changing practices of artistic production and consumption

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Changing Practices of Artistic Production and Consumption CCCH9017 People, Propaganda and Profit: Understanding Media in China Ling-Yun Tang, Dept. of Sociology, HKU November 17, 2010

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Changing Practices of Artistic Production and Consumption. CCCH9017 People, Propaganda and Profit: Understanding Media in China. Ling-Yun Tang, Dept. of Sociology, HKU November 17, 2010. Objectives. Does Mao still matter? Artistic production and consumption Concluding thoughts. - PowerPoint PPT Presentation

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Page 1: Changing Practices of Artistic Production and Consumption

Changing Practices of Artistic Production and Consumption

CCCH9017

People, Propaganda and Profit: Understanding Media in China

Ling-Yun Tang, Dept. of Sociology, HKU

November 17, 2010

Page 2: Changing Practices of Artistic Production and Consumption

Objectives

• Does Mao still matter?

• Artistic production and consumption

• Concluding thoughts

Page 3: Changing Practices of Artistic Production and Consumption

Does Mao still matter?

Page 4: Changing Practices of Artistic Production and Consumption

Revolutionary fervor

• “Great Teacher, Great Leader, Great Commander, Great Helmsman”

• Center of “pre-digital” mass media

• Paraphernalia

Page 5: Changing Practices of Artistic Production and Consumption

Mao badges:“Red, shiny, bright”

• Began circulating in 1930s-40s

• = loyalty to Mao and revolutionary cause

• 5 billion produced 1966-71

• See: http://libraries.claremont.edu/sc/exhibits/mao/maofever.htm

Page 6: Changing Practices of Artistic Production and Consumption

Revolutionary songs

• http://www.wellesley.edu/Polisci/wj/China/CRSongs/crsongs.htm

Page 7: Changing Practices of Artistic Production and Consumption

“Mao fever” in 1990s

• After temporary ‘cooling off’ period in 1980s, popular revival of Maoism after 1989

• Re-emergence of paraphernalia

• Positive feelings associated with Mao

• Nostalgia or defamation?

Page 8: Changing Practices of Artistic Production and Consumption

The East is Red, pop version (1990)

• http://www.sino.uni-heidelberg.de/conf/propaganda/musik.html

Page 9: Changing Practices of Artistic Production and Consumption

Egg on Mao

• Fear of defaming Mao not limited to China

• Linkages between China and rest of the world through– Internet– Business

Page 10: Changing Practices of Artistic Production and Consumption

Artistic interpretations of Mao

Zhang Hongtu, The Last Banquet, 1989

Page 11: Changing Practices of Artistic Production and Consumption

Zhang Hongtu, Bilingual Chart of Acupuncture Points and Meridians (Front and Back), 1990

Page 12: Changing Practices of Artistic Production and Consumption

Censorship that sells?

Huang Rui, Chairman Mao10,000 Years, 2006; the red curtain

Page 13: Changing Practices of Artistic Production and Consumption

Gao Qiang, 2006

Page 14: Changing Practices of Artistic Production and Consumption

Weakening state control?

• Technology

• Administration

• Property rights

• Consumer rights

• Yet persistence of repercussions…

Page 15: Changing Practices of Artistic Production and Consumption

Official media policy

• Citizens must defend “the security, honor, and interests of the motherland”

• GAPP and SARFT (under CPD)– no explicit mention of art

• Art, like media, is challenge to state control

Page 16: Changing Practices of Artistic Production and Consumption

Art goes mainstream

Page 17: Changing Practices of Artistic Production and Consumption

From cultural propaganda to culture industries

• State agenda to spur economic growth

• 1949-79: art as tool of state

• 2000s: art as investment

• Culture as means to an end

Page 18: Changing Practices of Artistic Production and Consumption

Art in the global market

• New opportunities abroad and at home• Politics moves to background • From “officialdom” to “semi-officialdom”

– Showing in malls, bars, factories, streets– Galleries, auctions

• Using media to promote individual careers

Page 19: Changing Practices of Artistic Production and Consumption

The global reach of art

• Artzinechina.com (Shanghai)• Artnet.com (Berlin)• Saatchionline.com (London)• Art Asia Pacific (New York)• Yishu (Vancouver)• Orientations (Hong Kong)• Contemporary Art and Investment (Beijing)

Page 20: Changing Practices of Artistic Production and Consumption

Consumer revolution

• Chinese bubble bursting January 2009 France24:

• http://www.youtube.com/watch?v=jFigXCxdM4o&feature=related

• Christie’s predicting upswing April 2010 Reuters:

• http://www.youtube.com/watch?v=Q1oTKbtP0gA

Page 21: Changing Practices of Artistic Production and Consumption

Concluding thoughts

• Maoism still central to ruling ideology…

• Pop cultural and artistic trends chipping away at message