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CONTENTS

Contents....................................................................................................................................................................................... 2

Installation ................................................................................................................................................................................... 4

Introduction ................................................................................................................................................................................. 5

1.1 About This Manual ............................................................................................................................................................. 6

Versions ............................................................................................................................................................................... 6

Tips ....................................................................................................................................................................................... 6

Documentation Conventions ............................................................................................................................................... 6

1.2 What is Capture? ............................................................................................................................................................... 7

Start Page ............................................................................................................................................................................. 7

The Session Page .................................................................................................................................................................. 8

Fundamentals .................................................................................................................................................................... 12

Reference ................................................................................................................................................................................... 13

2.1 Recording ......................................................................................................................................................................... 14

Audio Device ...................................................................................................................................................................... 14

Creating a New Session ...................................................................................................................................................... 14

Audio I/O Setup ................................................................................................................................................................. 15

Audio Tracks ....................................................................................................................................................................... 17

Activating Recording .......................................................................................................................................................... 18

Audio Recording Format .................................................................................................................................................... 18

2.2 Editing .............................................................................................................................................................................. 19

Audio Events ...................................................................................................................................................................... 19

Mouse Tools ....................................................................................................................................................................... 19

Common Editing Actions .................................................................................................................................................... 21

Session Navigation ............................................................................................................................................................. 21

Importing Audio ................................................................................................................................................................. 23

Suggestions ........................................................................................................................................................................ 24

2.3 Mixing .............................................................................................................................................................................. 25

Mixing with Capture and StudioLive .................................................................................................................................. 25

Export Audio Files .............................................................................................................................................................. 26

Mix a Capture Session in a Different Recording Application ............................................................................................. 27

2.4 Key Commands ................................................................................................................................................................ 28

Real‐World Applications ............................................................................................................................................................ 31

3.1 Live Recording .................................................................................................................................................................. 32

StudioLive Mixing and Recording a Live Performance ....................................................................................................... 32

3.2 Studio Recording .............................................................................................................................................................. 34

Notes .......................................................................................................................................................................................... 36

Index .......................................................................................................................................................................................... 38

Installation 4

INSTALLATION

To install Capture on your computer, first insert the disc you received with your StudioLive mixer, which contains StudioLive drivers, a demo session, and Capture, and then follow these instructions.

Windows:

• The disc will run automatically and you will see three launch buttons. To install Capture, click on the Capture launch button.

• Capture will then be installed on your computer.

• You have the option of also installing the Capture demo session by clicking on the demo session launch button. When installed, the demo session will be placed in the Documents/Capture folder.

Mac:

• The disc will appear on your desktop. Double‐click the disc icon to open the contents of the disc.

• Double‐click on the PreSonus Capture.dmg file, and then click and drag the Capture icon to your Applications folder.

• Capture is now installed to your computer.

• You have the option of also installing the demo session. To do this, double‐click on the PreSonus Capture Demo Session.dmg file, and then drag the PreSonus Capture Demo Session folder to the location to which you would like to install the demo session (your Desktop, the Documents folder, etc).

5 Introduction | 1.1 About This Manual

INTRODUCTION

This part of the Capture reference manual contains general information, including information about this manual and the basic layout and workflow of Capture.

This is a great place to start for new audio‐recording software users.

Introduction | 1.1 About This Manual 6

1.1 About This Manual

Versions

There is one version of Capture, which runs under the Windows and Mac OS X operating systems. This manual explains both the Windows and the Mac versions.

All screenshots are taken from the Windows (Vista 32‐bit) version.

Tips

Several shortcuts and alternative methods or functions are presented throughout this manual. These tips are intended to improve your workflow and will be shown as follows:

• Really helpful information.

Also note that if you float the mouse over most tools, buttons, or windows in Capture for a few seconds, a Tooltip will appear that names the function that the tool, button, or window serves.

Documentation Conventions

Key Commands

Many operations in Capture have associated key commands (keyboard shortcuts) that can be used instead of navigating menus with the mouse. Several of these key commands use modifier keys, some of which differ depending on the operating system (Windows or Mac OS X).

When discussed in this manual, key commands with modifier keys are shown with the Windows modifier key first, as follows: [Win modifier key]/[Mac modifier key]+[key].

For example, [Ctrl]/[Cmd]‐[C] means “press [Ctrl]/[Cmd]+C in Windows, or press [Cmd]+C in Mac OS X.”

Where there is no difference between the Windows and Mac version of a key command, only one key command will be displayed; for example: [F3].

