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CELEBRITY STATUS by Luke Bradshaw Philm Array Productions© WGA# 1694418

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TRANSCRIPT

CELEBRITY STATUS

by

Luke Bradshaw

Philm Array Productions© WGA# 1694418

FADE IN:

INT. LAUNDROMAT - NIGHT1 1

The spin cycle of a washer twirls the wet clothes round and round.

An ELDERLY WOMAN (65) sits in a chair next to the machine, reading a magazine. A cigarette dangles in her mouth.

The front door opens with a CHIME. A young girl, MANDY POKE (20) enters the laundromat frustrated and tired. Her hair is loosely pulled back in a ponytail. She has a laundry bag under her arm full of dirty clothes.

She makes her way to the back with the washers. She sets down the bag and opens one of the washers near the elderly woman. They make eye contact.

ELDERLY WOMANI always stay close to the machine. You never know what kind of freaks are running around.

Mandy smiles politely as she starts to load the machine. She looks to the coin slot.

MANDYThree dollars?! You’re kidding me.

ELDERLY WOMANYou don’t need to tell me that.

Mandy looks at the change in her pocket.

ELDERLY WOMAN What do you got?

MANDYFive. I won’t be able to dry them and I still need money for the bus.

ELDERLY WOMAN Here. I can scrape together something.

The elderly woman opens her purse and counts out some quarters.

MANDYI can’t.

The elderly woman hands her the quarters.

ELDERLY WOMANTake it. It’s fine. You don’t come to the laundromat very much do you?

Mandy reluctantly takes the money.

MANDYThanks. No, this is my first time. I just moved to the city.

Mandy pushes the coins into the slot.

The elderly woman looks up and smiles.

ELDERLY WOMANWelcome. From the looks of it you’re going to need some of this.

She holds up a laundry detergent bottle.

CUT TO:

EXT. CITY STREET - NIGHT2 2

Mandy exits the all-night laundromat and heads down the block.

INT. CAFE - NIGHT3 3

Mandy sits at a table with a newspaper in front of her. She looks at the Help Wanted ads. A MALE BARISTA approaches.

BARISTAYou sure you don’t want anything?

MANDYNo, thanks.

BARISTAIt’s kind of house rules that if you don’t purchase anything you can’t really loiter.

MANDYOf course. Sorry.

The barista looks down at the newspaper in Mandy’s hands. She nods and hands it back to him.

2.

INT. LAUNDROMAT - NIGHT4 4

Mandy fills her bag with the clothes from the dryer. She looks over to the chair where the old lady was sitting. It’s empty. Mandy doesn’t give it much thought and continues.

INT. APARTMENT - NIGHT5 5

The front door opens. Mandy’s silhouette stands in the doorway with the laundry bag. She flicks on the lights to reveal a pretty drab apartment. Not much furniture.

INT. APARTMENT - BEDROOM - NIGHT6 6

Mandy flicks the lights on in the bedroom and drops the bag of clothes on the floor.

She collapses on the bed.

CUT TO:

INT. APARTMENT - BATHROOM - DAY7 7

We’re on a mirror. It’s covered in steam. We hear the shower TURN OFF. A few seconds later a hand comes in and wipes away the steam, revealing Mandy with a towel wrapped around her. She’s still very pretty without make-up.

She picks up a brush and starts brushing her hair.

She stares back at herself.

MANDYExcuse me, are you talking to me?

(robert deniro-esque)No wait, are you... talking to me? I don’t see anybody else here, so you must be talking to me. Are you talking to me?

She quickly aims the brush at the mirror like a gun, laughing hysterically.

INT. CASTING AUDITIONS - WAITING ROOM - DAY8 8

Mandy sits in a chair, chewing gum rapidly. She holds a head shot of herself. She wears a cute dress. There’s a few other equally pretty girls in the room.

A door opens and a CASTING AGENT sticks his head out.

3.

CASTING AGENTMandy Poke?

Mandy quickly looks his direction and takes the gum out, sticking it onto the back of her head shot without thinking.

MANDYUh huh.

INT. CASTING AUDITION - AUDITION ROOM - DAY9 9

Mandy reads lines with the Casting Agent.

MANDYOh my god, it’s gaining on us!

CASTING AGENTIf we don’t get back to the lab with these samples, there’s no chance we can save the population.

MANDYI have an idea. We can lead it to that sodium chloride factory over there.

CASTING AGENTSodium chloride?

MANDYYeah, sodium chloride is salt. It’s a giant slug, it should be killed by it.

CASTING AGENTIt’s worth a try.

Both actors break from the scene. Mandy looks off camera.

REVERSE

Three people, sitting at a table turn to look at each other. The Casting Agent looks back.

CASTING AGENTWe’ll call you.

INT. DIFFERENT CASTING AUDITION - AUDITION ROOM - DAY10 10

Mandy enters the frame, holding an imaginary coffee pot. She walks seductively.

4.

Mandy turns and looks just off camera.

MANDYWould you like a banana split with that?

Back on a table with some new people.

CASTING DIRECTORWe’ll call you.

Mandy nervously smiles and nods.

INT. CASTING OFFICE - DAY11 11

Mandy marches through the offices, angrily in her dress.

MANDYWe’ll call you. We’ll call you? We’ll call you!

Mandy reaches the elevator and presses the button, repeatedly.

MANDYWhat kind of crap is this stuff?

She sticks her hip out and poses seductively just as the elevator doors open.

MANDYWould you like a banana split with that?

Mandy quickly chokes back her words when she sees a CUTE GUY (25) on the other side of the elevator doors. He smiles.

CUTE GUYSure, I’d love one.

Mandy huffs and steps into the elevator as the cute guy steps out. Mandy presses the close button. The cute guy quickly puts his hand up to stop the door from closing.

CUTE GUYI’m sorry, I thought you were offering.

MANDYWhat? Oh no, it was a line for this stupid audition I just did. Can you let go of the door?

5.

CUTE GUYDid you get it?

She’s annoyed.

MANDYThey said they’d call me. Why does it matter?

CUTE GUYI’m just curious because judging by your emotional state it didn’t go so well.

MANDYYou try delivering a line like that in a tight dress and we’ll see how convincingly you pull it off.

The cute guy laughs and reaches out his left hand.

CUTE GUYI’m Marcus.

Mandy stares at him.

MANDYIf I tell you my name will you let the doors close?

Marcus looks down at his hand. Mandy reaches out and shakes it.

MANDYMandy. Look, I’m in a hurry. I have another audition I have to get to.

MARCUS(cool)

Blow it off.

Mandy lets go of his hand.

MANDYBlow it off? Are you crazy? That’s what I’m here to do. Act.

MARCUSIf what you call back there was acting, then I’ll save you the trouble, you need to look for another day job.

6.

MANDYI wasn’t acting. I was fuming. Why am I even talking to you?

Mandy is about to press the alarm button in the elevator.

MARCUSI should know a bit about acting. I’m a filmmaker.

Mandy stops.

MARCUSOne coffee.

INT. COFFEE SHOP - DAY12 12

Marcus sets down two coffees at the table and sits across from Mandy.

MANDYI’m sorry if I was a little rude to you. I just moved to the city and to be honest I’m a little overwhelmed.

MARCUSI see a hundred girls like you everyday, dreaming of becoming a movie star.

MANDYHey, it’s not about becoming a movie star for me. It’s about the acting. You know, getting lost in somebody else’s life and exploring how deep the inner recesses of the human mind can go.

Marcus blows on his coffee.

MARCUSSo what was your next audition for?

MANDY(reluctantly)

Soup commercial.

They both burst out laughing.

MANDYI’m serious. If that’s what it takes to get me there, I’ll do it.

7.

MARCUSI can see it now, the E True Hollywood story... Mandy Poke, life of drugs, scandal and murder, all beginning with a soup commercial.

MANDYIt could happen. So what do you make that’s so fancy?

MARCUSDid you ever see Far Away From Home?

MANDYOh my gosh! Yes! I love that movie. It won Sundance!

(beat)Wait, you’re joking me. You’re not Marcus Devita?

Marcus nods.

MARCUSLook at the possibilities when you give someone five minutes of your time.

MANDY(to herself)

I’m having coffee with Marcus Devita.

(beat)But you’re cute. Filmmakers usually aren’t cute.

Marcus laughs.

MANDYFar Away From Home is a piece of art where I’m from. My friends and I, we’ve watched it at least twenty times. That’s partly what inspired me to take this chance. You did that?

MARCUSYeah, when I was twenty two. Wow, I’m honored to have inspired you. Where are you from?

8.

MANDYThe interior. The rest of my family works on my dad’s farm doing the daily chores. I couldn’t do it. I was horrible at it. I came here because I want to show them I’m good at something. I’m a good actor and if I work hard enough then maybe they’ll finally see I’m great at something.

MARCUSI’m sure they already think you’re great.

MANDYYou don’t know my family. You have to do something, make something, create something for them to recognize you. They don’t know what to think about me, but they’d love you, cause you made something and you’re a big director. You’re family must be so proud.

MARCUSI don’t know about big director. As glamorous as it may look we did that on a shoestring budget. I barely got paid anything.

MANDYSo you’re a visionary.

MARCUSI’m a dreamer.

MANDYWell, you’re not the only one.

They both smile at each other. There’s definite flirtation.

EXT. COFFEE SHOP - DUSK13 13

Inside, the coffee shop is closing. Outside, Marcus and Mandy say goodbye.

MANDYIt was very nice meeting you Marcus. It’s good to know there’s at least one person I can trust in this big city.

9.

MARCUSLikewise. So, you have my card. I’ll give you a call sometime to see how the auditions are going.

(beat)I’m working on a new project right now, maybe I can write you in something. Either way I’ll be in touch.

Marcus smiles and heads up the street. Mandy unconsciously holds the card to her chest and watches him leave.

INT. APARTMENT - NIGHT14 14

Mandy enters the apartment. She sets Marcus’ business card on the counter. She grabs her cell and thinks twice about calling him. She sets it back down.

INT. APARTMENT - BEDROOM - NIGHT15 15

Mandy smiles as she sorts through her clothes on the bed. She folds up a pair of jeans. Suddenly she notices something and pushes through the clothes. She holds up one Christmas laden sock and rifles through some more.

MANDYNot my lucky socks. Ugh!

INT. RESTAURANT - DAY16 16

Dolly to reveal Mandy sitting at a table opposite the RESTAURANT MANAGER. She’s much more dolled up in a simple skirt suit.

RESTAURANT MANAGER (O.S.)I’m sorry we’re just not hiring right now.

Mandy tries to smile and nods.

