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Tuesday, 31st May, 2016 Hong Kong

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“The burgeoning art market in Hong Kong, combined with both companies’ success with attracting and selling to new clients in Asia, made a joint auction venture in Hong Kong the next logical step to better serve these collectors.” - Paul Roberts, President of Freeman’s and Vice Chairman of Lyon & Turnbull Freeman’s is pleased to announce their premiere auction in Hong Kong on 31 May in partnership with auctioneers Lyon & Turnbull. To be held at the Liang Yi Museum during the prestigious Asia Week Hong Kong 2016, this specially curated auction features a 600-year-old Chinese Ming cup valued at $3 million. Visit http://www.freemansauction.com/hongkong2016 for more info.

TRANSCRIPT

Page 1: Chinese Works of Art

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Tuesday, 31st May, 2016

Hong Kong

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IMPORTANT INFORMATION FOR BUYERS 重要拍賣條款PRE-REGISTRATION

Clients who wish to bid on lots markedu in the catalogue ("Premium Lots")may be requested by Lyon & Turnbullto complete the pre-registrationapplication form and to deliver to Lyon& Turnbull a deposit of 10% of thelower estimate plus any financialreferences, guarantees and/or suchother security as Lyon & Turnbull mayrequire in its absolute discretion assecurity for the bid.

Bidders wishing to bid on the ThornhillStem Cup (lot 84) will be required topay a deposit of HK$2,500,000 pluscomplete the pre-registrationapplication form and provide anyfinancial references, guarantees and/orsuch other security as Lyon & Turnbullmay require in its absolute discretion assecurity for the bid.

Live online bidding service is notavailable for Premium Lots or the StemCup.

For any lots other than Premium Lots,regardless of the low pre-sale estimatefor the lot, Lyon & Turnbull reserves theright to request from prospectivebidders a completed pre-registrationapplication form and to deliver to Lyon& Turnbull a deposit of HK$10,000plus any financial references,guarantees and/or such other securityas Lyon & Turnbull may require in itsabsolute discretion, as security for thebid.

Lyon & Turnbull reserves the right torequest at any time any additionaldeposit, guarantee and/or such othersecurity as Lyon & Turnbull maydetermine from any bidder whose totalbidding (hammer price plus buyer'spremium) has reached or exceeded tentimes the amount of that bidder'sdeposit. The amount of the additionaldeposit, guarantee and/or othersecurity shall be determined by Lyon &Turnbull at its sole discretion and Lyon& Turnbull reserves the right to rejectany further bidding from that bidderuntil such additional deposit, guaranteeand/or other security has beendelivered to Lyon & Turnbull.

Lyon & Turnbull has no obligation to

accept any pre-registration application.Lyon & Turnbull decision in this regardshall be final. Clients are requested tocontact Lyon & Turnbull at least 3working days prior to the relevant salein order to allow Lyon & Turnbull toprocess the pre-registration, and tobear in mind that Lyon & Turnbull isunable to obtain financial referencesover weekends or public holidays. Anyrequired deposits shall be paid in HongKong dollars by way of wire transfer ordebit card (clients must present theircards in person to Lyon & Turnbull).

If a client is not successful on any lot,Lyon & Turnbull will arrange for arefund (subject to any right of set off )of the deposit amount paid by suchclient without interest within 14working days of the date of the sale.Any exchange losses or fees associatedwith the refund shall be borne by theclient.

Clients may not be allowed to registerand bid on a lot if Lyon & Turnbull failsto receive a completed pre-registrationapplication form or any financialreferences, guarantees, deposits orother security as requested by Lyon &Turnbull or if the pre-registrationapplication is not accepted by Lyon &Turnbull.

Bidders will be issued with a variantpaddle indicting their approved levelto bid. The auctioneer will not acceptbids on Premium Lots or the ThornhillStem Cup unless the correct,authorised paddle is shown.

COLLECTION & STORAGE

It is the buyer’s responsibility toascertain collection procedures. Pleasenote that we do not pack or ship items.

All purchased lots not collected fromthe Liang Yi venue by Thursday 2ndJune will be removed to Michelle ArtServices, 1 On Yip Street, Chai Wan,Hong Kong. Items will be kept free ofcharge up until Monday 13th June, ifnot collected by then, the cost ofstorage will be the buyer’sresponsibility. See page 187 of thiscatalogue for more information.

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預先註冊希望參與競拍帶u標記(高端拍品)拍品的客戶有可能會被禮昂騰博要求填寫預先註冊表格,交付拍品低估價10%的押金,以及提供個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。希望參與競拍Thornhill先生舊藏高足杯(84號拍品)的客戶須交付250萬港幣的押金,填寫預先註冊表格,並提供本公司所要求的個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。高端拍品和Thornhill先生舊藏高足杯不開通在綫拍賣。非高端拍品,無論其標價為多少,禮昂騰博有權要求競拍人填寫預先註冊表格,交付1萬港幣的押金,並提供禮昂騰博所要求的個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。如果競拍人欲參拍的拍品總價值超過了他所交押金的10倍,禮昂騰博有權要求競拍人提供額外的押金以及個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。禮昂騰博可自主決定額外押金和擔保的額度,並且在競拍人提供這些材料之前,保留拒絕他繼續參與競拍的權力。禮昂騰博沒有批準預先註冊申請的義務。禮昂騰博就此的決定是無法更改的。客戶需至少在拍賣日期的3個工作日之前聯係禮昂騰博,以便於

我們處理其預先註冊。此外,也請留意禮昂騰博在周末和公共假日期間無法獲得客戶財產保證的信息。所有押金需要以港幣的形式,通過銀行轉賬和銀行卡刷卡的方式支付(客戶必須親自持卡前來禮昂騰博)。如果競拍人沒有拍到他所要的拍品,禮昂騰博將在拍賣結束後的14個工作日內(在銀行抵銷權允許的情況下)不帶利息退還其繳付的押金。所有由於匯率波動以及手續費所造成的損失將由競拍人承擔。如果客戶未能提供完整的預先註冊表格,或未能提供禮昂騰博所要求的個人財產證明、擔保和/或任何其他形式的信息,或客戶所遞交的預先註冊表格被禮昂騰博拒絕,他都有可能失去參與拍賣的權力。競拍人將根據其出價權限的區別,獲得外形不同的競拍牌。競拍人如果不持相應的競拍牌,拍賣師將不會接受他對高端拍品和Thornhill先生舊藏高足杯的出價。提貨和儲存確保拍品提貨是買方的責任。請註意本公司不負責包裝和發送拍品。所有在2016年6月2日周四前沒有從兩依藏博物館取走的拍品將會被轉移到美斯藝術品運輸有限公司(Michelle Art Services,地址:香港柴灣安業街1號)。買方如果在6月13日周一前提貨,無須支付倉儲費,�6月13日之後將需交付倉儲費。請查看買方須知第187�頁獲取具體信息。

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Chinese Works of ArtAt The Liang Yi Museum, Hong Kong

Tuesday, 31st May, 2016

At 6pm HKT

Sale Number LT464

Viewing

Saturday, 28th May | 10am to 5pm

Sunday, 29th May | 10am to 7pm

Monday, 30th May | 10am to 7pm

Tuesday, 31st May | 10am to 3pm

Enquiries

Until Thursday, 26th May

Lyon & Turnbull 33 Broughton Place, Edinburgh, EH1 3RR

Tel: +44 (0) 131 557 8844 | Fax: +44 (0) 131 557 8668

From Friday, 27th May to Thursday, 2nd June

Liang Yi Museum, 181-199 Hollywood Road, Sheung Wan, Hong Kong

Tel: +852 800 966 847 | Tel: +852 800 967 508

Email

[email protected]

Website

www.lyonandturnbull.com www.freemansauction.com/chinese

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TwO COMPANIES | TwO CONTINENTS | FOUR HUNdREd YEARS

ABOUT US4

LYON & TURNBULL

Established in Edinburgh in 1826, Lyon & Turnbull are Scotland'soldest firm of auctioneers. In the nineteenth century the firmconducted regular auctions in Edinburgh, handling a bewilderingvariety of art and antiques including such highlights as furniture fromthe Queen's residence at Balmoral.

It was during this early period that Lyon & Turnbull first began to sellAsian art. In 1999 Lyon & Turnbull was acquired by a group ofauctioneers previously part of the Phillips team, an auction housethat was the third largest in the world during the 1990s.

Since re-launching, Lyon & Turnbull has become the largest andmost successful auction house in Scotland, and has becomerespected internationally as a trusted firm of auctioneers handlingesteemed collections for clients including Lehman Brothers; Deloitte;famed liqueur house Drambuie; and the U.S. publishing dynasty, theForbes family.

With Scotland’s historic trade links and maritime tradition, Lyon &Turnbull often have exclusive access to many of the treasures foundin the private collections of Scottish homes & castles that merchants,captains and crew brought back from journeys to the Far East.

The Lyon & Turnbull team boasts over 300 years collectiveexperience of handling art and antiques, offering a wealth ofknowledge spanning all aspects of the auction business.

FREEMAN’S

Freeman’s holds an esteemed place in America’s history as itsoldest auction house. Since 1805, the firm has been an integralpart of the global art market, holding countless, often historicallysignificant sales of jewelry, fine art, furniture, and antiques onbehalf of private collections, estates, and museums. The companyis built on the experience of its specialists, who possessinternational experience, a comprehensive knowledge of marketconditions, and a drive to provide unparalleled client service.

Within the past five years, Freeman’s has witnessed its mostsignificant growth with top prices and auction records achievedfor American and European art, Modern and Contemporary art,Asian arts, and Americana. Recent successes include: The GeorgeD. Horst Collection, a privately owned trove of American andEuropean paintings by Childe Hassam, Charles François Daubigny,and Eugène Louis Boudin, among others; The Henry C. Gibson &Family Collection, important works of Chinese art descendedthrough the family including a large and very rare Imperial Ge-typemoon flask from the Yongzheng period and a finely-carvedQianlong white jade circular table screen; and The SaffordCollection, contents of an opulent estate featuring decorative artsby KPM and the Russian Imperial Porcelain Factory, as well asfurniture and works made for the House of Hanover and Louis XV.

In addition to its auction house presence in Philadelphia,Freeman’s has regional locations throughout the United States,along with an international presence in London and Edinburghthrough its strong alliance with Lyon & Turnbull.

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Lee Young

International director | Lyon & Turnbull

[email protected]

Dr Ling Zhu

Specialist | Lyon & Turnbull

[email protected]

Anna Westin

Consultant Specialist | Lyon & Turnbull

[email protected]

Richard Cervantes

Vice President | Freeman’s

[email protected]

Cong Wang

Cataloguer & Adminstrator | Freeman’s

[email protected]

Danielle Beilby

Administrator | Lyon & Turnbull

[email protected]

MEET THE SPECIALISTS

LIANG YI MUSEUM

Liang Yi Museum is Hong Kong’s largest private museum, located onHollywood Road in the heart of the historic district. Dedicated toappreciating design, craftsmanship and heritage, the museum’s20,000 square feet of exhibition space house one of the world’sfinest art collections.

Like Hong Kong itself, Liang Yi Museum is a blend of East and West.For those interested in Chinese antiques, the furniture will enthrall.However, for those curious about European history, the Liang YiMuseum also houses the world's premier collection of bejewelledclutches, compacts and powder boxes.

Liang Yi also hosts collections from museums around the world, thecurrent exhibition being Masterpieces of British Silver: Highlights fromthe Victoria and Albert Museum, running until August 2016.

AddRESS

Liang Yi Museum,181-199 Hollywood Road,Sheung Wan, Hong Kong

ENTRY TO VENUE

Identification may be requested upon entry to the Liang Yi Museumby the museum security team.

THE AUCTION LOCATION

5

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Front cover: Lot 84

Endpapers: Lot 127 (detail)

Important Information for Buyers page 2

Auction Information 3

About Us 4

Specialists & Auction Location 5

Chinese Works of Art

Furniture 8

Works of Art 27

Jade & Hardstones 52

Ceramics & Glass 88

Metalwares 138

Paintings 170

Chronology 185

Buyer’s Guide 186

Payment Information 190

Collection and Shipping 191

Conditions of Sale for Buyers (HK464) 192

Premium Lot Pre-Registration Application Form 197

International Staff Directory 198

Absentee / Telephone Bidding Form 199

CONTENTS

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FURNITURE

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10 LYON & TURNBULL | FREEMAN’S

1u HE296/46PAIR OF HUANGHUALI HORSESHOE-BACK ARMCHAIRS,QUANYIQING dYNASTY

清 黃花梨圈椅

with flat and square form hard seat, raised on straight legs with curvedaprons, stretchers and foot rest, the curved back and arms unadorned(2)

102cm high, 57cm wide, 72.5cm long

Provenance:Property from a Midwest American collection; purchased in 2005 fromPeter L. Rosenberg, Vallin Galleries, Connecticut.

HK$600,000-1,000,000UK£50,000-85,000 | US$80,000-130,000

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2u HE296/39HUANGHUALI SQUARE LOW TABLEMING/QING dYNASTY

明末清初 黃花梨炕桌

with square plank top over carved apron, raised on straightlegs terminating on hoof feet

48.3cm high, 95.3cm wide

Provenance:Property from a Midwest American collection; previouslypurchased from Asiatica Ltd., 1979.

HK$500,000-1,000,000UK£45,000-85,000 | US$65,000-130,000

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3u HE296/37FINE HUANGHUALI PAINTING TABLE, PINGTOUANMING dYNASTY

明 黃花梨平头畫案

安思遠舊藏 附原始收據

with rectangular top and ice-plate edge, over a shaped apron withround cylindrical legs

83.8cm high, 147.3cm long, 52.1cm wide

Provenance:Property from a Midwest American collection; previouslypurchased from Ellsworth & Goldie, Ltd. with original receipt.

HK$2,000,000-4,000,000UK£170,000-340,000 | US$260,000- 520,000

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14 LYON & TURNBULL | FREEMAN’S

4u HE296/38HUANGHUALI COFFER TABLEMING dYNASTY

明 黃花梨二屉闷户厨

安思遠舊藏

of rectangular form with inset plank top, over twin drawers andshaped apron, raised on slightly splayed cylindrical legs

80cm high, 95.3cm long, 50.8cm wide

Provenance:Property from a Midwest American collection; previouslypurchased from Ellsworth & Goldie, Ltd.

HK$800,000-1,200,000UK£70,000-100,000 | US$105,000-155,000

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5 HE296/8HUANGHUALI SEAL CHESTQING dYNASTY, 18TH/19TH CENTURY

清十八/十九世紀 黃花梨官皮箱

of tall rectangular form, with stylised base apron and originalmetal hardware and hasp

34.9cm long, 26cm wide, 36.2cm high

Provenance:Property from a New York estate.

HK$25,000-50,000UK£2,000-4,000 | US$3,000-6,000

CHINESE wORKS OF ART 15

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16 LYON & TURNBULL | FREEMAN’S

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6u HD987/3FINE PAIR OF ZITAN ARMCHAIRSLATE QING dYNASTY

晚清 紫檀西洋花卉紋扶椅一對

each ornately carved in the Rococo style with Europeaninfluenced lotus, the vase shaped back splats surmounted byshaped crest rail with fan shaped crestings, the scroll armssupported by acanthus-form pilasters, above rectangular solidseats, with scroll and ruyi head carved apron, raised on fourcabriole legs, united by plain peripheral stretcher (2)

68cm wide, 114cm high, 52cm deep

Provenance:Private Scottish Collection.

Note:The present pair of chairs exemplifies the influence of Westerncabinet-making techniques and decorative motifs on Chinesefurniture during the Qing dynasty. Beginning in the early Qingdynasty, foreign tradesmen and firms brought European-madeitems and built trading houses in European styles in China. Atthe same time, the Jesuits arrived in Beijing and entered theEmperor’s service as court artists. They not only producedwestern-designed objects but also influenced architecturaldesign, the most prominent example being the Chang ChunYuan (Garden of Everlasting Spring) in the Summer Palace. Asa result of such commercial and cultural exchange, European-

influenced decorative arts objects, in particular furniture,began to appear in and outside the imperial court.The architectural crest of the two chairs and the Westernizedlotus and acanthus motifs of the surface carving are all drawnfrom the repertoire of Rococo art. The fanned lappet-shapedheadrest surmounting the crest-rail clearly resembles a shell,another typical Rocaille motif. These motifs remind one of theidentical carved decorations on the European-style complex ofbuildings in the Garden of Everlasting Spring. We can onlyimagine what the furniture looked like in the series of palaces,pavilions and terraces of the Yuanmingyuan as it is now only aplace of memories. These ornate, pseudo-Rococo designssatisfied the self-indulgent taste of the royal household.For similar examples see Tian Jiaqing: Classic Chinese Furnitureof the Qing Dynasty, p. 42, pl. 26 (see illustration above); asimilar chair from the Qing Court, is in Treasure of the Mingand Qing Dynasty Palace Furniture, Vol. 1, Beijing, 2007, pl. 18and another Western influenced chair, pl. 88; Sotheby’s NewYork, Collection of Lt. Col. Robert Gray Peck, 19th March 2014,lot 400; Christie’s Hong Kong, 2nd December 2008, lot 2508.

HK$340,000-560,000UK£30,000-45,000 | US$40,000-70,000

Illustration of a similar chair from Tian Jiaqing: Classic Chinese Furnitureof the Qing Dynasty, p. 42, pl. 26.

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7 HD810/5PAIR OF CARVED ZITAN AND HUALI-WOODARMCHAIRSQING dYNASTY, LATE 18TH/EARLY 19TH CENTURY

清十八世紀晚期/十九世紀早期 紫檀花梨木扶手椅一對

the shaped crest rails above ornate openwork splats, carvedwith ruyi motifs, ribbon tied drapery and scrolls, the steppedopen frame arms above solid seats, on carved square sectionlegs, joined by peripheral stretchers (2)

59cm wide, 89cm high, 45cm deep

Provenance:Private Scottish Collection.

Note:For similar examples, see Christie’s sale in their New Yorkrooms on 15th September 2009, lot 283 and in their Hong Kongrooms on 3rd December 2008, lot 2269; Tian Jiqiang: ClassicChinese Furniture of the Qing Dynasty, p. 124, pl. 45.

HK$120,000-180,000UK£10,000-15,000 | US$15,000- 20,000

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20 LYON & TURNBULL | FREEMAN’S

8 HD810/1RARE PAIR OF ZITAN AND REVERSE-PAINTEDGLASS HANGING LANTERNSQING dYNASTY, 18TH/19TH CENTURY

清十八/十九世紀 紫檀玻璃彩繪人物圖四方燈

each exquisitely made of square section with a waisted top anda waisted stand, carved overall in delicate pierce-work withauspicious motifs including lotus flowers, cloud-heads, ruyi andsymmetrically arranged scrolls, the centre section with latticeborders framing four inset glass panels reverse-painted withimmortals, Chinese boys and foreigners within landscapesettings (2)

52cm high

Provenance:Yester House, East Lothian, Scotland; formerly in the collectionof the Italian-American composer and librettist Gian CarloMenotti (1911-2007), possibly acquired by the previous ownerof Yester House, The Marquess of Tweeddale.Menotti won the Pulitzer Prize twice, for The Consul (1950) andfor The Saint of Bleecker Street (1955). He founded the notedFestival dei Due Mondi (Festival of the Two Worlds) in Spoletoin 1958 and its American counterpart, Spoleto Festival USA, in1977. In 1986, he commenced a Melbourne Spoleto Festival inAustralia. In 1974, Menotti, persuaded by the fine acoustics ofthe main room, purchased Yester House, in the village ofGifford, East Lothian, in Scotland.

Note:Zitan framed lanterns made use of this precious timber leftover from the making of larger pieces of furniture. Detailedwith elaborate carving and delicately pierced lattice borders,they are comparable to the architectural latticework found ondoors, windows and balustrades of traditional Chinese Palaces.Translucent glass panels are inset into their frames and it isknown that in the middle of the Qing dynasty glass replacedpaper or silk in windows, so it is highly probable that glass alsobegan to be used in lanterns at that time.In addition to the fine carvings, elaborate pierce-work andpleasant spacing of the design elements, this pair of Zitanlanterns have a metal receptacle plate with a central piercedhole into which lit candles can be inserted. The dark openworkcarving would have been silhouetted against the candlelight inan attractive pattern.Zitan and reverse-painted glass lanterns of similar form,bedecked with streamers and fringes, hang within the imperialwedding chamber in the Palace of Earthly Repose at theForbidden City, see Wan-go Weng/Yang Boda (1982): ThePalace Museum: Peking, Treasures of The Forbidden City.p. 56-57. Also refer to similar Zitan lanterns from the Collectionof Robert H. Ellsworth (1929-2014), see Christie’s sale in theirNew York rooms on 17th March 2015, lot 52. Anothercomparable pair of lanterns can be found in the collectionof the Minneapolis Institute of Arts, see R.D. Jacobson, &N. Grindley (1999): Classical Chinese Furniture in theMinneapolis Institute of Arts. p. 170.

HK$120,000-180,000UK£10,000-15,000 | US$15,000- 20,000

Yester House, Gifford.

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9 HD209/1HUANGHUALI FOLDING STOOL, JIAO WULATE QING dYNASTY/EARLY REPUBLIC PERIOd

清晚期/民國早期 黃花梨交杌

the slatted seat framed by foliate scroll carved frieze, supported on fourlegs of rounded section joined at the centre by pins secured with baitonghardware, the legs secured to the horizontal feet with similar hardware andflanking the footrest, set with stylised ruyi mounts with triple-lozengepattern at the centre

56cm wide, 50cm high, 40cm deep

Provenance:Private Dutch Collection.

Note:For a similar example, see Wang Shixiang: Classic Chinese Furniture, p. 72,pl. 32.

HK$160,000-260,000UK£15,000-24,000 | US$20,000-30,000

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One of the key features of these chairs is the surface carving.Imbued with traditional Chinese symbols of positive meanings,the chair also indicates the owner’s wealth and status. Runningalong the façade of the seat are auspicious Chi-dragons, andon the splat are carved fortuitous symbols of good fortune,long life and prosperity which run the gamut from lively qilin(Chinese unicorn), lotus blooms, Buddhist lions among otherbears of luck.The hunting chair can be folded with ease, and comes with ahandsome attached foot-stool with brass inlay. The brassfittings on the chair lends it a sense of strength whilstproviding highlights to the piece. The ageless flowing densegrains of the precious Huanghuali adds greatly to the chair’sgrand appeal.For a similar chair, see Christie’s Fine Chinese Ceramics andWorks of Art sale in their London rooms on 8th November2011, lot 273. See also Wang Shixiang: Connoisseurship ofChinese Furniture, p. 56, pl. A93; Wang Shixiang: ClassicChinese Furniture, Ming and Early Qing Dynasty, p. 106, pl. 58.

HK$90,000-130,000UK£8,000-11,000 | US$10,000-17,000

10 HC983/1HUANGHUALI HORSESHOE-BACK FOLDINGARMCHAIRLATE QING dYNASTY

清晚期 黃花梨交椅

the curved top rail with outscrolling arms, above a piercedcarved splat depicting two qilin amongst clouds, surmountedby a further smaller pierced panel carved with a lotus blossom,the slatted seat over a scroll carved frieze, the slender legsunited by a foot rest mounted with huangtong plaque, centredby interlaced lozenges

64cm wide, 112cm high, 43cm deep

Provenance:Private Scottish Collection.

Note:Originally used only by the Emperors and princes, huntingchairs became popular among high ranking officials in the laterperiod who commissioned these fine portable seats forthemselves. These chairs accompanied their owners who oftenrode ahead on horse-back during hunts while male servantscarried them upon their back and followed behind on foot.

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11u HD418/1RARE PAIR OF HUANGHUALI ‘SOUTHERNOFFICIAL’S HAT’ CHAIRSMING dYNASTY, 17TH CENTURY

明十七世紀 罕見黃花梨南官帽椅一對

each with shaped top rails above a gently curved splat finelycarved with a ruyi roundel, the hard mat seat within arectangular frame with ornate shaped and scroll carvedaprons, raised on rounded square section legs united bystepped stretchers with a foot rest (2)

56cm wide, 100cm high, 45cm deep

Provenance:The Collection of Mr. J Ritchie; purchased from Martin FungAntiques & Furniture Co., Hollywood road, Hong Kong in 1987,accompanied by the original receipt and certificate of antiquity.

HK$900,000-1,300,000UK£80,000-110,000 | US$116,000-167,000

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Note:This pair of armchairs is an excellent and rarely found exampleknown as ‘Southern official’s hat.’ Unlike the Northern type, theends of the Southern official’s chairs do not protrude.

The name ‘official’s hat,’ in Chinese guanmaoyi, derived fromthe chairs’ resemblance to the winged hat that was part of theformal attire of Ming officials, used exclusively by members ofthe elite class. Thus, even today, they are regarded as symbolsof status and authority by the Chinese.

These two chairs embody a timelessness in the way theycombine linear simplicity with sophistication of detail, loyalty tothe traditional canon with a striking sense of modernity. Each iselegantly proportioned, with the narrow top rail supported ongracefully curved rear posts. The S-shaped splat is carved witha delicate ruyi-head medallion. The Huanghuali wood is of anattractive golden yellowish-brown tone with a mesmerizingtranslucent shimmer. The high-back form of the chairs istypical of the Ming dynasty.

With the excellent material and superb craftsmanship, there isno doubt that they are the work of a highly skilled artist andare of a rare quality.

For similar examples, see Wang Shixiang: Connoisseurship ofChinese Furniture, p. 46, pl. A76; Wang Shixiang: ClassicChinese Furniture, p. 90, pl. 48; Christie’s sale in their New Yorkrooms on 22nd-23rd March 2012, lot 1735.