Menu Functions

Many functions can be reached via hierarchical menus. Where menu navigation is referenced in this manual, it will appear as follows: Menu/Menu Entry/…/Function.

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When Capture is launched, by default you will be taken to the Start Page.

Create and Open Session

At the upper left of the Start Page are two buttons: Create Session and Open Session. A Session is a document in which you can record and edit audio. Click on the Create Session button to create a new Session or click on the Open Session button to browse for and open an existing Session.

Recent Files

To the right of the Start Page menu section, the Recent Files list includes links to the most recently opened documents. Click on any of these links to quickly open the Session.

Audio Device and Sample rate

Capture was specifically created for use with the PreSonus StudioLive series mixer and will only work with that device. It is not possible to configure any other audio device for use with Capture. The Audio Device window will either display “StudioLive” or “No Audio Device”; the former indicates that your StudioLive mixer is connected to the computer correctly and is ready to use with Capture. The Sample Rate window displays the currently configured sample rate, as set on the StudioLive mixer.

About Capture

To view information about Capture, including your version number and acknowledgements, choose About Capture from the Help file menu.

The Session Page

Capture features a single‐window user interface so you don’t need to manage multiple windows and views. When a new Session is created or an existing Session is opened, you will be taken to the Session page. This page contains all of the necessary tools to record and edit multitrack audio.

9

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• Sample Rate Display: Displays the current Capture/StudioLive Sample Rate.

• Transport Controls

o Loop: Engage/Disengage Loop Mode.

o Back to Beginning: Return to the beginning of the Session.

o Rewind: Rewind for the duration this button is held down.

o Fast Forward: Fast Forward for the duration this button is held down.

o Stop: Stop playback.

o Play: Start playback at the current playback‐cursor position.

o Record: Start recording at the current playback‐cursor position.

o Previous Marker: Jump the playback cursor to the previous marker.

o Next Marker: Jump the playback cursor to the next marker.

• Time Display: Displays the time at the current playback‐cursor position.

• Main Output Meters: Peak LED‐style meters for the main stereo output of Capture.

11

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Non-Destructive Editing and Undo/Redo

Almost every user action in Capture can be undone and redone. There is no limit to how far back actions can be undone and how far forward undone actions can be redone.

Thus, Capture users can feel free to explore without fearing they will permanently alter anything. In fact, just pressing buttons might be the quickest way to learn.

High Quality Audio

Capture features a new 32‐bit floating‐point audio engine. An audio engine is the “number cruncher” that does the math required to record and play back digital audio. To put it simply, Capture will process your audio as accurately as current technology allows and maintains the highest quality possible. All you have to do is make great music!

System Requirements

To ensure best performance with Capture, we recommend your computer system have the following specifications.

• Windows

o OS: Microsoft Windows XP (32‐bit & 64‐bit) or Windows Vista (32‐bit & 64‐bit)

o CPU/Clock: Intel or Athlon 900MHz (1.5 GHz or higher recommended)

o Memory(RAM): 1 GB (2G recommended)

• Macintosh

o OS: MacOS X 10.4.x or later

o CPU/Clock: PowerPC G5/Dual 1GHz, any Intel‐based Mac model.

o Memory(RAM): 1 GB (2G recommended)

• Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.

13 Reference

REFERENCE

This part of the Capture reference manual contains detailed information on all aspects of the software.

It is recommended all users become familiar with the general layout of Capture as presented in the Introduction of this reference manual before attempting to read the Reference. If more information is needed on any topic or term, you may wish to refer to the Index.

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15 Reference | 2.1 Recording

Audio I/O Setup

There is no need for audio inputs and outputs to be set up in Capture, as it is automatically configured for use with your StudioLive mixer. Each input from your StudioLive mixer is represented with a mono input track in the Track column of the Session, and each input track has a corresponding level meter in the meter bridge.

The following diagram illustrates the one‐to‐one relationship of the StudioLive and Capture input channels. The input signal into each channel on the StudioLive mixer is automatically routed to each respective input channel in Capture.

Reference | 2.1 Recording 16

It is possible to process each StudioLive mixer input channel with the Fat Channel before the input signal is routed to Capture. To do this, you will need to engage the Post button in the Dig Out section of the Fat Channel for each channel in your StudioLive mixer. This routes the signal post‐EQ and post‐dynamics processing. The following diagram illustrates the signal flow in this scenario.

17 Reference | 2.1 Recording

Main Source Selection

The Main channel in Capture is a stereo channel intended to be used to record a stereo mix from your StudioLive. This mix could be recorded while recording the 16 individual input channels, so a mix is available immediately after a live show. This channel is also where you will record your final studio mixes from the StudioLive.

The StudioLive mixer features a software control panel to enable various channel routing options. In this control panel, there is a dedicated stereo selection for Capture (channels 17/18), which determines what the source will be for the Main track. The sources you may choose from include the following physical outputs from your StudioLive mixer: Main L/R, Sub 1/2, Sub 3/4, Aux 1/2, Aux 3/4, Aux 5/6, EFX Send A, EFX Send B, Aux Return A, Aux Return B, 2Track, TalkBack, EFX Return A, EFX Return B, and the Solo Bus.

Thus, you have many options when choosing which stereo source to record to the Main Track in Capture. The default source is Main L/R. The audio from the output you select will be ‘mirrored’ to the Main track in Capture, and does not affect the normal operation of the physical output on your StudioLive mixer.

Audio Tracks

Record Enabling an Audio Track

To record to an audio track, the track must be record‐enabled, or armed. To record‐enable an audio track, click on the Record Enable button once. This button, which sports a red dot, should turn entirely red in color when enabled, and the track’s corresponding meter in the meter bridge should begin to move up and down if there is any live audio on that channel in the StudioLive mixer.

• Click on the Arm All button at the top of the Track Column to record‐enable every track at once.

Once an audio track is record enabled, you are ready to record audio to that track. Refer to Activating Recording for more on this topic.

Monitoring Live Audio Input

All monitoring of live audio input should happen on the StudioLive mixer itself as normal. There is no separate monitoring capability within Capture.

Setting Input Levels

Setting the proper input levels is critical to making a good live mix and recording. The basic idea is to set the input gain on your StudioLive mixer as high as possible without overloading the input. Overloading the input will cause clipping (a nasty type of distortion), which will ruin the recording. This damage cannot be undone in software. There is a clip indicator for each input on the StudioLive mixer for this purpose.

If an input channel is not clipping on your StudioLive mixer, you can be sure that there it will not clip in Capture. Refer to the StudioLive documentation for more information on this topic.

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Reference | 2.2 Editing 24

Suggestions

Listen While Editing

In audio production, the editing process can be particularly unforgiving. Small inaccuracies when splitting, moving, or performing other actions on recorded audio can lead to unwanted results.

As simple as it may seem, the act of listening while editing is often overlooked. For instance, when sizing the edges of a vocal part to remove unwanted sounds between words, it is tempting to make the edits based on the visual representation of the waveform. While this may work sometimes, it is a much better idea to listen as you size the events to be sure you are not removing any critical part of the vocals.

Listening to your edits as you make them will save time and frustration in nearly every case.

25 Reference | 2.3 Mixing

2.3 Mixing

Mixing is the part of the production process where all recorded tracks are combined to mono, stereo, or multi‐channel surround. (Capture does not support surround.) The goal is to balance relative volume, frequency, and dynamic content in order to achieve a desired cohesive sound.

In the following chapter, aspects of mixing audio recorded in Capture with your StudioLive mixer will be discussed.

Mixing with Capture and StudioLive

No mixing is done in Capture directly. Instead, the individual outputs of each audio track in Capture are hardwired to the FireWire returns for each corresponding input channel on the StudioLive mixer. Thus, with the FireWire returns engaged for each input channel on your StudioLive mixer, the output of your multitrack Session is routed to the StudioLive mixer, where it can be mixed just like any other audio inputs.

Creating a Mix

The process of creating a mix with Capture and the StudioLive mixer is quite simple. You play back your recorded tracks through the StudioLive and record the main output of the StudioLive to the Main Audio Track in Capture. The process works as follows:

• Be sure Record Arm is disabled for all input Audio Tracks in Capture, and the FireWire returns for all input channels on the StudioLive mixer are engaged.

• Select the Main input and enable Record Arm on the Main Track in Capture.

• Bring the playback cursor position to the beginning of the Session by clicking the Back to Beginning button in the Transport.

• Activate recording by clicking on the Record button in the Transport; the playback cursor should begin to move from left to right, and audio should be playing through each input on the StudioLive mixer. The Main Track in Capture should be recording a new Audio Event, which is the main mix from the StudioLive mixer.

The new Audio Event that has been recorded from the StudioLive mixer will be stored as a stereo WAV file at the sample rate to which the StudioLive mixer is set. It is possible to export this file, and any other audio files from Capture, to another storage location (such as a backup hard drive), as discussed in the Export Audio Files section of this chapter.

