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Digital Photography Handbook

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  • HANDBOOK

    This handbook provides essential information on the tutorial tasks, blog, tips and helpful guides for the

    Digital Imaging Unit

    Unit Blog http://dphot.tumblr.com/

    Flickr Group http://www.flickr.com/groups/phot/

    DIGITAL PHOTOGRAPHY

    HAND-IN Friday 22nd April 2016 by 3pm

    DPHOT2013/14

  • The unit blog will provide you with handouts and links and keep you informed of practical

    knowledge in getting to know your camera, software and also taking photographs. Please make sure

    you visit the blog as much as possible.

    As part of the unit you will have to provide a working journal (blog) of your visual ideas and

    photography. We will need to see your progress at every session.

    UNIT BLOG - http://dphot.tumblr.com/

    The unit Flickr group is a great way for you to share your photographs with other students on the

    unit. I encourage you to seek comments and also look for inspiration. Perhaps join some other

    groups?

    Flickr Group - http://www.flickr.com/groups/phot/

  • GETTING STARTED

    With any new unit you will need to start thinking about managing your time and work from the start.

    Throughout the year you will be set 4 assignments that will get you using your camera from week 1.

    Please prepare your files, camera/s and decide on how you will present your work at the sessions.

    You will be asked to discuss your work each week. Please BE PREPARED.

    PROJECT MANAGEMENT - digital cameras enable you to upload your images to a computer with

    cables and some now have wireless capabilities.

    FOLDERS - Prepare folders on your student drive (5gb storage).

    COLLATING / EDITING - Adobe Photoshop, Lightroom, Apple Aperture and Apples iPhoto all have

    image browsers to view your work, edit and collate.

    EXTERNAL STORAGE - A good way to have easy access and carry around your master files/images

    from home and uni. Try and buy 500gb+

    CrashPlan - http://www.crashplan.com/ or similar - online data back-up

    Drop Box, Google Drive are good for storing data and transfer - also available as mobile apps.

    WEBSITES

    Flickr Free Account - 1 terabyte upload free. Flickr Pro Account - Unlimited uploads and ad free for

    16 per year.

    Also Google Picasa which is free

    CAMERA - you will be required to have your own camera for this unit. It needs to be digital and have

    if possible, manual controls. Students in the past have used mobile phone cameras and

    borrowed high end digital cameras from the photography department. If you are planning on

    buying a camera then talk to Gary, Rob or Claire for advice. London Camera Exchange (Cascades,

    Portsmouth) will be coming to demo cameras in one of the seminars.

    Get to know your camera inside out. Experiment with the settings, visit the cameras website and also

    look at the Flickr group for your cameras make/model as there are some great discussions forums

    with hints and tips about use and experimentation.

    SOFTWARE - In class we have access to Adobe Lightroom, Adobe Photoshop and iPhoto. You can

    get 30 day free trial of Adobe products from their website at www.adobe.com and iPhoto is free on

    Macs. Other solutions are the online version of Photoshop - http://www.photoshop.com/tools and

    they also have an iPhone app. Open Source - Photoshop Gimp a free clone of Adobes software -

    http://www.gimp.org/

    Look around as there are plenty of other similar products http://www.apple.com/aperture/ (Mac and

    used by professional photographers), Camera Bag 2 - http://www.nevercenter.com/

    -http://www.pixelmator.com/, http://www.photoscape.org/ps/main/index.php , and if you are an

    iPhone user then see the next page.

  • Mobilography / iPhoneographyApps for photography via mobile phones have become very popular since Apples iPhone and a quick

    scan on the app store will give you thousands of choices. Some of the best free apps are:

    Photoshop Express

    Retro Camera Plus

    Mill Colour

    Camera Plus

    instagram

    EyeEm

    Best Paid Apps:

    Camera Bag

    Hipstamatic

    Quad Camera

    Toy Camera

    Tilt Shift Gen

    Pro HDR

    Loads on the Android too . . apparently.

    Flickr Groups:

    http://www.flickr.com/groups/mobilography/

    http://www.flickr.com/groups/iphoneography-portsmouth/

    http://www.flickr.com/groups/iphoneography/

    There are hundreds . .

    also keep your

    blog up to date

    with Tumblr app for

  • Instagram

    We are setting you a challenge to gain 100+ followers on Instagram and 100+ likes.

    You can download Instagram for iPhone and Android at instagram.com/

    Take photographs throughout the year and follow people with similar interests, those that you

    find inspiring and friends. Challenge yourself with this and make sure to use hashtags to gain

    followers and likes. Instagram lets you add locations and link with other social media including

    posting to your tumblr blogs.

