Transcript
Page 1: COURSE SYLLABUS Conceptual Figure Drawing …degreeplans.tstc.edu/Syllabi/docs/FA2016/artt1201_46y1_fa16.pdfARTT 1201 Conceptual Figure Drawing Course Syllabus Page 4

COURSE SYLLABUS

Conceptual Figure Drawing

ARTT 1201

Number

2 - 4 - 3

Lecture - Lab - Credit

None

Prerequisites

This syllabus has been reviewed and is current on the date indicated.

Prepared By Date

Dub Wellborn 7/26/16______

Reviewed By

Christina Hollis 7/29/16

Division Director/Designee Date

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ARTT 1201

Conceptual Figure Drawing

Course Syllabus Page 2

I. Instructor Information

Name: Dub Wellborn

Phone: 325-734-3653

Campus Office: Abilene Campus

Room 123

E-mail: [email protected]

Office Hours: 9 a.m. to noon M

and 9 a.m. to 5 p.m. F

Advisement Hours: By appointment from

9 a.m. to 4 p.m. M-F

Division Director: Christina Hollis

Director e-mail: [email protected]

II. Class Times, Location

Dates 09/29/16 to 12/09/16

MTWTHF, TBA, 4WEB WEB, Web Bases Classes, Moodle at https://mycourses.tstc.edu

MW, 11:00 a.m. to 12:55 p.m., 4ABC Rm.123, Abilene Extension

III. Program Outcomes

Learning Outcome: Understand business and legal issues as they apply to graphic artist

Assessment Methodology: Given business scenarios demonstrate the best business practices

Activities Beginning Developing Competent Accomplished

Assessment

Measure

Understanding Copyright and contract laws

No

understanding of

copyright law

Define copyright

laws and contract

laws and give

examples

Following

copyright law

concerning

content

acquisition and

licensing

Define procedure

to obtain and

enforce a

copyright

Assessment

Measure

Create a business plan

Define a business

plan

Understand the

different aspects

of a business

plan

Create a

comprehensive

business plan

Implement

business plan

Assessment

Measure

Understanding business finances

Identify and

define business

and finance

Identify and

categorize

income and

Analyzing

income and

expenses to

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terminology expenses calculate pricing

structure

Assessment

Measure

Identify industry requirements for employment and professional

organizations

Unaware of

industry

standards

Define industry

standards

Identify industry

requirements and

professional

organizations

Produce work

that meets

industry

requirements and

professional

organizations

IV. Course Description & Introduction

Introduction to the techniques of drawing the human figure with emphasis on gesture and

contour technique.

Topics include structure of the human form in relation to drawing body proportions; bone

and muscle structure of the human form and the bone and muscle components of human

hands and other appendages.

V. Learning Outcomes

The student will:

A. Complete the different parts of the human figure from bone structure to muscle

structure;

B. Draw accurate visible and invisible cross contours of the human figure while eyes

are on the model and not on the paper;

C. Demonstrate knowledge of balance and proportion of the human figure in different

positions.

VI. Assessment Methods & Grading Policy

Summative assessments using assignment rubrics. Grades for all major courses must be C

or better.

Grade Percent Description Grade

Points

A 90-100 Excellent/Mastery Performance Level 4

B 80-89 Required Performance Level 3

C 70-79 Minimum Required Performance

Level

2

D 60-69 Below Required Performance Level 1

F Below 60 Failure to Meet Performance

Requirements

0

IP -- In Progress

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Conceptual Figure Drawing

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W -- Withdrawal 0

CR -- Credit 0

AUD -- Audit of Course 0

See College Catalog for complete descriptions.

Formative assessment using skills validation process based on observation, discussion, and

summative assessment of rubrics shown above. Grades based on Skills Validation will be

calculated on a Pass / Fail matrix.

