children's literature - essay 1
TRANSCRIPT
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Fiction vs. Film: How Dr. Seuss Stories Lose Meaning on the Big Screen
When a childrens or young adult novel is turned into a movie, crowds of
preteens often line the theater on opening night. Although the level of hype isnt the
same for the film version of a storybook like those of Dr. Seuss, the theaters are still
full of excited children and their parents. Turning a colorful, fantastical story such as
The Loraxinto film would be easy to do with todays CGI animation technology, but
it seems sticking to the storyline is difficult for most directors. Todays film versions
of Dr. Seuss The Loraxand How The Grinch Stole Christmas have the visual
components of a Grammy nominee, but lack the simple but valuable life lessons
Seuss incorporated in the original books.
It has been more than forty years since Seuss originally published The Lorax,
a fictional story about superfluous consumerism and environmental destruction at
the hands of humans. If you ask any schoolchild, they would answer thatThe Lorax
is a story of a successful businessman, the Once-ler, who invents an item called a
thneed, which, once popular, everybodyneeds. But to make enough thneeds to fill
demand, Once-ler harvests the entire forest of Truffula trees, leaving it bare,
desolate, and uninhabitable. The Lorax, who speaks for the trees, warns Once-ler of
the consequences, but his advice goes ignored until it is too late. Seuss book tells the
story of a young boy who visits the Once-ler, asking about trees and where he can
find one. The Once-ler shares what it was like when there were still Truffula trees,
and his regret for destroying such beauty.
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The book ends with the Once-ler giving the last Truffula seed to the boy in
the story, telling him, Unless someone like you cares a whole awful lot, nothings
going to get betterits not. By ending the story without a definite conclusion about
the boys actions, Seuss is leaving the children reading the story in charge of their
own future actions as well. Almost all of Seuss books end happily because they
werent an allegory for a current world problem: environmental awareness. But
because Seuss doesnt give his audience an answer, he is sparking a question within
all of them: Where do we go from here? and that is a decision each child for
themselves must make.
Directors Chris Renauld and Kyle Balda released the film version, Dr. Seuss
The Lorax, in March 2012 on what wouldve been Dr.Seuss 108th birthday. The
movie, fully animated and offered in 3-D, was Westernized and geared to humor an
audience more than anything. More characters were added to the story, along with
the usual bells and whistles (in this case, musical performances by the characters) to
make a 70-page book into a full-length feature film. The writers included cute
references that only a select crowd would understand, as well. The boy who goes in
search of Once-ler and the story of trees is named Ted, after Theodore, which was
Seuss given name, as well as Audrey, the girl, Teds love interest in the movie, which
was the name of Seuss second wife who oversaw the production of the original
book in 1971.
Unlike the book, we see what the ending is in this movie. In the book, Seuss
leaves the child wanting to make the decision on his or her own, whereas in the
movie, Ted makes the decision to plant the tree and we see it grow. Could this be
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destroying the intention Seuss had for the book? Children might get the idea that
because Ted made a good decision and planted the tree, they might not have to. In
many families, at least from my socioeconomic background, being environmentally
friendly is just something to do occasionally. If the recycling bin is right there, the
Diet Coke can gets recycled. However, if theres only a trashcan, it goes to the
landfill. My family, for example, does not recycle because my stay-at-home mother
doesnt want totake the time out of her day to sort recyclables from trash. She cant
be the only one out there who strongly believes theres some altruist out there doing
enough good for the world to make up for her lack thereof. Although some children
will see Teds planting of the tree as a good example and follow suit in caring for the
earth, some will continue to make decisions that affect others adversely because
theyve seen that others out there make good decisions to cover up for their bad
ones. Dr. Seuss original text copy ofThe Loraxleaves children wanting to make a
change because the book ends unresolved, while the movie leaves children thinking
that because people are already out there making changes, they might not have to.
The same argument can be made for Dr. Seuss How The Grinch Stole
Christmas, which was turned into a full-length film in 2000, by director Ron Howard.
Dr. Seuss original text told the story of the Whos, who live in Whoville, and are
about to celebrate Christmas. But the Grinch, who lives in a cave above Whoville,
hates the holiday because of the singing, gift-giving, and general cheer that comes
from below him every Christmas morning. So to prevent this from happening, he
sneaks into Whoville early Christmas morning before any of the Whos have woken
up to see their gifts, trees, and everything else holiday-related, and steals it all. But
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the Whos dont care, they still join hands and sing cheerful songs in the true spirit of
Christmas. This shocks the Grinch, and he realizes their happiness comes from just
having eachother, which causes his heart to grow three sizes, and he returns the
gifts and trees, and celebrates Christmas that day among the Whos. The moral of
the story is that Christmas isnt about giving or receiving presents, its about
spending time with those you love and celebrating what you have already.
The film, however, did not tell this same story. Howards version ofThe
Grinch was very crude. Although it followed some of the same storyline, and the plot
was based around a little girls desire to find the truer meaning of Christmas, the
film does not represent or accomplish that. The blatant rudeness of the Grinch,
played by famous actor and comedian Jim Carrey, turned the Grinch into a promoter
of rudeness and vulgarity. The words damn and Hell are used numerous times,
something Seuss would certainly never condone in his own work, a film
representation of it, or most importantly a child audience.
In Howards Grinchs progression from antisocial outcast to beloved member
of Whoville, the audience is submitted to a deluge of rudeness, insults, and several
sexually inappropriate scenes. The scenery and costuming of Whoville are far too
extravagant to even closely resemble what was depicted in Seuss book. Seuss never
stated that the Whos lived extravagantly, only that they were happy that they had
each other. Most of the movie is spent insinuating that rude and inappropriate
behavior is fine as long as it is funny. From a moral perspective, the film failed to
deliver the same meaning that Seuss book did, more so than any other film
interpretations of Seuss work ever has.
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The Loraxwas a cute and animatedly accurate interpretation of the world
that Seuss was trying to create on paper, and although it incorporated characters
and parts of plot that the original story did not include, it stuck to the storyline that
Seuss wrote. But because the ending of the film was an actual ending, not a
cliffhanger like Seuss intended, to inspire children to make environmentally
conscious decisions, the film failed to digitalize Seuss true meaning for the story.
The film interpretation ofHow the Grinch Stole Christmas also was unsuccessful in
portraying Seuss original story ofwarmth and the importance of love for family on
Christmas, instead twisting it into a story of acceptance into society by means of
crude humor and blatant disrespect. Although it is a guaranteed hit in the box office
for a director to pick up a childrens book, especially one as widely known as Seuss,
and transform it into a full-length film, sticking to the storyline has been proven
difficult for the directors who have tried so far. Directors want to put their own spin
and style on the film, and this makes it hard for them not to stray from the original
and simple message Seuss intended, proving that the film interpretation of
childhood stories are almost never as valuable an experience.