composition skills in film making

109
Still Photography & Cinematography

Upload: aditya-rao

Post on 08-Sep-2014

38.599 views

Category:

Education


3 download

DESCRIPTION

Lecture by me @ BITS-Pilani campus on the compositional skills required in Film making via Still Photography techniques

TRANSCRIPT

Page 1: Composition skills in Film Making

Still Photography & Cinematography

Page 2: Composition skills in Film Making

WHY?

•To make the frame visually interesting•Aesthetically pleasing•First step, before lighting and sounds

Page 3: Composition skills in Film Making

How?

•Rule of thirds•Diagonal rule•Minimalism•Correct perspective•Using lines/patterns/curves

Page 4: Composition skills in Film Making

RULE OF THIRDS

Page 5: Composition skills in Film Making
Page 6: Composition skills in Film Making
Page 7: Composition skills in Film Making
Page 8: Composition skills in Film Making
Page 9: Composition skills in Film Making
Page 10: Composition skills in Film Making
Page 11: Composition skills in Film Making

LOOKING SPACE

•Empty space on the side where subject is looking/facing/talking•Less constricted•More important in cinematography

Page 12: Composition skills in Film Making
Page 13: Composition skills in Film Making
Page 14: Composition skills in Film Making
Page 15: Composition skills in Film Making
Page 16: Composition skills in Film Making

RULES ARE MEANT TO BE BROKEN?

Page 17: Composition skills in Film Making
Page 18: Composition skills in Film Making
Page 19: Composition skills in Film Making

MOTION SPACE

•Empty space on the side where subject is walking/running•Heightens the feeling of motion

Page 20: Composition skills in Film Making
Page 21: Composition skills in Film Making
Page 22: Composition skills in Film Making
Page 23: Composition skills in Film Making

DIAGONAL RULE

•Subject is placed on the diagonal line of the frame•Adds drama and action

Page 24: Composition skills in Film Making
Page 25: Composition skills in Film Making
Page 26: Composition skills in Film Making
Page 27: Composition skills in Film Making

MINIMALISM

•Removing clutter•Prominent subject•Eye catching

Page 28: Composition skills in Film Making
Page 29: Composition skills in Film Making
Page 30: Composition skills in Film Making

CORRECT PERSPECTIVE

•High angle shots•Low angle shots•Getting down to subject’s level:Eye level shots

Page 31: Composition skills in Film Making

HIGH ANGLE SHOTS

•Subject looks diminished

Page 32: Composition skills in Film Making
Page 33: Composition skills in Film Making
Page 34: Composition skills in Film Making

LOW ANGLE SHOTS

•Subject looks dominating

Page 35: Composition skills in Film Making
Page 36: Composition skills in Film Making
Page 37: Composition skills in Film Making
Page 38: Composition skills in Film Making

EYE LEVEL SHOTS

•More comfortable for viewer•Relates to the subjects point of view

Page 39: Composition skills in Film Making
Page 40: Composition skills in Film Making

USING LINES/PATTERNS

Page 41: Composition skills in Film Making

ANGLED HORIZON

•Attracts attention•Heightens energy

Page 42: Composition skills in Film Making
Page 43: Composition skills in Film Making

LEVEL HORIZON

•Adds stability

Page 44: Composition skills in Film Making
Page 45: Composition skills in Film Making
Page 46: Composition skills in Film Making
Page 47: Composition skills in Film Making
Page 48: Composition skills in Film Making

ARTISTIC SHOTS

Page 49: Composition skills in Film Making
Page 50: Composition skills in Film Making
Page 51: Composition skills in Film Making

STORY TELLING

Page 52: Composition skills in Film Making
Page 53: Composition skills in Film Making

CINEMATOGRAPHY

Page 54: Composition skills in Film Making

USING PHOTOGRAPHY

•Same composition rules apply•7 basic types of shots

Page 55: Composition skills in Film Making

7 BASIC SHOTS•Extreme close up•Close up•Medium close up•Medium•Medium Long•Long•Extremely Long

Page 56: Composition skills in Film Making

EXTREME CLOSE-UP•Captures from mid-forehead to just above the chin, or even closer•Used to show details/ emphasize

Page 57: Composition skills in Film Making
Page 58: Composition skills in Film Making
Page 59: Composition skills in Film Making