    Links:

    http://www.theguardian.com/cities/2014/feb/06/urban-instagram-photographers-you-should-fol

    low

    http://fieldguide.gizmodo.com/10-tricks-to-make-yourself-an-instagram-master-1601722027

    http://www.digitaltrends.com/social-media/instagram-tips-and-tricks/

    A prize will be given at

    the end of the year for

    the student with the

    most followers and

    student with the most

    likes.

  • DIGPIM Basics Ideas, help and resources

    What Camera?

    DIGPIM Basics Ideas, help and resources

    What Camera? WWW.LOMOGRAPHY.COM

    DIGITAL SLR

    DIGITAL COMPACT

    DIGITAL SUPER COMPACT

    DIGPIM Basics Ideas, help and resources

    MICRO CAMERA

    SCANNER AS CAMERA

    POLAROID

    WWW.POLANOID.NET

    PHONE CAMERAS

    What Camera?

    DIGPIM Basics Ideas, help and resources

    What Camera?

    Decide on a budget

    Always try and get as wide a lens as possible - 24mm/

    28mm (not many compact cameras have this)

    You do not need an expensive camera - this does not

    equal a good photographer.

    If you buy a Digital SLR camera then also try and get a

    compact.

    DIGPIM Basics Ideas, help and resources

    What Camera?

    Get at least a 2gb memory card (7dayshop.com)

    Look on Ebay / Amazon / LCE 2nd Hand store - save

    For this unit - mix it up. Try Hi-fi/Low-Fi

    Once you have your camera sorted then GET TO KNOW IT

    INSIDE OUT - What are the capabilities? look at user

    groups and also join that cameras Flickr Group etc....

    DIGPIM Basics Ideas, help and resources

    Now you have a camera....

    Start to open your eyes to all around you.

    Look for shadows, forms, lines, colours,

    perspectives, reflections, angles,

    textures etc

    Be a collector - letters, numbers, doors,

    hands, graffiti, found objects etc

    !e camera is an instrument that teaches people how to see without a camera. Dorothea Lange

  • Digital Photography

    DPHOT HEMIS Code U20192

    ABSTRACTThis course introduces the underlying principles of digital photography. Students will learn how digital cameras work and how to create digital images, appreciate experimental, abstract and traditional photographic techniques and learn how to display, compress and store photographs on a variety of platforms.

    AIM

    1. To enable students to appreciate the fundamental principles, the technical resources and the creative potential of digital photography.

    LEARNING OUTCOMES

    On successful completion of this unit, students should be able to:

    1. Demonstrate an understanding and appreciation of the application of Digital Photography as an integral element within design

    2. Understand the physical technology and methods responsible for creating digital images

    3. Identify how digital photography benefits the industry and aids the print process

    Hand In Date: Friday April 22nd 2016 by 3pm

    ASSESSMENT PATTERN

    Coursework (100%) The students will produce an evaluative, working journal and a presentation of photographs. The work will be unsupervised and tutor assessed. You must choose and present your work with close attention to the relationship/theme. There will be a series of assignments which all relate to the unit aims and generate content for your final body of work.

    Students MUST select core subjects from the 18 listed in the handbook.

    Students will then produce a body of photographs from their selected core subject areas. (a max of 30 photographs)

    Delivery

    1. A working journal (blog)

    2. A presentation of final images either printed, exhibition or online.

    Students are expected to produce a portfolio of photographic work and associated journal of process experiments, image plans, drawings, written and visual material, demonstrating both thematic and technical research and experimentation in technique, format and media.

    Completed photographic prints and online showcases should be executed with high regard to presentation and photographic convention and wherever appropriate work should be fully edited and presented in a professional manner.

  • DIGITAL PHOTOGRAPHIC IMAGING - ASSESSMENT MARK SHEET | 2015/16

    Student Name \ Course -

    Assignments (40%) - Portrait | Interview | Experiments | Promotion Have these all been completed to a professional standard? Marked on quality of outcome and evidence of - Research / Production & Processes in your blogs. Please make sure that you have a clear section/page that say Assignments.

    Portrait:

    Interview:

    Experiments:

    Promotion:

    Blogs (20%) - Is the Production / Ideas Process clear? Marked on:Screengrabs (video and/or still) | Idea Process | Behind the scenes | Planning | Editing | Subject Analysis & Feedback | Software Use. Use of blogs to present the above effectively. Regular updating and use of blogs will be monitored throughout the semester.

