choosing the perfect shirt - joseph turner
DESCRIPTION
Ever wondered why your shirts never look as good as they do in the catalogue? It could be something as simple as the fit and size of the shirt itself! A well fitted shirt can make you look slimmer and leaner and make you feel more confident. But where do you start when it comes to getting yourself kitted out with a shirt that fits you perfectly? This handy infographic offers you hints and tips for getting the perfect fit, every time. Just follow these simple instructions to get your correct measurements: Collar size: Measure around the base of the neck. The measuring tape should be flat all the way round, and you should be able to fit your index finger underneath the measuring tape. If you can fit two fingers between the collar and your neck – it’s too big! Chest: Measure around the fullest part of your chest, close up under the arms. The tape measure should be horizontal all the way around your body and should run over your shoulder blades. Arm length: Measure from the nape of your neck to the top of your shoulder. Then bend your arm and measure from your shoulder to where you would like your cuffs to sit. Add the two measurements together to get your arm length. Follow these measurement guides and you should have no problem buying a shirt that will fit you like a glove!TRANSCRIPT
collarsize:
Measure around the base of the neck. You should be able to �t one index �nger
underneath the measuring tape.
suitsleeves:
Half an inch of your cu� should show below the cu� of your jacket when your
arm is at rest.
Choosing the
shirtPERFECT
chest: Measure around the fullest part of your chest close up under your arms and across your shoulder blades.
armlength:
Measure from the nape of your neck to the top of your shoulder. Bend your arms and then measure from your shoulder to where you want the cu�s to sit.
classic fit
&
&
Has more room around the core, arms and shoulders. �is look never goes out of style and is suitable for all occasions.
super-slim fitA more extreme version of the slim �t. �e
taper at the waist is much more dramatic and the room around the arms and shoulders is
reduced.
Cut closer in to the body for a �attering �t. �ey’re cut a little larger in the shoulders and taper in towards a smaller waist to show o�
an athletic �gure.
tailored fit
�is collar is seen everywhere in business settings. It looks great with a tie for work, or
without for a professional yet relaxed look
You can also get a “wide spread collar” also known as “�e Londoner” which features a
wide spread between the collar tips and is perfect for bulkier tie knots.
spreadcollar
doublecuff
Also known as a French cu�, this is the classic cu� for a dress shirt. �e cu� is folded back,
hence the ‘double’ and is fastened with cu�inks instead of buttons. �e French cu� is best for
showing a quarter inch of shirt cu� from underneath your jacket sleeves.
button downcollar
A smart look, even without a tie! First introduced by the Brooks Brothers in 1896, the button down was fashioned after the shirts of polo players.
single cuff �is is a traditional cu� with built-in buttons. Most store-bought shirts tend to have single button cu�s.
forward pointA classic business collar that is typically worn
with a four-in-hand knot due to its width.
�e most formal collar style and mostly worn with tuxedo jackets. Features a stand up
collar with downward points. Should only be worn with a bow-tie.
wing
sources: gq | ct shirts
www.josephturner.co.uk
OtherCOLLARS
&collars cuffs
&fabric weave
oxford
twill
end on end
a dash of detailEnd-on-end is a variant of poplin but with two di�erent coloured threads. �is gives the appearance of a solid colour from a distance, but more subtle detail up
close.
the lightest shirt weave Poplin weave shirts are ideal for wearing in the summer and they look crisp
when ironed. Poplin is a plain weave which means the threads alternatively cross over and under each other.
a more casual weave Oxford shirts can be worn professionally when there is a higher thread count. it is a basket weave where multiple weft threads are crossed over the same number
of warp threads, usually one coloured and one white thread to give the traditional checkerboard �nish.
touchthe joseph turner
Fully interlined and painstakingly constructed using a dozen separate components. Available in twelve di�erent collar sizes and
sleeve length combinations to ensure the perfect �t.
TWO PIECE COLLAR
All of our formal shirts have gussets to strengthen the side seams. We believe these are critical to durability, although they are fre-
quently omitted by our less conventional rivals.
GUSSETS
�is allows the shirt to lie �at and smooth across the shoulders and to hang straight at the back. �is would not be achievable
with a single piece of fabric.
FOUR PIECE SPLIT YOKE
�e traditional way to keep the sleeve above the cu� closed. Using an under and over gauntlet, they sandwich the sleeve �rmly to-
gether, to prevent gaping.
SLEEVE GAUNTLETS
Make sure your shirt stays in your trousers, whether you’re stand-ing, sitting or even reaching for that paperwork on the top shelf.
EXTRA-LONG TAILS
poplin
a very durable fabricTwill is less likely to crease and easier to iron. It has a weft thread which runs over and under multiple warp threads to create patterns such as houndstooth
and herringbone: