Transcript
Page 1: Characteristics and Limitations of Digital Color  Photography

Characteristics and Limitations of Digital Color Photography

Harald BrendelMunich, 21 September 2012

Page 2: Characteristics and Limitations of Digital Color  Photography

Light is Electromagnetic Radiation

Short wavelength (~400nm)

Long wavelength (~700nm)

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Radiometry

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Incandescent Light

Spectral Power Distribution

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3200K

2000K

Incandescent Light

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Daylight

5600K

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6500K

Daylight

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Photoreceptor

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Retina

http://www.cis.rit.edu/people/faculty/montag/vandplite/pages/chap_9/ch9p1.html

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Color Receptors

x =

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Tristimulus

Brightness

Color Sensation

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Primary Colors

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Additive Color Mixture

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Additive Color Mixture: Red and Green

+

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Additive Color Mixture: Blue and Green

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Additive Color Mixture: Red and Blue

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Additive Color Mixture: Red, Green, and Blue

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RGB forms White

=

=

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Metamerism

Two Different Spectra

Same Tristimulus Values

Same Color Perception(For Average Observers)

Colors Are No Physical Attributes

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Color Reproduction

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Additive Display

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Color Gamut

Spectral (monochromatic) locus

Primary colors

Mixtures of two colors

Mixtures of three colors

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Digital Camera

http://en.wikipedia.org/wiki/File:Bayer_pattern_on_sensor.svg

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Cameras See Different

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Two Observers

Stimuli that look the same for one observermay look different for another

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Color Reproduction: Good

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Color Reproduction: Bad

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Color Reproduction: Ugly

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Color Reproduction: Mission Impossible

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A Camera Has No Gamut

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Red Rose

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Blue Lacquer

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Summary

• Colors are no physical attributes.• Physically different stimuli can produce the

same color sensation.• Two stimuli that produce the same color

sensation may look different when photographed with a camera.

• Two light sources that have the same color temperature may produce different object colors.

• Digital cameras have no gamut.• The color encoding defines the gamut.

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Future Prospects

• Cameras with spectral response more similar to the eye– Loss of dynamic range and sensitivity– Future sensor technology will compensate– Multi channel imaging

• Scene encoding without gamut limits– Floating point numbers– Wide virtual primaries– AMPAS ACES

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