colorado ballet 2014, a midsummer night’s dream

Maria Mosina by Rosalie O’Connor

A MIDSUMMER NIGHT’S DREAM

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4 Colorado Ballet

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6 Colorado Ballet

CONTENTS

Letter from the Director 8Letter from the Board of Trustees 9Colorado Ballet’s New Home 14

COVER PHOTOS:A Midsummer Night’s Dream Maria Mosina and Joshua AllenbackPhoto by Allen Birnbach

Dracula Sharon Wehner and Alexei TyukovPhoto by Allen Birnbach

CONTENTS PHOTOS:A Midsummer Night’s Dream Artists of Colorado BalletPhoto by Terry Shapiro

Dracula Artists of Colorado BalletPhoto by Terry Shapiro

The Nutcracker Artists of Colorado BalletPhoto by Mike Watson

Colorado Ballet Publication2014-2015

Sanya Andersen-VieColorado Ballet Editor

Colorado Ballet Publication isproduced for Colorado Ballet by

The Publishing House, Westminster, CO.

Angie Flachman JohnsonPublisher

Annette AllenArt Director

and Production Coordinator

Stacey KrullGraphic Designer

Wilbur E. FlachmanPresident and Founder

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8 Colorado Ballet

FROM THE ARTISTIC DIRECTORWelcome to the first productions of Colorado Ballet’s 54th year! Following our most successful performance season ever, the 2014-2015 promises to offer something for everyone, with classic and child-friendly productions like A Midsummer Night’s Dream, The Nutcracker and Peter and the Wolf to the spine-tingling Dracula and the powerful and athletic collection of ballets in Ballet MasterWorks.

Christopher Weeldon originally created the choreography for A Midsummer Night’s Dream for Colorado Ballet in 1997. The Company is pleased to present this Shakespearian classic as it continues to delight audiences with its story about mischief, romance and comedy. This fanciful production also includes

a score by Felix Mendelssohn, performed live by the Colorado Ballet Orchestra and the Colorado Children’s Chorale. This ballet is pure magic!

Back by popular demand, Colorado Ballet presents one of the most theatrical ballets ever performed in Denver, the horror classic Dracula during Halloween weekend. Dracula features choreography by Michael Pink and music by Philip Feeney, performed live by the Colorado Ballet Orchestra. Come sink your teeth into Bram Stoker’s Gothic thriller with seductive vampires, frightening mental patients and the king of the undead himself, Count Dracula. You will see why so many of our patrons request this production year after year.

After Dracula, I encourage you to join us for a dazzling spectacle of glittering snowflakes and shimmering sugarplums in The Nutcracker. Come take a journey to the Land of Sweets with Colorado Ballet’s dancers and Tchaikovsky’s extraordinary arrangement performed live by the Colorado Ballet Orchestra.

In the spring, don’t miss Ballet MasterWorks, a collection of works from the masters of music and dance showcasing our dancers’ artistry and athleticism and powerful live music performed by the Colorado Ballet Orchestra. Ballet MasterWorks includes Concerto Barocco, by George Balanchine and music by Johann Sebastian Bach; Fancy Free, by Jerome Robbins with music by Leonard Bernstein; and a work to be announced. You don’t need to go to New York to see dancing of this caliber, you can see it right here in Denver with Colorado Ballet!

In March, we will close with the irresistible family adventure Peter and the Wolf, choreographed by Michael Smuin and music by Sergei Prokofiev. The production will open with a special performance of Bruch Violin Concerto No.1, choreographed by Clark Tippet featuring music by Max Bruch.

Thank you for attending our first productions of the 2014-2015 season and for supporting Colorado Ballet. I hope you enjoy the dancing and musical talent of our performers!

Gil BoggsArtistic Director

P.S. We encourage you to come visit our new dance rehearsal and training facility at 11th and Santa Fe Drive. Read more about our new home in the article in this program.

Colorado Ballet 9

FROM THE BOARD OF TRUSTEES

BOARD OF TRUSTEES

Welcome to A Midsummer Night’s Dream and Dracula! As we begin our 54th season, the Colorado Ballet Board of Trustees is proud to bring you technically-challenging classical ballet performances and innovative contemporary works. As board co-chairs, we are honored to be a part of Colorado Ballet’s ongoing momentum. Last year, Colorado Ballet had its most successful performance season in the history of the organization, breaking attendance and revenue records. This summer, we moved our new state-of-the-art dance training and rehearsal studio in Denver’s Art District on Santa Fe. The new facility puts Colorado Ballet on the map as a world-class ballet company and academy. If you have not yet seen our new building, we encourage you to stop by for a tour, event or Academy class!

Through the Colorado Ballet Academy, we encourage the love of dance in students of every age. The Academy offers classes for children as young as three as well as a wide range of adult dance classes and a pre-professional ballet program. Academy students have the opportunity to audition for roles in several professional productions each year. The Academy not only teaches dance, it encourages the love of dance in every student.

Not all Coloradans have the opportunity to experience the magic of excellence in dance. That’s why Colorado Ballet’s outreach programs provide opportunities for in-need students, teachers, family and individuals with disabilities to take dance classes and attend performances. We impact nearly 60,000 individuals every year.

We hope that you enjoy today’s performance and will consider making a donation to Colorado Ballet to ensure the future of high quality dance and the cultural vibrancy of our state. Thank you for supporting Colorado Ballet!

Sincerely,Holly Baroway and Henny LasleyBoard Co-Chairs

BOARD CO-CHAIR Holly Baroway

BOARD CO-CHAIRHenny Lasley

SECRETARYJoAnne Zboyan

TREASURER AND FINANCE CHAIRWilliam J. Tryon

CAPITAL CAMPAIGN CHAIRMerry Logan

DEVELOPMENT CHAIRSusan Struna

ACADEMY CHAIRRaydean Acevedo

BOARD GOVERNANCE CHAIRElizabeth Katkin

LONG-RANGE PLANNING CHAIRJane Netzorg

MARKETING AND PUBLIC RELATIONS CO-CHAIRSSusan BaileyDuke Hartman

EDUCATION & OUTREACH CHAIRJoanne Posner-Mayer

AT-LARGE MEMBERHarry M. Sterling

COLORADO BALLET AUXILIARY PRESIDENTKaty Brown

TRUSTEESKathryn AlbrightLisa AppelMichelle Moorman ApplegateJean ArmstrongLacee ArtistBrent L. BackesCraig BrownSarah Semple BrownGinger White BrunettiJennifer E. CollinsCasey CorteseSandy ElliottKaye FerryStephanie FooteAnn FrickAnne M. HillaryAuna JornayvazGail K. KassanShea KauffmanEmma KeyserMary Lou Blackledge KortzKathy Barrett LeeCindy Meany

M. Sean MurphyMarc MusylMonica OwensDave RamsayBarbara R. Reed, MDCheri RubinRebel Saffold IIISuzan SchlatterBrad SonnenbergNancy StevensCinamon WatsonRisa L. Wolf-Smith

CHAIRMEN EMERITIAnna BatesRuth Silver

LIFETIME TRUSTEESDick SaundersRaydean Acevedo

10 Colorado Ballet

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COLORADO BALLET ACADEMYCOLORADOBALLET.ORG/ACADEMY

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[email protected]

JOIN THE DANCE!Colorado Ballet Auxiliary supports Colorado Ballet by raising funds,

developing audiences and providing education programs.

For more information about these programs and joining the Auxiliary:

Educational ProgramsEsprit de Corps & Backstage Programs: two unique programs for girls grades 3 through 8. Participants expierence exclusive “behind the scenes”

programs in conjunction with three Colorado Ballet performances.

Ambassadors: volunteer service opportunities for high school students to support Colorado Ballet.

Applications for all educational programs are available on our website.

Presenting ProgramsSugarplum Program: A presentation program for 2nd grade girls

culminating in the Sugarplum ball and an on-stage presentation at Colorado Ballet’s The Nutcracker. Girls currently in 1st grade may apply in January 2015.

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14 Colorado Ballet

COLORADO BALLET HASMOVED INTO THE FUTURE

Company and Academy moved into its new home this summer

This summer, Colorado Ballet moved into its new home in Denver’s Art District on Santa Fe, 1075 Santa Fe Drive. The renovated 30,000 square foot building will give the professional Company and the Academy room to grow. Colorado Ballet will continue to present performances in the Ellie Caulkins Opera House and the Newman Center for the Performing Arts but its new rehearsal and training facility will: n encourage world-class dance to flourish in Colorado n enhance the training of the next generation of dancers n bring dance and movement to thousands of school-kids and people with disabilities n host smaller in-house performances in the black box theater

The new building has eight state-of-the-art professional dance studios and improved amenities for the professional Company including dressing rooms and showers as well as a physical therapy room. Colorado Ballet now has its own black box theater performance space, with telescoping seats to present small performances and host outside events. Additionally, the new building has safer, more convenient student drop-off and increased parking in the neighborhood for Academy families.

We encourage you to come visit us in our new space! Call us at 303-339-1629 or e-mail [email protected] to schedule a tour. Sign up for a class through the Colorado Ballet Academy or attend one of our upcoming special events.

Please also support Colorado Ballet’s new home by buying a brick, naming a seat in the black box theater, or making a gift to help this dream for Colorado Ballet come true.

Visit out www.coloradoballet.org/newhome for photos and to donate.

Colorado Ballet 15

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16 Colorado Ballet

The art of expanding our minds

Since 1961, Colorado Ballet has enhanced the cultural life of Colorado through performances of the professional company, training at the Academy, and its Education & Outreach programs.

We are proud to support their efforts and this special presentation of Dracula.

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OFFICIAL SPONSORS OF COLORADO BALLETColorado Ballet applauds its official sponsors of the 2014-2015 season

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Provides an in-school assembly performance featuring excerpt from ballets based on classics

Find out how you can support Colorado Ballet and give the gift of dance at:

Gives leotards, tights, and shoes for one Dance Renaissance class

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Colorado Ballet 19

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Founders Lillian Covillo and Freidann Parker

Artistic Director Gil Boggs

Ballet Mistresses Sandra Brown and Lorita Travaglia

Musical Director and Principal Conductor Adam Flatt

Associate Conductor Catherine Sailer

THE COMPANY

Principals Dana Benton, Viacheslav Buchkovskiy, Chandra Kuykendall, Domenico Luciano,

Maria Mosina, Dmitry Trubchanov, Alexei Tyukov, Sharon Wehner

Soloists Shelby Dyer, Jesse Marks, Asuka Sasaki

Corps de Ballet Joshua Allenback, Ariel Breitman, Morgan Buchanan, Casey Dalton, Emily Dixon, Francisco Estevez, Kevin Hale, Klara Houdet, Tracy Jones, Christophor Moulton,

Sean Omandam, Emily Speed, Kevin Gaël Thomas, Luis Valdes, Kevin Wilson, Benjamin Winegar, Melissa Zoebisch

Studio Company Abigail Cotter, Kelly Dornan, Mackenzie Fey, Bryton Foster, Tracy Fuller, Holly Huempfner,

Kurtis Irwin, Molly Klug, Regan Kucera, Ryan Lee, Bryce Lee, Michelle Ludwig, Phoebe Magna, Toni Martin, Melissa Meng, Raul Orozco, Kristine Padgett, Tyler Rhoads,

Zoe Stein, Siobhan Stocks-Lyons, Hannah Stolrow, Amanda Townley

Colorado Ballet | 1075 Santa Fe Drive, Denver, CO 80204 | 303-837-8888 | www.coloradoballet.org Out of courtesy to the dancers and musicians, the taking of photographs of any nature is strictly prohibited during performances.

Please silence all cellular telephones, pagers and audible devices.

Colorado Ballet productions are made possible in part by funding from the citizens of the Scientific & Cultural Facilities District. The Artists of Colorado Ballet are represented by The American Guild of Musical Artists, AFL-CIO.

2 A Midsummer Night’s Dream • Colorado Ballet

A Midsummer Night’s DreamColorado Ballet

September 26-October 5, 2014Ellie Caulkins Opera House

Choreography by Christopher WheeldonMusic by Felix Mendelssohn

Scenic Design by David WalkerLighting Design by Lloyd Sobel

Select Costumes Courtesy of Boston Ballet Company and Orlando BalletScenery Courtesy of Ballet West, Adam Sklute, Artistic Director

Additional Costumes by Colorado Ballet

World Premiere Colorado Ballet: February 8, 1997, Auditorium Theatre, Denver, CO

Synopsis

Act I, Prologue: The Court of Duke Theseus Egeus, Hermia’s father, demands that she marry Demetrius against her wishes; she wants to marry her sweetheart Lysander. The Duke of Athens, Theseus, agrees with Egeus. Demetrius wants to marry Hermia, but is pursued by Helena. To escape, Lysander and Hermia flee into the woods, but Helena informs Demetrius of their flight. Demetrius follows in hot pursuit, with Helena close behind him.

Act I, Scene 1: The Woods The lovers wander deep into the woods, watched by Puck, servant to Oberon, King of the Fairies, as sprites and fairies make their way to the court of their King and his Queen, Titania.

Act I, Scene 2: A Forest Clearing Titania and Oberon arrive at their court, but all is not well. Oberon admires Titania’s new attendant, an Indian changeling child. Oberon insists she give the child to him, but she refuses, taking the child with her. Enraged, Oberon plans his revenge. He sends Puck to find a flower which causes the victim to become infatuated with whomever he first lays eyes upon. Hearing mortals approaching, Oberon conceals himself.

Oberon witnesses Demetrius searching for Hermia, pursued by Helena. Feeling that perhaps he can help, Oberon follows them. Meanwhile, Puck finds a magical flower and presents it to Oberon. Thrilled, he plots his revenge on Titania. Demetrius and Helena appear again, and Oberon sends Puck after them with a petal from the flower. Sensing the approach of Titania, he hides and watches.

Titania is weary from her encounter with Oberon; her fairies sing her to sleep with a lullaby. They keep the changeling close-by, still suspicious of Oberon’s intentions. The fairies leave their sleeping Queen, Oberon drops some of the pollen from the magical flower into Titania’s eyes and quickly vanishes.

Meanwhile, Hermia and Lysander are lost and need a place to rest. Hermia, although deeply in love with Lysander, reminds him they are not yet married and sends him to sleep at a respectable distance.

In flies Pluck, still searching for Helena and Demetrius. Mistaking the sleeping Lysander for Demetrius, Puck drops some pollen in his eyes and leaves, satisfied that his work has been accomplished. Demetrius, still pursued by Helena, appears. He pushes her away and runs deeper into the woods, leaving her deserted and alone. Despondent, she spots Lysander sleeping nearby and rushes over to wake him. Upon seeing her, Lysander declares his love for her. Hermia then awakens; frightened at seeing Lysander is no longer there, she runs off in search of him.

Four village rustics appear, passing through the forest. They soon find themselves completely lost. Oberon and Puck watch from above, ready to set their plan in motion. Puck picks one of the villagers, Bottom the Weaver, as his victim, and turns him into an ass, frightening off his friends. Puck then leads Bottom to Titania’s bedside and watches in anticipation with Oberon. Titania awakens to the donkey’s braying and falls passionately in love with him.

Colorado Ballet • A Midsummer Night’s Dream 3

Artistic StaffGil Boggs, Artistic Director

Gil Boggs began his dance career with the Atlanta Ballet. He joined American Ballet Theatre in New York in 1982 and was promoted to soloist dancer in 1984 and principal dancer in 1991. Boggs was a member of the company for 17 years. Boggs also performed with the Twyla Tharp Dance Company, Baryshnikov and Company, Nureyev

and Friends, and made several guest appearances around the world. During his career with ABT, he was recognized as both an accomplished virtuoso and one of the company’s most popular performers. Boggs has worked with numerous noted choreographers, including Agnes de Mille, Sir Kenneth MacMillan, Paul Taylor, Mark Morris, Jerome Robbins and Merce Cunningham and has an extensive performance repertoire of both classical and contemporary works. Boggs accepted the position of Artistic Director with Colorado Ballet in the Spring of 2006. In Boggs’ tenure with Colorado Ballet he has restaged full-length productions of Swan Lake, The Sleeping Beauty, Giselle, Don Quixote and Coppelia along with adding new full-length productions of Romeo & Juliet, Cinderella, Le Corsaire, Beauty and the Beast and Peter Pan. Boggs has also presented 15 world premieres and 12 Colorado Ballet premieres by such renowned choreographers as Twyla Tharp, Lar Lubovitch, Antony Tudor, Val Caniparoli, Dwight Rhoden and Lynne Taylor-Corbett.

Sandra Brown, Ballet MistressSandra Brown joined the corps de ballet of American Ballet Theatre in 1987 under the directorship of Mikhail Baryshnikov and was promoted to soloist in 1992 where she remained until 2003. During that time, she danced not only numerous classical full length principal roles, but gained recognition for her leading

contemporary roles as well. Most notably, she created and danced the world premiere role of Desdemona in Lar Lubovitch’s full-length Othello in 1997 and appears in ABT’s film productions of Romeo and Juliet, Le Corsaire, and the documentary Ballet. In 2000, Brown was featured in the movie Center Stage and appears in the film The Company. Brown also holds the honor of appearing on Broadway as the original Louise Bigelow in the Tony Award-winning 1994 revival of Carousel, directed by Nicholas Hytner and choreographed by Sir Kenneth MacMillan at the Lincoln Center Theater. In 2003, Brown left ABT to pursue work as a freelance artist with Complexions Contemporary Ballet, Stiefel and Stars, Vladimir Malakhov, Peter Boal and Company, Chamber Dance Project, Dancers Patrelle, Ballet Hawaii and Madison Ballet. During this time, she also was asked to perform as a guest artist at the Vail International Festival, became certified to teach Pilates, taught for the ABT Summer Intensive, and choreographed the ballet Synchronicity. In 2006, she joined her husband, Gil Boggs, to work with Colorado Ballet. Since then, she has assisted staging the full-length productions of Giselle, Don Quixote, and Christopher Wheeldon’s Midsummer Night’s Dream. Brown has also assisted with choreographing and staging of The Nutcracker, Coppélia, The Sleeping Beauty, and Swan Lake. In addition, she assisted staging Lar Lubovitch’s Smile With my Heart, Dwight Rhoden’s Ave Maria, Twyla Tharp’s In

Act II, Scene 1: A Forest ClearingStill searching for Lysander, Hermia encounters Demetrius and demands to know Lysander’s whereabouts. Getting no answer from him, she storms away. Exhausted, Demetrius lies down to sleep. Trying to rectify Puck’s mistake, Oberon drops the pollen into Demetrius’ eyes. In rushes Helena, pursued by an infatuated Lysander. Demetrius awakens and instantly falls in love with Helena. The woman he once despised, he now adores; she finds herself with two ardent suitors. Angry and upset, she tries to fight off the two men, when in hobbles a tired Hermia. Oberon, realizing the situation, becomes furious with Puck. Using his magical powers to hypnotize the lovers, he puts them to sleep with their correct partners. Oberon, now tired of these games, decides it’s time to awaken his queen and teach her a lesson. Titania, seeing the beast she has slept with and feeling extremely foolish, agrees to give the changeling child to Oberon.

As dawn breaks, they disappear into the depths of the magical woods. Before following them, Puck removes the spell he has placed on Bottom.

As it is Hermia’s wedding day, bridesmaids and grooms are out searching for the lovers. Theseus and his wife Hippolyta follow and, discovering the lovers asleep, send the grooms to wake them. Theseus is happy to have found his lost subjects. Seeing Demetrius now content to marry Helena, he dismisses Egeus’ objections to Lysander and leads the four lovers back to the court to be married.

Act III: The Court of Theseus that EveningThe bridesmaids and court children prepare Hermia and Helena for their weddings. The lovers are married by Duke Theseus, and the court dances in celebration. That night, deep in the magical wood, Titania reconciles with Oberon. She presents him with the changeling child and bathed in moonlight they dance, at peace with each other once more.


