concerto classics catalogue

2014Catalogue

C a t a l o g o • K a t a l o g • C a t á l o g o • カタログCompact Disc - Dvd - Music Scores

C L A S S I C S

“Viviamo solo per scoprire nuova bellezza. Tutto

il re

sto è

una

form

a d

’att

esa

.” G

ibra

n K

hal i

l , S

ab

bia

e s

pum

a , 1

926 . / “We l ive on ly to d iscover beau ty. A l l e lse is a form o f w

ai t ing .” G

ibran K

hali l, Sa

nd

an

d foa

m, 1926. /

“Nous ne vivons que pour découvrir la beauté. Tout le reste n’est q

u’attente.”

- Khali

l Gibr

an, L

e sa

ble

et l

’écu

me,

192

6. /

“W

ir le

ben

nur,

um Sc

hönhei

t zu en

tdecken. Alles andere ist eine Art des Wartens.” - Khalil Gibran, Sand u

nd Schau

m, 1926. /

2

3

Concerto Classics pag. 4

Novità ~ New releases ~ Nouveautés 9Neuheiten ~ Novedades Discográicas

Musica Antica ~ Earl Music ~ Musique Ancienne 17Alte Musik ~ Música Antigua

Clavicembalisti italiani ~ Italian harpsichordists ~ Clavecinistes 29italiens ~ Italienische cembalisten ~ Clavecín italiano

Classicismo e Romanticismo ~ The classical period and the 41romantic era ~ La période classique et le romantisme Die Wiener Klassik und die Romantik ~ Música clásica y música romántica

Novecento storico e musica contemporanea 6120th century and contemporary ~ Le XX° siècle et la musique contemporaine ~ Die neue Musick (20. und 21. jahrhundert) Música moderna y contemporánea

Opera 81

DVD 87

Per le 6 corde ~ For the 6 strings ~ Puor les 6 cordes 90 Für die 6 Saiten ~ A 6 cuerdas

Recital s 97

The magic of live 100

Scores 104

Credits 126

I n d e x

4

CONCERTO CLASSICS debutta ufficialmente sul

mercato all’inizio del secondo millennio (l’anno

del grande anniversario bachiano) e si caratterizza

subito per il suo interesse alla musica e ai musicisti

italiani, approfondendo specialmente le espressioni

del Barocco, del ‘700 e del Novecento Storico.

Radicata anche geograficamente al “centro”

dell’Europa, avendo sede a Milano, Concerto

Classics si è assunta quasi naturalmente la

vocazione di interpretare e di diffondere nel mondo

questo incalcolabile patrimonio musicale (che

considera un bene di tutta l’umanità), insieme al

talento dei suoi numerosi interpreti.

Il trait-d’union delle sue proposte si ritrova pur

sempre nella passione – rimasta sempre intatta

negli anni – che anima produttore ed interpreti

nel riproporre sia grandi capolavori, che opere e

compositori ancora da riscoprire: gioia e passione

che l’etichetta si augura di trasmettere nelle sue

produzioni, diventando, per chiunque lo desideri,

una sorta di “Ca’ Zojosa” della Musica (la “Casa

Zojosa” fu infatti la celebre scuola mantovana

fondata agli inizi del 1400 da Vittorino da Feltre

ispirata agli ideali umanistici: in essa sapere,

bellezza e svago erano perseguiti con uguale

determinazione). Così anche Concerto Classics

insegue un ideale di bellezza che si riflette, ad

esempio, nella cura esclusiva delle copertine,

affidate ad alcuni pittori contemporanei italiani,

per lo più figurativi. Inoltre, la perfezione tecnica,

costantemente inseguita, intesa sia come qualità

tecnologica che artistica delle incisioni, è uno dei

punti fermi dell’etichetta, che cerca di migliorarsi

costantemente in una continua ricerca d’eccellenza.

CONCERTO CLASSICS was launched on the

market at the beginning of year 2000 (the same

year of Bach’s 250th anniversary). The Label is

mainly focusing on Italian music repertoire as

well as Italian composers, by widening one’s

knowledge of baroque music and antique music

up to the 18th century as well as contemporary

classical music. Concerto Classics, very central

in Europe located with its headquarter right in

the center of Milan, has always proposed this rich

musical source (which is deemed as heritage

for all humankind) thanks to a great number

of very talented Italian Artists. What is common

among all the various productions is surely the

great passion and enthusiasm which brings

both interpreters and publisher to present well-

known works, as well as less popular ones, but

still interesting themes to be discovered yet. Joy

and passion which the label wishes to convey in its

productions, thus becoming for whoever wishes a

kind of “Ca’ Zojosa” of music (Ca’ Zojosa indeed

was a known school close to Mantua founded

in early 1400 by Vittorino da Feltre inspired

by humanistic ideals in which knowledge and

beauty and pleasure were pursued with equal

determination). In the same way Concerto

Classics pursues an ideal of beauty which is

reflected for instance in great care of exclusive

covers, ordered to some contemporary Italian

Artists, mostly figurative one. More over Concerto

Classics has always been paying great attention

to guarantee high artistic level and improving

continuously digital sound characteristics in

every production, namely an on-going research

for excellence.

Catalogo / Catalogue

5

Catalogue / Katalog

CONCERTO CLASSICS fait officiellement son entrée

sur le marché au début du deuxième millénaire

(l’année du grand anniversaire de Bach) et le

label se caractérise aussitôt par l’intérêt qu’il

porte à la musique et aux musiciens italiens, en

approfondissant en particulier les expressions du

Baroque, celles du 18ème siècle et du 20ème siècle

historique. Enraciné au « centre » de l’Europe aussi

géographiquement, puisque son siège est à Milan,

Concerto Classics s’est naturellement donné la

vocation d’interpréter et de diffuser dans le monde

ce patrimoine musical inestimable (qu’il considère

un bien appartenant à toute l’humanité), ainsi que

le talent de ses nombreux interprètes.

Restée intacte au fil des années, c’est la passion qui

constitue inéluctablement le trait d’union entre les

propositions musicales du label. Une passion qui

anime les interprètes et leur producteur, qu’il s’agisse de

revisiter des grands chefs-d’œuvre ou bien des œuvres et

des compositeurs à redécouvrir : une joie et une passion

que le label souhaite transmettre dans ses productions

en devenant, pour quiconque le souhaitera, une sorte

de « Ca’ Zojosa » de la Musique (la « Casa Zojosa »

fut en effet la célèbre école de Mantoue fondée au début

des années 1400 par Vittorino da Feltre, inspirée des

idéaux humanistes : dans cette école, savoir, beauté

et amusement étaient poursuivis avec la même

détermination). Aussi, Concerto Classics poursuit

également un idéal de beauté qui se reflète, par exemple,

dans l’attention exclusive portée aux couvertures

de disques, confiées à des peintres contemporains

italiens, des peintres figuratifs pour la plupart. De plus,

la recherche constante de la perfection technique,

entendue aussi bien comme qualité technologique que

qualité artistique des enregistrements, est un des points

clés du label, qui tente de s’améliorer constamment

dans une recherche continue de l’excellence.

Sein offizielles Debüt auf dem Markt feierte

CONCERTO CLASSICS im großen Bach-Jahr

Anfang 2000. Schnell wurde das Interesse an

italienischer Musik und italienischen Musikern

zum Markenzeichen des Labels – insbesondere an

der Musik des Barocks, des Settecento und des so

genannten „Novecento Storico“ – des Zeitraums

zwischen den beiden Weltkriegen. Mit Sitz in

Mailand, also auch geografisch im Zentrum

Europas angesiedelt, hat es sich Concerto Classics

zur Aufgabe gemacht, das reiche musikalische

Erbe Italiens zu interpretieren und zu verbreiten

– ebenso wie das Talent und das Können der

zahlreichen Musiker. Denn schließlich ist Musik

ein Gut für die gesamte Menschheit.

Was alle Produktionen verbindet, ist die über

die Jahre hinweg unveränderte Leidenschaft, die

das Label und die Musiker dazu inspiriert, große

Meisterwerke ebenso wie bisher noch unbekannte

Opern und Komponisten neu zu interpretieren.

Die Freude und Passion, die die Produktionen

vermitteln, machen das Label zu einer Art „Casa

Zojosa“ der klassischen Musik. (Die „Casa Zojosa“

war eine berühmte Schule im italienischen

Mantua, die zu Beginn des 15. Jahrhunderts

von Vittorino da Feltre gegründet und von den

humanistischen Idealen – Wissen, Schönheit und

Vergnügen – geprägt war, denen in der Casa

gleichermaßen nachgegangen wurde.) Auch

Concerto Classics verfolgt ein Schönheitsideal, das

sich beispielsweise in der exklusiven Ausarbeitung

der Cover durch zeitgenössische bildende

italienische Maler widerspiegelt. Darüber hinaus

ist die technische Perfektion – sowohl im Hinblick

auf die technische als auch auf die künstlerische

Qualität der Aufnahmen – einer der Fixpunkte

des Labels, das beständig bestrebt ist, absolute

Exzellenz zu erreichen.

CONCERTO CLASSICS debuta oficialmente en el

mercado a principios del segundo milenio (en

el año del gran aniversario bachiano) y destaca

inmediatamente por el interés demostrado por

la música y los músicos italianos, centrándose

especialmente en las expresiones del Barroco,

del siglo XVIII y delsiglo XX histórico. Asentada

desde el punto de vista geográfico también en el

“centro” de Europa, situando su sede en Milán,

Concerto Classics ha asumido de un modo casi

natural la función de interpretar y difundir por

el mundo este incalculable patrimonio musical

(que considera un bien de toda la humanidad),

junto al talento de sus numerosos intérpretes.

El punto de unión de sus propuestas siempre ha

sido la pasión “que ha permanecido intacta a lo

largo de los años” que ha llevado al productor

y a los intérpretes a presentar tanto grandes

obras maestras como obras de compositores

aún por descubrir: una alegría y una pasión

que la casa discográfica desea transmitir en sus

producciones, y que aspira a convertirse, para

cualquiera que lo desee, en una especie de “Ca’

Zojosa” de la Música (la “Casa Zojosa” fue la

famosa escuela de Mantua fundada a principios

del siglo XV por Vittorino da Feltre y que se inspira

en los ideales humanistas: en ella, el saber, la

belleza y el entretenimiento eran objetivos a

perseguir con la misma determinación). De

igual modo, también Concerto Classics persigue

un ideal de belleza que se refleja, por ejemplo,

en la especial atención prestada a las portadas,

cuya realización se encomiendan a algunos

pintores contemporáneos italianos, sobre todo

figurativos. Además, la perfección técnica,

que se persigue constantemente, entendida no

solo como calidad tecnológica sino también

artística de las grabaciones, es uno de los puntos

fundamentales de la casa discográfica, que trata

de mejorarse constantemente en una búsqueda

continua de la excelencia.