INT. OFFICE - DAY17 17

Mandy sits across from a BUSINESS EXECUTIVE at his desk.

BUSINESS EXECUTIVEI have to be honest, you don’t have much of the experience we need here on your resume.

10.

MANDYI can get coffee for you and things like that. I’d be a good assistant.

BUSINESS EXECUTIVEYou got moxy that’s for sure, but I’ll have to say no. Take some more classes. Get an education then come see me.

INT. VETERINARIAN CLINIC - DAY18 18

Mandy waits as a VET NURSE looks over Mandy’s resume. The nurse looks up.

VET NURSEHave you bathed an animal before?

Mandy smiles, trying to conceal a grossed out look.

EXT. VETERINARIAN CLINIC - DAY19 19

Mandy exits, and runs her hands through her hair in frustration. She takes her pen and scratches another job off the paper.

She chucks it in the garbage.

INT. APARTMENT - DAY20 20

Mandy sits in a chair. She has her cell to her ear.

MANDY(in phone)

So no call backs? Not for any of the auditions? Okay, thanks.

(beat)You know this is really hard--

(beat)Hello? Hello?

Mandy sets the phone down on the coffee table. Next to it is Marcus’ business card. She hugs her legs to her chest and rocks back and forth.

Finally, she gives in and grabs the card and cell off the table, but can’t bring herself to dial. She sets the card back on the table when suddenly her phone RINGS. It startles her.

11.

INSERT CALL DISPLAY

On phone it reads: MARCUS DEVITA--

BACK TO SCENE

Mandy is excited, but calms herself down and answers.

MANDYHello? Oh hi, yeah Marcus of course I remember you. Good. Good. Just job hunting. Yup, still auditioning. It’s going great, I might have a few gigs lined up. Ummm dinner? Tonight?

Mandy looks at the clock on the counter. She’s smiling.

MANDYI think I might be able to make that happen. What the heck, a quick bite right? Sounds good. Okay see you then. Bye.

Mandy jumps up from the chair and does a little jig.

MANDY(stops dancing)

What to wear?

EXT. STREET - NIGHT21 21

Mandy stands on the corner of the street. She looks amazing in a cute outfit with a skirt. She checks her cell for the time again. She seems frustrated.

We see a pair of hands enter the frame behind her. They quickly grab onto her shoulders. She jumps and screams. Marcus laughs behind her.

MARCUSDid I scare ya?

MANDYYes.

MARCUSSorry, I like to shock people.

MANDYI can see that. You’re late.

12.

MARCUS(looks at watch)

Only fifteen minutes. Come on, I’ll make it up to you. You’ll love this place. My treat.

Mandy relaxes and smiles.

INT. MEXICAN RESTAURANT - NIGHT22 22

The restaurant is dark and moodly lit. A few other couples eat at various tables around Mandy and Marcus. They’ve both gotten very comfortable.

MANDYSo, I just told my parents, “I’m old enough to decide for myself what I want to do with my life.” And I packed my bags and headed out here.

MARCUSThat’s impressive. I grew up here so I’ve never really had to take a leap like that yet. It’s hard enough when you live here.

(beat)You look great by the way.

MANDYThank you, just some stuff I threw together.

MARCUSYou gotta try the enchiladas. Magnifico!

MANDYI think that’s Italian.

The WAITER comes over to the table.

WAITER¿Qué le gusta comer esta noche?

MARCUSNos gustaría que dos de sus enchiladas.

WAITERMuy bien excellente.

The waiter takes the menus.

13.

MANDYYou speak spanish?

MARCUS(laughs)

Un poquito.

There’s an awkward silence.

MARCUSYou know I thought about you a lot since I last saw you.

MANDYIt’s only been a day. Not even.

MARCUSCome on, you weren’t thinking of me?

MANDYOkay, yes I was thinking a lot about you too. I’m glad you called. It can be pretty lonely when you don’t know anyone.

MARCUSI’m glad I can make you feel less lonely.

MANDYSo what was it that you needed to talk with me about?

MARCUSOh yeah, that’s right. Well remember when I said I had a new project on the go.

Marcus picks up his bag and reaches inside. He pulls out a thick script and sets it on the table. Mandy looks down at the title page. It reads “A Night To Remember”.

MARCUSIt’s going to be my next film. We already have the financing in place and plan to go to camera in two weeks. Anyway, I was considering you for the lead.

Mandy has picked up the script and is flipping through the pages.

14.

MANDYThe lead? Me?

MARCUSYou really impressed me, and last night I just sat down at my computer and re-wrote the whole script to fit you.

MANDYThis coming from the guy who said I should find another day job.

MARCUSThat was before I got to know you a bit better. Anyway, it’s up to you. I had a bunch of other actresses in mind to play the lead, but they just couldn’t live up to the part.

(beat)There’s no rush. Take it home, read it, and if you don’t like it, I’ll let you go back to your other promising prospects.

MANDYI’d be lying if I said I wasn’t flattered. To be honest, a lot flattered. No one’s ever done anything like this for me. But I have to say it’s all very sudden, I don’t know if I’d be ready for something--

MARCUSIt would be paid too, so that’s just an added incentive. Look, I’d be really happy if you’d take the part. I can’t really see it being played by anyone else... now that I’ve met you.

MANDYOkay, I’ll read it tonight and let you know.

MARCUSGreat. I’ll be around.

Marcus takes a drink of his water. Mandy loosely flips through the pages.

15.

INT. APARTMENT - NIGHT23 23

The apartment door OPENS and CLOSES. Mandy comes around the corner, arms wrapped around the script. She exhales as she leans against the wall.

Mandy sets the script on a side table. She picks up the tv remote and turns on the tv. A commercial pops on.

Mandy heads into the kitchen. We hear the fridge door open and close.

ON TV

The commercial flips back to a news program. An ANCHORMAN appears.

ANCHORMANPolice are still on the search for missing sixty three year old Annabeth McKenzie, last seen roughly four days ago, Monday.

BACK TO SCENE

Mandy comes back into the living room with a glass which she fills with milk. She watches the tv with interest.

ANCHORMAN (O.S.)Family say they became worried when two days ago Annabeth did not make her usual phone call to check in with her grandkids. Since then there’s been no indication she’s been to her home. If you have any information on her whereabouts, or were the last one to have seen her, please contact 1-800-323-TIPS. This is a recent photo.

ON TV

Next to the anchor-man appears a family photo. It is the ELDERLY WOMAN who was at the laundromat with Mandy.

FLASHBACK TO:

Mandy sets down her bag and opens one of the washers near the elderly woman. They make eye contact.

16.

ELDERLY WOMANI always stay close to the machine. You never know what kind of freaks are running around.

BACK TO SCENE

Mandy is shocked to see her picture. She spills a bit of the milk.

MANDYShit!

INT. APARTMENT - BEDROOM - NIGHT24 24

Mandy paces back and forth in the bedroom. She is on her cell.

MANDYYes, hello my name is Mandy Poke, I’m calling in regards to the missing elderly woman reported on the news tonight.

(beat)Well, I saw her about two days ago at the Flower and Suds laundromat.

(beat)She was watching my clothes, but when I came back she was gone. I’d just assumed she had to leave. This was around midnight.

(beat)You’re welcome. This has me really freaked out.

(beat)Okay. Yes, you can contact me if you need any other information. Thanks. Bye.

Mandy hangs up the phone.

She turns out the lights and shuts the bedroom door.

Mandy lies down on the bed, still in her clothes. The shadows of her window shades slash across her face.

INT. APARTMENT - NIGHT25 25

The script still sits where Mandy left it from before. The title page: A Night To Remember.

17.

INT. FAST FOOD RESTAURANT - DAY26 26

Mandy sits in a booth, eating french fries and reading Marcus’ script. She’s enjoying it. She reaches for another french fry and dips it in a lot of ketchup, without raising her eyes. As she brings it to her mouth the glob of ketchup falls onto the script.

MANDYDamnit!

She grabs one of the napkins and tries to wipe it off, but it leaves a big red circle.

As she looks up, she catches a STRANGE MAN looking at her from another table. She tries to blow it off, but when she looks back he’s still staring at her.

He gives her the creepy vibe. She casually closes the script and begins to pack up her things. She makes her way to the exit and rushes out. After a beat, he gets up and heads toward the exit as well.

EXT. STREET - OUTSIDE FAST FOOD JOINT - DAY27 27

Mandy shuffles down the street, clutching the script. She looks over her shoulder every now and then. When she sees the strange man exit after her, she picks up the pace. She’s scared.

Suddenly she reaches a shop, and CRASHES into someone. She drops the script. A hand reaches down to pick it up.

It’s Marcus.

MANDYMarcus?! What are... There’s this guy and I think he’s following me.

MARCUSReally? Oh shit, yeah there he is. I see him.

The strange man in the distance begins to pick up pace and starts to run after Mandy.

STRANGE MANHey! Stop!

Marcus grabs her hand.

MARCUSCome on.

18.

The two of them hustle as fast as they can down the street. The strange man tries to give chase, but they’re too fast.

When he rounds the corner, they’re gone.

EXT. ALLEY - DAY28 28

Mandy and Marcus catch their breath. Marcus rests his hand against the wall. He’s still holding onto the script.

MARCUSWhat was that about?

MANDYI don’t know. I was in the restaurant, just eating and this guy kept staring at me. Then when I get up to leave, he followed.

MARCUSWhat a creep.

MANDYYeah. I don’t know. What are you doing here?

MARCUSI was at the stationary store, picking up some more brads for the scripts we have to print. He really got you startled.

MANDYYeah, I’m just really paranoid right now. Something got me shook up last night.

Marcus laughs.

MARCUSI hope it wasn’t my writing. This is supposed to be a romance.

Mandy laughs too.

MANDYNo, not that. In fact I didn’t even get a chance to read it yet. I got a few pages in when that weirdo freaked me out.

19.

MARCUSI thought you said you were going to read it last night?

MANDYI was, but like I said I was shook up over something.

Marcus leafs through the script. He sees the huge ketchup stain on page five and shows it to her.

Mandy laughs.

MANDYI know, what can I say, I like my ketchup.

Marcus isn’t laughing.

MARCUSI thought you were going to take this seriously. I thought you’d be a professional about this.

MANDYI am, geez Marcus, I’m sorry, I didn’t mean for that to happen. It was an accident.

MARCUSNo! There’s no accidents! I spent three years of my life, crafting and shaping this story into what it is. My blood, sweat and tears went into writing this, and you can’t even get past page five without spilling ketchup on it. You gave me your word.

Mandy is hurt.

MANDYMarcus, I said I’m sorry. I’ll take this seriously.

MARCUSYou know what, maybe my instincts were wrong about you. Maybe I made a mistake. You couldn’t be the actress for this film.

(beat)Here, I’ll leave this where it belongs.

20.

Marcus drops his script into a nearby dumpster and walks past Mandy who starts to cry.

MANDYMarcus, please.

EXT. STREET - NEAR ALLEY - DAY29 29

Marcus walks up the street, furious.

CUT BACK TO:

EXT. ALLEY - DAY30 30

Mandy is slouched against the wall crying. She wipes her eyes and pulls herself together. Mandy moves over to the dumpster and steps onto a crate. She leans in over the dumpster to try and reach the script, but she can’t, so she eventually has to climb into the garbage.

INT. APARTMENT - NIGHT31 31

Mandy has the apartment dimly lit with candles. She reads the script which has all kinds of stains on it. She’s on the last page. After a moment she lets it close.

MANDYWow.

INT. APARTMENT - BEDROOM - NIGHT32 32

Mandy is in bed. She tosses and turns. She rolls over to look at her cell on the night-stand near the bed. Nothing.

INT. RESTAURANT - KITCHEN - DAY33 33

Mandy stands in a restaurant kitchen. She wears a half-apron. The Restaurant Manager stands in front of her.

RESTAURANT MANAGERI’m giving you this job because you begged me to. Think of this as a trial period to prove to me you’re worth the eight seventy five.

MANDYThank you, this means a lot to me. I’m really in need of the work and I promise I’m a quick learner.

21.

He hands her a note-pad and pen.

RESTAURANT MANAGERHere’s your pad. Our special today is grilled salmon with a malaise of caramel, fresh risotto with a side of sauteed asparagus. You got that?

MANDYSalmon, caramel, asparagus. Yup, I think I got it.

He looks at her.

RESTAURANT MANAGERMaybe you should write that down, sweetheart.

INT. RESTAURANT - DAY34 34

Mandy walks by the tables with a tray in her hand. She’s trying hard to balance the plates and glasses on it. It’s difficult to watch.

She reaches a table with two OLDER MEN in business suits.

MANDYOkay, prime rib with a baked potato?

One of the men raises his hand.

BUSINESS MANYou need a hand with that, darling?

They both laugh. Mandy is not amused. She sets down the plates.

MANDYAnd two beers right?

BUSINESS MAN That’s right. But there’s a problem here. I ordered this rare.

He shows her the meat which is clearly overcooked.

BUSINESS MANThis isn’t rare. I like my meat like I like my women, fresh and pink.

22.

MANDYRare, okay. Sure, I’ll have them start another one.

BUSINESS MAN #2Also, this isn’t Guiness. These aren’t the beers we ordered.

MANDYYou said two beers right?

BUSINESS MAN #2Yeah, but there’s lots of different types of beers. Weren’t you listening?

MANDYGot it. Guiness. Two Guinesses coming up.

BUSINESS MANMine was a Stella. Oh, and when you bring them back can you back your way up, it’s easier to look at?

They both laugh. Mandy fights not to say something and instead just smiles.

INT. APARTMENT - BATHROOM - NIGHT35 35

Mandy soaks in a bubble bath. She looks at Marcus’ script in her hand. She looks down at the bottom left hand corner.

INSERT SCRIPT

It reads: 12-313 East 41st St.

BACK TO SCENE

Mandy slowly slips under the bubbles.

EXT. APARTMENT BUILDING - NIGHT36 36

Mandy wears an oversized sweatshirt and jeans with her wet hair back in a ponytail. She walks up to the building and paces back and forth.

She walks over to the buzzer list and scrolls down to see: M. DEVITA. She is about to press it, but then chickens out and starts to walk away.

23.

She walks back into frame right up to the buzzer and just PRESSES it. It starts to click.

MARCUS (O.S.)Hello?

MANDYMarcus, hi it’s Mandy.

MARCUS (O.S.)Mandy?

MANDYYes, just listen to me for a moment.

(beat)I never meant to hurt you the way I did. It wasn’t always easy for me, growing up in a small town, trying to relate to people. You and I are two people alone in this world looking for someone to hold onto. And if we didn’t find each other the storm would have swallowed us up. We never would’ve known what could’ve been. But now we do. I’m not afraid anymore. I want you to hold onto me.

There’s a long pause. Mandy waits eagerly.

MARCUS (O.S.)You read it.

MANDYYes, I’m serious about this role. I’m meant to play this part.

No response. Mandy is dying. Then the door CLICKS and BUZZES. Mandy is allowed in.

INT. MARCUS’ APARTMENT BUILDING - HALLWAY - NIGHT37 37

We’re over the shoulder of Mandy on apartment twelve. The door OPENS with Marcus behind it. He smiles.

MARCUSCome in.

24.

INT. MARCUS’ APARTMENT - NIGHT38 38

Mandy sits on his sofa. She looks around the room. It’s covered with all kinds of old movie posters. He also has an impressive DVD collection with all the greats like Citizen Kane, The Godfather, Scarface, Taxi Driver etc.

MANDYI love your taste in movies.

Marcus comes around the corner from the kitchen. He holds two wine glasses.

MARCUSThanks. Wine?

MANDYSure.

Marcus hands her a glass. Marcus pours some into her glass as he talks.

MARCUS(re: movie collection)

I like to think of myself as the last true cinematic perfectionist. What you see on that shelf is the end of an era, like the Renaissance period with Michelangelo, Boticelli, Caravaggio, and Vasari.

(beat)And the sad thing is it all happened before my lifetime. I feel so left behind, having to grow up in an era of commercialism and crap. There’s no more great cinematic art being made.

Mandy sips her wine. She’s amused by him.

MANDYSo you’re going to change that?

MARCUSI can certainly try. If it’s not perfect what’s the point?

MANDYI love the script. It’s so dramatic, and I’m starting to see why.

Marcus sits down in a chair across from her. He laughs.

25.

MARCUSI can be intense, I know. And I’m warning you now, that’s how I’ll be when we’re shooting this. Are you ready for that?

MANDYI think so. All I know is that the character you wrote, she’s so real and just comes to life on the page. I can identify with her so much.

MARCUSYou should, she’s you.

MANDYBut how can that be? I mean you have one cup of coffee with me, and you’re able to capture every thought, feeling and emotion I have about life in a script?

MARCUSPerfectionist.

(beat)That’s good acting. When a person isn’t even acting. They’re being themselves while the cameras are rolling. It’s my job to capture that.

MANDYSo what? You’re saying that Robert Deniro was Travis Bickels?

MARCUSI’m not saying that he was a crazy, introverted taxi driver, who wanted to blast some mafia guys to protect a child prostitute, but yeah I’m sure that inside of him there was a person fed up with the social ills of society, and he wanted to do something about it. He just took himself to another extreme. That’s the next step for acting. It’s like putting yourself on a tight-rope. I wouldn’t do that to you the first time.

Mandy gulps her whine.

26.

MANDYGee, thanks. What if I don’t live up to your standards? You have me all intimidated now. You remember you’re talking to the girl who was getting soup commercial auditions.

MARCUSWell, then leave that in my hands. If I fail, I might just have to get rid of you.

Mandy laughs and drinks the last of her wine. Marcus doesn’t laugh. Mandy gives him a look. Then he bursts out laughing.

MARCUSI’m kidding. I won’t fail.

INT. MARCUS’ APARTMENT BUILDING - HALLWAY - NIGHT39 39

Mandy stands outside Marcus’ place.

MARCUSGet ready for A Night To Remember. We start wardrobe fittings tomorrow. Goodnight Mandy.

Marcus shuts the door.

MANDYNight.

INT. APARTMENT - NIGHT40 40

The lights are out. There are loud KNOCKS at the door. The lights switch on as a sleepy Mandy makes her way to the door. She opens it.

TWO DETECTIVES stand on the other side. DET. BREWER (35) and DET. SCOTT (40). Mandy is shocked to see them.

DET. SCOTTMs. Poke, I know it’s a little late, I’m Homicide Detective Scott and this is Detective Brewer.

MANDYHomicide?

27.

DET. SCOTTWe’re working the case of Annabeth McKenzie, and we were forwarded your information regarding a tip you called in--

MANDYWait. What? She was murdered?

The two men look at each other.

DET. SCOTTYes.

INT. APARTMENT - LIVING ROOM - NIGHT41 41

Since Mandy is lacking in furniture she sits in the only chair available while the two men stand.

MANDYI saw her at the laundromat, and then I went to sit in a coffee shop and read the newspaper. When I came back she was gone. I thought she’d left.

DET. SCOTTAll her clothes were still in the machines. We did a search of the area, and in a nearby field, in some bushes her body was found.

Mandy covers her mouth.

DET. SCOTTThere wasn’t much evidence, other than signs of a struggle. She tried to put up a fight. With these types of cases the first 48 hours are crucial and we’ve already passed that window. We’ve questioned family and friends and they say there was no motive for anyone to kill her. So please, if you could help us with anything else you may know.

MANDYI’m sick.

Mandy gets up and starts pacing, holding her stomach.

28.

MANDYNo, I don’t have any other information than that. Who would want to kill an old lady? That could’ve been me. I was only gone for an hour and a half.

DET. SCOTTWell, it wasn’t you, thankfully. If anything strange or important stands out to you, please give us a call. Here’s my card.

Det. Scott hands over his card to her.

MANDYThere was this creepy guy who chased me down the street the other day.

DET. SCOTTDid he say anything to you?

MANDYNo. I ran away.

DET. SCOTTWell, unfortunately, unless he made some remarks to you, or attempted to hurt you we can’t go assuming anything. Just give yourself some time, you might remember some things a few days later. And if you’re worried for any reason, please don’t hesitate. Sorry for waking you.

Det. Scott and Det. Brewer show themselves out. Mandy holds onto the card.

INT. WARDROBE FITTING ROOM - DAY42 42

Mandy stands in the middle of the room on a small platform. She looks nervous. A COSTUME DESIGNER (24) pins up a skirt at her knees.

Marcus enters the room. When he sees her he claps his hands.

MARCUSThere she is! Look at you, my star.

MANDYWhat do you think? Do you like it?

29.

MARCUSI think you look beautiful. You’re making my job that much easier.

Marcus approaches her. Mandy relaxes a lot when she sees him.

MANDYI’m so nervous.

MARCUSMe too.

He takes her hands in his.

MARCUSWe’re in this together.

Mandy smiles. Marcus looks down at the costume designer.

MARCUSBarbara, I just had an idea, why don’t we raise that a little.

The costume designer looks up at Marcus, then to Mandy. She starts to pin up the skirt so it’s quite a bit above the knees.

MARCUS(seductively)

A little more.

She continues slowly raising it higher and higher, until Mandy breaks hands with him and pulls it down more.

MANDYI think lower is better Marcus. I just don’t think she would wear skirts that high.

MARCUSOkay, okay sorry. Yeah if you feel that way about your character trust your intuition.

(beat)Come on lets finish this up. We meet with the producers in half an hour.

Marcus leaves Mandy with the costume designer. The costume designer gives Mandy a look.

30.

INT. PRODUCTION BOARDROOM - DAY43 43

Mandy walks down the hallway toward the boardroom. She can hear LAUGHTER around the corner. She enters to reveal three guys sitting at a table with Marcus. They’re the producers, LIONEL METCALF (29), RANDY HILSON (32) and JAMES DURBY (32).

Mandy stands at the end of the table.

MARCUSWell?

RANDYYou’ve done it again Devita. You picked another winner. She looks fantastic.

(beat)Sorry, Mandy please sit.

Mandy sits at the table. Each person has a water bottle in front of them.

MANDYHi, it’s nice to meet all of you. I’m Mandy Poke.

MARCUSMandy, this is Lionel Metcalf, Randy Hilson, and James Durby. They’re our financiers for the film. These are the guys I had to convince you were worth the wait.

MANDYWait?

RANDYYeah, Marcus has had us on pins and needles telling us we couldn’t go into production until he could find the right actress to play the lead. Now, it’s a done deal.

LIONELAnd thank goodness, you can onlyhold a production so many times.

(to Marcus)So you’re sure this time?

MARCUSYup, with every bone in my body.

31.

LIONELGreat. I’ll call the bank, have them start transferring the money. Excuse me.

As Lionel gets up to leave, a production assistant enters.

PRODUCTION ASSISTANTMarcus, you have a call on line two. You can take it out here if you like.

MARCUSSure, I’ll be right back Mandy.

Marcus gets up and leaves, following out Lionel, leaving Mandy with Randy and James.

JAMESSo Mandy, where do you hail from?

MANDY(distracted)

Umm, the interior, I came out here to pursue acting. Actually I haven’t even been here that long. It was funny how I met Marcus.

JAMESYeah, he told us all about it. How you showed up at the audition fifteen minutes late, because you’d missed your bus, but you begged him to hear you out and ended up completely wowing him. From everything he says about you, you’re the next Meryl Streep.

MANDYUm... is that what he said, oh yeah. Funny eh?

Randy turns to James.

RANDYAlright, we can finally get this thing underway.

MANDYWhat’s been the hold up?

Randy and James look at each other somber.

32.

RANDYMarcus didn’t tell you?

Mandy shakes her head.

JAMESOur last lead actress was killed.

Mandy chokes back emotion. Marcus and Lionel enter the room. Marcus places a hand on Mandy’s shoulder.

MARCUS(to Lionel)

So, we all good?

LIONELYup. It’s a go.

CUT TO:

INT. PRODUCTION BUILDING - HALLWAY - DAY44 44

Outside the woman’s washroom Marcus paces back and forth.

MARCUSMandy, I’m sorry please come out and talk to me. Let me explain myself. Don’t be upset.

The bathroom door opens. Mandy’s mouth is covered with water droplets and she dabs a paper towel against her mouth to dry it.

MANDYDon’t be upset? Marcus, that’s a pretty big detail to leave out before someone starts a movie!

(beat)This is all so overwhelming.

Mandy starts to cry. Marcus gently pulls her in.

MARCUSShhh, please don’t cry. I know this is a lot. I’d ask them to push the date another week, but we’ve already had so many hold ups, we just have to go forward.

MANDYA girl was killed?

33.

MARCUSYes, her name was Britney Hansen. It was a hit and run. We were a week into production and on the weekend she’d gone out. She was walking across the street when she was struck by a car. It’s tragic I know. No one came forward and there were no witnesses, so the police weren’t able to catch the sick maniac. There was no easy way to tell you.

Mandy pushes away from him.

MANDYAnd you lied!

MARCUSI lied?

MANDYYes, you lied about how we met.

Mandy starts to walk away.

MARCUSThat? How’s it going to look to the men who are sinking a million dollars into my movie that I met their next big star in the elevator?

Mandy stops.

MARCUSIt was what they wanted to hear. I’m as overwhelmed as you are. This is way more difficult than Far Away From Home and I only have one chance to get this right. If this movie fails then I won’t get another shot at my career. I can’t take any chances.

MANDYYou’re taking one with me.

MARCUSAnd that’s the only chance I’m willing to take.

(beat)Are you with me?

34.

Mandy resists. Marcus looks into her eyes. He smiles.

MANDY(hesitantly)

Yes, I’m with you.

INT. APARTMENT - DAY45 45

Mandy enters the apartment. She tosses her keys onto the kitchen counter. She looks down and sees a few pieces of mail. She picks them up and heads into the kitchen.

Mandy opens the fridge.

MANDYYuck.

REVEAL FRIDGE

Inside the fridge it’s empty except for a few condiments and a moldy, half-eaten sandwich on a plate.

BACK TO SCENE

She shuts the fridge and looks through the mail. It’s all junk except for one envelope which is addressed to Mandy Poke. Curiously, she opens it up and looks inside. It’s a letter with a cheque.

MANDYJust a little taste. Marcus.

Mandy examines the cheque.

MANDYWow. Okay, groceries it is.

EXT. STREET OUTSIDE MANDY’S APARTMENT BUILDING - DAY46 46

Mandy walks down the street, carrying a lot of grocery bags. She’s struggling with the weight. She manages to get her keys out and opens the front door.

INT. MANDY’S APARTMENT BUILDING - HALLWAY - DAY47 47

Mandy SLOSHES down the hallway with the bags in her hands. She reaches her apartment door and stops.

The door is slightly ajar.

35.

As quietly as she can, she sets down the bags, and peaks into the crack.

Suddenly there’s a QUICK BLUR of movement past the door. Mandy jumps. She can hear footsteps inside the apartment and then they’re gone.

Mandy is a nervous wreck.

MANDYHello? Is anyone in there? I’m calling the police.

She shakily takes out Det. Scott’s business card and dials the number on her cell phone.

INT. MANDY’S APARTMENT BUILDING - HALLWAY - LATER48 48

Mandy stands in the hallway with Det. Brewer.

DET. BREWERHe’s just going to check over the place and make sure it’s all clear. And you’re sure you saw someone inside?

MANDYYes, I mean I couldn’t see who, but I definitely saw movement inside.

DET. BREWERWell if anyone is hiding in there, we’ll grab them.

MANDYThanks, I wouldn’t have called unless I thought there was a serious threat.

DET. BREWERNo need to apologize, like Detective Scott said, call us anytime.

The door to Mandy’s apartment opens and Det. Scott steps out. Mandy waits for him to pull someone out with him. Instead he shakes his head.

DET. SCOTTSorry, no one inside. I looked everywhere. No signs of forcible entry and nothing damaged.

36.

Mandy walks to the door and enters the apartment.

INT. APARTMENT - DAY49 49

Mandy looks around the place. It looks the same as it did before.

DET. SCOTTI’d say nothing was stolen, but it’s hard to tell.

MANDYI’m working on getting some more furniture. I’ve only been here a month.

DET. SCOTTI don’t know what to tell you Ms. Poke. Maybe you left the door unlocked when you went out. Maybe it was a practical joke. There’s no evidence here that it was a break-in.

MANDYI saw someone rush past the door.

DET. SCOTTI know, and I believe you. But they’re not here now. If you’re really worried do you have any friends you can stay with for awhile? Anyone who would let you crash on their couch?

MANDYI only know one other person in the city and he’s the director of the movie I’m in.

DET. SCOTTYou’re in a movie? Wow, which one?

MANDYIt’s called A Night To Remember, being directed by Marcus Devita.

That name registers with Det. Scott. Det. Brewer joins him at the door.

MANDYYou’ve heard of it?

37.

DET. SCOTTIt’s a familiar title with us.

DET. BREWERWe’re still investigating the case of the former actress, Britney Hansen.

MANDYI just found out what happened. It’s horrible.

DET. SCOTTIt’s turning into a cold case. No witnesses and no leads. Mandy, you be sure to keep in touch with me okay? Anything that concerns you give me a call. We’re not far away.

MANDYOkay, thank you. That means a lot to me.

DET. BREWERFind a place to stay for the night. It’d make us feel better.

MANDYOkay, bye.

Det. Scott and Det. Brewer leave as Mandy shuts the door. She leans up against it, and immediately locks it.

INT. APARTMENT - BEDROOM - NIGHT50 50

Mandy has a duffle bag on her bed. She tosses clothes into it as she talks on her cell.

MANDYYou sure? You don’t mind if I stay there a few nights?

(beat)I don’t know who it was. The police came by to check. They didn’t find anything.

(beat)Thanks so much Marcus, I’ll be there soon.

Mandy hangs up.

38.

INT. MARCUS’ APARTMENT - NIGHT51 51

Marcus opens the door for Mandy to enter. She sets her bag down. Marcus gives her a big hug.

MARCUSI made us dinner.

Mandy enters into the apartment and sees an elaborate dinner arrangement with candles and a bottle of wine on the table.

MANDYMarcus, you didn’t have to do all this. It’s just enough you’re letting me use your couch until I feel it’s safe to go back.

MARCUSDon’t worry about it. I want you to feel at home while you’re here.

Marcus breaks off from her and heads into the kitchen.

MARCUS (O.S.)I hope you like lamb. Oh, so hey did you get the cheque?

Mandy sets her things down by the couch.

MANDYLamb is fine. Yes, I got the cheque, and ended up buying a whole bunch of groceries which are now sitting in my empty apartment not being eaten.

(beat)By the way how did you know where to send it? I don’t think I ever gave you my address.

Marcus enters back into the living room with a bottle of wine he’s about to crack open.

MARCUSReally? I’m pretty sure you gave it to me.

MANDYNo, I’m pretty sure I didn’t. I’d remember. A girl alone in the big city is careful who she tells that to.

39.

There’s a long silence as Marcus continues to screw the corkscrew into the bottle.

MARCUSOkay, you’re right. You got me. I cheated. You forgot this when you were here last night.

Marcus reaches onto the counter and holds up a bus pass. He flips it over to reveal Mandy’s handwritten address on the back.

MARCUSI’m sorry I was going to give it to you today. Not the most professional way about doing it.

MANDYOh my gosh, I was looking for that. I forgot it here?

Marcus hands it back to her.

MARCUSYup, must’ve slipped out of your sweater when you were on the couch. I found it between the cushions.

Mandy tucks it into her pocket. She studies Marcus.

MANDYYeah, I guess.

