doongalik studios december 2013 art newsletter

8/13/2019 Doongalik Studios December 2013 Art Newsletter

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DECEMBER EVENTS

BAHAMASCAPE OPENING PHOTOS & REVIEW

NEW ITEMS & DOONGALIK HOLIDAY MESSAGE

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DOONGALIK STUDIOS ART GALLERY NEWSLETTERDOONGALIK STUDIOS ART GALLERY NEWSLETTERDOONGALIK STUDIOS ART GALLERY NEWSLETTERDOONGALIK STUDIOS ART GALLERY NEWSLETTERDecember 2013December 2013December 2013December 2013 Volume 7 Issue 12Volume 7 Issue 12Volume 7 Issue 12Volume 7 Issue 12HAPPY HOLIDAYS !!HAPPY HOLIDAYS !!HAPPY HOLIDAYS !!HAPPY HOLIDAYS !!

20 Village Road Open Mon-Fri 9am 4pm Saturday 9am1pmP.O. Box N-1207 Nassau, Bahamas Tel (242) 394.1886 Email:[email protected]

Web blog: doongalik.blogspot.com Website: doongalik.com We are also on Facebookfacebook.com/doongalik

PROMOTING THE VISION: By the Year 2020 more visitors will be attracted to The Bahamas by Bahamian Art,Culture and Heritage than by sun, sand and sea.

The History of the Saxons Junka-

noo Group (The Early Years):Stories

of a Forgotten Bahamian Culture is

dedicated to the memory of the late

Jackson Logan Burnside III, a bril-

liant and gifted Bahamian architect,

artist and cultural activist. The

hallmark of his legacy lay in his

belief that, by 2020, more tourists

would come to the Bahamas for our

art, culture and heritage than for

sun, sand and sea. He also admon-

ished us to tell our stories. His zeal

for the preservation of our cultural identity and the revelation of its

importance to our national development has inspired me to write

this historical account, as well as my junkanoo handbook.

This historical publication on junkanoo was produced at the behest

of Hon. Desmond Bannister on the occasion of presenting him, as

the then Minister of Education, with copies of my first publication,

Manual of Junkanoo Costume ConstructionA Beginners Guide to

ARTISTS STATEMENT

The title Father Knowledge, Mother Tongue came about during the pro-duction of the art pieces for this show. The process was one that allowed meto explore myself as a mixed raced Bahamian-Jamaican, raised in a brokenfamily, and delve into my own social and self-perception. I have always beeninterested in exploring contemporary reality, as well as the subconsciousand social identity of individuals and how they interact. Our perception ofourselves can be identical to or the opposite of the perception we give toothers. Within the contents of the show, I have attempted to reveal the con-cealment of certain identity issues to create a confrontation of these issues

that we tend to ignore.

The first gesture, instinctive and simple, is what interests me more thanpainting an intricate detail. My style has moved from picturesque to instinc-tive and fluid, and I have been able to find a release within my work. Thisdevelopment has allowed me to take the realistic and abstract it, placing it

next to another object or in another position to change its meaning.

Working large will always be my first love and allows the viewer to appreci-ate the image from a distance, but as they move closer, the image distortsand leaves room for further interpretation. As an artist, limitations are deathto creativity and by breaking through these barriers, creation, invention, and

beauty are born.

We will be ending a busy year with thisExhibition by Angelika Wallace-Whitfield.We look forward to seeing you at theOpening next Thursday, December 5!

INSIDE THIS ISSUE

Junkanoo Design (2011). The goal of that exercise was to provide a

simple instructional handbook which junkanoo group leaders, teachers,

parents and craftsmen could use to educate group members and stu-

dents in the basics of junkanoo costume construction to ensure that

costumes would be custom made and that participants would be more

responsible for producing their own costumes. Minister Bannister inti-

mated that a book on the history of junkanoo groups was also neces-

sary to supplement the manual as the first true textbooks for the prac-

tical and didactic components of a long overdue junkanoo curriculum.

Additionally, Jacksons insistence that we see what ya lookin at was

the inspiration for my newest publication, Morning Meditations in Para-

dise: Bahamian Reflections at Sunrise, which presents 99 images of our

beautiful country along with meditations on the God who created it. I

thank you, Jackson for showing me how to see the real purpose and

value of the things we too often take for granted: Our rich, unique and

fascinating cultural heritage.