    Presentation / Evaluation (40%) - Is the final presentation of photographs suitable for display as a showcase? Have you evaluated your final photographs? Marked on:Presentation Quality of work / Relevance / Advertising - online & offline / Display options and professional presentation of work / Flow Evaluation - Have you described your subjects processes clearly and concisely ? Have you considered and examined the merits and problems of the subjects? Have you evaluated your subject matter, equipment and editing? What you would do differently?

    OVERALL MARK :

    ADDITIONAL FEEDBACK COMMENTS :

    It is vital that you regularly update your blog. Important to have clear headings and pages so that we can identify your work and do not miss anything.

  • StudentsMUST

    selectcore

    subjectsfromthelist

    (30photographs)

    Digital photographic imaging flow Chart

    Assignment

    CoreSubjects

    (chooseupto5)

    URBAN

    MOTION

    MUSIC / GIG

    DIGITAL DARKROOM

    NIGHT LIGHT

    CANDID

    PORTRAIT

    SEASIDE

    WEATHER

    LANDSCAPE / CITYSCAPE

    COMMERCIAL

    NATURE

    ARCHITECTURE

    FASHION / CULTURE

    ABSTRACT

    HUMAN FORM

    SELF - INITIATED

    Students

    willcreatea

    workingjournal(blogor

    sketchbook)anda

    professionalpresentationof

    Binalimages

    Students will create a

    working journal (blog) and

    a final professional presentation

    of 30 photographs

  • BLOG EXAMPLES

  • http://jack-daly.tumblr.com/

    http://sd-digialphotography.tumblr.com/

  • http://katana1.tumblr.com/

    http://www.youtube.com/watch?v=jCw9Ff-1Q6k&feature=player_embedded

    THERE WILL BE MORE EXAMPLES SHOWN IN CLASS OVER THE YEAR.

  • Your "rst 10,000 photographs are your worst. Henri Cartier-Bresson

    Which of the photographs is my favorite? !e one Im going to take tomorrow. Imogen Cunningham

    To me, photography is an art of observation. It's about "nding something interesting in an ordinary place... I've found it has little to do with the things you see and eve-rything to do with the way you see them. Elliott Erwitt

    If a day goes by without my doing something related to photography, it's as though I've neglected something es-sential to my existence, as though I had forgotten to wake up.Richard Avedon

    Youve got to push yourself harder. Youve got to start looking for pictures nobody else could take. Youve got to take the tools you have and probe deeper.William Albert Allard

  • Final Showcase examples

  • http://robertstocktondigitalphotography.tumblr.com/http://katana1.tumblr.com/

    http://blog.getdesigns.co.uk/

  • http://www.designersandbooks.com/book/basics-d

    esign-02-layout-second-edition

    http://www.bloomsbury.com/uk/basics-design-06-p

    rint-and-finish-9782940373420/

    http://www.bloomsbury.com/uk/basics-illustration-

    03-text-and-image-9782940373505/

    http://www.selfpublishbehappy.com/

  • taken from the Photo Idea Index Book

  • SUBJECT EXAMPLE TIPS

    Urban city, decay, street, industrial, bridges, city people,

    Always carry your camera, shoot from the hip, turn off sounds - be quiet, get dirty

    Motion Blur, panning, freezing. Motion can alsobe implied in a picture by the use of dynamic composition - for example using powerful diagonal elements in the frame, or showing people or objects leaving from an edge of the frame, perhaps even cut off by it.

    The technical aspects of shooting motion are easy: a fast shutter speed (or the action or sports setting) will freeze motion, a slow one will introduce motion blur. Dont be afraid to experiment with extreme cropping or split into 3 sections.

    Music/Gig Sense of movement, passion, singer and mic, capture energy and mix of lights, crowd shots, instruments.Backstage.

    The low lighting environment of a live gig presents several problems to be overcome, the most trouble-some being exposure and focus. Film speed 400 and f2.8 will give you a good overall shot. Unless you are familiar with the band then you cannot determine what the lighting will do. Take a spare battery and shoot as much as possible. Also take a small torch to check settings etc. Experient with slow shutter speeds to make the lighting streak.

    Digital Darkroom Pushing the limits using photoshop etc, change the entire look of an image, extreme cropping, masking and montage. Stitching various images together tomake one final shot. Taking layers fromseveral images to make one.

    Remember to save your work as a photoshop file (psd). Be subtle and dont be afraid to use as many layers, colours and styles as possible. www.computerarts.co.uk is great for ideas.