MARCUSCome on, let’s eat. I hope you’re hungry.

MANDYStarving.

INT. MARCUS’ APARTMENT - LATER52 52

The mood is very romantic. Marcus refills his wine glass.

MARCUSWhat do you think?

MANDYIt’s so good. I love the sauce you used. This has to be one of my new favorite dishes.

(beat)Marcus?

40.

MARCUSYup.

MANDYI keep wanting to find something wrong with you because you’re too perfect.

MARCUSThat’s just the wine talking.

MANDYI’m serious you’re almost too good to be true. Like you dropped out of the sky and rescued me. You know if you hadn’t come along with this project, I’d be trying to wait tables while struggling to land auditions. Nothing in my life has ever worked out so perfectly. I was always the girl who couldn’t do anything right. My sisters and brother were able to help my dad with the farm, but I was always off “pretending” to work. My dad’d tell me to make myself useful in the house. And even there I’d screw up. I was never good at home.

MARCUSWell, perhaps it’s because now you’re finally home.

Marcus raises his glass.

MANDYI’ll drink to that. Here’s to never changing, for anybody.

Marcus CLINKS his glass with hers. He watches her as she drinks back the wine.

INT. MARCUS’ APARTMENT - NIGHT53 53

A stack of blankets and a pillow are set on a chair. Marcus is in pajama bottoms and an undershirt. He’s pretty buff. He maneuvers the couch cushions to make it easier to lie down on.

The bathroom door OPENS behind him. Mandy stands in the doorway. She’s wearing a tight t-shirt and some skimpy shorts. Marcus turns around and has to swallow hard.

41.

Mandy laughs and walks back toward the couch.

MANDYThis is what I always sleep in.

MARCUSIt’s nice.

Mandy crosses in front of him. They are extremely close.

MANDYThanks.

She pauses inches away from him. Marcus breaks the tension and steps away.

MARCUSWell, so here’s some extra blankets, and a pillow. The couch can be pretty lumpy so I just balance it out with some more pillows.

Mandy laughs and sits down on the couch.

MANDYThanks, I should manage.

MARCUSGet some sleep because we have camera tests tomorrow and you need to look your best.

MANDY(a little drunk)

Yes, sir.

MARCUSNight Mandy.

MANDYMarcus?

MARCUSYeah?

MANDYYou’re sweet.

Marcus just smiles and heads into his bedroom, closing the door behind him. Mandy takes the blankets and drapes them over herself.

42.

INT. STUDIO - DAY54 54

Mandy’s face pops up on camera. She’s being recorded.

VOICE (O.S.)Okay, now look at me.

Mandy looks at the camera. She’s smiles bashfully.

VOICE (O.S.)Awesome, she’s a natural. The camera loves her.

REVEAL

Marcus stands by a camera with the DIRECTOR OF PHOTOGRAPHY (25) operating it. The D.O.P. is a young, hip guy. There’s a monitor hooked up so they can both look at the frame.

D.O.P.Now get up and walk around the room, I’ll follow you.

Mandy starts to walk, at first not so smoothly, but then she gets in the rhythm.

D.O.P. Shake what your momma gave you. Excellent. Okay, Marcus we’re looking good.

MARCUSGreat.

Mandy and Marcus smile at each other.

MARCUSI’m gonna have Todd come in and we can run some lines with the two of them.

D.O.P.Fantastic.

MARCUSMandy, Todd is playing Jake.

The door behind them opens. TODD JENKINS (20) enters the room. He’s a good-looking, ladies-man type. Mandy sees him and gets even more nervous.

TODDMandy?

43.

Todd extends his hand.

TODDHi, I’m Todd Jenkins. I guess for the next four weeks I’ll be your soul mate.

Mandy shakes his hand and laughs. Marcus surveys all of it.

MARCUSOkay, Todd why don’t you step back. We’ll frame up on Mandy first. Lets run scene forty two.

Marcus watches the monitor, which is all Mandy all the time. Both Mandy and Todd have scripts in their hands. They scan to find the scene.

The two actors get into the zone.

TODD I was looking for you.

MANDYYou’ve found me.

TODDWhy do you have to make it so difficult? The more I chase after you, the more you run away.

MANDYMaybe it’s because I’m scared.

TODDScared of me or what you might be feeling?

MANDYMaybe both.

Todd moves in closer to Mandy.

TODDDoes this scare you?

MANDYNo.

Todd moves in slightly closer. The room is charged with heated tension. Mandy stays put.

TODDHow about now?

44.

MANDYNo.

Todd makes one final step so he’s inches away from Mandy.

TODDNow?

Todd starts to lean in to kiss her.

MANDY(whispers)

No.

MARCUSCut! Okay, that’s good! We got the shot. Thanks guys.

Mandy and Todd are quickly sucked back into reality. Todd realizes how close he is and backs away.

MARCUSAlright, I think we’re done here.

(to D.O.P.)Good work Andy.

(to the actors)Save the rest of it for the day.

Marcus walks out of the room. After a beat Mandy follows after him.

INT. STUDIO LOBBY - DAY55 55

Marcus steps into the lobby and heads over to a water cooler. He pours himself a cup of water. Mandy steps in behind him.

MANDYMarcus, are you okay?

Marcus turns around to face her.

MARCUSOf course, why wouldn’t I be?

MANDYI don’t know you just seemed a little upset.

MARCUSUpset? Are you kidding? I just don’t want you guys using it all up on a camera test.

45.

MANDYOkay, cause you know that’s just acting?

MARCUSWho do you think you’re talking to? I know that remember. I’m the director.

MANDYCome on don’t be mad.

MARCUSListen, lets just call it a day for now. There’s a ton of other stuff I need to do before we shoot.

(reaching in his pocket)Here, take my extra set of keys. I’ll meet you back at the place later.

Marcus puts the keys in her hand and walks past her. Mandy tries to contain her emotions.

INT. MARCUS’ APARTMENT - NIGHT56 56

Mandy sits on the couch. She watches the tv, bored. She checks the time on her cellphone.

MANDYMidnight, nice.

Mandy clicks the tv off. She gets up and starts to walk around the apartment.

She looks at the various posters on the wall and little trinkets he’s accumulated. She sees his bedroom door is slightly open. One push is all it’d take.

Mandy, against her better judgement, decides to ever so slightly nudge it open. It’s dark.

INT. MARCUS’ APARTMENT - BEDROOM -NIGHT57 57

Mandy steps into the room, a mere silhouette in the doorway. Everything is neatly made and put away. Not the average single guy’s place.

Mandy walks by his dresser and sees a few framed photographs on it.

INSERT PICTURES

46.

There’s some pictures of Marcus with some buddies on a camping trip. Pictures of Marcus water skiing.

Finally, one picture stands out. A picture of Marcus with a blonde. He has his arms around her. It looks like they could almost be a couple. They both look happy.

BACK TO SCENE

Mandy obviously doesn’t like that one. She continues over to a desk in the room. There’s a drawer. She reaches out her hand and slowly begins to slide it open when suddenly, BOOM! She spins around.

INT. MARCUS’ APARTMENT - NIGHT58 58

Marcus stumbles into the apartment. He’s dripping wet. He turns to see Mandy in the doorway of his bedroom.

MARCUS(drunk)

What were you doing? Were you in my room, looking through my stuff?

MANDYNo, Marcus, I was just bored and was looking around.

MARCUSYou invaded my private space?

MANDYAre you drunk?

MARCUSMaybe I am, and maybe I’m not.

Marcus shuffles past her toward his room.

MANDYWhere were you? It’s midnight.

MARCUSYou’re not my mother. I was out with some of the crew, celebrating our new movie. It’s going to be awesome.

MANDYMarcus, who’s that girl in the picture with you?

47.

Marcus turns back to her, and for the first time we see how nasty he can be.

MARCUSThat’s none of your business!

He can see that he’s hurt her.

MARCUSMandy, I’m sorry. I didn’t mean that. It was Britney. Before she died.

(beat)I need some sleep.

Marcus heads into his room and SLAMS his door, leaving Mandy alone.

INT. MARCUS’ APARTMENT - NIGHT59 59

Mandy lies on the couch in the dark. She wipes a falling tear from her eye.

INT. MARCUS’ APARTMENT - DAY60 60

The bedroom door opens to Marcus’ room. He’s having a rough morning.

Mandy is at the door with her bag over her shoulder.

MARCUSWhere are you going?

MANDYThis was a bad idea.

MARCUSYou’re leaving?

MANDYThat, and I’m off the film. I can’t do this with you.

MARCUSWhat?! You’re quitting on me now? We shoot in a day.

MANDYI don’t care. Remember how I said I was trying to find something wrong with you, well I did. Goodbye Marcus.

48.

MARCUSMandy, wait!

Mandy opens the door and leaves. Marcus, in his boxers and undershirt, chases after her.

INT. MARCUS’ APARTMENT BUILDING - HALLWAY - DAY61 61

Mandy walks down the hall. Marcus exits the apartment and chases her down.

MARCUSMandy, wait! Stop, please!

Mandy finally stops and turns around.

MANDYWhat?! You have something else mean to say to me? Am I here to be your emotional punching bag?

MARCUSOkay! I was upset yesterday. I admit it. I thought I’d be completely fine with the whole thing, but you’re right--

MANDYYou were jealous.

MARCUSYes. Yes, I was. I didn’t think I’d feel this way.

MANDYWhat do you mean?

Marcus can’t look her in the eye.

MARCUSI didn’t think I’d be falling in love with you.

One of the apartment doors OPENS. An OLD LADY looks out at them.

OLD LADYCan you keep it down out here? Some people are still trying to sleep.

49.

MARCUSFine!

(to Mandy)Will you just come back inside?

Mandy nods. She follows Marcus back into his place.

INT. MARCUS’ APARTMENT - DAY62 62

Mandy walks into the apartment. Marcus shuts the door behind them.

MARCUSI wasn’t going to tell you until after the film was done. I didn’t want to complicate--

Mandy quickly spins around, grabs, and kisses him. It’s intense and long. Finally, they break apart.

MANDYI think I love you too.

INT. APARTMENT FILM SET - KITCHEN - DAY63 63

A large 2k light fills the frame. Suddenly it’s SPARKED.

A film crew is at work in a small apartment kitchen. A few ELECTRICS work on adjusting the lights. The D.O.P. holds his light metre up to the window.

There’s quite a bit of commotion. The CAMERA CREW sets up their shot.

Marcus is behind video village, along with the producers, Randy and James.

RANDYYou feeling confident Marcus?

MARCUSYup, this is a really simple scene. It’s where the two lovers have come together and the act of preparing dinner seals their bond in life.

