: The author’s attitude, stated or implied, toward a subject. Some possible attitudes are pessimism, optimism, earnestness, seriousness, bitterness, humorous, and joyful. An author’s tone can be revealed through choice of words (diction) and details.

Page 15: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

inflammatory morosemocking disappointed shocking sympathetic irreverent sad dramatic compassionate disdainful passionate contemptuous melancholic restrained urgent

caustic depressing impartial serious biting mournful objective ominous cynical poignant apprehensive skeptical somber factual foreboding wry

Page 16: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Turn to page 160 in your textbook and re-read the first two paragraphs of the short story, paying special attention to the tone.

Write two paragraphs on how Poe’s diction and tone in the exposition create a certain type of atmosphere and mood.

Be sure to include at least two specific quotations that illustrate your thesis

Page 17: Edgar Allan Poe 1839.  The gothic context of the tale  The function of setting in the tale  The structural unity of the tale

Your 1st Paragraph should discuss diction and tone.

Your 2nd Paragraph should discuss how Poe’s diction and tone establish the atmosphere and mood of the story.


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