choosing the perfect shirt - joseph turner

1
collar size: Measure around the base of the neck. You should be able to fit one index finger underneath the measuring tape. suit sleeves: Half an inch of your cuff should show below the cuff of your jacket when your arm is at rest. Choosing the shirt PERFECT chest: Measure around the fullest part of your chest close up under your arms and across your shoulder blades. arm length: Measure from the nape of your neck to the top of your shoulder. Bend your arms and then measure from your shoulder to where you want the cuffs to sit. classic fit & & Has more room around the core, arms and shoulders. is look never goes out of style and is suitable for all occasions. super-slim fit A more extreme version of the slim fit. e taper at the waist is much more dramatic and the room around the arms and shoulders is reduced. Cut closer in to the body for a flattering fit. ey’re cut a little larger in the shoulders and taper in towards a smaller waist to show off an athletic figure. tailored fit is collar is seen everywhere in business settings. It looks great with a tie for work, or without for a professional yet relaxed look You can also get a “wide spread collar” also known as “e Londoner” which features a wide spread between the collar tips and is perfect for bulkier tie knots. spread collar double cuff Also known as a French cuff, this is the classic cuff for a dress shirt. e cuff is folded back, hence the ‘double’ and is fastened with cufflinks instead of buttons. e French cuff is best for showing a quarter inch of shirt cuff from underneath your jacket sleeves. button down collar A smart look, even without a tie! First introduced by the Brooks Brothers in 1896, the button down was fashioned after the shirts of polo players. single cuff is is a traditional cuff with built-in buttons. Most store-bought shirts tend to have single button cuffs. forward point A classic business collar that is typically worn with a four-in-hand knot due to its width. e most formal collar style and mostly worn with tuxedo jackets. Features a stand up collar with downward points. Should only be worn with a bow-tie. wing sources: gq | ct shirts www.josephturner.co.uk Other COLLARS & collars cuffs & fabric weave oxford twill end on end a dash of detail End-on-end is a variant of poplin but with two different coloured threads. is gives the appearance of a solid colour from a distance, but more subtle detail up close. the lightest shirt weave Poplin weave shirts are ideal for wearing in the summer and they look crisp when ironed. Poplin is a plain weave which means the threads alternatively cross over and under each other. a more casual weave Oxford shirts can be worn professionally when there is a higher thread count. it is a basket weave where multiple weft threads are crossed over the same number of warp threads, usually one coloured and one white thread to give the traditional checkerboard finish. touch the joseph turner Fully interlined and painstakingly constructed using a dozen separate components. Available in twelve different collar sizes and sleeve length combinations to ensure the perfect fit. TWO PIECE COLLAR All of our formal shirts have gussets to strengthen the side seams. We believe these are critical to durability, although they are fre- quently omitted by our less conventional rivals. GUSSETS is allows the shirt to lie flat and smooth across the shoulders and to hang straight at the back. is would not be achievable with a single piece of fabric. FOUR PIECE SPLIT YOKE e traditional way to keep the sleeve above the cuff closed. Using an under and over gauntlet, they sandwich the sleeve firmly to- gether, to prevent gaping. SLEEVE GAUNTLETS Make sure your shirt stays in your trousers, whether you’re stand- ing, sitting or even reaching for that paperwork on the top shelf. EXTRA-LONG TAILS poplin a very durable fabric Twill is less likely to crease and easier to iron. It has a weft thread which runs over and under multiple warp threads to create patterns such as houndstooth and herringbone:

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Ever wondered why your shirts never look as good as they do in the catalogue? It could be something as simple as the fit and size of the shirt itself! A well fitted shirt can make you look slimmer and leaner and make you feel more confident. But where do you start when it comes to getting yourself kitted out with a shirt that fits you perfectly? This handy infographic offers you hints and tips for getting the perfect fit, every time. Just follow these simple instructions to get your correct measurements: Collar size: Measure around the base of the neck. The measuring tape should be flat all the way round, and you should be able to fit your index finger underneath the measuring tape. If you can fit two fingers between the collar and your neck – it’s too big! Chest: Measure around the fullest part of your chest, close up under the arms. The tape measure should be horizontal all the way around your body and should run over your shoulder blades. Arm length: Measure from the nape of your neck to the top of your shoulder. Then bend your arm and measure from your shoulder to where you would like your cuffs to sit. Add the two measurements together to get your arm length. Follow these measurement guides and you should have no problem buying a shirt that will fit you like a glove!