コンチェルトが、二千年紀初期に（大バッハ没後記念）市場に公式デビューすると、特にバロック的表現や1700年代及び1900年代の歴史を探索する音楽やイタリアのミュージシャンへの関心から、直ちに注目を浴びました。地理的にはヨーロッパ中央部に根ざし、ミラノに本拠地を置くコンチェルトは、数多くの音楽家たちの才能と共に、当然この膨大な音楽的財産（全人類の文化遺産）を解釈し世界に普及させるために奉仕することを天職としました。これらの作品の共通点は年月を経ても変わることのない溢れる情熱、それがプロデューサーや解釈者を刺激し、偉大な傑作となって再現され、更に作品や作曲家の再発見へと繋がっています。作品の中に刻まれた喜びと情熱が伝わり、希望する者には誰にでも一種の音楽の「 C a ’ Z o j o s a 」となるよう願っています。（「Ca’Zojosa」とはヴィットリーノ・ダ・フェルトレが人類愛精神に基づいてイタリアのマントバで1400年に創設した知識と美と遊びが同等に配分された名高い学堂。）さらにコンチェルトは、美への理想を追求しています。それを反映した一例を挙げれば、表紙の独自性に配慮して、最もフィギュラティブなイタリア現代画家たちにそれを委ねています。そのほか、技術上の性能であれ芸術的な録音技術であれ、常に追求される完璧なテクニックは、この商標に確立されたものであり、素晴らしい研究を継続することで卓越性の改善に常に努めています。

6

Catálogo / カタログ

orchestra busoni di trieste

trio di parma

sir jeffrey tategabriele pieranunzi

orchestra haydndi trento e bolzano

roberto plano

o.p.v. orchestra di padova e del venetogiulio tampalini

quartetto d’archidella scala enrico pieranunzi

duo sollini - barbatano davide cabassi fabrizio maria carminati

The five sense of italian music

Novità

New releases

Nouveautés

Neuheiten

Novedades

Discográficas

9

KURT WEILL

Concert for Violin & Wind Orchestra Op. 12

Gabriele Pieranunzi, violin; Soloists of the San Carlo Theatre -

Naples, directed by Jeffrey Tate

1 CD CONCERTO 2071

MARIO CASTELNUOVO-TEDESCO

Guitar Concerto Op. 99, Quintet Op. 143, Romancero Gitano Op. 152Giulio Tampalini, guitar; Haydn Orchestra of Bolzano and Trento, String

quartet of Haydn Orchestra; Coro Polifonico Castelbarco of Avio, Luigi

Azzolini Conductor

1 CD CONCERTO 2072

SERGEJ RACHMANINOV

Piano works for 4 and 6 hands

Marco Sollini, Salvatore Barbatano and

François-Joël Thiollier, piano

1 CD CONCERTO 2073

STRONG EMOTIONS ON CLASSIC CONTEMPORARY GUITAR 2Marco Pereira - Ariel Ramírez - Julio César Sanders - Dilermando Reis - Antonio Lauro - Garoto (A. A. Sardinha) - Gentil Montaña - Giorgio Mirto - Jorge Cardoso Carlos Antonio Carrillo - José Rafael Cisneros - Máximo Diego Pujol - Marco Nodari - Manuel María Ponce - Heraclio Fernández - Fernando Bustamante

Giulio Tampalini, guitar

1 CD CONCERTO 2075

Marco Sollini - Salvatore BarbatanoFrançois-Joël Thiollier

Fantasie op.7 worldpremiereSix morceaux op.11

Romance in G majorItalian Polka

Pyotr I. Tchaikovsky: The Sleeping Beauty (transcribed by Sergej Rachmaninov)

Valse (for six hands)Romance (for six hands)

Sergej RachmaninovPiano works for four and six hands

10 n e w r e l e a s e s

20

1320

1320

1320

13

GIOACCHINO ROSSINI

Complete chamber music with piano

Piano duo: Sollini-Barbatano; Francesco Manara, violin; Massimo

Polidori, cello; Fabrizio Meloni, clarinet; Danilo Stagni, horn

1 CD CONCERTO 2076

ANTONÍN DVORÁK

Complete Piano Trios

Trio di Parma (Enrico Bronzi cello, Alberto Miodini piano, Ivan Rabaglia violin)

2 CD CONCERTO 2078-2

PIETRO MASCAGNI

Complete works for piano 2 and 4 hands

Marco Sollini, Salvatore Barbatano piano

1 CD CONCERTO 2080

GIOACHINO ROSSINI complete chamber music with piano

PIANO DUO SOLLINI - BARBATANOFrancesco Manara, violin Massimo Polidori, cello

Fabrizio Meloni, clarinet Danilo Stagni, horn

Orchestra Ferruccio Busoni, Direttore Massimo Belli

Roberto Plano, pianoforte

world premiere

Sinfonie in re maggiore

e in mi bemolle maggiore

Sonata per tastiera

in fa maggiore

Concerto per tastiera

e archi in fa maggiore

Concerto per

tastiera e strumenti

obbligati in

fa maggiore (Cadenza: W. A. Mozart)

Andrea Luchesi(Motta di Livenza, 1741 – Bonn, 1801)

Anniversary

150

Marco Sollini - Salvatore BarbatanoPiano

Pietro MascagniLivorno, 1863 - Roma, 1945

Contains: Intermezzofrom Cavalleria Rusticana

Piano works for2 and 4 hands(complete)

11n e w r e l e a s e s

20

1320

1320

1320

13

ANDREA LUCHESI

Symphonies in D Major, in E moll Major; Keyboard sonata in F Major; Concerto for keyboard and strumenti obbligati in F Major (Cadenza by W. A. Mozart)

Orchestra Ferruccio Busoni, Direttore Massimo BelliRoberto Plano, pianoforte

1 CD CONCERTO 2077

GIACOMO PUCCINI

Gianni Schicchi, Orchestra of the Theatre G. Donizetti of Bergamo;

Crisantemi, La Scala String Quartet

6 Piano works, Marco Sollini, piano

1 CD CONCERTO 2082

REYNALDO HAHN

Works for Piano

Cristina Ariagno, piano

4 CD Set + 1 DVD Concerto

Box 2015

NICOLA VACCAJ

16 Chamber arias for voice and piano

Monica Carletti, mezzosoprano

Marco Sollini, piano

1 CD CONCERTO 2084

TOSCANINI

Toscanini inedito, unreleased

Never before seen images and momentos

1 DVD CONCERTO 2074

12

20

1320

1320

1320

13

n e w r e l e a s e s

GIOVANNI BATTISTA PERGOLESI

Sonatas and Suites


1 CD CONCERTO 2083

ANDREA LUCHESI

Sinfonie inedite

Orchestra Ferruccio Busoni

Massimo Belli, Director

1 CD CONCERTO 2086

PIETRO MASCAGNI

Cantata to the joy (1882) for soli chorus and orchestra

Rosita Santi soprano; Michael Alfonsi tenor;

Massimiliano Fichera baritone; Stefano Rinaldi Miliani bass;

Andrea Trovato piano; Choir “Città di Firenze” Ennio Clari director

1 CD CONCERTO 2089

GIAN CARLO MENOTTI

The Telephone or l’amour à troisCinzia Forte, Marco Camastra, Fabrizio M. CarminatiTrio for violin, clarinet and pianoStefano Ferrario, violin; Stefano Ricci, clarinet; Marco Sollini, pianoPoemetti per Maria Rosa: 12 pieces for childrenMarco Sollini, piano

1 CD CONCERTO 2087

Giovanni Battista Pergolesi(Jesi 1710, Pozzuoli 1736)

Sonatas and Suites

World

premiere

Marco Sollini

Piano

G I A N C A R L O M E N O T T I Cadegliano, Viconago, 1911 - Monte Carlo, 2007

THE TELEPHONE

ou l’amour à trois

Cinzia Forte,

Marco Camastra

Fabrizio M.Carminati

TRIO

13

20

1420

1420

1420

14


14

MARCO NODARI

Chamber Music

1 CD CONCERTO 2088

C O N

T E M P O

R A R Y

Chamber Music

m ar co no dar i19692

014


15

MOZART, POULENCI Solisti Veneti, Claudio Scimone

Orchestra Sinfonica del Festival

Daniele Giulio Moles

Sollini, D’Atri, Barbatano: 3 pianos

The magic of live 01 - 2090

WAGNER, VERDI (RITTER, WILHELMJ, BAZZINI, SIVORI, MASCAGNI)

Francesco Manara, violin



RACHMANINOV SHOSTAKOVICH

Trio Tchaikovsky

Kostantin Bogino, piano

Pavel Vernikov, violin

Anatol Liebermann, cello


I Solisti Veneti, Claudio Scimone

Sollini - D’Atri - Barbatano, 3 pianos



Mozart Piano concertos K365, 242

PoulencPiano concerto FP61

C L A S S I C S

THE MAGIC OF

Live



Wagner, Verdi(Ritter, Wilhelmj,Bazzini, Sivori,Mascagni)

C L A S S I C S

THE MAGIC OF

Live

Trio Tchaikovsky




RachmaninovTrio élégiaque No. 2 in D minor Op. 9

ShostakovichTrio No. 2 in E minor Op. 67

C L A S S I C S

THE MAGIC OF

Live

20

1420

1420

14


Majestic lower! How purely beautifulThou art, as rising from thy bower of green,Those dark and glossy leaves so thick and full,Thou standest like a high-born forest queenAmong thy maidens clustering round so fair,—I love to watch thy sculptured form unfolding,And look into thy depths, to image thereA fairy cavern, and while thus beholding,And while thy breeze loats o’er thee, matchless lower,I breathe the perfume, delicate and strong,That comes like incense from thy petal-bower;My fancy roams those southern woods along,Beneath that glorious tree, where deep amongThe unsunned leaves thy large white lower-cups hung!

— Cristopher Pearse Cranch, Poem to the Magnolia Grandilora16

Musica antica

earl music

musique ancienne

alte musik

música antigua

17

Francesco Geminiani(Lucca, 1687 - Dublino, 1762)

6 Sonate di violoncello e basso continuo op.5

Enrico Bronzi, cello

Michele Barchi, harpsichord18

Recording:Castello S. Lorenzo de Picenardi(Cremona, Italy) July 19-20-21, 2010

1 CD CONCERTO 2061STEREO DDDBooklet E/Ibaroque instrument

1 Vinyl LP Concerto Limited Edition autographed by Enrico Bronzi

19

1 CD CONCERTO 2009STEREO DDD

Booklet E/I/F/D

world premiere

Jewish Baroque MusicAvraham Cáceres, C.G. Lidari, Salomone Rossi, Carlo Grossi

Ensemble Salomone Rossi(Caterina Trogu Roehrich, soprano; Renata Stefani, mezzosoprano;

Luigi Pagliarini, tenor; Davide Benetti, bass; Lydia Cevidalli and Elena Marazzi, violin;

Fabio Bellofiore e Eugenio Silvestri, viola; Claudio Frigerio, cello;

Simonetta Heger, harpsichord)

Recording: Church Oratory of S. Maria in Ravere

(Brescia)

1 CD CONCERTO 2020STEREO DDD24 bit remasteredBooklet E/I

world premiereperiod performance

SINFONIE NAPOLITANENicola Fiorenza (? -1764) - Niccolò Jommelli (1714-1774)

Pasquale Anfossi (1727-1797) - Niccolò Piccinni (1728-1800)

Pietro Guglielmi (1728-1804) - Antonio Sacchini (1730-1786)

Orchestra da Camera di Napoli

conducted by Enzo Amato20

21

Musical scholars unmask Mozart the Plagiarist Mozart plagiarised the music of an Italian contemporary for the last section of his great Requiem Mass at a time when he was dying, badly in debt and short of ideas, it was claimed yesterday. Two musicologists researching in the Naples Conservatoire archives said that they have discovered the manuscript of a symphony by the 18th-century composer Pasquale Anfossi, and immediately noted “an uncanny resemblance” to motifs in the Mozart Mass”.

(Richard Owen, The Times)

NAPLES CAPITAL OF MUSIC in the 18th century«To Naples! To Naples! From the South to the North of Italy, which was yet to be born, thou-gh recognizing in that city the capital of music. To Naples from Europe, to learn. That’s where instrumentalists, composers, signers, histoprians, and encyclopaedists want to go. That’s where they have to be. Even Leopold Mozart, strict tutor who never failed to offer his son the best opportunities, would take 14-year-old Wolfgang Amadeus to Naples. In the 18th century the theaters, both old and new - as the magnificent San Carlo - the celebrated four Conservatories, the Maestros teaching and composing there, make Naples a very important educational center. Its strong influence didn’t cease until the first decades of the next centu-ry. This glorious period was described with knowledge, culture and love by Benedetto Croce». Sandro Cappelletto

1 CD CONCERTO 2007STEREO DDDBooklet E/I/F/D


Carlo Broschi detto Farinelli(Andria, 1705 – Bologna, 1782)

Il Quaderno dell’ImperatriceArie per soprano di Farinelli dedicate a M. T. d’Austria

Arie: Son qual nave, Io sperai, Ogni dì più molesto, Non sperar, Quell’usignolo

Ensemble Isabella Leonarda conducted by Maurizio SchiavoAngelo Manzotti, sopranista

22

Recording:S. Albino Church, Pella (Orta Lake, Italy)August 11, 2007

23

1 CD CONCERTO 2010STEREO DDDBooklet E/I


Andrea Stefano Fioré(Milano, 1686 - Torino 1732)

Sinfonie da Chiesa ed Arie profane

Angelo Manzotti, sopranista

Ensemble Isabella Leonarda

Andrea Stefanofioré Milano, 1686 - Torino, 1732 worldpremiere

Angelo Manzotti


Sinfonie daChiesa ed Arie profane



Johann H. A. Hoffmann Giovanni Francesco Giuliani(? 1770, ? 1842) (? 1760, ? 1818)

Divertimento a mandolino violino e basso nr. 1, 2

Quartetto per mandolino violino e cello o viola e liuto nr. 1, 3

Ensemble Baschenis

Ensemble Baschenis

J.Hoffman& G.F.GiulianiDivertimenti e Quartetti per mandolino, violino e basso c.

the Violin & the Mandolin: Accomplices and Rivals

32 bit recording

24

The Violin &Accomplices

25



Johann H. A. Hoffmann Giovanni Francesco Giuliani (? 1770, ? 1842) (? 1760, ? 1818)

Divertimento a mandolino violino e basso nr. 3, 4

Quartetto per mandolino violino e cello o viola e liuto nr. 2, 4, 5, 6

Ensemble Baschenis

The Mandolin: and Rivals

1 CD CONCERTO 2044STEREO DDDBooklet E/I - Text inside


Giovanni Battista Bassani(Padova, 1647 o 1657 - Bergamo, 1716)

La tromba della divina Misericordia (1676)Oratorio per soli coro ed orchestra

Ensemble StilModerno

Ensemble Vocale Magnificat26

27

2 CD CONCERTO 2038-2Booklet E/I


Agostino Steffani(Castelfranco Veneto, 1654 - Frankfurt am Main, 1728)

Sonate da Camera a tre, due violini, alto e basso

Quartetto Erasmus

Isidoro Taccagni, harpsichord

L’albero della magnolia

Della dolce giornatadi primavera stancala magnolia apre in sogno le mani bianche.Nei raggi della lunariposa lo splendoredei iori.

— Wei-Li-Bo (translation: Andrea Danisi)

28

Clavicembalisti italiani

Italian harpsichordists

Clavecinistes italiens

Italienische Cembalisten

clavecín italiano

29

Pietro Domenico Paradisi, Sei sonate per gravicembalo e una Fantasia1 Cd Concerto 2003

Pietro Domenico Paradisi, Sonate per gravicembalo1 Cd Concerto 2025

Giovanni B. Platti, Complete sonatas vol. 11 Cd Concerto 2026




Domenico Alberti,

VIII Sonate per clavicembalo op. 1

1 Cd Concerto 2067

VARI, Folias Italianas

1 Cd Concerto 2058

Giovanni B. Platti, Complete sonatas

4 Cd Concerto in Box Set 2011

Pietro Domenico Paradisi,

Complete sonatas

2 Cd Concerto in Box Set 2008

Giovanni Battista Pescetti,

Sonatas for Harpsichord (London 1739)


C. MASCHERONIStrumenti storici a tastiera

31

2 CD CONCERTO 2062-2STEREO DDDBooklet E/I

world premierecomplete Recording:

Giovanni Battista PescettiVenezia, 1704 -1766

Sonate per Gravicembalo(London 1739)

Filippo Emanuele Ravizza,

Harpsichord Pascal Taskin 1769, copy


period performance

Folias italianasAnonymous Spanish, Girolamo Frescobaldi, Bernardo Storace,

Giovanni Maria Trabaci, Alessandro Scarlatti, Bernardo Pasquini

Ruggero Laganà, harpsicord32

33


world premiere

Domenico Alberti(Venezia ca. 1717 - Roma ca. 1740)


Filippo Emanuele Ravizza

Harpsichord Pascal Taskin 1769, copy

34

Giovanni Benedetto Platti nacque a Padova, o

dintorni, il 9 luglio del 1697, e morì a Würzburg

l’11 gennaio 1763. Fu importante e significativa

figura nel panorama musicale del XVIII secolo.

Allievo, a Venezia, di Francesco Gasparini, nel

1722 emigrò in Germania dove entrò a servizio

del principe vescovo di Würzburg Johann Philipp

Franz von Schönborn. Nel febbraio del 1723 sposò

la cantante Therese Maria Langsprücker, anch’ella

attiva nella Cappella vescovile, dalla quale ebbe

almeno otto figli alcuni dei quali seguirono le

orme del padre. Giovanni Benedetto trascorse

l’intera vita a Würzburg, distinguendosi per le sue

raffinate doti musicali e la sua abilità in qualità di

compositore, cantante, clavicembalista, violinista,

oboista, violoncellista, dedicando parte della

sua attività artistica anche all’insegnamento del

canto. Le Sonate per cembalo rivestono un ruolo di

primaria importanza rivelandosi opere di sentita e

profonda espressività. Tutta la produzione di Platti

mostra l’intento di ampliare gli orizzonti stilistici

dell’epoca, partendo da una matrice squisitamente

barocca per arrivare a toccare punte di classicismo.

Nell’offrire il suo significativo contributo alle linee

evolutive della sonata clavicembalistica, Platti ha

un suo preciso ruolo nella transizione dall’eredità

barocca, delineata da ardite costruzioni concettuali,

a quella pre-classica, connotata dall’essenzialità,

dalla precisione e “naturale” razionalità, al punto

da poter essere considerato uno tra i più significativi

maestri del “nuovo gusto”. Da aggiungersi che,

secondo alcuni studiosi, Platti può essere stato un

sostanziale punto di riferimento per le composizioni

tastieristiche giovanili di Joseph Haydn e di

Wolfgang Amadeus Mozart.

Giovanni Benedetto Platti was born in or near

Padua on July 9th 1697 and died in Würzburg

on January 11th, 1763. He was an important and

major participant in the musical world of the 18th

century. In Venice, he was a student of Francesco

Gasparini; in 1722 he emigrated to Germany where

he entered into the service of the prince and bishop

of Würzburg, Johann Philipp Franz von Schönborn.

In February 1723 he married the singer, Therese

Maria Langsprücker, also part of the bishop’s

choir (Cappella vescovile) and together they had

at least eight children, some of whom followed in

their father’s footsteps. Giovanni Benedetto spent

his whole life in Würzburg, and became known

for his refined musical talent and his ability as

a composer, singer, harpsichord player, violinist,

oboist, cellist and he even dedicated some of his

time and talent to teaching singing. The sonatas

for harpsichord are notable, showing profound

and heartfelt expressiveness. All of Platti’s work

demonstrates his intention to broaden the stylistic

horizon of the time, starting from a quintessential

Baroque foundation and evolving to touch in edge

of Classicism. In making a significant contribution

to the evolution of harpsichord sonatas, Platti

plays a particularly decisive role in the transition

from Baroque marked by daring conceptual

constructions, to Pre-classicism known for its

essentiality, precision and ‘natural’ rationality, so

much so as to be able to be considered one of the

most important maestros of the “nuovo gusto”. It

should be added that according to some scholars,

Platti may have been a major reference point for the

youthful keyboard compositions of Joseph Haydn

and of Wolfgang Amadeus Mozart.

Giovanni Platti I/E

35

F/D

Giovanni Benedetto Platti est né à Padoue, ou dans ses alentours, le 9 juillet 1697, et est mort le 11 janvier 1763 à Würzburg. Il a été un figure importante et représentative du panorama musical du XVIIIe siècle. élève de Francesco Gasparini à Venise, en 1722 il émigra en Allemagne où il entra au service du prince évêque de Würzburg, Johann Philipp Franz von Schönborn. En février 1723, il épousa la cantatrice Thérèse Maria Langsprücker, elle aussi membre permanent de la Chapelle épiscopale, avec laquelle il eut pas moins de huit enfants, dont certains suivirent les traces de leur père. Giovanni Benedetto passa toute sa vie à Würzburg, en se distinguant par ses dons musicaux raffinés et son habileté de compositeur, chanteur, claveciniste, violoniste, hautboïste, violoncelliste, et en consacrant également une partie de son activiteé artistique à l’enseignement du chant. Les Sonates pour clavecin ont un rôle de première importance, s’étant révélées des oeuvres d’une expressivité sincère et profonde. L’ensemble de la production de Platti démontre sa volonté d’élargir les horizons stylistiques de l’époque, en partant d’une origine délicieusement baroque pour arriver à toucher des pointes de classicisme. En offrant une contribution significative aux lignes évolutives de la sonate pour clavecin, Platti joue un rôle précis dans le passage de l’héritage baroque, que définissent des constructions conceptuelles hardies, au préclassique qui se distingue par son essentialité, par une précision et une rationalité «naturelle», au point de pouvoir être consideéré comme l’un des maîtres les plus représentatifs du “nouveau goût”. Il faut ajouter que, d’après certains spécialistes, Platti peut avoir représenté une référence importante pour les compositions pour clavier des jeunes Joseph Haydn et Wolfgang Amadeus Mozart.

Giovanni Benedetto Platti, der zu einem der bedeutendsten Schöpfer der Musikgeschichte des 18. Jahrhunderts zählt, kam am 9. Juli 1697 in Padua zur Welt. Er starb am 11. Januar 1763 in Würzburg, wo er bis zu seinem Tode für sein musikalisches Talent als Komponist, Sänger, Instrumentalist (Cembalo, Geige, Oboe, Cello) und Gesanglehrer geschätzt wurde. Nach der musikalischen Ausbildung bei Francesco Gasparini in Venedig gelangte Platti nach Deutschland, wo er in die Dienste von Johann Philipp Franz von Schönborn trat, dem Prinz- Erzbischof von Würzburg. Dort begann er das gemeinsame Leben mit der ebenfalls an der Hofkapelle tätigen Sängerin Therese Maria Langsprücker. Sie hatten 8 Kinder, von denen einige das musikalische Talent ihres Vaters erbten. Sein ganzes Werk richtet sich auf eine Erweiterung der stilistischen Horizonte seiner Zeit, indem es den Barockrahmen springt und bis hin zu klassischen Klangfarben gelangt. Fausto Torrefranca meint, dass Plattis Stil einen Wechsel zwischen den Polen Arcangelo Corelli und Antonio Vivaldi darstellt, wobei er durch den zweiten aufgrund der venezianischen Musikerziehung Plattis stark beeinflusst wird. Sein ganzes Werk richtet sich auf eine Erweiterung der stilistischen Horizonte seiner Zeit, indem es den Barockrahmen springt und bis hin zu klassischen Klangfarben gelangt. Mit seinem Beitrag zu den Entwicklungslinien der Cembalosonaten erfüllt Platti eine klare Rolle in dem übergang von dem durch gewagte Denkmodelle gekennzeichneten barocken Erbe zu dem vorklassischen, dessen Hauptelemente Wesentlichkeit, Präzision und „natürliche Rationalität“ sind. Platti wird demnach als einer der großen Meister des „neuen Stils“ und von einigen Musikforschern als wahrscheinlicher Bezugspunkt für Joseph Haydns und Mozarts Jugend-tastaturstücke betrachtet.

Also available in4 CD in Box Set 20111 CD CONCERTO 20261 CD CONCERTO 2030

STEREO DDDBooklet E/I


Giovanni Benedetto Platti(Padova, 1697 – Würzburg, 1763)

Complete Sonatas voll. 1, 2, 3, 4

36

37

1 CD CONCERTO 20311 CD CONCERTO 2032

STEREO DDDBooklet E/I


Filippo Emanuele Ravizza, harpsichord

Instrument: J. D. Dulcken 1742, copy

Also available in2 CD in Box Set 2008


period performance

Pietro Domenico Paradisi(Napoli, 1707 – Venezia, 1791)

Sonate per Gravicembalo, 1754 vol. 1

Filippo Emanuele Ravizza,

harpsichord38

39


period performance

Pietro Domenico Paradisi(Napoli, 1707 – Venezia, 1791)

Sonate per Gravicembalo, 1754, vol. 2

Filippo Emanuele Ravizza

harpsicord

40

Du schlank und rein wie eine lammeDu wie der morgen zart und licht Du blühend reis vom edlen stamme Du wie ein quell geheim und schlicht Begleitest mich auf sonnigen matten Umschauerst mich im abendrauch Erleuchtest meinen weg im schatten Du kühler wind du heisser hauch Du bist mein wunsch und mein gedankeIch atme dich mit jeder luft Ich schlürfe dich mit jedem tranke Ich küsse dich mit jedem duft Du blühend reis vom edlen stamme Du wie ein quell geheim und schlicht Du schlank und rein wie eine lamme Du wie der morgen zart und licht.

— Stefan George, Das neue Reich, 1928

Classicismo e romanticismo

the classical period and the romantic era

La période classique et le romantisme

die wiener klassik und die romantik

música clásica y música romántica

41


world premiere


Sinfonie in re maggiore e in mi bemolle maggiore, Sonata per tastiera in fa maggiore, Concerto per tastiera e archi in fa maggiore, Concerto per tastiera e strumenti obbligati in fa maggiore (Cadenza: W. A. Mozart)



world premiere



Sonata per tastiera

in fa maggiore



Concerto per


obbligati in



42

Recording:Fazioli Concert Hall in Sacile (Italy) February 4th and 5th, 2013.

new release

2 0 1 3

43

Orchestra Busoni


Roberto Plano, piano

Massimo Belli standing at the bottom of the table with Roberto Plano


world premiere

Andrea Luchesi(Motta di Livenza, 1741 - Bonn, 1801)

Piano Sonatas & Rondos

Roberto Plano, piano44

“This forgotten composer’s works are part of one of the biggest

mysteries of 18th century Italian and European music. It is a

fact: his music contains innovative elements both in terms of

technique and expressivity. One cannot help but wonder how a

composer of this level could be unknown to older and younger

musicians studying 18th century music. I do not think I am

the only one who hears a musical style in these Sonatas that

cannot be that of an immature composer or inexpert musician.

It is impossible not to hear elements that remind one of Mozart

and Haydn or that could easily be the precursor to the great

Beethoven”.

Roberto Plano

45


Booklet E/I - Text inside

world premièreperiod performance

Andrea Luchesi(Motta di Livenza, 1741 - Bonn, 1801)

Sinfonie inedite

The unpublished Symphonies



Alongside Salieri, Sarti, Sacchini, Galuppi, Traetta, Bertoni, Paisiello and Cimarosa,

Andrea Luchesi can take the place he deserves: that of a superlative, self-assured,

talented composer who was the harbinger of certain proposals that would be refined

in the second half of the 1700’s and early 1800’s in a mature Haydn and surpassed by

Beethoven’s artistic exuberance, and whose musical production from his youth has

been too little studied.

new release

2 0 1 4


Wolfgang Amadeus Mozart(Salisburgo, 1756 - Vienna, 1791)

Duets for violin & viola - KV423, 424, KV 563

Francesco Manara, violin; Simonide Braconi, viola; Massimo Polidori, cello

(First Parts of La Scala Orchestra)46


Gioacchino Rossini(Pesaro, 1792 – Parigi, 1868)


Piano duo: Sollini-Barbatano; Francesco Manara*, violin; Massimo Polidori*, cello;

Fabrizio Meloni*, clarinet; Danilo Stagni*, horn

*(First Parts of La Scala Orchestra)




47


world premiere

Recording:Villa Laura,Contrada S.Pietro, Fermo (Marche)

Nicola Vaccaj(Tolentino, 1790 – Pesaro, 1848)



Marco Sollini, piano48

new release

2 0 1 3

49


Giovanni Battista Pergolesi(Jesi 1710 – Pozzuoli 1736)

Sonatas and Suites



Sonatas and Suites

World

premiere

Marco Sollini

Piano

new release

2 0 1 4



Franz Joseph Haydn(Rohrau, 1732 – Vienna, 1809)

Sonatas for violin and fortepiano Hob XVa - XV 31, 32

Alberto Bologni, violin Santo Serafino 1734

Giuseppe Fausto Modugno, fortepiano Johann Schantz 181550

51


world premiere

Wolfgang Amadeus Mozart Muzio Clementi (Salisburgo, 1756 - Vienna, 1791) (Roma, 1752 – Evesham, 1832)

Sinfonie KV 550, 551, Transcribed for piano, cello, viola and flute

Davide Cabassi, piano; Gisella Curtolo, violin;

Lucio Labella Danzi, cello; Luigi Lupo, flute

Recording:Conservatorio Monteverdi in Bolzano

October 21-22, 2010

1 CD CONCERTO 2004STEREO DDDBooklet E/I/D

world premiere

Giovanni Bottesini(Crema, 1821 - Parma, 1889)

Mélodie (Romanza patetica , Introduzione e Bolero, Elegia in re e

Tarantella, Grande Allegro alla Mendelssohn, Fantasia sulla Sonnanbula

di Bellini, Introduzione Tema e Variazioni sul Carnevale di Venezia

Francesco Siragusa, double bass

Roberto Paruzzo, piano52

Works forand

53


Giovanni Bottesini(Crema, 1821 - Parma, 1889)

Fantasia sulla “Lucia di Lammermoor” di Donizetti, Fantasia sulla “Beatrice

di Tenda” di Bellini, “Nel cor più non mi sento”, tema e variazioni sull’aria

di Paisiello op.23, Romanza drammatica (Elegia) op.20, Introduzione e

Gavotta, Capriccio di bravura, Rêverie, Allegretto-Capriccio, Melodia

Francesco Siragusa, double bass

Roberto Paruzzo, piano

double-bass piano


Cherubini Beethoven(Firenze, 1760 – Parigi, 1842) (Bonn , 1770 – Vienna, 1827)

Capriccio Klaviersonaten Op. 27, Nr. 1, 2

Quasi una fantasia

Davide Cabassi, piano54

DAVIDE CABASSI, PIANO

Quasi una Fantasia Almost a Fantasy IM MONDSCHEIN

CHERUBINIBEETHOVENCapriccio Klaviersonaten Op. 27 Nr.1, 2

55

Trio di Parma

Ivan Rabaglia, violin

Roberto Miodini, piano



Robert Schumann(Zwickau, 1810 – Bonn, 1856)

Trios no. 1 Op. 63, no. 2 Op. 80, no. 3 Op. 110; Phantasiestücke Op. 88

R. Schumann - T. Kirchner: 6 Stücke in kanonischer Form Op. 56

Trio di Parma

COMPLETE

t r i o d i p a r m a

RobeRt Schumannpiano tRioS op. 63, 80, 1102

C

D

Phantasiestücke Op. 88

R. Schumann - T. Kirchner: 6 Stücke in kanonischer Form - Op. 56

56

Live Recording:24th/25that Teatro Valli (Reggio Emilia, Italy)November 2010

57


Franz Liszt(Raiding, 1811 – Bayreuth, 1886)

Rhapsodie hongroise n. 9 “Le Carnaval de Pest”; Tristia - La vallée d’ Obermann; Orphée; Gran Duo concertante;

Epithalam; Die Zelle in Nonnenwerth; Romance oubliée; La Lugubre Gondola

Trio di Parma


franz li z tLe carnaval de Pesth

Vallée d’Obermann

Orphée

Ivan Rabaglia Roberto Miodini Enrico BronziIvan Rabaglia Roberto Miodini Enrico Bronzi

Recording:at Villa Spinola Banna

(Poirino, Asti, Italy), June 2011


Antonín Dvorák(Nelahozeves, 1841 – Praga, 1904)

Piano Trios

Trio di Parma58

Recording:Villa Spinola Banna (Poirino, Asti, Italy)January 25 – 26 – 27 – 28, 2013

new release

2 0 1 3

59

Piano Trios

Recording: Program :

(Total time: 138’39’’)

CD 1

Piano Trio No. 1 in B flat Major, Op. 21

Allegro molto

Adagio molto e mesto

Allegretto scherzando

Finale. Allegro vivace

Piano Trio No. 2 in G Minor, Op. 26

Allegro moderato

Largo

Scherzo. Presto

Finale. Allegro non tanto

CD2

Piano Trio No. 3 in F Minor, Op. 65

Allegro, ma non troppo

Allegretto grazioso

Poco adagio

Finale. Allegro con brio

Piano Trio No. 4 in E Minor, Op. 90 “Dumky”

Lento maestoso

Poco adagio

Andante

Andante moderato

Allegro

Lento maestoso

60

La nuit splendide et bleue...

La nuit splendide et bleue est un paon étoilé Aux milliers d’yeux brillants comme des étincelles, Qui fait la roue et marche, ou vole et bat des ailesDevant ton trône, Allah, à nos regards voilé.

— Jean Lahor, pseudonym de Henri Cazalis, Les Quatrains d’Al-Ghazali, 1896

61

novecento storico

e musica contemporanea

20th century

and contemporary

le XX° siècle et la mUsique

contemporaine

die neue musick

(20. und 21. jahrhundert)

Música moderna

y contemporànea


Kurt Weill(March 2, 1900 – April 3, 1950)

Concerto for violin & wind orchestra Op. 12

Gabriele Pieranunzi, violin

Soloists of The San Carlo Theatre - Naples

directed by Jeffrey Tate62

new release

2 0 1 3

Live Recording:Teatro San Carlo, Napoli

63

Darius Milhaud - Suite Op. 157B

Igor Stravinsky - Histoire du Soldat. Suite.

Enrico e Gabriele Pieranunzi, piano and violin

Alessandro Carbonare, clarinet63

4 CD Set + 1 DVD Concerto BOX 2015 STEREO DDDBooklet E/I

world premiere

Reynaldo Hahn(Caracas, 1874 – Parigi, 1947)

Works for Piano solo

Cristina Ariagno, piano64

Recording:Auditorium Fazioli, Sacile (Pordenone - Italy) October 2009 – April 2011

new release

2 0 1 3


world premiere

Mario Castelnuovo-Tedesco(Firenze, 1895 - Beverly Hills, 1968)

Guitar Concerto Op. 99, Quintet Op. 143, Romancero Gitano Op. 152

Giulio Tampalini, guitarHaydn Orchestra of Bolzano and Trento, String quartet of Haydn Orchestra, Coro Polifonico Castelbarco of Avio, Luigi Azzolini conductor

66

Recording:Auditorium of Bolzano and Palazzo Venturi of Avio (Trento) 13th/14th October 2011

67

Guitar Concerto No. 1 in D major, Op. 99 Allegretto

Andantino - alla romanza Ritmico e cavalleresco

Guitar Quintet, for guitar and string quartet, Op. 143 Allegro, vivo e schietto

Andante mesto Scherzo - Allegro con spirito, alla Marcia

Finale - Allegro con fuoco

Romancero Gitano, for mixed choir and guitar, Op. 152 (on poems by Federico García Lorca)

Baladilla de los tres rios La guitarra

Puñal’ Procesión (Procesión, Paso, Saeta)

Memento’ Baile

Crótalo

68


world premiereanniversary 150

Recording:Church of San Marco, Ponzano di Fermo (Marche)June 13 – 14 – 15, 2013

Pietro Mascagni(Livorno, 1863 - Roma, 1945)


Marco Sollini, Salvatore Barbatano, piano

Anniversary

150





new release

2 0 1 3

69


world premiereanniversary 150

Pietro Mascagni(Livorno, 1863 - Roma, 1945)

Cantata to the joy (1882) for soli chorus and piano(based on Schiller’s original poem)

Rosita Santi, soprano; Michael Alfonsi, tenor; Massimiliano Fichera, baritone; Stefano Rinaldi Miliani, bass;

Andrea Trovato, piano; Choir Città di Firenze; Ennio Clari, director

new release

2 0 1 4

Recording: Empoli, Santo Stefano Church

December, 4th, 5th 2013

70


Giacomo Puccini(Lucca 1858 – Bruxelles 1924)

Gianni Schicchi (live recording) Orchestra of the Theatre G. Donizetti of Bergamo,

directed by Fabrizio Maria Carminati


6 Piano works, Marco Sollini

new release

2 0 1 3

71

Sergej Rachmaninov(Velikij Novgorod 1873 – Beverly Hills 1943)

Piano works for 4 and 6 handsFantasie op.7 worldpremiere, Six morceaux op.11, Romance in G major, Italian

Polka, P. I. Tchaikovsky: The Sleeping Beauty (transcribed by S. Rachmaninov), Valse (for six hands) Romance (for six hands)

Marco Sollini, Salvatore Barbatano and François-Joël Thiollier, piano


world premiere

1 CD CONCERTO 2005STEREO DDDBooklet E/I/F/D

world premiere

Allegro DanzanteNino Rota, Allegro danzante (1977), Sonata in re(1945); Ennio Morricone,Ipotesi (2000); Raffaele Cacciola, Storie (2008); Michele Dall’Ongaro,Errata corrige (1998); Ferruccio Busoni, Elegie (1920); Mario Castelnuovo-Tedesco, Sonata op. 128 (1945); Vittorio Fellegara,Wiegenlied Volkslied con varianti (1981)

Rocco Parisi, clarinet; Gabriele Rota, piano72

73


Nino Rota(Milano, 1911 – Roma, 1979)

Concerto per violoncello N. 2 (1973), Concerto per archi (1977)

Trio per clarinetto, cello e piano (1973)

I Musici di Parma

Enrico Bronzi, cello and direction, Alessandro Carbonare, clarinet


world premiere

Astor Piazzolla Máximo Diego Pujol

Las Cuatro Estaciones Porteñas (1964-70) Double Concerto

Double Concerto “Hommage à Liège” (1985) “Luminosa Buenos Aires” (2009)

I Musici di Parma

Giampaolo Bandini, guitar; Cesare Chiacchiaretta, bandoneon74

Recording:Casa della Musica Parma (Italy) March 27, 2009

75


Ignacio Cervantes(L’Avana, 1847 – 1905)

Danzas cubanas (complete)

Davide Cabassi, piano

Ignacio

Cervantes Danzas cubanas (complete)Davide Cabassi piano

FIRST CD RECORDING


Ildebrando Pizzetti(Parma, 1880 - Roma, 1986)

Trio in La per violino, cello, pianoforte (1925), Piano Trio in A (1925), Tre Canti (1924), Aria a Mario Corti (1906), Colloquio (1948)Aria - Augurio nuziale (1960), Arietta (1923)

Trio di Parma76

77


Ildebrando Pizzetti (Parma, 1880 - Roma, 1986)

Sonata in la per violino e pianoforte, violin sonata in A

Sonata in fa per pianoforte e violoncello, cello sonata in F

Trio di Parma


Ottorino Respighi(Bologna, 1879 – Roma, 1936)

Quartetto Dorico, violin Sonata in B minor

Six Pieces for violin and piano

Quartetto della Scala

Claudio Voghera, piano7878

Quartetto della Scala

Simonide Braconi, viola

Pierangelo Negri, violin


Massimo Polidori, cello

79

80

Beauty is truth, truth beauty, - that is allYe know on Earth, and all ye need to know.

— John Keats, Ode on a Grecian Urn.

Spirit of Beauty, that dost consecrateWith thine own hues all thou dost shine uponOf human thought or form, – where are thou gone?Why dost thou pass away and leave our state,This dim vast vale of tears, vacant and desolate?

— Percy Bysshe Shelley, Hymn to Intellectual Beauty.

81

Opera


Giancarlo Menotti(Cadegliano, 1911 - Monte-Carlo, 2007)

The Telephone ou l’amour à troisCinzia Forte, Marco Camastra, Fabrizio Maria Carminati

Trio for violin, clarinet and piano (1996)Stefano Ferrario, violin; Stefano Ricci, clarinet; Marco Sollini, piano

Poemetti per Maria Rosa: 12 pieces for childrenMarco Sollini, piano


THE TELEPHONE


Cinzia Forte,

Marco Camastra


TRIO

82

new release

2 0 1 4

83

3 CD CONCERTO 2042/3Booklet E

period performance

George Frideric Handel(Halle, 23 febbraio 1685 – Londra, 14 aprile 1759)

Giulio Cesare in Egitto

Giulio Cesare, Angelo Manzotti, sopranista; Cleopatra, Alexandra Zabala, soprano; Tolomeo, Angelo Galeano, contraltista; Cornelia, Paola PIttaluga, contralto; Sesto,

Patrizia Bozzo, soprano; Achilla, Riccardo Ristori, bassoNireno, Angelo Bonazzoli, contraltista; Curio, Guido Ripoli, baritono

Orchestra e Coro Il Concento Ecclesiastico; Direttore Luca Franco Ferrari

Live Recording: Chiesa di Santa Maria della Neve

Savona (Italy)July 30, 2006

3 CD CONCERTO 2039/3STEREO DDD32 bit remasteringBooklet E/I - Text inside

completeworld premiere

Agostino Steffani(Castelfranco, 1655 – Francoforte sul Meno, 1728)

Alarico, il Baltha, cioè l’Audace, Rè de GothiScarlatti Camera EnsembleStefania Maiardi, ALARICO - mezzosoprano, Maria Carla Curìa, SABINA - soprano, Lee Ji-Young, HONORIO- mezzosoprano, Luca Casagrande, PISONE - baritono/baritone, Loretta Liberato, SEMIAMIRA - contralto, Won Mi-Jung Capilupi, PLACIDIA - soprano, Guerino Pelaccia, STILICONE tenore/tenor, Marco Democratico, LIDORO - basso/bass

84

85


Live Recording:

Donizetti(Bergamo, 1797 - Bergamo, 1848)

I Pazzi per Progetto

Orchestra Sinfonica “Gaetano Donizetti” di Bergamo;

direttore Fabrizio Maria Carminati

Enzo Dara, Cinzia Rizzone, Annarita Gemmabella, Giovanni Guerini,

Enzo di Matteo, Alessandro Battiato, Andrea Porta

86

鴬にゆめさまされし朝げかな

Ryokan

A nightingale’s songBrings me out of a dream:The morning glows.