Artistic StaffThe Upper Room, Clark Tippet’s Bruch Violin Concerto No. 2, and Edwaard Liang’s Feast of the Gods. Brown restaged her ballet, Synchronicity, for Colorado Ballet’s Studio Company. In 2007, she was asked to stage Smile with my Heart for the Joffrey Ballet. In 2013, she staged Lynne Taylor-Corbett’s Great Galloping Gottschalk at the University of South Carolina and in 2014 at NBA of Japan. In 1989 and 1990, she was chosen by Mikhail Baryshnikov to choreograph for the American Ballet Theatre Choreographic Workshop. During her tenure, she has choreographed for the Bal de Ballet, an event hosted by the Denver Ballet Guild. Her creations are From Within, Crimson Surges, Unforgettable, Grand Pas Fantastique, Heart Strings, One by One, Set Fire to the Rain, The Secret Garden, Young and Beautiful, and The Charleston. In 2014, she gained critical acclaim for the ballet The Last Beat, which she created on the dancers of Colorado Ballet to the music of DeVotchKa.

Lorita Travaglia, Ballet MistressLorita Travaglia is originally from New Zealand. She received her ballet training at the National School of Ballet and later the Royal Ballet School in London. Lorita made her debut as a professional dancer with the Berlin Ballet. After six years with the Company, she moved to the United States where she worked with Princeton

Ballet, Boston Ballet, Atlanta Ballet and International Ballet Rotaru, dancing solo and principal roles in a wide range of repertoire. Her favorite roles include Odette/Odile in Swan Lake, Swanhilda in Coppelia, Cinderella, Sugarplum Fairy in The Nutcracker and Paquita. In 1992, Lorita returned to New Zealand, but continued to perform as a guest artist with companies in the United States as well as Company Z, a contemporary dance company in New Zealand. Lorita began teaching in 1988 while still performing and studied the Vaganova methodology. She was the principal teacher for a professional training program in Auckland, New Zealand and later, as artistic director of Canyon Concert Ballet in Fort Collins, Colorado, she set up a similar aspirant program. In 1999, Lorita joined Colorado Ballet as director of the Apprentice Program and company repetiteur, and has been ballet mistress since 2006. Her choreography includes Equanimity, Aspects, Pictures at an Exhibition and Piazzolla for Colorado Ballet and a full-length The Nutcracker for Canyon Concert Ballet. Lorita graduated from the Colorado School of Traditional Chinese Medicine in 2000 and has a private practice in Denver. She is an avid tango dancer and is the Creative Director of Parasol Arts.

Adam Flatt, Music Director & Principal Conductor

After making his company debut in 2006, Adam Flatt was invited to become Music Director of Colorado Ballet beginning in the fall of 2007. He has been part of the musical scene in Denver since 2001 when he joined the Colorado Symphony as Associate Conductor. At the CSO, he led over 250 concerts in an acclaimed five-year tenure.

Adam also served a seven-year tenure at the helm of the Denver Young Artists Orchestra, leading the orchestra at home in Denver, on international tours, and at special events including the opening festivities of both the Ellie Caulkins Opera House and the Newman Center at the University of Denver. In addition to his work here at Colorado Ballet, Adam is also music director of regional orchestras in Oregon and Alabama. Also a busy guest conductor, he has led performances with orchestras all over the United States and productions for the major ballet companies of Portland and Salt Lake City. Adam Flatt has his bachelor’s degree with honors in music from the University of California at Berkeley and his master’s degree in instrumental and opera conducting from the Indiana University School of Music.

Catherine Sailer, Associate ConductorCatherine Sailer, Director of Choral Studies at the University of Denver, conducts the Lamont Chorale, Lamont Women’s Chorus and the Evans Choir. She is also the Associate Conductor of the Colorado Ballet Orchestra. Conducting credits include the Atlanta Symphony Orchestra and Chorus, Northeastern Pennsylvania

Philharmonic, Santa Fe Symphony Orchestra, Beijing Symphony, National Symphony, Musica Sacra Chamber Orchestra, National Opera of China, Cabrillo Festival of Contemporary Music, National Symphony Orchestra, Orchestra of St. Luke’s, Central City Opera Chorus, Dale Warland Singers, Kansas City Chorale, Chicago Symphony Chorus, Oregon Bach Festival. She was the winner of Chorus America’s Robert Shaw Conducting Fellowship.


DancersPRINCIPALS

Dana BentonDana Benton was born in Hamilton, Ontario in Canada, where she began her training with Lou and Pauline Zamprogna at The Dance Centre. At the age of 9, she was accepted to the National Ballet School in Toronto where she trained for eight years. Dana graduated from the National Ballet School with Honors in Academics and was awarded the

Peter Dwyer Award for Excellence in Dance. Upon graduating in 2000, Dana received a contract with the Alberta Ballet Company in Canada. She spent one year with the company as an apprentice. In 2001, she joined Colorado Ballet as a Corps de Ballet member. In 2007, she was promoted to Soloist and in 2014, she was promoted to Principal. With Colorado Ballet, Dana has worked with many well-known choreographers and repetiteurs including Val Caniparoli, Bronwen Curry, Judith Fugate, John Gardner, Thierry Michel, Darrell Grand Moultrie, Jessica Lang, Edwaard Liang, Donald Mahler, Amanda McKerrow, Michael Pink, Brian Reeder, Domy Reiter-Soffer, Dwight Rhoden, Amy Seiwert, Paul Sutherland, Lynn Taylor-Corbett, Doug Varone, Shelly Washington, Septime Webre, Christopher Wheeldon and Lila York. Since joining Colorado Ballet, she has performed many Soloist and Principal roles. Her notable roles include Belle in Beauty and the Beast, Swanilda in Coppélia, Cow Girl in Rodeo, Ave Maria Pas de Deux, Sugar Plum and Clara in The Nutcracker, Gulnara in Le Corsaire, Tinker Bell in Peter Pan, Pink and Aqua in Bruch Violin Concerto No. 1, Red Girl in Celts, Lucy in Dracula, Princess Florine and Diamond Fairy in The Sleeping Beauty, Pas de Trois in Swan Lake, Peasant Pas in Giselle, Flower Girl and Cupid in Don Quixote, Hermia and Peaseblossom in A Midsummer Night’s Dream, Flames of Paris Pas de Deux, Bomb Squad in In The Upper Room, Lead Souvenir Lady in the Great Galloping Gottschalk, and the featured role in Amy Seiwert’s Traveling Alone. This is Dana’s 14th season with Colorado Ballet.

Generously sponsored by Montine Hansl and Jane and Skip Netzorg

Viacheslav BuchkovskiyViacheslav Buchkovskiy was born in Ukraine. He began his training at Kharkov State Choreography School in 1990. In 1995, Buchkovskiy entered into the Choreography school in Kiev. Upon graduating in 1999, Buchkovskiy was invited to join the Kiev\Musical Theater as a Principal dancer, where he danced under the direction of People’s

Artist of the U.S.S.R. Valeriy Kovtun. In 2000, he was invited to the 17th Fresh Ballerina Festival in Japan, along with world ballet stars. In 2001, Buchkovskiy was invited to Stanislavskiy and Nemirovish-Danchenko Academic Music Theater in Moscow where he danced numerous leading roles. During his working career in Kiev and Moscow Music Theaters, Buchkovskiy toured the world including the United States, England, Spain, France, Germany, Japan,

China, and Thailand. Buchkovskiy began as a Soloist at Colorado Ballet in 2007 and was promoted to Principal in the 2011-2012 season. During his career with Colorado Ballet, Buchkovskiy has danced leading roles such as the Prince in The Nutcracker, Franz in Coppélia, Harker in Dracula and Lankendem in Le Corsaire, as well as others.

Generously sponsored by Patty Lorie and Peggy Goldman

Chandra KuykendallChandra Kuykendall is from Parker, Colorado and trained at the Academy of Colorado Ballet from 1988 until graduating in 1997. In 1996, she won the Denver Ballet Guild Competition and received the prestigious Florence Rustin Award. She also attended summer programs at the Bolshoi Ballet Academy in Vail (under full

scholarship), Kirov Academy of Ballet, San Francisco Ballet Academy and School of American Ballet. After graduating from the Academy in 1997, Ms. Kuykendall joined Colorado Ballet. She spent the 1998-1999 season with Leipzig Ballet in Leipzig, Germany under the direction of the brilliant choreographer Uwe Scholz. She returned to Colorado Ballet in the fall of 1999. With Colorado Ballet, Ms. Kuykendall has danced numerous principal roles including Princess Aurora and Lilac Fairy in The Sleeping Beauty, Odette/Odile in Swan Lake, Giselle and Myrta in Giselle, Medora in Le Corsaire, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella in Cinderella, Dryad Queen in Don Quixote, Lucy in Dracula, Titania and Helena in A Midsummer Night’s Dream, the principal role in Bruch Violin Concerto No. 1, the Crossover Girl in Twyla Tharp’s In The Upper Room, the Mother in Glen Tetley’s The Rite of Spring, the Brown Girl in Celts, the Kick Girl in George Balanchine’s Rubies and principal role in Theme and Variations. Her favorite of these roles was the tragic Odette/Odile in Swan Lake. She has also been featured in Antony Tudor’s Leaves Are Fading, Stanton Welch’s Of Blessed Memory, Twyla Tharp’s Nine Sinatra Songs, S. Webre’s Where the Wild Things Are, Edwaard Liang’s Feast of the Gods, Jodie Gates’ Embellish, Emery LeCrone’s Archetypes, Val Caniparoli’s In Pieces, Jessica Lang’s From Foreign Lands and People and De Profundis, Mathew Neenan’s The Faraway, Amy Seiwert’s Traveling Alone and Things Left Unsaid, Carmina Burana, Great Galloping Gottschalk, Yes, Virginia, Another Piano Ballet and Martin Fredmann’s A Little Love as well as his Dreamspace shown on PBS. Ms. Kuykendall was featured in the August 2013 issue of 5280 Magazine highlighting seven of Colorado’s athletes. This is Ms. Kuykendall’s 16th season with Colorado Ballet.

Generously sponsored by Joanne Posner-Mayer


DancersDomenico Luciano

Domenico Luciano was born in Naples, Italy and graduated from Royal Teatro di San Carlo Ballet School in Naples in 1999. In the same year, Mr. Luciano was invited to join the Deutsche Oper am Rhein in Dusseldorf, Germany. After dancing with several companies in Europe including Europadance in France, Maggio Danza in Florence,

Teatro Dell’Opera in Rome and Teatro di San Carlo in Naples, in 2004 Mr. Luciano joined Tulsa Ballet as a Demi-Soloist. In 2005, he joined Dominic Walsh Dance Theater in Houston as Principal Dancer. His repertoire includes many of the classical principal leads such as Romeo, Paris, and Benvolio in both Sir Kenneth MacMillan and John Cranko’s Romeo & Juliet; Romeo and Paris in Amedeo Amodio’s Romeo & Juliet with Eleonora Abbagnato, Etoile with Paris Opera Ballet; Solor in La Bayadere, The Prince in The Nutcracker, and Albrecht in Giselle, all by Derek Dean; In the Night by Jerome Robbins; Onegin in John Cranko’s Onegin; Roland Petit’s Ma Pavlova with international ballerina Lucia Lacarra; and Don Jose with the National Ballet of China in Carmen. Mr. Luciano also excels in his contemporary repertoire, which includes George Balanchine’s La Valse; Nacho Duato’s Jardi Tancat and Without Words; and Orfeo in Carole Armitage’s Orfeo and Eurydice. With Dominic Walsh Dance Theater, he performed Matz Ek’s Pas de Dans, Jirí Kylián’s Double You and 27’52’’, and the role of the White Swan in the White Swan pas de deux from Matthew Bourne’s Swan Lake, Le Spectre de la Rose, Desire in Sleeping Beauty, Tybalt in Romeo & Juliet, The Firebird with Paris Opera Ballet Étoile Marie-Agnès Gillot. As an international Principal Guest Artist, Mr. Luciano danced in production with Tulsa Ballet, Ballet Quad Cities, The Sarasota Ballet of Florida, Atlanta Ballet, Grand Rapids Ballet, National Ballet of China and The New National Theater in Tokyo. Mr. Luciano is also invited to various national and International Galas and Dance Festivals. In 2003, he received the Leonide Massine award in Positano, Italy as Best Male Dancer of the Year. In October 2008, the Houston Press named Luciano as “Best Dancer.” He was also named in Pointe Magazine “Standouts: Our 12 favorite performances of 2009” and in 2010 he received the “Young Talent Award” in Florence, Italy at DANZAINFIERA. He joined Colorado Ballet as a soloist in 2013 and was promoted to principal in 2014.

Generously sponsored by Lawrence French and Gregory Sargowicki

Maria MosinaMaria Mosina was born in Moscow and graduated from the Bolshoi Ballet Academy in Russia. Upon graduation, Ms. Mosina joined the Bolshoi Ballet Grigorovich Company and (immediately) was chosen for principal roles. Mosina had toured the world appearing on all major European, American, African and Asian stages. In 1995, Ms. Mosina

was invited by Colorado Ballet to join as a leading principal

dancer. Ms. Mosina performed all major parts in classical productions such as Clara and Sugarplum Fairy in The Nutcracker, Sylphide in La Sylphide, Odette-Odille in Swan Lake, Aurora and Princess Florine in The Sleeping Beauty, Giselle in Giselle, Swanhilda in Coppelia, Kitri in Don Quixote, Juliet in Romeo and Juliet, Talioni in Pas de Quatre, The Dying Swan, Le Spectre de La Rose and pas de deux from Le Corsaire, Talisman, Paquita, Les Sylphides. Ms. Mosina also had the chance to show her talent in neoclassical, modern and contemporary choreographed master pieces such as Balanchine’s Apollo, Rubies, Theme and Variations, Western Symphony, Serenade, Concerto Barocco, Stars and Stripes and Who Cares?, as well as Christopher Weeldon’s A Midsummer Night’s Dream, Peter Pucci’s Size Nine Spirit (as seen on PBS). She has also performed Alvin Ailey’s River, Martha Graham’s monumental Appalachian Spring, Agnes de Mille’s Rodeo, Paul Taylor’s Company B, F.Ashton’s Facade, Antony Tudor’s Leaves are Fading and Echoing of Trumpets, Twyla Tharp’s Nine Sinatra Songs and In The Upper Room, Glen Tetley’s The Rite of Spring, Michael Pink’s Dracula and Hunchback of Notre Dame, S.Welch’s Of Blessed Memory, Val Caniparoli’s In Pieces, Martin Fredmann and Alun Jones’ Romeo and Juliet, and Ben Stevenson’s Cinderella, A Little Love, Mon Dieu, Sechertorte, Silent Woods and Dreamspace (as seen on PBS), Vebre’s Where the Wild Things Are, Clark Tippet’s Bruch Violin Concerto No.1, Matthew Neenan’s The Faraway, Lynn Taylor-Corbett’s Great Galloping Gottschalk, Lar Lubovitch’s ...smile with my heart, Emery LeCrone’s Archetypes, Jodie Gates’ Embellish, Sandra Brown’s The Last Beat, and many more. Ms. Mosina was a featured dancer on the cover of Dance Magazine. She holds a master’s degree in methodology and pedagogy from the Moscow State Academy of Choreography. Ms. Mosina is also an active ballet instructor throughout the United States. She participated as a master teacher and judge for the Youth American Grand Prix. Ms. Mosina performed leading roles in all major productions as a member of the Company, as well as a guest artist with many other festivals, galas, and companies. She is now in her 19th year with Colorado Ballet.

Generously sponsored by Pam and Duke Hartman

Dmitry TrubchanovDmitry Trubchanov is from St. Petersburg, Russia. He began his dance training at the age of 8 at the Academy of Russian Ballet (the school of the Kirov Ballet). Upon his graduation Mr. Trubchanov danced with the Kirov Ballet Company for five years. With the Kirov Ballet Company he traveled to places around the

world including France, Holland, Korea, Turkey and Taiwan. Mr. Trubchanov has performed at the Kirov Ballet Gala performances in Innsbruck, Austria and Syracuse, Sicily. He has danced at the International Ballet Festival of Miami, Florida and the International Dance Festival in Vail, Colorado. Mr. Trubchanov was a guest artist with Universal Ballet Company in Seoul, Korea during their tour to Taiwan. He was also a guest artist at two gala performances held in Fukuoka, Japan. Throughout his career Mr. Trubchanov has danced numerous classical and contemporary ballets and has won acclaim from critics worldwide. Most recently, Mr.


DancersTrubchanov was with the Cincinnati Ballet. Mr. Trubchanov joined Colorado Ballet in 2009 as a Soloist and was promoted to Principal in 2010.

Generously sponsored by Mary Poole and Paul Goodspeed

Alexei TyukovAt age 10, he enrolled in Perm State Ballet Academy and in 1995, he graduated with a red diploma. He started dancing with The Perm Tchaikovsky Opera and Ballet Theatre. In 1998, he won a gold medal in the Senior Men’s division at the Arabesque competition of Perm and received the Mikhail Arnapolskiy prize for the most

talented participant of the competition. During the next four years, Mr. Tyukov performed leading roles and traveled throughout the world. In 1999, he became a Principal dancer with Ballet Internationale and performed leading roles in full-length ballets including Carmen, Phaedra, Creation of The World, Thousand and One Nights, La Fille Mal Garde’, Cinderella, Fire Bird and Napoli. With Ballet Internationale, he danced throughout the United States and in Taiwan, China, Canada, Germany and France. In 2006, he joined Cincinnati Ballet as a Principal and performed classical and contemporary works. Mr. Tyukov has also participated in numerous galas including La Gala Des Etoiles in Montreal, Stars of Mariinskiy in Germany, International Gala in South Korea, and Russian Stars in memory of Galina Ulanova. He has been a guest artist in Amsterdam, Croatia, Japan and several American ballet companies. Mr. Tyukov has received many great reviews from The New York Times, Le Figaro, Los Angeles Times and Financial Times UK. He is a candidate of Master of Sports for Figure Skating. This is his 19th season performing with ballet companies and 7th season with Colorado Ballet.

Generously sponsored by Sandy Elliott

Sharon WehnerSharon Wehner is originally from San Jose, California. She trained with Jody White and David Roxander, San Jose Dance Theatre, San Francisco Ballet and San Jose/Cleveland Ballet. Ms. Wehner joined Colorado Ballet in 1995 and was promoted to Principal in 1999, and in the last 18 years, has performed many lead roles with

the Company. These include Kitri in Don Quixote, Giselle in Giselle, Odette/Odile in Swan Lake, Medora in Le Corsaire, Aurora in The Sleeping Beauty, Swanilda in Coppelia, Mina in Dracula, Juliet in Romeo & Juliet, the Cowgirl in Rodeo, the Sugarplum Fairy in The Nutcracker, Cinderella in Cinderella, Esmerelda in The Hunchback of Notre Dame, Helena in A Midsummer Night’s Dream, the Principal couple in Balanchine’s Stars and Stripes, Rubies, and Theme and Variations, Antony Tudor’s Leaves are Fading, and Twyla Tharpe’s In The Upper Room. She has been honored to have solos and pas de deauxs created on her by choreographers

Val Caniparoli, Edwaard Liang, Mathew Neenan, Christopher Wheeldon, Darrel Grand Moultrie, Dwight Rhoden, Jessica Lang, Brian Reeder and Toru Shimazaki. In addition to Colorado Ballet, Ms. Wehner has also performed with The Washington Ballet, Oakland Ballet and Amy Seiwert’s Imagery. She has also been a guest artist at the Vail International Dance Festival, and in Japan in the Aoyama Ballet Festival, and the National Ballet of Japan’s Golden Ballet Co-star. Sharon enjoys teaching dance to all ages and abilities, particularly Dance For Parkinson’s Disease.

Generously sponsored by Raydean Acevedo

SOLOISTS

Shelby DyerShelby Dyer is a soloist with Colorado Ballet. She joined the company in 2006 after working professionally with Ballet Internationale Indianapolis, Tulsa Ballet and Cincinnati Ballet. She has had the pleasure of performing in the Florida International Ballet Gala, the Stars of the Russian National Ballet Gala in Chicago and the Vail

International Dance Festival. Some of Dyer’s most notable roles include Lisa in La Fille Mal Gardee, Wendy in Peter Pan, Myrtha in Giselle, Lilac Fairy in The Sleeping Beauty, Fairy Godmother in Cinderella, Dryad Queen in Don Quixote, Gulnara and Third Odalisque in Le Corsaire, Big Swan and Pas de Trois in Swan Lake and Sugar Plum Fairy in The Nutcracker.

Generously sponsored by Katherine and Michael Whitcomb

Jesse MarksJesse Marks is from Bloomington, Indiana. An aspiring cellist from the age of 6, he studied at the IU School of Music and was the awarded the first chair of the Paris Youth Symphony in 1996. Mr. Marks also began his dancing at Indiana University under the tutelage of Violette Verdy. In 2000 he was awarded a full scholarship

at San Francisco Ballet School where he studied primarily with Jorge Esquivel. Mr. Marks joined Colorado Ballet in 2002, and was promoted to Soloist in 2008. During his time with the Company he has performed works by George Balanchine, Antony Tudor, Paul Taylor, Twyla Tharp, Christopher Wheeldon and Lar Lubovich, among others. He has also had the privilege of working with and performing world premieres by many choreographers including Dwight Rhoden, Edwaard Liang, Rennie Harris, Amy Seiwert and Jessica Lang. His notable roles include ‘The Chosen One’ in The Right of Spring, Mercutio in Romeo and Juliet, the Jester in Cinderella, the Nutcracker Prince in The Nutcracker, Lankendem in Le Corsaire, Bluebird in The Sleeping Beauty,


and Blue Boy in Yes, Virginia, Another Piano Ballet. In 2009, Mr. Marks took leave from Colorado Ballet and moved to New York City. While there, he was given the opportunity to join the Metropolitan Opera and dance the principal role of Rinaldo in its production of Armida. During his year away, he also danced with Ballet X and made guest appearances with Delta Festival Ballet, Neglia Ballet and Lydia Johnson Dance. For the past three seasons, Marks has also had the opportunity to join Dances Patrelle during its spring season in New York.

Generously sponsored by Janis and Jim Brewster

Asuka SasakiAsuka Sasaki was born in Nagano, Japan where she started training with Emiko Kojima at the Emiko Kojima Ballet School. She also received training from Yoshimi Yo, before training at the Beijing Dance Academy in China. After two years of training in China, Sasaki joined Canada’s prestigious Royal Winnipeg Ballet as an Apprentice. In

2004, she became an Apprentice with Colorado Ballet, and formally joined the Company in 2005. With Colorado Ballet, she has worked with accomplished choreographers such as Eldar Aliev, Michael Pink, Martin Fredmann, Lila York, Shelly Washington, Jessica Lang, Dwight Rhoden, Edwaard Liang and Amy Seiwert. Sasaki has danced many soloist roles with the Company. Her notable roles include, Clara and Dew Drop in The Nutcracker, Mercedes and Flower Girl in Don Quixote, Gulnara in Le Corsaire, Pas de Trois in Swan Lake, Peasant Pas de Deux and Molina in Giselle, Fleur de Farine, Miettis Fairy and Jewells in The Sleeping Beauty and Autumn Fairy in Cinderella. In 2006, Sasaki guest danced the Pas de Deux of Le Corsaire in Tokyo, Japan.

Generously sponsored by Debby Herz

CORPS DE BALLET

Joshua AllenbackJosh Allenback, a native of Colorado, has been dancing since he was 4 years old. He has studied, on scholarship, with American Ballet Theatre, The Rock School, and Joffrey Ballet. He is also a former member of Houston Ballet II as well as Ballet San Antonio. Josh has performed many principal roles including Firebird’s Katchi, Giselle’s

Prince Albrecht, Cavalier and Snow King in The Nutcracker, and Prince Florimund in The Sleeping Beauty.

Ariel BreitmanAriel Breitman of Huntingdon Valley, Pennsylvania, began his dance training at the age of eight with the Boys Scholarship Program of Metropolitan Ballet Academy directed by Lisa Collins. At sixteen, Ariel moved to New York City to train with Edward Ellison, director of Ellison Ballet-Professional Training Program.

While in New York, Ariel performed roles such as Jerome from Flames of Paris, Basilio’s Variation from Don Quixote, the Poet’s Variation from Chopiniana, James’ Variation from La Sylphide, and Cavalier from The Nutcracker. In 2012 and 2013, Ariel earned three gold medals from the Youth America Grand Prix competition and one silver medal in 2013 from the Tanzolymp International Ballet Competition in Berlin. After graduating from Ellison Ballet, Ariel joined The Washington Ballet Studio Company for one season, performing roles such as Liza in George Balanchine’s Who Cares and John Darling in Septime Webre’s Peter Pan. His repertory also includes the Grand Pas de Deux from La Esmeralda, Flames of Paris, and The Nutcracker, as well as the Diana and Acteon Pas de Deux from La Esmeralda, the Pas de Trois from Swan Lake, and the Pas de Quatre from Raymonda. Most recently, Ariel was invited to compete in the 2014 USA International Ballet Competition in Jackson, Mississippi, where he performed with his partner in the final round and galas. Ariel is beginning his first season with Colorado Ballet.

Morgan BuchananMorgan Buchanan is from Houston, Texas. She trained at the Ballet Center of Houston under the direction of Victoria Vittum and Gilbert Rome. Ms. Buchanan also trained at Houston Ballet’s Ben Stevenson Academy for two years, under the direction of Sally Rojas and Sabrina Lenzi, where she earned the highest final evaluation

variation score in her class. Before joining the Colorado Ballet Studio Company in 2009, Ms. Buchanan attended summer programs with American Ballet Theatre, Orlando Ballet and Houston Ballet. In 2011, she performed in Emery LeCrone’s Archetypes at the Vail International Dance Festival. Her notable roles with Colorado Ballet include Wendy in Michael Pink’s Peter Pan, Vitality Fairy and Jewels in The Sleeping Beauty, Moyna in Giselle, and Autumn Fairy and Fairy Godmother in Ben Stevenson’s Cinderella.

Casey DaltonCasey Dalton is from Boston, Massachusetts and studied with Rudolph Kharatian at the School of Washington Ballet and with Alla Sizova at the Kirov Academy of Ballet in Washington, D.C. She joined Colorado Ballet in 2004. Some of her favorite roles have included the Dumpy Stepsister in Cinderella, Doll in The Nutcracker,

Dancers


DancersTwo Ladies in Leaves are Fading, Max’s Toys in Where the Wild Things Are, lead Czardas and Mazurka in Coppélia, the White Cat and Happiness Fairy in The Sleeping Beauty, a soloist in Le Sacre du Printemps, Little Swans in Swan Lake, Amor in Don Quixote, one of the Trio Ladies in Great Galloping Gottschalk, Michael in Peter Pan, Gypsy in Romeo and Juliet, the Spring Fairy in Cinderella and original roles in ballets by choreographers such as Matthew Neenan, Dwight Rhoden, Jodie Gates, and many more.

Emily DixonEmily was born in Lubbock, Texas, and she was raised in Colleyville, Texas. She received her training at the Ballet Academy of Texas under the direction of Lisa Slagle. Upon graduating high school, Emily joined Tulsa Ballet II where she danced for two seasons. In 2009, Emily accepted a corps de ballet contract with The Sarasota

Ballet. During her five seasons in Sarasota, Emily had the opportunity to perform a wide variety of repertoire including works by Sir Frederick Ashton, George Balanchine, Christopher Wheeldon, Antony Tudor, Paul Taylor, Sir Peter Wright, Will Tuckett, Matthew Bourne, Dominic Walsh, Peter Darrell, Agnes De Mille, Johan Kobborg, among others. Some highlights in her career include performing in Ashton’s Monotones II; 5 girls in Balanchine’s Who Cares?; Surabaya Johnny in Christopher Wheeldon’s There Where She Loved; Emilia in Peter Darrell’s Othello; The Violetta Elvin Solo in Ashton’s Birthday Offering; and the pas de deux in Will Tuckett’s Speilende Kinder. Other favorite ballets in Emily’s repertoire include Balanchine’s Donizetti Variations, The Four Temperaments, Diamonds, and Serenade; Ashton’s Les Patineurs, La Fille Mal Gardee, and The Two Pigeons. Emily also had the opportunity to perform both Diamonds and Les Patineurs at the Kennedy Center in Washington D.C. with the Sarasota Ballet. This is Emily’s first season with Colorado Ballet.

Francisco EstevezBorn in Quito, Ecuador, Francisco moved to the USA in 1995. He began his ballet training in Louisville, Kentucky and at the age of 16 moved to New York to study at the School of American Ballet where he graduated in 2008. In 2008, Francisco joined Boston Ballet under the direction of Mikko Nissinen. In 2010, Francisco joined

the Barcelona Ballet (previously Corella Ballet) under the direction of Angel Corella. As a member of this company, he toured internationally, performing in various U.S. cities including Los Angeles, Seattle, Houston, New York, as well as many international venues in Europe, Africa, and Central America. In 2011, Francisco won 1st Place at the Premio Internacional de Danza Roseta Mauri. He has also modeled for Intermezzo dancewear’s 2013 and 2014 line. He has also performed soloist and principal roles with the New York City Ballet on various occasions. His featured roles includes George Balanchine’s 1st and 2nd themes from The Four Temperaments, Balanchine’s Tarantella and Valse Fantasie, Jorma Elo’s Carmen Illusions, Jerome Robbins’ Fancy Free

and 2 & 3 Part Inventions, Peter Martin’s Les Gentilhommes, Christopher Wheeldon’s For Four, DGV, Polyphonia and VIII, Clark Tippet’s Bruch Violin Concerto, Twyla Tharp’s In the Upper Room, Stanton Welch’s Clear, the wedding pas de deux and jewels from Sleeping Beauty, Franz in Coppelia, the Ali variation from Le Corsaire, Benno and Neopolitan in Swan Lake, the peasant pas de deux from Giselle, and the pas de six from Napoli, the role of Nutcracker Prince in The Nutcracker, and Jester in Ben Stevenson’s Cinderella. Francisco is also a professional photographer and a student at Harvard University. Francisco joined Colorado Ballet in 2013.

Kevin HaleBorn in Warren, New Jersey but raised in England, Kevin began dancing at the age of 5. At the age of 11, he was accepted into The Royal Ballet School where he graduated from in July 2013. Kevin has won the Kenneth McMillan Choreographic Competition twice and had one of his ballets performed at the school’s annual

show at the Royal Opera House. During his graduate year, Kevin performed with The Royal Ballet in various ballets including Swan Lake, The Nutcracker, La Valse and The Sleeping Beauty. His repertoire also includes Jirí Bubenícek’s Canon in D Major, Bejart’s 7 Greek Dances and Ashley Page’s Larina Waltz. He has also been featured as a dancer on the BBC. Kevin joined the Colorado Ballet in 2013. During the 2013-2014 season, Kevin performed as one of the Stepsisters in Ben Stevenson’s Cinderella. This is Kevin’s second season with Company.

Klara HoudetA native of Réunion, France, Klara Houdet trained at the Paris Opéra Ballet School. When she turned 17, Jean-Christophe Maillot invited her to join Les Ballets de Monte Carlo, where she was promoted to second soloist. In 2007, Klara joined the National Ballet of Canada, where she danced the majority of the classical repertoire and also

Balanchine’ s The Four Temperaments and Symphony in C, Robbins’ Glass Pieces and Forsythe’ s Second Detail. She also worked with choreographers, namely John Neumeier, Reid Anderson, Crystal Pite, James Kudelka, Aszure Barton, Davide Bombana, Christopher Bruce and Ronald Hynd. Klara was sponsored by Mrs. Lucy White, through the “Dancer’s First” program and in 2009 she was awarded the William Marrie Award for Dramatic Achievement from the National Ballet of Canada. In 2010, she won the gold medal at the International Ballet Competition in Sibiu, Romania, and the first contemporary prize at the Shanghai International Ballet Competition in 2001. From 2010 to 2011, she was invited as a guest artist to perform various pas de deux such as Don Quixote, Grand Pas Classique, Tchaikovsky Pas de Deux, Nutcracker Grand Pas and the Bluebird Pas de Deux. More recently, the American Ballet Theatre invited her to dance in their production of La Bayadere at the Kennedy Center, Washington. Klara joined Colorado Ballet in July 2012. Since then, Klara was given the opportunity to perform the


Vitality Fairy, Blue Bird Pas de Deux and Jewel Silver in The Sleeping Beauty and the Spanish and Marzipan dance in The Nutcracker. She also danced in Theme and Variations, The Rite of Spring and Light/The Holocaust & Humanity Project. She also took part in Val Caniparoli’s world premiere, In Pieces.

Tracy JonesBorn in Cork, Ireland, Tracy began to dance at the age of 5 with Ballet Theatre Ireland. From the age of 11, she trained at The Royal Ballet School where she graduated from in 2007. In 2006, Tracy was a winner of the Ursula Moreton choreographic competition and a finalist of the Young British Dancer of the Year. During her graduate

year, Tracy performed with the Royal Ballet in various ballets and joined them on their 2007 International tour to Mexico and the USA. Upon graduating, Tracy joined the English National Ballet as an Artist where she performed all over the UK and toured to Beijing, China. From 2008 to 2012, Tracy was a member of the Barcelona Ballet (previously Corella Ballet) under the direction of Angel Corella. With this company, Tracy had the opportunity to dance various soloist and principal roles including the 3rd principal couple in Christopher Wheeldon’s DGV, the 3rd Shade variation in Natalia Makarova’s La Bayadere, Pas de Trois and Big Swans in Swan Lake, Twyla Tharp’s In the Upper Room and Jerome Robbins’ Fancy Free, among others. She also created a role in Russell Ducker’s Epimitheus for New York City Center in 2010. Tracy has modeled for Wear Moi’s 2011 dance catalog and Intermezzo’s 2013 & 2014 catalogs. She also designs and makes her own line of ballet skirts under the name Tulips by Tracy. Tracy joined Colorado Ballet during the 2012-13 season. In June 2013, she was named as one of 10 “Stars in the Corps” by Pointe Magazine. Since joining the company, Tracy has enjoyed performing the Arabian divertissement in The Nutcracker, Summer Fairy in Cinderella and the principal couple in Sandra Brown’s The Last Beat.

Christophor MoultonChristophor Moulton is from Colorado Springs, Colorado. He is a graduate of the Harid Conservatory in Florida, where he trained under Svetlana Osiyeva, Olivier Pardina and Victoria Schnider. During his years at Harid, Moulton performed numerous roles including Siegfried in Swan Lake and Cavalier in The Nutcracker. He also studied for

a year at the Jacquelyn Kennedy Onassis School under Franco Devita. Moulton is a recipient of the 2007 Rudolph Nureyev Education Fellowship. Moulton joined Colorado Ballet’s Studio Company in 2009 and was promoted into the Company in 2010. During that time he has danced several roles including Toreador in Don Quixote, God of the Wind in Beauty and the Beast and The Old Man in Eventually.

Sean OmandamSean Omandam is from Fresno, California, where he began his training with Shirley Winters. He later went on to train on full scholarship at the Harid Conservatory in Boca Raton, Florida under the instruction of Victoria Schneider, Olivier Pardina and Svetlana Osiyeva. Upon his graduation in 2004, he joined

Colorado Ballet’s Studio Company, and was promoted into the Company in 2005. With Colorado Ballet, Mr. Omandam has performed a variety of featured roles including Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, Whip Boy in Glen Tetley’s The Rite of Spring, John Darling in Michael Pink’s Peter Pan, Green Man in Lila York’s Celts, Champion Roper in Agnes de Mille’s Rodeo, Max in Septime Webre’s Where the Wild Things Are and Russian in Martin Freedman’s The Nutcracker. His repertory also includes works by Lar Lubovitch, Amy Seiwert, Edwaard Liang, Jodie Gates, Matthew Neenan, Dwight Rhoden, Darrell Grand Moultire, and Jessica Lang, among others. In 2007, he was a competitor and gala performer at the New York International Ballet Competition. In the summer of 2013, Mr. Omandam was featured as a contestant on the premiere season of the South Korean television show, Dancing 9.

Emily SpeedEmily Speed is originally from Argyle, TX and began her professional training under Marina Almayeva. In 2006, she was a Finalist at World Ballet Competition, in Orlando, Florida. Ms. Speed won first place in the classical division at the 2007 Youth American Grand Prix Regionals. Emily was one out of a hundred participants worldwide

who qualified and competed in the 2010 Varna International Ballet Competition in Varna, Bulgaria and this past summer went to the USA IBC in Jackson, MS. During her career, she has danced professionally with Alabama Ballet, Ballet Tucson and Boulder Ballet. Ms. Speed has performed multiple principle and soloist roles including, Flower Girl and Mercedes in Don Quixote, roles in George Balanchine’s Serenade and The Nutcracker, Anthony Tudor’s Lilac Garden and Continuo, Daniel Precup’s Bolero, Third Act Raymonda, The Wedding Pas de Duex from Don Quixote, The Fairy Doll Pas de Trios staged by Amanda McKerrow and John Gardner and most recently Clara in The Nutcracker. She has been invited to guest with various schools and companies around the U.S. as well as international festivals and gala performances. Emily is very excited about joining Colorado Ballet for the 2014-2015 season.

Dancers


DancersKevin Gaël Thomas

Kevin Gaël Thomas is from France and studied at Rosella Hightower’s International Ballet Center and at Canada’s National Ballet School, where he received a full scholarship and graduated in 2006, with honors. Mr. Thomas also graduated with honors from the Music Conservatory in France for piano. He then danced for a year

with Houston Ballet II. Mr. Thomas joined Colorado Ballet in 2007. During his first season, he performed well-known roles such as Fritz and Russian in The Nutcracker. He then performed Soloist roles in Colorado Ballet productions including Blue Bird and Jewels in The Sleeping Beauty, the Whip Boy in Glen Tetley’s The Rite of Spring, Demi Soloist in Theme and Variations, and Jester in Ben Stevenson’s Cinderella. In 2012, he received his first principal role as Peter in Michael Pink’s Peter Pan. Mr. Thomas was chosen to represent France at the New York International Ballet Competition in 2009 and at the USA Jackson International Ballet Competition in 2010.

Luis ValdesLuis Valdes was born in Matanzas, Cuba, and joined Colorado Ballet in 2005. Previously, he performed with the National Ballet of Cuba and Cincinnati Ballet. Mr. Valdes’ favorite role with Colorado Ballet is Espada in Don Quixote. Since joining Colorado Ballet, Valdes has had the opportunity to dance as a guest in modern dance pieces

in Florida, New York, and Iowa. He has had the chance to perform in new works by Val Caniparoli and Amy Seiwert. Mr. Valdes also enjoyed the opportunity to perform The Rite of Spring in Colorado Ballet’s Ballet MasterWorks during the 2012-2013 season. Some of his favorite choreography includes Twyla Tharp’s In The Upper Room, Paul Taylor’s Company B and Antony Tudor’s Echoing of Trumpets.

Kevin WilsonKevin Wilson was born in Durango, Colorado. He is a graduate of the Harid Conservatory in Florida, where he trained under Svetlana Osiyeva, Olivier Pardina and Victoria Schnider. He received the Dance Achievement Award for two consecutive years. Kevin has been a member of Colorado Ballet for six years. He had the pleasure of

dancing in the Corps for Bruch Violin Concerto No. 1 and the wedding scene from A Midsummer Night’s Dream.

Ben WinegarBen Winegar is from Grand Rapids, Michigan. He began his training at the School of the Grand Rapids Ballet at the age of 11. There he was trained by Attila Mosolygo, Gaiane Akopian, and Akop Akopian, and was given the opportunity to perform in several ballets with the Grand Rapids Ballet Company. In 2010, Ben spent a year training at

the School of American Ballet. Upon graduating, he danced one season with the Los Angeles Ballet under the direction of Thordal Christensen and Colleen Neary. This is Ben’s third season as a member of Colorado Ballet.

Melissa ZoebischMelissa grew up in Mexico and studied at the Chamber Ballet of Jalisco. She was awarded a scholarship to attend for a year at the Kirov Academy of Ballet in Mme. Sizova’s class, and returned to Mexico to graduate in 2004. Throughout her school years, she participated in many workshops around the world including: Cuba,

Canada, Austria, Spain and the United States. In 2005, Ms. Zoebisch joined the National Dance Company, where she obtained soloist roles in her first year in ballets including Swan Lake, The Nutcracker, Sleeping Beauty and Carmen. Her other repertoire includes principal roles in Giselle, Sleeping Beauty, The Nutcracker, Pas de Deux from Le Corsaire, original contemporary choreographies, and many others. She was a finalist at the Korea International Ballet Competition, 2010; recipient of a Special Award KIBC. Before joining the Colorado Ballet in 2014, she had been freelancing with her husband around the country.

Headshots by Allen Birnbach


Guest ArtistsChristopher Wheeldon, Director & Choreographer

Christopher Wheeldon joined New York City Ballet in 1993 and was promoted to Soloist in 1998. He served as NYCB’s first-ever Artist in Residence in 2000/01 and was named NYCB’s first Resident Choreographer in July 2001. Since then he has choreographed at least one ballet a year for NYCB. Outside the ballet world, he choreographed

Dance of the Hours for the Metropolitan Opera’s production of Ponchielli’s La Gioconda (2006), as well as ballet sequences for the feature film Center Stage (2000) and Sweet Smell of Success on Broadway (2002). In 2007, Wheeldon founded Morphoses/The Wheeldon Company. In 2009, Wheeldon worked with Richard Eyre on a production of the opera Carmen at the Metropolitan Opera House and in 2010 his new version of The Sleeping Beauty had its premiere with The Royal Danish Ballet. His new full-length ballet Alice’s Adventures in Wonderland was created for The Royal Ballet and given its premiere at the Royal Opera House on 28 February 2011. Thirteen Diversions (created for American Ballet Theatre 2011) and Les Carrillons world premier formed an all Wheeldon evening at the NYCB in January 2012. In 2014 Chris is creating a full length version of A Winters Tale for the Royal Ballet and directing and choreographing a musical version of An American In Paris which will premiere in Paris at the Chatelet Theatre. His awards include the Martin E. Segal Award from Lincoln Center, the American Choreography Award, a Dance Magazine Award, the London Critic’s Circle Award for best new ballet for Polyphonia, two time Olivier award winner most recently for Aeternum choreographed in January 2013 for the Royal Ballet. Mr. Wheeldon’s recent production of Cinderella won the 2013 Benois De La Danse.

Gregory K. Gonzales, Guest DancerGregory graduated from the University of Northern Colorado with a degree in Kinesiology/Dance. His teachers include Larry Boyette, James Clouser, Nadia Tikhanova, Milenko Banovic and Sandra Minton among others. He received a scholarship in dance and Best Dancer Award while at UNC and was a full scholarship student at

the American Dance Festival. Gregory spent the bulk of his career at Colorado Ballet where he was promoted to principal in 1997 and danced leading roles as well as character roles in works by major choreographers such as Martha Graham, Agnes de Mille, George Balanchine, Eugene Loring, Christopher Wheeldon, Toru Shimazaki and Doug Varone. Gregory has also danced with Ballet Pacifica, Ballet Arizona, Nevada Dance Theater, David Taylor Dance Theater, Kim Robards Dance, The Wylliams-Henry Dance Theater and Zikr Dance, among others. He has danced with Opera Colorado and as a principal for Les Ballets Grandiva completing a multicity tour of Japan in the summer of 2011. Gregory was a co-founder of On Edge Productions staging combat and comedy at numerous festivals. He was adjudicated by The Society of American Fight Directors and was recommended in rapier and dagger. He was a Choreographer in Residence for Colorado Ballet from 2003-2004 and created such works

as Carmina Burana, Peter Pan (both co-choreographed), Broken Web, Incantation and Last Breath. Gregory has also set work for the David Taylor Dance Theater, Ballet Ariel, University of Northern Colorado and Denver Independent Choreographer’s Project, as well as others. He plays guitar for the Natural Tango Oquesta Tipica and also enjoys theater and film work and has been cast in several independent film projects in the Denver area.

Amanda Balestrieri, SopranoEnglish soprano Amanda Balestrieri’s singing has been described by critics as ‘unusually versatile,’ ‘gorgeous,’ ‘resplendent,’ ‘thrilling,’ and ‘absolutely divine.’ She received her MA from Oxford University, studied voice in London and Milan, performed in Europe, and appeared on the soundtrack for the film Amadeus. Equally skilled in baroque to contemporary repertoire, Ms. Balestrieri has appeared with the National Symphony in the Kennedy Center, performed recitals at the 92nd Street Y and the Phillips Collection, and been broadcast on NPR’s Performance Today and Colorado Public Radio’s Colorado Spotlight. She has been featured with major period instrument ensembles throughout the U.S., including Opera Lafayette, New York Collegium, Concert Royal of New York, the Smithsonian Chamber Players, the Folger Consort, the Washington Bach Consort, and American Bach Soloists. Recent Colorado performances include those with the Colorado Symphony, Fort Collins Symphony, Boulder Bach Festival, Pro Musica Colorado, Seicento Baroque, and Baroque Chamber Orchestra of Colorado. Ms. Balestrieri was nominated for a ‘Wammie’ as Best Classical Vocalist in Washington D.C., and recorded for Virginia Arts, Dorian, and Koch.

Ana Spadoni, SopranoAnna Spadoni is originally from Brazil, where she started her vocal studies with the renowned Brazilian soprano Neyde Thomas. In 2007 she moved to New York City to further her education at Manhattan School of Music. Anna recently completed a Master’s degree in Vocal Performance at University of Denver’s Lamont School of Music, under the guidance of Larry Glenn and Sara Bardill. Ms. Spadoni has portrayed several leading roles, both in school and professional engagements, being praised for her theatrical presence on stage and expressive lyrical lines. Recent performances include Donna Anna in Don Giovanni, Adina in Don Pasquale, Susanna in Le Nozze di Figaro, Mademoiselle Silberklang in Der Schauspieldirektor, Lauretta in Gianni Schicchi, and Pamina in Die Zauberflöte, which was televised nationally in Brazil.

Colorado Children’s Chorale, ChorusSince 1974, the Colorado Children’s Chorale has brought its artistry and charm to audiences throughout the world. With a diverse repertoire ranging from fully staged opera and musical theater to standard choral compositions in classical, folk and popular traditions, the Chorale performs with an innovative stage presentation and a unique theatrical spirit. The Colorado Children’s Chorale annually trains 500 members between the ages of 7 and 14 from all ethnicities and socio-economic backgrounds representing more than 180 schools in the Denver metro area and beyond. Since its founding in 1974, the Chorale has sung countless performances with some of the world’s finest performing arts organizations, performed for numerous dignitaries, and appeared in several television and radio broadcasts.


Colorado Ballet Studio CompanyFrom top (left to right): 1st Row: Bryton Foster, Toni Martin, Raul Orozco, Tyler Rhoads

2nd Row: Michelle Ludwig, Melissa Meng, Kelly Dornan, Molly Huempfner

3rd Row: Tracy Fuller, Abigail Cotter, Bryce Lee

Row 4: Kurtis Irwin, Mackenzie Fey, Kristine Padgett, Phoebe Magna

Row 5: Molly Klug, Hannah Stolrow, Ryan Lee

Row 6: Zoe Stein, Siobhan Stocks-Lyon, Regan Kucera

Front: Amanda Townley

Akira Endo 1938-2014With sadness, Colorado Ballet notes the passing of former Music Director Akira Endo on April 3, 2014.

Maestro Endo joined our company in 2001, conducting most of Colorado Ballet’s performances until his retirement 2006.

Maestro Endo was concurrently director of orchestral studies at the University of Colorado at Boulder. In a distinguished career prior to his work in Colorado he had served a highly acclaimed, decade-long tenure as Music Director of American Ballet Theatre from 1969-79 where he conducted the American debuts of Mikhail Baryshnikov and Natalia Makarova and worked with most of the other notable

dancers of the day including Nureyev and Fonteyn. He also had been Music Director of Pittsburgh Ballet Theatre, Miami City Ballet, and the symphony orchestras of Louisville, Austin, San Antonio, Long Beach, and Hamilton (Ontario). He was guest conductor of major orchestras all over the world.

His conducting was characterized by a distinctive elegance and a quiet but highly focused economy of gesture. He was superbly attuned to choreography and the needs of individual dancers, who repaid him with esteem and affection. Orchestra musicians and conducting colleagues who had known him here and in the many other places he performed respected his musicianship highly and treasured his quirky humor and generosity.

–Adam Flatt

David Jaramillo 1934-2014David Jaramillo, the longtime Property Master of Colorado Ballet passed away on June 24. 2014. David had worked for the ballet for the last 25 years.

David’s love of the opera and the stage led him to join the ranks of the International Alliance of Theatrical Stage Employees Union

(IATSE) at the age of 18. David met his wife, Bobby, during a tour of Hello Dolly! and they both moved to New York City. In New York, David was a part of the original productions of many shows including Jesus Christ Superstar, Company, Peter Pan and worked with legendary performers such as Mary Martin, Ethel Merman, Robert Preston and many more.

After the birth of their three daughters, David and Bobby moved back to Denver where he continued to work as a stagehand.

David fought various forms of cancer for the past 15 years and yet he never missed a performance due to his illness. He is possibly the only property master to know all his prop cues to The Nutcracker by the music alone. He also loved opera, particularly Rigoletto, Carmen and La Boheme. David’s passion for the arts has kept him strong and he will be missed not by his family but all the dancers, production crew and artistic staff of Colorado Ballet as well as his fellow IATSE union members.

–Pete Nielson


Supporters of Colorado Ballet

Leadership Circle$100,000+ Corporations,

Foundations, and Government Agencies

Colorado Ballet AuxiliarySCFDIndividual DonorsRaydean AcevedoJoanne Posner Mayer

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Bonfils-Stanton Foundation

The Gates Family Foundation

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ChaseHolly Baroway and Erik

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ProgramIndividual DonorsV. Gene and V. Arlone

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Richard WarynPatty LorieMary Meade and David

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Frame

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Caulkins Family Foundation

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Individual DonorsPeggy A. Battalora, M.D.Julie and Michael BockJoseph J. Bronesky and

Jacquelin A. MedinaDaniel and Aimee Sporer

CaplisDr. and Mrs. Alan ComoDonna and Ted ConnollyPatty and Don CookKaren and William CurtisCarolyn E. DanielsJoseph M. DemmlerLynn Bolinske DolvenJohn M. FoxMelissa and Mark GarlandPamela and Barry GatzMarla and Richard GentryCharlotte and Guy GeolyLaura GoodmanDr. Frederick and Mrs.