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WORKS OF ART

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12 HD849/30INSCRIBED BAMBOO BRUSHPOTQING dYNASTY, 18TH CENTURY

清十八世紀 竹雕刻詩文筆筒

of natural lobed form, the exterior carved with a poem,mounted on a short hardwood stand of conforming shape

15.5cm high

HK$50,000-70,000UK£4,500-6,500 | US$6,000-9,000

(reverse)

13 HE296/77CARVED BAMBOO BRUSHPOTQING dYNASTY, 19TH CENTURY

清十九世紀 竹雕筆筒

of cylindrical form, sculpted in deep relief to show threescholars playing Go under a pine tree

10cm diam, 12cm high

HK$35,000-55,000UK£3,000-4,500 | US$4,600-7,000

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14 HA466/10PAIR OF FINELY CARVED BAMBOO VASESQING dYNASTY, 19TH CENTURY

清十九世紀 竹雕山水人物瓶一對

of cylindrical shape with waisted neck and three ruyi-shapedfeet, well carved around the sides with a continuous scene ofscholars in a mountainous landscape, some seen crossing abridge while others already gathered in pavilions nestledamongst pine trees and craggy rocks, the bamboo of a warmcaramel-brown colour (2)

37.5cm high

Provenance:Private English Collection.

HK$45,000-65,000UK£4,000-6,000 | US$5,500-8,000

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15 HE296/78FINE BAMBOO BRUSHPOTCHENG QINwANG MARK ANd OF THE PERIOd(1789-1823)

清 成親王題字竹刻筆筒

of straight cylindrical form, carved to show poeticverses to body, bamboo of reddish hue to surface

11cm high, 5cm diam

HK$150,000-250,000UK£13,000-23,000 | US$20,000-35,000

(reverse)

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(reverse)

16 HD849/8CARVED AND INSCRIBED ‘BUDAI’ BAMBOOBRUSHPOTQING dYNASTY, 17TH CENTURY

清十七世紀 竹雕題詩布袋和尚圖筆筒

the exterior finely carved with the Laughing Buddha playfullyholding up a crustacean, his staff hung with a double-gourdflask standing nearby, the reverse inscribed with a poem

15.5cm high

HK$160,000-220,000UK£14,000-20,000 | US$20,000-28,000

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17 HD849/28DREAMSTONE-INSET BLACKWOOD TABLESCREENSIGNEd wU dACHENG (1835-1902), dATEd 1892

署吳大澂款黑木鑲雲石桌屏

the creamy pale-grey marble with natural slate-grey and browninclusions suggestive of clouds over mountains, enclosedwithin a wood frame and stand, titled, signed, with one seal,dated renchen year (corresponding to 1892)

39cm high overall

HK$25,000-35,000UK£2,200-3,200 | US$3,000-4,500

18 HE296/79HUANGHUALI RECTANGULAR BOXQING dYNASTY, 19TH CENTURY

清十九世紀 黃花梨蓋盒

of rectangular form, with original metal clasps and corners

20 cm long, 11cm wide, 7cm high

HK$40,000-60,000UK£3,600-5,500 | US$5,500-7,500

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19 HD987/2PAIR OF RARE AND FINELY CARVED ‘TIXI’LACQUER BOWLSYUAN dYNASTY

元 剔犀如意紋嵌銀膽碗一對

the rounded sides rising from a raised foot to an everted rim,the exterior deeply carved through layers of black and redlacquer with five ruyi-head shaped pommels, the layers of redlacquer appearing in seven thin lines sandwiched between theblack lacquer, the base carved with a trefoil motif, the interiorapplied with a silver-plated lining, with later fitted wood box (2)

11.2cm diam

Provenance:Private Scottish Collection; formerly in the collection of JamesDrummond, 8th Viscount Strathallan (1767–1851), who servedwith the East India Company and later became President of theSelect Committee in Canton. The fitted wood box of thepresent lot bears his initials ‘J.D.’.

HK$120,000-160,000UK£10,000-15,000 | US$15,000-20,000

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20

BONE INLAID BLACK LACQUER DOCUMENT BOXAND HINGED COVERMING dYNASTY, 17TH CENTURY

明十七世紀 人物故事黑漆嵌骨雕方盒

finely inlaid in bone on the top depicting scholar-officials andtheir attendants within a river landscape setting, the sidesinlaid with butterflies amongst various scattered fruit andflower sprays, including plum blossom and pomegranate, withbronze mounts

33cm wide

Note:For a comparable black lacquer bone-inlaid document box andcover, first half 17th century, from the Sir Harry GarnerCollection in the Fitzwilliam Museum, Cambridge, seeCatalogue of the Oriental Ceramic Society and British Museumexhibition: Chinese Ivories from the Shang to the Qing,London, 1984, p.195, pl.282.

HK$80,000-120,000UK£7,000-11,000 | US$10,000-15,000

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21 HC469/7PAIR OF CARVED CINNABAR LACQUER‘CHRYSANTHEMUM’ BOXES AND COVERSQING dYNASTY, 18TH CENTURY

清十八世紀 剔紅雕蓮花紋菊瓣式蓋盒一對

each of cushion-form with thirty-two lobed sides and set on astraight conforming foot, the centre of each top carved with ablossom surrounded by five registers of decoration, with afurther two registers on the box, the registers divided intopanels each containing a leafy chrysanthemum blossom, thefeet decorated with leiwen, the interiors and bases lacqueredblack (2)

18.2cm diam

Provenance:Private London Collection; formerly the property of a Europeanprivate collector resident in China between 1925 and 1931.

Note:For similar examples, see Chen Lihua (ed.): Many Splendors:Yuan, Ming and Qing Lacquerware from the Chao Collection,no. 71, p. 182-3; Hai-wai Yi-chen: Chinese Art in OverseasCollections, Lacquerware, no. 160, p. 163, in the collection ofthe Asian Art Museum of San Francisco; Kwan, ChineseLacquer, no. 116, p. 316-7.

HK$220,000-340,000UK£20,000-30,000 | US$30,000-40,000

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22 HC458/2CINNABAR LACQUER SCROLL-FORM STANDQING dYNASTY, 18TH CENTURY

清十八世紀 剔紅山水人物景小案

the rectangular body gently curving into two scrolls at eitherend forming the feet, the top finely carved with two Buddhistarhats, one sailing on a plantain leaf and confronting a dragonemerging from the waters, the other riding and taming aleopard, all set amongst rocks and pine trees, each scrollingend carved with a spray of peonies

33cm long, 13.2cm wide, 8.1cm high

Provenance:Private London Collection.

HK$70,000-90,000UK£6,000-8,000 | US$9,000-12,000

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23 HD849/21BAMBOO CARVED ‘BOYS WASHING ANELEPHANT’ GROUPQING dYNASTY, 18TH CENTURY

清十八世纪 竹雕「童子洗象」摆件

modelled as two boys seated atop an elephant, supporting ajar and about to pour the water over the animal, the third boystanding by the side holding a lingzhi-shaped brush

7cm high

HK$50,000-70,000UK£4,500-6,000 | US$6,500-9,000

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24u HE296/76FINE AND RARE CARVED BAMBOO FIGURE OFLAUGHING BUDAIQING dYNASTY, 18TH CENTURY

清十八世紀 竹雕彌勒佛

seated with his right hand leisurely placed over his raised knee,holding praying beads, the round stomach revealed, the facewith a jovial expression

10.5cm long, 11cm wide, 8cm high

HK$400,000-600,000UK£35,000-55,000 | US$52,000-80,000

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25 HD849/14CARVED BAMBOO ‘SCHOLARS UNDER PINE’ VESSELQING dYNASTY, 18TH CENTURY

清十八世紀 竹雕鬆林人物圖筆筒

the exterior naturalistically carved with groups of Chinese scholarsengaged in various pursuits such as playing Go, the whole scene setwithin an opening under the shade of an aged pine tree andbesides rocks

13cm high

HK$35,000-45,000UK£3,000-4,000 | US$4,500-6,000

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26 HC458/3UNUSUAL MARBLED XIPI LACQUER BRUSHPOT,BITONGKANGXI SIX-CHARACTER MARK, 18TH CENTURY

清十八世紀 犀皮漆菱形筆筒

of rhomboid section raised on four short feet, the exteriorcovered with a combination of red, black and ochre lacquerswith an abstract marbled effect known in Chinese as xipi,meaning ‘rhinoceros skin’, the interior finished with blacklacquer, the base bearing a possibly later added red lacquersix-character Kangxi mark

13cm high

Provenance:Private London Collection.

Note:For a similar but cylindrical example, see The CompleteCollection of Treasures of the Palace Museum, Lacquer Waresof the Qing Dynasty, No.195.

HK$80,000-100,000UK£7,000-9,000 | US$10,000-13,000

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28 HE296/75CARVED BAMBOO WINE CUPQING dYNASTY, LATE 18TH CENTURY

清十八世紀晚期 竹雕飲酒杯

sculpted in deep relief to show scholars at leisure underpine trees, mountainous scenery to back

8cm high, 8cm long, 4.8cm wide

HK$50,000-70,000UK£4,500-6,000 | US$6,500-9,000

27 HD849/13WELL-CARVED AND INSCRIBED BAMBOOBRUSHPOTZHENG FANG MARK, 18TH CENTURY

清十八世紀 振芳款竹雕山水人物詩文筆筒

the sides finely carved with a figure seated within a rockylandscape view, the reverse inscribed with a poem andsigned Zheng fang

11cm high

HK$20,000-30,000UK£1,500-2,500 | US$2,500-4,000

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29 HC469/8RARE CARVED CINNABAR LACQUER INGOT-SHAPED VESSELQIANLONG PERIOD

清乾隆 剔紅花卉紋茶船

with two short straight sides and two long convex sides flaringfrom a straight foot of conforming shape, the long exteriorsides each carved with a cartouche containing a sword, tiedwith a ribbon, against a leiwen diaper ground, reserved againstleafy prunus, the ends with leafy lotus, the corners withgeometric scrolls, the interior carved with leafy prunus andlotus, the well with a hexagonal floral diaper enclosed by a key-fret band, the foot carved with key-fret, the base lacqueredblack

21cm long

Provenance:Private London Collection.Bears Maison des Bambous, Paris, trade label

Note:For similar examples, see Chen Lihua (ed.): Many Splendors:Yuan, Ming and Qing Lacquerware from the Chao Collection,no. 143, p. 324 and Zhu Li, Ming Qing Guwan Zhenshang,p. 200.

HK$70,000-90,000UK£6,000-8,000 | US$9,000-11,000

CHINESE WORKS OF ART 45

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30 HD849/25CINNABAR LACQUER BOX AND COVERQING DYNASTY, 19TH CENTURY

清十九世紀 剔紅人物圓盒

the top of the box carved with an older scholar and his youngattendant in a mountain landscape with pine trees, the sides ofthe box and the cover carved with lotus scrolls

10cm diam

HK$30,000-40,000UK£2,500-3,500 | US$4,000-5,000

31 HD849/34CARVED CINNABAR LACQUER INGOT-SHAPEDBOX AND COVERQING DYNASTY, 19TH CENTURY

清十九世紀 剔紅元寶形蓋盒

the cover carved with an elderly scholar and his youngattendant in a mountain landscape, the sides carved withleiwen

10.5cm wide

HK$20,000-30,000UK£1,500-2,500 | US$2,500-4,000

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32 HD849/7FINE BOXWOOD CARVED FIGURAL GROUP OF AFISHERMAN AND A BOYMID-QING DYNASTY

清中期 黃楊木雕漁夫童子像

carved as an old long-bearded fisherman holding up a fishwhilst the boy tries playfully to take it from him

15cm high

HK$45,000-65,000UK£4,000-6,000 | US$6,000-8,000

33 HD849/12BAMBOO CARVED FRUIT SHAPED BOX ANDCOVERQING DYNASTY, 18TH CENTURY

清十八世紀 竹雕串葡萄蓋盒

naturalistically carved in the round as a cluster of grapesissuing from leafy vines

10cm wide

HK$55,000-65,000UK£5,000-6,000 | US$7,000-8,000

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34 HD849/15UNUSUAL COCONUT VENEER ‘DRAGONS’ BOWLLATE MING/QING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀 椰殻薄雕龍紋碗

the exterior formed of coconut shell carved with quatrefoil panels eachcontaining a writhing dragon amongst swirling clouds, separated byfurther cloud scrolls, all below a geometrical border

18cm diam

Note:For a comparable carved coconut veneer dish, see Christie’s sale in theirNew York rooms on 15th September 2011, lot 1271.

HK$180,000-240,000UK£15,000-20,000 | US$23,000-28000

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35 HC469/10PAIR OF CARVED OCHRE-YELLOW LACQUER JARDINIÈRESQING DYNASTY, 19TH CENTURY

清十九世紀 赭地剔彩開光人物紋盆一對

each of rectangular section and supported on four short feet, the evertedrim decorated with shou characters at the top and key-fret scroll on theedge, the exterior walls carved with four panels each depicting an elderlyscholar and attendants within a landscape, framed by meandering peonyscrolls, the interior and the base lacquered black, with wood stands (2)

21.8cm long

Provenance:Private London Collection.

Note:For comparable jardinières, see Kwan, Chinese Lacquer, no. 106, p. 296-7and Wu, Masterpieces of Chinese Carved Lacquer Ware in the NationalPalace Museum, no. 50.

HK$12,000-16,000UK£1,000-1,500 | US$1,500-2,000

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36 HC469RARE EMBROIDERED CIVIL OFFICIAL'S 'WILDGOOSE' RANK BADGE, BUZIKANGXI PERIOD

清康熙 三品文官鵝紋刺繡補子

embroidered in satin thread to show a white goose standingon rockwork with one leg raised among ruyi-form clouds andabove a turbulent sea, against a gold metallic thread ground,with embroidered border, framed and glazed.

31cm diam.

Provenance:Property of a Pennsylvania Collector.

Note:For a similar example, see Christie’s Hong Kong, 26 November2014, Sale 3371, Lot 3414.

HK$120,000-150,000UK£11,000-13,000 | US$15,000-20,000

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JADE & HARDSTONES

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37u

LARGE PALE CELADON JADE ‘MONKEY ANDPEACH’ GROUPQIANLONG PERIOD OR LATER

清乾隆 青白玉雕「雙猴獻壽」擺件

skilfully carved to show two playful monkeys, one seatedleaning forward with hands encircling a large peach, the othermonkey bracing on foot, reaching its body and long armsaround the back of its companion, grasping a leafy branch of apeach tree, the stone of even colour with some opaque whiteand pale brown inclusions, with later dark spinach jade stand

9cm high

HK$400,000-600,000UK£45,000-50,000 | US$55,000-80,000

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Note:A similar carving but of a single monkey holding a peach wassold at Sotheby’s London on 6th November 2013, lot 28. Acarving of similar large size and subject matter is illustrated inRobert Kleiner: Chinese Jades from the Collection of Alan andSimone Hartman, Hong Kong, 1996, pl. 188 and sold atChristie’s Hong Kong on 27th November 2007, lot 1557.

(reverse)

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38

FINE WHITE JADE RECUMBENT QILINQING DYNASTY

清十八世紀 白玉臥麒麟擺件

the beast well-carved with its head over its front paws and tailtickling its chin, swirling clouds carved to the creature’s backand underside, jade of milky white tone with russet inclusionsand light pebbling

8.3cm long

Provenance:From an important North American Collector.

HK$160,000-180,000UK£14,000-16,000 | US$20,000-25,000

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39

WHITE JADE BUDDHA’S HANDQIANLONG PERIOD

清乾隆 青白玉雕佛手

naturalistically carved, the twisting ‘fingers’ terminating incurled ends with incised veins to stalk, with fitted wood stand

8cm long

Provenance:From an Important North American Collector.

Note:For similar examples, see Sotheby’s sale in their New Yorkrooms on 16th September 2014, lot 272 and on 19th March2013, lot 271.

HK$30,000-50,000UK£2,500-4,500 | US$4,000-6,500

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40u

CARVED CELADON JADE ‘HU’ VASEKANGXI PERIOD

清康熙 青白玉雙象耳活環獸面紋瓶

of flattened ‘Hu’ form, with twin elephant head and ringhandles to sides, carved to body with archaistic reededstrapwork ending in dragon and phoenix heads, wave motif toneck and greek key at mouth rim and foot, the jade of an evenceladon tone

22cm highProvenance:From an Important North American Collector; Christie’sLondon, 16th July 1963: The Collection of Important ChineseJades formed by Count Primor Alsocernantoni Louis Von Cseh,Lot 22.

Note:For a similar example, see Stanley Charles Nott: Chinese JadeThroughout the Ages, Tokyo, 1936, pl. xxxviii.

HK$500,000-700,000UK£45,000-60,000 | US$65,000-90,000

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41u

CARVED WHITE JADE ‘DRAGON AND PHOENIX’COVERED VASEQIANLONG/JIAQING PERIOD

清乾隆/嘉慶 白玉雕龍鳳纹帶蓋瓶

of flattened, high-shoulder form, carved over porous rockwork,the body flanked by a phoenix to side and a dragon coiled atshoulder, decorated with swirling clouds resembling lingzhiand blossoming peony verso, incised geometric bands at neck,lip, foot and cover, jade of translucent white hue

25cm high

Provenance:From an Important North American Collector; formerly of aPrivate Honolulu Collection.

Note:A period nephrite vase with similar high-relief ‘dragon andphoenix’ carving can be seen at the Metropolitan Museum ofArt, New York, as part of the Heber R. Bishop Collection(02.18.439)

HK$500,000-700,000UK£45,000-60,000 | US$65,000-90,000

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42Y HD640/8FINE JADE, CORAL AND TURQUOISE-EMBELLISHED SILVERHANGING VASEQING DYNASTY, 19TH CENTURY

清十九世紀 銀鏤雕鑲綠鬆石珊瑚嵌青玉蓋壺

the flattened ovoid body inlaid on each side with a white jade circular plaquefinely carved in relief with a caparisoned elephant surrounded by Bajixiang,the Eight Treasures, flanked by a pair of chilong dragons clambering up frombetween two qilin beasts to reach two elephant heads set at the shoulders,the noses of the elephants linked to the jade inset handle suspending thevase from the finial of the wood stand, the filigree silver body inset withcoral, turquoise and malachite

39cm high (excluding wood stand)

Provenance:Private English Collection.

HK$55,000-85,000UK£5,000-8,000 | US$7,000-11,000

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43

CARVED JADE ‘MANDARIN DUCKS’ GROUPLATE MING DYNASTY

明晚期 玉雕鏤空鴛鴦擺件

carved and pierced depicting two ducks perched on a rock, thestone of a milky white tone with russet inclusions, with a woodstand carved with swirling waves

6cm high (without stand)

HK$25,000-35,000UK£2,200-3,200 | US$3,000-4,500

44

CELADON AND RUSSET JADE CARVING OF ABIXIEMING DYNASTY

明 玉雕貔貅把件

the recumbent mythical beast carved with its head turnedbackward over its body and legs tucked underneath, its maneand tail finely detailed, the stone of a greyish celadon tone withrusset inclusions

6cm long

Provenance:Private London Collection; Ex-Collection Dr. Van Rossum.

HK$35,000-55,000UK£3,000-5,000 | US$4,000-7,000

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45

FINE CELADON JADE CARVING OF A BOATQING DYNASTY, 19TH CENTURY

清十九世紀 青白玉雕船人物件

carved in the form of a flat-bottomed boat above swirlingwaves, the bow covered with a rounded rattan roof, at theprow a seated fisherman angling, two fishing baskets at thestern, the stone of pale celadon colour with a few patches ofcalcified brown inclusions and russet veins

16cm long, 4.2cm wide, 4.8cm high

Provenance:Private Swedish Collection.

HK$90,000-120,000UK£8,000-10,500 | US$10,000-15,000

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46

BURMESE JADE CARVED MINIATURE TRIPODCENSER AND COVERQING DYNASTY, 19TH CENTURY

十九世紀 緬甸翠玉雕雙獸耳活環三足蓋爐

carved in the archaic style with taotie masks and a leiwenband, with a pair of animal mask handles suspending looserings, with a Japanese silver cover and a carved wood stand,the stone of an olive-green colour suffused with darkergreenish black speckles

10cm high (including stand)

HK$90,000-120,000UK£8,000-10,500 | US$10,000-15,000

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47 HE296/54JADEITE, OPAL AND PEARL INSET GOLDNECKLACE AND BRACELET SETEARLY 20TH CENTURY

二十世紀早期 翡翠蛋白石珍珠鑲嵌金項鏈手環組

comprising a jadeite and opal inset twenty four karat necklace,and a jadeite, opal and pearl inset twenty four karat goldbracelet

3.26oz (bracelet), 2.71oz (necklace), 21.6cm long (necklace closed)

HK$150,000-250,000UK£10,000-25,000 | US$20,000-30,000

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49

RETICULATED WHITE JADE FIGURALPLAQUEYUAN DYNASTY

元 白玉「松下對弈圖」鏤雕牌

carved to show two mythical figures playing Gounder a pine tree, flanked by an attendant to left,clouds to figure heads, the jade of a milky whitehue

10.2cm wide

Provenance:Property from a Pennsylvania estate.

Note:For a similar white jade plaque from the Songdynasty, see Sotheby’s sale in their Hong Kongrooms on 4th April 2012, lot 3017.

HK$120,000-160,000UK£10,000-15,000 | US$15,000-20,000

48

CARVED WHITE JADE ‘FENGHUANG’ COVEREDBOXQING DYNASTY, 18TH CENTURY

清十八世紀 白玉凤凰纹方盒

of quadrilobed form, decorated to show twin phoenix to covertop and edge, wrapped with lappet design to the rim, the jadeof translucent quality

8.3cm wide

Provenance:Property from a Pennsylvania estate.

Note:For a similar example, see Sotheby’s sale in their Londonrooms on 27th May 2015, lot 508.

HK$35,000-50,000UK£3,000-4,500 | US$4,500-6,000

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50

FINELY CARVED YELLOW JADE HEXAGONAL VASE, GUQING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀 黃玉仿古獸麵紋六方觚

of compressed hexagonal section with a splayed foot and a tall flared neck, the mid-section carved in shallow relief with taotie masks, the neck and foot with archaisticupright and pendant cicada blades, the stone of a greyish yellow colour withattractive russet inclusions, an incised leiwen band encircling the mouth and the footrims

16.5cm high

Provenance:Private Swedish Collection.

Note:For a very similar vase, see Sotheby’s sale in their Hong Kong rooms on 8th October2014, lot 3670. A facetted and lobed white jade gu vase, similarly carved in low reliefwith a taotie mask, in the De An Tang collection, was included in the exhibition ARomance with Jade, Palace Museum, Beijing, 2004, cat. no. 126.

HK$90,000-120,000UK£8,000-10,500 | US$10,000-15,000

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51

FINE WHITE JADE CARVED ‘MAGPIE’ BOX AND COVERQING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀 白玉雕鵲形蓋盒

the cover well carved in the round in the shape of a magpie with asharp beak and a long striated tail, its feathery wings tucked on thesides, the box with a high oval inner lip, the underside finely carvedwith clawed feet, the stone of a greyish milky tone with naturalsnowflake veins and inclusions

17.7cm long

Provenance:Private London Collection.

Note:For a similar example, see Sotheby’s sale in their Hong Kong roomson 5th October 2011, lot 2037.

HK$170,000-220,000UK£15,000-20,000 | US$20,000-30,000

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52

PAIR OF CARVED WHITE JADE MAGPIESQING DYNASTY, 18TH CENTURY

清十八世紀 白玉喜鵲雕件 一对both sculpted as covered boxes and elegantly carved to showthe facing birds in still position, waiting to take flight, the jadeof a translucent white hue, over later tiered platform stand (2)

14cm long

Note:For an example of similar form, see Christie’s sale in theirLondon rooms on 6th November 2012, lot 11.

HK$150,000-250,000UK£12,000-22,000 | US$20,000-30,000

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53

JADEITE ARCHAISTIC VASE AND COVERQING DYNASTY, 19TH CENTURY

清十九世紀 翡翠雕仿古饕餮紋蓋壺

the sides carved with archaistic taotie masks, the waisted neckapplied with a pair of dragon-head and loose-ring handles, theshaped cover surmounted by a Buddhist lion finial, the stoneof an attractive mottled spinach-green tone with a streak ofyellow inclusion

16cm high

HK$200,000-300,000UK£15,000-25,000 | US$25,000-38,000

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54Y

FINE YELLOW JADE CARVED ‘BROCADE-WRAPPED’ SNUFF BOTTLEQING DYNASTY, 18TH CENTURY

清十八世紀 青黃玉包袱紋鼻煙壺

well-hollowed of flattened oval form with a short waisted neck,well-carved in low relief with a brocade sash densely incisedwith floral diapers, wrapped around the body of the bottle andgracefully tied to one side, the translucent stone of anattractive greenish-yellow colour, coral stopper

5.5cm high

Provenance:Private London Collection.

HK$80,000-100,000UK£7,000-9,000 | US$10,000-12,000

55

FINELY CARVED SPINACH-GREEN JADE SMALLDISHQING DYNASTY

清 碧玉雕小碟

the dish raised on a short foot-ring, the interior carved inshallow relief with a large lotus flower encircled by scrollingtendrils bearing further smaller blooms, the stone ofcharacteristic semi-translucent mossy green tone with areas ofmottling, the wood stand carved in the shape of a recumbentbuffalo with mouth issuing ruyi-clouds

6cm diam (dish)

Provenance:Private London Collection.

HK$45,000-55,000UK£4,000-5,000 | US$5,500-7,000

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56

CELADON AND RUSSET JADE CARVED ‘PEACHAND BAT’ GROUPQING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀 青白玉雕「福壽雙全紋」擺件

carved in the form of two peaches borne on a gnarled leafystalk forming the foot, a bat resting on top of one peach, thestone of a pale celadon tone with russet inclusions

8.6cm long

Provenance:Private London Collection.