TRANSCRIPT

Page 1: Choosing The Perfect Shirt - Joseph Turner

collarsize:

Measure around the base of the neck. You should be able to �t one index �nger

underneath the measuring tape.

suitsleeves:

Half an inch of your cu� should show below the cu� of your jacket when your

arm is at rest.

Choosing the

shirtPERFECT

chest: Measure around the fullest part of your chest close up under your arms and across your shoulder blades.

armlength:

Measure from the nape of your neck to the top of your shoulder. Bend your arms and then measure from your shoulder to where you want the cu�s to sit.

classic fit

&

&

Has more room around the core, arms and shoulders. �is look never goes out of style and is suitable for all occasions.

super-slim fitA more extreme version of the slim �t. �e

taper at the waist is much more dramatic and the room around the arms and shoulders is

reduced.

Cut closer in to the body for a �attering �t. �ey’re cut a little larger in the shoulders and taper in towards a smaller waist to show o�

an athletic �gure.

tailored fit

�is collar is seen everywhere in business settings. It looks great with a tie for work, or

without for a professional yet relaxed look

You can also get a “wide spread collar” also known as “�e Londoner” which features a

wide spread between the collar tips and is perfect for bulkier tie knots.

spreadcollar

doublecuff

Also known as a French cu�, this is the classic cu� for a dress shirt. �e cu� is folded back,

hence the ‘double’ and is fastened with cu�inks instead of buttons. �e French cu� is best for

showing a quarter inch of shirt cu� from underneath your jacket sleeves.

button downcollar

A smart look, even without a tie! First introduced by the Brooks Brothers in 1896, the button down was fashioned after the shirts of polo players.

single cuff �is is a traditional cu� with built-in buttons. Most store-bought shirts tend to have single button cu�s.

forward pointA classic business collar that is typically worn

with a four-in-hand knot due to its width.

�e most formal collar style and mostly worn with tuxedo jackets. Features a stand up

collar with downward points. Should only be worn with a bow-tie.

wing

sources: gq | ct shirts

www.josephturner.co.uk

OtherCOLLARS

&collars cuffs

&fabric weave

oxford

twill

end on end

a dash of detailEnd-on-end is a variant of poplin but with two di�erent coloured threads. �is gives the appearance of a solid colour from a distance, but more subtle detail up

close.

the lightest shirt weave Poplin weave shirts are ideal for wearing in the summer and they look crisp

when ironed. Poplin is a plain weave which means the threads alternatively cross over and under each other.

a more casual weave Oxford shirts can be worn professionally when there is a higher thread count. it is a basket weave where multiple weft threads are crossed over the same number

of warp threads, usually one coloured and one white thread to give the traditional checkerboard �nish.

touchthe joseph turner

Fully interlined and painstakingly constructed using a dozen separate components. Available in twelve di�erent collar sizes and

sleeve length combinations to ensure the perfect �t.

TWO PIECE COLLAR

All of our formal shirts have gussets to strengthen the side seams. We believe these are critical to durability, although they are fre-

quently omitted by our less conventional rivals.

GUSSETS

�is allows the shirt to lie �at and smooth across the shoulders and to hang straight at the back. �is would not be achievable

with a single piece of fabric.

FOUR PIECE SPLIT YOKE

�e traditional way to keep the sleeve above the cu� closed. Using an under and over gauntlet, they sandwich the sleeve �rmly to-

gether, to prevent gaping.

SLEEVE GAUNTLETS

Make sure your shirt stays in your trousers, whether you’re stand-ing, sitting or even reaching for that paperwork on the top shelf.

EXTRA-LONG TAILS

poplin

a very durable fabricTwill is less likely to crease and easier to iron. It has a weft thread which runs over and under multiple warp threads to create patterns such as houndstooth

and herringbone: