choir lectiure

Music in the

LiturgyDarryl P. Reyes

Why is Music Important?•It is a universal language (musical notes, staff, etc.).•When you hear music, you will have the same reaction regardless of gender, age, knowledge in music, etc.•Even plants and animals are affected by music.

Sacred, Liturgical, Secular Music•Sacred Music – to glorify and sanctify the faithful•Liturgical Music – a type of sacred music that specifically satisfies the needs of the liturgy•Secular Music – about the world, people but not directly about God

Secular Music

Sacred MusicLiturg

ical Music

Musical Instruments•The pipe organ is to be held in high esteem in the Latin Church, since it is its traditional instrument, the sound of which can add a wonderful splendor to the Church's ceremonies and powerfully lift up men's minds to God and higher things.•The use of other instruments may also be admitted in divine worship, given the decision and consent of the competent territorial authority, provided that the instruments are suitable for sacred use, or can be adapted to it, that they are in keeping with the dignity of the temple, and truly contribute to the edification of the faithful.• In the Philippines, the only other permitted instrument is the guitar played acoustically.

Musical Instruments• In permitting and using musical instruments, the culture and traditions of individual peoples must be taken into account. However, those instruments which are, by common opinion and use, suitable for secular music only, are to be altogether prohibited from every liturgical celebration and from popular devotions•The use of musical instruments to accompany the singing can act as a support to the voices, render participation easier, and achieve a deeper union in the assembly. However, their sound should not so overwhelm the voices that it is difficult to make out the text; and when some part is proclaimed aloud by the priest or a minister by virtue of his role, they should be silent

Instrumentalists•The playing of … instruments as solos is not permitted in Advent, Lent, during the Sacred Triduum and in the Offices and Masses of the Dead. • Instrumental music must not be heard whenever a minister is saying his part.• It is highly desirable that organists and other musicians should not only possess the skill to play properly the instrument entrusted to them: they should also enter into and be thoroughly aware of the spirit of the liturgy, so that even when playing ex tempore, they will enrich the sacred celebration according to the true nature of each of its parts, and encourage the participation of the faithful.

Determining Liturgical Music•No kind of sacred music is prohibited from liturgical actions by the Church as long as it corresponds to the spirit of the liturgical celebration itself and the nature of its individual parts, and does not hinder the active participation of the people. (Musicam Sacram 9)

Determining Liturgical Music•All other things being equal, Gregorian chant holds pride of place because it is proper to the Roman Liturgy. Other types of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful. (GIRM 41)

Corresponds to the Spirit of the Liturgical Celebration•Aligned with the Season of the Church•Advent, Christmas, Lent, Easter, Ordinary

•Aligned with the Feasts, Solemnities, Ceremonials.•Feast of Saints, Immaculate Conception, Devotion to the Sacred Heart of Jesus, etc.

•Aligned with the Theme•Mass for bountiful harvest, etc.

Corresponds to the Nature of its Individual Parts (Liturgy)

•Entrance Hymn • The purpose of this chant is to open the celebration, foster the unity of those who have been gathered, introduce their thoughts to the mystery of the liturgical season or festivity, and accompany the procession of the priest and ministers. (GIRM 47) • If the priest is already at his chair (or the altar, if there is no chair or, at the incensation), the song must end.•May take the form of antiphonary, responsory, hymn, or motet. Preferably, the people must be able to sing along the song. However, should the solemnity of the celebration so require, more special songs may be used even though the people do not know them.

Corresponds to the Nature of its Individual Parts (Liturgy)•Kyrie (Lord Have Mercy)•A chant by which the faithful acclaim the Lord and implore his mercy. (GIRM 52) •Originally a supplication to a king, and not a penitential supplication.•We glorify first before we ask for forgiveness.•Takes the proper form of a litany, or troparion, either with or without supplications.•The proper Tagalog translation is “Panginoon, kaawaan mo kami.”


•Gloria• a very ancient and venerable hymn in which the Church, gathered together in the Holy Spirit, glorifies and entreats God the Father and the Lamb. (GIRM 53) • sung or said on Sundays outside the Seasons of Advent and Lent, on solemnities and feasts, and at special celebrations of a more solemn character. (GIRM 53) •May be sung solely by the choir.•May be replaced with a easier but similar hymn during Masses with Children.•Composed of three parts, with the second part being a litany to the Divine Kyrios.•May be sung in antiphonal, responsorial, or straight through manner, with the priest intoning the first line.


•Responsorial Psalm• (GIRM 61) an integral part of the Liturgy of the Word and holds great liturgical and pastoral importance, because it fosters meditation on the word of God.• It is preferred that response is thru song while the verses thru chant (or read).•Must be solely taken from the lectionary. Substitution of popular sacred songs is never allowed.


• Alleluia• (GIRM 62) the assembly of the faithful welcomes and greets the Lord who is about to speak to it in the Gospel and professes its faith by means of the chant• “Hallelu Yaweh,” which means “Praise the Lord”• Proper form is Alleluia – Verse – Alleluia. If the song already has a verse, no need for lector to read the verse• (GIRM 62) sung in every season except Lent … the verse before the Gospel is sung, as indicated in the Lectionary, still taking the proper form. It is also permissible to sing another psalm or tract, as found in the Gradual.• Never sad, so, compositions in the sad minor keys is not preferred.•When the bishop blesses the people with the Book of Gospels after the reading, the Alleluia is sung again.