HK$90,000-120,000UK£8,000-10,000 | US$11,000-15,000

57

CELADON JADE CARVED ‘DUCK’ GROUPQING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀 青白玉雕雙鴨擺件

carved with a duck and a duckling swimming on a large curledlotus issuing from a gnarled stem, their wings with finelydetailed plumage, the stone of a greyish-celadon tone withsnowflake-white and russet inclusions, with wood stand

10.3cm long

Provenance:Private London Collection.

HK$120,000-140,000UK£10,000-14,000 | US$15,000-18,000

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58

MOTTLED JADE BI DISC ON BLACKWOOD STANDQING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀 青玉玉璧

the stone of a mottled spinach-green tone with warm browninclusions, with reticulated wooden stand

34cm high

HK$35,000-45,000UK£3,000-4,000 | US$4,500-6,000

59

FINE RETICULATED WHITE JADE CIRCULARPERFUMIERQING DYNASTY, 18TH CENTURY

清十八世紀 白玉圓形細雕香筒

each pierced to show bats among scrolling foliage, attachedtogether with period thread, beads, and tassels, padding tointerior, the jade of translucent quality

5.7cm diam

Note:For an example of similar form, see Christie’s sale in theirLondon rooms on 18th May 2012, lot 1007.

HK$120,000-150,000UK£10,000-15,000 | US$15,000-20,000

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60

WHITE JADE ‘HORSE’ CARVINGQING DYNASTY, 18TH CENTURY

清十八世紀 白玉雕臥馬把件

elegantly carved to show a kneeling horse over swirlingwaves, the jade of a translucent white hue

5.7cm long

HK$80,000-120,000UK£7,000-11,000 | US$10,000-15,000

61

YELLOW JADE CARVED MODEL OF A RAMQING DYNASTY, 17TH/18TH CENTURY

清十八/十九世紀 青黃玉雕卧羊把件

carved in the round in the form of a recumbent ram detailedwith grooved horns, his legs tucked underneath the body, thestone of a greenish-yellow tone with one area of russet-browninclusion

6.1cm long

Provenance:Private London Collection

HK$35,000-55,000UK£3,000-5,000 | US$4,000-7,000

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62

CELADON JADE CARVED SCHOLAR’S OBJECTSQING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀 青白玉雕書卷紋紙鎮

intricately carved with a book, a pair of scrolls and a leafybamboo branch gracefully tied to one side with a ribbon, thesurface incised overall with complex diaper motifs, with onesuspension hole, the stone of a pale greyish tone with slightrusset inclusions

5.7cm high

Provenance:Private Swedish Collection.

HK$30,000-40,000UK£2,500-3,000 | US$3,500-4,500

63

MOTTLED GREY JADE CARVED AND INSCRIBEDSCROLL-FORM STANDQING DYNASTY, 19TH CENTURY

清十九世紀 灰玉雕題詩文墨床

of rectangular shape with two scroll-form feet, the top incisedwith the poem Spring Night by Zuo Wei (?-1142), followed by aWen Wan mark, the pale grey stone with darker grey inclusions

8cm long

Provenance:Private Swedish Collection.

HK$17,000-25,000UK£1,500-2,500 | US$2,000-3,200

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64

FINE YELLOW JADE BANGLEQING DYNASTY, 17TH CENTURY

清十七世紀 黃玉刻文手環

rendered to show archaic scripts carved in mid relief to wideexterior surface, the jade of a pale yellow hue with somebrown russet skin to sides

5.7cm long

Note:For examples of similar form, see Christie’s sale in their NewYork rooms on 21st March 2013, lot 813 and on 24th March2011, lot 1169.

HK$65,000-95,000UK£5,500-8,500 | US$8,000-12,000

65

JADE CARVED ‘MONKEY’ BOULDERMID-QING DYNASTY

清中期 玉雕猴紋山子擺件

of irregular shape and well carved with a monkey climbing over rockworksrendered in varying layers of relief, the stone of a pale celadon tone withrusset inclusions, with a naturalistic hardwood stand

7cm high (excluding stand)

HK$45,000-65,000UK£4,500-6,000 | US$5,500-8,500

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66

RETICULATED CELADON JADE ‘WUFU’ BOULDERQING DYNASTY, 18TH CENTURY

清十八世紀 青玉鏤空雕「五蝠」山子

carved in high relief to show five fu bats in flight betweenscrolling clouds and among weathered rockwork, the jade of agreyish hue with russet to surface, with fitted wood stand

12.7cm long

Provenance:The Estate of Kenneth L. Hallam, Washington D.C.

HK$50,000-65,000UK£4,500-6,200 | US$6,000-8,000

67

CARVED WHITE AND GREY JADE BOULDERQING DYNASTY, 18TH CENTURY

清十八世紀 灰白玉「鳳凰麒麟圖」山子

deeply carved on both sides, depicting a recumbentqilin and phoenix in flight in a mountainous landscape,and steep mountain peaks amidst clouds, pine, and withlingzhi verso, the stone of a milky white hue with darkgrey inclusions to body, with fitted wooden stand

15.2cm high

Provenance:The Estate of Kenneth L. Hallam, Washington D.C.

HK$80,000-120,000UK£7,000-11,000 | US$10,000-15,000

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68 u

PAIR OF JADEITE HANGING BASKETSLATE QING DYNASTY/REPUBLIC PERIOD

清末/民国 翠玉雕蓮花吊籃 一對

carved in the form of two lotus flower baskets supported froma twin dragon carved yoke by freely-carved, single-piece chains,the jadeite with apple green highlights, with elaborate woodenstands and fitted period boxes (2)

27.3cm high (including chain)

Note:For an example of similar form, see Sotheby’s sale in their NewYork rooms on 21st March 2015, lot 872.

HK$350,000-500,000UK£30,000-45,000 | US$45,000-65,000

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69u

RARE AND MAGNIFICENT CARVED STONERELIQUARYTANG DYNASTY

唐 石刻舍利石函

of square section with chamfered corners, each of the fourwider sides carved with a niche with bas-relief depictions ofShakyamuni Buddha seated in dhysanasana on a lotusblossom at the centre, flanked by bodhisattvas and disciplesstanding on lotus bases, the narrower sides incised with floralscrolls

48cm long, 48cm wide, 34.5cm high

Provenance:From the Sze Yuan Tang Collection; acquired in Hong Kong inthe 1980s.

Note:With the transmission of Buddhism from India to China, thecustom of building pagodas for the sepulchral burial ofBuddhist relics also transmigrated to China. The Indian stupa,which is shaped as an inverted bowl, served as thearchitectural model for the Chinese pagoda while at the sametime coming to adopt Chinese characteristics.Receptacles for Buddhist relics (Sanskrit: sarira) such as thepresent lot would have been deeply interred in a vaulted cryptin the foundation of pagodas. Among the ones that have been

excavated in China, none can be dated before the 5th century.It was between the Northern Dynasties and the Tang Dynastythat the making of Buddhist reliquaries and their burial underpagodas of monasteries flourished.The traditional Chinese Buddhist reliquary is typically a square-shaped stone chest with a chamfered lid. The stone chesthowever is only the outermost layer in a nest of three to fivecontainers. The reliquary excavated from Dayunsi monasteryin Jingchuan, Gansu Province, for example is comprised of fournested containers: a stone casket with a chamfered lid, a giltbronze casket, a silver sarcophagus, and finally a gold coffin inwhich a glass bottle containing grains of sarira was found.Of the stone reliquaries known, most are of plain form with thesides uncarved and only the lid inscribed. Stone reliquarieswith bas-relief carvings around the sides, typically depictingscenes from the life of Shakyamuni Buddha, are extremelyrare. A stone reliquary with bas-relief carving, also from theTang Dynasty, is mentioned in P.E.Karetzky: A Scene of theParinirvana on a Recently Excavated Stone Reliquary of theTang Dynasty, in East and West, Vol. 38, No. 1/4 (December1988), pp. 215-230.For further reading, see Hong Yang: Ancient BuddhistReliquaries in China and Korea, in: Chinese Archaelogy, Vol. 10,Issue 1, 2010.

HK$800,000-1,200,000UK£70,000-100,000 | US$100,000-155,000

CHINESE WORKS OF ART 83

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70

RARE AMBER CARVED ‘MOUNTAIN’ GROUPQING DYNASTY

清 琥珀雕故蘇城擺件

intricately carved and pierced to the front face with figureswithin a landscape of craggy rocks, gnarled trees and aturbulent river, a figure standing on a rocky edge about tostrike the bell of Han Shan Temple outside the city gate ofSuzhou

8.6cm high

Provenance:Private London Collection.

HK$35,000-55,000UK£3,000-5,000 | US$4,200-8,200

71

BLUE AGATE SCHOLAR’S SETQING DYNASTY

清 藍瑪瑙香爐蓋盒鼻煙壺一套

comprising; a tripod censer and cover with a pair of animalmask handles suspending loose rings; a circular box and cover,the cover carved in low relief with a coiled chilong; a snuffbottle with flattened pear-shaped body and decorated withchilong, with stands and a fitted wood box (3)

censer 9.4cm wide

Provenance:Private English Collection; acquired in Japan.

HK$35,000-55,000UK£3,000-5,000 | US$4,500-7,000

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73 HD849/27OBSIDIAN INKSTONEQING DYNASTY

清 黑曜岩硯

of naturalistic form with a central indentation serving as theink well

15cm wide

HK$25,000-35,000UK£2,200-3,200 | US$3,500-4,500

72 HD849/9INSCRIBED INKSTONEQING DYNASTY, 18TH CENTURY

清十八世紀 刻詩文硯

the pebble-shaped stone carved on the top and around thesides with the poem ‘Autumn Moon over Dongting Lake’ byZheng Xie (1693–1765), with a hardwood stand and cover

10.5cm wide

HK$45,000-65,000UK£4,000-6,000 | US$5,500-8,500

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74

RECTANGULAR INSCRIBED GREEN DUANINKSTONEQING DYNASTY, 19TH CENTURY

清十九世紀 刻雲蝠紋綠端硯

the upper surface carved around the indentation with five bats(pun for ‘five happiness’) amongst cloud scrolls, the undersidecarved with a bust of the scholar Wang Shizhen (1634-1711),the sides inscribed with the poem ‘Shang Mei Zhi Jiang Shu’ bySu Shi (1037-1101), bearing the pseudo-signature of Dong Gao(1740-1818)

18.5cm wide

HK$65,000-85,000UK£5,500-7,500 | US$8,000-11,000

75

DUAN INKSTONE IN BLACKWOOD BOX ANDCOVERQING DYNASTY, 18TH CENTURY

清十八世紀 刻雲蝠紋端硯

the surface carved in low relief with a playful bat andauspicious clouds, the stone of a black-purple hue,accompanied by wooden stand and cover

17cm wide (including box)

HK$25,000-35,000UK£2,200-3,200 | US$3,000-4,500

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CeramiCs & Glass

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76u HE296/41DING-TYPE PERSIMMON GLAZED ‘PHOENIX HEAD’ TEAPOTSOUTHERN SONG DYNASTY

南宋 定窯酱釉鳳首壺

of smooth globular form, surmounted by a short spout and a phoenix head neck connected toa straight handle, covered in persimmon brown glaze with striations of metallic black

15cm high

Provenance:Property from a midwest american collection, purchased in 2003 at auction, Detroit, mi.

Note:Persimmon glazed wares were produced at several kilns in North China, mostly from the Dingand Yaozhou kilns. The Ding variant of the persimmon glaze acquires the colour involving aninitial application of bluish-black glaze, followed by another very thin coating of iron oxide.Ding ware with its white body, exudes more metallic sheen and a darker red.For an example of a persimmon glazed Ding bowl, see Christie’s sale in their Hong Kong roomson 2nd December 2015, lot 2819.

HK$500,000-1,000,000UK£45,000-90,000 | Us$65,000-130,000

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77u HE296/42YAOZHOU-WARE CELADON GLAZED EWERSOUTHERN SONG DYNASTY

南宋 耀州窯执壶with globular lobed body supported on a spreading foot,surmounted by a cylindrical neck with triplet bow-string linesto bottom and top, set with a curved spout and flat loophandle, covered overall in a translucent crackled pale olive-green glaze

16cm high

Provenance:Property from a midwest american collection; previously fromthe collection of a Taiwanese Diplomatic family.

Note:For ewer of similar form and glaze, see sotheby’s sale in theirlondon rooms on 14th may 2014, lot 53.

HK$500,000-1,000,000UK£45,000-90,000 | Us$65,000-130,000

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78u HE296/43FINE DING-WARE BROWN-GLAZED TEACUP AND SAUCERSONG/YUAN DYNASTY

宋/元 定窯醬釉紫金茶盞

both covered in thick reddish brown glaze, thinning to the rims, the cupraised on a tall unglazed foot to a lightly everted rim, the saucer raised ona partially glazed splayed foot issuing folded, petal-like edge, the centreunglazed

7cm high

Provenance:Property from a midwest american collection, purchased in 1990 fromPeter l. rosenberg, Vallin Galleries, Connecticut.

Note:Brown glazes were utilized at several northern Chinese kilns in the songand early Jin periods, including the Ding and Yaozhou kilns, and seem tohave been especially admired on vases and forms associated with the teaceremony. The Gegu Yaolun, published in aD 1388, notes that ‘purple’ (i.e.brown) and black Ding ware even more expensive than white Ding wares.see sir Percival David, Chinese Connoisseurship - The Ko Ku Yao lun,london, 1971, p. 141.a similarly glazed tea cup and saucer set of a different form can be foundat the Victoria and albert museum. For a covered tea bowl of similar glaze,see Christie’s sale in their New York rooms on 26th march 2010, lot 1331.

HK$900,000-1,600,000UK£80,000-140,000 | Us$120,000-210,000

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79 HE296/44RARE YUE-WARE OCTAGONAL VASESOUTHERN SONG DYNASTY

南宋 越窯八棱淨手瓶

elegantly potted over a thin foot rim, body in lobed melon form within protruding edges,issuing a long slender neck, covered in translucent crackled olive green glaze

19cm high

Provenance:Property from a midwest american collection.

Note:The Yue kilns flourished since before the Tang dynasty and produced one of the first officialChinese ceramic ware. Octagonal vases were mainly used as water vessels for washing hands,a similar vase with ringed neck was unearthed in 1987 from the tomb of Famen temple atFufeng of shaanxi province. another of pale celadon glaze is currently part of the NationalPalace museum collection.For an earlier period lobed jar from the Yue kiln sold at auction, see sotheby’s sale in theirNew York rooms on 17th march 2015, lot 56, from the Yang De Tang Collection; a covered boxof the period sold at auction, see sotheby’s sale in their New York rooms on 17th march 2015,lot 59.

HK$300,000-500,000UK£25,000-45,000 | Us$40,000-65,000

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80 HE296/45YAOZHOU-WARE YUHUCHUN VASESOUTHERN SONG/JIN DYNASTY

南宋/金 耀州窯玉壺春瓶

of globular form potted over straight foot, with short neck andan everted rim, incised to body to show chrysanthemums andscrolling foliage, covered in a light olive crackled glaze

22cm high

Provenance:Property from a midwest american collection, purchased in2003 at auction, Detroit, mi.

HK$300,000-500,000UK£25,000-45,000 | Us$40,000-65,000

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81u HE296/40FINE GUAN-TYPE CONG VASESOUTHERN SONG DYNASTY

南宋 龍泉窯仿官釉琮式瓶

modelled after the archaic jade cong, the rectangular bodysupported on a short waisted footring, rising to a flat shoulderand a thick circular neck, each corner carved with eight raisedhorizontal bands, each within a raised rectangular panel,covered overall in a thick pale celadon glaze

27cm high

Provenance:Property from a midwest american collection, purchased in1990 from Peter l. rosenberg, Vallin Galleries, Connecticut.

Note:These vases imitate the archaic ritual jade objects in shapeand colour, and represent one of the most characteristic typesof song ceramics. This form is known particularly from theNeolithic liangzhu culture. a fine example from the shanghaimuseum, shanghai, was included in the exhibition Gems ofliangzhi Culture, Hong Kong museum of History, Hong Kong,1992, cat. no. 57. a similarly glazed Cong vase is also situatedat the shanghai museum. For an auction example of similarform, see Christie’s sale in their Hong Kong rooms on 28th may2014, lot 3402.

HK$900,000-1,500,000UK£80,000-130,000 | Us$120,000-200,000

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82 HE296/72JIAN-WARE ‘HARE’S FUR’ GLAZED TEA BOWLSOUTHERN SONG DYNASTY

南宋 建窯兔毫茶盞

potted with deep rounded sides rising from a short straight foot to a slightlyeverted rim, covered overall with a dark black glaze suffused with brown‘hare’s fur’ streaks issuing from the rim down to both interior and exterior,the unglazed foot revealing the stoneware interior

12.5cm diam

Provenance:Property from a Pennsylvania estate.

Note:Bowls of this type were made in large quantities in the Fujian province, yetfrom literature it is known that the very best quality Jian tea bowls werecarefully selected as tribute from Fujian to the court. Jian teabowls wererenowned for their unique suitability for tea drinking their dark glazecontrast the colour and foam of tea. The thickness of the glaze helped keepthe beverage warm and protected the hands of the drinker against scalding.see similar bowls of this type, including one from the Palace museum,Beijing, illustrated in The Complete Collection of Treasures of the Palacemuseum. Porcelain of the song Dynasty (ii), Hong Kong, 1996, pl. 204. For asimilar example at auction, see sotheby’s sale in their New York rooms on16th march, 2016, lot 224.

HK$80,000-120,000UK£7,000-10,000 | Us$10,000-15,000

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83 SV730/104EXTREMELY RARE BLUE AND WHITE CHARGERYUAN DYNASTY

元 極其罕見青花蕉葉紋大盤

the central medallion finely painted in fine shades of cobaltblue with rocks issuing plantain, bamboo leaves and lotusflowers borne on leafy tendrils, surrounded by double rings,the cavetto decorated with a band of scrolling lotus consistingof six flowerheads between double-line borders, alternatelyupright and pendant, the exterior similarly adorned with aband of scrolling lotus between double-line borders, the baseunglazed

39.2cm diam

Provenance:From the collection of the late mr & mrs robertson, edinburgh.

HK$120,000-220,000UK£10,000-20,000 | Us$12,500-25,000

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With traces of cobalt evident in the Tang dynasty it is not untilthe Yuan dynasty that the art of blue and white porcelainbecame the “most revolutionary technical and decorativeinnovation of the mongol regime in China, if not the whole ofChinese ceramic History” (m. medley 1969: The Chinese Potter).The Yuan dynasty’s connections with the middle east saw theimport of cobalt and spurred the creation of these wares tomeet the demands of the middle eastern merchants andsubsequently for export. Whilst these merchants provided thestimuli for these types of wares, they were neverthelesspainted with Chinese motifs, such as bands of scrolling lotusflowers symbolic of Buddhism. The imported cobalt which wasdifficult to grind was boldly applied in what is now regarded asan attractive quality of being ‘heaped and piled’, with some

cobalt particles frequently seen at the end of each brushstroke. The firing of these new wares took great technical skillto achieve the proper shades of blue by controlling thetemperature and reducing effect in the kiln. This skillaccompanied by the viscosity of the Yuan glaze prevented thecobalt diffusing, allowing clear, intricate decoration of whichthis period is renowned (s. J. Vainker 1995: Chinese Pottery andPorcelain: From Prehistory to Present).For a comparable blue and white charger, also from the YuanDynasty, see Bonhams’ sale in their Hong Kong rooms on 4thDecember 2008, lot 216.For another rare blue and white Yuan charger, but with the‘mandarin ducks’ motif, see Christie’s sale in their Hong Kongrooms on 30th may 2012, lot 4054.

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ernest Thornhill lived in Clapham, london and was a Britishpharmacist registered with the royal Pharmaceutical societyfrom 1890 to 1936. Thornhill is acknowledged as an ardent andknowledgeable collector of asian ceramics, collecting from anumber of sources including the renowned firm of Bluett &sons. Few details are known about his personal life, but henevertheless has made his mark with the philanthropic legacyhe left behind him.

in 1926 and in 1933 Thornhill donated six pieces of hiscollection to the British museum, however it was not until later,during the london Blitz in World War ii, that he sent theremaining 276 pieces to the then North staffordshire TechnicalCollege for safekeeping. as a mark of appreciation to thecollege for their generosity he later bequeathed the entirecollection to them for its future study and appreciation.

Over time the college merged with a number of institutions tobecome staffordshire University and the collection has

The History of the Thornhill Collection

remained at the University ever since. in the 1970s, ProfessorFlavia swann, Head of art and Design History at Northstaffordshire Polytechnic, ensured that the collection was fullycatalogued, thanks to funding from the spode Trust. inaddition a scholarly paper describing the Collection waspublished in the Transactions of the Oriental Ceramics society1983–1984, Vol.48. in keeping with the wishes of mr Thornhill,all the works were displayed at the University until the early1990s.

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The Thornhill stem Cup

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84u HC598/1HIGHLY IMPORTANT BLUE AND WHITE‘DRAGON’ STEM CUPXUANDE SIX-CHARACTER MARK AND OF THE PERIOD

明宣德 Thornhill先生舊藏極其重要《大明宣德年製》

六字款青花海水雲龍紋高足杯

the sides finely painted in dark blue tones with two five-claweddragons chasing the eternal flaming pearl amongst clouds,above a sea with crashing waves tipped in white, with rocksaround the base, the interior painted with the six-characterreign mark within double lines and circled by double ringsrepeated on the inside and outside rim, and on the foot

8.7cm high, 9.8cm diam

Provenance:From the ernest Thornhill Collection; bequeathed tostaffordshire University, 1944-present.

literature:The Thornhill stem Cup is illustrated in Transactions of theOriental Ceramics society 1983–1984, Vol. 48.

HK$22,000,000-44,000,000UK£2,000,000-4,000,000 | Us$2,800,000-5,600,000

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The Thornhill stem Cup is an excellent example of its type,which is virtually unseen outside museum collections. Themotif of flying dragons was popular in the Yuan dynasty (1271-1368), but was revived in the Xuande (1425-1435) as can beseen in this case. The fearsome five-clawed dragon fliesamongst flames, chasing the eternally flaming pearl, above asea with crashing waves tipped in white, with rocks seenaround the base. The stem Cup is crowned by the elegantlypainted six-character reign mark within the cup, and circled bydouble rings, repeated on the inside and outside rim, and onthe foot. This is a truly remarkable and rare piece, of a type notseen at auction for many years.The reign of the emperor Xuande commenced when the mingdynasty (1368-1644) had been in power for 60 years, and China

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found herself thriving under new leaders. They had a capableand just government, there were no recent wars or naturaldisasters, and artistic inspiration was allowed to flourish at thekilns at Jingdezhen in Jiangxi Province. Xuande was a muchrespected leader, well read and versed in the classics, and atalented artist in his own right. He was fascinated by porcelainand was a keen collector. The word ming translates as brilliant,and this applies to the treasures produced during the reigns ofthe triumvirate of emperors; Yongle, Xuande and Chenghua.scholars agree that the reign of the Xuande emperorrepresents the apogee of blue and white ceramic productionduring the ming dynasty. The clay was purified several times toproduce the whitest and finest porcelain.

(front) (back)

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The wares’ unique qualities include theglaze, which is thick and lustrous, witha buttery softness to it that respondsto touch, and a luminosityunsurpassed in later wares. This glazeis untainted by age, and consequentlythe pieces still give us the samepleasure today as when the emperorXuande held them in his hands.

Today, The National Palace museum,acknowledged to hold the finest collection in theworld, has a collection of over 2,000 various Xuandepieces. The British museum and The Percival David Foundationcollection (now housed in the British museum) also hold anumber of interesting Xuande wares including a small number

of stem cups. The museum’s collectionconsists of three similar stem cups, onewith a lotus scroll, one with a phoenixin flight and the last with dragons on ablue wave ground.

The Percival David Foundation has avery similar stem cup, but with a Qilin on

the cup rather than the flying dragon. analmost identical cup is found in the National

Palace museum in Taiwan, although with ameander border circling the foot [see Catalogue of

the special exhibition of selected Hsüan-Te imperialPorcelains of the ming Dynasty, National Palace museum,1998].

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85u HC471/1MAGNIFICENT BLUE AND WHITE ‘DRAGON’ DISHCHENGHUA SIX-CHARACTER MARK AND OF THE PERIOD

明成化 極其珍貴《大明成化年製》六字款青花龍紋盤

well potted with rounded sides resting on a short slightlytapering foot, elaborately painted in soft blue tones with amedallion enclosing a single five-clawed dragon amongstcrested waves, his sinuous body with powerful legs and finelydetailed scales, surrounded on the cavetto by three stridingfive-clawed dragons chasing each other amongst ruyi clouds,the exterior decorated with further ruyi clouds and inscribedwith a six-character reign mark below a double-ring, the baseunglazed

30.1cm diam

Provenance:Private english Collection.

Note:Following the passing of the Chinese emperor Xuande and theempowerment of the empress Dowager as regent, theinterregnum period of blank ceramics commenced. With theimplementation of an edict banning the production of blue andwhite wares, which had flourished in production and use underthe emperor Xuande, empress Dowager promoted a new stylein ceramics. Following her passing and the succession ofChenghua we encounter not only a revival in the production ofblue and white wares but a period where it can be argued thatit reached its zenith, as it is considered the main rival toXuande wares. The earlier pieces, still with the darker importedcobalt remaining from Xuande, show transition into the lighterblues of locally mined cobalt that the period is more knownfor. The locally mined cobalt was more malleable to prepareand apply, resulting in the replacement of the ‘heaped andpiled’ effect to a much softer and even toned greyish blue.Comparatively very few pieces of Chenghua wares bear thereign mark of the period. However, examples such as thepresent dish with the Chenghua reign mark allow us tounderstand that it was accorded official approval and intendedfor imperial use with the dragons all endowed with five claws.For further reading, see D. macintosh (1994): Chinese Blue andWhite Porcelain.

