classical antiquity & memory in the 19th – 20th – 21st ... · the black medusa: the...

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CLASSICAL ANTIQUITY & MEMORY in the 19th – 20th – 21st Century INTERNATIONAL CONFERENCE | September 28.29.30. 2017 @ Senatssaal. Central Building of the University of Bonn. Germany. DE 1 st Day : Thursday 28.09.2017 09.00 – 9.30 Registration 09.30 – 10.15 Opening Remarks || CCT – Jocasta – Gründungsmythen – IGRCT Penelope Kolovou & Marc Laureys – Efstathia Athanasopoulou – Michael Bernsen – Richard Cole 10.15 – 10.30 Coffee Break 10.30 – 12.30 1 st Panel (4 delegates) Preserving Memories || Moderation: Michael Bernsen Browsing through antiquity (and modern Europe). Harry Kessler’s bibliophile editions of Greco- Roman Classics. Markus Kersten. Universität Rostock. DE markus.kersten@uni-rostock.de (Subterranean) Flows of Honey. Differences in reader’s and author’s knowledge of ancient literature as means of enriching our perception of contemporary German poetry Dirk Uwe Hansen. Universität Greifswald. DE [email protected] Memories of Satyr Drama in the Work of C. P. Cavafy Andreas P. Antonopoulos. Hellenic Open University / University of Patras. GR [email protected] Recalling Ovid 2,000 years later between lights and shadows: memory and rework of a Latin poet in the Italian literature of the 20th century Francesca Boldrer. Universiy of Macerata. IT [email protected] 12.30 - 14.30 Afternoon Break 14.30 – 17.00 2 nd panel (5 delegates) Medialised Memories || Moderation: Filippo Carlà-Uhink Reading Antiquity in Metro Redux Chris Bishop. Australian National University. AU [email protected] Quid vertit Vertumnus? Picasso’s transformation of Ovid’s tale of Pomona and Vertumnus, Met. 14 Sophie Emilia Seidler. University of Vienna. AT [email protected] The odyssey of the Ancient references: When contemporary artists are inspired by Homeric and Ovidian poems Tiphaine-Annabelle Besnard. University of Pau et des Pays de l’Adour. FR [email protected]

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Page 1: CLASSICAL ANTIQUITY & MEMORY in the 19th – 20th – 21st ... · The Black Medusa: the appropriation of classical mythology in Azealia Banks’ Ice Princess (2015) music video Gina

CLASSICALANTIQUITY&MEMORYinthe19th–20th–21stCenturyINTERNATIONALCONFERENCE|September28.29.30.2017@Senatssaal.CentralBuildingoftheUniversityofBonn.Germany.DE

1stDay:Thursday28.09.2017

09.00–9.30 Registration

09.30–10.15 OpeningRemarks||CCT–Jocasta–Gründungsmythen–IGRCTPenelopeKolovou&MarcLaureys–EfstathiaAthanasopoulou–MichaelBernsen–RichardCole

10.15–10.30 CoffeeBreak

10.30–12.30 1stPanel(4delegates)PreservingMemories||Moderation:MichaelBernsen

Browsingthroughantiquity(andmodernEurope).HarryKessler’sbibliophileeditionsofGreco-RomanClassics.MarkusKersten.Universitä[email protected]

(Subterranean) Flows of Honey. Differences in reader’s and author’s knowledge of ancientliteratureasmeansofenrichingourperceptionofcontemporaryGermanpoetryDirkUweHansen.Universitä[email protected]

MemoriesofSatyrDramaintheWorkofC.P.CavafyAndreasP.Antonopoulos.HellenicOpenUniversity/[email protected]

RecallingOvid2,000yearslaterbetweenlightsandshadows:memoryandreworkofaLatinpoetintheItalianliteratureofthe20thcenturyFrancescaBoldrer.UniversiyofMacerata.ITfrancesca.boldrer@unimc.it

12.30-14.30 AfternoonBreak

14.30–17.00 2ndpanel(5delegates)MedialisedMemories||Moderation:FilippoCarlà-Uhink

ReadingAntiquityinMetroReduxChrisBishop.AustralianNationalUniversity.AUchristopher.bishop@anu.edu.au

QuidvertitVertumnus?Picasso’stransformationofOvid’staleofPomonaandVertumnus,Met.14SophieEmiliaSeidler.UniversityofVienna.ATsophie.seidler@gmx.at

TheodysseyoftheAncientreferences:WhencontemporaryartistsareinspiredbyHomericandOvidianpoemsTiphaine-AnnabelleBesnard.UniversityofPauetdesPaysdel’[email protected]

Page 2: CLASSICAL ANTIQUITY & MEMORY in the 19th – 20th – 21st ... · The Black Medusa: the appropriation of classical mythology in Azealia Banks’ Ice Princess (2015) music video Gina

CLASSICALANTIQUITY&MEMORYinthe19th–20th–21stCenturyINTERNATIONALCONFERENCE|September28.29.30.2017