JAMESHey, as long as it looks good, we’re happy.

RANDYWhere’s Mandy?

50.

MARCUSI don’t know. Maybe I’ll go find her. I can have a quick chat with her about the scene.

Marcus gets out of his chair. He pulls the FISRT ASSISTANT DIRECTOR aside.

MARCUSMike, any idea where Mandy is?

1ST A.D.Last word I got boss she was getting touched up by makeup in the bedroom.

MARCUSI’m just going to go over the scene with her real quick.

1ST ADNo problem. I’ll be here waiting.

The 1st A.D. makes a reference to his wrist watch.

INT. APARTMENT FILM SET - HALLWAY - DAY64 64

Marcus walks along the hall. He passes a few other CREW MEMBERS and nods. He reaches the closed bedroom door and KNOCKS.

FEMALE VOICE (O.S.)Who is it?

MARCUSIt’s Marcus. Can I come in?

FEMALE VOICE (O.S.)Sure, she’s almost ready.

Marcus opens the door.

INT. APARTMENT FILM SET - BEDROOM - DAY65 65

Marcus enters to see two MAKE-UP GIRLS standing in front of Mandy on the bed. They step aside to reveal a glammed up Mandy in a robe. Her hair is perfectly coiffed.

MAKE-UP ARTISTYou like?

51.

MARCUSShe looks amazing.

(beat)Would you girls excuse us, I just have to talk with Mandy for a second?

MAKE-UP ARTISTSure, we’ll be on set for final touches.

Mandy nods. The girls step out and shut the door behind them.

MANDYI can’t believe it’s happening. We’re really here.

MARCUSI know.

Marcus sits down on the bed next to her.

MARCUSAre you ready?

MANDYI think so. I got all the lines.

MARCUSGood. You’ll do great. It’s time to make cinematic history.

MANDYI’ll give it my best shot.

Marcus is kind of annoyed by her comment.

MARCUSNow, I really want you to dig deep for this. You guys have just gotten back together finally, and this is your bonding moment. Think of the carrots and onions as your former self that you’re cutting up.

MANDYFormer self, got it.

MARCUS Remember, let it all go.

Mandy nods. Marcus pats her on the back and leaves the room. Mandy is alone on the bed and takes in a deep breath.

52.

INT. APARTMENT FILM SET - KITCHEN - DAY66 66

Mandy stands by the counter over the cutting board. It’s clear that the camera is rolling due to the intense faces on the crew.

Mandy begins to cut up a few vegetables. Todd enters the kitchen.

TODDSmells wonderful.

MANDYThanks, it’s your favorite, Shepherd’s pie.

TODDIt reminds me of when I was a boy.

MANDYI know, I remember you telling me.

The scene is kind of playing flat. The producers behind Marcus look at each other. Marcus is glued to the monitor.

TODDHere, why don’t you let me help you with that.

Todd crosses over to her and puts his hands on her shoulders. Mandy stiffens up.

MANDYThat feels nice.

Todd leans down to kiss her neck and it’s clear Mandy is not comfortable.

MARCUSCut!

Mandy and Todd break out of the scene and look in Marcus’ direction.

Marcus jumps out of his chair and walks onto set.

MARCUSMandy, is everything alright?

MANDYYeah, everything’s fine. Just a little nerves.

53.

TODDI can tone down the physical contact.

MARCUSNo!

Mandy looks at Marcus puzzled.

MARCUSThis is all about the sensual passion between you two. She wants to give into you at this point. Your caress is what soothes her.

(beat)Let’s try it again.

The actors go back to first marks and Marcus jumps back in his chair.

NOTE: The camera crew runs through the motions before the shot.

MARCUSAction!

The scene plays out as it did before.

TODDSmells wonderful.

MANDYThanks, it’s your favorite, Shepherd’s pie.

TODDIt reminds me of when I was a boy.

MANDYI know, I remember you telling me.

TODDHere, why don’t you let me help you with that.

Todd crosses over to her and puts his hands on her shoulders. Mandy stiffens up again.

MANDYThat feels nice.

Todd leans down to kiss her neck. Mandy, this time, lets him sensually kiss her neck.

54.

Her hand instinctively becomes more and more forceful, as she chops the vegetables. Todd pulls her in. Finally, the blade comes down.

MANDYOh my gosh!

Mandy has cut open her hand. It starts to bleed pretty badly on the cutting board.

MARCUSCut!

A few of the crew members rush onto the set to help put a paper towel around her hand. Marcus rushes to her.

MARCUSMandy, are you all right?

MANDYNo, it hurts.

1ST A.D.Okay, lets get first aid in here.

(into walkie)Craft service you’re needed on set. Our lead actress has cut herself.

(to crew)Everyone just take a break. Smoke and a coke.

MANDYI’m sorry Marcus, I didn’t mean to wreck up the shot.

The FIRST AID/CRAFTSPERSON rushes onto set with a bag and examines Mandy’s bleeding hand.

CRAFTSPERSONOkay, come with me sweetie. She’s going to need to go to the hospital. This needs stitches.

The craftsperson leads Mandy away from the set. There’s droplets of blood on the floor.

Marcus paces. He’s worried. Randy and James approach him.

RANDYSo much for our first day.

55.

INT. HOSPITAL ROOM - DAY67 67

Mandy’s left hand gets wrapped in some bandages.

A NURSE (23) has finished the final touches.

NURSEIs that too tight? Does it hurt?

MANDYNo, it’s okay. Thank you.

NURSEDon’t worry your hand should heal up nicely. Just try not to do too much movement with it for the first week. And rinse it with anti-bacterial soap when you clean it.

Mandy nods. There’s a slight KNOCK at the door. Both Mandy and the nurse turn to see it open. Marcus peaks his head in.

MARCUSIs she alright? Can I come in for a second?

NURSESure, I was just finishing up here.

The nurse excuses herself from the room. Marcus shuts the door after her.

MANDY Hi.

MARCUSHi. Is it better?

MANDYYeah, but it hurt when they put the stitches in.

Marcus takes her bandaged hand.

MARCUSI’m so sorry about this. What happened there today in the scene?

MANDYI don’t know Marcus, I mean I was trying to give you my best performance, but the whole time you had me second guessing myself.

56.

MARCUSWhat do you mean?

MANDYWell, as I was chopping the vegetables all that was going through my head was don’t make Marcus jealous. Don’t let him down. I didn’t want you to get upset again.

MARCUSSee, this is why I didn’t want to tell you how I felt. I knew that my own issues would get in your head.

Mandy’s cell RINGS in her purse on the chair across from her.

MANDYOf course it would, and you tell me that I have to make cinematic history. That’s a lot of pressure. This is my first real acting role. I just don’t know anymore.

Marcus is worried.

MARCUSDon’t say that. You can do this. I promise you I’ll stay out of your head. You’re right, it’s your character. I won’t interfere. I just want us both to make the best film that we can.

MANDYI do too.

MARCUSWe can talk more about it tonight.

Mandy hops down from the bed and crosses over to her purse and takes out her cell.

MANDYI was going to talk with you about that too. I’m feeling a bit better now, and maybe I should stay at my place tonight. If I’m going to do this, I want to do it right, and if we can set our feelings aside during the filming I think it will only help.

57.

MARCUS(not happy)

Okay. Until the film’s over?

Mandy nods and holds her cell to her ear.

MANDYJust want to check my messages.

Marcus nods. Mandy pushes a few buttons and the message plays in her ear.

DET. SCOTT (O.S.)Hi, Mandy it’s Detective Scott, listen if you can give me a call I’d like to meet with you to discuss a few things. After you said you were working on A Night To Remember it got me thinking, and I dug up some things on the case. We should talk. Thanks bye.

Mandy looks to Marcus who’s sitting on the bed. She tries to hide her reaction.

MARCUSWho was that?

MANDYOh, no one. Just my agent. Nothing new. Come on lets get out of here.

MARCUSOkay.

EXT. PARK - DAY68 68

Mandy walks through an open park. In the distance ahead of her Det. Scott sits on a bench. He has on a trenchcoat.

Mandy approaches him.

MANDYYou wanted to talk to me?

DET. SCOTTI did, thanks for meeting with me. Have a seat.

Mandy sits down on the other end.

DET. SCOTTWhat happened to your hand?

58.

MANDYI cut it in a scene we were shooting yesterday. Careless accident. I’m not much of a method actor.

DET. SCOTTYou’re not filming today?

MANDYNo, they arranged the schedule so I have a few days off to recover.

They both look out at the beautiful ocean and mountain landscape.

MANDYDid you guys catch a break in the case?

DET. SCOTTMandy, what do you know about the director, Marcus Devita?

MANDYWhat? Where’d that come from?

DET. SCOTTYou must’ve been working pretty closely with him, I’d assumed you might be able to share some insight on who he is as a person.

MANDYI don’t feel comfortable talking about him like this. What does he have to do with anything?

DET. SCOTTHe was Britney’s boyfriend at the time of her death.

Mandy is caught off guard.

DET. SCOTTYeah, we interviewed him. He told us how he and Britney had developed a romantic relationship during the filming of the movie. They’d met two months prior. She’d just moved here. He selected her for the part. He said he loved her.

59.

MANDYStop it! What are you saying? Why are you telling me this?

DET. SCOTTI’m telling you this because I want to know if this is sounding at all familiar to you.

MANDYNo, he’s been nothing but professional toward me. He’s my director and I’m his actress.

DET. SCOTTOkay, I’m sorry if I upset you.

(beat)Mandy, I’m just trying to solve Britney’s case so that her parents can have some type of closure. They’ve lost a daughter, and it’s my job to lessen the pain.

Mandy stares at the scenery. Det. Scott starts to get up.

DET. SCOTTI’m sorry to bother you.

MANDYWait.

Det. Scott sits back down.

MANDYYes, he told me he was falling in love with me.

EXT. PARK - DAY69 69

Mandy and Det. Scott walk along a walkway through the park.

DET. SCOTTHe was genuinely honest about his feelings for her. After doing this for so long you get an instinct about people. He genuinely seemed like he wouldn’t have wanted anything bad to happen to her. I wouldn’t have classified him as a suspect, but after talking with you the other day I decided to do a more thorough background check on him. He’s had it pretty rough.

60.

MANDYWhat does that have to do with anything?

DET. SCOTTDid he tell you he was abandoned by his mother at age three and was raised in the foster care system?

MANDYNo.

DET. SCOTTI looked at his record. There were accounts of beatings and numerous reports of child abuse. He was shifted from one home to another until he was adopted.

They both stop walking.

MANDYThat doesn’t mean he would hurt anyone.

DET. SCOTTNo, but it’s my job to get inside the head of someone, to analyze the way they think. And with these types of situations I can’t help but wonder where all that hurt and anger gets put.

MANDYHow do you know that he didn’t rise above it? He’s a brilliant artist. Most brilliant artists have some kind of pain in their life, or they wouldn’t be so good at what they do.

DET. SCOTTI don’t mean to attack anyone, and I’m not pronouncing guilt on anyone, but I’m concerned. I’m sure he’s good at what he does. He obviously has an eye for talent.

MANDYYou have an investigation to do, and I want it to be resolved.

61.

(MORE)

I feel for what Britney might’ve gone through, I do, but I can honestly say I think Marcus is one of the most caring and sincere people I know. He wouldn’t do that.

DET. SCOTTOkay, I believe you. Then I guess I’m at another dead end. I’ve put you through a lot and I apologize. Thank you for your cooperation with everything. I’ll leave you to your movie.

Det. Scott walks away, leaving Mandy standing on the walkway alone.

INT. MARCUS’ APARTMENT - NIGHT70 70

Marcus opens the apartment door and enters. Mandy is already in the apartment, waiting for him.

MARCUSWhat are you doing here? I thought you said you were going to stay at your place?

MANDYI am. I just came by because I forgot a few things and wanted to see you.

MARCUSOh, right, I put them in a bag over there.

MANDYHow did it go today?

Mandy walks over to the bag of her stuff. She briefly looks through it.

MARCUSIt went really well. We had some intense scenes with Todd. There was this one scene where Todd just--

MANDYMarcus?

MARCUSYeah?

62.

MANDY (CONT'D)

MANDYWhy haven’t you told me about your past? I told you all about mine. The farm, my parents, my brother and my sisters.

MARCUSThere isn’t much to tell. My life is actually pretty boring. Grew up in the same old neighborhood. Hung out with the same friends. That’s why I never brought it up. It wasn’t as interesting as yours.

MANDYSuch a dynamic person like you must have some kind of history. What was your childhood like? Were you adopted?

Marcus stops to think about her question.

MARCUSNo. Why do you ask?

MANDYI’m curious.

MARCUSMandy, I’m glad you came by because we have to talk about something.

Marcus sits in a chair. Mandy slowly sits down on the couch.

MARCUSThere’s been some talk going on on set. It’s not me... this is so hard to say, but the producers have given me an ultimatum. Either I recast your role or they pull the plug on the whole film.

Mandy is shocked.

MANDYWhat?!

MARCUSI know. They weren’t happy with the footage we shot.

MANDYI was only in one scene.

63.

MARCUSAnd I’m arguing with them to trust me, to give you another shot. I told them how you were just nervous that day.

MANDYMarcus, you wrote the role for me, can’t you decide?

MARCUSThey have the final decision. They wanted more feeling from you.

Mandy stands up.

MANDYI can’t believe this! I’m getting fired from a movie that I haven’t even acted in yet! I cut my hand for this! I dug through the garbage to get this! Marcus, please do something.

MARCUSWhat do you want me to do? If I tell them I won’t do it if you’re not in the movie, then there is no movie.

MANDYI’ve been through hell for this. People are dying around me, and now you tell me they don’t like my acting?

Mandy throws her bag at Marcus.

MANDYWhy did you pull me into this?! Why did you give me false hopes and tell me stuff that wasn’t true? Are you telling me you no longer love me?

MARCUSEverything I said was the truth!

MANDYIf that’s so why didn’t you tell me you were abandoned by your mom? Why you were sent to live in foster homes? Why you were abused as a child?

64.

MARCUSShut up! Those are all lies! Where did you hear that from?

MANDYDid you know that the police think you might be a suspect in Britney’s death?

Marcus doesn’t believe her.

MANDYYeah, they came to talk to me. They wanted me to tell them about what type of person you were.

MARCUSWhat did you say?

MANDY(starts to cry)

I told them the truth. That you’ve been the most interesting, wonderful person I’ve ever met and that you wouldn’t hurt anyone.

MARCUSMandy, I do still love you. I wish this was different. I don’t know what else I could do to change it.

MANDYTell them that I’m more important to you than this film. Tell them the truth.

Marcus doesn’t respond to that comment.

MANDYOh, I guess I knew it all along. I wasn’t the most important thing to you. I’ll leave you and your film alone.

Mandy picks up her bag of stuff on the floor and walks by Marcus out the apartment. Marcus, this time doesn’t chase after her.

MARCUSMandy.

The door SLAMS shut.

65.

EXT. MARCUS’ APARTMENT BUILDING - NIGHT71 71

Mandy storms out of Marcus’ building with her bag in hand. She looks up.

INT. PRODUCTION OFFICE - NIGHT72 72

Mandy walks into the production office. A PRODUCTION COORDINATOR at the desk gets up when she sees Mandy.

PRODUCTION COORDINATORMandy, hey we were just finishing up for the night, what are you doing here?

MANDYAre Randy and James here?

PRODUCTION COORDINATORYes, but they’re in a meeting. They asked not to be disturbed.

Mandy starts to walk away from the production coordinator down the hall.

MANDYThis will only take a moment.

PRODUCTION COORDINATORMandy, you can’t go in there.

Mandy reaches the door.

INT. PRODUCTION BOARDROOM - NIGHT73 73

Randy, James and Lionel sit around the boardroom table. They have papers and take-out food scattered around them. They look haggard.

Mandy BURSTS in.

Everyone looks in her direction. The production coordinator pops into the doorway behind Mandy.

RANDYUmm... Tom, we’re gonna have to call you back. Something came up here.

66.

TOM (O.S.)(speaker phone)

Alright Randy, but you’re going to have to let me know what your decision is soon.

RANDYWill do. Thanks.

Randy presses a button on the phone.

RANDYMandy, what are you doing here so late?

PRODUCTION COORDINATORI tried to tell her you were in an important meeting.

RANDYNo, it’s fine. Mandy come in.

Mandy steps inside and the production coordinator shuts the door behind her.

MANDYYou guys are making a big mistake, you can’t do this! I’ve put so much work and dedication into this--

LIONELSo he told you?

MANDYYes! And it’s not even fair. I’ve only been in one scene. I haven’t even had the chance to show you what I’m capable of.

RANDYWe know. You’ll be great. Mandy, what are you talking about?

MANDYI’m talking about you guys getting rid of me because of one stupid mistake.

JAMESMandy, we’re not getting rid of you. We saw the little bit that we had and loved it. You were so real, and genuine. The camera loved you.

67.

MANDYWhat? You’re not firing me?

RANDYNo, I thought you were mad about Marcus.

MANDYMarcus?

RANDYYeah, we’ve decided to let him go. We gave him the ultimatum today. Either he leaves the project and stays on as a writer, or there’ll be no movie.

JAMESYeah, there was just too many hold ups, and problems on set.

LIONELToday, he took twenty five takes for one shot. He was thinking too hard, and maybe he needs to take some time off and recollect himself before his next project.

MANDYHe wrote the script. It’s his story.

RANDYWe know that. And trust us, it wasn’t an easy decision. We think he’s extremely talented, but it’s just not his time right now. After Britney died he wasn’t the same.

(beat)The only bright side out of all of this was he found us you.

Mandy is completely shocked.

EXT. STREET - NIGHT74 74

Mandy walks along the sidewalk, contemplating to herself. A pair of headlights in the distance behind her flick on.

Mandy steps out into the street to cross. The parked car on the side of the road GUNS it into the street and races toward Mandy.

68.

Mandy looks back to see the headlights barring down on her. She’s literally a deer in headlights.

At the last minute she dives away from the car and hits the pavement hard. The car tears down the street away from her.

MANDYOh my God!

Mandy is shaking terribly. She gets up and runs across the street.

MANDYHelp!

EXT. ALLEY - NIGHT75 75

Mandy ducks into an alley. She pulls out her cell and starts to dial frantically.

MANDY (into phone)

Come on. Pick up.(beat)

No. (beat)

Detective Scott it’s Mandy Poke. I think someone just tried to run me over. I’m so scared. Please call me back. I don’t know what to do. I’m going to see Marcus.

Mandy hangs up.

EXT. MARCUS’ APARTMENT BUILDING - NIGHT76 76

Mandy runs up to the buzzer. She presses the button. It continues to CLICK, but no answer.

Mandy goes over to the door. She searches through her pocket and pulls out the extra set of keys he gave her. She opens the door.

INT. MARCUS’ APARTMENT - NIGHT77 77

The door UNLOCKS and Mandy enters the apartment.

MANDYMarcus? Are you here?

69.

She shuts the door behind her. The place is eerily empty. Everything is neatly put away.

Mandy walks through the apartment.

MANDYMarcus?!

She walks over to the bedroom.

INT. MARCUS’ APARTMENT - BEDROOM - NIGHT78 78

Mandy flicks the light on. Nothing. She turns it off and is about to shut the door, but something calls to her to enter. She walks past the dresser with the photos, toward the desk in the corner.

The drawer is slightly opened. Mandy reaches out and slides it open even more.

INSERT DRAWER

As it opens we catch a glimpse of something colorful. When it’s pulled all the way out, there is a match to her lucky Christmas laden sock.

BACK TO SCENE

Mandy stares at it, part shock, part disbelief. She picks it up.

FLASHBACK TO

- Mandy smiles and blows the loose strands of hair out of her face and starts to load the machine.

- Mandy folding her clothes, pushes through them, searching for something.

- Detective Scott looks down at Mandy.

DET. SCOTTAll her clothes were still in the machines. We did a search of the area, and in a nearby field, in some bushes her body was found.

BACK TO SCENE

Mandy’s hand starts shaking as she covers her mouth. She quickly stuffs the sock into her jeans pocket and makes a break for the door.

70.

INT. MARCUS’ APARTMENT - NIGHT79 79

Mandy rushes to the door. She looks down and sees the lock twisting back with the sound of a key TURNING inside.

She bolts to the side.

The door opens. Marcus enters very nonchalantly. He sets his keys in the dish by the door and turns around to lock it.

Mandy cowers down behind the couch in the living room. She peaks around to see Marcus walk into the bathroom. He closes the door, but not all the way.

The water starts RUNNING.

Mandy sees this as her chance and makes a break for the door. She twists the lock back.

Marcus’ hand darts into frame, landing on the door. Mandy turns to see him standing over her.

MARCUSWhat are you doing here?

MANDYMarcus, I was scared. I didn’t know where else to go.

MARCUSScared of what?

MANDYSomeone almost tried to run me over.

MARCUSOh my God are you okay?

MANDYYeah, I’m better now, but I need to get going. I don’t want to bother you.