HK$340,000-440,000UK£30,000-40,000 | Us$40,000-60,000

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86 HA466/7RARE BLUE AND WHITE ‘HUNDRED BOYS’BALUSTER JARWANLI SIX-CHARACTER MARK AND OF THE PERIOD

明萬曆 青花「百子嬰戲圖」罐

robustly potted with the ovoid body tapering to the base, finelypainted in cobalt blue with boys at play in a continuous gardenlandscape, some playing musical instruments, others chasingeach other, all amongst rocks, peony, bamboo and pine trees,with a lotus pond in the background, the base inscribed inunderglaze blue with a six-character reign mark within doublerings, the neck ground down

27cm high

Provenance:Private english Collection.

Note:For a very similar Wanli blue and white ‘hundred boys’ jar, seeChristie’s sale in their Hong Kong rooms on 27th may 2008, lot1853.

HK$180,000-220,000UK£15,000-20,000 | Us$20,000-30,000

CHINESE WORKS OF ART 111

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87 HD849/5WUCAI SWEETMEAT DISHWANLI SIX-CHARACTER MARK AND OF THE PERIOD

明萬曆 五彩八寶格盤

the circular dish divided into six petal form compartmentssurrounding a foliate rimmed compartment in the centre, theinterior and exterior painted with auspicious symbols amongstflowers, with flying and perched birds, the rim with a laterapplied Continental silver mount, six-character mark inunderglaze blue to the base within double rings

22cm diam

Note:For a similar dish, but painted with flowering branches, fromthe J.T.Thai & Co Collection, see sotheby’s sale in their NewYork rooms on 22nd march 2011, lot 300.

HK$160,000-220,000UK£15,000-20,000 | Us$20,000-30,000

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88 HA467/1IMPERIAL COPPER-RED ‘FIVE DRAGON’ BOWLKANGXI SIX-CHARACTER MARK AND OF THE PERIOD

清康熙 釉裏紅團龍紋碗

the exterior decorated with five dragon medallions each in theform of a coiled five-clawed dragon, the interior with a furtherdragon medallion to the centre, with six-character underglazeblue Kangxi reign mark within double rings to the base

14.9cm diam

Provenance:Private london Collection.

Note:For very similar samples, see regina Krahl: Chinese Ceramicsfrom the meiyintang Collection, Vol. 2, london, 1994, no.732and John ayers: The Baur Collection, Chinese Ceramics, Vol. 4,Geneva, 1974, no. a530.

HK$120,000-160,000UK£10,000-15,000 | Us$15,000-20,000

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89

LANGYAO COPPER-RED GLAZED BALUSTERVASE, GUAN YIN PINGKANGXI PERIOD

清康熙 郎窯紅釉觀音瓶

the slender baluster body rising from a spreading foot to awaisted cylindrical neck with a flared rim, the exterior coveredoverall with a copper-red glaze suffused with a network of finecrackle throughout, the interior and the base covered with acrackled ivory-coloured glaze

34.5cm high

Provenance:Private london Collection.

Note:The term langyao (‘lang wares’) derives its name from langTingji, supervisor of the official kilns at Jingdezhen between

114 LYON & TURNBULL | FREEMAN’S

1705-1712, who is credited with the revival of monochromeglazes and particularly copper-red glazes.The copper-red colour is often considered the mostchallenging to regulate during the firing process as exactly theright conditions are required within the kiln to achieve the richtones. although copper-red was used successfully in the mingdynasty, particularly during the Xuande period, the copper-redmonochrome glazes seen in the Qing dynasty became evenmore refined and were of an exceptionally even and vibranttone. The fine glaze and elegant form of the present vasedemonstrates the skill of the Chinese potters under langTingji.a similar vase of larger size was sold by Christie’s in theirlondon rooms on 13th may 2014, lot 100.

HK$170,000-280,000UK£15,000-25,000 | Us$20,000-35,000

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90 HA466/6FLAMBÉ-GLAZED JARQIANLONG PERIOD

清乾隆 窯變釉罐

of globular form rising to a waisted neck decorated with fourlotus flowers borne on scrolling leafy tendrils, above a doublebow-string band encircling the shoulder, the body coveredwith a reddish-purple glaze with milky blue streaks

24cm high

Provenance:Private english Collection.

Note:For a flambé jar of similar shape but a truncated neck, seeChristie’s sale in their New York rooms on 18th-19th November2014, lot 800.

HK$45,000-65,000UK£4,000-6,000 | Us$5,500-8,500

91 HD849/35BLANC-DE-CHINE CENSERKANGXI PERIOD

清康熙 白瓷雙獅耳爐

of compressed globular form with a pair of moulded lionmasks at the shoulders beneath the everted rim andsupported on a flared foot

15cm wide

HK$65,000-85,000UK£5,500-7,500 | Us$8,500-10,000

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92u HA469/3FAMILLE ROSE ‘IMMORTAL’ BOWLYONGZHENG SIX-CHARACTER MARK AND OF THE PERIOD

清雍正 粉彩壽老圖小盌

delicately potted with gently curved sides rising from a shortfootring to an everted rim, the exterior finely painted withshoulao on a deer, accompanied by an attendant carrying abasket of flowers and other treasures, the base inscribed witha six-character reign mark in underglaze blue within doublerings

9.4cm diam

Provenance:Private english Collection; acquired in Japan.

HK$340,000-440,000UK£30,000-40,000 | Us$40,000-60,000

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(reverse)

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93 HC469/6GE-GLAZED VASEYONGZHENG PERIOD

清雍正 仿哥窯貫耳瓶

based on the archaic bronze hu form, the rounded bodysupported on a spreading foot with a recessed base and risingto a waisted neck with an everted lip, the neck flanked on theshorter sides by two tubular handles and encircled by twoslightly swollen bands, covered overall apart from the foot rimwith a thick pale greyish-blue crackled glaze

18.4cm high

Provenance:Private london Collection; formerly in the Collection ofDesmond Gure and Dr Hugh shire.

Note:For an example of the song inspiration of this vase in theCollection of sir Percival David, see Catalogue of theinternational exhibition of Chinese art, 1935-6, no. 876.For related Yongzheng examples, see Catalogue of the specialexhibition of K’ang-hsi, Yung-cheng and Chi’en-lung Porcelainware from the Ch’ing Dynasty in the National Palace museum,no. 63; lam, ethereal elegance: Porcelain Vases of the imperialQing, The Huaihaitang Collection, no. 39, pp. 160-1; and Tie,The Complete Collection of Porcelain of Jiangxi Province:Porcelain of the Qing Dynasty (i), p. 113.

HK$280,000-380,000UK£25,000-35,000 | Us$35,000-50,000

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94 HA467/2FINE BLUE AND WHITE BOTTLE VASEQIANLONG SEAL MARK AND OF THE PERIOD

清乾隆 青花花卉紋瓜棱蒲槌瓶

the tapering cylindrical body rising from a spreading foot tocanted shoulders, surmounted by a cylindrical neck, theexterior decorated with ten elongated rectangular panelscontaining flower-heads on leafy stems, bordered by twobands of scrolling foliage, the shoulders with pendant shapedlappets, the neck with further floral sprays

30.8cm high

118 LYON & TURNBULL | FREEMAN’S

Provenance:From the Collection of edward Cozens-smith, esq. (1834-1925),16 Kensington square, london; subsequently acquired by theCozens-smith family at the maple & Co. auction on 26th march1928.

Note:The present lot belongs to a group of very similar imperial blueand white bottle vases made during the Qianlong period. For adirectly comparable example of nearly the same size, seesotheby’s sale in their New York rooms on 11th september2012, lot 50.

HK$120,000-160,000UK£10,000-15,000 | Us$15,000-20,000

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95 HE296/33UNDERGLAZE RED DECORATED BLUE ANDWHITE CONICAL BOWLQIANLONG SEAL MARK AND OF THE PERIOD

清乾隆 青花釉裏紅靈芝紋瓷碗

raised on straight foot with wide sides, decorated to show fourstems of lingzhi in underglazed red and blue to interior andpomegranates to exterior, double ring to interior and exteriorbase and rim

22cm diam

Provenance:Property of a european Collection.

Note:For a bowl of similar form, see Christie’s sale in their londonrooms on 13th may 2014, sale 1523, lot 298.

HK$50,000-70,000UK£4,500-6,000 | Us$6,500-9,500

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96 HD480/1LIVER-RED GLAZED COMPRESSED BOTTLE VASEQIANLONG SEAL MARK AND OF THE PERIOD

清康熙 《大清乾隆年製》款紅釉長頸瓶

finely potted with a compressed globular body supported on asplayed foot, rising to a long cylindrical neck with a slightlyflared rim, the exterior covered overall with an even liver-redglaze, the interior and the base covered with a transparentglaze, the base inscribed in underglaze blue with a six-character seal mark

23.5cm high

Provenance:Private london Collection.

HK$120,000-160,000UK£10,000-15,000 | Us$12,500-18,750

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97 HE296/60GUAN-TYPE CELADON GLAZED ‘HU’ VASEQIANLONG MARK AND OF THE PERIOD

清乾隆《大清乾隆年制》款仿官釉貫耳帶紋方壺

of rounded pear form raised on a spreading foot, mountedwith twin handles to neck in between a single and a doublebow-string bands to neck, and another double bow-string bandto body, covered overall with greenish-grey glaze suffused withdark grey craquelures, the unglazed foot ring painted in darkbrown

29.8cm high

Provenance:Property of a New York state family.

Note:For an example of similar form, see Christie’s sale in their NewYork rooms on 21st september 2000, lot 369.

HK$120,000-160,000UK£10,000-15,000 | Us$15,000-20,000

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98 HE296/50FINE TEA-DUST GLAZED PEAR-SHAPED VASEQIANLONG MARK AND OF THE PERIOD

清乾隆《大清乾隆年制》款茶葉末釉荸薺扁瓶

potted with a compressed globular body raised on a slightlysplayed foot, the tall slender neck flaring gently at the mouthrim, covered in an olive green glaze with thin dark specklesthroughout

23cm high

Provenance:Property of a Pennsylvania collector; old Christie’s label tobase, formerly from the collection of Vermeer & Griggs.

Note:For an example of similar form, see Christie’s sale in their HongKong rooms on 28th may 2014, lot 2906.a smaller tea-dust bottle vase, also from the collection ofmichael l. Vermeer, was sold at Christie’s New York, 17-18thseptember 2015, lot 2201.

HK$80,000-120,000UK£7,000-11,000 | Us$10,000-15,000

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99 HE296/47FAMILLE ROSE SGRAFFIATO YUHUCHUN VASEQIANLONG IRON-RED MARK AND OF THE PERIOD

清乾隆 粉彩乳白地軋道玉壺春瓶

elegantly potted over a slightly splayed foot rising to aneverted mouth, sparsely decorated to show peony branches infamille rose enamel over a white sgraffiato ground

7.5cm high

Provenance:Property from a Pennsylvania collector.

Note:For similar examples, see Christie’s sale in their New Yorkrooms on 3rd June 1988, lot 314A and in their London roomson 26th November 1974, lot 207.

HK$200,000-300,000UK£15,000-30,000 | US$25,000-40,000

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100 HD416/2BLUE AND WHITE MOON FLASKJIAQING SIX-CHARACTER MARK AND OF THE PERIOD

清嘉慶 青花山水人物詩文穿帶扁壺

the flattened body decorated on one of the two wide sideswith a circular landscape panel with a fishing boat on a lakesurrounded by mountains, trees and cottages, the other wideside inscribed with a poem by Du Fu and signed Qi Qiao LaoRen, the narrow sides applied with four lug handles anddecorated with peony, pomegranate and butterflies, six-character mark to the recessed base

19.8cm high

Provenance:Private Scottish Collection.

HK$45,000-65,000UK£4,000-6,000 | US$5,500-8,500

101 HD849/10BLUE AND WHITE SQUARE WATER POT ANDCOVERMARKED TWENTY-FORTH YEAR OF JIAQING (1819)

清嘉慶二十四年製 青花海獸紋罐

the sides painted with mythical beasts amongst clouds andwaves, together with a Japanese lacquer cover

19.5cm high

HK$100,000-150,000UK£9,000-14,000 | US$12,000-20,000

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102 HE296/67SET OF FOUR FAMILLE ROSE ENAMELLED ‘SHOU’ DISHESJIAQING IRON-RED SEALMARK AND OF THE PERIOD

清嘉慶《大清嘉慶年制》款「萬年甲子」

五蝠百壽碟四隻

of shallow form potted over a short footring, decorated in iron red to showfive bats encircling a ‘Shou’ medallion to interior, the exterior depicts giltdecorated ‘Wan Nian Jia Zi’ within ruyi medallions over a ‘shou’ characterground (4)

16cm diam

Note:The characters Wan Nian Jia Zi can be translated ‘ten thousand years of thejiazi cyclical year.’ Dishes of this pattern, although with slight variations indecoration are well known. A similar pair of dishes with yellow groundexterior and floral interior designs were sold by Christie’s in their New Yorkrooms on 15th September 2011, lot 1634.

HK$200,000-300,000UK£15,000-30,000 | US$25,000-40,000

Illustration shows front and back of each dish

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103 u HC464/1FINE FAMILLE ROSE OVOID ‘WU ZI DENG KE’VASEDAOGUANG MARK AND OF THE PERIOD

清道光 粉彩松石綠地「五子登科圖」罐

the ovoid body delicately and skilfully enamelled with a youngscholar wearing a red robe and a red cap, holding aloft a largehelmet and surrounded by four smaller boys leaping withexcitement to reach for the helmet, all set within a garden ofrocks and pines, the reverse decorated with a floweringpomegranate branch bearing three fruits, all betweenturquoise-ground borders containing meandering lotus scrolls,bats and ruyi-heads

19.1cm high

Provenance:Private English Collection.

Note:The subject of five boys fighting for a helmet is a very popularmotif in China. Referring to the five boys competing fordistinction, the narrative symbolises the blessing for one’ssons to achieve outstanding results in the civil serviceexaminations. Helmet (kui) is a pun for ‘leader’, which alsoindicates first place in the imperial examination.For related Daoguang vases, but decorated with a ruby groundaround the elongated neck and foot, such as one depictingchildren in a Dragon Boat Race, and another decorated withfruiting pomegranate trees, see The Complete Collection ofTreasures of the Palace Museum: Porcelains with CloisonnéEnamel Decoration and Famille-Rose Decoration, Hong Kong,1999, pls.189 and 194.For another comparable vase with Daoguang mark and of theperiod, see Sotheby’s sale in their Hong Kong rooms on 7thOctober 2010, lot 2162.

HK$1,500,000-2,000,000UK£130,00-180,000 | US$190,000-260,000

(side views)

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104u HC465/1IMPERIAL FAMILLE ROSE 'MAGPIES' BOWLDAOGUANG SEAL MARK AND OF THE PERIOD

清道光 禦製粉彩「喜鵲登枝紋」碗

of conical form raised on a short foot, delicately painted on theexterior with ten magpies perched amongst branches besideflowering peony, with a further magpie standing on grass, thereverse with a twelfth magpie in flight, six-character mark inunderglaze blue to the base

13.7cm diam

Provenance:Private London Collection; Sotheby’s Hong Kong, 15th May1990, lot 251.Purchased from Marchant, London, 1991.

Note:A Daoguang marked bowl painted in Yongzheng style isillustrated by Van Oort: Chinese Porcelain of the 19th and 20thCenturies, pl. 12; and a wine cup in Michel Beurdeley: LaCéramique Chinoise, vol. 1, pl. 108.A pair of larger shallow bowls in the Shanghai Museum paintedwith a design of thirty magpies with Shende marks is illustratedin Selected Ceramics from the Collection of Mr. and Mrs. J. M.Hu, pl. 90.A Yongzheng bowl with this rare decoration in the PercivalDavid Foundation of Chinese Art, now at The British Museum,is illustrated in Margaret Medley: The World’s Great Collections,Oriental Ceramics, vol. 6, no. 273, collection no. 888.

Exhibited:Marchant London, exhibition of 19th century mark and periodporcelain, 1991, p. 51.

HK$550,000-650,000UK£50,000-60,000 | US$70,000-85,000

Marchant, London, exhibition catalogue.

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105 HD987/1FINE PAIR OF FAMILLE ROSE 'WU ZI DENG KE'JARDINIÈRES AND STANDSLINZHI CHENGXIANG FOUR-CHARACTER MARK, REPUBLIC PERIOD

民國《麟趾呈祥》款粉彩嬰戲圖方形花盤連座一對

of square section raised on four bracket feet, the sides gentlyflaring towards the everted rim, each finely enamelled in mirrorimage with scenes of boys accompanied by their attendantsholding auspicious symbols, referring to the ‘wu zi deng ke‘ motif(the five sons passing the civil service examination), all betweentwo bands of flowers borne on leafy scrolls, the stands decoratedwith fruiting branches of peaches, fingered citron andpomegranates, both the jardinières and the stands bearing an iron-red four-character mark to the underside, with pierced woodstands (2)

20cm high (excluding wood stand)

Provenance:Private Scottish Collection; formerly in the collection of Sir JohnCowperthwaite, KBE, CMG (1915-2006).Sir Cowperthwaite was the Financial Secretary of Hong Kong from1961 to 1971. His introduction of free market economic policies arewidely credited with turning post-war Hong Kong into a thrivingglobal financial centre. The 1976 Nobel Prize Laureate ineconomics, Milton Friedman, said of him “It would be hard tooverestimate the debt Hong Kong owes to Cowperthwaite.”

HK$90,000-120,000UK£8,000-10,500 | US$11,000-16,000

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106u HC462/1MAGNIFICENT PAIR OF LARGE FAMILLE ROSE VASESQING DYNASTY, 18TH/EARLY 19TH CENTURY

清十八/十九世紀 胭脂紅地粉彩人物大罐一對

of pear shape supported on a short circular foot, with truncated neck and wide mouth, flanked by apair of gilt dragon-head loop handles at the shoulder, the exterior elaborately painted with birdsperched upon flowering branches and seven young ladies presenting emblems of longevity to LanCaihe of the Daoist Eight Immortals, symbolizing the Daoist dream of long life and immortality, all ona rose-pink ground densely anke-incised with cloud scrolls and between ruyihead, plantain lappetand petal bands (2)

50.2cm high

Provenance:From the Sze Yuan Tang Collection; acquired at the beginning of the 21st century from ImperialOriental Art (established in 1993), then located at 790 Madison Avenue, New York.This pair of vases were exhibited in the Hong Kong Maritime Museum from 2006 to 2015 with theinventory number HKMM2012.0005.0001-2.

HK$1,000,000-1,500,000UK£90,000-130,000 | US$130,000-190,000

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107u HD849/36BLANC-DE-CHINE FIGURE OF SEATED GUANYINQING DYNASTY, 19TH CENTURY

清十九世紀《博及漁人》款德化白瓷觀音像

the Goddess of Compassion modelled with a sereneexpression and downcast eyes below an elaborate diademcentred by Amitabha, holding a ruyi sceptre, seated indhyanasana on a naturalistically modelled lotus thronesupported on a short hexagonal plinth, impressed mark of‘Boji yuren’ (virtue extends to all, even fishermen)

43cm high

Note:Blanc-de-chine figures bearing the ‘Boji yuren’ mark are oftenreferred to as ‘fisherman pieces’. This type of commendationmark does not refer to or indicate a specific potter andsometimes appears on its own, or accompanied by the markfor Dehua. Rose Kerr and John Ayers in their book Blanc deChine, Porcelain from Dehua, A Catalogue of the HickleyCollection have dated this group to circa 1900. See Marchant:Exhibition of Blanc de Chine, 30th October - 21st November2014, p. 3.

HK$600,000-800,000UK£50,000-70,000 | US$70,000-100,000

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108 HD849/6PAIR OF CAFÉ-AU-LAIT-GROUND ‘NARCISSUS’ BOWLSDAOGUANG SEAL MARK AND OF THE PERIOD

清道光 褐地水仙紋碗一對

each bowl with deep rounded sides and a slightly flaring rim, theexterior painted on the one side with blossoming narcissus, prunusand bamboo, and on the reverse side with a chrysanthemum sprayand a butterfly, six-character mark in iron-red to the recessed base(2)

17cm diam

Note:For two very similarly decorated café-au-lait ground bowls, also fromthe Daoguang period, see Christie’s sale in their New York rooms on19th-20th September, lot 2726.

HK$80,000-120,000UK£7,000-11,000 | US$10,000-15,000

109 HD849/3FAMILLE VERTE SMALL ROULEAU VASEQING DYNASTY, 17TH CENTURY

清十七世紀 五彩人物小棒槌瓶

painted on the cylindrical body a scholar seated within a rockylandscape, the waisted neck painted with a bamboo branch,with wood stand

16cm high (excluding stand)

Provenance:Formerly from the Y. C. Chen Collection.

Note:Compare a famille verte vase of similar form and size from theT. Y. Chao Collection sold in Sotheby’s Hong Kong rooms on19th May 1987, lot 304.

HK$120,000-160,000UK£10,000-15,000 | US$15,000-20,000

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110 HD849/20RUBY-RED GLASS LOBED BOTTLE VASEQING DYNASTY, 19TH CENTURY

清十九世紀 紅料瓜棱長頸瓶

with lobed sides, the globular body rising to a tall cylindricalneck supported on a spreading foot

11cm high

HK$35,000-45,000UK£3,000-4,000 | US$4,500-6,000

111 HA469/4EXQUISITE CLEAR GLASS WATER POT, YUQIANLONG FOUR-CHARACTER MARK AND OF THE PERIOD

清乾隆 透明料水盂

of square section with gently rounded sides rising to a slightlyeverted rim, the sides decorated in shallow relief with a squaretiling pattern, the base incised with a four-character markreading ‘Qian Long Yu Shang’ (for the appreciation of Qianlong)

5.9cm long

Provenance:Private English Collection.

HK$35,000-55,000UK£3,000-5,000 | US$4,500-7,000

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METALWARES

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Note:Known in Chinese as bianzhong, gilt bronze bells were anexclusive and important part of imperial court rituals andceremonies. In the Qing dynasty (1644-1911), bianzhong werecommonly played during ceremonies at the Temple of Heavenand the Temple of Agriculture, as well as during imperialbanquets and state rites. Bells of this type were usuallyassembled in graduate sets of sixteen, producing twelvedifferent musical tones and four repeated tones of a loweroctave. Their respective musical notes were determined bytheir thickness. As depicted in court paintings, bianzhongwould have been suspended in two tiers of eight over tall andelaborate wooden frames. Some of these bells were reputed tohave left China during the late 19th and early 20th century. Afew of these bells, particularly from the Ming dynasty, haveresurfaced at auction over the past decade, including anidentical gilt-bronze bell sold at Sotheby’s Paris, 9th June 2010,lot 43. Another similar sample was sold at Freeman’s on 14thMarch 2015, lot 65.

HK$1,700,000-2,700,000UK£150,000-250,000 | US$220,000-300,000

112u HD413/1RARE AND IMPORTANT IMPERIAL GILT-BRONZERITUAL BELL, BIANZHONGMING DYNASTY

明 重要禦製銅鎏金編鍾

finely cast of slightly flattened barrel form, surmounted with ahandle in the shape of swirling clouds above two pairs ofcranes and phoenix flying amongst clouds on the top, the sidesdecorated with five bands of alternating bosses and stylisedflames between a frieze of dragon-tortoise and phoenix at thetop and a frieze of stylised frames at the bottom, each of thewider sides centred by an empty rectangular panel framedwith ruyi clouds and raised on a lotus pedestal, each of thenarrower sides decorated with a panel containing a five-claweddragon amongst swirling clouds

27cm high

Provenance:From the collection of an important military family.

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113 HC469/2CHAMPLEVÉ ENAMEL GILT-BRONZE JARDINIÈREQIANLONG PERIOD

清乾隆 銅胎鎏金錘胎蓮紋花盆

with six bracket lobes, a flange rim and steeply flaring sides,supported on six cloud-form feet, the sides decorated in thechamplevé technique with cartouches of leafy lotus flowers inturquoise, pale green, lapis-lazuli blue and pink enamels, thetop of the rim chased with six cartouches of simple lotus on agranulated ground against a trellis pattern, the side of the rimwith a leaf-like design

24.2cm long

Provenance:Private London Collection.

Note:For similar examples in the Palace Museum, see Compendiumof Collections in the Palace Museum: Enamels, Vol. 4, no. 24,p. 54 and no. 26, p. 56.

HK$55,000-85,000UK£5,000-8,000 | US$7,200-11,200

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114 SV730/102BRONZE TRIPOD CENSER AND STANDXUANDE MARK BUT 18TH CENTURY

十八世紀 宣德款雙鋬耳三足壓經帶座銅爐

of compressed globular form supported on three conical feet,the shoulder applied with two loop handles, the base bearingan apocryphal six-character Xuande mark within a rectangularcartouche, the matching tripod stand in the form of a mallowflower with overlapping petals

13.8cm high (including stand), 20.8cm wide

Provenance:From the collection of the late Mr & Mrs Robertson, Edinburgh.

Note:For a tripod censer of very similar shape and size, seeSotheby’s sale in their Hong Kong rooms on 8th April 2013, lot173.

HK$25,000-35,000UK£2,000-3,000 | US$3,000-5,000

115 HC458/5BRONZE RETICULATED QUATREFOIL BRUSHPOT,BITONGMING DYNASTY

明 銅鏤空人物紋筆筒

of quatrefoil section raised on a matching base, the four sidespierced with bamboo, pine and prunus trees under whichChinese scholars are engaged in various leisurely activitiesincluding the Go game and calligraphic exercise, the baseincised with the signature of Shu Guoying (unknown artist)

15.5cm high

Provenance:Private London Collection.