(Translation by: John Stevens)

87

DVD

88

1 DVD CONCERTO -2074

Toscanini(Parma 1867 - New York 1957)

Toscanini Inedito, unreleased

Never before seen images and mementos

89

DVD TOSCANINI UNRELEASED

NEVER BEFORE SEEN

IMAGES AND MEMENTOS

INTERVIEWS WITH:Emanuela di Castelbarco (granddaughter)Walfredo Toscanini (grandson)Anne Rogosin (soprano)Furtwängler’s wifeIris and Guido CantelliLuciana Magrini(friend of the family)Harvey Sachs and Erich Singer (historians)Jeremy Geffen (artistic director of Carnegie Hall)

PRODUCTION: © RSI Radiotelevisione Svizzera

A portrait of an incredible man, one who had a

phenomenal life, many virtues and a few vices. But

the documentary also portrays a Toscanini full of

contradictions, shy and unhappy, who always strived for

perfection in music.

9191

per le 6 corde

for the 6 strings

puor les 6 cordes

Für die 6 Saiten

a 6 cuerdas

92


prix Narciso Yepes - prix De Bonis - prix Fernando Sor

Prix Int. Comp. Roma - Prix Pittaluga - Prix Andrès Segovia

Discografia, Discography, Diskographie, Discographie

• Francisco Tárrega, Complete Works for Guitar - 2 CD CONCERTO 2001/2

• Joachín Rodrigo, Concierto de Aranjuez and other Guitar Masterworks - 1 CD CONCERTO 2028

• Mauro Giuliani, Rossiniane opp. 119-124 - 2 CD CONCERTO 2034/2

• Autori Vari - Various Authors, Strong Emotions on

Contemporary Classic Guitar - 1 CD CONCERTO 2055

• Autori Vari - Various authors

Strong emotions on Classic Contemporary Guitar 2: going south - 1 CD CONCERTO 2075

Coming next: Julian Arcas

93

2 CD CONCERTO 2001/2STEREO DDDBooklet E/I

Francisco Tárrega(Villarreal, 1852 – Barcellona, 1909)

Complete works for guitar



world premiere

Strong Emotions on classic Contemporary Guitar

Ralph Towner - Giorgio Signorile - Carlo Domeniconi - Maurizio ColonnaAstor Piazzolla - Stanley Myers - Nikola Starcevic - Jorge Morel - Roberto Fabbri Maurizio Colonna - Ralph Towner - Paulo Bellinati - Andrew York Paolo Ugoletti - Raffaele Cacciola

Giulio Tampalini, guitar94

95


Booklet E/I/S

Strong Emotions on Classic Contemporary Guitar 2

Marco Pereira - Ariel Ramírez - Julio César Sanders - Dilermando Reis - Antonio

Lauro - Garoto (A. A. Sardinha) - Gentil Montaña - Giorgio Mirto - Jorge Cardoso

Carlos Antonio Carrillo - José Rafael Cisneros - Máximo Diego Pujol - Marco Nodari

- Manuel María Ponce - Heraclio Fernández - Fernando Bustamante


96

Ιωνικόν

Γιατί τα σπάσαµε τ’ αγάλµατά των,

γιατί τους διώξαµεν απ’ τους ναούς των,

διόλου δεν πέθαναν γι’ αυτό οι θεοί.

Ω γη της Ιωνίας, σένα αγαπούν ακόµη,

σένα η ψυχές των ενθυµούνται ακόµη.

Σαν ξηµερώνει επάνω σου πρωί αυγουστιάτικο

την ατµοσφαίρα σου περνά σφρίγος απ’ την ζωή των·

και κάποτ’ αιθερία εφηβική µορφή,

αόριστη, µε διάβα γρήγορο,

επάνω από τους λόφους σου περνά.

— Κωνσταντίνος Καβάφης

97

Recitals


Berceuses

Couperin, Schumann, Henselt, Chopin, Alkan, Listz, Raff, Brahms,

Cjakovskij, Greig, Ljapnov, Balakirev, Casella, Busoni, Sibelius,

Debussy, Messiaen

Alfonso Alberti, piano98

99


Booklet E/I/D/F

world premiere

Frédéric François Chopin Claude-Achille Debussy (Zelazowa Wola, 1810 – Parigi, 1849) (Saint-Germain-en-Laye, 1862 – Parigi, 1918)

Azio Corghi (Cirié, 1937)

Cello sonatas

Silvia Chiesa, cello; Maurizio Baglini, piano

Recording:Fazioli Concert Hall in Sacile (Italy)

The magic of livebest live recordings from classical music festivals

100

THE MAGIC OF

Live

best live recordings from classical music festivals

101


W.A. Mozart F. Poulenc (Salzburg, 1756 - Wienn, 1791) (Paris, 1899 - 1963)

Concerto for two pianos K 365 Concerto for two pianos FP 61 Concerto for three pianos K 242


Orchestra Sinfonica del Festival, Daniele Giulio Moles

Marco Sollini, Gloria D’Atri, Salvatore Barbatano; pianos







C L A S S I C S

THE MAGIC OF

Live

Recordings:Fermo, Chiesa di San Domenico

July, 6th 2013

Fermo, Teatro dell’AquilaJuly, 11th 2009

Festival Armonie della sera, Marche, Italynew release

2 0 1 4

102


Wagner, VerdiAlexander Ritter (1833-1896): Isolde Liebestod

August Wilhelmj (1845-1908): Paraphrase from Siegfried

Antonio Bazzini (1818-1897): Fantasia sulla Traviata op. 50

Ernesto Camillo Sivori (1815-1894): Fantasia sul Trovatore op. 20

Pietro Mascagni (1863-1945): Ave Maria (Intermezzo from Cavalleria Rusticana)

Francesco Manara, violin; Marco Sollini, piano




C L A S S I C S

THE MAGIC OF

Live

Live Recording:Ascoli Piceno, Pinacoteca CivicaJuly, 15th 2013

new release

2 0 1 4

103


Sergej Rachmaninov Dmitrij Shostakovich (Velikij, Novgorod 1873 - Beverly Hills 1943) (Saint Petersburg 1906 - Moscov 1975)

Trio élégiaque No. 2 in D minor Op. 9

Trio No. 2 in E minor Op. 67

Trio Tchaikovsky

Kostantin Bogino, piano; Pavel Vernikov, violin; Anatol Liebermann, cello

Trio Tchaikovsky






C L A S S I C S

THE MAGIC OF

Live

Live Recording:Ponzano di Fermo,

Chiesa di San MarcoJuly 31st, 2007

new release

2 0 1 4

104

scores

105

Giovanni Battista Sammartini(Milano, 1700 - 1775)

Otto Sonate a Tre per due Violini e b.c.Eight Trio Sonatas

for two Violins and Basso continuo

Edited by Filippo Ravizza

Musicmedia 3001

bar-code 9788889034002

Nicola Vaccaj(Tolentino, 1790 - Pesaro 1848)

16 Chamber Arias16 Arie da Camera per canto e piano

Edited by Paolo Santarelli e Emiliano Borelli

Musicmedia 3002

bar-code 8012665010005

Marco Nodari(Brescia 1969)

Tiliguerta for guitar

Musicmedia 3003

bar-code 8012665010012

Giovanni Battista SammartiniMilano, 1700 - 1775

Otto Sonate a Tre per due Violini e b.c.

Eight Trio Sonatas for two Violins and Basso continuo

Edited by Filippo RavizzaRevisione a cura di Filippo Ravizza

16 Chamber Arias

16 Arie da Camera per canto e piano

Tolentino, 1790 – Pesaro, 1848Nicola Vaccaj

Edited by Paolo Santarelli and Emiliano BorrelliRevisione a cura di Paolo Santarelli ed Emiliano Borrelli

Tilguerta(2011)

for guitarper chitarra

1969Marco Nodari

JOHANNSEBASTIAN BACH

Complete Works for organ

Alessio Corti, organoTamburini organs prefaced by: Alberto Basso

17 CD 2000

FRANCISCO TARREGA

Complete Works for solo guitar


2 CD 2001/2

PIETRO DOMENICO PARADISI

Sei sonate per Cravicembaloe una fantasia (1754) vol. 1

Filippo Ravizza, harpsichord

1 CD 2003

GIOVANNI BOTTESINI

Works for double-bass (vol. 1)

Francesco Siragusa, double-bassRoberto Paruzzo, piano

1 CD 2004

106 i n d e x

ALLEGRO DANZANTEONE CENTURY OF ITALIAN MUSIC

(Rota, Morricone, Busoni, Castelnuovo-Tedesco, Dall’Ongaro, Cacciola, Fellegara)

Rocco Parisi, clarinetGabriele Rota, piano

1 CD 2005

JOHANN SEBASTIAN BACH

Organ Concertos after Vivaldi

Alessio Corti, organ

1 CD 2006

FARINELLI

Il Quaderno dell’Imperatrice

Angelo Manzotti, sopranist

Ensemble Isabella Leonarda Dir. Maurizio Schiavo

1 CD 2007

JEWISH

BAROQUE MUSIC(A.Cáceres, C.G.Lidarti,S.Rossi, C.Grossi)

Ensemble Salomone Rossi

1 CD 2009

107b a c k c at a l o g u e

ANDREASTEFANO FIORÉ

Sinfonie da Chiesa & Arie profane

Angelo Manzotti, sopranistEnsemble Isabella Leonarda

1 CD 2010

ERA DI MAGGIOItalian Music of the16th and 17th century

Ensemble del Riccio(Marco Beasley, Luca Bonvini, Ottavio Dantone, Giorgio Ferraris, Enzo Giroso, Gianni Rivolta)

1 CD 2017

SINFONIE NAPOLITANE

Fiorenza, Jommelli, Anfossi,

Piccinni, Guglielmi, Sacchini.