Mandy reaches for the door. Marcus grabs her arm. She looks into his eyes. It’s not Marcus behind them.

MARCUS ALTERYou know now don’t you?

MANDYMarcus?? Stop it, please! You’re scaring me.

71.

MARCUS ALTERMarcus? Marcus isn’t here right now.

Mandy backs into the room. Marcus stares at her deadpan.

MANDYMarcus, let me go. I’ll call the police.

MARCUS ALTERThey won’t be able to find you.

MANDYWhat are you saying? Why are you talking like this?

MARCUS ALTERI’m Marcus’ friend. Consider me his agent. I get him what he wants.

MANDYMarcus, please you’re joking right?

MARCUS ALTERDo you see a smile on my face? Now that you know, I have to decide what to do with you. You dodged my car. Probably better that way, cause it would look a little suspicious if you died the same way as Britney.

MANDYMarcus! Shut up! Quit it!

Mandy pulls out her cell and starts to dial. She holds it to her ear.

MARCUS ALTERYou don’t want to do that.

Marcus leaps at her and grabs the cell from her hand. He throws it to the ground and stomps on it.

MARCUS ALTERWhy does another girl have to come in and wreck everything I’ve worked for? This was going to be my big chance, to show the world what a great filmmaker I am. He had to fall for you. He swore that he wanted you just for the role, but again he had...

72.

(MORE)

(disgusted)Feelings.

MANDYMarcus, it’s Mandy remember. I’m your friend. I’m the person that cares about you.

MARCUS ALTERShut up! He doesn’t want to talk to you. You cost him the movie.

MANDYI didn’t mean to. I want to make this movie with you. You have to let me go.

MARCUS ALTERI told him again and again, you can’t trust anyone. Nobody loves you.

MANDYI do. I love you, Marcus.

Marcus shakes his head.

MARCUSI love you too.

Marcus’ head snaps back up. He smacks the side of his head.

MARCUS ALTER You’re pathetic!

(to Mandy)I’m going to put an end to this right now.

Marcus marches into the kitchen out of sight of Mandy. She starts to edge toward the front door. Marcus comes out from the other side of the kitchen. His hand is behind his back.

MARCUS ALTERDon’t make me do this the messy way.

MANDYMarcus, listen to me. It’s him who’s hurting you, not me. He’s costing you your career. You’re the great filmmaker.

Marcus brings a huge butcher knife out from behind his back.

73.

MARCUS ALTER (CONT'D)

MARCUS ALTERIt’s going to be tough to explain this was an accident.

MANDY Oh God!

Mandy races for the door and gets it open in a flash. Marcus bolts after her.

INT. MARCUS’ APARTMENT BUILDING - HALLWAY - NIGHT80 80

Mandy runs down the hall. She BANGS on all the doors.

MANDYHelp me! Please, somebody help me!

Marcus steps out into the hall and chases after her.

Mandy darts around the corner.

INT. MARCUS’ APARTMENT BUILDING - STAIRWELL - NIGHT81 81

Mandy reaches the stairwell to the building. She takes one last look behind her and decides to run up the stairs.

Within seconds Marcus appears. He has the butcher knife out. He’s about to run down the stairs, but something tells him otherwise. He runs up the stairs after Mandy.

INT. MARCUS’ APARTMENT BUILDING - STAIRWELL - NIGHT82 82

Mandy rushes up the flight of stairs. She leans over the railing, short of breath. She sees the glint of the knife spiraling up the stairwell underneath her. She panics and keeps moving.

EXT. MARCUS’ APARTMENT BUILDING - ROOF - NIGHT83 83

The door to the roof opens. Mandy can’t control her shaking. She closes the door slowly and looks around for something she can block it with. There’s nothing.

Mandy runs to the edge of the building to see if there’s a ladder or fire escape she can climb down. Nothing again.

She’s so high up and the ground is so far down. She turns back to the door.

74.

MANDYPlease God get me out of here. Please, someone do something. I don’t want to die.

The door opens so slowly. Mandy watches in suspense. The shimmer of the blade peaks out from the door. We can see Marcus’ eyes in the reflection.

MARCUS ALTER Here’s Johnny.

Mandy screams.

Marcus steps out onto the roof.

MARCUS ALTER Don’t you think this all would’ve made a great movie? Maybe that’ll be my next script.

(beat)See, I like you. You make everything so easy for me. A fall is much easier to pawn off as a suicide.

MANDYMarcus stop. Don’t come any further. Listen to me very carefully. I know what you went through. The beatings as a child. You needed a way to protect yourself, but this is not the way to do it. You have to snap out of it. He is destroying you.

Marcus keeps coming closer, as Mandy backs more and more toward the edge.

MARCUS ALTERI can see why he’d fall for you. I got to know you quite well when I was watching you.

Mandy reacts.

MARCUS ALTERThat’s right, I was watching you all the time.

FLASHBACK SERIES OF SHOTS

- In the laundromat window Marcus watches.

75.

- Outside the fast food restaurant Mandy eats her fries, as Marcus watches her. The strange man has a concerned look.

- Marcus climbs out of Mandy’s apartment window with her bus pass in his hand.

BACK TO SCENE

Mandy starts to play it all back.

MARCUS ALTERWe saw you meet with your first agent. That’s when he picked you.

FLASHBACK TO:

INT. CASTING AGENT - WAITING ROOM - DAY84 84

Marcus sits in a chair in the lobby, reading a magazine. He looks up.

Mandy exits from an office and smiles. She waves to the person inside and walks right by in front of Marcus who watches her the whole way.

CUT BACK TO:

EXT. MARCUS’ APARTMENT BUILDING - ROOF - NIGHT85 85

Mandy looks back down over the edge.

MARCUS ALTERWe knew then that we had to have you. He was right. You were a good actress, but I’m not going to let this stupid kid throw it all away on some bitch.

MANDYPlease, Marcus! Please, fight for me! If you have any love for me!

MARCUS ALTERShut the fuck up!

Marcus fights to snap out of it.

MARCUSMandy! What’s going on?

He looks at the knife in his hand.

76.

MARCUS ALTERYou have to do this! She’s cost you your movie! She’s destroyed everything!

MARCUSNo! Stop!

MANDYMarcus, you don’t need to hurt anyone. You can get help. I can help you. You can still be a great filmmaker.

Marcus manages to subdue the struggle within.

MARCUSI do love you. I do.

Marcus looks at Mandy. Marcus begins moving toward her with his other hand out.

MARCUSWhy are we up here? Mandy get away from the ledge.

MANDYMarcus, is it you? Is it really you?

MARCUSYes. I can’t hurt you. I could never let you be hurt.

Marcus slowly lowers the knife. He’s within, stabbing range to her.

VOICE (O.S.)Freeze! Drop the knife!

Marcus quickly spins around. Suddenly a bullet pierces through his shoulder. He looks at it in shock. Another bullet pierces through his chest.

Mandy screams.

MANDYNo!!

Det. Scott stands in the doorway to the roof. He’s out of breath and has his gun drawn on Marcus.

DET. SCOTTMandy get away from him!

77.

Mandy cries and covers her mouth. Marcus crumples to the ground.

Det. Scott runs over to Mandy and puts his arm around her. Marcus lays on the ground bleeding.

DET. SCOTTHe was going to kill you Mandy. I got your call and tried to get here as soon as I could.

They both look at Marcus. Mandy moves toward him, but Det. Scott stops her. He kicks away the knife and crouches down to check Marcus’ pulse. He shakes his head.

Det. Scott stands and grabs his walkie.

DET. SCOTT (into walkie)

This is detective Scott, I am requesting an immediate ambulance to 313 East 41st St. We are on the roof. A man has gunshot wounds.

MANDY(to Marcus)

I’m sorry Marcus. This shouldn’t be the way it ends.

MARCUS(choking on blood)

I’m glad it ended this way, because I didn’t hurt you.

Mandy crouches down to him. She takes his hand in hers.

MANDYWe’re both so alone.

Marcus’ life slowly fades from his eyes. Mandy starts to cry.

Det. Scott crouches down next to her and puts his hand on her shoulder.

MANDY(to Det. Scott)

It was another part of him that did it.

DET. SCOTTI know. You’re safe now.

FADE TO:

78.

EXT. PARK - DAY86 86

Mandy’s face fills the frame. Slow DOLLY back during the shot.

MANDYI only got to know a small part of you. But even that was more than most people. I know I’ll never forget you. I hope you can move on to a better place, where no one will ever hurt you again. You gave me such a gift and I thank you for everything you’ve done. You will always be remembered for what you gave the world. You leave a great legacy behind through the stories you told. I love you.

The further we pull back the more we realize it’s a film set and Mandy is acting opposite Todd.

DIRECTORCut! Fantastic Mandy, that’s the one. Okay everybody, I think we got it.

The 1st A.D. next to the director steps onto set.

1ST ADEverybody, that’s a wrap!

The crew cheers and everyone hugs each other, and gives each other high fives.

Mandy smiles and hugs Todd.

She walks over to video village and hugs the director. Randy, Jack and Lionel take turns hugging her, and congratulating her.

RANDYYou’re going to be a huge star. This is the one Mandy. It’s only up from here.

Mandy just smiles. She sees Det. Scott just off set, watching.

MANDYExcuse me.

79.

EXT. PARK - DAY87 87

Mandy walks over to Det. Scott.

MANDYYou were watching?

DET. SCOTTYeah, I wanted to see what all the fuss was about. Apparently there’s a big movie star on this set. Can you introduce me?

MANDYVery funny.

DET. SCOTTCongratulations.

MANDYThank you. It’s bitter, sweet.

DET. SCOTTI can officially close the cases on Annabeth and Britney. Their families are still grieving, but at least they have some closure.

MANDYYeah. So what are you going to do now?

DET. SCOTTI’m working with the departmental pyschologists to analyze the effects of early childhood abuse. I’m working on a better ending.

Mandy smiles wanly.

MANDYSo you have your hands full?

DET. SCOTT Yeah, pretty much. You?

MANDYI think I might go back to the interior for a bit. Maybe for a little R & R.

80.

DET. SCOTTI hear ya. Well, good luck with everything, Mandy. I’ll be watching for you.

MANDYThanks, take care Detective Scott.

DET. SCOTTIt’s Bruce.

MANDYBruce.

Det. Scott walks away from Mandy. She watches him leave. Mandy pulls out her cell. She dials a number.

MANDY(into phone)

Daddy, hi, it’s Mandy. (beat)

Yeah, I’m fine. Is mom there?

Mandy turns and starts walking away.

MANDYI was thinking of coming home for a visit.

We BOOM up into the tree off of Mandy.

FADE TO BLACK.

81.