HK$25,000-35,000UK£2,200-3,200 | US$3,000-5,000

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116u HE296/84LARGE BRONZE ‘SHOULAO OVER HORSE’CENSERQING DYNASTY, 18TH CENTURY

清十八世紀 銅「壽老」香爐

cast in two parts, with a joyful Shoulao riding a horse,holding a scroll to left hand and a removable ruyi to righthand, the horse with its head leaning toward the ground

56cm high, 91.5cm wide

Provenance:Property of a New England collector.

HK$400,000-600,000UK£35,000-55,000 | US$50,000-80,000

144 LYON & TURNBULL | FREEMAN’S

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117

BRONZE TWIN-HANDLE TRIPOD CENSERLATE MING/EARLY QING DYNASTY, 17TH CENTURY

明晚期/清早期十七世紀 雙鋬耳三足銅爐

the compressed globular body raised on three short conicalsupports and flanked by a pair of loop handles, the undersidecast with a two-character ‘Song Hu’ mark in a rectangularcartouche

20cm wide

HK$180,000-240,000UK£15,000-20,000 | US$20,000-30,000

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118 HD849/1GOLD AND SILVER-INLAID BRONZE TRIPODCENSER AND COVERQING DYNASTY, 18TH CENTURY

清十八世紀 銅錯金銀三足太極圖紋銅爐

the cylindrical body raised on a bulbous base set on three tallfeet, the cover and the sides finely inlaid in gold and silver withpanels enclosing taijitu diagrams reserved on a diaper ground

20cm high

HK$160,000-240,000UK£15,000-20,000 | US$20,000-30,000

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119 HC458/4HEXAGONAL BRONZE INCENSE HOLDERMING DYNASTY

明 六方銅香插

of hexagonal section, raised on three cabriole legs, appliedwith two dragon handles each flanked by two immortals inflowing robes, the sides decorated with pierced windows in thecentre between two bands of densely carved leiwen motif

16.5cm high

Provenance:Private London Collection.

HK$20,000-30,000UK£2,000-2,500 | US$2,500-4,000

120 HC458/6HEXAGONAL BRONZE VASE12TH-14TH CENTURY

十二至十四世紀 龍耳獸紋六方銅瓶

the mid-section of the tall neck applied with a pair of dragon-head handles and decorated with a band of incised floraldiaper, the lower body incised with a frieze of stylised mythicalbeast masks

27.3cm high

Provenance:Private London Collection.

HK$20,000-30,000UK£2,000-2,500 | US$2,500-4,000

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121 HC458/7ARCHAISTIC GOLD AND SILVER-INLAID BRONZEVASE, HUQING DYNASTY

清 銅錯金銀仿古「獸麵圖」壺

the exterior cast in shallow relief with two bands of archaistictaotie masks reserved on leiwen grounds above stiff-leafshaped panels on the lower body containing further taotiemasks, the shoulder applied with two mask handlessuspending loose rings, the base cast with a diamond gridpattern

31.1cm high

Provenance:Private London Collection.

HK$50,000-80,000UK£4,500-7,000 | US$6,500-10,500

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122 HD849/32BRONZE TRIPOD CENSERQING DYNASTY, 18TH CENTURY

清十八世紀 銅獅鈕三足熏爐

the pierced cover surmounted by a Buddhist lion, the handlesformed as two chilong, the baluster sides cast in low reliefwith scrolling tendrils

14cm high

HK$45,000-65,000UK£4,000-6,000 | US$5,500-8,500

123 HA469/2BRONZE CENSER IN THE SHAPE OF A FINGEREDCITRONQING DYNASTY

清 銅佛手香爐

naturalistically cast in the form of a fingered citron issuing from agnarled leafy stem bearing a further smaller fruit, with wood stand

19.8cm long

Provenance:Private English Collection.

HK$35,000-55,000UK£3,000-5,000 | US$4,500-7,000

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125 HE296/80SMALL AND RARE PAKTONG ‘EROTIC’ MEDICINEBOXQING DYNASTY, LATE 19TH CENTURY

清十九世紀晚期 白銅「春宮圖」藥盒

of rectangular form, the exterior etched to show a figural sceneand the interior section displaying erotic encounters

3.5cm long, 3cm wide, 5.3cm high

HK$40,000-60,000UK£3,500-5,500 | US$5,500-8,000

124 HE296/71SILVERY BRONZE CIRCULAR ‘LIONSAND GRAPEVINE’ MIRRORTANG DYNASTY

唐 海獸葡萄銅鏡

sculpted to show four lions clambering amidstgrapevine, surrounding the beast formed centralknob, all within ruyi decorated rim, malachiteencrustation to sides and reverse

10.8cm diam

Provenance:Property from a Pennsylvania estate.

Note:For a similarly decorated mirror from the Tangdynasty, see Christie’s sale in their New Yorkrooms on 16th September 2010, sale 2508, lot915.

HK$95,000-150,000UK£8,000-14,000 | US$12,000-20,000

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126u HE296/83RARE PAIR OF CHINESE GILT-BRONZE ‘DRAGON’BEAKER VASESQING DYNASTY, 17TH/18TH CENTURY

清十七 /十八世紀 銅鎏金雲龍趕珠紋花觚一對

with the globular central bulb finely cast to show a dragon chasingthe flaming pearl, the splayed lower section with raised brackets andoverlapping petal formed lappets, the trumpet neck cast withupright leaves and overlapping lappets and acanthus leaves (2)

33.2cm high

Provenance:Sotheby’s New York, 19th September 2015, sale n09437, lot 730.

HK$1,200,000-1,500,000UK£100,000-130,000 | US$150,000-200,000

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127

RARE GILT-BRONZE ‘DRAGON’ STANDQING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀 罕見鎏金雙龍器座

heavily cast as a pair of striding five-clawed dragons whose sinuousbodies entwine, each creature finely detailed with powerful legs, scalybodies and spiky dorsal fins, the face with bulging eyes showing aferocious expression, the mouth agape at a ball held in its left forepaw

24cm wide

Provenance:Private London Collection.

Note:Compare similar pieces in: Sidney L. Moss Ltd., The Second BronzeAge, Later Chinese Metalwork, London 1991, no. 15, and Sidney L.Moss, The Literati Mode, no 141; a probably later pair of such standsis housed in the Palace Museum in Beijing.For another comparable piece, see Sotheby’s sale in their Paris roomson 12th December 2013, lot 10.

HK$130,000-180,000UK£10,500-15,000 | US$15,500-23,500See detail on front and back endpapers

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128 HD782/1RARE GILT-METAL ENAMELLED PRESENTATIONSNUFF BOX AND HINGED COVERGUANGZHOU WORKSHOPS, 19TH CENTURY

清十九世紀 廣州鎏金琺琅彩繪金屬鼻煙盒

the cover painted finely in a central circular panel with aChinese immortal seated holding a peach in a garden, flankedby engraved floral sprigs, the front and back sides eachengraved with a spray of flowers surrounded by hexagrams, allon a translucent blue enamel ground, the base compartmentopening to reveal an abacus with blue glass beads

9.6cm long, 7.3cm wide, 5.2cm high

Provenance:Private Scottish Collection.

HK$22,000-34,000UK£2,000-3,000 | US$2,500-4,500

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129u HE296/49SILVER-INLAID DECORATED GILT BRONZE RUYISCEPTREQING DYNASTY, 17TH/18TH CENTURY

清十七/十八世纪 鎏金銅如意

of thinly formed shaft slightly bent from underside, decoratedto show chilong and archaic script to shaft handle, the ruyihead depicting a coiled chilong to centre over silver-inlaidground

48cm long

Provenance:Previously the property from the estate of Fong Chow;Christie’s New York, 2nd-3rd April 2013, Sale 2690, Lot 188.

HK$400,000-550,000UK£30,000-50,000 | US$50,000-70,000

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130 HA469/6GILT-SILVER ‘DOUBLE-GOURD’ DOUBLE SNUFFBOTTLEQING DYNASTY, 18TH/19TH CENTURY

清 銀鎏金雙聯葫蘆紋鼻煙壺

cast as two conjoined double-gourds, intricately decorated tothe exterior with small double-gourds hanging from scrollingtendrils between ruyi-head borders, each base bearing astylised shou character

6.8cm high

Provenance:Private English Collection.

HK$22,000-34,000UK£2,000-3,000 | US$2,500-4,500

131 HA466/8BRONZE FIGURE OF AVALOKITESHVARAMING DYNASTY, 17TH CENTURY

明十七世紀 銅自在觀音坐像

cast seated in dhyanasana on a double lotus base, the figuredressed in flowing robes and elaborate beaded jewellery, theright hand held in varada mudra and the left hand raised inabhaya mudra, each arm entwined with a leafy stem rising tothe shoulders and surmounted by a bird on one side and avase on the other, the face with a serene expression and arock crystal third eye, crowned with a tiara centred by a figureof Amitabha Buddha, the back engraved with an inscription

27cm high

Provenance:Private English Collection.

HK$45,000-65,000UK£4,000-6,000 | US$5,500-8,500

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132u HA469/1SUPERB GILT-BRONZE FIGURE OF VA JRAPANIYONGLE INCISED MARK AND OF THE PERIOD

明 《大明永樂年施》款銅鎏金金剛手菩薩坐像

the bodhisattva finely cast seated in dhyanasana on a double-lotus base, his raised right arm holding a vajra and the otherheld up in tarjani mudra, wearing a long flowing dhoti tied atwaist and gathered in folds around his feet, the slightly tiltedface in a serene expression with downcast eyes and smilinglips, framed by an elaborate diadem, the front of the baseincised with a six-character mark reading ‘Da Ming Yong LeNian Shi’ (bestowed in the Great Ming Yongle period), the baseplate incised with a double vajra with remains of red lacquer

25cm high

Provenance:Private English Collection.

Note:For a very similar gilt-bronze figure from the Xuande period,see Christie’s sale in their Hong Kong rooms on 26thNovember 2014, lot 3107.

HK$2,200,000-3,400,000UK£200,000-300,000 | US$280,000-440,000

158 LYON & TURNBULL | FREEMAN’S

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133 HC466/3GILT-BRONZE FIGURE OF PALDEN LHAMOTIBET, 18TH CENTURY

藏十八世紀 銅鎏金吉祥天母像

the fierce-looking Goddess seated sideways atop a mule, theright arm raised, the left holding a skull cup now lost, the facewith bulging eyes and a third eye flanked by flame-like brows,wearing a skull diadem and a necklace of severed humanheads over her shoulders

10.9cm high

Provenance:Private London Collection.

HK$90,000-120,000UK£8,000-10,500 | US$11,500-15,500

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134 HD849/11PARCEL-GILT BRONZE MELON FORM EWER ANDCOVERQING DYNASTY, EARLY 18TH CENTURY

清十八世紀早期 銅鎏金執壺

with a naturalistic handle and a S-shaped spout, the sidesfinely incised with figures and exotic birds amongst a lushmountainous landscape

19cm high

Note:For a similar parcel-gilt bronze ewer from the 17th century, seeChristie’s sale in their London rooms on 13th November 2015,lot 1211.

HK$160,000-220,000UK£14,000-20,000 | US$20,000-30,00

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135 HA466/9FINE EMBELLISHED BRONZE TRIPOD CENSERAND COVERQING DYNASTY, 18TH/EARLY 19TH CENTURY

清十八/十九世紀「太平有象」象耳三足熏爐

the inverted bell-shaped body flanked by a pair of elephant-head handles and raised on three prominent caparisonedelephant-head feet inset with coloured glass, the sides cast inrelief with scrolls bearing lotus blossoms and foliage, the coverreticulated with lotus scrolls and surmounted by a recumbentcaparisoned elephant supporting a bowl with rhinoceroshorns, fruit and precious objects

35.5cm high

Provenance:Private English Collection.

Note:For a very similar tripod censer and cover, see Christie’s sale intheir New York rooms on 15th September 2011, lot 1156.

HK$60,000-90,000UK£5,000-8,000 | US$7,500-11,500

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136 HA466/4SILVER INLAID BRONZE SHAFT GRIPWARRING STATES PERIOD OR LATER

戰國或後銅錯銀車馬飾

of tubular form and closed at one end with one raised band atmid-section, cast in low relief and inlaid in silver with scrollingclouds

16.4cm long

Provenance:Private English Collection.

Note:This shaft grip was most likely part of chariot fittings typical oflate Eastern Zhou dynasty, the late Warring States period andearly Western Han dynasty. As such it would have been used toconnect and prolong the handle of the umbrella. For a similarsample but decorated with dragons, see AC1994.29.1, LosAngeles County Museum of Art.

HK$25,000-35,000UK£2,200-3,200 | US$3,500-4,500

137 HD849/26SILVER WIRE-INLAID BRONZE TRIPOD CENSERSHI SOU MARK, 18TH CENTURY

十八世紀石叟款衝天耳回紋嵌銀三足銅爐

supported on three cylindrical legs and applied with a pair ofloop handles rising from the mouth rim, the exterior finelyinlaid in silver wire with archaistic taotie masks and scrollingtendrils, the underside bearing a Shi Sou mark

14cm high

HK$80,000-120,000UK£7,000-10,500 | US$10,500-15,500

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138 HE296/70LARGE SILVERY BRONZE CIRCULAR MIRRORHAN DYNASTY

漢銅鏡

decorated with twelve bosses near central knob within anoctagonal star design, surrounded by a ring of archaiccharacters, malachite encrustation to side and reverse ofmirror

18.4cm diam

Provenance:Property from a Pennsylvania estate.

HK$65,000-95,000UK£5,000-8,500 | US$8,000-12,000

139 HE296/59PARCEL-GILT BRONZE ‘LION ANDGRAPEVINE’ MIRRORSUI/TANG DYNASTY

隋/唐海獸葡萄鏡cast in high relief to show five lion-like animals amidstgrapevine to surface, light malachite encrustation sidesand reverse

9.5cm diam

Provenance:Previously the property of a private New York statecollector; Christie’s London, 16th November 1999, Sale6213, Lot 141.

HK$50,000-70,000UK£4,500-6,500 | US$6,500-9,000

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140 HC469/1CLOISONNÉ ENAMEL BEEHIVE-SHAPED WASHERJINGTAI MARK, MING DYNASTY

明景泰款掐絲琺瑯蓮紋洗

of domed shape raised on three short feet, the exteriordecorated with large lotus blooms picked out in blue, red,white and yellow and borne on meandering leafy tendrils, allbelow a lappet band, the base incised with a two-charactermark within double rings

20.3cm diam

Provenance:Private London Collection.

HK$70,000-90,000UK£6,000-8,000 | US$8,500-11,500

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141 HD190/40CLOISONNÉ ENAMEL MOON FLASKMING DYNASTY, 17TH CENTURY

明十七世紀掐絲琺琅龍紋扁壺

the compressed globular body supported on a short oval foot,rising to a cylindrical neck flanked by two lobed handlesdecorated with billowing clouds, enamelled on each side with acoiling dragon at the centre surrounded by eight large lotusflowerheads borne on leafy scrolls, a further lotus flowerheadon each side of the neck, all picked out in green, red, yellowand aubergine reserved on a turquoise ground

32.5cm high (excluding stand)

Provenance:Private American Collection.

Note:For very similar cloisonné enamel flasks, also from the MingDynasty, see Brown, Chinese Cloisonné: The Clague Collection,pl. 12, pp. 40–1; and Spink & Son, The Minor Arts of China III,no. 89, p. 74.

HK$330,000-440,000UK£30,000-40,000 | US$40,000-60,000

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PAINTINgS

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142 HC192/1RARE PAIR OF POLYCHROME TEMPLE FRESCOESMING DYNASTY

明彩繪菩薩壁畫兩幅

each painted in a mainly iron-red and green palette with XiWangmu and a female attendant, both wearing flowing robesand jewelled headpieces, the Queen Mother of the West sittingin the first fresco atop a lion-dog and holding a white rabbit inher hands, in the second atop a horse and holding a ruyisceptre in her left hand, a flaming pearl in her right, all aboveswirling clouds, wood frame (2)

80.6cm high, 45.1cm wide (excluding frame)

Provenance:Private Scottish Collection.

HK$120,000-160,000UK£10,000-15,000 | US$15,000-20,000

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143 HE296/74CHINESE SCHOOL (18TH CENTURY)EMPEROR GAOZONG AND EMPRESS WU

十八世紀《宋高宗吳皇後侍女圖》

four mounted album leaves, ink and colour on silk, two withgourd shaped seal (4)

30.5cm high, 34.3cm wide (sight)

Provenance:Property of a Chester County, PA lady; purchased at New YorkArmory Show, 1970s, from the Litchfield Collection, Oxford,Connecticut; reputedly from the Bahr Collection.

HK$65,000-100,000UK£6,000-9,000 | US$8,000-13,000

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144 HE296/65HUANG YANTONG (B. 1942)HOMETOWN

黃延桐《故鄉》布面油畫oil on canvas, mounted on wooden frame, unsigned

120cm high, 120cm wide (sight)

Provenance:Property of an Iowa collector; purchased from guang DongArts House by the current owner in 2002.

Note:For similar sized work sold at auction, see InternationalHuashang Auction’s sale on 6th January 2014, lot 3036.

HK$65,000-95,000UK£6,000-8,500 | US$8,000-12,000

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145 HE296/68HUA ZIYOU (19TH CENTURY)LUOHAN OVER LION

華子宥《羅漢圖》十九世纪framed, ink and colour on paper, signed in giltwith artist seal

84cm high, 46cm wide (sight)

Provenance:Previously from the collection of georgeSubkoff, Westport, CT.

Note:For an example of similar subject and size, seeguangzhou Chongzheng Auction’s sale on18th December 2013, lot 0647.

HK$65,000-95,000UK£6,000-8,500 | US$8,000-12,000

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146u HE296/66EMPRESS DOWAGER CIXI (1835-1908)PLUM BLOSSOMS, DATED 1894

清慈禧太後《墨梅》設色紙本立軸一八九四年作

hanging scroll, ink on paper, inscribed and signed by the artist,with three seals; colophon by Wu Shumei (1845-1912), withone seal, dated jiawu year of the guangxu era (1894), onecollector’s seal of Reverend Isaac Taylor Headland (1859-1942)

44cm high, 22cm wide (sight)

Provenance:Previously from the collection of Reverend Isaac TaylorHeadland and Dr. Miriam Sinclair Headland; Christie’s NewYork, 15th March 2015, Sale 3718, Lot 3741.

Literature:Isaac Taylor Headland, Court Life in China, New York, 1909,unnumbered plate.

HK$700,000-900,000UK£60,000-80,000 | US$90,000-120,000

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147 HE296/62WU SHANMING (B. 1941)LISTENING TO THE SOUND OF SPRING, DATED 2001

吳山明《聽泉》設色紙本二零零一年作

unmounted, ink on paper, with inscription and seals of theartist, four seals total

68.5cm high, 68.5cm wide (sight)

Provenance:Property of an Iowa collector; purchased directly from WuShanming’s family by the current owner in 2002.

Note:For a piece by the artist produced in 1999, see ShandongHengchang’s sale on 16th November 2014, lot 179; a work ofsimilar subject and similar size was sold at China LiutongAuction’s sale on 13th-14th December 2013.

HK$160,000-300,000UK£14,500-27,000 | US$20,000-40,000

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148 HE296/61WU SHANMING (B. 1941)MONK KNOCKING ON THE GATE, DATED 1996

吳山明《僧人叩門圖》水墨紙本一九九六年作

unmounted, ink on paper, with inscription and seals by theartist, three seals total

68cm high, 68cm wide (sight)

Provenance:Property of an Iowa collector; purchased directly from WuShanming’s family in 2002.

Note:For a similar example, see guardian Beijing’s sale on 15th May2004, lot 758.

HK$160,000-300,000UK£14,500-27,000 | US$20,000-40,000

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149 HE296/63CHEN KENG (B. 1962)CHILD AT PLAY, DATED 1999

陳铿《過家家》布面油畫一九九九年作mounted on wooden frame, unsigned, datedto back, oil on canvas

153cm high, 92cm wide (sight)

Provenance:Property of an Iowa collector; purchased fromguang Dong Arts House by the current ownerin 2002.

Note:For paintings by the artist of similar size, seeChristie’s sale in their Hong Kong rooms on24th November 2013, lot 288.

HK$80,000-160,000UK£7,000-14,000 | US$10,000-20,000

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150 HE296/64CHEN KENG (B. 1962)PICKING RICE, DATED 1998

陳铿《粒粒皆辛苦》布面油畫一九九八年作oil on canvas, mounted on wooden frame, unsigned, dated toback

81cm high, 120cm wide (sight)

Provenance:Property of an Iowa collector; purchased from guang DongArts House by the current owner in 2002.

Note:For paintings by the artist of similar size, see Christie’s sale intheir Hong Kong rooms on 24th November 2013, lot 288.

HK$80,000-160,000UK£7,500-14,500 | US$10,000-20,000

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151u HE296/58CHEN QIKUAN (1921-2007)FUJI MOUNTAIN

陳其寬《富士山》設色紙本

ink and colour on paper, with artist’s seal, framed

180cm high, 29.2cm wide (sight)

Provenance:Property of a Virginia lady; formerly from the Mi Chou galleryCollection, Madison Avenue, New York.

HK$500,000-600,000UK£40,000-50,000 | US$60,000-80,000

END OF SALE

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A World of Art at Your FingertipsExplore fine art, antiques and jewellery at two of the world’s oldest auction houses with Lyon & Turnbull andFreeman’s complimentary catalogue app exclusively for the iPad. Download today and enjoy these benefits:

• Be the first to know when newcatalogues become available

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All catalogues are fully illustrated online at www.freemansauction.com andat www.lyonandturnbull.com, and are now available through the iPad app.Download for free on the App Store. Additional devices coming soon.

Illustrated: A selection ofChinese vases from the 21 JuneFine Asian Works of Art auction

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CHRONOLOGY

NEOLITHIC CULTURES

Cishan-Peiligang c. 6500-5000 BC

Central Yangshao c. 5000-3000 BC

Gansu Yangshao c. 3000-1500 BC

Hamadu c. 5000-3000 BC

Daxi c. 5000-3000 BC

Majlabang c. 5000-3500 BC

Dawenkou c. 4300-2500 BC

Songze c. 4000-2500 BC

Hongshan c. 3800-2700 BC

Llanzhu c. 3300-2250 BC

Longshan c. 3000-1700 BC

Qijia c. 2250-1900 BC

EARLY DYNASTIES

Shang c. 1500-1050 BC

WesternZhou c. 1046-771 BC

Eastern Zhou

Spring & Autumn 770-475 BC

Warring States 475-221 BC

IMPERIAL CHINA

Qin 221-207 BC

Han

Western Han 206 BC-AD 9

Xin AD 9-25

Eastern Han AD 25-220

Three Kingdoms

Shu (Han) 221-253

Wei 220-265

Wu 222-280

Southern Dynasties (Six Dynasties)

Western Jin 253-316

Eastern Jin 317-420

Liu Song 420-479

Southern Qi 479-502

Liang 502-557

Chen 557-589

Northern Dynasties

Northern Wei 380-535

Eastern Wei 534-550

Western Wei 535-557

Northern Qi 550-577

Northern Zhou 557-581

Sui 589-618

Tang 618-906

Five Dynasties 907-960

Liao 907-1125

Song

Northern Song 960-1126

Southern Song 1127-1279

Jin 1115-1234

Yuan 1279-1368

Ming

Hongwu 1368-1308

Jianwen 1399-1402

Yongle 1403-1424

Hongxi 1425

Xuande 1426-1435

Zhengtong 1436-1449

Jingtai 1450-1456

Lianshun 1457-1464

Chenghua 1465-1487

Hongzhi 1488-1505

Zhengde 1506-1521

Jiajing 1522-1566

Longqing 1567-1572

Wanli 1573-1620

Taichang 1620

Tianqi 1621-1627

Chonqzhen 1628-1644

Qing

Shunzhi 1644-1661

Kangxi 1662-1722

Yongzheng 1723-1735

Qianlong 1736-1795

Jiaqing 1796-1820

Daoguang 1821-1850

Xianfeng 1851-1861

Tongzhi 1862-1874

Guangxu 1875-1908

Xuantong 1909-1911

REPUBLICAN CHINA

Republic 1912-1949

People’s Republic 1949-

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LANGUAGE

Please�note�that�all�transactions�will�bein�Hong�Kong�Dollars�(HK$)�and�allprinted�material/�correspondence�willbe�in�English.�Some�basic�translationassistance�may�be�available.

BUYER’S PREMIUM

For�each�lot�purchased�a�Buyer'sPremium�will�be�added�to�the�hammerprice�and�is�payable�by�the�buyer�aspart�of�the�total�purchase�price.�For�thissale�a�buyer’s�premium�of�25% ispayable on the first HK$800,000 ofthe hammer price, 20% on anyamount in excess of HK$800,000 upto and including HK$15,000,000 andfinally 12% on any amount thereafter.

TAX

The�Hammer�Price�and�the�Buyer’sPremium�payable�by�the�Buyer�isexclusive�of�any�goods�or�service�tax�orother�tax�(whether�imposed�by�HongKong�law�or�otherwise).�If�any�such�Taxwas�to�be�paid�under�Hong�Kong�lawsor�any�other�laws,�the�Buyer�shall�besolely�responsible�to�pay�such�Tax�andat�the�rate�and�time�as�required�by�therelevant�law,�or�if�such�Tax�is�to�be�paidby�Lyon�and�Turnbull�we�may�add�suchtax�to�the�purchase�price�payable�bythe�Buyer.