CLOSE-UP•Captures the face, just above the shoulder•Used to show emotions

Page 60: Composition skills in Film Making
Page 61: Composition skills in Film Making
Page 62: Composition skills in Film Making

MEDIUM CLOSE-UP•Cuts the body just below the armpit•Used to show reactions

Page 63: Composition skills in Film Making
Page 64: Composition skills in Film Making
Page 65: Composition skills in Film Making

MEDIUM•Cuts the body just above the waist

Page 66: Composition skills in Film Making
Page 67: Composition skills in Film Making
Page 68: Composition skills in Film Making

MEDIUM LONG•From head to below the knees•Used to show gestures clearly

Page 69: Composition skills in Film Making
Page 70: Composition skills in Film Making
Page 71: Composition skills in Film Making

LONG•Shows the entire body•Used to establish the location

Page 72: Composition skills in Film Making
Page 73: Composition skills in Film Making
Page 74: Composition skills in Film Making

EXTREME LONG•Shows entire body with more surroundings

Page 75: Composition skills in Film Making
Page 76: Composition skills in Film Making
Page 77: Composition skills in Film Making
Page 78: Composition skills in Film Making

LOW ANGLE SHOTS

Page 79: Composition skills in Film Making

SLUMDOG MILLIONAIRE:CHASE SEQUENCE

•Low angle dynamic shots•Dominating subject: Running kids•Minor subject: Policeman•Purpose:To show helpless policeman

Page 80: Composition skills in Film Making
Page 81: Composition skills in Film Making

HIGH ANGLE SHOTS

Page 82: Composition skills in Film Making

LORD OF THE RINGS:MOUNTAIN SEQUENCE

•High angle landscape shots•Extremely long shots•Purpose:To show the mountain’s vastness

Page 83: Composition skills in Film Making
Page 84: Composition skills in Film Making

CLOSE UP SHOTS

Page 85: Composition skills in Film Making

LOCK, STOCK AND TWO SMOKING BARRELS:

POKER TABLE SEQUENCE

•Focuses on facial expressions•Purpose:To capture emotions

Page 86: Composition skills in Film Making
Page 87: Composition skills in Film Making

SHOT/REVERSE SHOTS

Page 88: Composition skills in Film Making

REAR WINDOW

•Narrative construction•The camera frames one person facing right and the other facing left.•Use of DOF

Page 89: Composition skills in Film Making
Page 90: Composition skills in Film Making

SLUMDOG MILLIONAIRE

•Narrative construction•The camera frames one person facing right and the other facing left.•Use of DOF

Page 91: Composition skills in Film Making
Page 92: Composition skills in Film Making

USING DOF: OBJECTS IN THE FOREGROUND

Page 93: Composition skills in Film Making

THE OFFICE: A MOCUMENTARY SIT-COM•Using objects in the foreground to create DOF•Can get distracting•Purpose:To show secrecy and concealment

Page 94: Composition skills in Film Making
Page 95: Composition skills in Film Making

WIDE ANGLE SHOTS

Page 96: Composition skills in Film Making

REVOLVER

•Large field of view•Fish-eye lens•Importance to foreground•Purpose:To show importance of chess moves

Page 97: Composition skills in Film Making
Page 98: Composition skills in Film Making

EXTREMELY CLOSE UP SHOTS

Page 99: Composition skills in Film Making

NATIONAL GEOGRAPHIC

•Shots of insects•Extremely close up shots•Purpose:Extra details

Page 100: Composition skills in Film Making
Page 101: Composition skills in Film Making

FOLLOWING THE SUBJECT

Page 102: Composition skills in Film Making

AMELIE

•Following moving subject in an arc•Subject’s level on the ground•Purpose:Gives a more unique and more personal perspective to the viewer

Page 103: Composition skills in Film Making
Page 104: Composition skills in Film Making

FAMOUS SHOTS

Page 105: Composition skills in Film Making

BREAKFAST CLUB

•Establishing shot•Destruction of school property

Page 106: Composition skills in Film Making
Page 107: Composition skills in Film Making

THE SHINING

•Psycho thriller•Jack Nicholson breaking the door•Famous dialogue: “Here’s Johnny!”

Page 108: Composition skills in Film Making
Page 109: Composition skills in Film Making

THANK YOU

•Credits:Nikon D80, Canon S2IS, Google•All rights reserved to Aditya Rao