• Prayers of the Faithful• The response, and also possible, the prayers, may be sung, as long as the people can sing along with their proper part.• Response must be easily remembered.

• Profession of Faith (Credo)•May also be sung on more solemn occasions.• Either the Nicene Creed or the Apostles’ Creed.• The Apostles’ Creed is more preferred for Easter, as it is the baptismal Creed of the Roman Church.


•Song for the Presentations of the Gifts• Song accompanying the procession of the bread and

wine.• continues at least until the gifts have been placed on

the altar… Singing may always accompany the rite at the offertory, even when there is no procession with the gifts (GIRM 74).

• May end when the bread and wine are placed on the altar (after the preparatory prayers) or at the incensation.

• Take and Receive, Tinapay ng Buhay, and Paghahandog ng Sarili are not appropriate because they are not about offering to the Lord.

• About offering the BREAD AND WINE, thanks and praise for the gifts of God.

• Special song for the presentation of the gifts: Holy Thursday: Where there is charity (Ubi caritas).


•Sanctus •Said three times (Holy) -> superlative degree•joining with the heavenly powers… this acclamation, which is part of the Eucharistic Prayer itself, is sung or said by all the people with the priest. (GIRM 79b) •Song of the angels before the throne of heaven: Triumphant and/or joyous.


Santo, santo, santo, Panginoong Diyos ng mga hukbo, napupuno ang langit at lupa ng kadakilaan mo. Osana sa kaitaasan! Pinagpala ang naparirito sa ngalan ng Panginoon. Osana sa kaitaasan!


Banal ka, Poong Maykapal. Banal ang iyong pangalan. Banal ang iyong kaharian. Langit at lupa’y nagpupugay sa iyong kadakilaan. Dinadakila ng lahat ang naparito mong Anak na siyang nagdilat sa bulag, sa pilay ay nagpalakad, at nakiramay sa lahat.

Corresponds to the Nature of its Individual Parts (Liturgy)•Memorial Acclamation•keeps the memorial of Christ, recalling especially his blessed Passion, glorious Resurrection, and Ascension into heaven. (GIRM 79e) •Four choices in the Tagalog Missal.•Acclamation: requires a rising action in the song.


Aming ipinahahayag Na namatay ang ‘Yong Anak.Nabuhay bilang MesiyasAt magbabalik sa wakasPara mahayag sa lahat.


Si Kristo ay gunitaingSarili ay inihainBilang pagkai’t inumingPinagsasaluhan natinHanggang sa siya’y dumating.


Sa krus mo at pagkabuhayKami’y tinubos mong tunay.Poong Hesus naming mahalIligtas mo kaming tananNgayon at magpakailanman.


Si Kristo’y namatay.Si Kristo’y nabuhay.Si Kristo’y babalik sa wakas ng panahon.

Corresponds to the Nature of its Individual Parts (Liturgy)•Great Amen•by which the glorification of God is expressed and which is confirmed and concluded by the people’s acclamation, Amen. (GIRM 79h) •The great confirmation.•Solemn.

Corresponds to the Nature of its Individual Parts (Liturgy)•Lord’s Prayer• Should be sung having masculine characteristics (strong, powerful, protective, etc.) for the Lord wants us to feel that our Father has such characteristics.•Uses “illustrative melody” as in Gregorian chant.

•Doxology to the Lord’s Prayer• Same with the Lord’s prayer on how it should be sung.• The priest says the invitation to the prayer, and all the faithful say it with him; the priest alone adds the embolism, which the people conclude with a doxology. (GIRM 81) •Does not always need to be of similar tune with the Lord’s Prayer.•Ends with Amen.

Corresponds to the Nature of its Individual Parts (Liturgy)•Agnus Dei (Lamb of God)• accompanies the fraction and, for this reason,

may be repeated as many times as necessary until the rite has reached its conclusion, the last time ending with the words dona nobis pacem (grant us peace). (GIRM 83)

• Has two sections (A and B). A can be repeated as necessary while B is always the ending.

• This is a form of litany so it should be sung prayerfully and solemnly, begging for mercy.

• Also the song of the saints before the throne of the Lamb in heaven, exuding Christ’s triumph over death and our desire to eat the heavenly banquet with him.

Corresponds to the Nature of its Individual Parts (Liturgy)•Communion Song• purpose is to express the communicants’ union in spirit by means of the unity of their voices, to show joy of heart, and to highlight more clearly the “communitarian” nature of the procession to receive Communion. The singing is continued for as long as the Sacrament is being administered to the faithful. (GIRM 86) • Should be related to the readings, responsorial psalm, gospel or best if homily.• Sung prayerfully to help parishioners in praying after

receiving communion

•Recessional Hymn• Free to sing any sacred song preferably related to

the theme of the Mass.• Theme should be thanking God and sending forth the people.• Happy Birthday is never sung inside the church,

whether before, during, or after Mass.

Does not Hinder the Active Participation of the People• The faithful fulfill their liturgical role by making that full, conscious and active participation which is demanded by the nature of the liturgy itself and which is, by reason of baptism, the right and duty of the Christian people. This participation:

• (a) Should be above all internal, in the sense that by it the faithful join their mind to what they pronounce or hear, and cooperate with heavenly grace,

• (b) Must be, on the other hand, external also, that is, such as to show the internal participation by gestures and bodily attitudes, by the acclamations, responses and singing.

(Musicam Sacram 15)

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