Carol GroverCeleste and Jack

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HahnMargaret S. HanssonNoel and Terry Hefty Nancy and Clifford HickeyDr. Peter Kennealey and

Dr. Colleen Murphy Margaret and Edward

LeedeDiane and Steve LevineJanet and John

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McDonaldMargaret R. Jurado and

V.W. McKnabCarol McMurry and

Patrick Spieles Dee and Gene MilsteinSean and Jocelyn MurphySue PawlikHarry Peisach

As of August 29, 2014


Supporters of Colorado BalletBonnie C. PerkinsDaryl A. RussellArthur L. SeidenEileen Sharkey and James

DarlingTom and Nina SiskPhoebe SmedleyDr. Carol A. StammHarry M. Sterling and

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Bernice Yost

Artist Circle $250+ Corporations,


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EnterprisesRSVPWilliams Family FundIndividual DonorsLisa and Rob AdamsMimi AffeldDr. Frank and Mrs. Celia

AndersonMarcia and Rick AshtonRoss BarnhartBrady BehrendtBrian BennettKathy and Bjorn BorgenVirginia BoucherMichael Breed and Cheryl

RistigJoan and Lawrence

Brennan

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Gunlikson, Jr.Sara HaleDiane D. HenryArlene and Barry

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L. SolichGeorge Langworthy, Sr.Michael MallettMargaretha Maloney and

Robert PalaichTimothy McCutcheonMelba and Steve McDanalAnne MeadeMarilyn Sundt and

Andrew MirdikDrs. Harold and Sarah

NelsonJudi and Robert NewmanSusan and Dan

PaulienDebra PiazzaMelinda QuiattMr. and Mrs. George W.

QuinbyMark and Martha Graves

ReeseRichard Replin and Elissa

SteinCarolyn and John RiedlinCarol RogerPaula and David RoneyDr. Richard and Mrs. Jo

SandersAndrea SalesRuth SchoeningNancy Huston SchuleinToni and Andrew SmolenLisa and Bill SniderArthur StrasburgerIrene and Joseph

Szyliowicz

Klasina VanderwerfJoyce and James Wilson

In memory of David Jaramillo

Charles A. Wilson Jr.

In memory of Katharyn Jenkins

Stephen and Debra Whitman

In honor of Dick Saunders

Barry and Arlene Hirschfeld

In honor of Dr. Barbara R. Reed

Barbara BreslinCharles CrowleyLawrence and Nancy

KueterVerna LovatoKurt and Gina MelstromRichard and Barbara

SimonsRonald and Mary

ShoemakerBetty and Lloyd

SteinmannMarilyn and Jim WilsonJean and John Wingquist

Moving into the Future Capital Campaign Leaders

Annie AcheeDavid AndrewsAnschutz FoundationLisa AppelHugh and Jean ArmstrongBill and Liz ArmstrongRick and Marcia AshtonBrent and Melanie BackesLeslie Martel Baer and

Matthew Lee ArnoldSusan and Steve BaileyEllen Balaguer Bardsley FoundationFrank and Cheryl Van-

Hoose Barone Holly Baroway and Erik

CederlundDennis BarrettKatherine Barrett Lee Bayswater, LLCBrian and Colleen Becker John and Marjorie

Berman


Supporters of Colorado BalletBonfils-Stanton

Foundation Melissa BraggMartha BrasselJanis and Jim Brewster Gleneen and Joe BrienzaSarah Semple BrownJames and Susanne

Buchanan Ellen BywatersDaniel and Aimee CaplisCarson Pfafflin Family

Foundation Chambers Family FundStephen and Lia Clark Craig Clayton Deborah ClendenningTerry and Patricia ColipJennifer CollinsCami Cooper Lawrence Corff Casey CorteseScott and Christine CraseMichael and Wendee

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EllstromExxonMobil FoundationFidelity FoundationAdam and Jennifer Flatt

Stu and Barb FondaJayne FordSigrid H. FreeseAnn and Ford FrickMelissa and Mark GarlandGates Family Foundation Barry and Pamela GatzGuy and Charlotte GeolyKaren GoodsonPaul GoodspeedRobert GrahamDr. Gary Hahn Peggy Hale Phyllis and Robert

Hanfling Joshua HanflingMargaret HanssonAnna Hartman Pam and Duke Hartman Noel and Terry HeftyKrystal HicksAnne and Jim Hillary Orville Hinerman III Christine HonnenSonny and Mary Anna

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Foundation

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Brooks LubyMDC Holdings Inc./

Richmond American Homes Foundation

Janet and John MacFarlane

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FoundationDaniel and Pamela Piro Shannon RamerDavid and Carole RamsayDr. Barbara R. Reed Dr. David J. Scanavino

and Ms. Ivelisse Torres

Suzan and Gary Schlatter Scott and Patricia SchmidThe Schramm Foundation Arthur SeidenSemple Brown Design, PC Marlene SiegelJeff SmithLisa and Bill SniderBrad and Rita Sonnenberg Harry M. Sterling and

Vicki Aybar-SterlingHolly StevensNancy and Tom Stevens Daryl and Kari Stewart Michelle StinnettSusan and Steve Struna Mary StudlickMichael and Eleanor

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Zisman

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Maintenance, Inc.

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24 Colorado Ballet

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Domenico Luciano by Allen Birnbach

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26 Colorado Ballet

C O L O R A D O B A L L E T

COLORADOBALLET.ORG/SUPPORT

Student Matinee Performances

Be Beautiful Be Yourself Program

School Performances

Warren Village Dance Classes

5x5 Program

Dance Renaissance Classes

Rhythm & Grace Parkinson Classes

Our Education & Outreach Programs reach thousands of children every year! Some of the programs that your donations help fund include:

IS SO MUCH MORE THAN THE SPOTLIGHT PERFORMANCE!

To find out more about these programs or donate today, visit us at:

Photo: Dance Renaissance Outreach Class Photo: outreach performance at Children’s Hospital of Denver, photo courtesy of Children’s Hospital staff

PRE-PROFESSIONAL PROGRAM

COLORADOBALLET.ORG/PREPROFESSIONAL

Photo by Francisco Estevez Photography

Rigorous pre-professional program for high school students Academic online program Performance opportunities with Colorado Ballet

Colorado Ballet 27

linical Care

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ducation & Training

Support our life changing work by visiting www.kempe.org.

28 Colorado Ballet

COLORADO BALLET’S STUDIOS & THEATER

COLORADOBALLET.ORG/STUDIORENTALS

Colorado Ballet’s new home offers studio rentals for

workshops, auditions, parties, special events and more.

The new location at 1075 Santa Fe Drive also features a black box theater, rehearsal & event space.

Host your next event at Colorado Ballet’s new home!AVAILABLE TO RENT!

Colorado Ballet 29

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Colorado Ballet 31

THE NUTCRACKER NOV 29-DEC 27

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Mention Colorado Ballet and 20% of all new patient exam fees will be donated back to Colorado Ballet.

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Maria Mosina and Domenico Luciano by Sue Daniels Photography

Apply your ticket from A Midsummer Night’s Dream or Dracula toward a season subscription today!

Colorado Ballet 35

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The Center Stage Club offers online versions of Colorado Ballet Magazine for

patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.

CenterStageClub.com

The Center Stage Club is produced by Colorado’s Performing Arts Publications

36 Colorado Ballet

STAFF DIRECTORYARTISTIC DIRECTOR

Gil Boggs

ARTISTICBallet MistressSandra Brown

Ballet MistressLorita Travaglia

Music Director & Principal ConductorAdam Flatt

Associate ConductorCatherine Sailer

Company PianistNatalia Arefieva

ADMINISTRATIVEManaging DirectorMark Chase

Accounting ManagerJanina Blue

DEVELOPMENTDevelopment DirectorClaire Margolf

Development AssociateHeather McCallin

Senior Major Gifts OfficerAllie Coppeak

Development AssistantEmma Martin

PUBLIC RELATIONS & MARKETINGPublic Relations ManagerSanya Andersen-Vie

Marketing AssociateMary Pettit

TICKETING AND DATABASETicketing and Database ManagerTaylor Clark

Box Office SupervisorKailyn Lamb

Group Sales AgentMolly Epstein

PRODUCTIONTechnical Director and Production ManagerPete Nielson

Production Stage Manager/Facilities ManagerVitali Prokhnitski

Company ManagerBrandi Glass

Wardrobe SupervisorShirin Lankarani

Wardrobe AssistantElijah Meader

Wig Mistress (Dracula)Amanda Clark

Make-up (Dracula)Kari Kisch

Master Carpenter EmeritusDavid Jackson

Property Master EmeritusDavid Jaramillo

Master CarpenterMark Duran

Assistant CarpenterMichael R. Neumann

Lighting DirectorPatrick “Red” Howard

Master ElectricianSusan Osborne

Property MasterToni Steelmon

PyrotechnitionMicki McDanel

Drivers/Production AssistantsRobert J. HarrisDavid MacEachen

AcupuncturistLorita Travaglia, L.Ac,Dipl. CHM

Physical TherapistSusie Smith, PT, LMT, NCMT

ChiropractorDr. David S. Shapiro

Massage TherapistThadd Dudry

Company PhotographersAllen BirnbachMike Watson

Company VideographerDavid Andrews

ACADEMYAcademy DirectorValerie Madonia

Academy Business ManagerJulia Patterson

Faculty Dana BentonLillian BraceMalerie BycuraKathi CrumChris HarrisRoberto MunozCarolina PahdeJayne PerschHeather ProkhnitskiSayaka RugglesMieke ScrippsJacob TaylorSummer TemplinKevin Gaël ThomasIgor VassineSharon WehnerJohn “Mr. Tap” WilliamsLisa Wolf

EDUCATION & OUTREACHDirector of Education and Community Partnerships Anne O’Connor

Outreach FacultyJulie AndersonKayla BeattySamantha HydeAlison Rhoades

Colorado Ballet 37

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38 Colorado Ballet

SOUNDS OF CHILDREN

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