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Reference | 2

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Reference | 2.4 Key Commands 28

2.4 Key Commands

This chart is a reference for all available Key Commands in Capture.

Key Commands

Action Key Command

File

New Session Cntrl/Cntrl/Cmd+N

Open Session Cntrl/Cntrl/Cmd+O

Close Session Cntrl/Cmd+W

Save Session Cntrl/Cmd+S

Save Session As Cntrl/Cmd+Shift+S

Quit Cntrl/Cmd+Q

Edit

Undo Cntrl/Cmd+Z

Redo Cntrl/Cmd+Y

Cut Cntrl/Cmd+X

Copy Cntrl/Cmd+C

Paste Cntrl/Cmd+V

Delete Del

Select All Cntrl/Cmd+A

Deselect All Cntrl/Cmd+D

Zoom In Cntrl/Cmd + Shift + + or E

Zoom Out Cntrl/Cmd ‐ or W

Zoom Full F

Session

Import File Command+I

Export to Audio File Command+E

Insert Marker Ins, I

Insert Named Marker Shift+I

Locate Next Marker N

Locate Previous Marker B

Recall Marker 1‐9 Num Pad+1‐9, Command+1‐9

Mute Track M

Solo Track S

Arm Track A

Tools

Select Arrow Tool 1

29 Reference | 2.4 Key Commands

Select Range Tool 2

Select Split Tool 3

Select Eraser Tool 4

Transport

Toggle Start/Stop Space Bar

Start Enter

Record Numpad*, R

Stop Numpad0

Return to Zero Numpad,

Navigation

Focus Next Tab

Focus Previous Shift+Tab

Left Left Arrow

Extend Selection Left Shift+Left Arrow

Extend Selection Left Add Cntrl/Cmd+Shift+Left Arrow

Skip Left Cntrl/Cmd+Left Arrow

Right Right Arrow

Extend Selection Right Shift+Right Arrow

Extend Selection Right Add Cntrl/Cmd+Shift+Right Arrow

Skip Right Cntrl/Cmd+Right Arrow

Up Up Arrow

Extend Selection Up Shift+Up Arrow

Extend Selection Up Add Cntrl/Cmd+Shift+Up Arrow

Skip Up Cntrl/Cmd+Up Arrow

Down Down Arrow

Extend Selection Down Shift+Down Arrow

Extend Selection Down Add Cntrl/Cmd+Shift+Down Arrow

Skip Down Cntrl/Cmd+Down Arrow

Page Up Page Up

Extend Selection Page Up Shift+Page Up

Extend Selection Page Up Add Cntrl/Cmd+Shift+Page Up

Skip Page Up Cntrl/Cmd+Page Up

Page Down Page Down

Extend Selection Page Down Shift+Page Down

Extend Selection Page Down Add Cntrl/Cmd+Shift+Page Down

Skip Page Down Cntrl/Cmd+Page Down

Start Home

Extend Selection Start Shift+Home

Extend Selection Start Add Cntrl/Cmd+Shift+Home

Reference | 2.4 Key Commands 30

Skip Start Cntrl/Cmd+Home

End End

Extend Selection End Shift+End

Extend Selection End Add Cntrl/Cmd+Shift+End

Skip End Cntrl/Cmd+End

31 Real‐World Applications

REAL-WORLD APPLICATIONS

This part of the Capture reference manual contains information on practical applications and scenarios when using Capture and StudioLive together and assumes a basic knowledge of both.

Real‐World Applications 32

3.1 Live Recording

When recording live, most people usually make a single, continuous multitrack recording. This involves record‐enabling Audio Tracks in Capture, triggering recording, and continuing to record until the performance is done. The following describes aspects of the live‐recording workflow using the StudioLive mixer and Capture.

StudioLive Mixing and Recording a Live Performance

The StudioLive mixer is capable of mixing your live show with stunning flexibility and ease, while Capture records the show to your computer. This is possible because each input channel on the StudioLive mixer has a hardwired output that continuously streams audio over FireWire to your computer, and Capture is designed to receive and record this stream.

Once the StudioLive mixer has been set up to mix a live performance, you will need to decide, individually for each StudioLive channel, whether to add pre‐ or post‐Fat Channel dynamics processing and EQ to the signal before it is sent to the computer. To switch between pre/post processing, press the Post button (Dig Out subsection) in the Fat Channel section for each input channel on the StudioLive mixer. If the Post button is illuminated, the channel’s signal will be sent to your computer after it is processed in the Fat Channel; if the Post button is not illuminated, the signal will be sent without Fat Channel EQ and dynamics processing.