Catullusonstage.SomeremarksonCarlOrff’ssceniccantataCatulliCarmina

MarkusStachon.Universitä[email protected]

TheBlackMedusa:theappropriationofclassicalmythologyinAzealiaBanks’IcePrincess(2015)musicvideoGinaBevan.CardiffUniversity.Wales.UKginabevan@hotmail.co.uk

17.00–17.30 Coffeebreak

17.30–19.00 3rdpanel(3delegates)CollectiveMemoriesI||Moderation:BenjaminEarley

CanyoubecomeGreek?ThecaseofthePolishromanticliteratureMaciejJunkiert.AdamMickiewiczUniversityinPoznań[email protected]

SovietArgonauts:SailingtotheCoastsofColchisintheSovietCultureHannaPaulouskaya.UniversityofWarsaw.PLhannapa@al.uw.edu.pl

Remembrance, Reception and Re-Canonisation Among Greek Neopagans; An ethnographicapproachtoClassicalreceptionstudiesTaoThykierMakeeff.LundUniversity.SEtao.thykier_makeeff@ctr.lu.se

19.30–20.30 Activity (optional) Guided city tour provided by „Bönnsche City Tours“,tailored especially for ourdelegates.Meetingpoint:ReginaPacisPlatz(CentralBuildingoftheUniversityofBonn)

Endofday1st

2ndDay:Friday29.09.201709.00–11.00 4thPanel(4delegates)MemoryDeadand/orAlive||Moderation:DanielWendt

The cultural and historical legacy of classical antiquity in Rudolf Borchardt’s essay on Virgil’s

AeneidLilianaGiacoponi.UniversityofFlorence.ITliliana.giacoponi@unifi.it

LivingwithHistoricalFictionRichardCole.UniversityofBristol.UKrichard.cole@bristol.ac.uk

RevisingHistory,(Re)presentingMemory:LudwigQuidde’sCaligula.ShushmaMalik.UniversityofQueensland(Brisbane)[email protected]

Thucydideannightmares:rememberingthePeloponnesianWarintheageofmadnessBenEarley.FreieUniversitä[email protected]

11.00–11.15 Coffeebreak

11.15–11.45 GKM–ΟΒΤΑ–Imagines

Page 3: CLASSICAL ANTIQUITY & MEMORY in the 19th – 20th – 21st ... · The Black Medusa: the appropriation of classical mythology in Azealia Banks’ Ice Princess (2015) music video Gina

CLASSICALANTIQUITY&MEMORYinthe19th–20th–21stCenturyINTERNATIONALCONFERENCE|September28.29.30.2017@Senatssaal.CentralBuildingoftheUniversityofBonn.Germany.DE

NikolaMoustakis–KatarzynaMarciniak&HannaPaulouskaya–FilippoCarlà-Uhink&AnjaWieber

11.45–12.30 KeynoteSpeech:AntigoneinDöblin’sNovember1918:ReceptionanditsDiscontentThomasA.Schmitz.UniversityofBonn.DE||Moderation:[email protected]

12.30–14.30 AfternoonBreak

14.30–16.30 5thPanel(4delegates)TheorisingMemories||Moderation:ThomasA.Schmitz

300Spartansvs. theDanaids:CompetitiveMemoryandClassicalReceptionintheContemporaryMemoryWarsMaartenDePourcq.RadboudUniversityNijmegen.NLm.depourcq@let.ru.nl

AncientPalimpsestsasMnemotechnics:ConallMorrison’sPlaysabouttheMiddleEastAnastasiaRemoundou.UniversityofQatar.QAtasharem@hotmail.com

SchematicRemembrance;Or:Whatifmemoriesbecomeuniversal?MadeleineSchererUniversityofWarwick.England.UKmadeleine.scherer@me.com

UlyssesUnchained.PopularCultureandtheMetapoeticsofRememberinginOhBrother,[email protected]

16.30–17.00 CoffeeBreak

17.00–19.00 6thPanel(4delegates)CollectiveMemoriesII||Moderation:HannaPaulouskaya

The Ghosts of Republics Past: Abolitionists and the Use of Ancient History in Antebellum-EraAmericaEdwardMcInnis.UniversityofLouisville.Kentucky.USAed.mcinnis@louisville.edu

RememberingclassicalAntiquityandtheconstructionof“post-colonial”identityintheCaribbeanandCentralAmericaGiuliaChampion.UniversityofWarwick.England.UKg.champion@warwick.ac.uk

(Re-)storingCollectiveNationalMemory:TwoArgentineAdaptationsofSophocles’[email protected]

MisidentifiedEuropa:IdentityEvropaandtheClaimofEuropeanHomogeneityPeterKotiuga.BostonUniversity.USApkotiuga@bu.edu

Endofday2nd

Page 4: CLASSICAL ANTIQUITY & MEMORY in the 19th – 20th – 21st ... · The Black Medusa: the appropriation of classical mythology in Azealia Banks’ Ice Princess (2015) music video Gina