Just in time for the Junkanoo Season we are also pleased to host the LAUNCH of a new book by Dr Emmanuel Manny Francis


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My focus darted from one thing to the next. First a ceramic bowlby Max Taylor, then Split Path by Jane Waterous. Everything wasbreath-taking. I was extremely impressed by the display. Therewere colourful paintings and wooden carvings. The photographswere spectacular. The talent projected by the artists is by far supe-

rior to every exhibition Ive seen before.In the past, I heard about many of the artists on display. Thisincludes Max Taylor, John Paul, David Knight, and Melissa Maura.However, this exhibition focused mainly on four male artists: Jef-frey Major, Shane Pinder, Guilden Gilbert, and Rashad Penn.Their art was dazzling. Viewing their work was a pleasure. They

are gifted photographers and they genuinely inspired me.Some of my favourite pieces were, Blue by Jeffrey Major, Feelthe Movement by Guilden Gilbert, and Rust in Peace by RashadPenn. Although all of these pictures were captivating, the photothat really spoke volumes to me was Beached Whale by ShanePinder. The picture displayed a dazzling Bahamian sunrise onMontague Beach, right here in New Providence. I found this pic-

ture to be so amazing because I pass this spot every day to get toschool. Also, it takes real talent to capture the beauty of the sun-

rise and transfer it into a photograph.This exhibition meant a lot to me, especially the work done by thephotographers. I view photography as a passion and a way of self-expression. Photography is more than just holding a camera andtaking a picture. It takes skill and talent to capture the movementof a wave or a leaf blowing in the breeze, and turn it into a photo-graph without losing its essence. I left Doongalik Studios feelingthrilled, motivated, and at home.

BAHAMASCAPE STUDENT REVIEW

By: Ariannah Bain, 8thGrader at Akhepran International

Academy

Art has always had significance in my life, so it was a thrill visiting

the iconic Doongalik Art Gallery, located just south of Queens Col-lege. Doongalik Studios was created by Jackson Burnside, thefounder of One Family Junkanoo Group. This art gallery got itsunique name from the original sound of the drum and the cowbell.The word 'Doongalik' is interestingly enough an example of ono-matopoeia in action. Doongalik Studios has been around for thirtyyears. After the unfortunate and untimely death of Jackson Burn-side, his wife Pamela Burnside has managed the exquisite art gal-

lery.

During my maiden voyage to the gallery, the first thing that I noticedwas the serene landscape. The garden is beautiful. Eyeing theJunkanoo performers carved out of stone, while I sat on a bench inthe midst of the natural scenery, gave me a sense of peace. I had

great expectations for this art gallery, and I knew I would not bedisappointed.

Pamela Burnside was my tour guide. It was very exciting to meetthe wife of a famous Bahamian, but even more exciting to witnessthe wonders of authentic Bahamian art in such a magical place.The inside of Doongalik Studios was just as interesting as the out-side. Once I got to the actual pieces of art, a sense of awe over-

whelmed me, giving me chill bumps.

Another success! Although it seems to be a regular happeninglately with torrential downpours at the Doongalik Openings, patronsstill came out to lend their support! Thanks to everyone once again!!

We also hosted close to 100 students

from the Akhephran Academy who

came to view this Exhibition. We are

pleased to include below, an amazing

review by an inspired student, Arian-

nah Bain! Thank you to them all and

to their teacher, Mr Lloyd Allen!

Several of the student groups

who came to view the Exhibi-

tion with their Language Arts

teacher, Mr Allen


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PATRICIA GLINTON MEICHOLASProduced as apart of the recently opened Swan Song of the FlamingoExhibition by Kishan Munroe at the National Art Galleryof The Bahamas, this well researched historical accountof the ill fated event is a must read!

As 2013 draws to a rapid close,we would like to thank all of ourloyal patrons, both in TheBahamas and all around theworld, for supporting usthroughout the yearwe lookforward to serving you in 2014!Our best wishes to you and yoursfor a safe, healthy and happyholiday season!

SUE BENNETT-WILLIAMS These Bahamian

styled, colourful ceramic bells will bring sweet jingling

music during these windy days.purchase an extra

one for yourself !

NEW ITEMS. & JUST IN TIMEAre you making your list and checking it twice?

We have a wide variety of uniquely Bahamian art

items in all price ranges which will satisfy your

Christmas shopping list ...stop on by to see the

selection! Here are a few new items that have

been added to our inventory, just in time forChristmas!

ROSEMARY HANNAFriends or family visiting forChristmas? These vivid junkanoo photos will allow

them to take the memory back with them!

JEREMY DELANCYWood turner Delancy has fash-ioned more Xmas ornaments from shells and native

wood as well as this beautiful urn

doongalik studios december 2013 art newsletter

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