After setting the input channels on the StudioLive mixer for pre/post processing, the next step is to launch Capture and create a new Session. Once in the new Session, record enable each Audio Track you would like to use, or just record enable all of the Audio Tracks by clicking on the Arm All button at the top of the Track column. If audio is streaming in from the StudioLive and the Audio Tracks are record‐enabled, you should see each track’s input level displayed in the track’s level meter in the meter bridge.

• You should set input levels for each input channel on the StudioLive mixer while preparing to mix the live performance. If the hardware inputs on the StudioLive mixer are not clipping, you do not need to worry about clipping in Capture.

Once the desired tracks are record‐enabled and you have verified input levels in Capture’s meter bridge, you are ready to begin recording.

Worry Free Live Recording

Many people are concerned when a computer is involved while mixing a live show. While Capture has been engineered to be remarkably stable, there are many variables on any given computer beyond Capture’s control.

This is why the StudioLive mixer has been designed to be completely independent of any computer to which it is connected. The FireWire connection to the computer simply allows the computer to receive audio outputs that are completely independent from all other channels in the StudioLive mixer. Even if the computer blows up during the live show, your live mix will be completely unaffected. You can mix and record a live performance using the StudioLive mixer and Capture with complete confidence.


Insert Markers While Recording

It is highly recommended that markers be inserted during the recording of a live performance, as the markers will make the rest of the production process much easier. Each of the examples that follow begins with the same scenario:

You are mixing and recording a live show using the StudioLive mixer and Capture. You start recording before the start of the actual performance, and you will not stop recording until the end of the performance. During the performance, you insert a marker during the break between each song of the ten‐song set. At the end of the set, you stop recording and save the Session. You are then ready to shut down your system. (Remember to shut down in the proper sequence: first turn the master level down on the StudioLive mixer, then turn off power amps and speakers, shut down the computer, and power down the StudioLive, in that order.)

Basic Example

The band you recorded the previous night comes over the next day to check out the recordings. You launch Capture, open the Session, and begin playback through the StudioLive mixer. After half a minute of tense silence while the band wonders what went wrong, you realize that the band did not start the actual performance until 20 minutes after you started recording because the lead singer took so long to get on stage.

You click on the Next Marker button in the Capture Transport to quickly advance to the next marker, which is the first song of the set, and the band perks up. The band thinks they played terribly during the first song, and they want to skip to the next song to see if they did any better. You click on the Next Marker button again, and the next song starts immediately. The band listens to a bit of each song, and you skip through the whole set within a few minutes as if you were skipping through finished tracks on a CD.

The band is so impressed with the quality of the recording and your production skills, they hire you on the spot to mix the show and turn it into a live‐performance album they can release to their adoring fans.

Advanced Example

The day after the gig, you prepare to mix the previous night’s live recording in your personal studio. You realize that each song will probably be mixed in a different way. Wouldn’t it be convenient if you could break up the original, continuous recording of the entire set of ten songs so you could work on one song at a time? With Capture, you can use the markers you inserted between each song to automatically generate all the multitrack files for each individual song.

To do this, first open the original Session. If you have not already done so, rename each marker to the desired name for each song. Then, select Export to Audio File from the Session menu. In the Export to Audio File menu’s Options section, select Export Tracks and Each Marker, and set the Format to the desired file‐format settings. Then click OK. Capture will then automatically generate separate audio files for each track in each song. The names and files will be based on the name you specified in the Export to Audio File menu, the names of the markers, and the track names in your Session (Export Name‐Track Name‐Marker Name). You can then import the files for each song into a new Capture Session, or into an audio editing program, to be mixed with the StudioLive mixer.

A few days after the original performance, you have finished producing a ten‐song live album for the band you recorded, and they could not be more impressed.

Real‐World Applications 34

3.2 Studio Recording

The studio‐recording process often appears very different from the live‐recording process. However, the StudioLive mixer and Capture are equally at home in the studio and in concert. The following describes aspects of the studio‐recording workflow using the StudioLive mixer and Capture.

Overdubbing

In a studio‐recording session, as opposed to recording live, you might wish to record on only a few tracks, or on a single track at a time, and then record more later. This process of adding to your recorded tracks later is called overdubbing. Using Capture and the StudioLive mixer, you can play recorded audio on any tracks through the StudioLive mixer and simultaneously record new audio to tracks in Capture.

