contemporary russian art photography || back matter

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Back Matter Source: Art Journal, Vol. 53, No. 2, Contemporary Russian Art Photography (Summer, 1994) Published by: College Art Association Stable URL: http://www.jstor.org/stable/777499 . Accessed: 14/06/2014 13:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal. http://www.jstor.org This content downloaded from 91.229.248.152 on Sat, 14 Jun 2014 13:21:21 PM All use subject to JSTOR Terms and Conditions

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Page 1: Contemporary Russian Art Photography || Back Matter

Back MatterSource: Art Journal, Vol. 53, No. 2, Contemporary Russian Art Photography (Summer, 1994)Published by: College Art AssociationStable URL: http://www.jstor.org/stable/777499 .

Accessed: 14/06/2014 13:21

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal.

http://www.jstor.org

This content downloaded from 91.229.248.152 on Sat, 14 Jun 2014 13:21:21 PMAll use subject to JSTOR Terms and Conditions

Page 2: Contemporary Russian Art Photography || Back Matter

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LIKENESS AND PRESENCE A History of the Image before the Era of Art Hans Belting Translated by Edmund Jephcott "A book of astonishing empirical rich- ness, in which exegesis never obscures vision, but rather invokes the image's own uncanny and primally equivocal power."-Joseph Leo Koerner, Harvard University Cloth $65.00 700 pages 12 color plates, 294 halftones

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FLYING OUT OF THIS WORLD A volume in the Parti-Pris series from the Louvre Peter Greenaway

Flights of fancy and fear, ecstatic highs, dreadful falls, and beckoning skies: these are the images British filmmaker Peter Greenaway collects and dissects in Flying out of This World.

"Greenway has mounted one of the most beautiful drawing exhibitions ever." -Patricia McCulloch, The Guardian *Paper $35.00 144 pages 48 color plates, 46 halftones

PICTURE THEORY Essays on Verbal and Visual Representation W. J. T. Mitchell

"This fascinating discussion might also be titled 'What Do Pictures Want?' Do they want to get along with text or el- bow it out of the way? At a time when the contents of entire art galleries are available from Microsoft and writing of the alphabetic variety is not necessarily the signifier of choice, Mitchell's playful, erudite attempt to 'connect William Blake, Wittgenstein, and Spike Lee' couldn't be more on the money. "-Editors' Choices, Voice Literary Supplement Cloth $34.95 464 pages illus.

LANDSCAPE AND POWER Edited by W. J. T. Mitchell

The original essays in this volume con- sider landscapes not merely as visual or textual symbols, but as agencies of cul- tural power by which social and subjec- tive identities are formed. *Paper $13.95 256 pages 71 halftones

EMPATHY, FORM, AND SPACE Problems in German Aesthetics, 1873-1893 Edited by Harry Francis Mallgrave and Eleftherios Ikonomou

These six essays that founded the nine- teenth-century German movement of psy- chological aesthetics, Kunstwissenschaft, are available for the first time in English. *Paper $24.95 340 pages 6 halftones Texts & Documents series Distributed for the Getty Center for the History of Art and the Humanities

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WRITINGS/ INTERVIEWS Richard Serra

This collection of writings and interviews is a fascinating, firsthand account of Serra's progress over the years and of the ideas and processes behind some of the most vexing issues confronting the art world today. A sometimes moving, sometimes outrageous, and always engag- ing self-portrait of a major artist, the volume is also an intellectually rigorous picture of the changing state of art. *Paper $17.95 288 pages 32 halftones

THE VISIBLE WORD Experimental Typography and Modern Art, 1909-1923 Johanna Drucker

Focusing on the work of Futurist and Dada artists, Drucker examines the role that experimental typography played in critical debates on the nature and func- tion of the avant-garde. Cloth $35.00 256 pages 41 halftones

Now in paper

GIORGIONE'S TEMPEST Interpreting the Hidden Subject Salvatore Settis Translated by Ellen Bianchini "The most brilliant and stimulating book on Giorgione to date." -Jennifer Fletcher, Courtauld Institute of Art Paper $12.95 220 pages 69 halftones

*Cloth edition available

THE UNIVERSITY OF CHICAGO PRESS 5801 South Ellis Ave., Chicago, IL 60637

This content downloaded from 91.229.248.152 on Sat, 14 Jun 2014 13:21:21 PMAll use subject to JSTOR Terms and Conditions

Page 3: Contemporary Russian Art Photography || Back Matter

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This content downloaded from 91.229.248.152 on Sat, 14 Jun 2014 13:21:21 PMAll use subject to JSTOR Terms and Conditions