DEPOSIT

Clients�who�wish�to�bid�on�lots�markedu in�the�catalogue�("Premium�Lots")may�be�requested�by�Lyon�&�Turnbullto�complete�the�pre-registrationapplication�form�and�to�deliver�to�Lyon&�Turnbull�a�deposit�of�10%�of�thelower�estimate�plus�any�financialreferences,�guarantees�and/or�suchother�security�as�Lyon�&�Turnbull�mayrequire�in�its�absolute�discretion�assecurity�for�the�bid.�

Bidders�wishing�to�bid�on�the�ThornhillStem�Cup�(lot�84)�will�be�required�topay�a�deposit�of�HK$2,500,000�pluscomplete�the�pre-registrationapplication�form�and�provide�anyfinancial�references,�guarantees�and/orsuch�other�security�as�Lyon�&�Turnbullmay�require�in�its�absolute�discretion�assecurity�for�the�bid.

Live�online�bidding�service�is�notavailable�for�Premium�Lots�or�theThornhill�Stem�Cup.

For�any�lots�other�than�Premium�Lots,regardless�of�the�low�pre-sale�estimatefor�the�lot,�Lyon�&�Turnbull�reserves�theright�to�request�from�prospectivebidders�to�complete�the�pre-registration�application�form�and�todeliver�to�Lyon�&�Turnbull�a�deposit�ofHK$10,000�plus�any�financialreferences,�guarantees�and/or�suchother�security�as�Lyon�&�Turnbull�mayrequire�in�its�absolute�discretion,�assecurity�for�the�bid.�

Any�required�deposits�shall�be�paid�inHong�Kong�dollars�by�way�of�wiretransfer�or�debit�card�(clients�mustpresent�their�cards�in�person�to�Lyon�&Turnbull).

REGISTRATION

By�registering�for�the�sale,�the�bidderacknowledges�that�he�or�she�has�read,understood�and�accepted�ourConditions�of�Sale�(HK464).

ENTRY TO VENUE

Identification�may�be�requested�uponentry�to�the�Liang�Yi�Museum�by�themuseum�security�team.��

PRE-SALE ESTIMATES

Pre-sale�estimates�are�intended�as�aguide�for�prospective�buyers.�Any�bidbetween�the�high�and�low�pre-saleestimates�would,�in�our�opinion,�offer�achance�of�success.�However,�all�lots�canrealise�prices�above�or�below�the�pre-sale�estimates.��It�is�advisable�to�consultus�nearer�the�time�of�sale�as�estimatescan�be�subject�to�revision.�Theestimates�printed�in�the�auctioncatalogue�do�not�include�the�buyer'spremium.

SYMBOL KEY

The�following�key�explains�the�symbolsyou�may�see�inside�this�catalogue.�

u =�A�premium�lot,�subject�to�pre-registration�and�deposit�procedures.

Y�=�lots�that�may�contain�restrictedmaterials�and�be�subject�toendangered�species�regulations.�

BUYER’S GUIDE 買方須知語言請註意所有交易都將以港幣形式進行,所有的印刷品/信件交換則將以英文進行。本公司將提供一些基本的翻譯協助。買方傭金買方支付的金額為落槌價和傭金的總額。本次拍賣的傭金比率如下:落槌價80萬港幣以內的拍品徵收25%的傭金;落槌價超過80萬港幣的拍品,超過的部分收取20%的傭金;落槌價超過1千5百萬港幣的拍品,超過的部分收取12%的傭金。稅落槌價和買方傭金不包括商品及服務稅和任何香港和任何其他相關法律所規定繳納的稅。如果香港和任何其他相關法律徵收此類稅務,買方將按照此法律要求的額度和時間,獨自承擔繳納的義務。如果此法律要求禮昂騰博交付此等稅務,本公司將將其轉移到買方身上。押金希望參與競拍帶標記(高端拍品)拍品的客戶有可能會被禮昂騰博要求填寫預先註冊申請表,交付拍品低估價10%的押金,以及提供個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。希望參與競拍Thornhill先生舊藏高足杯(82號拍品)的客戶須交付250萬港幣的押金,填寫預先註冊表格,並提供本公司所要求的個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。

高端拍品和Thornhill先生舊藏高足杯不開通在綫拍賣。非高端拍品,無論其標價為多少,本公司有權要求競拍人填寫預先註冊表格,交付1萬港幣的押金,並提供禮昂騰博所要求的個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。所有押金需要以港幣的形式,通過銀行轉賬和銀行卡刷卡的方式支付(客戶必須親自持卡前來禮昂騰博)。競拍註冊參與競拍登記的買方表示他已經閱讀、理解並接受了本公司的拍賣條款(HK464)。拍賣現場通行兩依藏博物館的保安有可能會要求客戶出示個人身份證明,才允許他進入拍賣場地。拍賣前拍品估價拍品估價僅是為感興趣的競拍人提供一個參考。所有在低估價和高估價之間的出價在本公司看來,都有可能成為成功競價。但是,所有拍品的最終落槌價有可能低於或高於估價。我們建議在拍賣臨近時咨詢本公司,因為拍品的估價有可能會有所調整。所有在本圖錄刊印的估價都不包含買方傭金。符號在本圖錄中出現的符號代表的意思如下:u符號表示該拍品為高端拍品,競拍人需要在拍賣會前進行預先註冊和繳納押金。Y����符號表示該拍品帶有受限成分,受到瀕危動物保護法的約束。

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PREMIUM LOTS

Clients�who�wish�to�bid�on�lots�markedu in�the�catalogue�("Premium�Lots")may�be�requested�by�Lyon�&�Turnbullto�complete�the�pre-registrationapplication�form�and�to�deliver�to�Lyon&�Turnbull�a deposit of 10% of thelower estimate plus�any�financialreferences,�guarantees�and/or�suchother�security�as�Lyon�&�Turnbull�mayrequire�in�its�absolute�discretion�assecurity�for�the�bid.�

Bidders�wishing�to�bid�on�the�ThornhillStem�Cup�(lot�84)�will�be�required�topay�a deposit of HK$2,500,000 pluscomplete�the�pre-registrationapplication�form�and�provide�anyfinancial�references,�guarantees�and/orsuch�other�security�as�Lyon�&�Turnbullmay�require�in�its�absolute�discretion�assecurity�for�the�bid.

Live�online�bidding�service�is�notavailable�for�Premium�Lots�or�theThornhill�Stem�Cup.

Bidders�will�be�issued�with�a�variantpaddle�indicting�their�approved�level�tobid.��The�auctioneer�will�not�accept�bidson�Premium�Lots�or�the�Thornhill�StemCup�unless�the�correct,�authorisedpaddle�is�shown.

RESTRICTED MATERIALS

Lots�with�this�symbol�(Y)�have�beenidentified�at�the�time�of�cataloguing�ascontaining�organic�material�which�maybe�subject�to�restrictions�regardingimport�or�export.�The�information�ismade�available�for�the�convenience�ofBuyers�and�the�absence�of�the�Symbolis�not�a�warranty�that�there�are�norestrictions�regarding�import�or�exportof�the�Lot;�Bidders�should�refer�toCondition�12�of�the�Conditions�of�Sale(HK464)�for�Buyers.�Please�also�refer�tothe�section�on�Endangered Species inthis�Buyer’s�Guide.���

CONDITION OF LOTS

Prospective�buyers�are�encouraged�toinspect�the�property�at�the�pre-saleviewing.�Solely�as�a�convenience,�Lyon&�Turnbull�may�provide�conditionreports.�The�absence�of�reference�to

the�condition�of�a�lot�in�the�cataloguedescription�does�not�imply�that�the�lotis�free�from�faults�or�imperfections.Please�refer�to�Condition�10�of�theConditions�of�Sale�(HK464)�for�Buyersprinted�in�this�catalogue.

Please�note�due�to�logistics�and�storagerestrictions�we�are�unable�to�begin�thecondition�report�process�until�the�itemshave�arrived�at�the�auction�venue.��Allcondition�reports�will�be�issued�the�fewdays�prior�to�the�auction.��

BIDDING IN THE SALE

BIDDINg AT AUCTION

Bids�may�be�executed�in�person�bypaddle�during�the�auction,�in�writingprior�to�the�sale,��by�telephone�or�liveonline�(powered�by�Invaluable�–�withthe�exception�of�Premium�Lots).Auction�speeds�vary,�but�averagebetween�50�and�100�lots�per�hour.�Thebidding�steps�are�generally�inincrements�of�approximately�10%�ofthe�previous�bid.��Please�refer�toConditions�4�of�the�Conditions�of�Sale(HK464)�for�Buyers�printed�in�thiscatalogue.

ABSENTEE BIDS

If�you�cannot�attend�the�auction,�we�willbe�happy�to�execute�written�bids�onyour�behalf.�A�bidding�form�can�befound�at�the�back�of�this�catalogue.�Thisservice�is�free�and�confidential.�Lots�willalways�be�bought�as�cheaply�as�isconsistent�with�other�bids,�the�reservesand�Lyon�&�Turnbull�commissions.�Inthe�event�of�identical�bids,�the�earliestreceived�will�take�precedence.�

Always�indicate�a�"top�limit"�-�thehammer�price�to�which�you�would�bid�ifyou�were�attending�the�auctionyourself.�"Buy"�and�unlimited�bids�willnot�be�accepted.�Please�refer�toCondition�3�of�the�Conditions�of�Sale(HK464)�for�Buyers�printed�in�thiscatalogue.

BIDDINg BY TELEPHONE

If�you�cannot�attend�the�auction,�it�ispossible�to�bid�on�the�telephone.�Asthe�number�of�telephone�lines�islimited,�it�is�necessary�to�makearrangements�for�this�service�24�hoursbefore�the�sale.�We�also�suggest�that

高端拍品希望參與競拍帶標記(高端拍品)拍品的客戶有可能會被本公司要求填寫預先註冊申請表,交付拍品低估價10%的押金,以及提供個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。希望參與競拍Thornhill先生舊藏高足杯(號拍品)的客戶須交付250萬港幣的押金,填寫預先註冊表格,並提供本公司所要求的個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押,禮昂騰博就此可以自由決定。高端拍品和Thornhill先生舊藏高足杯不開通在綫拍賣。競拍人將根據其出價權限的區別,獲得外形不同的競拍牌。競拍人如果不持相應的競拍牌,拍賣師將不會接受他對高端拍品和Thornhill先生舊藏高足杯的出價。受限成分帶有(Y)符號的拍品含有有機成分,一直到本圖錄製作過程中,這些成分都有可能在出口和進口上受到法律限製。本公司為了提醒買方而特別標註這些拍品,但沒有標註的拍品也並不一定不受到進出口的限製。競拍人須參看拍賣條款(HK464)的第12條,此外也請參看買方須知中的《瀕危物種》板塊。拍品品相我公司鼓勵感興趣的買方參加預展親自檢驗拍品的品相。本公司提供的品相報告衹是為了給買方提供方便。拍賣圖錄的描述中沒有提及拍品的品相並不意味著它沒有缺陷或損壞處。請參看本圖錄拍賣條

款(HK464)的第10條。請註意由於物流和儲藏條件的限製,我們無法在所有拍品到達拍賣場地之前開始製作品相報告。所有的品相報告將適時在拍賣日前幾天發放。份證明,才允許他進入拍賣場地。參與競拍競拍方式客戶可以在現場舉牌競拍,也可以書麵競拍,電話競拍或在綫競拍(在綫競拍平臺由Invaluable公司提供,本次拍賣高端拍品不支持在綫競拍)。拍賣進行的速度會有波動,但一般情況下一個小時拍賣50-120件拍品。拍賣叫價的遞升一般是按照前一口出價10%的比率。請參看本圖錄拍賣條款(HK464)的第4條。現場競拍欲參與現場競拍的客戶須在拍賣開始前進行註冊獲得競拍牌,並須出示身份證明。如您想參與高端拍品的競拍,請參看上麵的條款。競拍人將根據其出價權限的區別,獲得外形不同的競拍牌。競拍人如果不持相應的競拍牌,拍賣師將不會接受他對高端拍品和Thornhill先生舊藏高足杯的出價。如果您競拍成功,請務必出示競拍牌讓拍賣師能夠看清,並且保證拍賣師報出的是您的牌號。如果您對落槌價和誰是成功競拍人有疑問,請立刻當場曏拍賣師提出。拍賣賬單將開在競拍牌持有人本人的姓名和地址下,不能轉移到其他人的姓名和地址下。請勿隨意放置競拍牌;如果造成丟失的情況,請立刻聯係拍賣工作組人員。拍賣結束後,請到註冊臺歸還競拍牌。

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you�leave�a�maximum�bid�which�we�canexecute�on�your�behalf�in�the�event�weare�unable�to�reach�you�by�telephone.Multi-lingual�staff�are�available�toexecute�bids�for�you.�Please�refer�toCondition�3�of�the�Conditions�of�Sale(HK464)�for�Buyers�printed�in�thiscatalogue.

LIVE ONLINE BIDDINg VIA INVALUABLE

If�you�cannot�attend�the�auction,�it�maybe�possible�to�bid�live�online�viaInvaluable.�This�service�is�subject�to�bidlimit�restrictions�and�an�additional�3%premium�charge.���Live�online�biddingservice�is�not�available�for�PremiumLots�or�the�Thornhill�Stem�Cup.

THE AUCTION

CONDITIONS OF SALE (HK464)

The�auction�is�governed�by�theConditions�of�Sale�for�Sellers�andBuyers�(HK464).�These�apply�to�allaspects�of�the�relationship�betweenLyon�&�Turnbull�and�actual�andprospective�bidders�and�buyers.Anyone�considering�bidding�in�theauction�should�read�them�carefully.They�may�be�amended�by�way�ofnotices�posted�in�the�saleroom�or�byway�of�announcement�made�by�theauctioneer.

PAYMENT

Payment�is�due�in�Hong�Kong�Dollars(HK$)�immediately�after�the�sale�andmay�be�made�by�the�followingmethods:�Cash,�Cheque,�Wire�Transfer,Debit/�Credit�Card�(Union�Pay,MasterCard,�Visa).�

It�is�against�Lyon�&�Turnbull�generalpolicy�to�accept�single�or�multiplerelated�payments�in�the�form�of�cash�orcash�equivalents�in�excess�ofHK$80,000.

It�is�Lyon�&�Turnbull�policy�to�requestany�new�clients�or�buyers�preferring�tomake�a�cash�payment�to�provide�proofof�identity�(by�providing�some�form�ofgovernment�issued�identificationcontaining�a�photograph,�such�as�apassport,�identity�card�or�driver'slicence)�and�confirmation�of�permanentaddress.��

Cheques�and�drafts�should�be�madepayable�to�Lyon�&�Turnbull�Hong�KongLimited.�Although�personal�andcompany�cheques�drawn�in�HK�dollarson�Hong�Kong�banks�are�accepted,�youare�advised�that�property�will�not�bereleased�until�such�cheques�havecleared.

If�you�wish�to�pay�for�any�purchase�withyour�Mastercard,�Union�Pay�or�Visa,you�must�present�the�card�in�person�toLyon�&�Turnbull.�All�charges�are�subjectto�acceptance�by�Lyon�&�Turnbull�andby�MasterCard,�Union�Pay�or�Visa,�asthe�case�may�be.�In�the�case�a�charge�isnot�approved,�you�will�nevertheless�beliable�to�Lyon�&�Turnbull�for�all�sumsincurred�by�you.�Credit�card�purchasesmay�not�exceed�HK$1,000,000.��Pleasenote�that�card�transactions�may�incuran�additional�transaction�feedependent�on�the�card�used.

Please�note�that�Lyon�&�Turnbullreserves�the�right�to�decline�paymentsreceived�from�anyone�other�than�theregistered�buyer�and�that�clearance�ofsuch�payments�will�be�required.�Pleasecontact�our�Accounts�Department�ifyou�have�any�questions�concerningclearance.

COLLECTION AND STORAgE

It�is�the�buyer’s�responsibility�toascertain�collection�procedures.��Pleasesee�below�and�page187�of�thiscatalogue�for�more�information.��Pleasenote�that�we�do�not�pack�or�ship�items.��

All�purchased�lots�not�collected�fromthe�Liang�Yi�venue�by�Thursday�2ndJune�will�be�removed�to:

Michelle�Art�Services25th�Floor,�Sino�Favour�Centre1�On�Yip�Street,�Chai�Wan,�Hong�Kong(852)�2897�[email protected]

Michelle�Art�Client�Services�Contact:Thomas�Yuen

Items�will�be�available�for�collectionfrom�this�address�from�Monday�6thJune�onwards.��

BUYER’S GUIDE 買方須知缺席競拍如果您無法到達拍賣現場,我公司將很樂意按照您事先的書麵出價,代表您競拍。本圖錄的末尾附競拍表格。缺席競拍不徵收手續費,並絕對保密。所有拍品都將在兼顧其他的出價、拍品保留價和本公司傭金的情況下,以最低可能的價格購得。如果兩個不同客戶預留了同樣的出價,早出價的客戶將贏得拍品。缺席競拍時請出假設您來到拍賣現場時會出的最高價格。本公司不接受無具體數額和無限製的出價。請參看本圖錄拍賣條款(HK464)的第3條。電話競拍如果您無法到達拍賣現場,您可以選擇電話競拍。由於電話綫數量的限製,您需要在拍賣開始前24小時前預定。我們同時也建議您事先留下您願意出的最高價,保證我們在電話無法撥通的情況下也能代表您出價。通過Invaluable平臺參與在綫競拍如果您無法到達拍賣現場,您也可以通過Invaluable平臺參與在綫競拍。這一參拍方式將有出價上限,同時也須徵收3%的額外傭金。高端拍品和Thornhill先生舊藏高足杯不開通在綫拍賣。拍賣拍賣條款(HK464)本次拍賣受買方和賣家拍賣條款(HK464)約束。條款界定了禮昂騰博和所有實際和潛在競拍人及買方之間關係的各個方麵。這些條款也有可能被更改,所有更改將在拍賣現場公布,或者由拍賣師在拍賣現場宣布。

付款拍賣結束後,買方有義務立刻付款,付款方式如下:現金,支票,銀行轉賬,借記卡/信用卡(銀聯,MasterCard,Visa)。接受超過8萬港幣一次性或多次性的現金支付,違反禮昂騰博公司的條款。根據禮昂騰博的條款,新的客戶和買方如果希望以現金支付,需要提供身份證明(政府提供的帶照片的證件,如護照、身份證和駕照)以及常住地址的證明。支票需支付給禮昂騰博香港有限公司。我們雖然接受香港公司所開具的私人或公司的港幣支票,但我們須提醒您直到支票兌現之前,我們無法曏您發放拍品。如果您希望用Mastercard,銀聯卡或Visa卡支付,您需要本人持卡前來禮昂騰博支付。您的付款需要根據具體情況,被禮昂騰博或Mastercard,銀聯卡或Visa通過。在付款不成功的情況下,您需要承擔所有您對禮昂騰博造成的款項。信用卡支付金額不能超過1百萬港幣。請註意信用卡支付根據發卡銀行的不同,有可能會造成額外的手續費。請註意禮昂騰博公司有權拒絕任何不是來自註冊競拍的買方本人的第三方付款,此類付款需要經過審核。關於第三方匯款審核請聯係客服部。

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Items�will�be�kept�free�of�charge�upuntil�Monday�13th�June,�if�not�collectedby�then,�the�cost�of�storage�will�be�thebuyer’s�responsibility.��

Removal�and�storage�for�uncollectedlots�will�be�charged�at�the�followingrates:

Storage charges from Friday 10thJune (per item): HK$650 per month orpart thereof.

Handling fee for collection (per item):HK$650

Lots�will�be�removed�and�stored�byMichelle�Art�Services�subject�to�theirConditions�of�Business.��Release�of�lotsto�the�buyer/�authorised�representative(with�appropriate�photographicidentification)�can�only�be�undertakenupon�receipt�of�full�settlement�of�alloutstanding�charges�and�the�provisionof�a�release�note�by�Lyon�&�Turnbull.

LOSS OR DAMAgE

Buyers�are�reminded�that�Lyon�&Turnbull�accepts�liability�for�loss�ordamage�to�lots�for�a�maximum�periodof�thirty�(30)�calendar�days�after�thedate�of�the�auction.�Please�refer�toCondition�8�of�the�Conditions�of�Sale(HK464)�for�Buyers�printed�in�thiscatalogue.

SHIPPINg

For�international�shipping�advicecontact�the�below,�or�an�alternativeprofessional�art�courier�of�your�choice.�

Michelle�Art�Services25th�Floor,�Sino�Favour�Centre1�On�Yip�Street,�Chai�Wan,�Hong�Kong(852)�2897�[email protected]

Please�note�that�Lyon�&�Turnbull�donot�pack,�ship�or�offer�export�advice.��Itis�the�buyer’s�responsibility�to�make�allarrangements.

EXPORT

The�export�of�any�lot�from�Hong�Kongor�import�into�any�other�country�maybe�subject�to�one�or�more�export�orimport�licences�being�granted.��It�is�thebuyer's�responsibility�to�obtain�anyrelevant�export�or�import�licence.��Thedenial�of�any�licence�required�or�delayin�obtaining�such�licence�cannot�justify

the�cancellation�of�the�sale�or�any�delayin�making�payment�of�the�total�amountdue.�Lyon�&�Turnbull�recommends�thatyou�retain�all�import�and�export�papers,including�licences,�as�in�certaincountries�you�may�be�required�toproduce�them�to�governmentalauthorities.

ENDANgERED SPECIES (Y)

Items�made�of�or�incorporating�plant�oranimal�material,�such�as�coral,crocodile,�ivory,�whalebone,tortoiseshell,�etc.,�irrespective�of�age�orvalue,�may�require�a�licence�orcertificate�prior�to�exportation�andrequire�additional�licences�orcertificates�upon�importation�to�anycountry�outside�Hong�Kong.�Pleasenote�that�the�ability�to�obtain�an�exportlicence�or�certificate�does�not�ensurethe�ability�to�obtain�an�import�licenceor�certificate�in�another�country,�andvice�versa.�For�example,�it�is�illegal�toimport�African�elephant�ivory�into�theUnited�States.�Lyon�&�Turnbull�suggeststhat�buyers�check�with�their�owngovernment�regarding�wildlife�importrequirements�prior�to�placing�a�bid.�It�isthe�buyer's�responsibility�to�obtain�anyexport�or�import�licences�and/orcertificates�as�well�as�any�otherrequired�documentation�(please�referto�Condition�12�of�the�Conditions�ofSale�(HK464)�for�Buyers�printed�in�thiscatalogue).

提貨和儲存確保完成拍品提貨手續是買方的責任。請參看下方和本圖錄第�頁獲得詳細信息。請註意本公司不負責包裝和發送拍品。截至到2016年6月2日周四,所有拍品可以在兩依藏博物館提貨。2016年6月2日後,沒有取走的拍品將會被轉移到:美斯藝術品運輸有限公司Michelle�Art�Services新華豐中心二十五樓香港柴灣安業街1號(852)�2897�1080�|[email protected]美斯藝術品運輸有限公司聯係人:Thomas�Yuen2016年6月6日周一以後,買方可在此地址提貨。買方如果在6月13日前提貨,無須支付倉儲費,�6月13日之後將需交付倉儲費。未及時提走的拍品的運輸和轉移費用收費標準如下:6月10日周五起:每件拍品每月650港幣儲存費提貨手續費:每件拍品650港幣拍品的轉移和儲存將按照美斯藝術品運輸有限公司的商業條款。買方或買方授權的代表人(需帶上附照片的證件)衹有在能出示所有款項付清的證明以及禮昂騰博提供的提貨單的情況下才能提貨。遺失和損壞請買方註意禮昂騰博衹在拍賣後三十天的期限內,承擔拍品遺失和損壞的責任。請參看本圖錄拍賣條款(HK464)的第8條。

運輸國際運輸請聯係如下公司,或者其他您所信賴的專業藝術品運輸公司:美斯藝術品運輸有限公司Michelle�Art�Services新華豐中心二十五樓香港柴灣安業街1號(852)�2897�[email protected]出口任何拍品從香港出口或者進口其他目的地國家都有可能需要獲得相關的進出口許可。獲得相關的進出口許可是買方的責任。許可申請的失敗或審批過程的延誤不能成為取消購買或者延遲拍賣款項支付的理由。禮昂騰博建議您妥善保管所有的進出口文件,包括許可,因為在某些國家,您需要曏政府機關出示這些文件。瀕危物種(Y)所有全部或部分由動植物原料,如珊瑚、鰐魚、象牙、鯨骨、龜甲等做成的拍品,不論年代和價值,都有可能在出口香港和進口到目的地國家前,需要獲得相關的許可或證書。請註意獲得香港當地的出口許可和證明並不保證能在目的地國家獲得進口許可和證明,反之亦然。譬如,進口非洲象牙在美國是違法的。禮昂騰博建議買方在競拍之前,和他所在國家的政府確認野生動物進口的要求。獲得相關的進出口許可/證書以及任何其他所需文件是買方的責任(請參看本圖錄拍賣條款(HK464)的第12條。)

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Payment�is�due�in�Hong�Kong�Dollars�(HK$)�immediately�after�the�sale�and�may�bemade�by�the�following�methods:�Cash,�Cheque,�Wire�Transfer,�Debit/�Credit�Card(Union�Pay,�MasterCard,�Visa).�

WIRE TRANSFER

Account�details�are�included�on�any�invoices�issued�or�upon�request�from�ouraccounts�department.��

DEBIT/ CREDIT CARD

If�you�wish�to�pay�for�any�purchase�with�your�Mastercard,�Union�Pay�or�Visa,�youmust�present�the�card�in�person�to�Lyon�&�Turnbull.�All�charges�are�subject�toacceptance�by�Lyon�&�Turnbull�and�by�MasterCard,�Union�Pay�or�Visa,�as�the�casemay�be.�In�the�case�a�charge�is�not�approved,�you�will�nevertheless�be�liable�toLyon�&�Turnbull�for�all�sums�incurred�by�you.�Credit�card�purchases�may�notexceed�HK$1,000,000.��Please�note�that�card�transactions�may�incur�an�additionaltransaction�fee�dependent�on�the�card�used.��

CASH

It�is�against�Lyon�&�Turnbull�general�policy�to�accept�single�or�multiple�relatedpayments�in�the�form�of�cash�or�cash�equivalents�in�excess�of�HK$80,000.

It�is�Lyon�&�Turnbull�policy�to�request�any�new�clients�or�buyers�preferring�to�makea�cash�payment�to�provide�proof�of�identity�(by�providing�some�form�ofgovernment�issued�identification�containing�a�photograph,�such�as�a�passport,identity�card�or�driver's�licence)�and�confirmation�of�permanent�address.��

CHEQUES

Cheques�and�drafts�should�be�made�payable�to�Lyon�&�Turnbull�Hong�KongLimited.�Although�personal�and�company�cheques�drawn�in�HK�dollars�on�HongKong�banks�are�accepted,�you�are�advised�that�property�will�not�be�released�untilsuch�cheques�have�cleared.

CLEARANCE

Please�note�that�Lyon�&�Turnbull�reserves�the�right�to�decline�payments�receivedfrom�anyone�other�than�the�registered�buyer�and�that�clearance�of�suchpayments�will�be�required.�Please�contact�our�Client�Accounts�Department�if�youhave�any�questions�concerning�clearance.

Please�note�that�no�items�will�be�released�for�collection�until�full�payment�isreceived�and�cleared,�leading�to�the�issue�of�a�Lyon�&�Turnbull�release�note.

PAYMENT 付款拍賣結束後,買方有義務立刻付款,付款方式如下:現金,支票,銀行轉賬,借記卡/信用卡(銀聯,MasterCard,�Visa)。匯款我公司賬戶信息將在每張拍賣賬單上標明,您也可以聯係我們的財務部門獲取。借記卡/信用卡支付如果您希望用Mastercard,銀聯卡或�Visa卡支付,您需要本人持卡前來本公司支付。您的付款需要根據具體情況,被禮昂騰博或Mastercard,銀聯卡或�Visa通過。在付款不成功的情況下,您需要承擔所有您對禮昂騰博造成的款項。信用卡支付金額不能超過1百萬港幣。請註意信用卡支付根據發卡銀行的不同,有可能會造成額外的手續費。現金支付接受超過8萬港幣一次性或多次性的現金支付,違反禮昂騰博公司的條款。根據禮昂騰博的條款,新的客戶和買方如果希望以現金支付,需要提供身份證明(政府提供的帶照片的證件,如護照、身份證和駕照)以及常住地址的證明。支票支付支票需支付給禮昂騰博香港有限公司。我們雖然接受香港公司所開具的私人或公司的港幣支票,但我們須提醒您直到支票兌現之前,我們無法曏您發放拍品。發貨請註意禮昂騰博公司有權拒絕任何不是來自註冊競拍的買方本人的第三方付款,此類付款需要經過審核。關於發貨有任何問題,請聯係客服部。請註意禮昂騰博公司衹有在所有拍賣款項全部結清和到賬後,才能曏買家提供提貨單授權他提貨。

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Please�note�that�we�do�not�pack�or�ship�items.�The�following�suggested�carrier�willbe�able�to�arrange�packing�and�shipping;�please�contact�them�directly�to�receive�aquote.�You�may�wish�to�contact�an�alternative�courier.

All�purchased�lots�not�collected�from�the�Liang�Yi�venue�by�Thursday 2nd June by5pm will�be�removed�to:

Michelle Art Services25th Floor, Sino Favour Centre1 On Yip Street, Chai Wan, Hong Kong(852) 2897 1080 | [email protected]

Items�will�be�available�for�collection�from�this�address�from�Monday�6th�Juneonwards.��

Items�will�be�kept�free�of�charge�up�until�Monday�13th�June,�if�not�collected�bythen,�the�cost�of�storage�will�be�the�buyer’s�responsibility.��

Removal�and�storage�for�uncollected�lots�will�be�charged�at�the�following�rates:

Storage charges from Friday 10th June (per item): HK$650 per month or partthereof.

Handling fee for collection (per item): HK$650

Lots�will�be�removed�and�stored�by�Michelle�Art�Services�subject�to�theirConditions�of�Business.��Release�of�lots�to�the�buyer/�authorised�representative(with�appropriate�photographic�identification)�can�only�be�undertaken�uponreceipt�of�full�settlement�of�all�outstanding�charges�and�the�provision�of�a�releasenote�by�Lyon�&�Turnbull.

COLLECTION & SHIPPING 提貨和發貨請註意我公司不負責包裝和派發拍品。如下物流公司將能協助您包裝和運輸您購得的拍品。請直接與他們聯係獲取報價,或聯係其他的物流公司。截至到2016年6月2日周四沒有取走的拍品將會被轉移到:美斯藝術品運輸有限公司Michelle�Art�Services新華豐中心二十五樓香港柴灣安業街1號(852)�2897�1080�|�[email protected]年6月6日周一以後,買方可在此地址提貨。買方如果在6月13日前提貨,無須支付倉儲費,�6月13日之後將需交付倉儲費。未及時提走的拍品的運輸和轉移費用收費標準如下:周五6月10日起:每件拍品每月650港幣儲存費提貨手續費:每件拍品650港幣拍品的轉移和儲存將按照美斯藝術品運輸有限公司的商業條款。買方或買方授權的代表人(需帶上附照片的證件)衹有在能出示所有款項付清的證明以及禮昂騰博提供的提貨單的情況下才能提貨。

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The�Auctioneer�carries�on�business�with�Bidders,�Buyers�and�allthose�present�in�the�auction�room�prior�to,�or�in�connection�with,�asale�on�the�following�General�Conditions�and�on�such�other�terms,conditions�and�notices�as�may�be�referred�to�herein.�

1. DEFINITIONS

In�these�Conditions�of�Sale�for�Buyers�(HK464):�"Auctioneer"�means�Lyon�&�Turnbull�Ltd�(Registered�in�Scotland�No:191166�|�Registered�address:�33�Broughton�Place,�Edinburgh,United�Kingdon,�EH1�3RR)�or�its�authorised�auctioneer,�asappropriate;�

"Bidder"�means�a�person�who�bids�at�an�auction�organised�by�theAuctioneer;

"Buyer's�Premium"�is�the�commission�payable�by�the�Buyer�on�theHammer�Price�at�the�rates�set�out�in�the�Sale�Catalogue�Buyer’sGuide;

“Freeman’s”�means�Samuel�T.�Freeman�&�Co,�Lyon�&�Turnbull’smarketing�partner,�registered�address�1808�Chestnut�Street,Philadelphia,�Pennsylvania,�USA,�19103;

"Hammer�Price"�means�the�highest�bid�accepted�by�the�Auctioneerby�the�fall�of�the�hammer�or�in�the�case�of�a�post-auction�sale,�theagreed�sale�price;

"HK$"�or�"Hong�Kong�Dollars"�means�the�lawful�currency�of�HongKong;

"Hong�Kong"�means�the�Hong�Kong�Special�Administrative�Region�ofthe�People's�Republic�of�China;

"Item"�means�each�and�every�item�consigned�for�sale�followingexpress�written�agreement�between�Lyon�&�Turnbull�and�the�Seller;

"Lot"�means�each�Item�offered�for�sale�by�Lyon�&�Turnbull;�

"Lower�Estimate"�means�the�low�estimate�provided�by�Lyon�&Turnbull�to�the�Seller�in�relation�to�each�Item,�or�in�relation�to�anyItem�which�Lyon�&�Turnbull�holds�on�behalf�of�the�Seller;

"Lyon�&�Turnbull"�means�the�company�which�has�its�registered�officeat�33�Broughton�Place,�Edinburgh,�United�Kingdom�EH1�3RRregistered�in�Scotland�No.�191166�along�with�its�Hong�Kongcompany,�Lyon�and�Turnbull�Hong�Kong�Limited;

“Premium�Lot”�means�a�lot�which�has�a�Lower�Estimate�aboveHK$300,000�

"Proposed�Sale"�means�the�intended�sale�through�which�the�Itemswill�be�sold�on;

"Purchase�Price"�is�the�Hammer�Price�and�applicable�Buyer'sPremium;�

"Reserve"�means�the�lowest�price�below�which�an�Item�cannot�besold;�

"Seller"�means�the�person�who�owns�the�Lot�or�the�person�who�isduly�authorised�by�the�owner�of�the�Lot�to�sell�it;

"Tax"�has�the�meaning�provided�in�Clause�6;

"Total�Amount�Due"�means�the�Hammer�Price�in�respect�of�the�Lotsold�together�with�any�premium,�Value�Added�Tax�or�other�taxeschargeable�and�any�additional�charges�payable�by�a�defaulting�Buyerunder�these�Conditions;�

“You”,�“Your”�means�the�Buyer,�the�person�who�makes�the�highestpossible�bid�or�offer�accepted�by�the�Auctioneer,�and/or�suchperson's�principal�where�bidding�as�agent;�and�

“Us”,�“Our”,�“We”�etc.�refers�to�Lyon�and�Turnbull�Hong�Kong�Ltd�alongwith�Lyon�and�Turnbull�Ltd.�

The�singular�includes�the�plural�and�vice�versa�as�appropriate.�

2. AGENCY

Lyon�&�Turnbull�acts�as�agent�solely�for�and�in�the�interests�of�theSeller.�We�do�not�act�for�Buyers�in�this�role�and�do�not�give�advice�toBuyers.�When�Lyon�&�Turnbull�makes�a�statement�about�a�Lot�it�isdoing�so�on�behalf�of�the�Seller�of�the�Lot.�

Please�note�Lyon�&�Turnbull�are�the�principal.�All�informationhowever�will�be�shared�with�Freeman’s.�By�registering�for�this�saleyou�hereby�agree�for�information�to�be�shared�with�Freeman’s�whowill�be�acting�as�an�agent�for�Lyon�&�Turnbull�only�and�have�noliability�due�to�any�other�party�other�than�Lyon�&�Turnbull;�

The�Auctioneer�normally�acts�as�agent�only�and�disclaims�anyresponsibility�for�default�by�Sellers�or�Buyers.�

3. PRE-REGISTRATION, BIDDING PROCEDURES AND THE BUYER

(a)�Pre-registration�and�Deposits:�All�Bidders�are�required�tocomplete�a�pre-registration�application�form�and�to�deliver�to�Lyon�&Turnbull�a�deposit�of�HK$10,000�and�any�Bidders�wishing�to�bid�onPremium�Lots�should�also�pay�a�deposit�of�10%�of�the�LowerEstimate�of�specific�lots�in�addition.�Bidders�wishing�to�bid�on�theStem�Cup�(lot�84)�will�be�required�to�pay�a�deposit�of�HK$2,500,000.You�may�also�be�asked�for�financial�references,�guarantees,�and/orsuch�other�security�as�Lyon�&�Turnbull�may�require�in�its�absolutediscretion.

Lyon�&�Turnbull�reserves�the�right�to�request�at�any�time�anyadditional�deposit,�guarantee�and/or�such�other�security�as�Lyon�&Turnbull�may�determine�from�any�Bidder�whose�total�Purchase�Pricehas�reached�or�exceed�ten�times�the�amount�of�that�Bidder’sdeposit.�The�amount�of�an�additional�deposit�shall�be�determined�byLyon�&�Turnbull�at�their�sole�discretion�and�Lyon�&�Turnbull�reservesthe�right�to�reject�any�further�bidding�from�that�Bidder�until�suchadditional�deposit�has�been�delivered�to�Lyon�&�Turnbull.�Lyon�&Turnbull�has�no�obligation�to�accept�any�pre-registration�application.Lyon�&�Turnbull’s�decision�in�this�regard�shall�be�final.�

Bidders�are�requested�to�contact�Lyon�&�Turnbull�at�least�threeworking�days�prior�to�the�relevant�sale�in�order�to�allow�processing�ofthe�pre-registration.�Deposits�shall�be�paid�in�Hong�Kong�Dollars�byway�of�bank�transfer�or�debit�card�(cards�must�be�presented�inperson).

Should�you�not�be�successful�in�bidding,�Lyon�&�Turnbull�will�arrangefor�a�refund�(subject�to�any�right�of�set�off)�of�the�deposit�amountpaid�by�the�Bidder�without�interest�within�14�working�days�of�thedate�of�the�sale.�Any�exchange�losses�or�fees�associated�with�therefund�shall�be�borne�by�the�Bidder.�

Bidders�may�not�be�allowed�to�register�for/bid�on�any�Lot�if�Lyon�&Turnbull�fail�to�receive�a�completed�pre-registration�application�form�

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or�any�financial�reference�or�deposits�as�requested�by�Lyon�&Turnbull;

(b)�The�maker�of�the�highest�bid�accepted�by�the�Auctioneerconducting�the�sale�shall�be�the�Buyer�and�any�dispute�shall�besettled�at�the�Auctioneer's�absolute�discretion.�

(c)�Once�made,�no�bid�may�be�withdrawn�after�the�bid�is�acceptedfollowing�the�fall�of�the�Auctioneer’s�hammer�or�other�customaryaction�as�confirmed�by�the�Auctioneer.�

(d)�Our�right�to�bid�on�behalf�of�Sellers�is�expressly�reserved�up�tothe�amount�of�any�Reserve.�

(e)�The�right�to�refuse�any�bid�is�also�reserved.�

(f)�Commission/Absentee�Bids:�While�prospective�Buyers�are�stronglyadvised�to�attend�the�auction�and�are�always�responsible�for�anydecision�to�bid�for�a�particular�Lot�and�shall�be�assumed�to�havecarefully�inspected�and�satisfied�themselves�as�to�its�condition.��Weshall�use�reasonable�efforts�to,�if�so�instructed,�clearly�and�in�writingexecute�bids�on�their�behalf.�Neither�the�Auctioneer�nor�ouremployees�nor�agents�shall�be�responsible�for�any�failure�to�do�so.Where�two�or�more�commission�bids�at�the�same�level�are�recordedwe�reserve�the�right�in�our�absolute�discretion�to�prefer�the�first�bidso�made.�

(g)�Telephone�Bids:�If�a�prospective�Buyer�makes�arrangements�withus�prior�to�the�commencement�of�the�sale�we�will�use�reasonableefforts�to�contact�them�to�enable�them�to�participate�in�bidding�bytelephone.�We�do�not�accept�liability�for�failure�to�do�so�or�for�errorsand�omissions�in�connections.�As�the�number�of�telephone�lines�islimited,�it�is�necessary�to�make�arrangements�for�this�service�aminimum�24�hours�before�the�sale.�Lyon�&�Turnbull�suggest�that�youalso�leave�a�maximum�bid�(a�covering�bid)�which�we�can�execute�onyour�behalf�in�the�event�we�are�unable�to�reach�you�by�telephone.Please�note�that�confirmation�of�telephone�bids�should�be�made�inwriting.�

(h)�Online�Bidding:�We�will�use�reasonable�efforts�to�carry�out�onlinebids�and�do�not�accept�liability�for�equipment�failure,�inability�toaccess�the�internet�or�software�malfunctions�related�to�execution�ofonline�bids/�live�bidding.�Please�note�that�online�bidding�will�not�beaccepted�for�Premium�Lots.�Please�note�any�online�bidding�will�besubject�to�an�additional�transaction�charged�by�the�online�biddingprovider.�

(i)�Bidding�in�person:�To�bid�in�person�you�will�need�to�register�for�andcollect�a�numbered�paddle�before�the�auction�begins.�Proof�ofidentity�will�be�required.�Bidders�must�complete�a�paddle�registrationform�and�supply�any�information�as�requested�by�Lyon�&�Turnbull.Bidders�act�as�principal�unless�they�have�prior�written�consent�byLyon�&�Turnbull�to�bid�as�an�agent.�Bidders�are�personally�liable�fortheir�bid�and�jointly�and�severally�liable�with�their�principal�if�biddingas�an�agent.�

(j)��All�Lots�sold�will�be�invoiced�to�the�name�and�address�in�which�thepaddle�has�been�registered�and�cannot�be�transferred�to�othernames�and�addresses.�Please�do�not�mislay�your�paddle�and�ensurethat�it�is�returned�at�the�end�of�the�auction.�In�the�event�of�loss,inform�the�Lyon�&�Turnbull�staff�immediately.

4. INCREMENTS/CONDUCT OF THE AUCTION

Bidding�increments�shall�be�at�the�Auctioneer's�sole�discretion.�TheAuctioneer�has�absolute�discretion�at�any�time�to�refuse�or�acceptany�bid,�withdraw�any�Lot,�reoffer�a�Lot�for�sale�(including�after�the�fallof�the�hammer,�but�before�payment�has�been�received)�and�takesuch�other�action�as�he�reasonably�thinks�fit.

The�Auctioneer�will�start�and�continue�the�bidding�levels�andincrements�he�considers�appropriate�and�is�entitled�to�place�abid/bids�on�behalf�of�the�Seller�up�to�the�Reserve�on�the�Lot,�andwhether�or�not�other�bids�are�being�placed.�

A�currency�converter�may�be�used�at�the�sale.�This�equipment�isprovided�as�a�general�guide�as�to�the�equivalent�amount�in�certaincurrencies�of�a�given�bid.�We�do�not�accept�any�responsibility�for�anyerrors�which�may�occur�in�the�use�of�the�currency�converter.�

We�hereby�give�you�notice�that�we�may�use�video�cameras�to�recordthe�sale�and�may�record�telephone�calls�for�reasons�of�security�andto�assist�in�solving�any�disputes�which�may�arise�in�relation�to�bidsmade�at�the�sale.�

We�may�use�screens�to�project�images�of�the�Lots�for�sale.�Thisservice�is�provided�solely�to�assist�with�viewing�of�the�sale.�The�imageon�the�screen�is�only�an�indication�of�the�current�Lot.�It�should�benoted�that�all�bids�tendered�will�relate�to�the�actual�lot�numberannounced�by�the�Auctioneer.�Lyon�&�Turnbull�do�not�accept�anyresponsibility�for�any�errors�which�may�occur�in�the�use�of�thescreen.

Any�post-auction�sale�of�Lots�shall�incorporate�these�terms�andconditions�as�if�they�had�been�sold�in�the�auction.

5. THE PURCHASE PRICE

For�each�Lot�purchased�a�Buyer's�Premium�will�be�added�to�theHammer�Price�and�is�payable�by�the�Buyer�as�part�of�the�totalPurchase�Price.�For�this�sale�a�Buyer’s�premium�of�25%�is�payable�onthe�first�HK$800,000�of�the�Hammer�Price,�20%�on�any�amount�inexcess�of�HK$800,000�up�to�and�including�HK$15,000,000�and�finally12%�on�any�amount�thereafter.��

Live�online�bidding�is�subject�to�an�additional�3%�premium�on�theHammer�Price�(charged�by�the�live�bidding�service�providerInvaluable).

6. TAX

The�Purchase�Price�payable�by�the�Buyer�is�exclusive�of�any�goods�orservice�tax�or�other�tax�(whether�imposed�by�Hong�Kong�law�orotherwise)�(“Tax”).�If�any�such�Tax�was�to�be�paid�under�Hong�Konglaws�or�any�other�laws,�the�Buyer�shall�be�solely�responsible�to�paysuch�Tax�and�at�the�rate�and�time�as�required�by�the�relevant�law,�orif�such�Tax�is�to�be�paid�by�Lyon�&�Turnbull�we�may�add�such�tax�tothe�Purchase�Price�payable�by�the�Buyer.

7. PAYMENT

(1)�Payment�is�due�unless�agreed�otherwise,�immediately�in�HongKong�Dollars�on�conclusion�of�the�sale.�Any�requirements�for�export,import�or�any�such�other�permit�will�not�impact�on�payment�beingdue�immediately.�

193

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(a)�Pay�to�us�the�Total�Amount�Due�by�such�payment�method�as�isagreed�by�us.�We�accept�cash,�bank�transfer�(details�on�request),debit�cards�and�Visa�or�MasterCard�credit�cards.�Please�notesingle/multiple�or�linked�cash�payments�in�excess�of�HK$80,000�willnot�be�accepted.�There�is�a�cap�on�payment�by�credit�card�ofHK$1,000,000.�Should�you�wish�to�pay�by�card,�the�card�must�bepresented�in�person�to�Lyon�&�Turnbull.�

Please�note�that�when�paying�by�bank�transfer,�the�amount�receivedafter�the�deduction�of�any�bank�fees�and�or�conversion�of�thecurrency�of�payment�to�Hong�Kong�Dollars�must�not�be�less�than�theHong�Kong�Dollars�amount�payable,�as�set�out�on�the�invoice.Invoices�will�be�issued�within�two�days�of�the�sale.

(b)�Please�note�there�will�be�a�surcharge�when�using�credit�cards,�theamount�of�which�will�depend�on�the�type�of�credit�card.�

(c)�Any�Lots�purchased�and�paid�for�by�cheque�will�not�be�authorisedfor�collection�until�payment�has�fully�cleared.�Should�funds�not�befully�cleared�by�the�two�working�days�following�the�day�of�the�auctionthen�the�Buyer�must�accept�that�storage�charges�may�be�incurred.Please�refer�to�our�sale�information.��

(d)�Any�payments�by�you�to�us�may�be�applied�by�us�towards�anysums�owing�by�you�to�us�howsoever�incurred�and�without�agreementby�you�or�your�agent,�whether�express�or�implied.

8. TITLE AND COLLECTION OF PURCHASES

(1)�The�ownership�of�any�Lots�purchased�shall�not�pass�to�you�untilyou�have�made�payment�in�full�to�us�of�the�Total�Amount�Due.Payment�is�understood�to�mean�cleared�funds.�Lyon�&�Turnbull�isnot�obliged�to�release�a�Lot�to�the�Buyer�until�the�title�has�passedand�appropriate�identification�has�been�provided.�Should�earlierrelease�occur�this�will�not�affect�any�obligation�of�the�Buyer�to�makepayment�nor�affect�the�title�passing.�

(2)�You�shall�at�your�own�risk�and�expense�take�away�any�Lots�thatyou�have�purchased�and�paid�for.�Please�be�advised�collection�fromthe�sale�venue�will�not�be�possible�after�2�working�days�following�theday�of�the�auction.

(3)�No�purchase�can�be�claimed�or�removed�until�it�has�been�paid�for.�

(4)�Collection�must�be�made�by�Thursday�2nd�June�at�5pm.�It�is�theBuyer’s�responsibility�to�ascertain�collection�procedures.�Any�Lot�notcollected�will�be�shipped�to�Michelle�Art�Services,�1�On�Yip�Street,Chai�Wan,�Hong�Kong�for�subsequent�storage�and�the�cost�will�bethe�liability�of�the�Buyer.�

(5)�Risk�is�with�the�Buyer�at�the�earliest�of:

(i)�Collection�or

(ii)�Thirty�first�calendar�day�after�the�auction.

(6)�Export of goods:�Buyers�intending�to�export�goods�shouldascertain�(a)�whether�an�export�licence�is�required�and�(b)�whetherthere�is�any�specific�prohibition�on�importing�goods�of�that�character,e.g.�items�that�may�contain�prohibited�materials�such�as�ivory�orrhino�horn.�It�is�the�Buyer’s�sole�responsibility�to�obtain�any�relevantexport�or�import�licence.�The�denial�of�any�licence�or�any�delay�inobtaining�licences�shall�neither�justify�the�recession�of�any�sale�norany�delay�in�making�full�payment�for�the�Lot.�

9. REMEDIES FOR NON·PAYMENT OR FAILURE TO COLLECT PURCHASES

(1)�If�any�Lot�is�not�paid�for�in�full�and�taken�away�in�accordance�withthese�Conditions�or�if�there�is�any�other�breach�of�these�Conditions,we,�as�agent�for�the�Sellers�and�on�their�behalf,�shall�at�our�absolutediscretion�and�without�prejudice�to�any�other�rights�we�may�have,�beentitled�to�exercise�one�or�more�of�the�following�rights�and�remedies:�

(a)�to�proceed�against�you�for�damages�for�breach�of�contract;�

(b)�to�rescind�the�contract�for�sale�of�that�Lot�and/or�any�other�Lotssold�by�us�to�you;�

(c)�to�resell�the�Lot�(by�auction�or�private�treaty)�in�which�case�youshall�be�responsible�for�any�resulting�deficiency�in�the�total�amountdue�(after�crediting�any�part�payment�and�adding�any�resale�costs).�

(d)�to�remove,�store�and�insure�the�lot�in�the�case�of�storage,�either�atour�premises�or�elsewhere�and�the�risk�and�expense�being�with�you.Lyon�&�Turnbull�will�be�entitled�to�recover�from�you�all�costs�incurredin�respect�thereof;�

(e)�to�charge�interest�at�a�rate�not�exceeding�1.5%�per�month�abovethe�current�base�rate�on�all�sums�outstanding�for�more�than�5working�days�after�the�sale;�

(f)�to�retain�that�or�any�other�Lot�sold�to�you�until�you�pay�the�TotalAmount�Due;�

(g)�to�reject�or�ignore�bids�from�you�or�your�agent�at�future�auctionsor�to�impose�conditions�before�any�such�bids�shall�be�accepted;�and

(h)�to�apply�any�proceeds�of�sale�of�other�Lots�due�or�which�becomedue�to�you�towards�the�settlement�of�the�Total�Amount�Due�by�youand�to�exercise�a�lien�over�any�of�your�property�in�our�possession�forany�purpose�until�the�debt�due�is�satisfied.�

10. DESCRIPTIONS AND CONDITION

(1)�Whilst�we�seek�to�describe�Lots�accurately,�it�may�be�impracticalfor�us�to�carry�out�exhaustive�due�diligence�on�each�Lot.�ProspectiveBuyers�are�given�ample�opportunities�to�view�and�inspect�before�anysale�and�they�(and�any�independent�experts�on�their�behalf)�mustsatisfy�themselves�as�to�the�accuracy�of�any�description�applied�to�aLot.�Prospective�Buyers�also�bid�on�the�understanding�that,inevitably,�representations�or�statements�by�us�as�to�authorship,genuineness,�origin,�date,�age,�provenance,�condition�or�estimatedselling�price�involve�matters�of�opinion.�We�undertake�that�any�suchopinion�shall�be�honestly�and�reasonably�held�and�only�acceptliability�for�opinions�given�negligently�or�fraudulently.�Subject�to�theforegoing�neither�we�the�Auctioneer�or�our�employees�or�agentsaccept�liability�for�the�correctness�of�such�opinions�and�nowarranties,�whether�relating�to�description,�condition�or�quality�ofLots,�express,�implied�or�statutory,�are�given.�Please�note�thatphotographs/images�provided�may�not�be�fully�representative�of�thecondition�of�the�Lot�and�should�not�be�relied�upon�as�indicative�ofthe�overall�condition�of�the�Lot.�

(2)�Condition reports:�Condition�reports�are�provided�on�our�websiteor�upon�request.�The�absence�of�a�report�does�not�imply�that�a�Lot�iswithout�imperfections.�Large�numbers�of�such�requests�are�receivedshortly�before�each�sale�and�department�specialists�andadministration�will�endeavour�to�respond�to�all�requests�although�we

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offer�no�guarantee.�Any�statement�in�relation�to�the�Lot�is�merely�anexpression�of�opinion�of�the�Seller�or�Lyon�&�Turnbull�and�should�notbe�relied�upon�as�an�inducement�to�bid�on�the�Lot.�Lots�are�availablefor�inspection�prior�to�the�sale�and�you�are�strongly�advised�toexamine�any�Lot�in�which�you�are�interested�prior�to�the�sale.�Ourcondition�reports�are�not�prepared�by�professional�conservators,restorers�or�engineers.�Our�condition�report�does�not�form�anycontract�between�Lyon�&�Turnbull�and�the�Buyer.�The�ConditionReports�do�not�affect�the�Seller’s�obligations�in�any�way.�

(3)�Estimates:�Estimates�are�placed�on�each�Lot�to�help�Buyers�gaugethe�sums�involved�for�the�purchase�of�a�particular�Lot.�Estimates�donot�include�the�Buyer’s�Premium�or�Tax.�Estimates�are�a�matter�ofopinion�and�prepared�in�advance.�Estimates�may�be�subject�tochange�and�are�for�guidance�only�and�should�not�be�relied�upon.�

(4)�Catalogue Alterations:�Lot�descriptions�and�estimates�areprepared�in�advance�of�the�sale�and�may�be�subject�to�change.�Anyalterations�will�be�announced�on�the�catalogue�alteration�sheet,made�available�prior�to�the�sale.�It�is�the�responsibility�of�the�Buyer�tomake�themselves�aware�to�any�alterations�which�may�have�occurred.Alterations�may�also�be�made�at�any�time�by�notice�orally�or�in�writingbefore�or�during�a�sale.�The�Lot�is�available�for�inspection�and�youmust�form�your�own�opinion�in�relation�to�it.�You�are�strongly�advisedto�examine�any�Lot�or�have�it�examined�on�your�behalf�by�anindependent�party�before�the�sale.�

(5)�Electrical goods:�are�sold�as�“works�of�art”�only�and�if�bought�foruse�must�be�checked�over�for�compliance�with�safety�regulations�bya�qualified�electrician�first.�Use�of�such�goods�is�entirely�at�the�risk�ofthe�Buyer�and�no�warranties�as�to�safety�of�the�goods�are�given.�

(6)�Upholstered items:�are�sold�as�“works�of�art”�only�and�if�boughtfor�use�must�be�checked�over�for�compliance�with�current�safetyregulation.�Use�of�such�goods�is�entirely�at�the�risk�of�the�Buyer�andno�warranties�as�to�safety�of�the�goods�are�given.�Lyon�&�Turnbullprovide�no�guarantee�as�to�the�originality�of�any�wood/materialcontained�within�the�item.�

(7)�Special�terms�may�be�used�in�catalogue�descriptions�of�particularclasses�of�items�(Books,�Jewellery,�Paintings,�Guns,�Firearms�etc.)�inwhich�case�the�descriptions�must�be�interpreted�in�accordance�withany�glossary�appearing�in�the�catalogue.�These�notices�and�terms�willalso�form�part�of�our�terms�and�conditions�of�sales.

11. BOOKS, CLOCKS AND WATCHES

(1)�Books-Collation:�If�on�collation�any�NAMED�item�in�the�salecatalogue�proves�defective,�in�text�or�illustration�the�Buyer�may�rejectthe�Lot�provided�he�returns�it�within�21�days�of�the�sale�stating�thedefect�in�writing.�This,�however,�shall�not�apply�in�the�case�ofunnamed�items,�periodicals,�autographed�letters,�music�M.M.S.,maps,�drawings�NOR�in�respect�of�damage�to�bindings,�stains,�foxing,marginal�worm�holes�or�other�defects�not�affecting�thecompleteness�of�the�text�NOR�in�respect�of�Defects�mentioned�in�thecatalogue,�or�at�the�time�of�sale,�NOR�in�respect�of�Lots�sold�for�lessthan�£300.�

(2)�Clocks and Watches:�All�Lots�are�sold�“as�seen”,�and�the�absenceof�any�reference�to�the�condition�of�a�clock�or�watch�does�not�implythe�Lot�is�in�good�condition�and�without�defects,�repairs�or

restorations.�Most�clocks�and�watches�will�have�been�repaired�duringtheir�normal�lifetime�and�may�now�incorporate�additional/newerparts.�Furthermore,�Lyon�&�Turnbull�makes�no�representation�orwarranty�that�any�clock�or�watch�is�in�working�order.�As�clocks�andwatches�often�contain�fine�and�complex�mechanisms,�Buyers�shouldbe�aware�that�a�general�service,�change�of�battery�or�further�repairwork,�for�which�the�Buyer�is�solely�responsible,�may�be�necessary.Buyers�should�also�be�aware�that�Lyon�&�Turnbull�cannot�guaranteea�watch�will�remain�waterproof�if�the�back�is�removed.�Buyers�shouldbe�aware�that�the�importing�watches�such�as�Rolex,�Frank�Muller�andCorum�into�the�United�States�is�highly�restricted.�These�watchescannot�be�shipped�to�the�United�States�and�only�importedpersonally.�

12. ENDANGERED SPECIES

Please�be�aware�that�all�lots�marked�with�the�symbol�Y�may�besubject�to�CITES�regulations�or�other�regulations.�These�regulationsmay�be�found�athttps://www.afcd.gov.hk/english/conservation/con_end/con_end.html

Lyon�&�Turnbull�accepts�no�liability�for�any�Lots�which�may�be�subjectto�CITES�but�have�not�be�identified�as�such.�

13. SALE BY PRIVATE TREATY

(a)�The�same�Conditions�of�Sale�for�Buyers�(HK464)�shall�apply�tosales�by�private�treaty.�

(b)�Private�treaty�sales�made�under�these�Conditions�are�deemed�tobe�sales�by�auction�and�subject�to�our�agreed�charges�for�Sellers�andBuyers.�

(c)�For�the�purposes�of�a�private�treaty�sale�the�currency�will�be�HongKong�Dollars.�

14. THIRD PARTY LIABILITY

All�members�of�the�public�on�sale/storage�premises�are�there�at�theirown�risk�and�must�note�the�lay-out�of�the�accommodation,�safetyand�security�arrangements.�Accordingly,�neither�the�Auctioneer�norour�employees�or�agents�shall�incur�liability�for�death�or�personalinjury�or�similarly�for�the�safety�of�the�property�of�persons�visitingprior�to,�during�or�after�a�sale.�

14. THIRD PARTY LIABILITY

All�members�of�the�public�on�sale/storage�premises�are�there�at�theirown�risk�and�must�note�the�lay-out�of�the�accommodation,�safetyand�security�arrangements.�Accordingly,�neither�the�Auctioneer�norour�employees�or�agents�shall�incur�liability�for�death�or�personalinjury�or�similarly�for�the�safety�of�the�property�of�persons�visitingprior�to,�during�or�after�a�sale.�

15. GENERAL

(a)�We�shall�have�the�right�at�our�discretion,�to�refuse�admission�tosale/storage�premises�or�attendance�at�our�auctions�by�any�personwithout�explanation.�

(b)�Any�notice�to�any�Buyer,�Seller,�Bidder�or�viewer�may�be�given�byemail�if�not�available�then�by�registered�post�or�registered�airmail;�ifsent�by�registered�post,�it�shall�be�deemed�to�have�been�received�by

195

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the�addressee�48�hours�after�posting�and�if�by�registered�airmail,�fivedays�from�the�date�of�posting.�

(c)�Notices�to�Lyon�&�Turnbull�should�be�in�writing�and�addressed�tothe�Managing�Director�at�33�Broughton�Place,�Edinburgh,�UnitedKingdom�EH1�3RR,�quoting�the�reference�number�specified�at�thebeginning�of�the�sale�catalogue.�

(d)�Should�any�provision�of�these�Conditions�of�Sale�be�heldunenforceable�for�any�reason,�the�remaining�provisions�shall�remainin�full�force�and�effect.�

(e)�These�Conditions�of�Sale�are�not�assignable�by�either�partywithout�the�other's�prior�written�consent.�No�act,�omission�or�delayby�Lyon�&�Turnbull�in�exercising�a�right,�power�or�remedy�shall�bedeemed�a�waiver�or�release�of�any�of�its�rights,�power�or�remedy.��IfLyon�&�Turnbull�waives�a�breach�of�any�provision�of�these�Conditionsof�Sale�this�shall�not�operate�as�a�waiver�of�a�subsequent�breach�ofthat�provision,�or�as�a�waiver�of�a�breach�of�any�other�provision�ofthese�Conditions�of�Sale.�

(f)�The�contract�between�the�parties�may�be�varied�by�the�parties�byagreement�and�in�writing.�

(g)�Any�person�who�damages�a�Lot�will�be�held�liable�for�the�losscaused.�

(h)�Part�of�this�catalogue�is�published�in�both�Chinese�and�English.�Ifthere�is�any�dispute�in�its�interpretation,�the�English�version�willprevail.�

(i)�We�will�not�be�liable�in�negligence,�other�tort,�breach�of�contract�orstatutory�duty�or�in�restitution�or�under�the�MisrepresentationOrdinance�(Chapter�284�of�the�Laws�of�Hong�Kong)�or�in�any�otherway�for�lack�of�conformity�with�or�any�inaccuracy,�error,misdescription�in�any�description�of�the�lot�or�any�entry�or�estimatein�respect�of�it,�made�by�us�or�on�our�behalf�or�by�or�on�behalf�of�theSeller�and�regardless�of�whether�made�before/after�this�agreementor�prior/during�the�sale.�

(j)�All�parties�participating�in�the�Hong�Kong�auction�organised�byLyon�&�Turnbull,�including�the�Seller,�the�Bidder,�the�Buyer�and�allother�related�parties�(including�but�not�limited�to�the�agents�of�theSeller,�the�Bidder�and�the�Buyer)�shall�be�deemed�to�accept�in�fulland�be�bound�by�both�Conditions�of�Sale�(for�Buyers�and�SellersHK464),�and�shall�comply�with�them�in�said�auction,�enjoy�the�rightsand�perform�the�obligations�provided�herein.

(k)�The�rights,�powers�and�remedies�provided�in�this�Conditions�ofSale�are�cumulative�and�shall�not�be�deemed�or�construed�to�beexclusive�of�any�rights,�powers�and�remedies�provided�by�law,�orotherwise.

(l)�Except�where�expressly�stated�in�this�Conditions�of�Sale�to�thecontrary,�this�Conditions�of�Sale�is�not�intended�for�the�benefit�of,and�shall�not�be�enforceable�under�the�Contracts�(Rights�of�ThirdParties)�Ordinance�(Chapter�623�of�the�Laws�of�Hong�Kong)�by�anyother�person�who�is�not�a�party�to�this�Conditions�of�Sale.

16. DATA PROTECTION

In�connection�with�the�management�and�operation�of�our�businessand�the�marketing�and�supply�of�Lyon�&�Turnbull's�services,�or�asrequired�by�law,�we�may�ask�the�Buyer�to�provide�personalinformation�about�themselves�or�obtain�information�about�the�Buyerfrom�third�parties�(e.g.�credit�information). �We�will�use�your�personaldata�for�marketing�purposes�unless�we�receive�your�express�wishesnot�to�do�so. �

Lyon�&�Turnbull�may�transfer�information�to�Freeman's�to�allow�theeffective�operation�of�this�sale.�The�information�will�be�used�to�allowregistration,�sale�participation,�credit�control�and�any�other�functionrelated�to�the�effective�running�of�the�auction.�Freeman’s�will�use�thisinformation�for�the�auction�along�with�retaining�the�information�formarketing�purposes�for�future�auctions�held�by�them�(unless�wereceived�your�express�wishes�not�to�do�so).�Lyon�&�Turnbull�andFreeman’s�will�not�give�out�personal�information�to�third�partiesexcept�as�may�be�required�by�law.

If�you�would�like�further�information�on�Lyon�&�Turnbull�policies�onpersonal�data,�or�to�access�or�make�corrections�to�your�information,please�contact�us�on�+44�131�557�8844.�Please�[email protected]�Office�Manager�for�moreinformation.�

17. FORCE MAJEURE

Lyon�&�Turnbull�shall�be�under�no�liability�if�they�shall�be�unable�tocarry�out�any�provision�of�the�Contract�of�Sale�for�any�reason�beyondtheir�control�including�(without�limiting�the�foregoing)�an�act�of�God,legislation,�war,�fire,�flood,�drought,�failure�of�power�supply,�lock-out,strike�or�other�action�taken�by�employees�in�contemplation�orfurtherance�of�a�dispute�or�owing�to�any�inability�to�procure�materialsrequired�for�the�performance�of�the�contract.

18. LAW AND JURISDICTION

(a)�governing Law:�These�Conditions�of�Sale�and�all�aspects�of�allmatters,�transactions�or�disputes�to�which�they�relate�or�apply�shallbe�governed�by,�and�interpreted�in�accordance�with,�Hong�Kong�law.��

(b)�Jurisdiction:�The�Buyer�agrees�that�the�Courts�of�Hong�Kong�areto�have�exclusive�jurisdiction�to�settle�all�disputes�arising�inconnection�with�all�aspects�of�all�matters�or�transactions�to�whichthese�Conditions�of�Sale�relate�or�apply.�All�parties�agree�that�Lyon�&Turnbull�retain�the�right�to�bring�proceedings�in�any�court�other�thanthe�Hong�Kong�Courts.�

(c)�Service of Process:�All�Bidders�and�Sellers�irrevocably�consent�toservice�of�process�of�any�documents�in�connection�with�any�courtproceedings�by�personal�service,�and�delivery�by�email,�or�in�anyother�manner�permitted�by�Hong�Kong�law,�the�law�of�the�place�ofservice�or�the�law�of�jurisdiction�where�proceedings�are�being�held,�atthe�last�address�of�the�Buyer�known�to�Lyon�&�Turnbull�or�any�otherusual�address.

CONDITIONS OF SALE FOR BUYERS (HK464)196

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PREMIUM LOT & STEM CUP PRE-REGISTRATION APPLICATION FORM

Tel HK: +852 800 966 847Tel UK: +44 (0)131 557 8844Email [email protected] & Turnbulll Hong Kong Ltd RegisteredNumber: 65740732 | UK Registered Address:33 Broughton Place Edinburgh EH1 3RR

CHINESE WORKS OF ART (HK464) 31 MAY 2016 AT 6PM HKT

Title* Initials* Client No (if Known)

Surname*

Address*

Tel* Tel 2

Email*

Premium Lots Please enter below the lots that you would like to register for (marked withu in catalogue)

YOUR INFORMATION (* required)

If you plan to attend the sale and bid on a lot,

please fill out this form and email it to

[email protected] or mail to the

following address in either case to reach Lyon &

Turnbull no later than 3 working days prior to the

day of sale: Lyon & Turnbull, 33 Broughton Place,

Edinburgh, EH1 3RR, UK

Tel: HK +852 800 966 847 or

Tel: UK +44 (0)131 557 8844

The contract between the buyer and the seller is

concluded on the striking of the auctioneer's

hammer, and payment of the purchase price for

any lot and any buyer's expenses is due

immediately in Hong Kong Dollars on the

conclusion of the auction.

I hereby confirmmy intention and application to bid on the above lot(s). I agree to deliver to Lyon & Turnbullsuch necessary financial references, guarantees, deposits and/or such other security as Lyon & Turnbullmay in its absolute discretion require as security for my bid. Please refer to the "Important Notice forBuyers" and "Buyer’s Guide" for details of the requirement. I agree that Lyon & Turnbull has no obligation toaccept this pre-registration application and that Lyon & Turnbull’s decision in this regard shall be final. I shallnot assume Lyon & Turnbull acceptance of my pre-registration application unless I have received a writtenconfirmation from Lyon & Turnbull to that effect or a bidding paddle.

You authorise Lyon & Turnbull to request a financial reference from your bank.

Please note that it is mandatory for you to provide personal data marked with asterisks. In the event you donot provide such personal data, we may not be able to provide you with a registration.

I do not wish to receive future direct marketing material from Lyon & Turnbull and its businesspartners (eg: promotional materials and event invitations). Please tick box.

It is against Lyon & Turnbull general policy to accept single or multiple related payments in the form of cashor cash equivalents in excess of HK$ 80,000. It is Lyon & Turnbull policy to request any new clients orpurchasers preferring to make a cash payment to provide: proof of identity (by providing some form ofgovernment issued identification containing a photograph, such as a passport, identity card or driver'slicence) and confirmation of permanent address. We reserve the right to seek identification of the source offunds received.

Lyon & Turnbull’s live online bidding service is not available for premium lots or the Stem Cup.

By signing below, I agree to be bound by the Conditions of Sale for Buyers (HK464) as printed in thecatalogue. If Lyon & Turnbull so requests, I agree to provide proof of identity and permanent address.

Signature: Date:

Office Use Only Received by: Date / Time:

Documents:

Deposit: Approved by:

APPLICATION SUBMISSION

Accompanying Documents [government issuedphotographic ID required (ID card or Passport)*]

Have you registeredwith us before? Yes No

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PICTURES, WATERCOLOURS & PRINTS

Nick Curnow [email protected] Riordan [email protected] Gale [email protected] Shearer [email protected]

FURNITURE, CLOCKS & WORKS OF ART

Douglas Girton [email protected] Mackie [email protected] Burrell [email protected] [email protected]

SILVER, COINS & MEDALS

Trevor Kyle [email protected] Davis [email protected] Fraser (consultant) [email protected]

ASIAN WORKS OF ART

Lee Young [email protected] Zhu [email protected] Beilby [email protected]

RUGS & CARPETS

Gavin Strang [email protected]

OLD MASTERS

Nick Curnow [email protected]

JEWELLERY

Trevor Kyle [email protected] Davis [email protected] Mulholland [email protected]

DECORATIVE ARTS & DESIGN

John Mackie [email protected] Burrell [email protected]

EUROPEAN CERAMICS & GLASS

Douglas Girton [email protected] Armour [email protected]

ARMS & ARMOUR

Colin Fraser (consultant) [email protected] Batty (consultant) [email protected]

RARE BOOKS, MAPS, MANUSCRIPTS & PHOTOGRAPHS

Simon Vickers [email protected] Marsden [email protected]

ENQUIRIES & COMMISSION BIDS

Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 [email protected]

AMERICAN ART & PENNSYLVANIA IMPRESSIONISTS

Alasdair Nichol +1 267.414.1211 [email protected]

EUROPEAN ART & OLD MASTERS

David Weiss +1 267.414.1214 [email protected]

MODERN & CONTEMPORARY ART

Timothy Malyk +1.646.943.4447 [email protected] Henry +1 267.414.1220 [email protected]

JEWELRY & WATCHES

Michael Larsen +1 267.414.1227 [email protected] Salem +1 267.414.1233 [email protected]

ASIAN ART

Richard Cervantes +1 267.414.1219 [email protected]

AMERICAN FURNITURE, FOLK & DECORATIVE ART

Lynda A Cain +1 267.414.1237 [email protected] Bounty +1 267.414.1254 [email protected]

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS

NicholasB.A.Nicholson+1.267.265.1798nnicholson@freemansauction.comTessa Laney +1.215.940.9826 [email protected]

SILVER & OBJETS DE VERTU

NicholasB.A.Nicholson+1.267.265.1798nnicholson@freemansauction.com

ORIENTAL RUGS & CARPETS

Richard Cervantes +1 267.414.1219 [email protected]

RARE BOOKS, MAPS & MANUSCRIPTS

Benjamin Truesdale [email protected]

20TH CENTURY DESIGN

Tim Andreadis +1 267.414.1215 [email protected]

CLIENT SERVICES & BIDS

MaryMaguire [email protected]

TRUSTS & ESTATES

Samuel T. Freeman III +1 267.414.1222 [email protected] S. Wilcox +1 215.940.9825 [email protected]

APPRAISALS

Amy Parenti +1 267.414.1223 [email protected]

MUSEUM SERVICES

ThomasB.McCabe IV +1 267.414.1235 [email protected]

GENERAL INFORMATION

Tel +1.215.563.9275 Fax +1.215.599.2240 [email protected]

INTERNATIONAL STAFF DIRECTORY198

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Lot No. Description HK$ excluding premium

Title* First Name* Initials*

Client No (if known)

Surname*

Address*

Tel*

Tel 2

Email*

ABSENTEE / TELEPHONE BIDDING FORM

CHINESE WORKS OF ART (HK464) 31 MAY 2016 AT 6PM HKT

Tel HK: +852 800 966 847

Tel UK: +44 (0)131 557 8844

Email [email protected]

www.lyonandturnbull.com

Lyon & Turnbulll Hong Kong Ltd Registered

Number: 65740732 | UK Registered Address:

33 Broughton Place Edinburgh EH1 3RR

YOUR INFORMATION (* required)

Accompanying Documents [government issuedphotographic ID required (ID card or Passport)*]

Have you completed the Premium Lot &Stem Cup Pre-Registration Application Form?

Have you registeredwith us before? Yes No

Please note that Lyon & Turnbull will the utmostto ensure all commission and telephone bids areexecuted, however this can not be guaranteedand is a service offered at the bidders risk. Lyon &Turnbull therefore cannot accept liability forfailure to place such bids, whether throughnegligence or otherwise.

Please note that we may contact new clients torequest a bank reference.

The contract between the buyer and the seller isconcluded on the striking of the auctioneer'shammer, and payment of the purchase price forany lot and any buyer's expenses is dueimmediately in Hong Kong Dollars on theconclusion of the auction.

IMPORTANT

By signing below, I agree to be bound by the Conditions of Sale for Buyers (HK464) as printed in thecatalogue. If any bid is successful, I agree to pay the published Buyer's Premium on the hammer price.

I consent to the use of this information and any other information obtained by Lyon & Turnbull inaccordance with the Conditions of Sale (HK464). I am aware that all telephone bid lines may be recorded.Please note that it is mandatory for you to provide personal data marked with asterisks. In the event you donot provide such personal data, we may not be able to provide you with a registration.

I do not wish to receive future direct marketing material from Lyon & Turnbull and its business partners (eg:promotional materials and event invitations). Please tick box.

Signature: Date:

Office Use Only Received by: Date / Time:

Documents:

Deposit: Approved by:

• Bids will be executed for the lowest price as ispermitted by other bids or reserves.

• "Buy" or unlimited bids will not be accepted.Please place bids in the same order as in thecatalogue.

• Alternative bids can be placed by using theword "or" between lot numbers.

• Where appropriate your written bids will berounded down to the nearest amountconsistent with the auctioneer's biddingincrements.

FOR WRITTEN/FIXED BIDS

• Please clearly specify the telephone numberon which you may be reached at the time ofthe sale, including the country code. We willcall you from the saleroom shortly before yourlot is offered.

FOR TELEPHONE BIDS

Payment is due in HK dollars immediately afterthe sale and may be made the followingmethods: Cash, Bank transfer, Cheque, andCredit/Debit card (MasterCard, Union Pay andVisa).

It is against Lyon & Turnbull general policy toaccept single or multiple related payments in theform of cash or cash equivalents in excess of HK$80,000. It is Lyon & Turnbull policy to request anynew clients or purchasers preferring to make acash payment to provide: proof of identity (byproviding some form of government issuedidentification containing a photograph, such as apassport, identity card or driver's licence) andconfirmation of permanent address. We reservethe right to seek identification of the source offunds received.

If you wish to pay for any purchase with yourMasterCard, Union Pay or Visa, you must presentthe card in person.

ARRANGING PAYMENT

In order to bid on "Premium Lots" or The Thornhill Stem Cup (marked withu in the catalogue) you mustcomplete the required pre-registration application and deliver to Lyon & Turnbull such necessary financialreferences, guarantees, deposits and/or such other security as Lyon & Turnbull may in its absolute discretionrequire for your bid. Lyon & Turnbull’s decision whether to accept any pre-registration application shall befinal. We recommend you complete and return the pre-registration form in this catalogue in the mannerrequired therein or contact Lyon & Turnbull at least 3 working days prior to the sale in order to process thepre-registration. Please bear in mind that we are unable to obtain financial references over weekends orpublic holidays. Lyon & Turnbull’s live online bidding service is not available for premium lots or the Stem Cup.

IMPORTANT - PREMIUM LOTS AND THE THORNHILL STEM CUP (w)

Yes No

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