Orch. da Camera di Napoli, Dir. Enzo Amato

1 CD 2020

GAETANO DONIZETTI

I Pazzi per Progetto

Orchestra Sinfonica G.Donizetti,

Dir. Fabrizio Maria Carminati

1 CD 2022

Andrea Stefanofioré Milano, 1686 - Torino, 1732 worldpremiere

Angelo Manzotti


Sinfonie daChiesa ed Arie profane

108 i n d e x

WOLFGANG AMADEUS MOZART

Divertimenti & Notturni(K 439b I - V, K 346, 436, 437, 438, 439, 549, K. 94, K411)

Quartetto Martesana,Antony Pay, Marinella Pennicchi, Gloria Banditelli, Sergio Foresti

2 CD 2023/2


Organ works

Alessio Corti, organTamburini Organs

1 CD 2024


Sonate di Gravicembalo (1754) vol. 2


1 CD 2025

GIOVANNI BENEDETTO PLATTI

Sonatas for Harpsichord vol. 1


1 CD 2026


BERCEUSESCouperin, Schumann, Henselt, Chopin, Alkan, Liszt,

Raff, Brahms, Cjakovskij, Grieg, Ljapnov, Balakirev, Casella,

Busoni, Sibelius, Debussy, Messiaen.

Alfonso Alberti, piano

1 CD 2027

JOAQUÍN RODRIGO Concierto de Aranjuez(Tres piezas españolas, Invocacion y danza, Sonata giocosa, En los trigales,

Tiento antiguo, Junto al Generalife)

Orchestra del Festival, A.B. Michelangeli, Dir. Pier Carlo Orizio,


1 CD 2028




1 CD 2030




1 CD 2031

110 i n d e x




1 CD 2032

MAURO GIULIANI

Rossiniane (complete) Variazioni Op. 45 e 107,Grand Overture Op. 61


2 CD 2034/2

CHOPIN, DEBUSSY, CORGHI

Cello Sonatas

Silvia Chiesa, celloMaurizio Baglini, piano

1 CD 2035

G.F.GIULIANI, J.H.A. HOFFMANN

Divertimenti a Mandolino, Violino e Basso n. 3, 4Quartetti per Mandolino, Violino, Cello o Viola e Liuto n. 2, 4, 6.

Ensemble Baschenis

1 CD 2036

Ensemble Baschenis

J.Hoffman& G.F.GiulianiDivertimenti e Quartetti per mandolino, violino e basso c.

the Violin & the Mandolin: Accomplices and Rivals

32 bit recording


AGOSTINO STEFFANI

Sonate da camera a tre, due violini, alto e basso

Quartetto Erasmus

Isidoro Taccagni, harpsichord

2 CD 2038/2

AGOSTINO STEFFANI

Alarico Il Baltha, cioé l’Audace, Re de Gothi

Scarlatti Camera Ensemble

Luca Casagrande

3 CD 2039/3

GEORGE FRIDERIC HANDEL

Giulio Cesare in Egitto

Angelo Manzotti, Alexandra ZabalaIl Concento EcclesiasticoDir. Luca F. Ferrari

3 CD 2042/3

NINO ROTA

Concerto per cello n. 2, Concerto per archi,Trio per clarinetto, cello e piano

I Musici di ParmaEnrico Bronzi, cello; Alessandro Carbonare, clarinet; Alberto Miodini, piano

1 CD 2043

112 i n d e x

GIOVANNI BATTISTA BASSANI

La Tromba della DivinaMisericordia (1676) - Oratorio

A.Bessi, E.Carzaniga, P.Borgonovo, G.Buratto, Ensemble StilModerno,Ensemble Vocale Magnificat

1 CD 2044

FRANZ JOSEPH HAYDN

Sonatas for violin and Fortepiano - Hob XVa - XV 31, 32

Alberto Bologni, violin (Santo Serafino, 1734)

Giuseppe Fausto Modugno, fortepiano (J. Schantz 1815)

1 CD 2048

GIOVANNI BOTTESINI

Works for double-bass and piano (vol. 2)

Francesco Siragusa, double-bass

Roberto Paruzzo, piano

1 CD 2051

LUMINOSA BUENOS AIRESAstor Piazzolla (Las Estaciones Porteñas, Double Concerto Hommage à Liège), Màximo Diego Pujol (Double Concerto Luminosa Buenos Aires)

I Musici di Parma.

Giampaolo Bandini, guitar, Cesare Chiacchiaretta, bandoneon

1 CD 2052



Duetti e Trii (KV 423, 424, 563)

Massimo Polidori, celloFrancesco Manara, violinSimonide Braconi, viola.

1 CD 2053

IGNACIO CERVANTES

Danzas cubanas (complete)


1 CD 2054

STRONG EMOTIONS

ON CONTEMPORARY CLASSIC GUITAR

Various authors:

Works by:


1 CD 2055

ILDEBRANDO PIZZETTITrio in La per violino, cello, pianoforte (1925); Piano Trio in A (1925) Tre Canti (1924); Aria a Mario Corti (1906) / Colloquio (1948); Aria - Augurio nuziale (1960) / Arietta (1923)

Trio di Parma

(Enrico Bronzi cello, Alberto Miodini piano, Ivan Rabaglia violin)

1 CD 2056

Ignacio

Cervantes Danzas cubanas (complete)Davide Cabassi piano

FIRST CD RECORDING

114 i n d e x

ILDEBRANDO PIZZETTI

Sonata in La per violino e pianoforteViolin sonata in ASonata in Fa per pianoforte e violoncelloCello sonata in FTrio di Parma (Enrico Bronzi cello, Alberto Miodini piano, Ivan Rabaglia violin)1 CD 2057

LA FOLLIA DI SPAGNA(Anonimi Spagnoli, G.Frescobaldi, G.Storace, G.M.Trabaci, A.Scarlatti,

B.Pasquini)

Ruggero Laganà, harpsichord

1 CD 2058

G. F. GIULIANI, J. H. A. HOFFMANN

Divertimenti a Mandolino, Violino e Basso n. 3, 4Quartetti per Mandolino, Violino, Cello o Viola e Liuto n. 2, 4, 6.

Ensemble Baschenis

1 CD 2059

OTTORINO RESPIGHIQuartetto DoricoViolin Sonata in B minorSix Pieces for violin and piano

Quartetto della ScalaClaudio Voghera, piano

1 CD 2060


GIOVANNI BATTISTA PESCETTI

Sonate per Gravicembalo(London 1739)

F.E. Ravizza, harpsichord

2 CD 2062/2

FRANCESCO GEMINIANI

Sei Sonate di Violoncello e b.c. op. 5


Michele Barchi, harpsichord

1 CD 2061

MUZIO CLEMENTI - W.A. MOZARTSinfonie KV. 550, 551 Transcribed for piano, cello, violin and flute.

Davide Cabassi, pianoGisella Curtolo, violinLucio Labella Danzi, celloLuigi Lupo, flute

1 CD 2063

CHERUBINI, BEETHOVEN

Al chiaro di luna - Im MondscheinCapriccio, Klaviersonaten Op. 27 - Nr. 1,2


1 CD 2064

116 i n d e x

DAVIDE CABASSI, PIANO

Quasi una Fantasia Almost a Fantasy IM MONDSCHEIN

CHERUBINIBEETHOVENCapriccio Klaviersonaten Op. 27 Nr.1, 2

ROBERT SCHUMANN

Piano Trios Op. 63, 80, 110Phantasiestücke Op. 88Stücke in kanonischer Form Op. 56


2 CD 2065/2

FRANZ LISZT

Rapsodie hongroise IX -Le carnaval de Pest - Tristia -La vallée d’Obermann - Orphée - Poème symphonique No.4 -Grand Duo concertant - Epithalam -La lugubre gondola - Die Zelle in Nonnenwerth

Trio di Parma (Enrico Bronzi cello, Alberto Miodini piano, Ivan Rabaglia violin)1 CD 2066

DOMENICO ALBERTI


Filippo Emanuele Ravizza, harpsichord

1 CD 2067

GIANCARLO MENOTTIThe Telephone ou l’amour à troisCinzia Forte, Marco Camastra, Fabrizio Maria Carminati Trio for violin, clarinet and piano (1996)Stefano Ferrario, violin; Stefano Ricci, clarinet; Marco Sollini, pianoPoemetti per Maria Rosa: 12 pieces for childrenMarco Sollini, piano

1 CD 2087


franz li z tLe carnaval de Pesth

Vallée d’Obermann

Orphée

Ivan Rabaglia Roberto Miodini Enrico BronziIvan Rabaglia Roberto Miodini Enrico Bronzi


THE TELEPHONE


Cinzia Forte,

Marco Camastra


TRIO

117

COMPLETE


RobeRt Schumannpiano tRioS op. 63, 80, 1102

C

D

Phantasiestücke Op. 88

R. Schumann - T. Kirchner: 6 Stücke in kanonischer Form - Op. 56

b a c k c at a l o g u e

J. HOFFMANN & G.F. GIULIANI

The Violin & the Mandolin:Accomplices and Rivals

Ensemble Baschenis

2 CD BOX 2013


Sonate di Gravicembalo


2 CD BOX 2008


Sonatas for harpsichord


4 CD BOX 2011

GIOVANNI BOTTESINI

Works for double-bass and piano

Francesco Siragusa, double-bass Roberto Paruzzo, piano

2 CD BOX 2012

118 i n d e x

FRANCESCO GEMINIANI

a selection from: 6 Sonate Op.5


Michele Barchi, harpsichord

1 LP 2029


KURT WEILL

Concert for Violin & Wind Orchestra Op. 12

Gabriele Pieranunzi, violin; Soloists of the San Carlo Theatre, Naples,

directed by Jeffrey Tate

1 CD CONCERTO 2071

MARIO CASTELNUOVO-TEDESCO

Guitar Concerto Op. 99, Quintet Op. 143, Romancero Gitano Op. 152Giulio Tampalini, guitar; Haydn Orchestra of Bolzano and Trento,