    Night Light Car headlights, architecture lighting, flash outdoors/portrait, action shots with flash, the moon, cityscape,long exposure, lasers, copper

    A tripod and slow shutter speed to capture headlights. Or you could rest the camera on a wall for the long exposure. Experiment with your camera flash settings and take shots of portraits with car headlights in the background. Painting with light - use a torch and slow shutter speed to capture the effects.

    Candid Un-posed and unplanned, immediate and unobtrusive

    Technical equipment successfully employed for candid photography is typically lightweight, small and unobtrusive rather than big and intimidating. Timing is so important with Candid photography so always be on the look out for an opportunity and carry a small camera with you. Be sensitive to your subject. In some countries people will shy away from the camera as they feel you are taking their soul away by capturing their image.

    Dont use flash!

    CORE SUBJECTS

  • SUBJECT EXAMPLE TIPS

    Portrait Close-up, portray character in environment, lines on face/abstract, movement, candid, head and shoulders

    The3 general types of portrait photography are: close-ups or facial shots, upper body shots, or environmental portraits (where you focus on the subject and the surrounding envi-ronment that gives the subject character). Some of the best portraits are where the subjects look completely comfortable like their not looking at a camera. When people try to smile or make a certain kind of face for the camera it usually doesn't seem very genuine. The trick is to capture the image when the subject(s) aren't necessarily focused on the camera. The main purpose of portrait photography is to capture the essence of the subject(s).

    Seaside Sand, sea, close-up, landscapes, splashes, waves, bucket and spade, amusements,

    Many people take shots looking out to sea so why not turn around

    at the seashore and look for interesting opportunities. One com-

    mon problem with landscape beach photographs is that while

    they might capture a beautiful scene they actually have no point

    of interest and can as a result be rather empty and boring. When

    taking a shot look for a point of interest or focal point that will

    give those looking at your photo a place for their eye to rest. Per-

    haps its a pattern in the sand, a set of footprints, the crashing of

    waves over a rock, a pier etc. Also look for the little things that

    tell the story of going to the beach like shoes at the waters edge,

    sand castles, sunglasses, etc.

    Lastly protect your camera against the salt..it will

    kill it!

    Weather Snow, wind, rain, sun, storms, sunsets/sunrises, the effects of weather on a building, erosion, melting ice-cream, water on a window, puddles and reflections, sun rays after a storm and through trees.

    Try to capture the atmosphere as much as possible. A forest early morning - mist - could work better as black and white to capture the atmosphere. A close up of a wave and splashes of sea water could convey a storm?When it rains you will probably have to use either a longer shutter speed or a wider aperture because the clouds tend to also block out direct sunlight.

    Landscape/Cityscape

    Skies, mountains, valleys, trees, rivers, and forests. A landscape is a section or portion of scenery as seen from a single viewpoint. Scenery is the subject of a landscape image. Typically, people and animals are not shown in a landscape, unless they are relatively small in the image and have been included in the composition to show scale. Normally 3 styles of Landscape representational, impressionistic and abstract. Cityscape is the same as landscape but includes all the features of an urban setting.

    Experiment with having something in the foreground and use this as your basis to frame the shot. Doing this adds scale to the overall image.

    Timing and opportunity play an important part.

  • SUBJECT EXAMPLE TIPS

    Commercial Photography made or licensed for the purpose of selling a product, service or idea where fine-art photography is created as an end in itself.Product pack shots, high street photography - weddings, portraits, fashion, travel etc

    Work to the client brief and understand the audience that you are pitching to. For this unit you could look at images of the city (postcard task or tourism department of the council).It is important to always make sure that the product that you are selling is visible and of the highest quality.

    Nature Taken outdoors and devoted to displaying natural elements such as landscapes, wildlife, plants, and close-ups of natural scenes and textures.

    Photographing Nature Requires AttentionWhether youre photographing wildlife, plants or a won-drous sunset, be aware of your surroundings. Follow these tips to capture the best opportunities for nature photos:Be aware of all of your senses: your ear may hear something that your eyes have missed.Maintain perspective: when changing locations, check out where you have just been so you know where to travel next to get another amazing shot.Pay attention to your surroundings: look up and down, as well as side to side.Study your subjects habits: know how to anticipate an up-coming photo opportunity or when to flee.

    Architecture In and outside a building structureor environment. Old and new,modern and traditional, small orlarge scale. Bridges, doors, windows. Industrial, Ruins.