VII. Textbooks/Reference Materials

Required: How to Draw and Paint ANATOMY, Creating Life-Like Humans and Realistic Animals by Editors of ImagineFX Magazine; ISBN# 978-1-56523-716-2

Required: Adobe Photoshop training book

Required: How to Draw the Marvel Way by Stan Lee & John Buscema; ISBN#

0671530771

Required: The Skillful Huntsman by Art Center / Scott Robertson; ISBN# 0972667644

Required: Mechanika by Doug Chang; ISBN# 1600610234

Required: Adobe Illustrator training book

Recommended: Perspective Made Simple, A Practical Guide For Artists; By Larry Withers, On Air Video, www.onairvideo.com; ISBN# 8130300024

Recommended: The Techniques of Scott Robertson (DVD), Volume 1: Basic Perspective Form Drawing, “Ellipses Chapter 3"; ISBN# 1930878818

Recommended: Exodyssey by Steambot Studios; ISBN# 9781933492391

Recommended: Steampainting: Spark by Steambot Studios (2010); ISBN#

9780615377179

Recommended: Imaginative Realism by James Gurney; ISBN# 0740785508

Recommended: Figure Drawing by Andrew Loomis; ISBN# 9780857680983; online

PDF pages also found at http://www.scribd.com/doc/255814/Andrew-Loomis-Figure-

Drawing and http://fineart.sk/photo-references/andrew-loomis-anatomy-books

Recommended: In the Future by Art Center; ISBN# 193349218X

Required: Adobe Design Studio (Photoshop and Illustrator) software

Required: Intuos5 Medium Pen Tablet with 48.5 square inches of working area

(http://www.wacom.com/en/Products/Intuos/Intuos5Medium.aspx).

VIII. Additional Resources & Supplies

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Required Online Resources to Download

Moodle (https://mycourses.tstc.edu/)

Flickr (free image share/image resource at www.flickr.com)

MS Office (Word, Excel and PowerPoint (at cost) or Google Docs (free)

Adobe Reader (latest version free download at www.adobe.com)

Mikogo (free online screen share at www.mikogo.com)

Skype (free on-screen communication at http://www.skype.com/intl/en-us/get-

skype/)

Weebly and/or WordPress (free online web page and/or blog sites at

www.weebluy.com and www.wordpress.com)

YouTube (free video share/multimedia directory at www.youtube.com)

Required Natural Media Art Supplies:

JOURNAL. Two 9x12 100-page spiral-bound Canson or equivalent brand

Sketchbooks: one for daily morning drawing exercises, plus a separate one for

outside classwork for each semester.

Cool or Warm Gray Markers with chisel points: 30% and 50% gray

Drawing Media: 2B, 4B, 6B Pencils and 6B Graphite Stick

Kneaded Erasers

Black Pentel Pens or Equivalent Brand Drawing Sign and Brush Pens

Metal Straight Edge Ruler

Pencil Sharpener

IX. Class Participation Policy & Student Conduct

Attendance

Attendance is imperative. Attendance implies full use of the class period. Students are

expected to be on time and to work through to the end of class.

Students are allotted 3 excused absences for cases of illness, personal/family crisis, or

official college business. All work missed due to these circumstances must be

communicated ahead of the event and work made up during the student’s personal time.

Tardiness and early departures record at an accumulation of 3 equal one absence.

No credit for the course shall be given if you incur 7 or more unexcused absences.

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Late Work

All assignments will have a fixed due date. You will be expected to submit all portions of

each unit on time.

While the online learning environment is designed to be flexible and convenient, you

must give special attention to the schedule of assignments.

You should pay special note to the following policies:

Late work is subject to a reduction in points for that assignment. The policy for this

course is that 10% will be deducted from an assignment's grade for each day it is turned

in late. When an assignment is due on a particular date, all work pertaining to that

assignment must be completed and submitted to the facilitator in accordance with the

instructions for that assignment by 8 a.m. Central Standard Time the day following the

date the assignment was due.

Team activities such as discussion boards and wikis require diligence on your part. Your

colleagues are depending on you to post on time so they can complete their assignments.

Pay particular attention to the instructions for team activities. Late initial posts to the

discussion board or failure to participate in a timely manner will result in a reduction of

points to the course participation grade. Further, you may receive a reduction of points as

a result of evaluations made by your classmates resulting from your failure to participate

with group assignments in a timely manner.

Incomplete Policy

TSTC's online policy states that all required work for an online course must be completed

within the time framework established by that particular course's assignment calendar.