String quartet of Haydn Orchestra; Coro Polifonico Castelbarco of

Avio, Luigi Azzolini Conductor

1 CD CONCERTO 2072

SERGEJ RACHMANINOV

Piano works for 4 and 6 hands

Marco Sollini, Salvatore Barbatano and

François-Joël Thiollier, piano

1 CD CONCERTO 2073

STRONG EMOTIONS ON CLASSIC CONTEMPORARY GUITAR 2Marco Pereira - Ariel Ramírez - Julio César Sanders - Dilermando Reis - Antonio Lauro - Garoto (A. A. Sardinha) - Gentil Montaña - Giorgio Mirto - Jorge Cardoso Carlos Antonio Carrillo - José Rafael Cisneros - Máximo Diego Pujol - Marco Nodari - Manuel María Ponce - Heraclio Fernández - Fernando Bustamante


1 CD CONCERTO 2075

Marco Sollini - Salvatore BarbatanoFrançois-Joël Thiollier

Fantasie op.7 worldpremiereSix morceaux op.11

Romance in G majorItalian Polka

Pyotr I. Tchaikovsky: The Sleeping Beauty (transcribed by Sergej Rachmaninov)

Valse (for six hands)Romance (for six hands)

Sergej RachmaninovPiano works for four and six hands

120 I n d e x

20

1320

1320

1320

13

GIOACCHINO ROSSINI


Piano duo: Sollini-Barbatano; Francesco Manara, violin; Massimo

Polidori, cello; Fabrizio Meloni, clarinet; Danilo Stagni, horn

1 CD CONCERTO 2076

ANTONÍN DVORÁK

Complete Piano Trios



PIETRO MASCAGNI


Marco Sollini, Salvatore Barbatano piano

1 CD CONCERTO 2080






world premiere



Sonata per tastiera

in fa maggiore



Concerto per


obbligati in



Anniversary

150





121n e w r e l e a s e s

20

1320

1320

1320

13

ANDREA LUCHESI

Symphonies in D Major, in E moll Major; Keyboard sonata in F Major; Concerto for keyboard and strumenti obbligati in F Major (Cadenza by W. A. Mozart)

Orchestra Ferruccio Busoni, Direttore Massimo BelliRoberto Plano, pianoforte

1 CD CONCERTO 2077

GIACOMO PUCCINI

Gianni Schicchi, Orchestra of the Theatre G. Donizetti of Bergamo;


6 Piano works, Marco Sollini, piano

1 CD CONCERTO 2082

REYNALDO HAHN

Works for Piano

Cristina Ariagno, piano

4 CD Set + 1 DVD Concerto

Box 2015

NICOLA VACCAJ




1 CD CONCERTO 2084

TOSCANINI

Toscanini inedito, unreleased

Never before seen images and momentos

1 DVD CONCERTO 2074

122

20

1320

1320

1320

13

I n d e x

GIOVANNI BATTISTA PERGOLESI

Sonatas and Suites


1 CD CONCERTO 2083

ANDREA LUCHESI

Sinfonie inedite



1 CD CONCERTO 2086

PIETRO MASCAGNI

Cantata to the joy (1882) for soli chorus and orchestra

Rosita Santi soprano; Michael Alfonsi tenor;

Massimiliano Fichera baritone; Stefano Rinaldi Miliani bass;

Andrea Trovato piano; Choir “Città di Firenze” Ennio Clari director

1 CD CONCERTO 2089

GIAN CARLO MENOTTI

The Telephone or l’amour à troisCinzia Forte, Marco Camastra, Fabrizio M. CarminatiTrio for violin, clarinet and pianoStefano Ferrario, violin; Stefano Ricci, clarinet; Marco Sollini, pianoPoemetti per Maria Rosa: 12 pieces for childrenMarco Sollini, piano

1 CD CONCERTO 2087


Sonatas and Suites

World

premiere

Marco Sollini

Piano


THE TELEPHONE


Cinzia Forte,

Marco Camastra


TRIO

123

20

1420

1420

1420

14


124

MARCO NODARI

Chamber Music

1 CD CONCERTO 2088

C O N

T E M P O

R A R Y

Chamber Music

m ar co no dar i19692

014

I n d e x

125

MOZART, POULENCI Solisti Veneti, Claudio Scimone



Sollini, D’Atri, Barbatano: 3 pianos


WAGNER, VERDI (RITTER, WILHELMJ, BAZZINI, SIVORI, MASCAGNI)




RACHMANINOV SHOSTAKOVICH

Trio Tchaikovsky











C L A S S I C S

THE MAGIC OF

Live




C L A S S I C S

THE MAGIC OF

Live

Trio Tchaikovsky






C L A S S I C S

THE MAGIC OF

Live

20

1420

1420

14


Gianluca Corona Front and back cover images: Magnolia, 2012

Distanza I, 2012 (detail) 9 Grappolo, 2011, 17 Meloni, 2001 18 Cesto di frutta e fiore, 2000 (detail) 19 Cachi, 2006 20,21 Bocciolo, 2010, 22 Peonia, 2007 23 Coppia, 2003 24 Resurrezione, 2009 25 Little flame, 2008 26 Ancora tu, 2008 27 Rossi differenti, 2013 29 Pachino, 2009 31 Supina, 2007 33 Mela, 2002 36 Mele cotogne, 2001 36 Mela cotogna, 2005 37 Cascata, 2006 37 Zucca gialla, 200 38 Nautilus, 2001 39 Come sul mare in tempesta, 2012 41 Vanitas, 2010 42 Still waiting, 2008 46 Conquista, 2012 47 La coda del diavolo, 2012 48 L’ostacolo, 2011 49 Listen to me, 2008 50 Nuova primavera, 2010 51 Tulipano olandese, 1999 52 Calla, 1999 53 Composizione con mele, 2012 58 Egg, 2011 61 I Guardiani, 2012 (particular detail) 62 Iris, 2006 68 Magenta, 2013 70 Susine di Montezago, 2013 81 Sospensione, 2008 83 Quarto di un intero, 2008 84 I duellanti, 2013 (detail) 91 Famiglia Marina, 2013 97

126

Immagini - ImagesDipinti e disegni dell’Artista - Paintings and drawings by

127

Federica Galli Venezia, Bacino di San Marco, 1984-85 45

Manuel Garcia y Rodriguez A Garden Seville 93

Andrea Boyer ABV_311 95

Laura Zuccheri Autumn Beechwood, 2012 102 Winter Beechwood, 2013 103 Panfili, 2005 101

Marzio Tamer Vento d’Ostro 14 La chiusa, 2010 44 Il posto dei corvi, 2001 56 Serra, 2008 57 Dal belvedere, 2010 66 Dopo la pioggia, 2010 71 Cavalluccio marino, 2006 72 Vecchie botti, 2003 73 Tucano, 2003 75 Sistemi idrici, 2002 76 Tracce albicanti, 2003 77 Le grandi cupole verdi, 2009 78 Gelso, 2009 (detail) 104

Silvia Molinari Fiori di pesco 69

Francisco Goya y Lucientes Otrasleye por el pueblo 32

Marco Grubacs Il Canal Grande con la Basilica della Salute 54

Giovanni Boldini Ritratto della principessa Marthe-Lucile Bibesco 64

Margherita Leoni Lafoensia glyptocarpa Koehne 74

Nicola Villa Businessan and shadow, 2008 82

Angelo Inganni La facciata del Teatro alla Scala 85

Andrea Boyer ABW336, 2012 95 ABW_311 100

Henry de Toulouse Lautrec Bercesuse 98

Jacopo Arrigoni Ritratto di Carlo Broschi Farinelli 22

128

by courtesy of Orchestra Busoni 43by courtesy of Trio di Parma and Fondazione Spinola Banna per l’Arte 55by courtesy of Luciano Romano 63by courtesy of Contessa Emauelea di Castelbarco 88by courtesy of Quartetto della Scala 79by courtesy of Giulio Tampalini 92,94by courtesy of Maurizio Baglini and Silvia Chiesa 99by courtesy of Carlo Mascheroni strumenti storici a tastiera 30by courtesy of Fondazione Arte Nova 65by courtesy of Foundation Haydn Orchestra of Trento and Bolzano 67

Si ringrazia Salamon&C arte contemporanea, Milano, per le immagini delle opere di: Federica Galli, Andrea Boyer, Laura Zuccheri, Marzio Tamer, Silvia Molinari, Francisco Goya, Marzi Grubacs, Margherita Leoni, Nicola VillaSpecial thanks to Salamon&C arte contemporanea, Milano, for the following images by: Federica Galli, Andrea Boyer, Laura Zuccheri, Marzio Tamer, Silvia Molinari, Francisco Goya, Marzi Grubacs, Margherita Leoni, Nicola Villa

Foto - Photos

129

Media Partners and Supporters

Gianluca Corona nasce a Milano nel 1969.Nel 1991 si diploma all’Accademia di Belle Arti di Brera a Milano. Dal 1994 al 1996 frequenta lo studio di Mario Donizetti a Bergamo.Successivamente inizia la sua attività professionale distinguendosi nel panorama artistico come esponente della giovane figurazione italiana. La sua ricerca espressiva si basa su una rilettura dei generi della natura morta e del ritratto con particolare attenzione dedicata all’utilizzo di tecniche e materiali tradizionali.Ha esposto in numerose rassegne in Italia e all’estero e le sue opere sono conservate in collezioni pubbliche e private.Vive e lavora a Milano.

Gianluca Corona was born in Milan in 1969.In 1991 he graduated with a diploma from the Brera Fine Arts Academy in Milan. From ‘94 to ’96 he refined his talents at Mario Donizetti’s studio in Bergamo.Later he began his professional activity distinguishing on the artistic scene as an exponent of the young Italian figurative art movement.His expressive search is based on a reinterpretation of the traditional genres of still life and portrait, through a monumental and sensual representation of the shapes, giving special attention to the use of traditional materials and techniques.He held numerous exhibitions in Italy and abroad and his works kept in public and private collections.He lives and works in Milan.

Gianluca Corona

130

131

If you want to be informed about our latest products, special offers and events, please subscribe to our newsletter.

Inscrivez-vous à notre newsletter et restez informé de nos nouveautés, événements et dernière promotions. Melden Sie sich für unseren Newsletter an und wir informieren Sie regel-mäßig per E-Mail über unsere Neuheiten, Veranstaltungen und aktuelle Angebote.

Suscríbete a nuestro newsletter para estar informado de las últimas novedades, promociones y eventos.

[email protected]

Concerto is a label of Musicmedia srlLargo Isabella d’Aragona 1, I-20136 Milano, ITALYTel.: (+39) 02 583.211.53 - Fax: (+39) 02 [email protected]

www.concertoclassics.itwww.facebook.com/concertoclassics

C L A S S I C S

concerto classics catalogue

Documents