To do this, it is a good idea to first establish a good mix to listen to while recording. Just as when creating monitor mixes for a live performance with the StudioLive mixer, you can create a number of mixes to listen to as required. For instance, you might create a stereo mix of the playback from Capture on Auxes 1 and 2 for a guitarist who is about to overdub a lead guitar part. To accomplish this, do the following:

• For all input channels on the StudioLive mixer on which you wish to play tracks from Capture, engage the FireWire return by pressing each channel’s FireWire Input Select switch (near the top of the channel strip) so that it illuminates. This will route the output of the tracks in Capture to their respective input channels on the StudioLive mixer.

• Start playback in Capture. The output from each track in Capture will play through their respective input channels on the StudioLive mixer (Capture Track 1 on StudioLive Channel 1, etc.).

• At this point, link Aux 1 and 2 on the StudioLive mixer and create a mix for the linked Aux1/2 by adjusting the level for each input channel that has playback coming from Capture. This is a stereo aux mix, so you can also access the pan for each input channel in the mix by pressing the Mix/Pan button for Aux 2. (For details on how to set aux mixes, see Section 2.7 of the StudioLive manual.)

• Now you can plug the guitar or guitar‐amp mic into an input channel on the StudioLive mixer and set the input level as you normally would. Then add the guitar‐input channel to the Aux 1/2 mix that the guitarist will listen to so he can hear himself.

• If you record‐enable the Audio Track that corresponds to the guitar input channel in Capture, you should see that track’s level meter showing live input in the meter bridge.

With the Aux 1/2 mix set so that the guitarist can hear his live guitar‐playing and the tracks from Capture, you are ready to record the lead guitar. You can position the playback cursor to any point in the Timeline so that recording starts there or just start recording from the beginning of the Session. Once you have the lead‐guitar part recorded, you might find a few things you would like to correct in the part. This is where punching, as described in the next section, comes in handy.


Punching

Recording can be activated at any time, even during normal playback. Among other possibilities, this enables you to record over parts of existing Audio Events on the fly, which is usually called punching. To punch in on any Audio Tracks, the first step is to record enable the tracks. Then start playback near the area where you wish to record.

When the location in which you wish to start recording is reached, you can quickly enable recording by pressing [R] on the keyboard. A new Audio Event will begin recording from that point on the record‐enabled tracks. When you reach the location where you wish to stop recording, punch out by pressing [R] on the keyboard again.

A continuation of the example from the Overdubbing section above would look as follows:

• The guitarist missed a few key notes while recording his killer lead part. You tell him to play the same part again as before, but with the corrected notes, while you record another take.

• The guitar’s track is still record‐enabled. Don’t add the guitar track from Capture to the aux mix you created before; the guitarist needs to hear his live playing on his guitar’s StudioLive input channel, not the recorded track.

• This time around, you will punch in the right notes by starting recording in the Transport just before each bad note, and stopping recording just after each bad note. Playback will continue to roll the entire time so the guitarist will hear everything normally.

Notes 36

NOTES

37 Notes

Index 38

INDEX

A

Activate Recording ....................... 17 Add Track ..................................... 10 Arrow Tool ........ 8, See Mouse Tools Audio Device ............................ 7, 13 Audio Event .................................. 18 Audio I/O Setup ........................... 14 Audio Tracks ................................ 16

E

Edit Window ................................ 10 Eraser Tool ........ 9, See Mouse Tools Export Audio ................................ 25

I

Import Audio .......................... 10, 22

K

Key Commands ........................ 5, 28

L

Loop ............................................ 21

M

Main Source Selection ................. 16 Markers ....................................... 21 Meter Bridge ................................. 8 Mixdown ..................................... 24 Mixing ......................................... 24 Monitoring .................................. 16 Mouse Tools ............................. 8, 18

O

Open TL Export ............................ 26 Overdubbing ............................... 35

P

Punching ..................................... 35

R

Range Tool ....... 8, See Mouse Tools

record enable .............................. 16 Recording Format ........................ 17 Redo ................................. See Undo

S

Sample rate ............................. 7, 25 Sample Rate ................................... 7 Scrolling ....................................... 20 Session ........................................... 7 Session Navigation ...................... 20 Song ............................................... 7 Splice Tool ........ 8, See Mouse Tools Start Page ............................ 6, 7, 13

T

Transport ....................................... 8

U

Undo ............................................ 11

Z

Zooming ....................................... 20