Neither the facilitator nor the lead teacher is allowed to enter a grade of "Incomplete" for any student. No grade of Incomplete will be given as a final course grade. A student

will receive the grade earned at the conclusion of the course. In extreme circumstances,

please see your instructor for further assistance.

Academic Integrity

Violations of academic integrity and other forms of cheating, as defined in Texas State

Technical College's academic integrity policy, involve the intention to deceive or mislead

or misrepresent, and therefore are a form of lying and represent actions contrary to the

behavioral norms.

Violations will be addressed as described in the policy. Every member of the faculty,

staff and student body is responsible for protecting the integrity of learning, scholarship

and research.

X. Safety

Campus building occupants are required to evacuate buildings when a fire alarm

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activates. Alarm activation or announcement requires exiting and assembling outside.

Familiarize yourself with all exit doors of each classroom and building you may occupy

while receiving instructions. The nearest exit door may not be the door you used when

entering the building.

Students requiring evacuation assistance should inform the instructor during the first

week of class.

In the event of evacuation, follow the faculty’s or class instructor’s instructions.

Do Not re-enter a building unless given instructions by the Fire Department,

Campus/Local Police, or Fire Prevention Services.

XI. Special Needs

If you have a documented disability that will impact your work in this class, please

contact the ADA Coordinator, so that appropriate arrangements for your accommodations

can be made. The counselor on your campus can assist you in this process. In accordance

with the federal law, a student requesting accommodations must provide documentation

of his/her disability to the ADA Coordinator. For more information call (325) 236-8292

or email [email protected] .

XII. Course Schedule

Date Activity Assignment

Unit 1 & 2 M Introduction

Ideal vs Expressive Figurative

Form

Standard Proportions: Male and

Female

Skeleton, Muscles, and Skin.

Facial Features and Portraiture

Spiral-bound 9x12-inch sketchbook is

required for male and female

figurative work throughout this

semester. Periodic checks will be

made to view development of these

independent figurative studies. Draw

approximately 50 figures per week.

DAILY morning warm-up sketches:

15 to 30 sec, 2 ½ min figure sketches

T Lecture/lab

W First Self-Portraits due Bring mirrors to class to draw self-

portrait.

Male Figurative Work due Male: Basic Anatomy Rules for the

total body, connecting the head to the

body (front and back).

Th Lecture/lab

Unit 3 & 4 M Lecture/lab Male: Torso, arms, and legs (front &

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back)

T Lecture/lab

W Illustration in Media due Draw from Live Model

Male Figurative Work due Male: Head construction (eyes,

mouth, ears, and nose).

Male: Hands and feet. Also torso,

arms, and legs (front & back).

Th Journal due/review

Unit 5 & 6 M Lecture/lab: Male construction

(eyes, mouth, ears, nose)

Create 3 stages of the head for the

skull, muscle and facial views

T Lecture/lab

W Fun ‘n Games/Promotional

Illustration due

Draw from Live Model

Lecture/lab

Th Journal due/review

Unit 7 & 8 M Lecture/lab

T Lecture/lab

W Three Head Views illustration due Draw from Live Model

Male Figurative Work due Read Yahoo! article The Plastic

Surgery a Model Needs to Look Like

Barbie article in Moodle.

Th Journal due/review

Unit 9 &

10

M Head Shapes and Geometric Forms

Drawings due

Female: Basic Anatomy Rules for the

total body, connecting the head to the

body (Front and Back). Contrast and

compare to male total body.

T Lecture/lab

W Lecture/lab Draw from Live Model

Female Figurative Work due Female: Torso, arms, and legs (front

& back).

Th Journal due/review Imaginative Realism, How to Paint

What Doesn't Exist by James Gurney.

Read: "Costumes" pp 70-71.

Unit 11 &

12

M Drawing of Lips due

Female Figurative Work due

Female: Head construction (eyes,

mouth, ears, and nose).

Female: Hands and feet. Also torso,

arms, and legs (front & back).

T Male and Female Character Studies

due

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Conceptual Figure Drawing

Course Syllabus Page 9

W Lecture/lab Draw from Live Model

Ideal Male and Female Figure

Proportions illustration due

Th Lecture/lab Adult figure and children head

anatomy.