    Be careful of your angles. Look at the shadows at every angle - this can help with the mood/texture and also add depth. Slow film speed, large depth of field, slow shutter = tripod essential or find a sturdy and straight wall. Look at abstract, BOLD shapes that pop out. Use a mirror to reflect light and also add a new perspective.

    Fashion Trends, culture, clothes - think in the broadest sense. What is considered fashionable?

    Look at unique settings to showcase the model and the clothes etc. Dont confuse this with Glamour Photography. From the early days to the present Fashion Photographers were/are always the risk-takers and experiment constantly with light, subject and colour.

    Abstract Real subjects, sharp focused and un-manipulated except for normal darkroom adjustments such as contrast, exposure and dodging and burning. Angles, texture, macro, reflections, shadows, mirrors, glass. Has no rules.

    Use colours/non and patterns to create an images. Let the viewer be intrigued as to the subject.

    Use your imagination

    Human Form Photographer Greg Gorman specialises in Human form.I dissected each persons face individually with different tech-niques, such as lighting, camera angle, the focal range of various lenses. You can always hang a light over someones head and get an image that looks like the person. To me, the more interesting images are ones that leave something to the imagination.

    Get in close and look at obscure angels. Use a macro setting to photograph the texture of the skin and highlight skin tones. Play with shadows on the skin.

    Self Initiated Open Open

  • What Makes A Good Picture?

    This is the eternal question every photographer asks and is indeed asked perhaps every week. The answer, well beauty is in the eye of the beholder but there are certain elements within photography that when in place will cer-tainly produce a better image than when not.

    When you are a photographer I believe that you really do start to see and notice things differently. You begin to notice form, shape, colour and light, which when used together will create a strong photograph.

    The following photographic techniques and elements are all part of the photographic creative eye and together are what help to make a good picture.

    1. Which Format

    Vertical or horizontal? It is a common mistake made by the amateur photographer to use the camera always in the horizontal position. This is mainly due to the fact that cameras are made to fit in the hand more comfortably this way.

    However if your subject matter is essentially vertical by nature, like a tall building or the composition of your sub-ject warrants the vertical format, don't be shy in turning your camera around and using thisformat to explore the photographic possibilities.

    2. Filling The Frame

    How many times has a great shot been ruined by an ugly distracting background? To give your photography more impact, fill the entire frame with your subject matter. This can be done by either moving in closer or by using a zoom lens.

    3. Where to Place the Subject

    Where your subject is placed within your shot will determine its dominance and importance within the image.

    Compositionally it is also a good idea not to place your main subject bang centre of the shot. Instead use the rule of thirds where you place the subject to one side of your frame.

    Some cameras have this facility built in, where you can superimpose a grid onto your viewfinder to use as a guide. If not it is easy to imagine the grid for yourself.

    Remember you may have to use auto lock focus to make sure your subject is completely sharp. Simply have click your camera shutter on your subject then while holding the shutter still, reposition your shot using the rule of thirds and take the shot.

    4. Using the Foreground

    Often including foreground detail will help to give your image a sense of depth and distance.

    Raising your viewpoint and angling your camera downwards can emphasize the foreground.

    5. Moving around your subject

    Never be satisfied with one viewpoint of your subject. Take your time and walk around it to see if the composition can be improved.

    Take several different shots from different angles and positions. This will ensure that you will not have missed per-haps a better shot than you would have first taken.

  • 6. High or low viewpoint?

    If you are unable to move around your subject matter, it is still possible to get different view points by either crouching down and taking your shot pointing upwards.

    This may allow you to catch a beautiful sky for your background. Alternatively if you can stand higher than your subject and point downwards you will be able to fill the frame entirely with your subject, avoid distracting skies etc.

    7. Using Frames Within Frames

    It is possible to create well-balanced and striking images by using natural frames. For instance, doorways and windows can act as natural frames for your main subject.

    Look for these natural frames, they occur more than you may first realise. Even trees, archways and even the brim of someone's hat can be used to create a frame around your main subject.

    8. Emphasizing your subject

    By focusing completely on your subject and having a narrow aperture will emphasize the importance of the composition and remove any distracting and unnecessary aspects within the image.

    9. Introducing a Sense Of Scale.

    Often when photographing large-scale subjects it can be difficult to really portray its size within the photograph without something for comparison.

    If possible try to include something close to the main subject that will be able to allow the view to see the actual size of the subject. Placing a person within shot is particularly good for this.

    10. How To Use Line

    Use linear perspective to give images a strong sense of depth. For instance a winding road going off into the dis-tance.