CLASSICALANTIQUITY&MEMORYinthe19th–20th–21stCenturyINTERNATIONALCONFERENCE|September28.29.30.2017

3rdDay:Saturday30.09.201709.00–10.30 7thpanel(3delegates)ResistingMemories||Moderation:EfstathiaAthanasopoulou

Seneca:ASpaniardinessence

OliverBaldwin.King'[email protected]

AntigoneintheTwentiethCentury:anIconofResistanceRossanaZetti.UniversityofEdinburgh.Scotland.UKr.a.l.zetti@sms.ed.ac.uk

TheResistanceofMemory,theMemoryofResistance.StoriesofItalianPartisansthroughtheLensoftheAeneidAnnaMariaCimino.ScuolaNormaleSuperiore–[email protected]

10.30–10.45 CoffeeBreak

10.45–12.15 8thPanel(3delegates)SpatialRe-Membrance||Moderation:GraziaFolliero-Metz

Reconstructingmemoryfromruins:ThecaseoftheAthenianAcademybyTheophilHansenFatseaIrene.NationalTechnicalUniversityofAthens.GRrfatsea@mail.ntua.gr

AncientGreeceintheThemePark:FromWisconsintoTaiwanFilippoCarlà-Uhink.Pä[email protected]

ThepicturethattookGreece’ssoul.Memoryofthepast,photographyandtourismHelenaGonzález-Vaquerizo.UniversidadAutó[email protected]

12.15–12.45 FarewellDrinks&SnacksReceptionBreak

12.45–14.15 9thpanel(3delegates)GenderedMemories||Moderation:PenelopeKolovou

FormingagenderedmemorythroughthereceptionofMedeaKyriakiAthanasiadou,AristotleUniversityofThessaloniki,[email protected]

EpicRe-Membrance:ContestingtheGenderofMemoryinBrandNewAncientsandDido’sLamentAaronSeider,CollegeoftheHolyCross,Worcester,Massachusetts,[email protected]

ThefloweryplaneofEnna:MaryShelley’sProserpinebetweenOvidandVirgilthroughDanteandMiltonMariaGiovannaCampobasso(AlumnaUdineUniversity,Italy),[email protected]

14.15–14.30 ClosingRemarks

15.15–17.00 Activity(optional)Guidedvisittothe“HausderGeschichteDepositoryStorage:ObjectsintheDark“(Meetingpoint:15.15,UniversityofBonn,Regina-Pacis-Weg3.Tourbeginsat16.00,insidetheMuseum.)

Endofday3rd

Page 5: CLASSICAL ANTIQUITY & MEMORY in the 19th – 20th – 21st ... · The Black Medusa: the appropriation of classical mythology in Azealia Banks’ Ice Princess (2015) music video Gina

CLASSICALANTIQUITY&MEMORYinthe19th–20th–21stCenturyINTERNATIONALCONFERENCE|September28.29.30.2017@Senatssaal.CentralBuildingoftheUniversityofBonn.Germany.DE

Thisconferenceiskindlyendorsedandgenerouslysupportedbythefollowinginstitutions:

• CentrefortheClassicalTradition|UniversityofBonn• Jocasta|ClassicalReceptionGreece|Patras• CentreforEasternMediterraneanStudies|UniversityofMünster• EuropeanFoundingMythsinLiterature,Art&Music|UniversitiesofBonn,Paris-IV-Sorbonne,Florence• InstituteofGreece,Rome,andtheClassicalTradition|UniversityofBristol• CentreforStudiesontheClassicalTradition|UniversityofWarsaw• IMAGINES|Project

Fortheirwillingnesstomoderateproductivediscussionsonthetopicsofourconference,ourgratitudealsogoestoProf.MichaelBernsen(DepartmentofComparativeRomancePhilology,UniversityofBonn),Prof.RolfLessenich(Departmentof English, American, and Celtic Studies, University of Bonn), PD. Dr. Grazia Folliero-Metz (Department of RomancePhilology,UniversityofSiegen),andDr.AnjaWieber(Independentscholar).

Credits for academic, administrative, and technical support: Dr.MilanHerold, AlexanderWinkler,M.A. (University ofBonn),MariettaKotsafti,Μ.Α.,GesthimaniSeferiadi,M.A.(UniversityofPatras),RichardCole,M.A.(UniversityofBristol),andourstudentvolunteersfromtheUniversitiesofBonnandMünster,CorinnaWolters,KalinaDimitrova,MalteLaszlo,JohannaPilatus.

Thisconferenceisgenerouslysponsoredindifferentwaysby:

- NikTheGreek- BönnscheCityTours- BloomsburyPublishing- WissenschaftlicherVerlagTrier- HausderGeschichteBonn

organisers

PenelopeKolovou.PhDStudent;TeachingAssistant(Bonn;Münster)EfstathiaAthanasopoulou.PhDStudent(Patras)

contact:

[email protected]

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