Unit 13 &

14

M Female Figurative Work due Reference ideal figure views of

MALE total body vs FEMALE vs

CHILD to refine proportions of latest

work. Reference features and facial

expressions and costume decoration in

folds and surface detail.

T Lecture/lab

W Lecture/lab

Character Facial Emotion Studies

due

Validation work to show male and

female figurative study covered.

Th Lecture/lab

Unit 15 M Final journal due/review

T Male and Female Figurative Study

Validation Work due

W Final Self-Portrait due Bring mirrors to class to draw self-

portrait.

XIII. Instructor CV – Dub Wellborn

Education

Lamar University Master of Education in Educational Technology Leadership August 2011

McMurry University Bachelor of Business Administration December 1999

University of Houston Bachelor of Fine Arts December 1981

Industry, Teaching or Training, and Membership

Experience Relevant To Course

Description Date Ended

Date Began

Professional Concept Art Training: Schoolism LIVE Workshop Austin 2015, TX Jan/Feb 2015

Professional Concept Art Training: Massive Black Workshop Los Angeles 2013, CA Dec 2013

Professional Concept Art Training: Steambot Explore Workshop New Orleans 2013, LA Jul 2013

Professional Concept Art Training: Massive Black Workshop San Francisco 2012, CA Aug 2012

Digital Arts Intructor/Associate Professor: Texas State Technical College West Texas, Abilene, TX To Present

Jun 2011

Digital Imaging & Design Instructor: Texas State Technical College West Texas, Abilene, TX Jun 2011

Sep 2002

Digital Imaging & Design Program Chair: Texas State Technical College West Texas, Abilene, TX Sep 2006

Sep 2004

Practicing/Exhibiting Signature Artist Member, Center for Contemporary Arts, Abilene, TX To Present

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1990

Abilene Cultural Affairs Council Outdoor Sculpture Committee Member, Abilene, TX To Present

2000

Practicing Professional Fine Artist and Illustrator, website: http://dubwellborn.weebly.com/ To Present

1981

Adjunct Instructor: Life Drawing, Fundamental Drawing, Advanced Painting, Elements of Design,

Intro to Multimedia, Intro to Animation, McMurry University, Abilene, TX

To Present

2010

Adjunct Instructor, Figurative Drawing I and II, Abilene Christian University, Abilene, TX 2013 & 1998

Texas Region 14 High School VASE (Visual Art Scholastic Event) Juror, TX 2010 - 2016

Adjunct Instructor: Figure Drawing, Painting I, Cisco College, Abilene, TX 2009 & 2008

Editorial Illustrator and Advertising Graphic Arts Manager, Abilene Reporter-News (Scripps-

Howard Daily Newspaper), TX

Sep 2002

Apr 2000

Abilene Christian University Visitation Committee Member/Chairman, Abilene, TX 2000 & 1997

Sr. Graphics Designer: Promotions/Corporate Communications Departments, Central & Southwest

Corporation (West Texas Utilities Company [WTU] and Central Power & Light Company [CP&L])

Apr 2000

Apr 1987

Creative Services Manager (Graphic Arts), Abilene Reporter-News (A Harte-Hanks

Communications Newspaper), TX

Apr 1987

Jul 1985

Graphic Designer/Supervisor, Quality Printing & Publications Company, Inc., Abilene, TX Jul 1985

Sep 1984

Technical Publications Illustrator and Technical Illustration Group Manager, Stewart &

Stevenson Services, Inc. (Headquarters, Houston, TX)

Sep 1984

Apr 1979

Golden Key Honor Society, University of Houston, TX 1981

Dean’s List, 90 BFA Credit Hours, Abilene Christian University, TX 1975 - 1978

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Conceptual Figure Drawing

Course Syllabus Page 11

Student Acknowledgement:

This is to acknowledge that I have received a copy of the syllabus for the course ARTT 1201

Conceptual Figure Drawing. I understand that it is my responsibility to read and understand the

syllabus and to abide by the guidelines presented therein.

__________________________________ ________________________________

Student Printed Name Signature

_______________

Date


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