    Or subjects that are placed one behind another will appear to get smaller and again give the illusion of depth. For instance a line of street bollards one behind the other will give this illusion.

    11. Colour For Emphasis

    Colour can be used to dictate the main areas of interest within a composition. For instance a small area of col-our contrasting significantly within its surroundings can dramatically become the dominant feature of the im-age.

    12. Colour & Mood

    Colour can be used to influence the mood of an image. For instance, bright bold colours will indicate a happy up beat feel whereas pastel or light colours will induce a sense of clam and tranquillity.

    Also colours such as red and orange will portray a sense of heat and so will help to create a feeling of summer and holidays. Whereas, blues and greens are colder and will enforce the feeling of winter and dawn.

  • RESEARCH LINKSLarge list here - http://en.wikipedia.org/wiki/List_of_photographersAnnie Leibovitz - http://en.wikipedia.org/wiki/Annie_LeibovitzRobert Mapplethorpe - http://www.mapplethorpe.org/Rankin - http://rankin.co.uk/Steven Klein - http://kleinstudio.us/Diane Arbus - http://diane-arbus-photography.com/Bill Brandt - http://www.billbrandt.com/Lee Friedlander - http://www.atgetphotography.com/The-Photographers/Lee-Friedlander.htmlHerb Ritts - http://www.herbritts.com/

    OTHER PHOTOGRAPHY LINKSwww.photographymad.com/http://www.flickr.com/ image social networking, you can post videos too.http://www.moo.com/ excellent and cheap business cardswww.kylekelleyphoto.com/links.htmwww.poladroid.net/www.magmabooks.com/www.photoeye.com/magazine/www.photocritic.org/www.photoxels.com/digital-photography-tutorials.htmlwww.digital-photography-school.com/category/composition-tips/www.constantvzw.org/cn_core/linxx/index.phpwww.russertron.com/site/www.popphoto.com/popularphotographypodcasts/3452/podcast-...www.aperture.org/www.dazeddigital.com/Default.aspxwww.irisf64.com/Default.aspxwww.halfhill.com/openflash.htmlwww.mindfulmotionphoto.com/portfolio/s//www.nikon.com/about/feelnikon/universcale/index.htmwww.selfportrait.net/www.tkopix.com/process.htmlwww.eroltaskoparan.com/www.projectphotoshoplightroom.com/www.annacady.com/index.htmlwww.bighugelabs.com/flickr/www.photojojo.com/content/www.polanoid.net/www.day19.com/v6/www.slowlight.net/blog/

  • www.day19.com/v6/polaroidproject.htmlwww.christophehuet.com/www.janvonholleben.com/dof_extra.htmlwww.andrewzuckerman.com/www.wikihow.com/Make-a-Pop-up-Photographwww.learn.adobe.com/wiki/display/lr/homewww.shamptonian.org/2008.02.13/the-worlds-first-ihole/www.afcook.co.uk/index.htmlwww.jpgmag.com/www.lomography.com/www.rankin.co.uk/www.mattstuart.com/www.estevanoriol.com/www.books.google.com/books?client=safariwww.simonhoegsberg.com/www.andreagalvani.com/www.zwartekoffie.com/www.creativebits.org/cool_business_card_designshttp://www.mattsills.co.uk/#/http://www.perou.co.uk/

    STUDENT BLOG EXAMPLEShttp://sd-digialphotography.tumblr.com/http://jack-daly.tumblr.com/http://loublissphoto.wordpress.com/http://chrisbennettdigitalphotography.tumblr.com/http://katana1.tumblr.com/http://robertstocktondigitalphotography.tumblr.com/http://katana1.tumblr.com/http://blog.getdesigns.co.uk/

    Remember to bring your camera wi

    th

    to all classes. Ideally you should hav

    e

    a camera with you at all times.

    Claire Sambrook - [email protected] | http://clairesambrook.tumblr.com/

  • MORE STUDENT EXAMPLES:

    http://jadebrightphotography.tumblr.com/

    http://mateusp55.tumblr.com/

    http://charlotteskinnerphotography.tumblr.com/

    http://fionhot.tumblr.com/

    http://charlesoconnorphotography.tumblr.com/

    http://darnell-temenu.tumblr.com/

    http://klyum.tumblr.com/

    http://christosmavros.tumblr.com/

    http://peterbradleyphotos.tumblr.com/

    http://kexinphotography.tumblr.com/

    http://jonathanwhitneysblog.tumblr.com/

    http://jsdigitalphoto.tumblr.com/